Italian high renaissance master Stock Photos and Images
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Italian high renaissance master Stock Photos and Images
The Transfiguration - the last painting by the Italian High Renaissance master Raphael in Vatican Museum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-transfiguration-the-last-painting-by-the-italian-high-renaissance-master-raphael-in-vatican-museum-image332863495.htmlRF2A9F6NY–The Transfiguration - the last painting by the Italian High Renaissance master Raphael in Vatican Museum
The Transfiguration. 1516-1520; tempera painting on wood, by the Italian High Renaissance artist (Raphael), Raffaello Sanzio da Urbino (1483-1520). The Transfiguration is the last painting by the Italian High Renaissance master Raphael. Commissioned by Cardinal Giulio de Medici, the later Pope Clement VII (1523–1534) and conceived as an altarpiece for the Narbonne Cathedral in France, Raphael worked on it until his death. The Transfiguration stands as an allegory of the transformative nature of representation Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-transfiguration-1516-1520-tempera-painting-on-wood-by-the-italian-131279312.htmlRMHHG82T–The Transfiguration. 1516-1520; tempera painting on wood, by the Italian High Renaissance artist (Raphael), Raffaello Sanzio da Urbino (1483-1520). The Transfiguration is the last painting by the Italian High Renaissance master Raphael. Commissioned by Cardinal Giulio de Medici, the later Pope Clement VII (1523–1534) and conceived as an altarpiece for the Narbonne Cathedral in France, Raphael worked on it until his death. The Transfiguration stands as an allegory of the transformative nature of representation
. Italiano: La Fornarina è un dipinto a olio su tavola (85x60 cm) di Raffaello Sanzio, databile al 1518–1519 circa e conservato nella Galleria Nazionale d'Arte Antica di Palazzo Barberini a Roma. English: The Portrait of a Young Woman (also known as La fornarina) is a painting by the Italian High Renaissance master Raphael, made between 1518 and 1520. 7 September 2014, 13:44:34. Raffaello Sanzio 783 La Fornarina di Raffaello Sanzio Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italiano-la-fornarina-un-dipinto-a-olio-su-tavola-85x60-cm-di-raffaello-sanzio-databile-al-15181519-circa-e-conservato-nella-galleria-nazionale-darte-antica-di-palazzo-barberini-a-roma-english-the-portrait-of-a-young-woman-also-known-as-la-fornarina-is-a-painting-by-the-italian-high-renaissance-master-raphael-made-between-1518-and-1520-7-september-2014-134434-raffaello-sanzio-783-la-fornarina-di-raffaello-sanzio-image185768936.htmlRMMP6E4T–. Italiano: La Fornarina è un dipinto a olio su tavola (85x60 cm) di Raffaello Sanzio, databile al 1518–1519 circa e conservato nella Galleria Nazionale d'Arte Antica di Palazzo Barberini a Roma. English: The Portrait of a Young Woman (also known as La fornarina) is a painting by the Italian High Renaissance master Raphael, made between 1518 and 1520. 7 September 2014, 13:44:34. Raffaello Sanzio 783 La Fornarina di Raffaello Sanzio
The Transfiguration by the last painting by the Italian High Renaissance master Raphael Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-transfiguration-by-the-last-painting-by-the-italian-high-renaissance-master-raphael-image502493530.htmlRM2M5EFHE–The Transfiguration by the last painting by the Italian High Renaissance master Raphael
Noli me tangere 1509 -1510 Andrea del Sarto 1486–1530 Italian painter from Florence, High Renaissance and early Mannerism. Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/noli-me-tangere-1509-1510-andrea-del-sarto-14861530-italian-painter-from-florence-high-renaissance-and-early-mannerism-italy-image487332646.htmlRM2K8RWNA–Noli me tangere 1509 -1510 Andrea del Sarto 1486–1530 Italian painter from Florence, High Renaissance and early Mannerism. Italy
Antique art by the Italian artist Raphael - The Transfiguration. High Renaissance art by Raffaello Sanzio da Urbino 1483 - 1520. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-art-by-the-italian-artist-raphael-the-transfiguration-high-renaissance-art-by-raffaello-sanzio-da-urbino-1483-1520-image466337685.htmlRM2J2KED9–Antique art by the Italian artist Raphael - The Transfiguration. High Renaissance art by Raffaello Sanzio da Urbino 1483 - 1520.
Raffaello Sanzi da Urbino, better known as Raphael, Italian painter and architect of the High Renaissance, 1483-1520. Young man in cap and gown. Raffaello d'Urbino, Pittore, Architetto. Copperplate engraving by Georg Martin Preissler after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raffaello-sanzi-da-urbino-better-known-as-raphael-italian-painter-and-architect-of-the-high-renaissance-1483-1520-young-man-in-cap-and-gown-raffaello-durbino-pittore-architetto-copperplate-engraving-by-georg-martin-preissler-after-giovanni-domenico-campiglia-after-a-self-portrait-by-the-artist-from-francesco-mouckes-museo-florentino-museum-florentinum-serie-di-ritratti-de-pittori-series-of-portraits-of-painters-stamperia-mouckiana-florence-1752-62-image543597393.htmlRM2PGB00H–Raffaello Sanzi da Urbino, better known as Raphael, Italian painter and architect of the High Renaissance, 1483-1520. Young man in cap and gown. Raffaello d'Urbino, Pittore, Architetto. Copperplate engraving by Georg Martin Preissler after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Palma Il Vecchio painting; Venus and Cupid, c. 1523-24; Italian painter pf the high renaissance period, 15th-16th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/palma-il-vecchio-painting-venus-and-cupid-c-1523-24-italian-painter-pf-the-high-renaissance-period-15th-16th-century-image545081316.htmlRM2PJPGNT–Palma Il Vecchio painting; Venus and Cupid, c. 1523-24; Italian painter pf the high renaissance period, 15th-16th century
The virgin with the laughing child, terracotta, c1475/78. Andrea del Verrocchio (c. 1435 - 1488), born Andrea di Michele di Francesco de' Cioni, was a sculptor, Italian painter and goldsmith who was a master of an important workshop in Florence. Leonardo di ser Piero da Vinci (15 April 1452 - 2 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-virgin-with-the-laughing-child-terracotta-c147578-andrea-del-verrocchio-c-1435-1488-born-andrea-di-michele-di-francesco-de-cioni-was-a-sculptor-italian-painter-and-goldsmith-who-was-a-master-of-an-important-workshop-in-florence-leonardo-di-ser-piero-da-vinci-15-april-1452-2-may-1519-was-an-italian-polymath-of-the-high-renaissance-who-was-active-as-a-painter-draughtsman-engineer-scientist-theorist-sculptor-and-architect-image482074875.htmlRM2K08BBR–The virgin with the laughing child, terracotta, c1475/78. Andrea del Verrocchio (c. 1435 - 1488), born Andrea di Michele di Francesco de' Cioni, was a sculptor, Italian painter and goldsmith who was a master of an important workshop in Florence. Leonardo di ser Piero da Vinci (15 April 1452 - 2 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect
WASHINGTON DC, United States — The portrait of Ginevra de' Benci by Leonardo da Vinci is displayed at the National Gallery of Art in Washington DC. This rare Leonardo painting, the only one in the Americas, showcases the Italian master's innovative techniques and is a highlight of the museum's Renaissance collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/washington-dc-united-states-the-portrait-of-ginevra-de-benci-by-leonardo-da-vinci-is-displayed-at-the-national-gallery-of-art-in-washington-dc-this-rare-leonardo-painting-the-only-one-in-the-americas-showcases-the-italian-masters-innovative-techniques-and-is-a-highlight-of-the-museums-renaissance-collection-image616314803.htmlRM2XPKFPY–WASHINGTON DC, United States — The portrait of Ginevra de' Benci by Leonardo da Vinci is displayed at the National Gallery of Art in Washington DC. This rare Leonardo painting, the only one in the Americas, showcases the Italian master's innovative techniques and is a highlight of the museum's Renaissance collection.
The master Italian painter Raphael (1483-1520) was one of the great architects of the High Renaissance. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-master-italian-painter-raphael-1483-1520-was-one-of-the-great-33880191.htmlRFBY3AER–The master Italian painter Raphael (1483-1520) was one of the great architects of the High Renaissance.
