Italian commedia dellarte hi-res stock photography and images

Commedia dell'arte Italian. 16th century. Engraving, 19th century. Stock Photo

RMEP26TX–Commedia dell'arte Italian. 16th century. Engraving, 19th century.

Commedia dell'Arte, Italian, 16th century. A couple dances outdoors. A male masked figure plays a stringed instrument. Stock Photo

RMERHJ5T–Commedia dell'Arte, Italian, 16th century. A couple dances outdoors. A male masked figure plays a stringed instrument.

Ecole flamande Représentation de la Commedia dell'arte par la troupe des Gelosi (1571-1604), avec Isabella Andreini 16e siècle Huile sur toile Paris, musée Carnavalet Stock Photo

RMGG2JN8–Ecole flamande Représentation de la Commedia dell'arte par la troupe des Gelosi (1571-1604), avec Isabella Andreini 16e siècle Huile sur toile Paris, musée Carnavalet

Brighella, a character from the Italian Commedia dell'arte. Liebig card series (1888). Stock Photo

RMERGE3K–Brighella, a character from the Italian Commedia dell'arte. Liebig card series (1888).

Part of a Medieval manuscript showing a Punch and Judy show , though its name at that time may have been different. It shows that the entertainment has origins long before the usually accepted 16th century Italian commedia dell'arte Stock Photo

RMW6PF9R–Part of a Medieval manuscript showing a Punch and Judy show , though its name at that time may have been different. It shows that the entertainment has origins long before the usually accepted 16th century Italian commedia dell'arte

Pulcinella, Italian Commedia dell'Arte character, acting in his traditional costume. Old Illustration by unidentified author published on Magasin Pittoresque Paris 1834 Stock Photo

RFK37GFA–Pulcinella, Italian Commedia dell'Arte character, acting in his traditional costume. Old Illustration by unidentified author published on Magasin Pittoresque Paris 1834

Harlequina. Culture: German, Nymphenburg. Dimensions: Height: 8 in. (20.3 cm). Manufactory: Nymphenburg Porcelain Manufactory (German, 1747-present). Modeler: Franz Anton Bustelli (Swiss, Locarno ca. 1720-1763 Munich). Date: ca. 1763. In the eighteenth century, porcelain figures depicting characters from the Italian commedia dell'arte were extremely popular. The various characters that comprised a typical Italian comedy troupe were instantly recognizable to the audience because of their costumes, and the details of these costumes were faithfully copied in the porcelain figures. The male figur Stock Photo

RMPA96R9–Harlequina. Culture: German, Nymphenburg. Dimensions: Height: 8 in. (20.3 cm). Manufactory: Nymphenburg Porcelain Manufactory (German, 1747-present). Modeler: Franz Anton Bustelli (Swiss, Locarno ca. 1720-1763 Munich). Date: ca. 1763. In the eighteenth century, porcelain figures depicting characters from the Italian commedia dell'arte were extremely popular. The various characters that comprised a typical Italian comedy troupe were instantly recognizable to the audience because of their costumes, and the details of these costumes were faithfully copied in the porcelain figures. The male figur

Medieval soldier character, full body displayed, with very rich clothes in the act of draw his sword. Old illustration of Capitan Matamoros (Italian Commedia dell'Arte). Magasin Pittoresque Paris 1848 Stock Photo

RFT7XWP9–Medieval soldier character, full body displayed, with very rich clothes in the act of draw his sword. Old illustration of Capitan Matamoros (Italian Commedia dell'Arte). Magasin Pittoresque Paris 1848

Commedia dell'Arte in Venice. On the Rialto bridge. Stock Photo

RMKE2M4N–Commedia dell'Arte in Venice. On the Rialto bridge.

Commedia dell'arte Italian. 16th century. Engraving, 19th century. Colored. Stock Photo

RMEWTF9T–Commedia dell'arte Italian. 16th century. Engraving, 19th century. Colored.

. English: The sitter has been identified as Giulio Mascheroni of Bologna (see the References field). Formerly believed to be the Italian commedia dell'arte actor Giovanni Gabrielli. German: Porträt eines Lautenspielers Portrait of a Lute Player. circa 1600. Annibale Carracci 004 Stock Photo

RMMMPHN5–. English: The sitter has been identified as Giulio Mascheroni of Bologna (see the References field). Formerly believed to be the Italian commedia dell'arte actor Giovanni Gabrielli. German: Porträt eines Lautenspielers Portrait of a Lute Player. circa 1600. Annibale Carracci 004

Brighella ancient comic masked character from the Italian Commedia dell'arte playing a guitar on stage. Old Illustration by unidentified author publ. on Magasin Pittoresque Paris 1834 Stock Photo

RFK37FCA–Brighella ancient comic masked character from the Italian Commedia dell'arte playing a guitar on stage. Old Illustration by unidentified author publ. on Magasin Pittoresque Paris 1834

. English: Thought to be a portrait of the Italian commedia dell'arte actor Francesco Andreini, detail from a fresco lunette in the Great Cloister of the church of Santissima Annunziata, Florence . circa 1607. Francesco Andreini in a fresco by Bernardino Poccetti in the Chiostro Grande, SS Annunziata, Florence Stock Photo

RMMMH5F4–. English: Thought to be a portrait of the Italian commedia dell'arte actor Francesco Andreini, detail from a fresco lunette in the Great Cloister of the church of Santissima Annunziata, Florence . circa 1607. Francesco Andreini in a fresco by Bernardino Poccetti in the Chiostro Grande, SS Annunziata, Florence

Engraving portrait of Count Carlo Gozzi ( 1720 - 1806) Italian playwright from Venice, successful in introducing supernatural and mythical element to the Italian Commedia dell'arte for satirical purposes. Stock Photo

RF2BT7PJ3–Engraving portrait of Count Carlo Gozzi ( 1720 - 1806) Italian playwright from Venice, successful in introducing supernatural and mythical element to the Italian Commedia dell'arte for satirical purposes.

