Japanese woodblock crane Stock Photos and Images
Crane and sun, c. 1843/47, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, aitanzaku, 13 1/2 x 4 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crane-and-sun-c-184347-utagawa-hiroshige-japanese-1797-1858-japan-color-woodblock-print-aitanzaku-13-12-x-4-14-in-image328636399.htmlRM2A2JK27–Crane and sun, c. 1843/47, Utagawa Hiroshige 歌川 広重, Japanese, 1797-1858, Japan, Color woodblock print, aitanzaku, 13 1/2 x 4 1/4 in
Two flying cranes frame a full moon. Japanese Meiji era woodblock print detail by Yoshitoshi, from the New Forms of 36 Ghosts series. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-flying-cranes-frame-a-full-moon-japanese-meiji-era-woodblock-print-detail-by-yoshitoshi-from-the-new-forms-of-36-ghosts-series-image479617677.htmlRF2JT8D6N–Two flying cranes frame a full moon. Japanese Meiji era woodblock print detail by Yoshitoshi, from the New Forms of 36 Ghosts series.
Utagawa Hiroshige, Crane flying over wave, woodblock print, before 1858 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/utagawa-hiroshige-crane-flying-over-wave-woodblock-print-before-1858-image356527594.htmlRM2BM16GA–Utagawa Hiroshige, Crane flying over wave, woodblock print, before 1858
Inspired by Tortoise Has New Year's Dream of Crane and Pine, Kôbun Yoshimura, Japanese, 1793-1863, Woodblock print; horizontal Chûban yoko-e format, Japan, 1854, Edo Period, 7 3/8 x 9 3/4 in., 18.7 x 24.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-tortoise-has-new-years-dream-of-crane-and-pine-kbun-yoshimura-japanese-1793-1863-woodblock-print-horizontal-chban-yoko-e-format-japan-1854-edo-period-7-38-x-9-34-in-187-x-248-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459249129.htmlRF2HK4GXH–Inspired by Tortoise Has New Year's Dream of Crane and Pine, Kôbun Yoshimura, Japanese, 1793-1863, Woodblock print; horizontal Chûban yoko-e format, Japan, 1854, Edo Period, 7 3/8 x 9 3/4 in., 18.7 x 24.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Japan: Asakusa: Cranes at Minowa, Kanasugi and Mikawashima Villages. Image 102 of part 4 (Winter) of '100 Famous Views of Edo'. Ukiyo-e woodblock print by Utagawa Hiroshige (1797-1858), c. 1856-1859. Hiroshige's One Hundred Famous Views of Edo, actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japan-asakusa-cranes-at-minowa-kanasugi-and-mikawashima-villages-image-102-of-part-4-winter-of-100-famous-views-of-edo-ukiyo-e-woodblock-print-by-utagawa-hiroshige-1797-1858-c-1856-1859-hiroshiges-one-hundred-famous-views-of-edo-actually-composed-of-118-woodblock-landscape-and-genre-scenes-of-mid-19th-century-tokyo-is-one-of-the-greatest-achievements-of-japanese-art-the-series-includes-many-of-hiroshiges-most-famous-prints-it-represents-a-celebration-of-the-style-and-world-of-japans-finest-cultural-flowering-at-the-end-of-the-tokugawa-shogunate-image344253010.htmlRM2B0226A–Japan: Asakusa: Cranes at Minowa, Kanasugi and Mikawashima Villages. Image 102 of part 4 (Winter) of '100 Famous Views of Edo'. Ukiyo-e woodblock print by Utagawa Hiroshige (1797-1858), c. 1856-1859. Hiroshige's One Hundred Famous Views of Edo, actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.
White Crane flying across the sun's disk Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/white-crane-flying-across-the-suns-disk-image370872818.htmlRM2CFAM1P–White Crane flying across the sun's disk
Two Cranes, a colour woodcut by Japanese artist Ohara Koson, 1877 - 1945. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-cranes-a-colour-woodcut-by-japanese-artist-ohara-koson-1877-1945-image263773009.htmlRMW93W4H–Two Cranes, a colour woodcut by Japanese artist Ohara Koson, 1877 - 1945.
Japan: Inokashira: Benten Shrine at the Inokashira Pond. Image 87 of part 3 (Autumn) of '100 Famous Views of Edo'. Ukiyo-e woodblock print by Utagawa Hiroshige (1797-1858), c. 1856-1859. Hiroshige's One Hundred Famous Views of Edo, actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japan-inokashira-benten-shrine-at-the-inokashira-pond-image-87-of-part-3-autumn-of-100-famous-views-of-edo-ukiyo-e-woodblock-print-by-utagawa-hiroshige-1797-1858-c-1856-1859-hiroshiges-one-hundred-famous-views-of-edo-actually-composed-of-118-woodblock-landscape-and-genre-scenes-of-mid-19th-century-tokyo-is-one-of-the-greatest-achievements-of-japanese-art-the-series-includes-many-of-hiroshiges-most-famous-prints-it-represents-a-celebration-of-the-style-and-world-of-japans-finest-cultural-flowering-at-the-end-of-the-tokugawa-shogunate-image344252945.htmlRM2B02241–Japan: Inokashira: Benten Shrine at the Inokashira Pond. Image 87 of part 3 (Autumn) of '100 Famous Views of Edo'. Ukiyo-e woodblock print by Utagawa Hiroshige (1797-1858), c. 1856-1859. Hiroshige's One Hundred Famous Views of Edo, actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.
A traditional portrait of a flock of beautiful Japanese red crown crane by Ogata Korin (1658-1716). Digitally enhanced from our Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-traditional-portrait-of-a-flock-of-beautiful-japanese-red-crown-crane-by-ogata-korin-1658-1716-digitally-enhanced-from-our-image567737500.htmlRM2RYJJY8–A traditional portrait of a flock of beautiful Japanese red crown crane by Ogata Korin (1658-1716). Digitally enhanced from our
Crane and waves. Utagawa Hiroshige ?? ??; Japanese, 1797-1858. Date: 1830-1834. Dimensions: 37.8 x 17.3 cm (14 3/4 x 6 3/4 in.). Color woodblock print; otanzaku. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crane-and-waves-utagawa-hiroshige-japanese-1797-1858-date-1830-1834-dimensions-378-x-173-cm-14-34-x-6-34-in-color-woodblock-print-otanzaku-origin-japan-museum-the-chicago-art-institute-image240163461.htmlRMRXMAXD–Crane and waves. Utagawa Hiroshige ?? ??; Japanese, 1797-1858. Date: 1830-1834. Dimensions: 37.8 x 17.3 cm (14 3/4 x 6 3/4 in.). Color woodblock print; otanzaku. Origin: Japan. Museum: The Chicago Art Institute.
White Crane on the Waves by Ito Jakuchu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/white-crane-on-the-waves-by-ito-jakuchu-image615256761.htmlRM2XMYA7N–White Crane on the Waves by Ito Jakuchu
Crane in Waves Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-crane-in-waves-24008038.htmlRMBB1JDX–Crane in Waves
Crane in Waves Birds shore Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-crane-in-waves-birds-shore-15779860.htmlRMAPFXFH–Crane in Waves Birds shore
Two flying cranes frame a full moon, Japanese woodblock print detail Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-flying-cranes-frame-a-full-moon-japanese-woodblock-print-detail-image547740183.htmlRF2PR3M5B–Two flying cranes frame a full moon, Japanese woodblock print detail
Crane and waves, early 1830s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crane-and-waves-early-1830s-image457039981.htmlRM2HFFY4D–Crane and waves, early 1830s.