Capricorn (section of a zodiac frieze). Culture: Italian, Venice. Dimensions: Overall (confirmed): 6 1/2 × 7 7/8 × 1 7/8 in. (16.5 × 20 × 4.8 cm). Date: ca. 1530-40. Typically Venetian are the punched grounds against which the forms dance on these frieze sections. More sinuously elegant than reliefs by leading Venetian bronze sculptors of the generation active about 1500-1520--Alessandro Leopardi, Vittore Gambello (known as Camelio), and the Master of the Barbarigo Reliefs--the present two (see also Sagittarius, 2004.440.2) may date slightly later but are still informed by High Renaissance st Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/capricorn-section-of-a-zodiac-frieze-culture-italian-venice-dimensions-overall-confirmed-6-12-7-78-1-78-in-165-20-48-cm-date-ca-1530-40-typically-venetian-are-the-punched-grounds-against-which-the-forms-dance-on-these-frieze-sections-more-sinuously-elegant-than-reliefs-by-leading-venetian-bronze-sculptors-of-the-generation-active-about-1500-1520-alessandro-leopardi-vittore-gambello-known-as-camelio-and-the-master-of-the-barbarigo-reliefs-the-present-two-see-also-sagittarius-20044402-may-date-slightly-later-but-are-still-informed-by-high-renaissance-st-image213154019.htmlRMPAP03F–Capricorn (section of a zodiac frieze). Culture: Italian, Venice. Dimensions: Overall (confirmed): 6 1/2 × 7 7/8 × 1 7/8 in. (16.5 × 20 × 4.8 cm). Date: ca. 1530-40. Typically Venetian are the punched grounds against which the forms dance on these frieze sections. More sinuously elegant than reliefs by leading Venetian bronze sculptors of the generation active about 1500-1520--Alessandro Leopardi, Vittore Gambello (known as Camelio), and the Master of the Barbarigo Reliefs--the present two (see also Sagittarius, 2004.440.2) may date slightly later but are still informed by High Renaissance st
Mourning man on the funeral monument to Italian Renaissance painter Titian designed by Italian Neoclassical sculptor Luigi Zandomeneghi with assistance from his sons Pietro and Andrea Zandomeneghi (1843-1852) in the Basilica of Santa Maria Gloriosa dei Frari (Basilica di Santa Maria Gloriosa dei Frari) in Venice, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mourning-man-on-the-funeral-monument-to-italian-renaissance-painter-titian-designed-by-italian-neoclassical-sculptor-luigi-zandomeneghi-with-assistance-from-his-sons-pietro-and-andrea-zandomeneghi-1843-1852-in-the-basilica-of-santa-maria-gloriosa-dei-frari-basilica-di-santa-maria-gloriosa-dei-frari-in-venice-italy-image229819484.htmlRMR9W52M–Mourning man on the funeral monument to Italian Renaissance painter Titian designed by Italian Neoclassical sculptor Luigi Zandomeneghi with assistance from his sons Pietro and Andrea Zandomeneghi (1843-1852) in the Basilica of Santa Maria Gloriosa dei Frari (Basilica di Santa Maria Gloriosa dei Frari) in Venice, Italy.
The Great Hercules or Knollenman, 1589. Mannerism, a style that developed in Italy around 1520, can be considered both a continuation of and a reaction against the High Renaissance. While the art of the Italian master Raphael (1483-1520) exemplifies balanced compositions, ideal human proportions, credible perspective, and harmonious integration of the art of antiquity, Mannerist works distort realistic treatment of figures and space. Anatomy is exaggerated and space is illogical, creating an artificial elegance and sophistication. Mannerism soon spread throughout Europe, where it continued to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-great-hercules-or-knollenman-1589-mannerism-a-style-that-developed-in-italy-around-1520-can-be-considered-both-a-continuation-of-and-a-reaction-against-the-high-renaissance-while-the-art-of-the-italian-master-raphael-1483-1520-exemplifies-balanced-compositions-ideal-human-proportions-credible-perspective-and-harmonious-integration-of-the-art-of-antiquity-mannerist-works-distort-realistic-treatment-of-figures-and-space-anatomy-is-exaggerated-and-space-is-illogical-creating-an-artificial-elegance-and-sophistication-mannerism-soon-spread-throughout-europe-where-it-continued-to-image330127977.htmlRM2A52HGW–The Great Hercules or Knollenman, 1589. Mannerism, a style that developed in Italy around 1520, can be considered both a continuation of and a reaction against the High Renaissance. While the art of the Italian master Raphael (1483-1520) exemplifies balanced compositions, ideal human proportions, credible perspective, and harmonious integration of the art of antiquity, Mannerist works distort realistic treatment of figures and space. Anatomy is exaggerated and space is illogical, creating an artificial elegance and sophistication. Mannerism soon spread throughout Europe, where it continued to
The Sistine Madonna between circa 1512 and circa 1513 High Renaissance (1494–1527) by Raphael Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-sistine-madonna-between-circa-1512-and-circa-1513-high-renaissance-14941527-by-raphael-image543782180.htmlRM2PGKBM4–The Sistine Madonna between circa 1512 and circa 1513 High Renaissance (1494–1527) by Raphael
Michelangelo Buonarroti (1475-1564), master sculptor and painter of the High Renaissance. 1876 engraving by A. Francois after a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-michelangelo-buonarroti-1475-1564-master-sculptor-and-painter-of-the-50047540.htmlRMCWBT44–Michelangelo Buonarroti (1475-1564), master sculptor and painter of the High Renaissance. 1876 engraving by A. Francois after a
Michelangelo (Michelangelo Buonarroti) (1475-1564). Italian artist. The Last Judgement. Fresco. 1536-1541. Detail. Central part. Sistine Chapel. Vatican Museums. Vatican City. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/michelangelo-michelangelo-buonarroti-1475-1564-italian-artist-the-image157746159.htmlRMK4HXRB–Michelangelo (Michelangelo Buonarroti) (1475-1564). Italian artist. The Last Judgement. Fresco. 1536-1541. Detail. Central part. Sistine Chapel. Vatican Museums. Vatican City.
Master of the Johnson Ascension of Saint Mary Magdalene, Italian (active Florence), active c. 1500 – The Ascension of Saint Mary Magdalene. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/master-of-the-johnson-ascension-of-saint-mary-magdalene-italian-active-florence-active-c-1500-the-ascension-of-saint-mary-magdalene-image384795857.htmlRM2DA0Y15–Master of the Johnson Ascension of Saint Mary Magdalene, Italian (active Florence), active c. 1500 – The Ascension of Saint Mary Magdalene.
Michelangelo Buonarroti (1475-1564), master sculptor and painter of the High Renaissance. 1876 engraving by A. Francois after a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-michelangelo-buonarroti-1475-1564-master-sculptor-and-painter-of-the-32392327.htmlRMBTKGMR–Michelangelo Buonarroti (1475-1564), master sculptor and painter of the High Renaissance. 1876 engraving by A. Francois after a
Leonardo da Vinci, Italian High Renaissance master, is shown in this undated portrait drawing. Da Vinci was born in Florence, Italy in 1452 and died in 1519. (AP Photo) dhanson@abqjournal.com Wed Jun 28 14:51:52 -0600 2017 1498683111 FILENAME: 644089.jpg Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leonardo-da-vinci-italian-high-renaissance-master-is-shown-in-this-undated-portrait-drawing-da-vinci-was-born-in-florence-italy-in-1452-and-died-in-1519-ap-photo-dhanson@abqjournalcom-wed-jun-28-145152-0600-2017-1498683111-filename-644089jpg-image227994449.htmlRMR6X16W–Leonardo da Vinci, Italian High Renaissance master, is shown in this undated portrait drawing. Da Vinci was born in Florence, Italy in 1452 and died in 1519. (AP Photo) dhanson@abqjournal.com Wed Jun 28 14:51:52 -0600 2017 1498683111 FILENAME: 644089.jpg
POPE LEO X WITH TWO CARDINALS BY RAPHAEL. 1517 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pope-leo-x-with-two-cardinals-by-raphael-1517-image242342179.htmlRFT27HWR–POPE LEO X WITH TWO CARDINALS BY RAPHAEL. 1517
Raffaello Sanzio da Urbino 1483 1520 Raphael Italian painter architect High Renaissance paintings drawings great master artist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-raffaello-sanzio-da-urbino-1483-1520-raphael-italian-painter-architect-39311018.htmlRMC7XNGX–Raffaello Sanzio da Urbino 1483 1520 Raphael Italian painter architect High Renaissance paintings drawings great master artist
Pastoral Concert or Le Concert Champêtre is an oil painting of c. 1509 attributed to the Italian Renaissance master Titian.[ Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pastoral-concert-or-le-concert-champtre-is-an-oil-painting-of-c-1509-attributed-to-the-italian-renaissance-master-titian-image598402305.htmlRF2WNFG6W–Pastoral Concert or Le Concert Champêtre is an oil painting of c. 1509 attributed to the Italian Renaissance master Titian.[
Noli me tangere 1509 -1510 Andrea del Sarto 1486–1530 Italian painter from Florence, High Renaissance and early Mannerism. Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/noli-me-tangere-1509-1510-andrea-del-sarto-14861530-italian-painter-from-florence-high-renaissance-and-early-mannerism-italy-image487332640.htmlRM2K8RWN4–Noli me tangere 1509 -1510 Andrea del Sarto 1486–1530 Italian painter from Florence, High Renaissance and early Mannerism. Italy
Antique art by the Italian artist Raphael - The Alba Madonna - High Renaissance art by Raffaello Sanzio da Urbino 1483 - 1520. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-art-by-the-italian-artist-raphael-the-alba-madonna-high-renaissance-art-by-raffaello-sanzio-da-urbino-1483-1520-image466337676.htmlRM2J2KED0–Antique art by the Italian artist Raphael - The Alba Madonna - High Renaissance art by Raffaello Sanzio da Urbino 1483 - 1520.