. English: Engraved portrait of Giovanni Gabrielli, Italian commedia dell'arte actor Portrait of Giovanni Gabrielli, called 'Il Sivello'. circa 1599. Agostino Carracci (1557–1602) Description Italian painter, engraver and draughtsman Date of birth/death 16 August 1557 22 March 1602 Location of birth/death Bologna Parma Work location Rome (1581); Venice (1582); Milan (1583); Cremona (1585); Rome (1594); Bologna (1595); Parma (1597); Bologna (1600); Bologna (1583 - 1584); Parma (1586 - 1587); Venice (1588 - 1589); Bologna (1589 - 1594); Rome (1597 - 1600); Parma (1600 - 1602) Author Stock Photo

RMMMK17Y–. English: Engraved portrait of Giovanni Gabrielli, Italian commedia dell'arte actor Portrait of Giovanni Gabrielli, called 'Il Sivello'. circa 1599. Agostino Carracci (1557–1602) Description Italian painter, engraver and draughtsman Date of birth/death 16 August 1557 22 March 1602 Location of birth/death Bologna Parma Work location Rome (1581); Venice (1582); Milan (1583); Cremona (1585); Rome (1594); Bologna (1595); Parma (1597); Bologna (1600); Bologna (1583 - 1584); Parma (1586 - 1587); Venice (1588 - 1589); Bologna (1589 - 1594); Rome (1597 - 1600); Parma (1600 - 1602) Author

Carlo, Count Gozzi, 1720 – 1806. Italian playwright and defender of Commedia dell'Arte. Stock Photo

RMPT1M0W–Carlo, Count Gozzi, 1720 – 1806. Italian playwright and defender of Commedia dell'Arte.

La Comédie Italienne is a theatre in the Montparnasse district of Paris, presenting Italian commedia dell'arte plays in French translation. Stock Photo

RM2WRR00K–La Comédie Italienne is a theatre in the Montparnasse district of Paris, presenting Italian commedia dell'arte plays in French translation.

1920s, historical, a young girl standing outside in a garden wearing a fashionable outfit of the era, that of a harlequin, pierrot or clown, with hat, chequed sleeved trouser suit with wide belt or cummerband, England, UK. A pierrot is a character of pantomine and Italian commedia dell'arte. Stock Photo

RM2A6TPWX–1920s, historical, a young girl standing outside in a garden wearing a fashionable outfit of the era, that of a harlequin, pierrot or clown, with hat, chequed sleeved trouser suit with wide belt or cummerband, England, UK. A pierrot is a character of pantomine and Italian commedia dell'arte.

COMMEDIA DELL'ARTE Italian drawing, c 1600 Stock Photo

RMKF2R87–COMMEDIA DELL'ARTE Italian drawing, c 1600

1950s, historical, a small group of children sitting on the grass at a seaside park watching a traditional Punch & Judy show, England, UK. Punch and Judy is a comedy puppet show in a booth featuring two main characters, Mr Punch and his wife Judy and other assorted characters. An historic entertainment form, it has its roots in the 16th-century Italian 'Commedia dell'arte'. Traditionally set up at or near the seaside to entertain a family audience who are on holiday, the characters are operated by a single puppeteer inside the booth. Stock Photo

RM2BX2FXD–1950s, historical, a small group of children sitting on the grass at a seaside park watching a traditional Punch & Judy show, England, UK. Punch and Judy is a comedy puppet show in a booth featuring two main characters, Mr Punch and his wife Judy and other assorted characters. An historic entertainment form, it has its roots in the 16th-century Italian 'Commedia dell'arte'. Traditionally set up at or near the seaside to entertain a family audience who are on holiday, the characters are operated by a single puppeteer inside the booth.

COMMEDIA DELL'ARTE Italian Comedy - After oil painting by Lancret (1690-1743) showing characters from the Commedia dell'Arte Stock Photo

RMK6WFRW–COMMEDIA DELL'ARTE Italian Comedy - After oil painting by Lancret (1690-1743) showing characters from the Commedia dell'Arte

Adriaen Collaert Flemish school Cityscape with italian commedia dell'arte scene in the foreground and street scenes in the background including another theatre performance and the chase after a loose bull. Engraving 16th century Engraving London, British Stock Photo

RMGG2GG2–Adriaen Collaert Flemish school Cityscape with italian commedia dell'arte scene in the foreground and street scenes in the background including another theatre performance and the chase after a loose bull. Engraving 16th century Engraving London, British

Tartaglia, a character from the Italian Commedia dell'arte. Liebig card series (1888). Stock Photo

RMERGE3M–Tartaglia, a character from the Italian Commedia dell'arte. Liebig card series (1888).