Flying Crane Shibata Zeshin (Japanese, 1807-1891). , ca. 1890. Color woodblock print on paper, 9 7/16 x 10 1/8 in. (24 x 25.7 cm). Asian Art ca. 1890 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flying-crane-shibata-zeshin-japanese-1807-1891-ca-1890-color-woodblock-print-on-paper-9-716-x-10-18-in-24-x-257-cm-asian-art-ca-1890-image504718457.htmlRM2M93WF5–Flying Crane Shibata Zeshin (Japanese, 1807-1891). , ca. 1890. Color woodblock print on paper, 9 7/16 x 10 1/8 in. (24 x 25.7 cm). Asian Art ca. 1890
Two bar-tailed godwits (1926) by Ohara Koson. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-bar-tailed-godwits-1926-by-ohara-koson-image443822864.htmlRM2GP1TGG–Two bar-tailed godwits (1926) by Ohara Koson.
The Taoist Immortal Kung Ho (?) Riding a Crane, c. mid 1720s. Okumura Masanobu (Japanese, 1686-1764). Color woodblock print; sheet: 31.8 x 16 cm (12 1/2 x 6 5/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-taoist-immortal-kung-ho-riding-a-crane-c-mid-1720s-okumura-masanobu-japanese-1686-1764-color-woodblock-print-sheet-318-x-16-cm-12-12-x-6-516-in-image448067278.htmlRM2H0Y6AP–The Taoist Immortal Kung Ho (?) Riding a Crane, c. mid 1720s. Okumura Masanobu (Japanese, 1686-1764). Color woodblock print; sheet: 31.8 x 16 cm (12 1/2 x 6 5/16 in.).
Crane in Waves Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-crane-in-waves-21313135.htmlRMB6JW3B–Crane in Waves
A Hawk Capturing a Crane in Flight, c. 1715, Attributed to Torii Kiyomasu I, Japanese, active c. 1704–18 (?), Japan, Hand-colored woodblock print, vertical o-oban, tan-e, 56.0 x 28.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-hawk-capturing-a-crane-in-flight-c-1715-attributed-to-torii-kiyomasu-i-japanese-active-c-170418-japan-hand-colored-woodblock-print-vertical-o-oban-tan-e-560-x-285-cm-image328626600.htmlRM2A2J6G8–A Hawk Capturing a Crane in Flight, c. 1715, Attributed to Torii Kiyomasu I, Japanese, active c. 1704–18 (?), Japan, Hand-colored woodblock print, vertical o-oban, tan-e, 56.0 x 28.5 cm
Crane with Setting Sun Totoya Hokkei (Japanese, 1780-1850). , ca. 1820. Woodblock print, shikishiban format deluxe printing, 8 3/16 x 7 3/16 in. (20.8 x 18.2 cm). Asian Art ca. 1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crane-with-setting-sun-totoya-hokkei-japanese-1780-1850-ca-1820-woodblock-print-shikishiban-format-deluxe-printing-8-316-x-7-316-in-208-x-182-cm-asian-art-ca-1820-image504706052.htmlRM2M939M4–Crane with Setting Sun Totoya Hokkei (Japanese, 1780-1850). , ca. 1820. Woodblock print, shikishiban format deluxe printing, 8 3/16 x 7 3/16 in. (20.8 x 18.2 cm). Asian Art ca. 1820
Crane, Pine, and Sun, c. 1851, Utagawa Hiroshige, Japanese, 1797 - 1858, 28 × 9 3/8 in. (71.1 × 23.8 cm) (kakemono-e), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crane-pine-and-sun-c-1851-utagawa-hiroshige-japanese-1797-1858-28-9-38-in-711-238-cm-kakemono-e-woodblock-print-nishiki-e-ink-and-color-on-paper-japan-19th-century-image573487307.htmlRM2T90GWF–Crane, Pine, and Sun, c. 1851, Utagawa Hiroshige, Japanese, 1797 - 1858, 28 × 9 3/8 in. (71.1 × 23.8 cm) (kakemono-e), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century
Inspired by Lacquer Tray with Sashimi and Tea Cup with Crane Design, Shûtei Tanaka, Japanese, 1810-1858, Woodblock print; horizontal Chûban yoko-e format, Japan, ca. 1856, Edo Period, 7 1/8 x 9 3/4 in., 18.1 x 24.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-lacquer-tray-with-sashimi-and-tea-cup-with-crane-design-shtei-tanaka-japanese-1810-1858-woodblock-print-horizontal-chban-yoko-e-format-japan-ca-1856-edo-period-7-18-x-9-34-in-181-x-248-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459249093.htmlRF2HK4GW9–Inspired by Lacquer Tray with Sashimi and Tea Cup with Crane Design, Shûtei Tanaka, Japanese, 1810-1858, Woodblock print; horizontal Chûban yoko-e format, Japan, ca. 1856, Edo Period, 7 1/8 x 9 3/4 in., 18.1 x 24.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Tortoise Has New Year's Dream of Crane and Pine, Kôbun Yoshimura, Japanese, 1793-1863, Woodblock print; horizontal Chûban yoko-e format, Japan, 1854, Edo Period, 7 3/8 x 9 3/4 in., 18.7 x 24.8 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tortoise-has-new-years-dream-of-crane-and-pine-kbun-yoshimura-japanese-1793-1863-woodblock-print-horizontal-chban-yoko-e-format-japan-1854-edo-period-7-38-x-9-34-in-187-x-248-cm-image454270033.htmlRM2HB1P1N–Tortoise Has New Year's Dream of Crane and Pine, Kôbun Yoshimura, Japanese, 1793-1863, Woodblock print; horizontal Chûban yoko-e format, Japan, 1854, Edo Period, 7 3/8 x 9 3/4 in., 18.7 x 24.8 cm
Modern printing of Crane and Iris Japanese ukiyoe woodblock print, designed by Ando Hiroshige, carved by David Bull, and printed by Mokuhankan Staff. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/modern-printing-of-crane-and-iris-japanese-ukiyoe-woodblock-print-designed-by-ando-hiroshige-carved-by-david-bull-and-printed-by-mokuhankan-staff-image255654558.htmlRMTRX1YX–Modern printing of Crane and Iris Japanese ukiyoe woodblock print, designed by Ando Hiroshige, carved by David Bull, and printed by Mokuhankan Staff.
Crane and Autumn Flowers, 1853, 3rd month, Utagawa Hiroshige, Japanese, 1797 - 1858, 13 7/16 × 4 3/8 in. (34.2 × 11.1 cm) (image, aitanzaku), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crane-and-autumn-flowers-1853-3rd-month-utagawa-hiroshige-japanese-1797-1858-13-716-4-38-in-342-111-cm-image-aitanzaku-woodblock-print-nishiki-e-ink-and-color-on-paper-japan-19th-century-image573508869.htmlRM2T91GBH–Crane and Autumn Flowers, 1853, 3rd month, Utagawa Hiroshige, Japanese, 1797 - 1858, 13 7/16 × 4 3/8 in. (34.2 × 11.1 cm) (image, aitanzaku), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century
Japan: Sakasai: The Ferry Across the Nakagawa River at Sakasai. Image 67 of part 2 (Summer) of '100 Famous Views of Edo'. Ukiyo-e woodblock print by Utagawa Hiroshige (1797-1858), c. 1856-1859. Hiroshige's One Hundred Famous Views of Edo, actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japan-sakasai-the-ferry-across-the-nakagawa-river-at-sakasai-image-67-of-part-2-summer-of-100-famous-views-of-edo-ukiyo-e-woodblock-print-by-utagawa-hiroshige-1797-1858-c-1856-1859-hiroshiges-one-hundred-famous-views-of-edo-actually-composed-of-118-woodblock-landscape-and-genre-scenes-of-mid-19th-century-tokyo-is-one-of-the-greatest-achievements-of-japanese-art-the-series-includes-many-of-hiroshiges-most-famous-prints-it-represents-a-celebration-of-the-style-and-world-of-japans-finest-cultural-flowering-at-the-end-of-the-tokugawa-shogunate-image344252883.htmlRM2B0221R–Japan: Sakasai: The Ferry Across the Nakagawa River at Sakasai. Image 67 of part 2 (Summer) of '100 Famous Views of Edo'. Ukiyo-e woodblock print by Utagawa Hiroshige (1797-1858), c. 1856-1859. Hiroshige's One Hundred Famous Views of Edo, actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.