Noli me tangere 1509 -1510 Andrea del Sarto 1486–1530 Italian painter from Florence, High Renaissance and early Mannerism. Italy Andrea d' Agnolo, said, Andrea del Sarto, Florence, Italy, Italian , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-noli-me-tangere-1509-1510-andrea-del-sarto-14861530-italian-painter-146836082.htmlRMJETXWP–Noli me tangere 1509 -1510 Andrea del Sarto 1486–1530 Italian painter from Florence, High Renaissance and early Mannerism. Italy Andrea d' Agnolo, said, Andrea del Sarto, Florence, Italy, Italian ,
Giorgione, born Giorgio Barbarelli da Castelfranco, c.1477-1510, Italian painter of the Venetian school during the High Renaissance. Died of the plague in Venice (according to Vasari). With short hair, beard, fur-trimmed coat. Giorgione da Castelfranco, Pittore. Copperplate engraving by Marcantonio Corsi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giorgione-born-giorgio-barbarelli-da-castelfranco-c1477-1510-italian-painter-of-the-venetian-school-during-the-high-renaissance-died-of-the-plague-in-venice-according-to-vasari-with-short-hair-beard-fur-trimmed-coat-giorgione-da-castelfranco-pittore-copperplate-engraving-by-marcantonio-corsi-after-giovanni-domenico-campiglia-after-a-self-portrait-by-the-artist-from-francesco-mouckes-museo-florentino-museum-florentinum-serie-di-ritratti-de-pittori-series-of-portraits-of-painters-stamperia-mouckiana-florence-1752-62-image543596759.htmlRM2PGAY5Y–Giorgione, born Giorgio Barbarelli da Castelfranco, c.1477-1510, Italian painter of the Venetian school during the High Renaissance. Died of the plague in Venice (according to Vasari). With short hair, beard, fur-trimmed coat. Giorgione da Castelfranco, Pittore. Copperplate engraving by Marcantonio Corsi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
The Crowning with Thorns is a painting by the Italian Renaissance master Titian (Tiziano Vecellio) done during 1542 and 1543. It is housed in the Musée du Louvre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crowning-with-thorns-is-a-painting-by-the-italian-renaissance-master-titian-tiziano-vecellio-done-during-1542-and-1543-it-is-housed-in-the-muse-du-louvre-image598305448.htmlRF2WNB4KM–The Crowning with Thorns is a painting by the Italian Renaissance master Titian (Tiziano Vecellio) done during 1542 and 1543. It is housed in the Musée du Louvre
Pier Francesco Mola called Il Ticinese, Italian painter of the High Baroque, mainly active around Rome, 1612-1666. Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pier-francesco-mola-called-il-ticinese-italian-painter-of-the-high-baroque-mainly-active-around-rome-1612-1666-pittore-copperplate-engraving-by-pietro-antonio-pazzi-after-giovanni-domenico-campiglia-after-a-self-portrait-by-the-artist-from-francesco-mouckes-museo-florentino-museum-florentinum-serie-di-ritratti-de-pittori-series-of-portraits-of-painters-stamperia-mouckiana-florence-1752-62-image549256452.htmlRM2PWGP5T–Pier Francesco Mola called Il Ticinese, Italian painter of the High Baroque, mainly active around Rome, 1612-1666. Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Between 1518 and 1519, the Italian master painter Raphael painted 'The Construction of the Temple' (pictured here). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-between-1518-and-1519-the-italian-master-painter-raphael-painted-the-33879960.htmlRFBY3A6G–Between 1518 and 1519, the Italian master painter Raphael painted 'The Construction of the Temple' (pictured here).
Giovanni Battista Gaulli, also known as Baciccio or Baciccia, Italian artist working in the High Baroque and early Rococo periods, 1639-1709. Giovambatista Gaulli, Pittore. Copperplate engraving by Pietro Campana after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-battista-gaulli-also-known-as-baciccio-or-baciccia-italian-artist-working-in-the-high-baroque-and-early-rococo-periods-1639-1709-giovambatista-gaulli-pittore-copperplate-engraving-by-pietro-campana-after-giovanni-domenico-campiglia-after-a-self-portrait-by-the-artist-from-francesco-mouckes-museo-florentino-museum-florentinum-serie-di-ritratti-de-pittori-series-of-portraits-of-painters-stamperia-mouckiana-florence-1752-62-image549257438.htmlRM2PWGRD2–Giovanni Battista Gaulli, also known as Baciccio or Baciccia, Italian artist working in the High Baroque and early Rococo periods, 1639-1709. Giovambatista Gaulli, Pittore. Copperplate engraving by Pietro Campana after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Raffaello Sanzi da Urbino, better known as Raphael, Italian painter and architect of the High Renaissance, 1483-1520. Young man in cap and gown. Raffaello d'Urbino, Pittore, Architetto. Copperplate engraving by Georg Martin Preissler after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raffaello-sanzi-da-urbino-better-known-as-raphael-italian-painter-and-architect-of-the-high-renaissance-1483-1520-young-man-in-cap-and-gown-raffaello-durbino-pittore-architetto-copperplate-engraving-by-georg-martin-preissler-after-giovanni-domenico-campiglia-after-a-self-portrait-by-the-artist-from-francesco-mouckes-museo-florentino-museum-florentinum-serie-di-ritratti-de-pittori-series-of-portraits-of-painters-stamperia-mouckiana-florence-1752-62-image571822166.htmlRM2T68N06–Raffaello Sanzi da Urbino, better known as Raphael, Italian painter and architect of the High Renaissance, 1483-1520. Young man in cap and gown. Raffaello d'Urbino, Pittore, Architetto. Copperplate engraving by Georg Martin Preissler after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Portrait of Giorgione, Italian painter of the Venetian school during the High Renaissance from Venice, c. 1477-1510. Giorgione da Castelfranco Pittore Viniziano, Giorgio Barbarelli da Castelfranco. Woodcut after a possible self-portrait by Giorgione from Giorgio Vasari’s Le vite de’ piu eccellenti pittori, scultori, et architettori, The Lives of the Most Excellent Painters, Sculptors and Architects, Florence, 1678. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-giorgione-italian-painter-of-the-venetian-school-during-the-high-renaissance-from-venice-c-1477-1510-giorgione-da-castelfranco-pittore-viniziano-giorgio-barbarelli-da-castelfranco-woodcut-after-a-possible-self-portrait-by-giorgione-from-giorgio-vasaris-le-vite-de-piu-eccellenti-pittori-scultori-et-architettori-the-lives-of-the-most-excellent-painters-sculptors-and-architects-florence-1678-image358520669.htmlRM2BR80NH–Portrait of Giorgione, Italian painter of the Venetian school during the High Renaissance from Venice, c. 1477-1510. Giorgione da Castelfranco Pittore Viniziano, Giorgio Barbarelli da Castelfranco. Woodcut after a possible self-portrait by Giorgione from Giorgio Vasari’s Le vite de’ piu eccellenti pittori, scultori, et architettori, The Lives of the Most Excellent Painters, Sculptors and Architects, Florence, 1678.
The Sistine Madonna between circa 1512 and circa 1513 High Renaissance (1494–1527) by Raphael Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-sistine-madonna-between-circa-1512-and-circa-1513-high-renaissance-14941527-by-raphael-image543782143.htmlRM2PGKBJR–The Sistine Madonna between circa 1512 and circa 1513 High Renaissance (1494–1527) by Raphael
Funeral monument to Italian Renaissance painter Titian designed by Italian Neoclassical sculptor Luigi Zandomeneghi with assistance from his sons Pietro and Andrea Zandomeneghi (1843-1852) in the Basilica of Santa Maria Gloriosa dei Frari (Basilica di Santa Maria Gloriosa dei Frari) in Venice, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/funeral-monument-to-italian-renaissance-painter-titian-designed-by-italian-neoclassical-sculptor-luigi-zandomeneghi-with-assistance-from-his-sons-pietro-and-andrea-zandomeneghi-1843-1852-in-the-basilica-of-santa-maria-gloriosa-dei-frari-basilica-di-santa-maria-gloriosa-dei-frari-in-venice-italy-image229819512.htmlRMR9W53M–Funeral monument to Italian Renaissance painter Titian designed by Italian Neoclassical sculptor Luigi Zandomeneghi with assistance from his sons Pietro and Andrea Zandomeneghi (1843-1852) in the Basilica of Santa Maria Gloriosa dei Frari (Basilica di Santa Maria Gloriosa dei Frari) in Venice, Italy.
Michelangelo (Michelangelo Buonarroti) (1475-1564). Italian artist. The Last Judgement. Fresco. 1536-1541. Detail. Central part. Sistine Chapel. Vatican Museums. Vatican City. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/michelangelo-michelangelo-buonarroti-1475-1564-italian-artist-the-image157746163.htmlRMK4HXRF–Michelangelo (Michelangelo Buonarroti) (1475-1564). Italian artist. The Last Judgement. Fresco. 1536-1541. Detail. Central part. Sistine Chapel. Vatican Museums. Vatican City.
Carlo Crivelli, Italian (active Venice and Marches), first documented 1457, died 1495-1500 -- Dead Christ Supported by two angels. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carlo-crivelli-italian-active-venice-and-marches-first-documented-1457-died-1495-1500-dead-christ-supported-by-two-angels-image384796204.htmlRM2DA0YDG–Carlo Crivelli, Italian (active Venice and Marches), first documented 1457, died 1495-1500 -- Dead Christ Supported by two angels.