RMW6PF69–Part of a Medieval manuscript showing a Punch and Judy show , though its name at that time may have been different. It shows that the entertainment has origins long before the usually accepted 16th century Italian commedia dell'arte

Gilles as Pierrot' by Jean-Antoine WATTEAU (1684-1721) French artist. Oil on canvas. Louvre, Paris. Pierrot (Pedrolino in original Italian commedia dell'arte), naïve, unsuccessful lover, played in baggy white satin suit and whitened, unmasked face. Othe Stock Photo

RMHTMM2Y–Gilles as Pierrot' by Jean-Antoine WATTEAU (1684-1721) French artist. Oil on canvas. Louvre, Paris. Pierrot (Pedrolino in original Italian commedia dell'arte), naïve, unsuccessful lover, played in baggy white satin suit and whitened, unmasked face. Othe

Harlequin. Culture: German, Neudeck-Nymphenburg. Dimensions: Height: 7 7/8 in. (20 cm). Factory: Nymphenburg Porcelain Manufactory (German, 1747-present). Modeler: Franz Anton Bustelli (Swiss, Locarno ca. 1720-1763 Munich). Date: ca. 1760. In the eighteenth century, porcelain figures depicting characters from the Italian commedia dell'arte were extremely popular. The various characters that comprised a typical Italian comedy troupe were instantly recognizable to the audience because of their costumes, and the details of these costumes were faithfully copied in the porcelain figures. The male Stock Photo

RMPAKT0X–Harlequin. Culture: German, Neudeck-Nymphenburg. Dimensions: Height: 7 7/8 in. (20 cm). Factory: Nymphenburg Porcelain Manufactory (German, 1747-present). Modeler: Franz Anton Bustelli (Swiss, Locarno ca. 1720-1763 Munich). Date: ca. 1760. In the eighteenth century, porcelain figures depicting characters from the Italian commedia dell'arte were extremely popular. The various characters that comprised a typical Italian comedy troupe were instantly recognizable to the audience because of their costumes, and the details of these costumes were faithfully copied in the porcelain figures. The male

Water color; Performers of a Commedia dell'Arte, Saverio della Gatta, Italian, 1777 - 1829, Pen and black ink and water colors on paper., Horizontal rectangle. Pulcinella carrying a horn in his right hand and pointing with the left forefinger upon someone, stands upon a podium in front of the corner of a structure in the neighborhood of the Castel Nuovo in Naples. Beside him stands a girl in the attire of a page of the later 16th century and playing violin. Two cloths with paintings hang as posters above the entrance door. Women and children are at right; children, a woman and men Stock Photo

RM2DN2M88–Water color; Performers of a Commedia dell'Arte, Saverio della Gatta, Italian, 1777 - 1829, Pen and black ink and water colors on paper., Horizontal rectangle. Pulcinella carrying a horn in his right hand and pointing with the left forefinger upon someone, stands upon a podium in front of the corner of a structure in the neighborhood of the Castel Nuovo in Naples. Beside him stands a girl in the attire of a page of the later 16th century and playing violin. Two cloths with paintings hang as posters above the entrance door. Women and children are at right; children, a woman and men

Turin, Italy. 23 June 2023. Two people wearing traditional costumes of Gianduja (R) and Giacometta (L), two of the masks of the Italian commedia dell'arte, greet the crowd during a historical parade part of celebration for St. John's Day. The Nativity of John the Baptist (San Giovanni Battista) is observed annually on 24 and it is public holiday in Turin as St. John is the patron saint of the city. Credit: Nicolò Campo/Alamy Live News Stock Photo

RM2R92HPM–Turin, Italy. 23 June 2023. Two people wearing traditional costumes of Gianduja (R) and Giacometta (L), two of the masks of the Italian commedia dell'arte, greet the crowd during a historical parade part of celebration for St. John's Day. The Nativity of John the Baptist (San Giovanni Battista) is observed annually on 24 and it is public holiday in Turin as St. John is the patron saint of the city. Credit: Nicolò Campo/Alamy Live News

RMANKWF6–Commedia Dellarte Kunst

Art inspired by Harlequina, ca. 1763, German, Nymphenburg, Hard-paste porcelain, Height: 8 in. (20.3 cm), Ceramics-Porcelain, In the eighteenth century, porcelain figures depicting characters from the Italian commedia dell'arte were extremely popular. The various characters that, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW7A7–Art inspired by Harlequina, ca. 1763, German, Nymphenburg, Hard-paste porcelain, Height: 8 in. (20.3 cm), Ceramics-Porcelain, In the eighteenth century, porcelain figures depicting characters from the Italian commedia dell'arte were extremely popular. The various characters that, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Four Characters from Commedia dell'arte, an improvised kind of popular comedy in Italian theatres in the 16th18th centuries, based on stock characters. Actors adapted their comic dialogue and action according to a few basic plots (commonly love intrigues) and to topical issues. Date: circa 18th century Stock Photo

RMTWB5FK–Four Characters from Commedia dell'arte, an improvised kind of popular comedy in Italian theatres in the 16th18th centuries, based on stock characters. Actors adapted their comic dialogue and action according to a few basic plots (commonly love intrigues) and to topical issues. Date: circa 18th century

