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James gillray 1756 1815 Stock Photos and Images
Sandwich-Carrots! Creator James Gillray, 1756-1815, engraver. Date Published, London 1796 Dec 3d. A buxom girl pushing a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sandwich-carrots!-creator-james-gillray-1756-1815-engraver-date-published-57348081.htmlRMD98C1N–Sandwich-Carrots! Creator James Gillray, 1756-1815, engraver. Date Published, London 1796 Dec 3d. A buxom girl pushing a
Democracy, or a Sketch o, James Gillray, 1756 – 1815, Heidi Humphrey, Etching Support: white wove paper laid down on beige wove paper, London, England, France, 1800, graphic design, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/democracy-or-a-sketch-o-james-gillray-1756-1815-heidi-humphrey-etching-support-white-wove-paper-laid-down-on-beige-wove-paper-london-england-france-1800-graphic-design-print-image391713111.htmlRM2DN821Y–Democracy, or a Sketch o, James Gillray, 1756 – 1815, Heidi Humphrey, Etching Support: white wove paper laid down on beige wove paper, London, England, France, 1800, graphic design, Print
Satirical etching by James Gillray (1756-1815) about the Treaty of Paris, signed at the end of the American Revolution, as well as the War of the Spanish Succession which was waged concurrently in Europe. Dated 1784 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-satirical-etching-by-james-gillray-1756-1815-about-the-treaty-of-paris-84970797.htmlRMEX6N39–Satirical etching by James Gillray (1756-1815) about the Treaty of Paris, signed at the end of the American Revolution, as well as the War of the Spanish Succession which was waged concurrently in Europe. Dated 1784
Democracy, or a Sketch o, James Gillray, 1756 – 1815, Heidi Humphrey, Etching Support: white wove paper laid down on beige wove paper, London, England, England, 1800, graphic design, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/democracy-or-a-sketch-o-james-gillray-1756-1815-heidi-humphrey-etching-support-white-wove-paper-laid-down-on-beige-wove-paper-london-england-england-1800-graphic-design-print-image391158584.htmlRM2DMAPNC–Democracy, or a Sketch o, James Gillray, 1756 – 1815, Heidi Humphrey, Etching Support: white wove paper laid down on beige wove paper, London, England, England, 1800, graphic design, Print
James Gillray (1756-1815) etching 'Philanthropic Consultation, after the loss of the slave bill'. 1796 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-james-gillray-1756-1815-etching-philanthropic-consultation-after-the-90820614.htmlRMF7N6HA–James Gillray (1756-1815) etching 'Philanthropic Consultation, after the loss of the slave bill'. 1796
JAMES GILLRAY (1756-1815) English cartoonist. His 1801 drawing of singer Elizabeth Bullington 'A Bravura Air - Mandane' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-gillray-1756-1815-english-cartoonist-his-1801-drawing-of-singer-elizabeth-bullington-a-bravura-air-mandane-image601906332.htmlRM2WY75JM–JAMES GILLRAY (1756-1815) English cartoonist. His 1801 drawing of singer Elizabeth Bullington 'A Bravura Air - Mandane'
The hand-writing upon the wall by James Gillray, 1756-1815, artist. Published 1803. Napoleon, Josephine, French soldiers and women seated at feast with dishes 'Bank of England,' 'St. James,' 'Tower of London,' and 'Roast Beef of old England.' Napoleon looks in horror at hand of Jehovah pointing to words in sky: 'Mene , tekel upharsin.' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hand-writing-upon-the-wall-by-james-gillray-1756-1815-artist-published-image68557082.htmlRMDYF176–The hand-writing upon the wall by James Gillray, 1756-1815, artist. Published 1803. Napoleon, Josephine, French soldiers and women seated at feast with dishes 'Bank of England,' 'St. James,' 'Tower of London,' and 'Roast Beef of old England.' Napoleon looks in horror at hand of Jehovah pointing to words in sky: 'Mene , tekel upharsin.'
JAMES GILLRAY (1756-1815) English cartoonist. His 'Change in Bond Street' print published 27 March 1796 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-gillray-1756-1815-english-cartoonist-his-change-in-bond-street-print-published-27-march-1796-image520750131.htmlRM2N7662Y–JAMES GILLRAY (1756-1815) English cartoonist. His 'Change in Bond Street' print published 27 March 1796
Stealing off; - or - prudent Secession. cartoon by James Gillray, 1756-1815, engraver. Published 1798.Charles Fox fleeing the House of Commons in terror, accompanied by a fierce greyhound wearing a collar marked 'Opposition Grey-hound'. A small animal with the head of M.A. Taylor runs behind. In the background, the Opposition benches with members of the Opposition eating papers marked with the positions of the party. The hands of Pitt are shown holding a long scroll of paper enumerating the government's positions. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-stealing-off-or-prudent-secession-cartoon-by-james-gillray-1756-1815-57348086.htmlRMD98C1X–Stealing off; - or - prudent Secession. cartoon by James Gillray, 1756-1815, engraver. Published 1798.Charles Fox fleeing the House of Commons in terror, accompanied by a fierce greyhound wearing a collar marked 'Opposition Grey-hound'. A small animal with the head of M.A. Taylor runs behind. In the background, the Opposition benches with members of the Opposition eating papers marked with the positions of the party. The hands of Pitt are shown holding a long scroll of paper enumerating the government's positions.
JAMES GILLRAY (1756-1815) English caricaturist and print maker. His 1803 caricature of King George III as Gulliver with Napoleon as the King of Brobdingnag Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-gillray-1756-1815-english-caricaturist-and-print-maker-his-1803-caricature-of-king-george-iii-as-gulliver-with-napoleon-as-the-king-of-brobdingnag-image437104996.htmlRM2GB3RTM–JAMES GILLRAY (1756-1815) English caricaturist and print maker. His 1803 caricature of King George III as Gulliver with Napoleon as the King of Brobdingnag
Cartoon depicting a farmer and his wife by James Gillray. James Gillray (1756-1815) a British caricaturist, printmaker and etcher. Dated 18th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-cartoon-depicting-a-farmer-and-his-wife-by-james-gillray-james-gillray-162596845.htmlRMKCEWX5–Cartoon depicting a farmer and his wife by James Gillray. James Gillray (1756-1815) a British caricaturist, printmaker and etcher. Dated 18th Century
China/UK: The reception of the Macartney Mission at the Qing Court. Hand-coloured etching by James Gillray (1756-1815), 1792. 'A caricature on Lord Macartney's Embassy to China and on the little which the Ambassador and his government are presumed to have known of the manners and tastes of the people they wanted to conciliate (the purpose of the visit was to propose the creation of a permanent English mission to the court of Peking). Chinese etiquette is, that extreme prostrations should be made before the Emperor, which it was intimated Lord Macartney would not conform to.' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chinauk-the-reception-of-the-macartney-mission-at-the-qing-court-hand-coloured-etching-by-james-gillray-1756-1815-1792-a-caricature-on-lord-macartneys-embassy-to-china-and-on-the-little-which-the-ambassador-and-his-government-are-presumed-to-have-known-of-the-manners-and-tastes-of-the-people-they-wanted-to-conciliate-the-purpose-of-the-visit-was-to-propose-the-creation-of-a-permanent-english-mission-to-the-court-of-peking-chinese-etiquette-is-that-extreme-prostrations-should-be-made-before-the-emperor-which-it-was-intimated-lord-macartney-would-not-conform-to-image344228104.htmlRM2B00XCT–China/UK: The reception of the Macartney Mission at the Qing Court. Hand-coloured etching by James Gillray (1756-1815), 1792. 'A caricature on Lord Macartney's Embassy to China and on the little which the Ambassador and his government are presumed to have known of the manners and tastes of the people they wanted to conciliate (the purpose of the visit was to propose the creation of a permanent English mission to the court of Peking). Chinese etiquette is, that extreme prostrations should be made before the Emperor, which it was intimated Lord Macartney would not conform to.'
The life of William Cobbett - written by himself. No 2' (William Cobbett), 1809. By James Gillray (1756-1815). William Cobbett (1763-1835), English pamphleteer, farmer, journalist and member of parliament born in Farnham, Surrey. He believed that reforming Parliament, including abolishing 'rotten boroughs', would ease the poverty of farm labourers. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-life-of-william-cobbett-written-by-himself-no-2-william-cobbett-1809-by-james-gillray-1756-1815-william-cobbett-1763-1835-english-pamphleteer-farmer-journalist-and-member-of-parliament-born-in-farnham-surrey-he-believed-that-reforming-parliament-including-abolishing-rotten-boroughs-would-ease-the-poverty-of-farm-labourers-image348184085.htmlRM2B6D49W–The life of William Cobbett - written by himself. No 2' (William Cobbett), 1809. By James Gillray (1756-1815). William Cobbett (1763-1835), English pamphleteer, farmer, journalist and member of parliament born in Farnham, Surrey. He believed that reforming Parliament, including abolishing 'rotten boroughs', would ease the poverty of farm labourers.
James Gillray (1756-1815) etching 'Philanthropic Consultation, after the loss of the slave bill'. 1796 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-gillray-1756-1815-etching-philanthropic-consultation-after-the-loss-of-the-slave-bill-1796-image225044204.htmlRMR23J50–James Gillray (1756-1815) etching 'Philanthropic Consultation, after the loss of the slave bill'. 1796
'The American Rattle Snake' political cartoon by James Gillray (1756-1815). Shows American Continental Army in the form of a rattle snake containing British troops commanded by Burgoyne and Cornwallis captured on the surrender of Yorktown on 19 October 1781 with a spare coil ready for future prisoners of war. See description for more information. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-american-rattle-snake-political-cartoon-by-james-gillray-1756-86296089.htmlRMF0B3F5–'The American Rattle Snake' political cartoon by James Gillray (1756-1815). Shows American Continental Army in the form of a rattle snake containing British troops commanded by Burgoyne and Cornwallis captured on the surrender of Yorktown on 19 October 1781 with a spare coil ready for future prisoners of war. See description for more information.