Raffaelle Raffaello Raphael Urbino Sanzio 1483 1520 master painter 19th century architect Florentine school Italian High Renaiss Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-raffaelle-raffaello-raphael-urbino-sanzio-1483-1520-master-painter-15264470.htmlRMAMH4HY–Raffaelle Raffaello Raphael Urbino Sanzio 1483 1520 master painter 19th century architect Florentine school Italian High Renaiss
Capricorn (section of a zodiac frieze) 1582 Italian, Milan Typically Venetian are the punched grounds against which the forms dance on these frieze sections. More sinuously elegant than reliefs by leading Venetian bronze sculptors of the generation active about 1500–1520—Alessandro Leopardi, Vittore Gambello (known as Camelio), and the Master of the Barbarigo Reliefs—the present two (see also Sagittarius, 2004.440.2) may date slightly later but are still informed by High Renaissance standards of expression and orga nization. The band to which they belonged was exceptionally large—on the basis Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/capricorn-section-of-a-zodiac-frieze-1582-italian-milan-typically-venetian-are-the-punched-grounds-against-which-the-forms-dance-on-these-frieze-sections-more-sinuously-elegant-than-reliefs-by-leading-venetian-bronze-sculptors-of-the-generation-active-about-15001520alessandro-leopardi-vittore-gambello-known-as-camelio-and-the-master-of-the-barbarigo-reliefsthe-present-two-see-also-sagittarius-20044402-may-date-slightly-later-but-are-still-informed-by-high-renaissance-standards-of-expression-and-orga-nization-the-band-to-which-they-belonged-was-exceptionally-largeon-the-basis-image457789051.htmlRM2HGP2GY–Capricorn (section of a zodiac frieze) 1582 Italian, Milan Typically Venetian are the punched grounds against which the forms dance on these frieze sections. More sinuously elegant than reliefs by leading Venetian bronze sculptors of the generation active about 1500–1520—Alessandro Leopardi, Vittore Gambello (known as Camelio), and the Master of the Barbarigo Reliefs—the present two (see also Sagittarius, 2004.440.2) may date slightly later but are still informed by High Renaissance standards of expression and orga nization. The band to which they belonged was exceptionally large—on the basis
'The Lybian Sibyl' engraved by Didier from a painting by Michaelangelo for the Sistine Chapel.Engraving is from the George Barrie collection: The International Gallery, published c. 1860. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-lybian-sibyl-engraved-by-didier-from-a-painting-by-michaelangelo-for-the-sistine-chapelengraving-is-from-the-george-barrie-collection-the-international-gallery-published-c-1860-image466630970.htmlRM2J34TFP–'The Lybian Sibyl' engraved by Didier from a painting by Michaelangelo for the Sistine Chapel.Engraving is from the George Barrie collection: The International Gallery, published c. 1860.
' Self portrait ' by Italian Renaissance master Raphael displayed at the exhibition 'Raffaello' at the Scuderie del Quirinale in Rome, Italy on March 4, 2020. Rome hosts the biggest ever exhibition entirely devoted to Raffaello Sanzio da Urbino, better known as Raphael, on the 500th anniversary of the death of the High Renaissance artist and architect. The exhibition, titled simply 'Raphael' is scheduled from 5 March until 2 June. Photo: Eric Vandeville/ABACAPRESS.COM Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-by-italian-renaissance-master-raphael-displayed-at-the-exhibition-raffaello-at-the-scuderie-del-quirinale-in-rome-italy-on-march-4-2020-rome-hosts-the-biggest-ever-exhibition-entirely-devoted-to-raffaello-sanzio-da-urbino-better-known-as-raphael-on-the-500th-anniversary-of-the-death-of-the-high-renaissance-artist-and-architect-the-exhibition-titled-simply-raphael-is-scheduled-from-5-march-until-2-june-photo-eric-vandevilleabacapresscom-image387928074.htmlRM2DF3J62–' Self portrait ' by Italian Renaissance master Raphael displayed at the exhibition 'Raffaello' at the Scuderie del Quirinale in Rome, Italy on March 4, 2020. Rome hosts the biggest ever exhibition entirely devoted to Raffaello Sanzio da Urbino, better known as Raphael, on the 500th anniversary of the death of the High Renaissance artist and architect. The exhibition, titled simply 'Raphael' is scheduled from 5 March until 2 June. Photo: Eric Vandeville/ABACAPRESS.COM
Engraving titled 'The Model' after a painting by Titian c, 1500, engraved by Samuel Smith c. 1846, for the George Barrie collection: The International Gallery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-titled-the-model-after-a-painting-by-titian-c-1500-engraved-by-samuel-smith-c-1846-for-the-george-barrie-collection-the-international-gallery-image466630793.htmlRM2J34T9D–Engraving titled 'The Model' after a painting by Titian c, 1500, engraved by Samuel Smith c. 1846, for the George Barrie collection: The International Gallery.
The varied sights of the historic city of Florence in Tuscany, Italy - September 2017 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-varied-sights-of-the-historic-city-of-florence-in-tuscany-italy-172179535.htmlRMM03CN3–The varied sights of the historic city of Florence in Tuscany, Italy - September 2017
Antique art by the Italian artist Raphael - The Sistine Madonna (between 1512 and 1513). High Renaissance art by Raffaello Sanzio da Urbino. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-art-by-the-italian-artist-raphael-the-sistine-madonna-between-1512-and-1513-high-renaissance-art-by-raffaello-sanzio-da-urbino-image466337681.htmlRM2J2KED5–Antique art by the Italian artist Raphael - The Sistine Madonna (between 1512 and 1513). High Renaissance art by Raffaello Sanzio da Urbino.
Elisabetta Gonzaga 1503 by Raphael - Raffaello Sanzio da Urbino 1483 –1520 was an Italian painter and architect of the High Renaissance Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-elisabetta-gonzaga-1503-by-raphael-raffaello-sanzio-da-urbino-1483-146836106.htmlRMJETXXJ–Elisabetta Gonzaga 1503 by Raphael - Raffaello Sanzio da Urbino 1483 –1520 was an Italian painter and architect of the High Renaissance Italy
Detail of The Creation of Adam by Italian artist Michelangelo Buonarroti (1475 - 1564), Sistine Chapel, The Vatican, Vatican City, circa 1508 - 1512. Photography by Adolphe Braun (1812-1877), 1869. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-of-the-creation-of-adam-by-italian-artist-michelangelo-buonarroti-1475-1564-sistine-chapel-the-vatican-vatican-city-circa-1508-1512-photography-by-adolphe-braun-1812-1877-1869-image364966263.htmlRM2C5NJ5B–Detail of The Creation of Adam by Italian artist Michelangelo Buonarroti (1475 - 1564), Sistine Chapel, The Vatican, Vatican City, circa 1508 - 1512. Photography by Adolphe Braun (1812-1877), 1869.
London UK 14 October 2021 This innovative interpretation of the timeless masterpieces can be viewed up close, including The Creation of Adam and The Last Judgment, in its original size – a towering 41 feet high. Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-14-october-2021this-innovative-interpretation-of-the-timeless-masterpieces-can-be-viewed-up-close-including-the-creation-of-adam-and-the-last-judgment-in-its-original-size-a-towering-41-feet-highpaul-quezada-neimanalamy-live-news-image447968706.htmlRM2H0PMJA–London UK 14 October 2021 This innovative interpretation of the timeless masterpieces can be viewed up close, including The Creation of Adam and The Last Judgment, in its original size – a towering 41 feet high. Paul Quezada-Neiman/Alamy Live News
Self-portrait by Italian painter and architect Raffaello Sanzio da Urbino (1483 - 1520), 1506. Albumen print from engraving of original painting by Joseph Cundall (1818 - 1895) & Lewis Baldwin Fleming (1828 - 1909) published in The Great Works of Raphael Sanzio of Urbino, 1868. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-by-italian-painter-and-architect-raffaello-sanzio-da-urbino-1483-1520-1506-albumen-print-from-engraving-of-original-painting-by-joseph-cundall-1818-1895-lewis-baldwin-fleming-1828-1909-published-in-the-great-works-of-raphael-sanzio-of-urbino-1868-image364966276.htmlRM2C5NJ5T–Self-portrait by Italian painter and architect Raffaello Sanzio da Urbino (1483 - 1520), 1506. Albumen print from engraving of original painting by Joseph Cundall (1818 - 1895) & Lewis Baldwin Fleming (1828 - 1909) published in The Great Works of Raphael Sanzio of Urbino, 1868.
Between 1518 and 1519, the Italian master painter Raphael painted 'The Construction of the Temple' (pictured here). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-between-1518-and-1519-the-italian-master-painter-raphael-painted-the-33879694.htmlRFBY39W2–Between 1518 and 1519, the Italian master painter Raphael painted 'The Construction of the Temple' (pictured here).