Art inspired by Mezzetin, ca. 1718–20, Oil on canvas, 21 3/4 x 17 in. (55.2 x 43.2 cm), Paintings, Antoine Watteau (French, Valenciennes 1684–1721 Nogent-sur-Marne), Mezzetin, a stock comic character of the Italian commedia dell'arte, became an established performer on the Paris stage, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTY44T–Art inspired by Mezzetin, ca. 1718–20, Oil on canvas, 21 3/4 x 17 in. (55.2 x 43.2 cm), Paintings, Antoine Watteau (French, Valenciennes 1684–1721 Nogent-sur-Marne), Mezzetin, a stock comic character of the Italian commedia dell'arte, became an established performer on the Paris stage, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

TORINO, ITALY - February 2008: The bust of Luigi Lupi between Gianduja and Harlequin, masks of the italian Commedia dell'Arte, in the Puppet Museum of Stock Photo

RF2AFCTER–TORINO, ITALY - February 2008: The bust of Luigi Lupi between Gianduja and Harlequin, masks of the italian Commedia dell'Arte, in the Puppet Museum of

Pedrolino costume dated 1673 drawn by Maurice Sand, published in 1860. Commedia dell' Arte character. Italian version of French Pierrot la lune. He wears a hat, a ruffled collar. Stock Photo

RMKE2MCM–Pedrolino costume dated 1673 drawn by Maurice Sand, published in 1860. Commedia dell' Arte character. Italian version of French Pierrot la lune. He wears a hat, a ruffled collar.

Jacques Callot. The Two Pantaloons. 1616. France. Etching on paper Jacques Callot peopled his lively etchings with clowns, beggars, and stock figures from the Italian Commedia dell’arte (the improvisational street theater of the day). Spectacles, theatrical attire, and awkward posture mark both of the foreground men as the Commedia’s elderly, miserly, and lecherous character type, called Pantalone. They appear in stark contrast to the elegant nobles dallying in the background. Stock Photo

RM2AHRX8H–Jacques Callot. The Two Pantaloons. 1616. France. Etching on paper Jacques Callot peopled his lively etchings with clowns, beggars, and stock figures from the Italian Commedia dell’arte (the improvisational street theater of the day). Spectacles, theatrical attire, and awkward posture mark both of the foreground men as the Commedia’s elderly, miserly, and lecherous character type, called Pantalone. They appear in stark contrast to the elegant nobles dallying in the background.

RM2WRR00M–La Comédie Italienne is a theatre in the Montparnasse district of Paris, presenting Italian commedia dell'arte plays in French translation.

Karel Dujardin (1622-1678). Dutch Golden Age painter. Commedia dell'arte show or Italian charlatans, 1657. Louvre Museum. Paris. Stock Photo

RMFKJBRK–Karel Dujardin (1622-1678). Dutch Golden Age painter. Commedia dell'arte show or Italian charlatans, 1657. Louvre Museum. Paris.

Italy. Commedia dell'arte. Costumes. 16th century. Engraving. Stock Photo

RMGD7ARK–Italy. Commedia dell'arte. Costumes. 16th century. Engraving.

El minuet 1756 by Giovanni Domenico Tiepolo, 1727-1804. Oil on canvas. The minuet is inspired by the protagonists in the 'Commedia dell'arte' by Carlo Goldoni. Stock Photo

RM2A5YTW4–El minuet 1756 by Giovanni Domenico Tiepolo, 1727-1804. Oil on canvas. The minuet is inspired by the protagonists in the 'Commedia dell'arte' by Carlo Goldoni.

Vintage or Old Advert, Advertisement, Publicity or Illustration for Meissen Porcelaine or Meissen China with Commedia dell'Arte or Comedia del Arte Figures or Figurines 1956 Stock Photo

RM2M7M7JE–Vintage or Old Advert, Advertisement, Publicity or Illustration for Meissen Porcelaine or Meissen China with Commedia dell'Arte or Comedia del Arte Figures or Figurines 1956

Vintage engraving of the 19th century: Pantalone. 1811 Pantalone is one of the most important principal characters found in commedia dell'arte. With his exceptional greed and status at the top of the social order, Pantalone is 'money' in the commedia world. His full name, including family name, is Pantalon de' Bisognosi, Italian for 'Pantalone of the Needy'. Stock Photo

RM2XFM9Y2–Vintage engraving of the 19th century: Pantalone. 1811 Pantalone is one of the most important principal characters found in commedia dell'arte. With his exceptional greed and status at the top of the social order, Pantalone is 'money' in the commedia world. His full name, including family name, is Pantalon de' Bisognosi, Italian for 'Pantalone of the Needy'.

Pulcinella, a character from the Italian Commedia dell'arte. Often called Punch or Pulchinello in English, or Polichinelle in Stock Photo

RMERGE3J–Pulcinella, a character from the Italian Commedia dell'arte. Often called Punch or Pulchinello in English, or Polichinelle in

Les masques italiens de la Commedia dell'Arte - 17eme et 18eme siecle - engraving from 'Usi e Costumi di Tutti i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri' 1856 Stock Photo

RM2N4C7KA–Les masques italiens de la Commedia dell'Arte - 17eme et 18eme siecle - engraving from 'Usi e Costumi di Tutti i Popoli dell'Universo. Ovvero Storia del governo, delle leggi, della milizia, della religione di tutte le nazioni dai piu remoti tempi fino ai giorni nostri' 1856

Nicocolo Barbieri 1586 - 1641 Italian writer and actor of the commedia dell'arte . Barbieri was a successful author and actor. Besides plays, he wrote essays on theatre; his prominent essay is La supplica. Discorso famigliare a quelli che trattano de' comici (1634), a passionate apology of theatre and actors. Stock Photo

RMD98RTB–Nicocolo Barbieri 1586 - 1641 Italian writer and actor of the commedia dell'arte . Barbieri was a successful author and actor. Besides plays, he wrote essays on theatre; his prominent essay is La supplica. Discorso famigliare a quelli che trattano de' comici (1634), a passionate apology of theatre and actors.