Satirical etching by James Gillray (1756-1815) about the Treaty of Paris, signed at the end of the American Revolution, as well as the War of the Spanish Succession which was waged concurrently in Europe. Dated 1784 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/satirical-etching-by-james-gillray-1756-1815-about-the-treaty-of-paris-signed-at-the-end-of-the-american-revolution-as-well-as-the-war-of-the-spanish-succession-which-was-waged-concurrently-in-europe-dated-1784-image330680544.htmlRM2A5YPBC–Satirical etching by James Gillray (1756-1815) about the Treaty of Paris, signed at the end of the American Revolution, as well as the War of the Spanish Succession which was waged concurrently in Europe. Dated 1784
. English: Very Slippy Weather by James Gillray. 1808. James Gillray (1756–1815) Alternative names James Gilray; Gillay; Gillray Description British caricaturist and engraver Date of birth/death 13 August 1756 1 June 1815 Location of birth/death London London Work location London Authority control : Q520806 VIAF: 66735065 ISNI: 0000 0000 8390 3643 ULAN: 500017355 LCCN: n50033402 NLA: 35125322 WorldCat 1231 Very slippy weather Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-very-slippy-weather-by-james-gillray-1808-james-gillray-17561815-alternative-names-james-gilray-gillay-gillray-description-british-caricaturist-and-engraver-date-of-birthdeath-13-august-1756-1-june-1815-location-of-birthdeath-london-london-work-location-london-authority-control-q520806-viaf66735065-isni0000-0000-8390-3643-ulan500017355-lccnn50033402-nla35125322-worldcat-1231-very-slippy-weather-image185608305.htmlRMMNY581–. English: Very Slippy Weather by James Gillray. 1808. James Gillray (1756–1815) Alternative names James Gilray; Gillay; Gillray Description British caricaturist and engraver Date of birth/death 13 August 1756 1 June 1815 Location of birth/death London London Work location London Authority control : Q520806 VIAF: 66735065 ISNI: 0000 0000 8390 3643 ULAN: 500017355 LCCN: n50033402 NLA: 35125322 WorldCat 1231 Very slippy weather
fashion, 18th century, 'Parasols for 1795', drawing by James Gillray (1756 - 1815), 15.6.1795, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fashion-18th-century-parasols-for-1795-drawing-by-james-gillray-1756-image60262637.htmlRMDE15H1–fashion, 18th century, 'Parasols for 1795', drawing by James Gillray (1756 - 1815), 15.6.1795, Additional-Rights-Clearences-Not Available
Maniac-raving's-or-Little Bony in a strong fit Cartoon by James Gillray, 1756-1815, engraver 1803. Cartoon showing Napoleon in a fury over relations between France and England. 1803 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maniac-ravings-or-little-bony-in-a-strong-fit-cartoon-by-james-gillray-image68557090.htmlRMDYF17E–Maniac-raving's-or-Little Bony in a strong fit Cartoon by James Gillray, 1756-1815, engraver 1803. Cartoon showing Napoleon in a fury over relations between France and England. 1803
James Gillray, 1756 - 1815. English caricaturist and printmaker. He has been called 'the father of the political cartoon'. His rumbustious drawings lampooned everyone from the King of England to Napoleon Bonaparte. From a print by Charles Turner after a self-portrait by Gillray. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-gillray-1756-1815-english-caricaturist-and-printmaker-he-has-been-called-the-father-of-the-political-cartoon-his-rumbustious-drawings-lampooned-everyone-from-the-king-of-england-to-napoleon-bonaparte-from-a-print-by-charles-turner-after-a-self-portrait-by-gillray-image512981004.htmlRM2MPG8E4–James Gillray, 1756 - 1815. English caricaturist and printmaker. He has been called 'the father of the political cartoon'. His rumbustious drawings lampooned everyone from the King of England to Napoleon Bonaparte. From a print by Charles Turner after a self-portrait by Gillray.
Maniac-raving's-or-Little Boney in a strong fit / Js. Gillray inv. & fect 1803. Creator James Gillray, 1756-1815, engraver. Cartoon showing Napoleon in a fury over relations between France and England. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-maniac-ravings-or-little-boney-in-a-strong-fit-js-gillray-inv-fect-57348074.htmlRMD98C1E–Maniac-raving's-or-Little Boney in a strong fit / Js. Gillray inv. & fect 1803. Creator James Gillray, 1756-1815, engraver. Cartoon showing Napoleon in a fury over relations between France and England.
Napoleon Bonaparte, in a rage about the political situation with Britain. 1803 was a difficult year for Napoleon. Amongst many events he lost the colony of Saint-Dominque (modern Haiti), sold the Louisiana Territory to the United States and in May of that year Britain declared war against him. In the picture his future plans (including an expedition to the moon) lay in tatters. After an 1803 work by British artist James Gillray, 1756 - 1815. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/napoleon-bonaparte-in-a-rage-about-the-political-situation-with-britain-1803-was-a-difficult-year-for-napoleon-amongst-many-events-he-lost-the-colony-of-saint-dominque-modern-haiti-sold-the-louisiana-territory-to-the-united-states-and-in-may-of-that-year-britain-declared-war-against-him-in-the-picture-his-future-plans-including-an-expedition-to-the-moon-lay-in-tatters-after-an-1803-work-by-british-artist-james-gillray-1756-1815-image478236319.htmlRM2JP1F8F–Napoleon Bonaparte, in a rage about the political situation with Britain. 1803 was a difficult year for Napoleon. Amongst many events he lost the colony of Saint-Dominque (modern Haiti), sold the Louisiana Territory to the United States and in May of that year Britain declared war against him. In the picture his future plans (including an expedition to the moon) lay in tatters. After an 1803 work by British artist James Gillray, 1756 - 1815.
Democracy, or a Sketch o, James Gillray, 1756 – 1815, Heidi Humphrey, Etching Support: white wove paper laid down on beige wove paper, London, England, England, 1800, graphic design, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/democracy-or-a-sketch-o-james-gillray-1756-1815-heidi-humphrey-etching-support-white-wove-paper-laid-down-on-beige-wove-paper-london-england-england-1800-graphic-design-print-image391147630.htmlRM2DMA8P6–Democracy, or a Sketch o, James Gillray, 1756 – 1815, Heidi Humphrey, Etching Support: white wove paper laid down on beige wove paper, London, England, England, 1800, graphic design, Print
French invasion - or - Bonaparte landing in Great-Britain by James Gillray, 1756-1815, engraver, Published 1803 as an colour engraving. Cartoon showing Napoleon and his army, on seashore, fleeing from English soldiers with a British flag and two cannons on a low sandy cliff. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-invasion-or-bonaparte-landing-in-great-britain-by-james-gillray-image68550731.htmlRMDYEN4B–French invasion - or - Bonaparte landing in Great-Britain by James Gillray, 1756-1815, engraver, Published 1803 as an colour engraving. Cartoon showing Napoleon and his army, on seashore, fleeing from English soldiers with a British flag and two cannons on a low sandy cliff.
The Bulstrode Siren April 14, 1803 James Gillray British. The Bulstrode Siren. James Gillray (British, London 1756–1815 London). April 14, 1803. Hand-colored etching. Hannah Humphrey (London). Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-bulstrode-siren-april-14-1803-james-gillray-british-the-bulstrode-siren-james-gillray-british-london-17561815-london-april-14-1803-hand-colored-etching-hannah-humphrey-london-prints-image457782527.htmlRM2HGNP7Y–The Bulstrode Siren April 14, 1803 James Gillray British. The Bulstrode Siren. James Gillray (British, London 1756–1815 London). April 14, 1803. Hand-colored etching. Hannah Humphrey (London). Prints
The first Kiss this Ten Years! - or - the meeting of Britannia & Citizen François. A tall thin, French officer kissing a fat, richly dressed, seated Britannia. His hat and sword lay on the carpet. Britannia's shield and trident rest on the wall behind her chair. Above them are portraits of George III and Napoleon, facing each other. Creator James Gillray, 1756-1815, engraver. Published 1803. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-first-kiss-this-ten-years!-or-the-meeting-of-britannia-citizen-57348078.htmlRMD98C1J–The first Kiss this Ten Years! - or - the meeting of Britannia & Citizen François. A tall thin, French officer kissing a fat, richly dressed, seated Britannia. His hat and sword lay on the carpet. Britannia's shield and trident rest on the wall behind her chair. Above them are portraits of George III and Napoleon, facing each other. Creator James Gillray, 1756-1815, engraver. Published 1803.
Hand-coloured etching titled 'The Spanish Bull Fight' by James Gillray (1756-1815) English caricaturist and printmaker of social satires. Dated 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hand-coloured-etching-titled-the-spanish-bull-fight-by-james-gillray-1756-1815-english-caricaturist-and-printmaker-of-social-satires-dated-19th-century-image330684323.htmlRM2A5YY6B–Hand-coloured etching titled 'The Spanish Bull Fight' by James Gillray (1756-1815) English caricaturist and printmaker of social satires. Dated 19th Century
Rytec James Gillray 1756 1815 Znalec hloubajici nad puvaby antiky Lord Hamilton Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rytec-james-gillray-1756-1815-znalec-hloubajici-nad-puvaby-antiky-image152829636.htmlRMJTHYN8–Rytec James Gillray 1756 1815 Znalec hloubajici nad puvaby antiky Lord Hamilton
JAMES GILLRAY (1756-1815) English caricaturist and print maker. Section of his 1803 caricature of King George III as Gulliver with Napoleon as the King of Brobdingnag Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-gillray-1756-1815-english-caricaturist-and-print-maker-section-of-his-1803-caricature-of-king-george-iii-as-gulliver-with-napoleon-as-the-king-of-brobdingnag-image437105007.htmlRM2GB3RW3–JAMES GILLRAY (1756-1815) English caricaturist and print maker. Section of his 1803 caricature of King George III as Gulliver with Napoleon as the King of Brobdingnag
Pen and ink with red chalk illustration titled 'Monuments of Truth and Honour' by James Gillray (1756-1815) English caricaturist and printmaker of social satires. Dated 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pen-and-ink-with-red-chalk-illustration-titled-monuments-of-truth-and-honour-by-james-gillray-1756-1815-english-caricaturist-and-printmaker-of-social-satires-dated-19th-century-image330684347.htmlRM2A5YY77–Pen and ink with red chalk illustration titled 'Monuments of Truth and Honour' by James Gillray (1756-1815) English caricaturist and printmaker of social satires. Dated 19th Century
JAMES GILLRAY (1756-1815) English cartoonist. 'The state tinkers' 1780 engraving showing Lord North on his knees watched by King George III as they all conspire to ruin the country by their lack of skill. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-gillray-1756-1815-english-cartoonist-the-state-tinkers-1780-image151430541.htmlRMJPA75H–JAMES GILLRAY (1756-1815) English cartoonist. 'The state tinkers' 1780 engraving showing Lord North on his knees watched by King George III as they all conspire to ruin the country by their lack of skill.