Boy extracting a Thorn from his foot splinter child Rome sitting statue cast craft sculpture sculpted high art extract Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-boy-extracting-a-thorn-from-his-foot-splinter-child-rome-sitting-statue-39784878.htmlRMC8MA0E–Boy extracting a Thorn from his foot splinter child Rome sitting statue cast craft sculpture sculpted high art extract
Giorgione, born Giorgio Barbarelli da Castelfranco, c.1477-1510, Italian painter of the Venetian school during the High Renaissance. Died of the plague in Venice (according to Vasari). With short hair, beard, fur-trimmed coat. Giorgione da Castelfranco, Pittore. Copperplate engraving by Marcantonio Corsi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giorgione-born-giorgio-barbarelli-da-castelfranco-c1477-1510-italian-painter-of-the-venetian-school-during-the-high-renaissance-died-of-the-plague-in-venice-according-to-vasari-with-short-hair-beard-fur-trimmed-coat-giorgione-da-castelfranco-pittore-copperplate-engraving-by-marcantonio-corsi-after-giovanni-domenico-campiglia-after-a-self-portrait-by-the-artist-from-francesco-mouckes-museo-florentino-museum-florentinum-serie-di-ritratti-de-pittori-series-of-portraits-of-painters-stamperia-mouckiana-florence-1752-62-image571823308.htmlRM2T68PD0–Giorgione, born Giorgio Barbarelli da Castelfranco, c.1477-1510, Italian painter of the Venetian school during the High Renaissance. Died of the plague in Venice (according to Vasari). With short hair, beard, fur-trimmed coat. Giorgione da Castelfranco, Pittore. Copperplate engraving by Marcantonio Corsi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
Portrait of Ginevra Aldrovandi Hercolani, c1595. Ginevra Aldrovandi's husband, the Bolognese senator Ercole Hercolani, died in 1593. Her elaborate mourning costume-with costly brocade, lace, and pearls-indicates her high social status. She holds a handkerchief, suggesting the tears she shed at her husband's death. The lapdog is her pet, but it also carries symbolic significance. During the 16th century, a widow who did not re-marry, staying faithful to her husband's memory, was often compared to a dog that was faithful to its master. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-ginevra-aldrovandi-hercolani-c1595-ginevra-aldrovandis-husband-the-bolognese-senator-ercole-hercolani-died-in-1593-her-elaborate-mourning-costume-with-costly-brocade-lace-and-pearls-indicates-her-high-social-status-she-holds-a-handkerchief-suggesting-the-tears-she-shed-at-her-husbands-death-the-lapdog-is-her-pet-but-it-also-carries-symbolic-significance-during-the-16th-century-a-widow-who-did-not-re-marry-staying-faithful-to-her-husbands-memory-was-often-compared-to-a-dog-that-was-faithful-to-its-master-image571915693.htmlRM2T6D08D–Portrait of Ginevra Aldrovandi Hercolani, c1595. Ginevra Aldrovandi's husband, the Bolognese senator Ercole Hercolani, died in 1593. Her elaborate mourning costume-with costly brocade, lace, and pearls-indicates her high social status. She holds a handkerchief, suggesting the tears she shed at her husband's death. The lapdog is her pet, but it also carries symbolic significance. During the 16th century, a widow who did not re-marry, staying faithful to her husband's memory, was often compared to a dog that was faithful to its master.
The chalk drawing of the head of the Virgin by Leonardo da Vinci, dating back to between 1452 and 1519. Leonardo da Vinci's chalk drawing of the Virgin's head not only highlights his artistic genius but also provides insight into the Renaissance period's broader cultural and artistic context. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-chalk-drawing-of-the-head-of-the-virgin-by-leonardo-da-vinci-dating-back-to-between-1452-and-1519-leonardo-da-vincis-chalk-drawing-of-the-virgins-head-not-only-highlights-his-artistic-genius-but-also-provides-insight-into-the-renaissance-periods-broader-cultural-and-artistic-context-image601211554.htmlRM2WX3FD6–The chalk drawing of the head of the Virgin by Leonardo da Vinci, dating back to between 1452 and 1519. Leonardo da Vinci's chalk drawing of the Virgin's head not only highlights his artistic genius but also provides insight into the Renaissance period's broader cultural and artistic context.
Mourning man on the funeral monument to Italian Renaissance painter Titian designed by Italian Neoclassical sculptor Luigi Zandomeneghi with assistance from his sons Pietro and Andrea Zandomeneghi (1843-1852) in the Basilica of Santa Maria Gloriosa dei Frari (Basilica di Santa Maria Gloriosa dei Frari) in Venice, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mourning-man-on-the-funeral-monument-to-italian-renaissance-painter-titian-designed-by-italian-neoclassical-sculptor-luigi-zandomeneghi-with-assistance-from-his-sons-pietro-and-andrea-zandomeneghi-1843-1852-in-the-basilica-of-santa-maria-gloriosa-dei-frari-basilica-di-santa-maria-gloriosa-dei-frari-in-venice-italy-image229819524.htmlRMR9W544–Mourning man on the funeral monument to Italian Renaissance painter Titian designed by Italian Neoclassical sculptor Luigi Zandomeneghi with assistance from his sons Pietro and Andrea Zandomeneghi (1843-1852) in the Basilica of Santa Maria Gloriosa dei Frari (Basilica di Santa Maria Gloriosa dei Frari) in Venice, Italy.
Michelangelo (Michelangelo Buonarroti) (1475-1564). Italian artist. The Last Judgement. Fresco. 1536-1541. Detail. Central part. Sistine Chapel. Vatican Museums. Vatican City. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/michelangelo-michelangelo-buonarroti-1475-1564-italian-artist-the-image157746166.htmlRMK4HXRJ–Michelangelo (Michelangelo Buonarroti) (1475-1564). Italian artist. The Last Judgement. Fresco. 1536-1541. Detail. Central part. Sistine Chapel. Vatican Museums. Vatican City.
Andrea Boscoli, Italian (active Florence), c. 1560-1607 -- Saint John the Evangelist Reviving Drusiana Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/andrea-boscoli-italian-active-florence-c-1560-1607-saint-john-the-evangelist-reviving-drusiana-image384796872.htmlRM2DA109C–Andrea Boscoli, Italian (active Florence), c. 1560-1607 -- Saint John the Evangelist Reviving Drusiana
ANDREA PALLADIO Andrea de Pietro Della Gondola 1508 1580 Italian architect Padova Padua Republic of Venice Masons workshop Greek Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-andrea-palladio-andrea-de-pietro-della-gondola-1508-1580-italian-architect-15264487.htmlRMAMH4KM–ANDREA PALLADIO Andrea de Pietro Della Gondola 1508 1580 Italian architect Padova Padua Republic of Venice Masons workshop Greek
Sagittarius (section of a zodiac frieze) 1582 Italian, Milan Typically Venetian are the punched grounds against which the forms dance on these frieze sections. More sinuously elegant than reliefs by leading Venetian bronze sculptors of the generation active about 1500–1520—Alessandro Leopardi, Vittore Gambello (known as Camelio), and the Master of the Barbarigo Reliefs—the present two (see also Capricorn, 2004.440.1) may date slightly later but are still informed by High Renaissance standards of expression and orga nization. The band to which they belonged was exceptionally large—on the basis Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sagittarius-section-of-a-zodiac-frieze-1582-italian-milan-typically-venetian-are-the-punched-grounds-against-which-the-forms-dance-on-these-frieze-sections-more-sinuously-elegant-than-reliefs-by-leading-venetian-bronze-sculptors-of-the-generation-active-about-15001520alessandro-leopardi-vittore-gambello-known-as-camelio-and-the-master-of-the-barbarigo-reliefsthe-present-two-see-also-capricorn-20044401-may-date-slightly-later-but-are-still-informed-by-high-renaissance-standards-of-expression-and-orga-nization-the-band-to-which-they-belonged-was-exceptionally-largeon-the-basis-image457788978.htmlRM2HGP2EA–Sagittarius (section of a zodiac frieze) 1582 Italian, Milan Typically Venetian are the punched grounds against which the forms dance on these frieze sections. More sinuously elegant than reliefs by leading Venetian bronze sculptors of the generation active about 1500–1520—Alessandro Leopardi, Vittore Gambello (known as Camelio), and the Master of the Barbarigo Reliefs—the present two (see also Capricorn, 2004.440.1) may date slightly later but are still informed by High Renaissance standards of expression and orga nization. The band to which they belonged was exceptionally large—on the basis
Portrait of the Physician Gian Giacomo Bartolotti da Parma (German: Der Arzt Gian Giacomo Bartolotti da Parma), also known as Portrait of a Man, is an oil painting by the Venetian master Titian, made about 1515 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-the-physician-gian-giacomo-bartolotti-da-parma-german-der-arzt-gian-giacomo-bartolotti-da-parma-also-known-as-portrait-of-a-man-is-an-oil-painting-by-the-venetian-master-titian-made-about-1515-image602672252.htmlRF2X0E2H0–Portrait of the Physician Gian Giacomo Bartolotti da Parma (German: Der Arzt Gian Giacomo Bartolotti da Parma), also known as Portrait of a Man, is an oil painting by the Venetian master Titian, made about 1515
'Portrait of Baldassarre Castiglione' by Italian Renaissance master Raphael displayed at the exhibition 'Raffaello' at the Scuderie del Quirinale in Rome, Italy on March 4, 2020. Rome hosts the biggest ever exhibition entirely devoted to Raffaello Sanzio da Urbino, better known as Raphael, on the 500th anniversary of the death of the High Renaissance artist and architect. The exhibition, titled simply 'Raphael' is scheduled from 5 March until 2 June. Photo: Eric Vandeville/ABACAPRESS.COM Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-baldassarre-castiglione-by-italian-renaissance-master-raphael-displayed-at-the-exhibition-raffaello-at-the-scuderie-del-quirinale-in-rome-italy-on-march-4-2020-rome-hosts-the-biggest-ever-exhibition-entirely-devoted-to-raffaello-sanzio-da-urbino-better-known-as-raphael-on-the-500th-anniversary-of-the-death-of-the-high-renaissance-artist-and-architect-the-exhibition-titled-simply-raphael-is-scheduled-from-5-march-until-2-june-photo-eric-vandevilleabacapresscom-image387928103.htmlRM2DF3J73–'Portrait of Baldassarre Castiglione' by Italian Renaissance master Raphael displayed at the exhibition 'Raffaello' at the Scuderie del Quirinale in Rome, Italy on March 4, 2020. Rome hosts the biggest ever exhibition entirely devoted to Raffaello Sanzio da Urbino, better known as Raphael, on the 500th anniversary of the death of the High Renaissance artist and architect. The exhibition, titled simply 'Raphael' is scheduled from 5 March until 2 June. Photo: Eric Vandeville/ABACAPRESS.COM
Sandro Botticelli (Alessandro Filipepi) full-length self-portrait from The Adoration of the Magi or Altar of Zanobi, 1475, tempera on wood panel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sandro-botticelli-alessandro-filipepi-full-length-self-portrait-from-the-adoration-of-the-magi-or-altar-of-zanobi-1475-tempera-on-wood-panel-image590814788.htmlRF2W95X84–Sandro Botticelli (Alessandro Filipepi) full-length self-portrait from The Adoration of the Magi or Altar of Zanobi, 1475, tempera on wood panel
The varied sights of the historic city of Florence in Tuscany, Italy - September 2017 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-varied-sights-of-the-historic-city-of-florence-in-tuscany-italy-172179534.htmlRMM03CN2–The varied sights of the historic city of Florence in Tuscany, Italy - September 2017
Antique art by the Italian artist Raphael - Portrait of a Gentleman. High Renaissance art by Raffaello Sanzio da Urbino 1483 - 1520. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-art-by-the-italian-artist-raphael-portrait-of-a-gentleman-high-renaissance-art-by-raffaello-sanzio-da-urbino-1483-1520-image466337632.htmlRM2J2KEBC–Antique art by the Italian artist Raphael - Portrait of a Gentleman. High Renaissance art by Raffaello Sanzio da Urbino 1483 - 1520.