The Italian Comedians, about 1720. Additional Info: Five comedians have just finished their performance in a verdant park on the outskirts of Paris and look expectantly at their audience. Pierrot, the clown in a baggy white suit, is already holding his hat in his hand, hoping that a few coins might be thrown into it.<br/><br/>Flanking Pierrot are four other performers dressed as characters from the Italian commedia dell'arte , which enjoyed great popularity in 18th-century Paris. Stock Photo

RM2YBDG80–The Italian Comedians, about 1720. Additional Info: Five comedians have just finished their performance in a verdant park on the outskirts of Paris and look expectantly at their audience. Pierrot, the clown in a baggy white suit, is already holding his hat in his hand, hoping that a few coins might be thrown into it.<br/><br/>Flanking Pierrot are four other performers dressed as characters from the Italian commedia dell'arte , which enjoyed great popularity in 18th-century Paris.

COMEDIE ITALIENNE THEATER, PARIS Stock Photo

RF2E31R60–COMEDIE ITALIENNE THEATER, PARIS

Close up of Mr Punch puppet in a Punch and Judy Show. Such shows are an old, traditional feature of the British Seaside or end of pier children's show Stock Photo

RF2DCMYGW–Close up of Mr Punch puppet in a Punch and Judy Show. Such shows are an old, traditional feature of the British Seaside or end of pier children's show

Twee Dansers, Jacques Callot, 1616 print Two dancing figures from the Italian commedia dell'arte. In the background an open space in a village, where beautifully dressed ladies and gentlemen are watching the dancers. Florence paper etching Types in 'Comedy of art': trousers. Male Dancer. Dancing Stock Photo

RM2WFNP1R–Twee Dansers, Jacques Callot, 1616 print Two dancing figures from the Italian commedia dell'arte. In the background an open space in a village, where beautifully dressed ladies and gentlemen are watching the dancers. Florence paper etching Types in 'Comedy of art': trousers. Male Dancer. Dancing

Commedia dell'arte - Italian theatre. Actors and actresses leaving theatre, 1697. Typical 17th century fashion. Dramatic gestures Stock Photo

RMKD6NX9–Commedia dell'arte - Italian theatre. Actors and actresses leaving theatre, 1697. Typical 17th century fashion. Dramatic gestures

RMTWB5JK–Four Characters from Commedia dell'arte, an improvised kind of popular comedy in Italian theatres in the 16th18th centuries, based on stock characters. Actors adapted their comic dialogue and action according to a few basic plots (commonly love intrigues) and to topical issues. Date: circa 18th century

Harlequin ca. 1760 Nymphenburg Porcelain Manufactory In the eighteenth century, porcelain figures depicting characters from the Italian commedia dell'arte were extremely popular. The various characters that comprised a typical Italian comedy troupe were instantly recognizable to the audience because of their costumes, and the details of these costumes were faithfully copied in the porcelain figures. The male figure illustrated here depicts Harlequin, the principal character of the commedia dell'arte, who always wears a suit composed of brightly colored patches. The female figure (see 1974.356. Stock Photo

RM2HJ0N9T–Harlequin ca. 1760 Nymphenburg Porcelain Manufactory In the eighteenth century, porcelain figures depicting characters from the Italian commedia dell'arte were extremely popular. The various characters that comprised a typical Italian comedy troupe were instantly recognizable to the audience because of their costumes, and the details of these costumes were faithfully copied in the porcelain figures. The male figure illustrated here depicts Harlequin, the principal character of the commedia dell'arte, who always wears a suit composed of brightly colored patches. The female figure (see 1974.356.

RMG381G1–Commedia Dell'Arte - Kunst

Harlequina ca. 1763 Franz Anton Bustelli Swiss Bustelli modeled sixteen characters from the Italian commedia dell'arte, the lively improvisatory theater that came to life in the sixteenth century. Harlequin was the commedia's principal character, always dressed in a brightly colored suit of triangular patches. Sometimes he was accompanied by Columbine, who played different roles in the plays. Here Harlequina wears the same patchwork costume as her partner. Although some of Bustelli's figures were inspired by engravings, they all have a sense of graceful movement that suggests the artist's firs Stock Photo

RM2HH5D93–Harlequina ca. 1763 Franz Anton Bustelli Swiss Bustelli modeled sixteen characters from the Italian commedia dell'arte, the lively improvisatory theater that came to life in the sixteenth century. Harlequin was the commedia's principal character, always dressed in a brightly colored suit of triangular patches. Sometimes he was accompanied by Columbine, who played different roles in the plays. Here Harlequina wears the same patchwork costume as her partner. Although some of Bustelli's figures were inspired by engravings, they all have a sense of graceful movement that suggests the artist's firs