Cartoon depicting the 'American Rattle Snake'. The 'American' snake emblem was used by Americans on their flag before the adoption of the stars and stripes. By James Gillray (1756-1815) dated 1782 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cartoon-depicting-the-american-rattle-snake-the-american-snake-emblem-was-used-by-americans-on-their-flag-before-the-adoption-of-the-stars-and-stripes-by-james-gillray-1756-1815-dated-1782-image330680504.htmlRM2A5YPA0–Cartoon depicting the 'American Rattle Snake'. The 'American' snake emblem was used by Americans on their flag before the adoption of the stars and stripes. By James Gillray (1756-1815) dated 1782
JAMES GILLRAY (1756-1815) English cartoonist. One of several versions of his 1810 print The Graces in a High Wind Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-gillray-1756-1815-english-cartoonist-one-of-several-versions-of-his-1810-print-the-graces-in-a-high-wind-image601906820.htmlRM2WY7684–JAMES GILLRAY (1756-1815) English cartoonist. One of several versions of his 1810 print The Graces in a High Wind
Hand-coloured etching titled 'Tiddy-Doll, the Great French-Gingerbread-Baker by James Gillray (1756-1815) English caricaturist and printmaker famous for his etched political and social satires. Dated 1806 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hand-coloured-etching-titled-tiddy-doll-the-great-french-gingerbread-baker-by-james-gillray-1756-1815-english-caricaturist-and-printmaker-famous-for-his-etched-political-and-social-satires-dated-1806-image330684311.htmlRM2A5YY5Y–Hand-coloured etching titled 'Tiddy-Doll, the Great French-Gingerbread-Baker by James Gillray (1756-1815) English caricaturist and printmaker famous for his etched political and social satires. Dated 1806
1802 , GREAT BRITAIN : The british physician , virologist and naturalist EDWARD JENNER ( 1749 - 1823 ), who was a contributor to development of the SMALLPOX VACCINE . Caricature of vaccination scene at the Smallpox and Inoculation Hospital at St. Pancras , showing Dr. Jenner vaccinating frightened young woman, and cows emerging from different parts of people's bodies. By James GILLRAY ( 1756 - 1815 ), pubblished in 1802 by ANTI-VACCINE SOCIETY . - VACCINATION - VIRUS - VIROLOGO - ANTI vaccinazione - ANTI-VACCINAZIONE - ANTIVACCINAZIONE - VIROLOGIST - ANTIVAIOLOSA - ANTIVAIOLO - ANTI-VAIOLO - A Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1802-great-britain-the-british-physician-virologist-and-naturalist-edward-jenner-1749-1823-who-was-a-contributor-to-development-of-the-smallpox-vaccine-caricature-of-vaccination-scene-at-the-smallpox-and-inoculation-hospital-at-st-pancras-showing-dr-jenner-vaccinating-frightened-young-woman-and-cows-emerging-from-different-parts-of-peoples-bodies-by-james-gillray-1756-1815-pubblished-in-1802-by-anti-vaccine-society-vaccination-virus-virologo-anti-vaccinazione-anti-vaccinazione-antivaccinazione-virologist-antivaiolosa-antivaiolo-anti-vaiolo-a-image359209620.htmlRM2BTBBF0–1802 , GREAT BRITAIN : The british physician , virologist and naturalist EDWARD JENNER ( 1749 - 1823 ), who was a contributor to development of the SMALLPOX VACCINE . Caricature of vaccination scene at the Smallpox and Inoculation Hospital at St. Pancras , showing Dr. Jenner vaccinating frightened young woman, and cows emerging from different parts of people's bodies. By James GILLRAY ( 1756 - 1815 ), pubblished in 1802 by ANTI-VACCINE SOCIETY . - VACCINATION - VIRUS - VIROLOGO - ANTI vaccinazione - ANTI-VACCINAZIONE - ANTIVACCINAZIONE - VIROLOGIST - ANTIVAIOLOSA - ANTIVAIOLO - ANTI-VAIOLO - A
N/A 16 July 1807. James Gillray (1756–1815) Alternative names James Gilray; Gillay; Gillray Description British caricaturist and engraver Date of birth/death 13 August 1756 1 June 1815 Location of birth/death London London Work location London Authority control : Q520806 VIAF:66735065 ISNI:0000 0000 8390 3643 ULAN:500017355 LCCN:n50033402 NLA:35125322 WorldCat 332 Charon's Boat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-16-july-1807-james-gillray-17561815-alternative-names-james-gilray-gillay-gillray-description-british-caricaturist-and-engraver-date-of-birthdeath-13-august-1756-1-june-1815-location-of-birthdeath-london-london-work-location-london-authority-control-q520806-viaf66735065-isni0000-0000-8390-3643-ulan500017355-lccnn50033402-nla35125322-worldcat-332-charons-boat-image210157242.htmlRMP5WDKP–N/A 16 July 1807. James Gillray (1756–1815) Alternative names James Gilray; Gillay; Gillray Description British caricaturist and engraver Date of birth/death 13 August 1756 1 June 1815 Location of birth/death London London Work location London Authority control : Q520806 VIAF:66735065 ISNI:0000 0000 8390 3643 ULAN:500017355 LCCN:n50033402 NLA:35125322 WorldCat 332 Charon's Boat
Hand-coloured etching depicts an elderly man who has slipped and fallen on the sidewalk outside Humphrey's printing establishment at No. 27 St. James's Street, London. He is holding a thermometer which he manages keep upright, behind him are five individuals looking at caricatures printed by Humphrey that are on display in the shop windows. Created by James Gillray (1756-1815) British caricaturist and printmaker famous for his etched political and social satires. Dated 1808 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hand-coloured-etching-depicts-an-elderly-man-who-has-slipped-and-fallen-on-the-sidewalk-outside-humphreys-printing-establishment-at-no-27-st-jamess-street-london-he-is-holding-a-thermometer-which-he-manages-keep-upright-behind-him-are-five-individuals-looking-at-caricatures-printed-by-humphrey-that-are-on-display-in-the-shop-windows-created-by-james-gillray-1756-1815-british-caricaturist-and-printmaker-famous-for-his-etched-political-and-social-satires-dated-1808-image224983551.htmlRMR20TPR–Hand-coloured etching depicts an elderly man who has slipped and fallen on the sidewalk outside Humphrey's printing establishment at No. 27 St. James's Street, London. He is holding a thermometer which he manages keep upright, behind him are five individuals looking at caricatures printed by Humphrey that are on display in the shop windows. Created by James Gillray (1756-1815) British caricaturist and printmaker famous for his etched political and social satires. Dated 1808
. Tarleton as Captain Bobadill in Ben Jonson's Every Man in his Humour (1782).jpg . 1782. James Gillray (1756–1815) Alternative names James Gilray; Gillay; Gillray Description British caricaturist and engraver Date of birth/death 13 August 1756 1 June 1815 Location of birth/death London London Work location London Authority control : Q520806 VIAF: 66735065 ISNI: 0000 0000 8390 3643 ULAN: 500017355 LCCN: n50033402 NLA: 35125322 WorldCat 1162 Tarleton as Captain Bobadill Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tarleton-as-captain-bobadill-in-ben-jonsons-every-man-in-his-humour-1782jpg-1782-james-gillray-17561815-alternative-names-james-gilray-gillay-gillray-description-british-caricaturist-and-engraver-date-of-birthdeath-13-august-1756-1-june-1815-location-of-birthdeath-london-london-work-location-london-authority-control-q520806-viaf66735065-isni0000-0000-8390-3643-ulan500017355-lccnn50033402-nla35125322-worldcat-1162-tarleton-as-captain-bobadill-image185828796.htmlRMMP96EM–. Tarleton as Captain Bobadill in Ben Jonson's Every Man in his Humour (1782).jpg . 1782. James Gillray (1756–1815) Alternative names James Gilray; Gillay; Gillray Description British caricaturist and engraver Date of birth/death 13 August 1756 1 June 1815 Location of birth/death London London Work location London Authority control : Q520806 VIAF: 66735065 ISNI: 0000 0000 8390 3643 ULAN: 500017355 LCCN: n50033402 NLA: 35125322 WorldCat 1162 Tarleton as Captain Bobadill
True reform of Parliament, patriots lighting a revolutionary-bonfire in new Palace Yard by James Gillray (1756-1815). Engraving with watercolour, print shows Sir Francis Burdett making a speech and waving a bonnet rouge shaped like a fool's cap as Horne Tooke lights on fire a pile of acts and charters, as well as a Bible, with a flaming baton labelled 'Sedation' while three creatures add to the flames. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/true-reform-of-parliament-patriots-lighting-a-revolutionary-bonfire-in-new-palace-yard-by-james-gillray-1756-1815-engraving-with-watercolour-print-shows-sir-francis-burdett-making-a-speech-and-waving-a-bonnet-rouge-shaped-like-a-fools-cap-as-horne-tooke-lights-on-fire-a-pile-of-acts-and-charters-as-well-as-a-bible-with-a-flaming-baton-labelled-sedation-while-three-creatures-add-to-the-flames-image330687361.htmlRM2A6032W–True reform of Parliament, patriots lighting a revolutionary-bonfire in new Palace Yard by James Gillray (1756-1815). Engraving with watercolour, print shows Sir Francis Burdett making a speech and waving a bonnet rouge shaped like a fool's cap as Horne Tooke lights on fire a pile of acts and charters, as well as a Bible, with a flaming baton labelled 'Sedation' while three creatures add to the flames.