Portrait of a young man with a apple (Francesco Maria della Rovere),painted 1504. Raphael - Raffaello Sanzio da Urbino 1483 –1520 was an Italian painter and architect of the High Renaissance Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-a-young-man-with-a-apple-francesco-maria-della-roverepainted-146836100.htmlRMJETXXC–Portrait of a young man with a apple (Francesco Maria della Rovere),painted 1504. Raphael - Raffaello Sanzio da Urbino 1483 –1520 was an Italian painter and architect of the High Renaissance Italy
The varied sights of the historic city of Florence in Tuscany, Italy - June 2017 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-varied-sights-of-the-historic-city-of-florence-in-tuscany-italy-146896345.htmlRMJEYKP1–The varied sights of the historic city of Florence in Tuscany, Italy - June 2017
Saint Jerome 1490 Filippino Lippi (1457–1504) Italian painter working during the High Renaissance in Florence, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-saint-jerome1490-filippino-lippi-14571504-italian-painter-working-147649704.htmlRMJG60KM–Saint Jerome 1490 Filippino Lippi (1457–1504) Italian painter working during the High Renaissance in Florence, Italy.
Ezekiel's Vision by Italian painter and architect Raffaello Sanzio da Urbino (1483 - 1520), circa 1518. Albumen print from engraving of original painting by Joseph Cundall (1818 - 1895) & Lewis Baldwin Fleming (1828 - 1909) published in The Great Works of Raphael Sanzio of Urbino, 1868. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ezekiels-vision-by-italian-painter-and-architect-raffaello-sanzio-da-urbino-1483-1520-circa-1518-albumen-print-from-engraving-of-original-painting-by-joseph-cundall-1818-1895-lewis-baldwin-fleming-1828-1909-published-in-the-great-works-of-raphael-sanzio-of-urbino-1868-image364966321.htmlRM2C5NJ7D–Ezekiel's Vision by Italian painter and architect Raffaello Sanzio da Urbino (1483 - 1520), circa 1518. Albumen print from engraving of original painting by Joseph Cundall (1818 - 1895) & Lewis Baldwin Fleming (1828 - 1909) published in The Great Works of Raphael Sanzio of Urbino, 1868.
Adoration of the Child 1493 Filippino Lippi (1457–1504) Italian painter working during the High Renaissance in Florence, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adoration-of-the-child1493-filippino-lippi-14571504-italian-painter-working-during-the-high-renaissance-in-florence-italy-image486862216.htmlRM2K82DM8–Adoration of the Child 1493 Filippino Lippi (1457–1504) Italian painter working during the High Renaissance in Florence, Italy.
London UK 14 October 2021 This innovative interpretation of the timeless masterpieces can be viewed up close, including The Creation of Adam and The Last Judgment, in its original size – a towering 41 feet high. Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-14-october-2021this-innovative-interpretation-of-the-timeless-masterpieces-can-be-viewed-up-close-including-the-creation-of-adam-and-the-last-judgment-in-its-original-size-a-towering-41-feet-highpaul-quezada-neimanalamy-live-news-image447968763.htmlRM2H0PMMB–London UK 14 October 2021 This innovative interpretation of the timeless masterpieces can be viewed up close, including The Creation of Adam and The Last Judgment, in its original size – a towering 41 feet high. Paul Quezada-Neiman/Alamy Live News
Portrait of Giorgione, Italian painter of the Venetian school during the High Renaissance from Venice, c. 1477-1510. Giorgione da Castelfranco Pittore Viniziano, Giorgio Barbarelli da Castelfranco. Woodcut after a possible self-portrait by Giorgione from Giorgio Vasaris Le vite de piu eccellenti pittori, scultori, et architettori, The Lives of the Most Excellent Painters, Sculptors and Architects, Florence, 1678. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-giorgione-italian-painter-of-the-venetian-school-during-the-high-renaissance-from-venice-c-1477-1510-giorgione-da-castelfranco-pittore-viniziano-giorgio-barbarelli-da-castelfranco-woodcut-after-a-possible-self-portrait-by-giorgione-from-giorgio-vasaris-le-vite-de-piu-eccellenti-pittori-scultori-et-architettori-the-lives-of-the-most-excellent-painters-sculptors-and-architects-florence-1678-image571917330.htmlRM2T6D2AX–Portrait of Giorgione, Italian painter of the Venetian school during the High Renaissance from Venice, c. 1477-1510. Giorgione da Castelfranco Pittore Viniziano, Giorgio Barbarelli da Castelfranco. Woodcut after a possible self-portrait by Giorgione from Giorgio Vasaris Le vite de piu eccellenti pittori, scultori, et architettori, The Lives of the Most Excellent Painters, Sculptors and Architects, Florence, 1678.
Raphael's room in Vatican museums- detail from 'Fire in the Borgo' fresco Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-raphaels-room-in-vatican-museums-detail-from-fire-in-the-borgo-fresco-37381955.htmlRFC4PW1R–Raphael's room in Vatican museums- detail from 'Fire in the Borgo' fresco
Saint John the Baptist Bearing Witness, ca. 1506-7. Preaching in the wilderness Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-john-the-baptist-bearing-witness-ca-1506-7-preaching-in-the-wilderness-image343014711.htmlRM2AX1JNB–Saint John the Baptist Bearing Witness, ca. 1506-7. Preaching in the wilderness
Views from Vatican city visitors look at (L-R) The Foligno Madonna, Transfiguration and Oddi Altarpiece paintings by Raphael Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-views-from-vatican-city-visitors-look-at-l-r-the-foligno-madonna-transfiguration-54799201.htmlRMD548X9–Views from Vatican city visitors look at (L-R) The Foligno Madonna, Transfiguration and Oddi Altarpiece paintings by Raphael
Portrait of Ginevra de' Benci by Leonardo Da Vinci Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-ginevra-de-benci-by-leonardo-da-vinci-133367666.htmlRMHMYBPX–Portrait of Ginevra de' Benci by Leonardo Da Vinci
A group of priests view the the Raphael Rooms in the Vatican Museum, Rome. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-group-of-priests-view-the-the-raphael-rooms-in-the-vatican-museum-13898924.htmlRMAFC0EN–A group of priests view the the Raphael Rooms in the Vatican Museum, Rome.
music party giorgione hut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-music-party-giorgione-hut-22000162.htmlRFB7P5C2–music party giorgione hut
Postage stamp. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-postage-stamp-43398693.htmlRMCEGYD9–Postage stamp.