Captain Drie acteurs (serietitel) In the foreground, an actor who is a figure represents the Italian commedia dell'arte (Capitano), in a nutshell, with plumed cap, pointing his right hand extended. In the background you can see how this Capitano on stage for audience plays its role. Among the performance, a blank margin. This print is part of a series of three prints with commedia dell'arte-figuren. Manufacturer : print maker: Jacques Callotnaar own design: Jacques CallotPlaats manufacture: Florence Date: 1619 Physical characteristics: etching and engra material: paper Technique: etching / eng Stock Photo

RM2B6FYD8–Captain Drie acteurs (serietitel) In the foreground, an actor who is a figure represents the Italian commedia dell'arte (Capitano), in a nutshell, with plumed cap, pointing his right hand extended. In the background you can see how this Capitano on stage for audience plays its role. Among the performance, a blank margin. This print is part of a series of three prints with commedia dell'arte-figuren. Manufacturer : print maker: Jacques Callotnaar own design: Jacques CallotPlaats manufacture: Florence Date: 1619 Physical characteristics: etching and engra material: paper Technique: etching / eng

RM2WRR00W–La Comédie Italienne is a theatre in the Montparnasse district of Paris, presenting Italian commedia dell'arte plays in French translation.

RMFKJBCE–Karel Dujardin (1622-1678). Dutch Golden Age painter. Commedia dell'arte show or Italian charlatans, 1657. Louvre Museum. Paris.

The French Comedians ca. 1720 Antoine Watteau French The costumes and repertoire of French comedians was distinct from Watteau’s favored Italian commedia dell’arte. This painting’s principal male figure is dressed in an old-fashioned, formal costume that in the eighteenth century would have been appropriate for a subject from antiquity. Typical of Watteau, however, the scene is entirely imaginary and does not align with any known opera or play. The entrance from backstage of Crispin, a character from the commedia dell’arte, underscores the improbability of the scene. Infrared reflectography sh Stock Photo

RM2HHPGKA–The French Comedians ca. 1720 Antoine Watteau French The costumes and repertoire of French comedians was distinct from Watteau’s favored Italian commedia dell’arte. This painting’s principal male figure is dressed in an old-fashioned, formal costume that in the eighteenth century would have been appropriate for a subject from antiquity. Typical of Watteau, however, the scene is entirely imaginary and does not align with any known opera or play. The entrance from backstage of Crispin, a character from the commedia dell’arte, underscores the improbability of the scene. Infrared reflectography sh

Columbine, Harlequin, Pierrot. Characters of the Italian commedia dell’arte. Vector illustration. Stock character of pantomime Stock Vector

RF2D9C6K4–Columbine, Harlequin, Pierrot. Characters of the Italian commedia dell’arte. Vector illustration. Stock character of pantomime

Two street artists such as Cucorongna and Pernoualla, Jacques Callot, 1621 - 1622 print Two artists with feathered headwear on dancing side by side. Their names are listed among the figures. This print is part of a series of 23 prints (24 incl. Title print) with two street artists in the foreground dressed as figures from the Italian Commedia dell'arte, and in the background spectators who in the outdoors a (dance) performance of street artists Gadeslaan. Nancy paper etching dancing. types in 'commedia dell'arte' Stock Photo

RM2WFJPWE–Two street artists such as Cucorongna and Pernoualla, Jacques Callot, 1621 - 1622 print Two artists with feathered headwear on dancing side by side. Their names are listed among the figures. This print is part of a series of 23 prints (24 incl. Title print) with two street artists in the foreground dressed as figures from the Italian Commedia dell'arte, and in the background spectators who in the outdoors a (dance) performance of street artists Gadeslaan. Nancy paper etching dancing. types in 'commedia dell'arte'

Polichinelle - drawing by Maurice Sand, published in 1860. Commedia dell' Arte character Stock Photo

RM2D9YM4N–Polichinelle - drawing by Maurice Sand, published in 1860. Commedia dell' Arte character

Pantalone, a character from the Italian Commedia dell'arte. (usually a Venetian old man) Liebig card series (1888). Stock Photo

RMERGE3H–Pantalone, a character from the Italian Commedia dell'arte. (usually a Venetian old man) Liebig card series (1888).

'L' Amfiparnaso' by Orazio Vecchi, a madrigal comedy of 1597. Image showing the characters Isabella and Lucio from the 1610 edition of 'L' Amfiparnaso'. OV Italian Composer 6 December 1550 - 19 February 1605. Stock Photo

RMKF0HN5–'L' Amfiparnaso' by Orazio Vecchi, a madrigal comedy of 1597. Image showing the characters Isabella and Lucio from the 1610 edition of 'L' Amfiparnaso'. OV Italian Composer 6 December 1550 - 19 February 1605.

A pantomime theatre production in the classical Italian commedia dell'arte tradition, at Tivoli Gardens, Copenhagen, Denmark Stock Photo

RMEKG0NH–A pantomime theatre production in the classical Italian commedia dell'arte tradition, at Tivoli Gardens, Copenhagen, Denmark

Old illustration depicting Trippa e Frittellino, Italian masks of Commedia dell'Arte. By unidentified author, published on Magasin Pittoresque, 1833. Stock Photo

RFJR078G–Old illustration depicting Trippa e Frittellino, Italian masks of Commedia dell'Arte. By unidentified author, published on Magasin Pittoresque, 1833.