. 'New Discoveries in Pneumatics'. Humphry Davy (1778-1829) lecturing at the Royal Institution. Print by James Gillray. 1802. James Gillray (1756–1815) Alternative names James Gilray; Gillay; Gillray Description British caricaturist and engraver Date of birth/death 13 August 1756 1 June 1815 Location of birth/death London London Work location London Authority control : Q520806 VIAF: 66735065 ISNI: 0000 0000 8390 3643 ULAN: 500017355 LCCN: n50033402 NLA: 35125322 WorldCat 1075 Royal Institution - Humphry Davy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-discoveries-in-pneumatics-humphry-davy-1778-1829-lecturing-at-the-royal-institution-print-by-james-gillray-1802-james-gillray-17561815-alternative-names-james-gilray-gillay-gillray-description-british-caricaturist-and-engraver-date-of-birthdeath-13-august-1756-1-june-1815-location-of-birthdeath-london-london-work-location-london-authority-control-q520806-viaf66735065-isni0000-0000-8390-3643-ulan500017355-lccnn50033402-nla35125322-worldcat-1075-royal-institution-humphry-davy-image185581245.htmlRMMNWXNH–. 'New Discoveries in Pneumatics'. Humphry Davy (1778-1829) lecturing at the Royal Institution. Print by James Gillray. 1802. James Gillray (1756–1815) Alternative names James Gilray; Gillay; Gillray Description British caricaturist and engraver Date of birth/death 13 August 1756 1 June 1815 Location of birth/death London London Work location London Authority control : Q520806 VIAF: 66735065 ISNI: 0000 0000 8390 3643 ULAN: 500017355 LCCN: n50033402 NLA: 35125322 WorldCat 1075 Royal Institution - Humphry Davy
1791 , London , GREAT BRITAIN : The russian Tsarine Empress CATHERINE II THE GREAT of RUSSIA( Stettin, 1729 - Puskin, 1796 ).Though born as Sophia Augusta Frederica ( Sophie Friederike Auguste von Anhalt-Zerbst-Dornburg ). British caricature by illustrator James Gillray (1756–1815): Taming of the shrew: —Katharine & Petruchio; —The modern Quixotte, —or, what you will. She exemplified the enlightened despot of her era. Cartoon shows Catherine II, faint and shying away from William Pitt, who appears as Petruchio, and Don Quixote on horseback (a lean and scarred George III whose authority has bee Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1791-london-great-britain-the-russian-tsarine-empress-catherine-ii-the-great-of-russia-stettin-1729-puskin-1796-though-born-as-sophia-augusta-frederica-sophie-friederike-auguste-von-anhalt-zerbst-dornburg-british-caricature-by-illustrator-james-gillray-17561815-taming-of-the-shrew-katharine-petruchio-the-modern-quixotte-or-what-you-will-she-exemplified-the-enlightened-despot-of-her-era-cartoon-shows-catherine-ii-faint-and-shying-away-from-william-pitt-who-appears-as-petruchio-and-don-quixote-on-horseback-a-lean-and-scarred-george-iii-whose-authority-has-bee-image540628345.htmlRM2PBFMY5–1791 , London , GREAT BRITAIN : The russian Tsarine Empress CATHERINE II THE GREAT of RUSSIA( Stettin, 1729 - Puskin, 1796 ).Though born as Sophia Augusta Frederica ( Sophie Friederike Auguste von Anhalt-Zerbst-Dornburg ). British caricature by illustrator James Gillray (1756–1815): Taming of the shrew: —Katharine & Petruchio; —The modern Quixotte, —or, what you will. She exemplified the enlightened despot of her era. Cartoon shows Catherine II, faint and shying away from William Pitt, who appears as Petruchio, and Don Quixote on horseback (a lean and scarred George III whose authority has bee
Democracy, or a Sketch o, James Gillray, 1756 – 1815, Heidi Humphrey, Etching Support: white wove paper laid down on beige wove paper, London, England, England, 1800, graphic design, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/democracy-or-a-sketch-o-james-gillray-1756-1815-heidi-humphrey-etching-support-white-wove-paper-laid-down-on-beige-wove-paper-london-england-england-1800-graphic-design-print-image391159853.htmlRM2DMATAN–Democracy, or a Sketch o, James Gillray, 1756 – 1815, Heidi Humphrey, Etching Support: white wove paper laid down on beige wove paper, London, England, England, 1800, graphic design, Print
Trial of Charlotte for the murder of Marat - Revolutionary Tribunal 1793 - by James Gillray ( 1756 - 1815 ) The heroic Charlotte la Cordé at her trial. The interior of the Revolutionary Tribunal crowded with figures. Charlotte Corday (right) stands at the bar, a raised circular stone platform, her wrists linked by a chain, addressing her judges (left), who listen with alarm, as do the the spectators and the two ruffians holding spears who stand behind her. ©TopFoto Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trial-of-charlotte-for-the-murder-of-marat-revolutionary-tribunal-1793-by-james-gillray-1756-1815-the-heroic-charlotte-la-cord-at-her-trial-the-interior-of-the-revolutionary-tribunal-crowded-with-figures-charlotte-corday-right-stands-at-the-bar-a-raised-circular-stone-platform-her-wrists-linked-by-a-chain-addressing-her-judges-left-who-listen-with-alarm-as-do-the-the-spectators-and-the-two-ruffians-holding-spears-who-stand-behind-her-topfoto-image624432096.htmlRM2Y7W9E8–Trial of Charlotte for the murder of Marat - Revolutionary Tribunal 1793 - by James Gillray ( 1756 - 1815 ) The heroic Charlotte la Cordé at her trial. The interior of the Revolutionary Tribunal crowded with figures. Charlotte Corday (right) stands at the bar, a raised circular stone platform, her wrists linked by a chain, addressing her judges (left), who listen with alarm, as do the the spectators and the two ruffians holding spears who stand behind her. ©TopFoto
fashion, 18th century, 'And Catch the Living Manners As They Rise', drawing by James Gillray (1756 - 1815), 7.5.1794, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fashion-18th-century-and-catch-the-living-manners-as-they-rise-drawing-image60262627.htmlRMDE15GK–fashion, 18th century, 'And Catch the Living Manners As They Rise', drawing by James Gillray (1756 - 1815), 7.5.1794, Additional-Rights-Clearences-Not Available
The great South Sea caterpillar, transform's into a Bath butterfly by James Gillray 1756-1815. 1795 July 4th. Cartoon shows the metamorphosis of Sir Joseph Banks from a caterpillar to a butterfly upon his investiture with the Order of the Bath as a result of his South Sea expedition. Draped with the ribbon, and wearing the jewel, of Bath, he rises, chrysalis shaped, from the mudflats on butterfly wings emblazoned with sea creatures towards a radiant sun enclosing a crown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-great-south-sea-caterpillar-transforms-into-a-bath-butterfly-by-57348089.htmlRMD98C21–The great South Sea caterpillar, transform's into a Bath butterfly by James Gillray 1756-1815. 1795 July 4th. Cartoon shows the metamorphosis of Sir Joseph Banks from a caterpillar to a butterfly upon his investiture with the Order of the Bath as a result of his South Sea expedition. Draped with the ribbon, and wearing the jewel, of Bath, he rises, chrysalis shaped, from the mudflats on butterfly wings emblazoned with sea creatures towards a radiant sun enclosing a crown.
Maniac-raving's-or-Little Bony in a strong fit Cartoon by James Gillray, 1756-1815, engraver 1803. Cartoon showing Napoleon in a fury over relations between France and England. 1803 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maniac-ravings-or-little-bony-in-a-strong-fit-cartoon-by-james-gillray-1756-1815-engraver-1803-cartoon-showing-napoleon-in-a-fury-over-relations-between-france-and-england-1803-image210362920.htmlRMP66T1C–Maniac-raving's-or-Little Bony in a strong fit Cartoon by James Gillray, 1756-1815, engraver 1803. Cartoon showing Napoleon in a fury over relations between France and England. 1803
![New morality; or The promised instalment of the high-priest of the Theophilanthropes, with the homage of Leviathan and his suite by James Gillray, 1756-1815, artist. Published August 1st 1798, by J. Wright, No. 169 Piccadilly, for the Anti-Jacobin Magazine & Review, 1798. French politician and Theo philanthropist Louis Marie la Révellière-Lépaux standing on a three-legged stool perched upon a stone dais reading Religion de la Nature] to surrounding caricatures of people and animals, including the Duke of Bedford as Leviathan. 1798 Stock Photo](https://c8.alamy.com/comp/DYF17N/new-morality-or-the-promised-instalment-of-the-high-priest-of-the-DYF17N.jpg "New morality; or The promised instalment of the high-priest of the Theophilanthropes, with the homage of Leviathan and his suite by James Gillray, 1756-1815, artist. Published August 1st 1798, by J. Wright, No. 169 Piccadilly, for the Anti-Jacobin Magazine & Review, 1798. French politician and Theo philanthropist Louis Marie la Révellière-Lépaux standing on a three-legged stool perched upon a stone dais reading Religion de la Nature] to surrounding caricatures of people and animals, including the Duke of Bedford as Leviathan. 1798 Stock Photo")
New morality; or The promised instalment of the high-priest of the Theophilanthropes, with the homage of Leviathan and his suite by James Gillray, 1756-1815, artist. Published August 1st 1798, by J. Wright, No. 169 Piccadilly, for the Anti-Jacobin Magazine & Review, 1798. French politician and Theo philanthropist Louis Marie la Révellière-Lépaux standing on a three-legged stool perched upon a stone dais reading Religion de la Nature] to surrounding caricatures of people and animals, including the Duke of Bedford as Leviathan. 1798 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-morality-or-the-promised-instalment-of-the-high-priest-of-the-image68557097.htmlRMDYF17N–New morality; or The promised instalment of the high-priest of the Theophilanthropes, with the homage of Leviathan and his suite by James Gillray, 1756-1815, artist. Published August 1st 1798, by J. Wright, No. 169 Piccadilly, for the Anti-Jacobin Magazine & Review, 1798. French politician and Theo philanthropist Louis Marie la Révellière-Lépaux standing on a three-legged stool perched upon a stone dais reading Religion de la Nature] to surrounding caricatures of people and animals, including the Duke of Bedford as Leviathan. 1798
The nuptial-bower; - with the evil-one, peeping at the charms of Eden, from Milton published 1797by James Gillray 1756-1815 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-nuptial-bower-with-the-evil-one-peeping-at-the-charms-of-eden-174920312.htmlRFM4G8J0–The nuptial-bower; - with the evil-one, peeping at the charms of Eden, from Milton published 1797by James Gillray 1756-1815