palace khedive alexandria Khedive Palace Çubuklu Summer Mansion Bosporus Istanbul Turkey Abbas II of Egypt residence Pavilion An Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-palace-khedive-alexandria-khedive-palace-ubuklu-summer-mansion-bosporus-23980267.htmlRMBB0B23–palace khedive alexandria Khedive Palace Çubuklu Summer Mansion Bosporus Istanbul Turkey Abbas II of Egypt residence Pavilion An
' Self portrait ' by Italian Renaissance master Raphael displayed at the exhibition 'Raffaello' at the Scuderie del Quirinale in Rome, Italy on March 4, 2020. Rome hosts the biggest ever exhibition entirely devoted to Raffaello Sanzio da Urbino, better known as Raphael, on the 500th anniversary of the death of the High Renaissance artist and architect. The exhibition, titled simply 'Raphael' is scheduled from 5 March until 2 June. Photo: Eric Vandeville/ABACAPRESS.COM Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-by-italian-renaissance-master-raphael-displayed-at-the-exhibition-raffaello-at-the-scuderie-del-quirinale-in-rome-italy-on-march-4-2020-rome-hosts-the-biggest-ever-exhibition-entirely-devoted-to-raffaello-sanzio-da-urbino-better-known-as-raphael-on-the-500th-anniversary-of-the-death-of-the-high-renaissance-artist-and-architect-the-exhibition-titled-simply-raphael-is-scheduled-from-5-march-until-2-june-photo-eric-vandevilleabacapresscom-image387928045.htmlRM2DF3J51–' Self portrait ' by Italian Renaissance master Raphael displayed at the exhibition 'Raffaello' at the Scuderie del Quirinale in Rome, Italy on March 4, 2020. Rome hosts the biggest ever exhibition entirely devoted to Raffaello Sanzio da Urbino, better known as Raphael, on the 500th anniversary of the death of the High Renaissance artist and architect. The exhibition, titled simply 'Raphael' is scheduled from 5 March until 2 June. Photo: Eric Vandeville/ABACAPRESS.COM
Farnese Palace Rome front elevation Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/farnese-palace-rome-front-elevation-image66106906.htmlRMDRFC0X–Farnese Palace Rome front elevation
Persian King Darius has his crown removed by a woman with the name “Apeme” who is about to slap him. Detail from Late Gothic fresco in 12th century cloister adjoining Duomo di Santa Maria Assunta (Cathedral of Saint Mary of the Assumption) in mainly German-speaking Bressanone-Brixen, South Tyrol, Trentino-Alto Adige, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/persian-king-darius-has-his-crown-removed-by-a-woman-with-the-nameapeme-who-is-about-to-slap-him-detail-from-late-gothic-fresco-in-12th-century-cloister-adjoining-duomo-di-santa-maria-assunta-cathedral-of-saint-mary-of-the-assumption-in-mainly-german-speaking-bressanone-brixen-south-tyrol-trentino-alto-adige-italy-image543406175.htmlRF2PG283B–Persian King Darius has his crown removed by a woman with the name “Apeme” who is about to slap him. Detail from Late Gothic fresco in 12th century cloister adjoining Duomo di Santa Maria Assunta (Cathedral of Saint Mary of the Assumption) in mainly German-speaking Bressanone-Brixen, South Tyrol, Trentino-Alto Adige, Italy.
Antique art by the Italian artist Raphael - St Michael (1500s). High Renaissance art by Raffaello Sanzio da Urbino 1483 - 1520. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-art-by-the-italian-artist-raphael-st-michael-1500s-high-renaissance-art-by-raffaello-sanzio-da-urbino-1483-1520-image466337640.htmlRM2J2KEBM–Antique art by the Italian artist Raphael - St Michael (1500s). High Renaissance art by Raffaello Sanzio da Urbino 1483 - 1520.
Saint Catherine of Alexandria by Italian painter and architect Raffaello Sanzio da Urbino (1483 - 1520), circa 1507. Albumen print from engraving of original painting by Joseph Cundall (1818 - 1895) and Lewis Baldwin Fleming (1828 - 1909), published in The Great Works of Raphael Sanzio of Urbino, 1868. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-catherine-of-alexandria-by-italian-painter-and-architect-raffaello-sanzio-da-urbino-1483-1520-circa-1507-albumen-print-from-engraving-of-original-painting-by-joseph-cundall-1818-1895-and-lewis-baldwin-fleming-1828-1909-published-in-the-great-works-of-raphael-sanzio-of-urbino-1868-image364966326.htmlRM2C5NJ7J–Saint Catherine of Alexandria by Italian painter and architect Raffaello Sanzio da Urbino (1483 - 1520), circa 1507. Albumen print from engraving of original painting by Joseph Cundall (1818 - 1895) and Lewis Baldwin Fleming (1828 - 1909), published in The Great Works of Raphael Sanzio of Urbino, 1868.
Adoration of the Child 1493 Filippino Lippi (1457–1504) Italian painter working during the High Renaissance in Florence, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adoration-of-the-child1493-filippino-lippi-14571504-italian-painter-working-during-the-high-renaissance-in-florence-italy-image486862195.htmlRM2K82DKF–Adoration of the Child 1493 Filippino Lippi (1457–1504) Italian painter working during the High Renaissance in Florence, Italy.
London UK 14 October 2021 This innovative interpretation of the timeless masterpieces can be viewed up close, including The Creation of Adam and The Last Judgment, in its original size – a towering 41 feet high. Paul Quezada-Neiman/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-14-october-2021this-innovative-interpretation-of-the-timeless-masterpieces-can-be-viewed-up-close-including-the-creation-of-adam-and-the-last-judgment-in-its-original-size-a-towering-41-feet-highpaul-quezada-neimanalamy-live-news-image447968762.htmlRM2H0PMMA–London UK 14 October 2021 This innovative interpretation of the timeless masterpieces can be viewed up close, including The Creation of Adam and The Last Judgment, in its original size – a towering 41 feet high. Paul Quezada-Neiman/Alamy Live News
Michelangelo 1475 –1564 (Michelangelo di Lodovico Buonarroti Simoni ) 1475 –1564 Italian sculptor, painter, architect, and poet of the High Renaissance born in the Republic of Florence. Statue at the Uffizi Gallery in Florence, Tuscany Italy. by Emilio Santarelli Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-michelangelo-1475-1564-michelangelo-di-lodovico-buonarroti-simoni-160227765.htmlRMK8K045–Michelangelo 1475 –1564 (Michelangelo di Lodovico Buonarroti Simoni ) 1475 –1564 Italian sculptor, painter, architect, and poet of the High Renaissance born in the Republic of Florence. Statue at the Uffizi Gallery in Florence, Tuscany Italy. by Emilio Santarelli
Sagittarius (section of a zodiac frieze). Culture: Italian, Venice. Dimensions: Overall (confirmed): 7 × 8 3/4 × 2 1/4 in. (17.8 × 22.2 × 5.7 cm). Date: ca. 1530-40. Typically Venetian are the punched grounds against which the forms dance on these frieze sections. More sinuously elegant than reliefs by leading Venetian bronze sculptors of the generation active about 1500-1520--Alessandro Leopardi, Vittore Gambello (known as Camelio), and the Master of the Barbarigo Reliefs--the present two (see also Capricorn, 2004.440.1) may date slightly later but are still informed by High Renaissance stan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sagittarius-section-of-a-zodiac-frieze-culture-italian-venice-dimensions-overall-confirmed-7-8-34-2-14-in-178-222-57-cm-date-ca-1530-40-typically-venetian-are-the-punched-grounds-against-which-the-forms-dance-on-these-frieze-sections-more-sinuously-elegant-than-reliefs-by-leading-venetian-bronze-sculptors-of-the-generation-active-about-1500-1520-alessandro-leopardi-vittore-gambello-known-as-camelio-and-the-master-of-the-barbarigo-reliefs-the-present-two-see-also-capricorn-20044401-may-date-slightly-later-but-are-still-informed-by-high-renaissance-stan-image212863821.htmlRMPA8NY9–Sagittarius (section of a zodiac frieze). Culture: Italian, Venice. Dimensions: Overall (confirmed): 7 × 8 3/4 × 2 1/4 in. (17.8 × 22.2 × 5.7 cm). Date: ca. 1530-40. Typically Venetian are the punched grounds against which the forms dance on these frieze sections. More sinuously elegant than reliefs by leading Venetian bronze sculptors of the generation active about 1500-1520--Alessandro Leopardi, Vittore Gambello (known as Camelio), and the Master of the Barbarigo Reliefs--the present two (see also Capricorn, 2004.440.1) may date slightly later but are still informed by High Renaissance stan
Christ on the Cross with Saints Vincent Ferrer, John the Baptist, Mark and Antoninus, c1491/1495. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-on-the-cross-with-saints-vincent-ferrer-john-the-baptist-mark-and-antoninus-c14911495-image568873794.htmlRM2T1EC96–Christ on the Cross with Saints Vincent Ferrer, John the Baptist, Mark and Antoninus, c1491/1495.
People look at the painting ' Portrait of Baldassarre Castiglione ' by Italian Renaissance master Raphael displayed at the exhibition 'Raffaello' at the Scuderie del Quirinale in Rome, Italy on March 4, 2020. Rome hosts the biggest ever exhibition entirely devoted to Raffaello Sanzio da Urbino, better known as Raphael, on the 500th anniversary of the death of the High Renaissance artist and architect. The exhibition, titled simply 'Raphael' is scheduled from 5 March until 2 June. Photo: Eric Vandeville/ABACAPRESS.COM Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/people-look-at-the-painting-portrait-of-baldassarre-castiglione-by-italian-renaissance-master-raphael-displayed-at-the-exhibition-raffaello-at-the-scuderie-del-quirinale-in-rome-italy-on-march-4-2020-rome-hosts-the-biggest-ever-exhibition-entirely-devoted-to-raffaello-sanzio-da-urbino-better-known-as-raphael-on-the-500th-anniversary-of-the-death-of-the-high-renaissance-artist-and-architect-the-exhibition-titled-simply-raphael-is-scheduled-from-5-march-until-2-june-photo-eric-vandevilleabacapresscom-image387928049.htmlRM2DF3J55–People look at the painting ' Portrait of Baldassarre Castiglione ' by Italian Renaissance master Raphael displayed at the exhibition 'Raffaello' at the Scuderie del Quirinale in Rome, Italy on March 4, 2020. Rome hosts the biggest ever exhibition entirely devoted to Raffaello Sanzio da Urbino, better known as Raphael, on the 500th anniversary of the death of the High Renaissance artist and architect. The exhibition, titled simply 'Raphael' is scheduled from 5 March until 2 June. Photo: Eric Vandeville/ABACAPRESS.COM
Antique art by the Italian artist Raphael - The Elephant Hanno (1516). High Renaissance art by Raffaello Sanzio da Urbino 1483 - 1520. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-art-by-the-italian-artist-raphael-the-elephant-hanno-1516-high-renaissance-art-by-raffaello-sanzio-da-urbino-1483-1520-image466337677.htmlRM2J2KED1–Antique art by the Italian artist Raphael - The Elephant Hanno (1516). High Renaissance art by Raffaello Sanzio da Urbino 1483 - 1520.