Lacquer Tray with Sashimi and Tea Cup with Crane Design, Shûtei Tanaka, Japanese, 1810-1858, Woodblock print; horizontal Chûban yoko-e format, Japan, ca. 1856, Edo Period, 7 1/8 x 9 3/4 in., 18.1 x 24.8 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lacquer-tray-with-sashimi-and-tea-cup-with-crane-design-shtei-tanaka-japanese-1810-1858-woodblock-print-horizontal-chban-yoko-e-format-japan-ca-1856-edo-period-7-18-x-9-34-in-181-x-248-cm-image454270027.htmlRM2HB1P1F–Lacquer Tray with Sashimi and Tea Cup with Crane Design, Shûtei Tanaka, Japanese, 1810-1858, Woodblock print; horizontal Chûban yoko-e format, Japan, ca. 1856, Edo Period, 7 1/8 x 9 3/4 in., 18.1 x 24.8 cm
Crane, Bamboo and Iris. Isoda Koryusai; Japanese, 1735-1790. Date: 1770-1780. Dimensions: 10 1/8 x 7 5/8 in. Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crane-bamboo-and-iris-isoda-koryusai-japanese-1735-1790-date-1770-1780-dimensions-10-18-x-7-58-in-color-woodblock-print-chuban-origin-japan-museum-the-chicago-art-institute-image240002216.htmlRMRXD17M–Crane, Bamboo and Iris. Isoda Koryusai; Japanese, 1735-1790. Date: 1770-1780. Dimensions: 10 1/8 x 7 5/8 in. Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute.
Crane flying over a pine tree with the setting sun - print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crane-flying-over-a-pine-tree-with-the-setting-sun-print-image615256763.htmlRM2XMYA7R–Crane flying over a pine tree with the setting sun - print
Japanese 2022 monthly calendar template, vintage pattern vector set. Remix from vintage artworks by Watanabe Seitei. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japanese-2022-monthly-calendar-template-vintage-pattern-vector-set-remix-from-vintage-artworks-by-watanabe-seitei-image512076314.htmlRF2MN32FP–Japanese 2022 monthly calendar template, vintage pattern vector set. Remix from vintage artworks by Watanabe Seitei.
Japanese style illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japanese-style-illustration-image239314091.htmlRFRW9KFR–Japanese style illustration
Calendar 2021 yearly printable vector with Japanese vintage artwork remix from original print by Watanabe Seitei Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/calendar-2021-yearly-printable-vector-with-japanese-vintage-artwork-remix-from-original-print-by-watanabe-seitei-image510499699.htmlRF2MJF7G3–Calendar 2021 yearly printable vector with Japanese vintage artwork remix from original print by Watanabe Seitei
Crane, waves, and rising sun, 1830s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crane-waves-and-rising-sun-1830s-image457039961.htmlRM2HFFY3N–Crane, waves, and rising sun, 1830s.
Tortoise Has New Year's Dream of Crane and Pine Kôbun Yoshimura (Japanese, 1793-1863). , 1854. Woodblock print; horizontal Chûban yoko-e format, 7 3/8 x 9 3/4 in. (18.7 x 24.8 cm). Asian Art 1854 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tortoise-has-new-years-dream-of-crane-and-pine-kbun-yoshimura-japanese-1793-1863-1854-woodblock-print-horizontal-chban-yoko-e-format-7-38-x-9-34-in-187-x-248-cm-asian-art-1854-image504720432.htmlRM2M9401M–Tortoise Has New Year's Dream of Crane and Pine Kôbun Yoshimura (Japanese, 1793-1863). , 1854. Woodblock print; horizontal Chûban yoko-e format, 7 3/8 x 9 3/4 in. (18.7 x 24.8 cm). Asian Art 1854
Inspired by Okame Riding on a Crane, Walking with Ebisu and a Girl, Kawanabe Kyosai, Japanese, 1831-1889, Color woodblock print on paper, Japan, ca. 1880, Meiji Period, 8 13/16 x 11 7/16 in., 22.4 x 29.1 cm, bird, fisherman, girl, journey, mountain, riding, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-okame-riding-on-a-crane-walking-with-ebisu-and-a-girl-kawanabe-kyosai-japanese-1831-1889-color-woodblock-print-on-paper-japan-ca-1880-meiji-period-8-1316-x-11-716-in-224-x-291-cm-bird-fisherman-girl-journey-mountain-riding-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459249656.htmlRF2HK4HHC–Inspired by Okame Riding on a Crane, Walking with Ebisu and a Girl, Kawanabe Kyosai, Japanese, 1831-1889, Color woodblock print on paper, Japan, ca. 1880, Meiji Period, 8 13/16 x 11 7/16 in., 22.4 x 29.1 cm, bird, fisherman, girl, journey, mountain, riding, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Japan: Higashi-Kasai: Scattered Pines on the Tone River. Image 71 of part 2 (Summer) of '100 Famous Views of Edo'. Ukiyo-e woodblock print by Utagawa Hiroshige (1797-1858), c. 1856-1859. Hiroshige's One Hundred Famous Views of Edo, actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japan-higashi-kasai-scattered-pines-on-the-tone-river-image-71-of-part-2-summer-of-100-famous-views-of-edo-ukiyo-e-woodblock-print-by-utagawa-hiroshige-1797-1858-c-1856-1859-hiroshiges-one-hundred-famous-views-of-edo-actually-composed-of-118-woodblock-landscape-and-genre-scenes-of-mid-19th-century-tokyo-is-one-of-the-greatest-achievements-of-japanese-art-the-series-includes-many-of-hiroshiges-most-famous-prints-it-represents-a-celebration-of-the-style-and-world-of-japans-finest-cultural-flowering-at-the-end-of-the-tokugawa-shogunate-image344252888.htmlRM2B02220–Japan: Higashi-Kasai: Scattered Pines on the Tone River. Image 71 of part 2 (Summer) of '100 Famous Views of Edo'. Ukiyo-e woodblock print by Utagawa Hiroshige (1797-1858), c. 1856-1859. Hiroshige's One Hundred Famous Views of Edo, actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate.