Hand-coloured etching titled 'The Spanish Bull Fight' by James Gillray (1756-1815) English caricaturist and printmaker of social satires. Dated 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hand-coloured-etching-titled-the-spanish-bull-fight-by-james-gillray-90842685.htmlRMF7P6NH–Hand-coloured etching titled 'The Spanish Bull Fight' by James Gillray (1756-1815) English caricaturist and printmaker of social satires. Dated 19th Century
JAMES GILLRAY (1756/7- 1815) English caricaturist in an engraving based on a miniature self portrait Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-gillray-17567-1815-english-caricaturist-in-an-engraving-based-on-a-miniature-self-portrait-image255615485.htmlRMTRT84D–JAMES GILLRAY (1756/7- 1815) English caricaturist in an engraving based on a miniature self portrait
Pen and ink with red chalk illustration titled 'Monuments of Truth and Honour' by James Gillray (1756-1815) English caricaturist and printmaker of social satires. Dated 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pen-and-ink-with-red-chalk-illustration-titled-monuments-of-truth-90842694.htmlRMF7P6NX–Pen and ink with red chalk illustration titled 'Monuments of Truth and Honour' by James Gillray (1756-1815) English caricaturist and printmaker of social satires. Dated 19th Century
JAMES GILLRAY (1756/7- 1815) 'Plum Pudding in Peril' of 1805 shows Pitt at left and Napoleon dividing up the world Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-james-gillray-17567-1815-plum-pudding-in-peril-of-1805-shows-pitt-58243667.htmlRMDAN6AY–JAMES GILLRAY (1756/7- 1815) 'Plum Pudding in Peril' of 1805 shows Pitt at left and Napoleon dividing up the world
Cartoon depicting the 'American Rattle Snake'. The 'American' snake emblem was used by Americans on their flag before the adoption of the stars and stripes. By James Gillray (1756-1815) dated 1782 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cartoon-depicting-the-american-rattle-snake-the-american-snake-emblem-84970220.htmlRMEX6MAM–Cartoon depicting the 'American Rattle Snake'. The 'American' snake emblem was used by Americans on their flag before the adoption of the stars and stripes. By James Gillray (1756-1815) dated 1782
JAMES GILLRAY (1756/7-1815) English caricaturist. His 'Doublures of Characters;-or-striking Resemblances in Phisiognomy. If you would know Mens Hearts, look in their Faces' from 1798 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-james-gillray-17567-1815-english-caricaturist-his-doublures-of-characters-111478372.htmlRMGDA7PC–JAMES GILLRAY (1756/7-1815) English caricaturist. His 'Doublures of Characters;-or-striking Resemblances in Phisiognomy. If you would know Mens Hearts, look in their Faces' from 1798
A cartoon depicting an Irish Chief who is shouting 'No Union. Erin go Brach!'. Illustrated by James Gillray (1756-1815) a British caricaturist and printmaker. Dated 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-cartoon-depicting-an-irish-chief-who-is-shouting-no-union-erin-go-brach!-illustrated-by-james-gillray-1756-1815-a-british-caricaturist-and-printmaker-dated-18th-century-image235172521.htmlRMRJH0XH–A cartoon depicting an Irish Chief who is shouting 'No Union. Erin go Brach!'. Illustrated by James Gillray (1756-1815) a British caricaturist and printmaker. Dated 18th century
JAMES GILLRAY (c 1756-1815) English cartoonist. His 1803 satirical cartoon 'The King of Brobdingnag and Gulliver' shows George III observing a mini Napoleon through a magnifying glass. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-james-gillray-c-1756-1815-english-cartoonist-his-1803-satirical-cartoon-135213860.htmlRMHRYEJC–JAMES GILLRAY (c 1756-1815) English cartoonist. His 1803 satirical cartoon 'The King of Brobdingnag and Gulliver' shows George III observing a mini Napoleon through a magnifying glass.
Hand-coloured etching titled 'Tiddy-Doll, the Great French-Gingerbread-Baker by James Gillray (1756-1815) English caricaturist and printmaker famous for his etched political and social satires. Dated 1806 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hand-coloured-etching-titled-tiddy-doll-the-great-french-gingerbread-90842056.htmlRMF7P5Y4–Hand-coloured etching titled 'Tiddy-Doll, the Great French-Gingerbread-Baker by James Gillray (1756-1815) English caricaturist and printmaker famous for his etched political and social satires. Dated 1806
Fast-asleep , Sleeping. James Gillray (1756-1815). Prints and Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fast-asleep-sleeping-james-gillray-1756-1815-prints-and-drawings-image500889692.htmlRM2M2WDWG–Fast-asleep , Sleeping. James Gillray (1756-1815). Prints and Drawings
The graces in a high wind . A satirical engraving by James Gillray (died 1815), published 1810. This caricatures the loosely-clinging Empire/Regency styles, worn with few layers of stiffening petticoats. Many people alive in 1810 would have well remembered the rigid styles of the 1770s, which went to the opposite extreme. See source website for additional information. 1810. James Gillray (1756–1815) Alternative names James Gilray; Gillay; Gillray Description British caricaturist and engraver Date of birth/death 13 August 1756 1 June 1815 Location of birth/death London London Work Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-graces-in-a-high-wind-a-satirical-engraving-by-james-gillray-died-1815-published-1810-this-caricatures-the-loosely-clinging-empireregency-styles-worn-with-few-layers-of-stiffening-petticoats-many-people-alive-in-1810-would-have-well-remembered-the-rigid-styles-of-the-1770s-which-went-to-the-opposite-extreme-see-source-website-for-additional-information-1810-james-gillray-17561815-alternative-names-james-gilray-gillay-gillray-description-british-caricaturist-and-engraver-date-of-birthdeath-13-august-1756-1-june-1815-location-of-birthdeath-london-london-work-image185599205.htmlRMMNXNK1–The graces in a high wind . A satirical engraving by James Gillray (died 1815), published 1810. This caricatures the loosely-clinging Empire/Regency styles, worn with few layers of stiffening petticoats. Many people alive in 1810 would have well remembered the rigid styles of the 1770s, which went to the opposite extreme. See source website for additional information. 1810. James Gillray (1756–1815) Alternative names James Gilray; Gillay; Gillray Description British caricaturist and engraver Date of birth/death 13 August 1756 1 June 1815 Location of birth/death London London Work
Etching, aquatint, hand-coloured engraving entitled 'The Hand-writing upon the wall' by James Gillray (1756-1815). Napoleon, Josephine, French soldiers and women seated at a feast with dishes 'Bank of England', 'St. James,' 'Tower of London,' and 'Roast Beef of old England.' Napoleon looks in horror at hand of Jehovah pointing to words in sky: 'Mene Mene, tekel upharsin.' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-etching-aquatint-hand-coloured-engraving-entitled-the-hand-writing-91192256.htmlRMF8A4J8–Etching, aquatint, hand-coloured engraving entitled 'The Hand-writing upon the wall' by James Gillray (1756-1815). Napoleon, Josephine, French soldiers and women seated at a feast with dishes 'Bank of England', 'St. James,' 'Tower of London,' and 'Roast Beef of old England.' Napoleon looks in horror at hand of Jehovah pointing to words in sky: 'Mene Mene, tekel upharsin.'
Democracy, or a Sketch o, James Gillray, 1756 – 1815, Heidi Humphrey, Etching Support: white wove paper laid down on beige wove paper, London, England, England, 1800, graphic design, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/democracy-or-a-sketch-o-james-gillray-1756-1815-heidi-humphrey-etching-support-white-wove-paper-laid-down-on-beige-wove-paper-london-england-england-1800-graphic-design-print-image391146382.htmlRM2DMA75J–Democracy, or a Sketch o, James Gillray, 1756 – 1815, Heidi Humphrey, Etching Support: white wove paper laid down on beige wove paper, London, England, England, 1800, graphic design, Print
Hand-coloured etching depicts an elderly man who has slipped and fallen on the sidewalk outside Humphrey's printing establishment at No. 27 St. James's Street, London. He is holding a thermometer which he manages keep upright, behind him are five individuals looking at caricatures printed by Humphrey that are on display in the shop windows. Created by James Gillray (1756-1815) British caricaturist and printmaker famous for his etched political and social satires. Dated 1808 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hand-coloured-etching-depicts-an-elderly-man-who-has-slipped-and-fallen-image69823812.htmlRME1GMYG–Hand-coloured etching depicts an elderly man who has slipped and fallen on the sidewalk outside Humphrey's printing establishment at No. 27 St. James's Street, London. He is holding a thermometer which he manages keep upright, behind him are five individuals looking at caricatures printed by Humphrey that are on display in the shop windows. Created by James Gillray (1756-1815) British caricaturist and printmaker famous for his etched political and social satires. Dated 1808
Democracy, or a Sketch o, James Gillray, 1756 – 1815, Heidi Humphrey, Etching Support: white wove paper laid down on beige wove paper, London, England, England, 1800, graphic design, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/democracy-or-a-sketch-o-james-gillray-1756-1815-heidi-humphrey-etching-support-white-wove-paper-laid-down-on-beige-wove-paper-london-england-england-1800-graphic-design-print-image391119409.htmlRM2DM90P9–Democracy, or a Sketch o, James Gillray, 1756 – 1815, Heidi Humphrey, Etching Support: white wove paper laid down on beige wove paper, London, England, England, 1800, graphic design, Print
True reform of Parliament, patriots lighting a revolutionary-bonfire in new Palace Yard by James Gillray (1756-1815). Engraving with watercolour, print shows Sir Francis Burdett making a speech and waving a bonnet rouge shaped like a fool's cap as Horne Tooke lights on fire a pile of acts and charters, as well as a Bible, with a flaming baton labelled 'Sedation' while three creatures add to the flames. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-true-reform-of-parliament-patriots-lighting-a-revolutionary-bonfire-90845800.htmlRMF7PAMT–True reform of Parliament, patriots lighting a revolutionary-bonfire in new Palace Yard by James Gillray (1756-1815). Engraving with watercolour, print shows Sir Francis Burdett making a speech and waving a bonnet rouge shaped like a fool's cap as Horne Tooke lights on fire a pile of acts and charters, as well as a Bible, with a flaming baton labelled 'Sedation' while three creatures add to the flames.