La Belle Jardinière, also known as Madonna and Child with Saint John the Baptist, by Italian painter and architect Raffaello Sanzio da Urbino (1483 - 1520), 1507. Albumen print from engraving of original painting by Joseph Cundall (1818 - 1895) & Lewis Baldwin Fleming (1828 - 1909) published in The Great Works of Raphael Sanzio of Urbino, 1868. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-belle-jardinire-also-known-as-madonna-and-child-with-saint-john-the-baptist-by-italian-painter-and-architect-raffaello-sanzio-da-urbino-1483-1520-1507-albumen-print-from-engraving-of-original-painting-by-joseph-cundall-1818-1895-lewis-baldwin-fleming-1828-1909-published-in-the-great-works-of-raphael-sanzio-of-urbino-1868-image364966320.htmlRM2C5NJ7C–La Belle Jardinière, also known as Madonna and Child with Saint John the Baptist, by Italian painter and architect Raffaello Sanzio da Urbino (1483 - 1520), 1507. Albumen print from engraving of original painting by Joseph Cundall (1818 - 1895) & Lewis Baldwin Fleming (1828 - 1909) published in The Great Works of Raphael Sanzio of Urbino, 1868.
Michelangelo 1475 –1564 (Michelangelo di Lodovico Buonarroti Simoni ) 1475 –1564 Italian sculptor, painter, architect, and poet of the High Renaissance born in the Republic of Florence. Statue at the Uffizi Gallery in Florence, Tuscany Italy. by Emilio Santarelli Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-michelangelo-1475-1564-michelangelo-di-lodovico-buonarroti-simoni-160227766.htmlRMK8K046–Michelangelo 1475 –1564 (Michelangelo di Lodovico Buonarroti Simoni ) 1475 –1564 Italian sculptor, painter, architect, and poet of the High Renaissance born in the Republic of Florence. Statue at the Uffizi Gallery in Florence, Tuscany Italy. by Emilio Santarelli
Pier Francesco Mola called Il Ticinese, Italian painter of the High Baroque, mainly active around Rome, 1612-1666. Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pier-francesco-mola-called-il-ticinese-italian-painter-of-the-high-baroque-mainly-active-around-rome-1612-1666-pittore-copperplate-engraving-by-pietro-antonio-pazzi-after-giovanni-domenico-campiglia-after-a-self-portrait-by-the-artist-from-francesco-mouckes-museo-florentino-museum-florentinum-serie-di-ritratti-de-pittori-series-of-portraits-of-painters-stamperia-mouckiana-florence-1752-62-image571916517.htmlRM2T6D19W–Pier Francesco Mola called Il Ticinese, Italian painter of the High Baroque, mainly active around Rome, 1612-1666. Pittore. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
The Palestrina Pietà 1555 is a marble sculpture by the Italian High Renaissance marble statue 253 cm (100 in) by Michelangelo' Michelangelo - Buonarroti - Galleria dell Accademia - Florence Italy ( Michelangelo di Lodovico Buonarroti Simoni 1475 - 1564 Tuscany ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-palestrina-piet-1555-is-a-marble-sculpture-by-the-italian-high-162703199.htmlRMKCKNGF–The Palestrina Pietà 1555 is a marble sculpture by the Italian High Renaissance marble statue 253 cm (100 in) by Michelangelo' Michelangelo - Buonarroti - Galleria dell Accademia - Florence Italy ( Michelangelo di Lodovico Buonarroti Simoni 1475 - 1564 Tuscany )
People look at the paintings ' La Fornarina' by Italian Renaissance master Raphael displayed at the exhibition 'Raffaello' at the Scuderie del Quirinale in Rome, Italy on March 4, 2020. Rome hosts the biggest ever exhibition entirely devoted to Raffaello Sanzio da Urbino, better known as Raphael, on the 500th anniversary of the death of the High Renaissance artist and architect. The exhibition, titled simply 'Raphael' is scheduled from 5 March until 2 June. Photo: Eric Vandeville/ABACAPRESS.COM Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/people-look-at-the-paintings-la-fornarina-by-italian-renaissance-master-raphael-displayed-at-the-exhibition-raffaello-at-the-scuderie-del-quirinale-in-rome-italy-on-march-4-2020-rome-hosts-the-biggest-ever-exhibition-entirely-devoted-to-raffaello-sanzio-da-urbino-better-known-as-raphael-on-the-500th-anniversary-of-the-death-of-the-high-renaissance-artist-and-architect-the-exhibition-titled-simply-raphael-is-scheduled-from-5-march-until-2-june-photo-eric-vandevilleabacapresscom-image387928072.htmlRM2DF3J60–People look at the paintings ' La Fornarina' by Italian Renaissance master Raphael displayed at the exhibition 'Raffaello' at the Scuderie del Quirinale in Rome, Italy on March 4, 2020. Rome hosts the biggest ever exhibition entirely devoted to Raffaello Sanzio da Urbino, better known as Raphael, on the 500th anniversary of the death of the High Renaissance artist and architect. The exhibition, titled simply 'Raphael' is scheduled from 5 March until 2 June. Photo: Eric Vandeville/ABACAPRESS.COM
Antique art by the Italian artist Raphael - Saint George and the Dragon. High Renaissance art by Raffaello Sanzio da Urbino 1483 - 1520. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-art-by-the-italian-artist-raphael-saint-george-and-the-dragon-high-renaissance-art-by-raffaello-sanzio-da-urbino-1483-1520-image466337637.htmlRM2J2KEBH–Antique art by the Italian artist Raphael - Saint George and the Dragon. High Renaissance art by Raffaello Sanzio da Urbino 1483 - 1520.
The Madonna del Pesce, also known as The Madonna with the Fish, by Italian painter and architect Raffaello Sanzio da Urbino (1483 - 1520), 1513. Albumen print from engraving of original painting by Joseph Cundall (1818 - 1895) & Lewis Baldwin Fleming (1828 - 1909) published in The Great Works of Raphael Sanzio of Urbino, 1868. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-madonna-del-pesce-also-known-as-the-madonna-with-the-fish-by-italian-painter-and-architect-raffaello-sanzio-da-urbino-1483-1520-1513-albumen-print-from-engraving-of-original-painting-by-joseph-cundall-1818-1895-lewis-baldwin-fleming-1828-1909-published-in-the-great-works-of-raphael-sanzio-of-urbino-1868-image364966313.htmlRM2C5NJ75–The Madonna del Pesce, also known as The Madonna with the Fish, by Italian painter and architect Raffaello Sanzio da Urbino (1483 - 1520), 1513. Albumen print from engraving of original painting by Joseph Cundall (1818 - 1895) & Lewis Baldwin Fleming (1828 - 1909) published in The Great Works of Raphael Sanzio of Urbino, 1868.
Giovanni Battista Gaulli, also known as Baciccio or Baciccia, Italian artist working in the High Baroque and early Rococo periods, 1639-1709. Giovambatista Gaulli, Pittore. Copperplate engraving by Pietro Campana after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-battista-gaulli-also-known-as-baciccio-or-baciccia-italian-artist-working-in-the-high-baroque-and-early-rococo-periods-1639-1709-giovambatista-gaulli-pittore-copperplate-engraving-by-pietro-campana-after-giovanni-domenico-campiglia-after-a-self-portrait-by-the-artist-from-francesco-mouckes-museo-florentino-museum-florentinum-serie-di-ritratti-de-pittori-series-of-portraits-of-painters-stamperia-mouckiana-florence-1752-62-image571850758.htmlRM2T6A1DA–Giovanni Battista Gaulli, also known as Baciccio or Baciccia, Italian artist working in the High Baroque and early Rococo periods, 1639-1709. Giovambatista Gaulli, Pittore. Copperplate engraving by Pietro Campana after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
The Palestrina Pietà 1555 is a marble sculpture by the Italian High Renaissance marble statue 253 cm (100 in) by Michelangelo' Michelangelo - Buonarroti - Galleria dell Accademia - Florence Italy ( Michelangelo di Lodovico Buonarroti Simoni 1475 - 1564 Tuscany ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-palestrina-piet-1555-is-a-marble-sculpture-by-the-italian-high-162703201.htmlRMKCKNGH–The Palestrina Pietà 1555 is a marble sculpture by the Italian High Renaissance marble statue 253 cm (100 in) by Michelangelo' Michelangelo - Buonarroti - Galleria dell Accademia - Florence Italy ( Michelangelo di Lodovico Buonarroti Simoni 1475 - 1564 Tuscany )
The Madonna della seggiola or Madonna della sedia is a Madonna painting 1513-1514 Raffaello Sanzio da Urbino 1483 - 1520 Raphael was an Italian painter and architect of the High Renaissance. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-madonna-della-seggiola-or-madonna-della-sedia-is-a-madonna-painting-161206150.htmlRMKA7G2E–The Madonna della seggiola or Madonna della sedia is a Madonna painting 1513-1514 Raffaello Sanzio da Urbino 1483 - 1520 Raphael was an Italian painter and architect of the High Renaissance.