Crane with Setting Sun, Totoya Hokkei, Japanese, 1780-1850, Woodblock print, shikishiban format deluxe printing, Japan, ca. 1820, Edo Period, 8 3/16 x 7 3/16 in., 20.8 x 18.2 cm, 19th Century, background, bird, calligraphy, crane, Japanese, print, sun Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crane-with-setting-sun-totoya-hokkei-japanese-1780-1850-woodblock-print-shikishiban-format-deluxe-printing-japan-ca-1820-edo-period-8-316-x-7-316-in-208-x-182-cm-19th-century-background-bird-calligraphy-crane-japanese-print-sun-image454270153.htmlRM2HB1P61–Crane with Setting Sun, Totoya Hokkei, Japanese, 1780-1850, Woodblock print, shikishiban format deluxe printing, Japan, ca. 1820, Edo Period, 8 3/16 x 7 3/16 in., 20.8 x 18.2 cm, 19th Century, background, bird, calligraphy, crane, Japanese, print, sun
Crane, waves, and rising sun. Utagawa Hiroshige ?? ??; Japanese, 1797-1858. Date: 1830-1839. Dimensions: 35.4 x 17.1 cm (13 3/4 in. x 6 3/4 in.). Color woodblock print; otanazku. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crane-waves-and-rising-sun-utagawa-hiroshige-japanese-1797-1858-date-1830-1839-dimensions-354-x-171-cm-13-34-in-x-6-34-in-color-woodblock-print-otanazku-origin-japan-museum-the-chicago-art-institute-image240173768.htmlRMRXMT2G–Crane, waves, and rising sun. Utagawa Hiroshige ?? ??; Japanese, 1797-1858. Date: 1830-1839. Dimensions: 35.4 x 17.1 cm (13 3/4 in. x 6 3/4 in.). Color woodblock print; otanazku. Origin: Japan. Museum: The Chicago Art Institute.
Japan: ‘Umegawa in Sagami province’. Ukiyo-e woodblock print from the series ‘Thirty-six Views of Mount Fuji’ by Katsushika Hokusai (31 October 1760 - 10 May 1849), c. 1830. ‘36 Views of Mount Fuji’ is an ‘ukiyo-e’ series of large woodblock prints by the artist Katsushika Hokusai. The series depicts Mount Fuji in differing seasons and weather conditions from a variety of places and distances. It actually consists of 46 prints created between 1826 and 1833. The first 36 were included in the original publication and, due to their popularity, 10 more were added after the original publication. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japan-umegawa-in-sagami-province-ukiyo-e-woodblock-print-from-the-series-thirty-six-views-of-mount-fuji-by-katsushika-hokusai-31-october-1760-10-may-1849-c-1830-36-views-of-mount-fuji-is-an-ukiyo-e-series-of-large-woodblock-prints-by-the-artist-katsushika-hokusai-the-series-depicts-mount-fuji-in-differing-seasons-and-weather-conditions-from-a-variety-of-places-and-distances-it-actually-consists-of-46-prints-created-between-1826-and-1833-the-first-36-were-included-in-the-original-publication-and-due-to-their-popularity-10-more-were-added-after-the-original-publication-image483184015.htmlRM2K22X3Y–Japan: ‘Umegawa in Sagami province’. Ukiyo-e woodblock print from the series ‘Thirty-six Views of Mount Fuji’ by Katsushika Hokusai (31 October 1760 - 10 May 1849), c. 1830. ‘36 Views of Mount Fuji’ is an ‘ukiyo-e’ series of large woodblock prints by the artist Katsushika Hokusai. The series depicts Mount Fuji in differing seasons and weather conditions from a variety of places and distances. It actually consists of 46 prints created between 1826 and 1833. The first 36 were included in the original publication and, due to their popularity, 10 more were added after the original publication.
Japan: ‘Umegawa in Sagami province’. Ukiyo-e woodblock print from the series ‘Thirty-six Views of Mount Fuji’ by Katsushika Hokusai (31 October 1760 - 10 May 1849), c. 1830. ‘36 Views of Mount Fuji’ is an ‘ukiyo-e’ series of large woodblock prints by the artist Katsushika Hokusai. The series depicts Mount Fuji in differing seasons and weather conditions from a variety of places and distances. It actually consists of 46 prints created between 1826 and 1833. The first 36 were included in the original publication and, due to their popularity, 10 more were added after the original publication. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japan-umegawa-in-sagami-province-ukiyo-e-woodblock-print-from-the-series-thirty-six-views-of-mount-fuji-by-katsushika-hokusai-31-october-1760-10-may-1849-c-1830-36-views-of-mount-fuji-is-an-ukiyo-e-series-of-large-woodblock-prints-by-the-artist-katsushika-hokusai-the-series-depicts-mount-fuji-in-differing-seasons-and-weather-conditions-from-a-variety-of-places-and-distances-it-actually-consists-of-46-prints-created-between-1826-and-1833-the-first-36-were-included-in-the-original-publication-and-due-to-their-popularity-10-more-were-added-after-the-original-publication-image344235377.htmlRM2B017MH–Japan: ‘Umegawa in Sagami province’. Ukiyo-e woodblock print from the series ‘Thirty-six Views of Mount Fuji’ by Katsushika Hokusai (31 October 1760 - 10 May 1849), c. 1830. ‘36 Views of Mount Fuji’ is an ‘ukiyo-e’ series of large woodblock prints by the artist Katsushika Hokusai. The series depicts Mount Fuji in differing seasons and weather conditions from a variety of places and distances. It actually consists of 46 prints created between 1826 and 1833. The first 36 were included in the original publication and, due to their popularity, 10 more were added after the original publication.
Hikifuda are advertising handbills that became popular in late 19th to early 20th century Japan. Showing the increasing sophistication of Japanese commerce, the handbills were produced to advertise a company or promote a product, and sometimes they were even used as wrapping paper. While hikifuda began to be produced as woodblock prints in the late 17th century, they witnessed a boom in the later 19th century when they were cheaply printed using colour lithography. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hikifuda-are-advertising-handbills-that-became-popular-in-late-19th-to-early-20th-century-japan-showing-the-increasing-sophistication-of-japanese-commerce-the-handbills-were-produced-to-advertise-a-company-or-promote-a-product-and-sometimes-they-were-even-used-as-wrapping-paper-while-hikifuda-began-to-be-produced-as-woodblock-prints-in-the-late-17th-century-they-witnessed-a-boom-in-the-later-19th-century-when-they-were-cheaply-printed-using-colour-lithography-image344274668.htmlRM2B031RT–Hikifuda are advertising handbills that became popular in late 19th to early 20th century Japan. Showing the increasing sophistication of Japanese commerce, the handbills were produced to advertise a company or promote a product, and sometimes they were even used as wrapping paper. While hikifuda began to be produced as woodblock prints in the late 17th century, they witnessed a boom in the later 19th century when they were cheaply printed using colour lithography.
Crane flying over wave, n.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crane-flying-over-wave-nd-image457040287.htmlRM2HFFYFB–Crane flying over wave, n.d.
Okumura Masanobu (Japanese: 奥村 政信; 1686 – 13 March 1764) was a Japanese print designer, book publisher, and painter. He also illustrated novelettes and in his early years wrote some fiction. At first his work adhered to the Torii school, but later drifted beyond that. He is a figure in the formative era of ukiyo-e doing early works on actors and bijin-ga ('pictures of beautiful women'). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/okumura-masanobu-japanese-1686-13-march-1764-was-a-japanese-print-designer-book-publisher-and-painter-he-also-illustrated-novelettes-and-in-his-early-years-wrote-some-fiction-at-first-his-work-adhered-to-the-torii-school-but-later-drifted-beyond-that-he-is-a-figure-in-the-formative-era-of-ukiyo-e-doing-early-works-on-actors-and-bijin-ga-pictures-of-beautiful-women-image344264795.htmlRM2B02H77–Okumura Masanobu (Japanese: 奥村 政信; 1686 – 13 March 1764) was a Japanese print designer, book publisher, and painter. He also illustrated novelettes and in his early years wrote some fiction. At first his work adhered to the Torii school, but later drifted beyond that. He is a figure in the formative era of ukiyo-e doing early works on actors and bijin-ga ('pictures of beautiful women').