Maniac-raving's-or-Little Boney in a strong fit / Js. Gillray inv. & fect 1803. Creator James Gillray, 1756-1815, engraver. Cartoon showing Napoleon in a fury over relations between France and England. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maniac-ravings-or-little-boney-in-a-strong-fit-js-gillray-inv-fect-1803-creator-james-gillray-1756-1815-engraver-cartoon-showing-napoleon-in-a-fury-over-relations-between-france-and-england-image483536944.htmlRM2K2K08G–Maniac-raving's-or-Little Boney in a strong fit / Js. Gillray inv. & fect 1803. Creator James Gillray, 1756-1815, engraver. Cartoon showing Napoleon in a fury over relations between France and England.
Print, 'Democracy, or a Sketch o; James Gillray (1756 – 1815); Published by Heidi Humphrey; Dedicatee: Napoleon Bonaparte (1769 – 1821); England; etching support: white wove paper laid down on beige wove paper; 13 x 11.3 cm (5 1/8 x 4 7/16 in.) Mat: 40.6 x 55.9 cm (16 x 22 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-democracy-or-a-sketch-o-james-gillray-1756-1815-published-by-heidi-humphrey-dedicatee-napoleon-bonaparte-1769-1821-england-etching-support-white-wove-paper-laid-down-on-beige-wove-paper-13-x-113-cm-5-18-x-4-716-in-mat-406-x-559-cm-16-x-22-in-image546083201.htmlRM2PMC6KD–Print, 'Democracy, or a Sketch o; James Gillray (1756 – 1815); Published by Heidi Humphrey; Dedicatee: Napoleon Bonaparte (1769 – 1821); England; etching support: white wove paper laid down on beige wove paper; 13 x 11.3 cm (5 1/8 x 4 7/16 in.) Mat: 40.6 x 55.9 cm (16 x 22 in.)
JAMES GILRAY (1756-1815) English cartoonist from an 1819 mezzotint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-gilray-1756-1815-english-cartoonist-from-an-1819-mezzotint-image490869295.htmlRM2KEH0P7–JAMES GILRAY (1756-1815) English cartoonist from an 1819 mezzotint
Following the Fashion. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1794. Dimensions: 305 × 340 mm (image); 325 × 370 mm (plate); 350 × 385 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/following-the-fashion-james-gillray-english-1756-1815-published-by-hannah-humphrey-english-c-1745-1818-date-1794-dimensions-305-340-mm-image-325-370-mm-plate-350-385-mm-sheet-hand-colored-etching-on-paper-origin-england-museum-the-chicago-art-institute-image240002173.htmlRMRXD165–Following the Fashion. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1794. Dimensions: 305 × 340 mm (image); 325 × 370 mm (plate); 350 × 385 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute.
JAMES GILLRAY (1756/7-1815) English caricaturist. L'Assemblee Nationale (1804) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-james-gillray-17567-1815-english-caricaturist-lassemblee-nationale-111478411.htmlRMGDA7RR–JAMES GILLRAY (1756/7-1815) English caricaturist. L'Assemblee Nationale (1804)
Art inspired by The Pic-Nic Orchestra, April 23, 1802, Hand-colored etching and engraving, plate: 10 x 14 in. (25.4 x 35.6 cm), Prints, James Gillray (British, Chelsea 1756–1815 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-pic-nic-orchestra-april-23-1802-hand-colored-etching-and-engraving-plate-10-x-14-in-254-x-356-cm-prints-james-gillray-british-chelsea-17561815-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462962418.htmlRF2HW5N82–Art inspired by The Pic-Nic Orchestra, April 23, 1802, Hand-colored etching and engraving, plate: 10 x 14 in. (25.4 x 35.6 cm), Prints, James Gillray (British, Chelsea 1756–1815 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
JAMES GILLRAY (1756/7 - 1815) 'Following the Fashion - Cheapside aping the Mode' satirical comment of current fashions from 1794 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-james-gillray-17567-1815-following-the-fashion-cheapside-aping-the-111478390.htmlRMGDA7R2–JAMES GILLRAY (1756/7 - 1815) 'Following the Fashion - Cheapside aping the Mode' satirical comment of current fashions from 1794
Art inspired by Cymon and Iphigenia, May 2, 1796, Hand-colored etching, sheet: 9 3/4 x 10 9/16 in. (24.8 x 26.8 cm), Prints, James Gillray (British, Chelsea 1756–1815 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-cymon-and-iphigenia-may-2-1796-hand-colored-etching-sheet-9-34-x-10-916-in-248-x-268-cm-prints-james-gillray-british-chelsea-17561815-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462806886.htmlRF2HTXJWA–Art inspired by Cymon and Iphigenia, May 2, 1796, Hand-colored etching, sheet: 9 3/4 x 10 9/16 in. (24.8 x 26.8 cm), Prints, James Gillray (British, Chelsea 1756–1815 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The nuptial-bower; - with the evil-one, peeping at the charms of Eden. James Gillray, James, 1756-1815, artist. Cartoon shows William Pitt escorting Eleanor Eden to a vine-shaded bower within which are three large sacks with the British pound symbol on them, possibly representing Pitt's debt. Bunches of grapes, crowns, and medallions, suspended from ribbons, hang from the bower. A devil-like creature, 'the Evil-One', representing Charles James Fox, peers around the bower from the right Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-nuptial-bower-with-the-evil-one-peeping-at-the-charms-of-eden-57348092.htmlRMD98C24–The nuptial-bower; - with the evil-one, peeping at the charms of Eden. James Gillray, James, 1756-1815, artist. Cartoon shows William Pitt escorting Eleanor Eden to a vine-shaded bower within which are three large sacks with the British pound symbol on them, possibly representing Pitt's debt. Bunches of grapes, crowns, and medallions, suspended from ribbons, hang from the bower. A devil-like creature, 'the Evil-One', representing Charles James Fox, peers around the bower from the right
Gout (also known as podagra when it involves the big toe) is usually characterized by recurrent attacks of inflammatory arthritis—a red, tender, hot, and swollen joint. Pain typically comes on rapidly in less than twelve hours. The joint at the base of the big toe is affected in about half of cases. It may also result in tophi, kidney stones, or urate nephropathy. James Gillray (13 August 1756 or 1757 – 1 June 1815) was an English caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gout-also-known-as-podagra-when-it-involves-the-big-toe-is-usually-characterized-by-recurrent-attacks-of-inflammatory-arthritisa-red-tender-hot-and-swollen-joint-pain-typically-comes-on-rapidly-in-less-than-twelve-hours-the-joint-at-the-base-of-the-big-toe-is-affected-in-about-half-of-cases-it-may-also-result-in-tophi-kidney-stones-or-urate-nephropathy-james-gillray-13-august-1756-or-1757-1-june-1815-was-an-english-caricaturist-and-printmaker-famous-for-his-etched-political-and-social-satires-mainly-published-between-1792-and-1810-image344275770.htmlRM2B03376–Gout (also known as podagra when it involves the big toe) is usually characterized by recurrent attacks of inflammatory arthritis—a red, tender, hot, and swollen joint. Pain typically comes on rapidly in less than twelve hours. The joint at the base of the big toe is affected in about half of cases. It may also result in tophi, kidney stones, or urate nephropathy. James Gillray (13 August 1756 or 1757 – 1 June 1815) was an English caricaturist and printmaker famous for his etched political and social satires, mainly published between 1792 and 1810.
A block for the wigs - or, the new state whirligig. Cartoon shows a carousel on which sit government ministers Charles Fox, Lord North, Edmund Burke and Admiral Keppel. Beam in the center of the carousel platform is a pillar topped by a bust of King George III, a wig and Union Jack suspended over the bust. In the background two robbers lower a large bundle from the window of a building. An inscription above the cartoon reads 'Poor John Bull's house plunder'd at noon day.' published 1783, Gillray, James, 1756-1815, artist Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-block-for-the-wigs-or-the-new-state-whirligig-cartoon-shows-a-carousel-174778849.htmlRFM49T5N–A block for the wigs - or, the new state whirligig. Cartoon shows a carousel on which sit government ministers Charles Fox, Lord North, Edmund Burke and Admiral Keppel. Beam in the center of the carousel platform is a pillar topped by a bust of King George III, a wig and Union Jack suspended over the bust. In the background two robbers lower a large bundle from the window of a building. An inscription above the cartoon reads 'Poor John Bull's house plunder'd at noon day.' published 1783, Gillray, James, 1756-1815, artist
Bonhams, Knightsbridge, London, UK. 15th June 2020. Bonhams Prints and Multiples sale preview of their first live auction since lockdown in mid-March, with viewings by timed appointment. The sale will be held on 18-19 June with works spanning the 15th - 21st century. Image: James Gillray (British, 1756-1815). The King of Brobdingnag, and Gulliver. -Vide. Swift's Gulliver: Voyage to Brobdingnag. Estimate £600-800. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bonhams-knightsbridge-london-uk-15th-june-2020-bonhams-prints-and-multiples-sale-preview-of-their-first-live-auction-since-lockdown-in-mid-march-with-viewings-by-timed-appointment-the-sale-will-be-held-on-18-19-june-with-works-spanning-the-15th-21st-century-image-james-gillray-british-1756-1815-the-king-of-brobdingnag-and-gulliver-vide-swifts-gulliver-voyage-to-brobdingnag-estimate-600-800-credit-malcolm-parkalamy-live-news-image362280647.htmlRM2C1B8JF–Bonhams, Knightsbridge, London, UK. 15th June 2020. Bonhams Prints and Multiples sale preview of their first live auction since lockdown in mid-March, with viewings by timed appointment. The sale will be held on 18-19 June with works spanning the 15th - 21st century. Image: James Gillray (British, 1756-1815). The King of Brobdingnag, and Gulliver. -Vide. Swift's Gulliver: Voyage to Brobdingnag. Estimate £600-800. Credit: Malcolm Park/Alamy Live News.