RF2E31R3K–COMEDIE ITALIENNE THEATER, PARIS

Vintage drawing: Arlequin and Colombine, 1811 Stock Photo

RF2PX9MEX–Vintage drawing: Arlequin and Colombine, 1811

Maschere del Teatro della Commedia dell'Arte. Traditional Italian Comedy of the Crafts on side of narrowboat. Stock Photo

RFCTW8R6–Maschere del Teatro della Commedia dell'Arte. Traditional Italian Comedy of the Crafts on side of narrowboat.

Capitano, a stock character in the Commedia dell'arte, with theatrical stage set and spectators in background. Commedia Stock Photo

RMCWAMB4–Capitano, a stock character in the Commedia dell'arte, with theatrical stage set and spectators in background. Commedia

Commedia dell'arte Scene in an Italian Landscape. Stock Photo

RMMPTR6R–Commedia dell'arte Scene in an Italian Landscape.

Two street performers, male and female, dressed as commedia dell'arte characters hiding from the camera on a street in Venice Stock Photo

RMENW1TD–Two street performers, male and female, dressed as commedia dell'arte characters hiding from the camera on a street in Venice

RMPP850M–Commedia dell'arte Italian. 16th century. Engraving, 19th century.

Commedia dell'arte, Pulcinella, vintage illustration from 1800s Stock Photo

RM2E4DWXG–Commedia dell'arte, Pulcinella, vintage illustration from 1800s

Art inspired by Scapin, ca. 1750–52, Italian, Naples, Soft-paste porcelain, H. 5 3/4 in. (14.6 cm.), Ceramics-Porcelain, The role of Scapin in the commedia dell'arte was that of a shrewd, sometimes coniving servant, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW7NA–Art inspired by Scapin, ca. 1750–52, Italian, Naples, Soft-paste porcelain, H. 5 3/4 in. (14.6 cm.), Ceramics-Porcelain, The role of Scapin in the commedia dell'arte was that of a shrewd, sometimes coniving servant, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2WRR00R–La Comédie Italienne is a theatre in the Montparnasse district of Paris, presenting Italian commedia dell'arte plays in French translation.

Commedia dell'arte, Harlequin, vintage illustration from 1900 Stock Photo

RMWCJCAN–Commedia dell'arte, Harlequin, vintage illustration from 1900

RMG39G9K–GOLDONI/COMM DELL'ARTE

Commedia dell'arte, Harlequin, vintage illustration from c1850 Stock Photo

RM2E3JET1–Commedia dell'arte, Harlequin, vintage illustration from c1850

Two street artists such as Cucorongna and Pernoualla, Anonymous, After Jacques Callot, 1622 - 1670 print Two artists with feathered headwear on dancing side by side. Their names are listed among the figures. This print is part of a series of 23 prints (24 incl. Title print) with two street artists in the foreground dressed as figures from the Italian Commedia dell'arte, and in the background spectators who in the outdoors a (dance) performance of street artists Gadeslaan. Low Countries (possibly) paper etching dancing. types in 'commedia dell'arte' Stock Photo

RM2WE0M46–Two street artists such as Cucorongna and Pernoualla, Anonymous, After Jacques Callot, 1622 - 1670 print Two artists with feathered headwear on dancing side by side. Their names are listed among the figures. This print is part of a series of 23 prints (24 incl. Title print) with two street artists in the foreground dressed as figures from the Italian Commedia dell'arte, and in the background spectators who in the outdoors a (dance) performance of street artists Gadeslaan. Low Countries (possibly) paper etching dancing. types in 'commedia dell'arte'

Carlo Antonio Bertinazzi or Carlin, Italian actor famed for his performance as Harlequin in the commedia dell'arte, 1710-1783. Theatre de l'Opera comique. Handcoloured stipple engraving after Jacques Grasset Saint-Sauveur from Acteurs et Actrices Celebres, Famous Actors and Actresses, Chez Latour Libraire, Paris, 1808. Stock Photo

RM2K3GAGM–Carlo Antonio Bertinazzi or Carlin, Italian actor famed for his performance as Harlequin in the commedia dell'arte, 1710-1783. Theatre de l'Opera comique. Handcoloured stipple engraving after Jacques Grasset Saint-Sauveur from Acteurs et Actrices Celebres, Famous Actors and Actresses, Chez Latour Libraire, Paris, 1808.

Dottore Ballanzone, a character from the Italian Commedia dell'arte. Liebig card series (1888). Stock Photo

RMERGE3G–Dottore Ballanzone, a character from the Italian Commedia dell'arte. Liebig card series (1888).

'L' Amfiparnaso' by Orazio Vecchi, a madrigal comedy of 1597. Image showing the characters Gratiano, Pantalone and Francatrippa from the 1610 edition of 'L' Amfiparnaso'. OV Italian Composer 6 December 1550 - 19 February 1605. Stock Photo

RMKF0HN2–'L' Amfiparnaso' by Orazio Vecchi, a madrigal comedy of 1597. Image showing the characters Gratiano, Pantalone and Francatrippa from the 1610 edition of 'L' Amfiparnaso'. OV Italian Composer 6 December 1550 - 19 February 1605.

RMEKG0NA–A pantomime theatre production in the classical Italian commedia dell'arte tradition, at Tivoli Gardens, Copenhagen, Denmark

RMKF0J3T–L' Amfiparnaso' by Orazio Vecchi, a madrigal comedy of 1597. Image showing the characters Isabella and Lucio from the 1610 edition of 'L' Amfiparnaso'. OV Italian Composer 6 December 1550 - 19 February 1605. Tinted version.