Lacquer Tray with Sashimi and Tea Cup with Crane Design Shûtei Tanaka (Japanese, 1810-1858). , ca. 1856. Woodblock print; horizontal Chûban yoko-e format, 7 1/8 x 9 3/4 in. (18.1 x 24.8 cm). Asian Art ca. 1856 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lacquer-tray-with-sashimi-and-tea-cup-with-crane-design-shtei-tanaka-japanese-1810-1858-ca-1856-woodblock-print-horizontal-chban-yoko-e-format-7-18-x-9-34-in-181-x-248-cm-asian-art-ca-1856-image504720437.htmlRM2M9401W–Lacquer Tray with Sashimi and Tea Cup with Crane Design Shûtei Tanaka (Japanese, 1810-1858). , ca. 1856. Woodblock print; horizontal Chûban yoko-e format, 7 1/8 x 9 3/4 in. (18.1 x 24.8 cm). Asian Art ca. 1856
Inspired by Crane with Setting Sun, Totoya Hokkei, Japanese, 1780-1850, Woodblock print, shikishiban format deluxe printing, Japan, ca. 1820, Edo Period, 8 3/16 x 7 3/16 in., 20.8 x 18.2 cm, 19th Century, background, bird, calligraphy, crane, Japanese, print, sun, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-crane-with-setting-sun-totoya-hokkei-japanese-1780-1850-woodblock-print-shikishiban-format-deluxe-printing-japan-ca-1820-edo-period-8-316-x-7-316-in-208-x-182-cm-19th-century-background-bird-calligraphy-crane-japanese-print-sun-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459249092.htmlRF2HK4GW8–Inspired by Crane with Setting Sun, Totoya Hokkei, Japanese, 1780-1850, Woodblock print, shikishiban format deluxe printing, Japan, ca. 1820, Edo Period, 8 3/16 x 7 3/16 in., 20.8 x 18.2 cm, 19th Century, background, bird, calligraphy, crane, Japanese, print, sun, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Okame Riding on a Crane, Walking with Ebisu and a Girl, Kawanabe Kyosai, Japanese, 1831-1889, Color woodblock print on paper, Japan, ca. 1880, Meiji Period, 8 13/16 x 11 7/16 in., 22.4 x 29.1 cm, bird, fisherman, girl, journey, mountain, riding Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/okame-riding-on-a-crane-walking-with-ebisu-and-a-girl-kawanabe-kyosai-japanese-1831-1889-color-woodblock-print-on-paper-japan-ca-1880-meiji-period-8-1316-x-11-716-in-224-x-291-cm-bird-fisherman-girl-journey-mountain-riding-image454270445.htmlRM2HB1PGD–Okame Riding on a Crane, Walking with Ebisu and a Girl, Kawanabe Kyosai, Japanese, 1831-1889, Color woodblock print on paper, Japan, ca. 1880, Meiji Period, 8 13/16 x 11 7/16 in., 22.4 x 29.1 cm, bird, fisherman, girl, journey, mountain, riding
A Hawk Capturing a Crane in Flight. Attributed to Torii Kiyomasu I; Japanese, active c. 1704-18 (?). Date: 1710-1718. Dimensions: 56.0 x 28.5 cm. Hand-colored woodblock print; vertical o-oban, tan-e. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-hawk-capturing-a-crane-in-flight-attributed-to-torii-kiyomasu-i-japanese-active-c-1704-18-date-1710-1718-dimensions-560-x-285-cm-hand-colored-woodblock-print-vertical-o-oban-tan-e-origin-japan-museum-the-chicago-art-institute-image239889231.htmlRMRX7W4F–A Hawk Capturing a Crane in Flight. Attributed to Torii Kiyomasu I; Japanese, active c. 1704-18 (?). Date: 1710-1718. Dimensions: 56.0 x 28.5 cm. Hand-colored woodblock print; vertical o-oban, tan-e. Origin: Japan. Museum: The Chicago Art Institute.
A Hawk Capturing a Crane in Flight, c. 1715. Attributed to Torii Kiyomasu I. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-hawk-capturing-a-crane-in-flight-c-1715-attributed-to-torii-kiyomasu-i-image457029053.htmlRM2HFFD65–A Hawk Capturing a Crane in Flight, c. 1715. Attributed to Torii Kiyomasu I.
Okame Riding on a Crane, Walking with Ebisu and a Girl Kawanabe Kyosai (Japanese, 1831-1889). , ca. 1880. Color woodblock print on paper, 8 13/16 x 11 7/16 in. (22.4 x 29.1 cm). Asian Art ca. 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/okame-riding-on-a-crane-walking-with-ebisu-and-a-girl-kawanabe-kyosai-japanese-1831-1889-ca-1880-color-woodblock-print-on-paper-8-1316-x-11-716-in-224-x-291-cm-asian-art-ca-1880-image504720486.htmlRM2M9403J–Okame Riding on a Crane, Walking with Ebisu and a Girl Kawanabe Kyosai (Japanese, 1831-1889). , ca. 1880. Color woodblock print on paper, 8 13/16 x 11 7/16 in. (22.4 x 29.1 cm). Asian Art ca. 1880
Art inspired by Tortoise Has New Year's Dream of Crane and Pine, Kôbun Yoshimura, Japanese, 1793-1863, Woodblock print; horizontal Chûban yoko-e format, Japan, 1854, Edo Period, 7 3/8 x 9 3/4 in., 18.7 x 24.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-tortoise-has-new-years-dream-of-crane-and-pine-kbun-yoshimura-japanese-1793-1863-woodblock-print-horizontal-chban-yoko-e-format-japan-1854-edo-period-7-38-x-9-34-in-187-x-248-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459566360.htmlRF2HKK1G8–Art inspired by Tortoise Has New Year's Dream of Crane and Pine, Kôbun Yoshimura, Japanese, 1793-1863, Woodblock print; horizontal Chûban yoko-e format, Japan, 1854, Edo Period, 7 3/8 x 9 3/4 in., 18.7 x 24.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Flying Crane, From the Series Hana Kurabe, Shibata Zeshin, Japanese, 1807-1891, Color woodblock print on paper, Japan, ca. 1890, Meiji Period, 9 7/16 x 10 1/8 in., 24 x 25.7 cm, avian, bird, blood red, bold colors, composition, crane, escape, flight, graphic, minimal, wings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flying-crane-from-the-series-hana-kurabe-shibata-zeshin-japanese-1807-1891-color-woodblock-print-on-paper-japan-ca-1890-meiji-period-9-716-x-10-18-in-24-x-257-cm-avian-bird-blood-red-bold-colors-composition-crane-escape-flight-graphic-minimal-wings-image454270623.htmlRM2HB1PPR–Flying Crane, From the Series Hana Kurabe, Shibata Zeshin, Japanese, 1807-1891, Color woodblock print on paper, Japan, ca. 1890, Meiji Period, 9 7/16 x 10 1/8 in., 24 x 25.7 cm, avian, bird, blood red, bold colors, composition, crane, escape, flight, graphic, minimal, wings
![Girl Riding a Crane (parody of Hi Chobo [Chinese: Fei Zhangfang]). Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1761-1770. Dimensions: 27.5 x 20.0 cm (10 7/8 x 7 7/8 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photo](https://c8.alamy.com/comp/RXJYXP/girl-riding-a-crane-parody-of-hi-chobo-chinese-fei-zhangfang-suzuki-harunobu-japanese-1725-1770-date-1761-1770-dimensions-275-x-200-cm-10-78-x-7-78-in-color-woodblock-print-chuban-origin-japan-museum-the-chicago-art-institute-RXJYXP.jpg "Girl Riding a Crane (parody of Hi Chobo [Chinese: Fei Zhangfang]). Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1761-1770. Dimensions: 27.5 x 20.0 cm (10 7/8 x 7 7/8 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photo")
Girl Riding a Crane (parody of Hi Chobo [Chinese: Fei Zhangfang]). Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1761-1770. Dimensions: 27.5 x 20.0 cm (10 7/8 x 7 7/8 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/girl-riding-a-crane-parody-of-hi-chobo-chinese-fei-zhangfang-suzuki-harunobu-japanese-1725-1770-date-1761-1770-dimensions-275-x-200-cm-10-78-x-7-78-in-color-woodblock-print-chuban-origin-japan-museum-the-chicago-art-institute-image240132894.htmlRMRXJYXP–Girl Riding a Crane (parody of Hi Chobo [Chinese: Fei Zhangfang]). Suzuki Harunobu ?? ??; Japanese, 1725 (?)-1770. Date: 1761-1770. Dimensions: 27.5 x 20.0 cm (10 7/8 x 7 7/8 in.). Color woodblock print; chuban. Origin: Japan. Museum: The Chicago Art Institute.