Playing in parts , Musicians. James Gillray (1756-1815). Prints and Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/playing-in-parts-musicians-james-gillray-1756-1815-prints-and-drawings-image501401886.htmlRM2M3MR66–Playing in parts , Musicians. James Gillray (1756-1815). Prints and Drawings
. English: The loss of the Halsewell East Indiaman (6 January 1786) by James Gillray ((13 August 1756 – 1 June 1815)) . before 1815. James Gillray (1756–1815) Alternative names James Gilray; Gillay; Gillray Description British caricaturist and engraver Date of birth/death 13 August 1756 1 June 1815 Location of birth/death London London Work location London Authority control : Q520806 VIAF: 66735065 ISNI: 0000 0000 8390 3643 ULAN: 500017355 LCCN: n50033402 NLA: 35125322 WorldCat 521 The loss of the Halsewell East Indiaman by James Gillray Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-loss-of-the-halsewell-east-indiaman-6-january-1786-by-james-gillray-13-august-1756-1-june-1815-before-1815-james-gillray-17561815-alternative-names-james-gilray-gillay-gillray-description-british-caricaturist-and-engraver-date-of-birthdeath-13-august-1756-1-june-1815-location-of-birthdeath-london-london-work-location-london-authority-control-q520806-viaf66735065-isni0000-0000-8390-3643-ulan500017355-lccnn50033402-nla35125322-worldcat-521-the-loss-of-the-halsewell-east-indiaman-by-james-gillray-image188769077.htmlRMMY34TN–. English: The loss of the Halsewell East Indiaman (6 January 1786) by James Gillray ((13 August 1756 – 1 June 1815)) . before 1815. James Gillray (1756–1815) Alternative names James Gilray; Gillay; Gillray Description British caricaturist and engraver Date of birth/death 13 August 1756 1 June 1815 Location of birth/death London London Work location London Authority control : Q520806 VIAF: 66735065 ISNI: 0000 0000 8390 3643 ULAN: 500017355 LCCN: n50033402 NLA: 35125322 WorldCat 521 The loss of the Halsewell East Indiaman by James Gillray
Following Fashion, 1794. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/following-fashion-1794-image186152874.htmlRMMPRYTX–Following Fashion, 1794.
French Liberty British Slavery by James Gillray (British, London 1756–1815 London) 1792, hand-colored etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-french-liberty-british-slavery-by-james-gillray-british-london-17561815-168224133.htmlRMKNK7GN–French Liberty British Slavery by James Gillray (British, London 1756–1815 London) 1792, hand-colored etching
Democracy, or a Sketch o, James Gillray, 1756 – 1815, Heidi Humphrey, Etching Support: white wove paper laid down on beige wove paper, London, England, England, 1800, graphic design, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/democracy-or-a-sketch-o-james-gillray-1756-1815-heidi-humphrey-etching-support-white-wove-paper-laid-down-on-beige-wove-paper-london-england-england-1800-graphic-design-print-image391132630.htmlRM2DM9HJE–Democracy, or a Sketch o, James Gillray, 1756 – 1815, Heidi Humphrey, Etching Support: white wove paper laid down on beige wove paper, London, England, England, 1800, graphic design, Print
French invasion - or - Bonaparte landing in Great-Britain by James Gillray, 1756-1815, engraver, Published 1803 as an colour engraving. Cartoon showing Napoleon and his army, on seashore, fleeing from English soldiers with a British flag and two cannons on a low sandy cliff. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-invasion-or-bonaparte-landing-in-great-britain-by-james-gillray-1756-1815-engraver-published-1803-as-an-colour-engraving-cartoon-showing-napoleon-and-his-army-on-seashore-fleeing-from-english-soldiers-with-a-british-flag-and-two-cannons-on-a-low-sandy-cliff-image330680004.htmlRM2A5YNM4–French invasion - or - Bonaparte landing in Great-Britain by James Gillray, 1756-1815, engraver, Published 1803 as an colour engraving. Cartoon showing Napoleon and his army, on seashore, fleeing from English soldiers with a British flag and two cannons on a low sandy cliff.
Print, 'Democracy, or a Sketch o; James Gillray (1756 – 1815); Published by Heidi Humphrey; Dedicatee: Napoleon Bonaparte (1769 – 1821); England; etching support: white wove paper laid down on beige wove paper; 13 x 11.2 cm (5 1/8 x 4 7/16 in.) Mat: 40.6 x 55.9 cm (16 x 22 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-democracy-or-a-sketch-o-james-gillray-1756-1815-published-by-heidi-humphrey-dedicatee-napoleon-bonaparte-1769-1821-england-etching-support-white-wove-paper-laid-down-on-beige-wove-paper-13-x-112-cm-5-18-x-4-716-in-mat-406-x-559-cm-16-x-22-in-image546084478.htmlRM2PMC892–Print, 'Democracy, or a Sketch o; James Gillray (1756 – 1815); Published by Heidi Humphrey; Dedicatee: Napoleon Bonaparte (1769 – 1821); England; etching support: white wove paper laid down on beige wove paper; 13 x 11.2 cm (5 1/8 x 4 7/16 in.) Mat: 40.6 x 55.9 cm (16 x 22 in.)
Very Slippery Weather. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1808. Dimensions: 252 × 195 mm (image); 260 × 205 mm (plate); 283 × 235 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/very-slippery-weather-james-gillray-english-1756-1815-published-by-hannah-humphrey-english-c-1745-1818-date-1808-dimensions-252-195-mm-image-260-205-mm-plate-283-235-mm-sheet-hand-colored-etching-on-paper-origin-england-museum-the-chicago-art-institute-image240133032.htmlRMRXK03M–Very Slippery Weather. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1808. Dimensions: 252 × 195 mm (image); 260 × 205 mm (plate); 283 × 235 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute.
Art inspired by Uncorking Old Sherry, March 10, 1805, Hand-colored etching, plate: 14 1/16 x 10 in. (35.7 x 25.4 cm), Prints, James Gillray (British, Chelsea 1756–1815 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-uncorking-old-sherry-march-10-1805-hand-colored-etching-plate-14-116-x-10-in-357-x-254-cm-prints-james-gillray-british-chelsea-17561815-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462991938.htmlRF2HW72XA–Art inspired by Uncorking Old Sherry, March 10, 1805, Hand-colored etching, plate: 14 1/16 x 10 in. (35.7 x 25.4 cm), Prints, James Gillray (British, Chelsea 1756–1815 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Fortune-hunting , Nomads, Hunters, Fortune telling. James Gillray (1756-1815). Prints and Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fortune-hunting-nomads-hunters-fortune-telling-james-gillray-1756-1815-prints-and-drawings-image500950116.htmlRM2M306YG–Fortune-hunting , Nomads, Hunters, Fortune telling. James Gillray (1756-1815). Prints and Drawings
. English: The loss of the Halsewell East Indiaman (6 January 1786) by James Gillray ((13 August 1756 – 1 June 1815)) . before 1815. James Gillray (1756–1815) Alternative names James Gilray; Gillay; Gillray Description British caricaturist and engraver Date of birth/death 13 August 1756 1 June 1815 Location of birth/death London London Work location London Authority control : Q520806 VIAF: 66735065 ISNI: 0000 0000 8390 3643 ULAN: 500017355 LCCN: n50033402 NLA: 35125322 WorldCat 597 The loss of the Halsewell East Indiaman by James Gillray Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-loss-of-the-halsewell-east-indiaman-6-january-1786-by-james-gillray-13-august-1756-1-june-1815-before-1815-james-gillray-17561815-alternative-names-james-gilray-gillay-gillray-description-british-caricaturist-and-engraver-date-of-birthdeath-13-august-1756-1-june-1815-location-of-birthdeath-london-london-work-location-london-authority-control-q520806-viaf66735065-isni0000-0000-8390-3643-ulan500017355-lccnn50033402-nla35125322-worldcat-597-the-loss-of-the-halsewell-east-indiaman-by-james-gillray-image188007166.htmlRMMWTD1J–. English: The loss of the Halsewell East Indiaman (6 January 1786) by James Gillray ((13 August 1756 – 1 June 1815)) . before 1815. James Gillray (1756–1815) Alternative names James Gilray; Gillay; Gillray Description British caricaturist and engraver Date of birth/death 13 August 1756 1 June 1815 Location of birth/death London London Work location London Authority control : Q520806 VIAF: 66735065 ISNI: 0000 0000 8390 3643 ULAN: 500017355 LCCN: n50033402 NLA: 35125322 WorldCat 597 The loss of the Halsewell East Indiaman by James Gillray
Exit Libertè a la Francois! or Buonaparte closing the Farce of Egalité, at St. Cloud near Paris Novr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/exit-libert-a-la-francois!-or-buonaparte-closing-the-farce-of-egalit-at-st-cloud-near-paris-novr-image186152860.htmlRMMPRYTC–Exit Libertè a la Francois! or Buonaparte closing the Farce of Egalité, at St. Cloud near Paris Novr
Characters in High Life, James Gillray (British, London 1756–1815 London), publisher: Hannah Humphrey (London), 1795 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-characters-in-high-life-james-gillray-british-london-17561815-london-168221921.htmlRMKNK4NN–Characters in High Life, James Gillray (British, London 1756–1815 London), publisher: Hannah Humphrey (London), 1795
Democracy, or a Sketch o, James Gillray, 1756 – 1815, Heidi Humphrey, Etching Support: white wove paper laid down on beige wove paper, London, England, England, 1800, graphic design, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/democracy-or-a-sketch-o-james-gillray-1756-1815-heidi-humphrey-etching-support-white-wove-paper-laid-down-on-beige-wove-paper-london-england-england-1800-graphic-design-print-image391114508.htmlRM2DM8PF8–Democracy, or a Sketch o, James Gillray, 1756 – 1815, Heidi Humphrey, Etching Support: white wove paper laid down on beige wove paper, London, England, England, 1800, graphic design, Print
The first Kiss this Ten Years! - or - the meeting of Britannia & Citizen François. A tall thin, French officer kissing a fat, richly dressed, seated Britannia. His hat and sword lay on the carpet. Britannia's shield and trident rest on the wall behind her chair. Above them are portraits of George III and Napoleon, facing each other. Creator James Gillray, 1756-1815, engraver. Published 1803. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-first-kiss-this-ten-years!-or-the-meeting-of-britannia-citizen-franois-a-tall-thin-french-officer-kissing-a-fat-richly-dressed-seated-britannia-his-hat-and-sword-lay-on-the-carpet-britannias-shield-and-trident-rest-on-the-wall-behind-her-chair-above-them-are-portraits-of-george-iii-and-napoleon-facing-each-other-creator-james-gillray-1756-1815-engraver-published-1803-image483536916.htmlRM2K2K07G–The first Kiss this Ten Years! - or - the meeting of Britannia & Citizen François. A tall thin, French officer kissing a fat, richly dressed, seated Britannia. His hat and sword lay on the carpet. Britannia's shield and trident rest on the wall behind her chair. Above them are portraits of George III and Napoleon, facing each other. Creator James Gillray, 1756-1815, engraver. Published 1803.