RF2E31R3D–COMEDIE ITALIENNE THEATER, PARIS

Jean-Antoine Watteau, The Italian Comedians, painting, circa 1720 Stock Photo

RM2H8H6RB–Jean-Antoine Watteau, The Italian Comedians, painting, circa 1720

RFCTW8T2–Maschere del Teatro della Commedia dell'Arte. Traditional Italian Comedy of the Crafts on side of narrowboat.

Jean-Antoine Watteau, The Italian Comedians, portrait painting in oil on canvas, circa 1720 Stock Photo

RM2R7DKN5–Jean-Antoine Watteau, The Italian Comedians, portrait painting in oil on canvas, circa 1720

Carnival Venetian harlequin mask on black color background. Italian Commedia dell arte character half face masquerade. Traditional festival disguise, Stock Photo

RF2H9WY82–Carnival Venetian harlequin mask on black color background. Italian Commedia dell arte character half face masquerade. Traditional festival disguise,

Italian mask table end 19th century from an Italian Lexicon with Italian traditional names and regions Stock Photo

RFW2R39J–Italian mask table end 19th century from an Italian Lexicon with Italian traditional names and regions

RMPP7TWP–Commedia dell'arte Italian. 16th century. Engraving, 19th century. Colored.

Commedia dell’arte sculpture faces made of pottery on a wooden door, UK Stock Photo

RMDE5X5R–Commedia dell’arte sculpture faces made of pottery on a wooden door, UK

. English: Title page of The Feather Book, a series of pictures made entirely of bird feathers. The creator was Dionisio Minaggio, the Chief Gardener of the Duchy of Milan. The book primarily contained images of birds indigenous to the Lombardy region of Italy but also contained sets of images depicting hunters, tradesmen, musicians and commedia dell'arte characters. The bird depicted here is the female Blue Rock Thrush (Monticola solitarius). 1618. Dionisio Minaggio Description Italian garden designer and artist English: Creator of the McGill Feather Book (1618) Work period 1610s Wor Stock Photo

RMMP33C3–. English: Title page of The Feather Book, a series of pictures made entirely of bird feathers. The creator was Dionisio Minaggio, the Chief Gardener of the Duchy of Milan. The book primarily contained images of birds indigenous to the Lombardy region of Italy but also contained sets of images depicting hunters, tradesmen, musicians and commedia dell'arte characters. The bird depicted here is the female Blue Rock Thrush (Monticola solitarius). 1618. Dionisio Minaggio Description Italian garden designer and artist English: Creator of the McGill Feather Book (1618) Work period 1610s Wor

RM2WRR01B–La Comédie Italienne is a theatre in the Montparnasse district of Paris, presenting Italian commedia dell'arte plays in French translation.

The Italian Comedians, by Antoine Watteau, 1720, French painting, oil on canvas. A troupe of popular Italian comedy actors flanks the central figure of Pierrot. Pierrot, was the simple-minded and unlucky lover who was the most human of 'commedia dell'arte (BSLOC 2016 5 22) Stock Photo

RMGMGDXH–The Italian Comedians, by Antoine Watteau, 1720, French painting, oil on canvas. A troupe of popular Italian comedy actors flanks the central figure of Pierrot. Pierrot, was the simple-minded and unlucky lover who was the most human of 'commedia dell'arte (BSLOC 2016 5 22)

Trifaccia. Three faces mask, showing comedy, tragedy and rage, traditional carnival mask of Venice. Stock Photo

RMB5JBPN–Trifaccia. Three faces mask, showing comedy, tragedy and rage, traditional carnival mask of Venice.

Commedia dell'arte, Harlequin, vintage illustration from 1800s Stock Photo

RM2E4DWWF–Commedia dell'arte, Harlequin, vintage illustration from 1800s

Two street artists such as Capitano Esgangarato and Capitano Cocodrillo, Jacques Callot, 1621 - 1622 print Two artists with feathered headwear on dancing side by side. Their names are listed among the figures. This print is part of a series of 23 prints (24 incl. Title print) with two street artists in the foreground dressed as figures from the Italian Commedia dell'arte, and in the background spectators who in the outdoors a (dance) performance of street artists Gadeslaan. Nancy paper etching dancing. types in 'commedia dell'arte' Stock Photo

RM2WFKNB4–Two street artists such as Capitano Esgangarato and Capitano Cocodrillo, Jacques Callot, 1621 - 1622 print Two artists with feathered headwear on dancing side by side. Their names are listed among the figures. This print is part of a series of 23 prints (24 incl. Title print) with two street artists in the foreground dressed as figures from the Italian Commedia dell'arte, and in the background spectators who in the outdoors a (dance) performance of street artists Gadeslaan. Nancy paper etching dancing. types in 'commedia dell'arte'

RM2PFKC1R–Commedia dell'arte, Harlequin, vintage illustration from 1800s

Peppe Nappa, the Sicilian name for a character from the Italian Commedia dell'arte.Caption reads: 'Bepe Napa'. Liebig card Stock Photo

RMERGE3N–Peppe Nappa, the Sicilian name for a character from the Italian Commedia dell'arte.Caption reads: 'Bepe Napa'. Liebig card

RM2E4DX30–Commedia dell'arte, Harlequin, vintage illustration from 1800s

Italian commedia dellarte Stock Photos and Images

Italian commedia dellarte Stock Photos and Images

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