Pampas Grass, Patrinia, Chinese Bellflower and a Crane, 1830s, Utagawa Hiroshige, Japanese, 1797 - 1858, 13 1/4 × 4 3/8 in. (33.6 × 11.1 cm) (image, aitanzaku), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pampas-grass-patrinia-chinese-bellflower-and-a-crane-1830s-utagawa-hiroshige-japanese-1797-1858-13-14-4-38-in-336-111-cm-image-aitanzaku-woodblock-print-nishiki-e-ink-and-color-on-paper-japan-19th-century-image573508845.htmlRM2T91GAN–Pampas Grass, Patrinia, Chinese Bellflower and a Crane, 1830s, Utagawa Hiroshige, Japanese, 1797 - 1858, 13 1/4 × 4 3/8 in. (33.6 × 11.1 cm) (image, aitanzaku), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century
Crane and Surf, ca. 1833. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crane-and-surf-ca-1833-image374755086.htmlRM2CNKFX6–Crane and Surf, ca. 1833.
Inspired by Flying Crane, From the Series Hana Kurabe, Shibata Zeshin, Japanese, 1807-1891, Color woodblock print on paper, Japan, ca. 1890, Meiji Period, 9 7/16 x 10 1/8 in., 24 x 25.7 cm, avian, bird, blood red, bold colors, composition, crane, escape, flight, graphic, minimal, wings, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-flying-crane-from-the-series-hana-kurabe-shibata-zeshin-japanese-1807-1891-color-woodblock-print-on-paper-japan-ca-1890-meiji-period-9-716-x-10-18-in-24-x-257-cm-avian-bird-blood-red-bold-colors-composition-crane-escape-flight-graphic-minimal-wings-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459249794.htmlRF2HK4HPA–Inspired by Flying Crane, From the Series Hana Kurabe, Shibata Zeshin, Japanese, 1807-1891, Color woodblock print on paper, Japan, ca. 1890, Meiji Period, 9 7/16 x 10 1/8 in., 24 x 25.7 cm, avian, bird, blood red, bold colors, composition, crane, escape, flight, graphic, minimal, wings, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Two Women and a Girl Feeding a Crane at the Verandah. Artist: Ryuryukyo Shinsai (Japanese, active ca. 1799-1823). Culture: Japan. Dimensions: 5 7/16 x 7 7/16 in. (13.8 x 18.9 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-women-and-a-girl-feeding-a-crane-at-the-verandah-artist-ryuryukyo-shinsai-japanese-active-ca-1799-1823-culture-japan-dimensions-5-716-x-7-716-in-138-x-189-cm-date-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image213397004.htmlRMPB521G–Two Women and a Girl Feeding a Crane at the Verandah. Artist: Ryuryukyo Shinsai (Japanese, active ca. 1799-1823). Culture: Japan. Dimensions: 5 7/16 x 7 7/16 in. (13.8 x 18.9 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.
Wading Crane and Trailing Bush Clover, 1830s, Utagawa Hiroshige; Publisher: Kawaguchiya Shōzō, Japanese, 1797 - 1858, 13 1/4 × 4 3/8 in. (33.6 × 11.1 cm) (image, aitanzaku), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wading-crane-and-trailing-bush-clover-1830s-utagawa-hiroshige-publisher-kawaguchiya-shz-japanese-1797-1858-13-14-4-38-in-336-111-cm-image-aitanzaku-woodblock-print-nishiki-e-ink-and-color-on-paper-japan-19th-century-image573508853.htmlRM2T91GB1–Wading Crane and Trailing Bush Clover, 1830s, Utagawa Hiroshige; Publisher: Kawaguchiya Shōzō, Japanese, 1797 - 1858, 13 1/4 × 4 3/8 in. (33.6 × 11.1 cm) (image, aitanzaku), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century
Minowa, Kanasugi, Mikawashima, No. 102 from One Hundred Famous Views of Edo, Utagawa Hiroshige, Ando, Japanese, 1797-1858, Woodblock print, Japan, 5th month of 1857, Edo Period, Ansei Era, Sheet: 14 3/16 x 9 1/4 in., 36 x 23.5 cm, 19th Century, 5th month of 1857, animal, birds, calmness, crane, edo, Edo Period, Ansei Era, fauna, flora, harmony, herons, hiroshige, Japanese, landscape, meditative, minimal, nature, print, sky, trees, winter, woodblock Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/minowa-kanasugi-mikawashima-no-102-from-one-hundred-famous-views-of-edo-utagawa-hiroshige-ando-japanese-1797-1858-woodblock-print-japan-5th-month-of-1857-edo-period-ansei-era-sheet-14-316-x-9-14-in-36-x-235-cm-19th-century-5th-month-of-1857-animal-birds-calmness-crane-edo-edo-period-ansei-era-fauna-flora-harmony-herons-hiroshige-japanese-landscape-meditative-minimal-nature-print-sky-trees-winter-woodblock-image454272524.htmlRM2HB1W6M–Minowa, Kanasugi, Mikawashima, No. 102 from One Hundred Famous Views of Edo, Utagawa Hiroshige, Ando, Japanese, 1797-1858, Woodblock print, Japan, 5th month of 1857, Edo Period, Ansei Era, Sheet: 14 3/16 x 9 1/4 in., 36 x 23.5 cm, 19th Century, 5th month of 1857, animal, birds, calmness, crane, edo, Edo Period, Ansei Era, fauna, flora, harmony, herons, hiroshige, Japanese, landscape, meditative, minimal, nature, print, sky, trees, winter, woodblock
波に丹頂鶴, Crane and Surf, Edo period (1615–1868), ca. 1833, Japan, Polychrome woodblock print; ink and color on paper, 14 1/8 x 6 3 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-crane-and-surf-edo-period-16151868-ca-1833-japan-polychrome-woodblock-162404503.htmlRMKC64GR–波に丹頂鶴, Crane and Surf, Edo period (1615–1868), ca. 1833, Japan, Polychrome woodblock print; ink and color on paper, 14 1/8 x 6 3
Crane and sun, c. 1843/47. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crane-and-sun-c-184347-image457039600.htmlRM2HFFXJT–Crane and sun, c. 1843/47.