Print, 'Democracy, or a Sketch o; James Gillray (1756 – 1815); Published by Heidi Humphrey; Dedicatee: Napoleon Bonaparte (1769 – 1821); England; etching support: white wove paper laid down on beige wove paper; 12.9 x 11.2 cm (5 1/16 x 4 7/16 in.) Mat: 40.6 x 55.9 cm (16 x 22 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-democracy-or-a-sketch-o-james-gillray-1756-1815-published-by-heidi-humphrey-dedicatee-napoleon-bonaparte-1769-1821-england-etching-support-white-wove-paper-laid-down-on-beige-wove-paper-129-x-112-cm-5-116-x-4-716-in-mat-406-x-559-cm-16-x-22-in-image546085349.htmlRM2PMC9C5–Print, 'Democracy, or a Sketch o; James Gillray (1756 – 1815); Published by Heidi Humphrey; Dedicatee: Napoleon Bonaparte (1769 – 1821); England; etching support: white wove paper laid down on beige wove paper; 12.9 x 11.2 cm (5 1/16 x 4 7/16 in.) Mat: 40.6 x 55.9 cm (16 x 22 in.)
The great South Sea caterpillar, transform's into a Bath butterfly by James Gillray 1756-1815. 1795 July 4th. Cartoon shows the metamorphosis of Sir Joseph Banks from a caterpillar to a butterfly upon his investiture with the Order of the Bath as a result of his South Sea expedition. Draped with the ribbon, and wearing the jewel, of Bath, he rises, chrysalis shaped, from the mudflats on butterfly wings emblazoned with sea creatures towards a radiant sun enclosing a crown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-great-south-sea-caterpillar-transforms-into-a-bath-butterfly-by-james-gillray-1756-1815-1795-july-4th-cartoon-shows-the-metamorphosis-of-sir-joseph-banks-from-a-caterpillar-to-a-butterfly-upon-his-investiture-with-the-order-of-the-bath-as-a-result-of-his-south-sea-expedition-draped-with-the-ribbon-and-wearing-the-jewel-of-bath-he-rises-chrysalis-shaped-from-the-mudflats-on-butterfly-wings-emblazoned-with-sea-creatures-towards-a-radiant-sun-enclosing-a-crown-image626285647.htmlRM2YAWNMF–The great South Sea caterpillar, transform's into a Bath butterfly by James Gillray 1756-1815. 1795 July 4th. Cartoon shows the metamorphosis of Sir Joseph Banks from a caterpillar to a butterfly upon his investiture with the Order of the Bath as a result of his South Sea expedition. Draped with the ribbon, and wearing the jewel, of Bath, he rises, chrysalis shaped, from the mudflats on butterfly wings emblazoned with sea creatures towards a radiant sun enclosing a crown.
Integrity Retiring from Office. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1801. Dimensions: 237 × 347 mm (image); 255 × 355 mm (plate); 272 × 380 mm (sheet). Hand-colored etching and aquatint on paper. Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/integrity-retiring-from-office-james-gillray-english-1756-1815-published-by-hannah-humphrey-english-c-1745-1818-date-1801-dimensions-237-347-mm-image-255-355-mm-plate-272-380-mm-sheet-hand-colored-etching-and-aquatint-on-paper-origin-england-museum-the-chicago-art-institute-image240137307.htmlRMRXK5GB–Integrity Retiring from Office. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1801. Dimensions: 237 × 347 mm (image); 255 × 355 mm (plate); 272 × 380 mm (sheet). Hand-colored etching and aquatint on paper. Origin: England. Museum: The Chicago Art Institute.
Stealing off; - or - prudent Secession. cartoon by James Gillray, 1756-1815, engraver. Published 1798.Charles Fox fleeing the House of Commons in terror, accompanied by a fierce greyhound wearing a collar marked 'Opposition Grey-hound'. A small animal with the head of M.A. Taylor runs behind. In the background, the Opposition benches with members of the Opposition eating papers marked with the positions of the party. The hands of Pitt are shown holding a long scroll of paper enumerating the government's positions. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stealing-off-or-prudent-secession-cartoon-by-james-gillray-1756-1815-engraver-published-1798charles-fox-fleeing-the-house-of-commons-in-terror-accompanied-by-a-fierce-greyhound-wearing-a-collar-marked-opposition-grey-hound-a-small-animal-with-the-head-of-ma-taylor-runs-behind-in-the-background-the-opposition-benches-with-members-of-the-opposition-eating-papers-marked-with-the-positions-of-the-party-the-hands-of-pitt-are-shown-holding-a-long-scroll-of-paper-enumerating-the-governments-positions-image626285627.htmlRM2YAWNKR–Stealing off; - or - prudent Secession. cartoon by James Gillray, 1756-1815, engraver. Published 1798.Charles Fox fleeing the House of Commons in terror, accompanied by a fierce greyhound wearing a collar marked 'Opposition Grey-hound'. A small animal with the head of M.A. Taylor runs behind. In the background, the Opposition benches with members of the Opposition eating papers marked with the positions of the party. The hands of Pitt are shown holding a long scroll of paper enumerating the government's positions.
The nuptial-bower; - with the evil-one, peeping at the charms of Eden. James Gillray, James, 1756-1815, artist. Cartoon shows William Pitt escorting Eleanor Eden to a vine-shaded bower within which are three large sacks with the British pound symbol on them, possibly representing Pitt's debt. Bunches of grapes, crowns, and medallions, suspended from ribbons, hang from the bower. A devil-like creature, 'the Evil-One', representing Charles James Fox, peers around the bower from the right Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-nuptial-bower-with-the-evil-one-peeping-at-the-charms-of-eden-james-gillray-james-1756-1815-artist-cartoon-shows-william-pitt-escorting-eleanor-eden-to-a-vine-shaded-bower-within-which-are-three-large-sacks-with-the-british-pound-symbol-on-them-possibly-representing-pitts-debt-bunches-of-grapes-crowns-and-medallions-suspended-from-ribbons-hang-from-the-bower-a-devil-like-creature-the-evil-one-representing-charles-james-fox-peers-around-the-bower-from-the-right-image626285611.htmlRM2YAWNK7–The nuptial-bower; - with the evil-one, peeping at the charms of Eden. James Gillray, James, 1756-1815, artist. Cartoon shows William Pitt escorting Eleanor Eden to a vine-shaded bower within which are three large sacks with the British pound symbol on them, possibly representing Pitt's debt. Bunches of grapes, crowns, and medallions, suspended from ribbons, hang from the bower. A devil-like creature, 'the Evil-One', representing Charles James Fox, peers around the bower from the right
Art inspired by Characters in High Life, June 20, 1795, Etching, Plate: 13 7/8 x 9 13/16 in. (35.2 x 25 cm), Prints, James Gillray (British, Chelsea 1756–1815 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-characters-in-high-life-june-20-1795-etching-plate-13-78-x-9-1316-in-352-x-25-cm-prints-james-gillray-british-chelsea-17561815-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462991949.htmlRF2HW72XN–Art inspired by Characters in High Life, June 20, 1795, Etching, Plate: 13 7/8 x 9 13/16 in. (35.2 x 25 cm), Prints, James Gillray (British, Chelsea 1756–1815 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Venus attired by the Graces , Clothing & dress. James Gillray (1756-1815). Prints and Drawings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/venus-attired-by-the-graces-clothing-dress-james-gillray-1756-1815-prints-and-drawings-image499951375.htmlRM2M1AN27–Venus attired by the Graces , Clothing & dress. James Gillray (1756-1815). Prints and Drawings
. English: The loss of the Halsewell East Indiaman (6 January 1786) by James Gillray ((13 August 1756 – 1 June 1815)) . before 1815. James Gillray (1756–1815) Alternative names James Gilray; Gillay; Gillray Description British caricaturist and engraver Date of birth/death 13 August 1756 1 June 1815 Location of birth/death London London Work location London Authority control : Q520806 VIAF: 66735065 ISNI: 0000 0000 8390 3643 ULAN: 500017355 LCCN: n50033402 NLA: 35125322 WorldCat 597 The loss of the Halsewell East Indiaman by James Gillray Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-the-loss-of-the-halsewell-east-indiaman-6-january-1786-by-james-gillray-13-august-1756-1-june-1815-before-1815-james-gillray-17561815-alternative-names-james-gilray-gillay-gillray-description-british-caricaturist-and-engraver-date-of-birthdeath-13-august-1756-1-june-1815-location-of-birthdeath-london-london-work-location-london-authority-control-q520806-viaf66735065-isni0000-0000-8390-3643-ulan500017355-lccnn50033402-nla35125322-worldcat-597-the-loss-of-the-halsewell-east-indiaman-by-james-gillray-image187509833.htmlRMMW1PKN–. English: The loss of the Halsewell East Indiaman (6 January 1786) by James Gillray ((13 August 1756 – 1 June 1815)) . before 1815. James Gillray (1756–1815) Alternative names James Gilray; Gillay; Gillray Description British caricaturist and engraver Date of birth/death 13 August 1756 1 June 1815 Location of birth/death London London Work location London Authority control : Q520806 VIAF: 66735065 ISNI: 0000 0000 8390 3643 ULAN: 500017355 LCCN: n50033402 NLA: 35125322 WorldCat 597 The loss of the Halsewell East Indiaman by James Gillray