White Crane Flying across the Sun's Disc, Yashima Gakutei, 1835 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-white-crane-flying-across-the-suns-disc-yashima-gakutei-1835-162407415.htmlRMKC688R–White Crane Flying across the Sun's Disc, Yashima Gakutei, 1835
Art inspired by Lacquer Tray with Sashimi and Tea Cup with Crane Design, Shûtei Tanaka, Japanese, 1810-1858, Woodblock print; horizontal Chûban yoko-e format, Japan, ca. 1856, Edo Period, 7 1/8 x 9 3/4 in., 18.1 x 24.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-lacquer-tray-with-sashimi-and-tea-cup-with-crane-design-shtei-tanaka-japanese-1810-1858-woodblock-print-horizontal-chban-yoko-e-format-japan-ca-1856-edo-period-7-18-x-9-34-in-181-x-248-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459566357.htmlRF2HKK1G5–Art inspired by Lacquer Tray with Sashimi and Tea Cup with Crane Design, Shûtei Tanaka, Japanese, 1810-1858, Woodblock print; horizontal Chûban yoko-e format, Japan, ca. 1856, Edo Period, 7 1/8 x 9 3/4 in., 18.1 x 24.8 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Crane and Surf. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 14 1/8 x 6 3/8 in. (35.9 x 16.2 cm). Date: ca. 1833. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crane-and-surf-artist-utagawa-hiroshige-japanese-tokyo-edo-1797-1858-tokyo-edo-culture-japan-dimensions-14-18-x-6-38-in-359-x-162-cm-date-ca-1833-museum-metropolitan-museum-of-art-new-york-usa-image233244558.htmlRMRFD5PP–Crane and Surf. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 14 1/8 x 6 3/8 in. (35.9 x 16.2 cm). Date: ca. 1833. Museum: Metropolitan Museum of Art, New York, USA.
Crane and Their Young in Their Nest in the Branches of a Pine-tree, ca. 1790. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crane-and-their-young-in-their-nest-in-the-branches-of-a-pine-tree-ca-1790-image382604642.htmlRM2D6D43E–Crane and Their Young in Their Nest in the Branches of a Pine-tree, ca. 1790.
Two Women and a Girl Feeding a Crane at the Verandah, Ryūryūkyo Shinsai, 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-two-women-and-a-girl-feeding-a-crane-at-the-verandah-ryrykyo-shinsai-162414213.htmlRMKC6GYH–Two Women and a Girl Feeding a Crane at the Verandah, Ryūryūkyo Shinsai, 19th century
Crane and Their Young in Their Nest in the Branches of a Pine-tree, Utagawa Toyoharu, ca. 1790 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-crane-and-their-young-in-their-nest-in-the-branches-of-a-pine-tree-162415638.htmlRMKC6JPE–Crane and Their Young in Their Nest in the Branches of a Pine-tree, Utagawa Toyoharu, ca. 1790
Art inspired by Okame Riding on a Crane, Walking with Ebisu and a Girl, Kawanabe Kyosai, Japanese, 1831-1889, Color woodblock print on paper, Japan, ca. 1880, Meiji Period, 8 13/16 x 11 7/16 in., 22.4 x 29.1 cm, bird, fisherman, girl, journey, mountain, riding, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-okame-riding-on-a-crane-walking-with-ebisu-and-a-girl-kawanabe-kyosai-japanese-1831-1889-color-woodblock-print-on-paper-japan-ca-1880-meiji-period-8-1316-x-11-716-in-224-x-291-cm-bird-fisherman-girl-journey-mountain-riding-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459566525.htmlRF2HKK1P5–Art inspired by Okame Riding on a Crane, Walking with Ebisu and a Girl, Kawanabe Kyosai, Japanese, 1831-1889, Color woodblock print on paper, Japan, ca. 1880, Meiji Period, 8 13/16 x 11 7/16 in., 22.4 x 29.1 cm, bird, fisherman, girl, journey, mountain, riding, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Actor Tatsuoka Hisagiku in the Role of Kurenai. Artist: Kiyonobu II (Japanese, active 1720-1750). Culture: Japan. Dimensions: 12 x 6 in. (30.5 x 15.2 cm). Date: 1739. The Osaka Kabuki actor Tatsuoka Hisagaku appeared in the role of the young woman Kurenai, carrying a New Year's decoration of pine, crane and tortoise in the play 'Miyakozome Kaoru Hachinoki' which was produced in Tokyo at the Nakamuraza theather in 1739. Often the colors of a hand-painted print were enriched by a glossy, lacquer-like black (urushi) made by mixing black ink and glue. In addition, brass filings are sprinkle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-actor-tatsuoka-hisagiku-in-the-role-of-kurenai-artist-kiyonobu-ii-japanese-active-1720-1750-culture-japan-dimensions-12-x-6-in-305-x-152-cm-date-1739-the-osaka-kabuki-actor-tatsuoka-hisagaku-appeared-in-the-role-of-the-young-woman-kurenai-carrying-a-new-years-decoration-of-pine-crane-and-tortoise-in-the-play-miyakozome-kaoru-hachinoki-which-was-produced-in-tokyo-at-the-nakamuraza-theather-in-1739-often-the-colors-of-a-hand-painted-print-were-enriched-by-a-glossy-lacquer-like-black-urushi-made-by-mixing-black-ink-and-glue-in-addition-brass-filings-are-sprinkle-image212896708.htmlRMPAA7WT–The Actor Tatsuoka Hisagiku in the Role of Kurenai. Artist: Kiyonobu II (Japanese, active 1720-1750). Culture: Japan. Dimensions: 12 x 6 in. (30.5 x 15.2 cm). Date: 1739. The Osaka Kabuki actor Tatsuoka Hisagaku appeared in the role of the young woman Kurenai, carrying a New Year's decoration of pine, crane and tortoise in the play 'Miyakozome Kaoru Hachinoki' which was produced in Tokyo at the Nakamuraza theather in 1739. Often the colors of a hand-painted print were enriched by a glossy, lacquer-like black (urushi) made by mixing black ink and glue. In addition, brass filings are sprinkle
Crane, Bamboo and Iris, c. 1775. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crane-bamboo-and-iris-c-1775-image453136515.htmlRM2H9646Y–Crane, Bamboo and Iris, c. 1775.
The Actor Tatsuoka Hisagiku in the Role of Kurenai, Kiyonobu II, 1739 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-actor-tatsuoka-hisagiku-in-the-role-of-kurenai-kiyonobu-ii-1739-162420139.htmlRMKC6TF7–The Actor Tatsuoka Hisagiku in the Role of Kurenai, Kiyonobu II, 1739
Art inspired by Crane with Setting Sun, Totoya Hokkei, Japanese, 1780-1850, Woodblock print, shikishiban format deluxe printing, Japan, ca. 1820, Edo Period, 8 3/16 x 7 3/16 in., 20.8 x 18.2 cm, 19th Century, background, bird, calligraphy, crane, Japanese, print, sun, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-crane-with-setting-sun-totoya-hokkei-japanese-1780-1850-woodblock-print-shikishiban-format-deluxe-printing-japan-ca-1820-edo-period-8-316-x-7-316-in-208-x-182-cm-19th-century-background-bird-calligraphy-crane-japanese-print-sun-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459566390.htmlRF2HKK1HA–Art inspired by Crane with Setting Sun, Totoya Hokkei, Japanese, 1780-1850, Woodblock print, shikishiban format deluxe printing, Japan, ca. 1820, Edo Period, 8 3/16 x 7 3/16 in., 20.8 x 18.2 cm, 19th Century, background, bird, calligraphy, crane, Japanese, print, sun, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Minowa, Kanasugi, Mikawashima, from the series 'One Hundred Famous Views of Edo (Meisho Edo hyakkei)'. Utagawa Hiroshige ?? ??; Japanese, 1797-1858. Date: 1857. Dimensions: . Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/minowa-kanasugi-mikawashima-from-the-series-one-hundred-famous-views-of-edo-meisho-edo-hyakkei-utagawa-hiroshige-japanese-1797-1858-date-1857-dimensions-color-woodblock-print-oban-origin-japan-museum-the-chicago-art-institute-image239906297.htmlRMRX8JX1–Minowa, Kanasugi, Mikawashima, from the series 'One Hundred Famous Views of Edo (Meisho Edo hyakkei)'. Utagawa Hiroshige ?? ??; Japanese, 1797-1858. Date: 1857. Dimensions: . Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute.
White Crane Flying across the Sun's Disc, 1835?. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/white-crane-flying-across-the-suns-disc-1835-image382597547.htmlRM2D6CR23–White Crane Flying across the Sun's Disc, 1835?.
Art inspired by Flying Crane, From the Series Hana Kurabe, Shibata Zeshin, Japanese, 1807-1891, Color woodblock print on paper, Japan, ca. 1890, Meiji Period, 9 7/16 x 10 1/8 in., 24 x 25.7 cm, avian, bird, blood red, bold colors, composition, crane, escape, flight, graphic, minimal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-flying-crane-from-the-series-hana-kurabe-shibata-zeshin-japanese-1807-1891-color-woodblock-print-on-paper-japan-ca-1890-meiji-period-9-716-x-10-18-in-24-x-257-cm-avian-bird-blood-red-bold-colors-composition-crane-escape-flight-graphic-minimal-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459566587.htmlRF2HKK1TB–Art inspired by Flying Crane, From the Series Hana Kurabe, Shibata Zeshin, Japanese, 1807-1891, Color woodblock print on paper, Japan, ca. 1890, Meiji Period, 9 7/16 x 10 1/8 in., 24 x 25.7 cm, avian, bird, blood red, bold colors, composition, crane, escape, flight, graphic, minimal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by White Crane Flying across the Sun's Disc, Edo period (1615–1868), 1835?, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 7/8 x 7 in. (20 x 17.8 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-white-crane-flying-across-the-suns-disc-edo-period-16151868-1835-japan-polychrome-woodblock-print-surimono-ink-and-color-on-paper-7-78-x-7-in-20-x-178-cm-prints-yashima-gakutei-japanese-17861868-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462913414.htmlRF2HW3ENX–Art inspired by White Crane Flying across the Sun's Disc, Edo period (1615–1868), 1835?, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 7/8 x 7 in. (20 x 17.8 cm), Prints, Yashima Gakutei (Japanese, 1786?–1868, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by 波に丹頂鶴, Crane and Surf, Edo period (1615–1868), ca. 1833, Japan, Polychrome woodblock print; ink and color on paper, 14 1/8 x 6 3/8 in. (35.9 x 16.2 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-crane-and-surf-edo-period-16151868-ca-1833-japan-polychrome-woodblock-print-ink-and-color-on-paper-14-18-x-6-38-in-359-x-162-cm-prints-utagawa-hiroshige-japanese-tokyo-edo-17971858-tokyo-edo-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462756894.htmlRF2HTTB3X–Art inspired by 波に丹頂鶴, Crane and Surf, Edo period (1615–1868), ca. 1833, Japan, Polychrome woodblock print; ink and color on paper, 14 1/8 x 6 3/8 in. (35.9 x 16.2 cm), Prints, Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797–1858 Tokyo (Edo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Two Women and a Girl Feeding a Crane at the Verandah, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 7/16 x 7 7/16 in. (13.8 x 18.9 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-two-women-and-a-girl-feeding-a-crane-at-the-verandah-19th-century-japan-part-of-an-album-of-woodblock-prints-surimono-ink-and-color-on-paper-5-716-x-7-716-in-138-x-189-cm-prints-ryrykyo-shinsai-japanese-active-ca-17991823-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462913110.htmlRF2HW3EB2–Art inspired by Two Women and a Girl Feeding a Crane at the Verandah, 19th century, Japan, Part of an album of woodblock prints (surimono); ink and color on paper, 5 7/16 x 7 7/16 in. (13.8 x 18.9 cm), Prints, Ryūryūkyo Shinsai (Japanese, active ca. 1799–1823, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Hara: Mount Fuji in the Morning (Hara, asa no Fuji), from the series 'Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi),' also known as the Hoeido Tokaido. Utagawa Hiroshige ?? ??; Japanese, 1797-1858. Date: 1828-1839. Dimensions: 24.1 x 36 cm (9 1/2 x 14 3/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hara-mount-fuji-in-the-morning-hara-asa-no-fuji-from-the-series-fifty-three-stations-of-the-tokaido-road-tokaido-gojusan-tsugi-no-uchi-also-known-as-the-hoeido-tokaido-utagawa-hiroshige-japanese-1797-1858-date-1828-1839-dimensions-241-x-36-cm-9-12-x-14-316-in-color-woodblock-print-oban-origin-japan-museum-the-chicago-art-institute-image239908159.htmlRMRX8N8F–Hara: Mount Fuji in the Morning (Hara, asa no Fuji), from the series 'Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi),' also known as the Hoeido Tokaido. Utagawa Hiroshige ?? ??; Japanese, 1797-1858. Date: 1828-1839. Dimensions: 24.1 x 36 cm (9 1/2 x 14 3/16 in.). Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute.
Inspired by Minowa, Kanasugi, Mikawashima, No. 102 from One Hundred Famous Views of Edo, Utagawa Hiroshige, Ando, Japanese, 1797-1858, Woodblock print, Japan, 5th month of 1857, Edo Period, Ansei Era, Sheet: 14 3/16 x 9 1/4 in., 36 x 23.5 cm, 19th Century, 5th month of 1857, animal, birds, calmness, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-minowa-kanasugi-mikawashima-no-102-from-one-hundred-famous-views-of-edo-utagawa-hiroshige-ando-japanese-1797-1858-woodblock-print-japan-5th-month-of-1857-edo-period-ansei-era-sheet-14-316-x-9-14-in-36-x-235-cm-19th-century-5th-month-of-1857-animal-birds-calmness-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459251654.htmlRF2HK4M4P–Inspired by Minowa, Kanasugi, Mikawashima, No. 102 from One Hundred Famous Views of Edo, Utagawa Hiroshige, Ando, Japanese, 1797-1858, Woodblock print, Japan, 5th month of 1857, Edo Period, Ansei Era, Sheet: 14 3/16 x 9 1/4 in., 36 x 23.5 cm, 19th Century, 5th month of 1857, animal, birds, calmness, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Art inspired by Crane and Their Young in Their Nest in the Branches of a Pine-tree, Edo period (1615–1868), ca. 1790, Japan, Triptych of polychrome woodblock prints (surimono enriched with gold); ink and color on paper, Aiban; H. 13 7/8 in. (35.2 cm); W. 9 7/8 in. (25.1 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-crane-and-their-young-in-their-nest-in-the-branches-of-a-pine-tree-edo-period-16151868-ca-1790-japan-triptych-of-polychrome-woodblock-prints-surimono-enriched-with-gold-ink-and-color-on-paper-aiban-h-13-78-in-352-cm-w-9-78-in-251-cm-prints-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462916972.htmlRF2HW3K90–Art inspired by Crane and Their Young in Their Nest in the Branches of a Pine-tree, Edo period (1615–1868), ca. 1790, Japan, Triptych of polychrome woodblock prints (surimono enriched with gold); ink and color on paper, Aiban; H. 13 7/8 in. (35.2 cm); W. 9 7/8 in. (25.1 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Lin Hejing (Rin Nasei) with Crane, 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lin-hejing-rin-nasei-with-crane-19th-century-image457041394.htmlRM2HFG0XX–Lin Hejing (Rin Nasei) with Crane, 19th century.
Hara; Asa no Fuji. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 9 15/32 x 14 1/8 in. (24.1 x 35.9 cm). Date: ca. 1833-34. The view of Mount Fuji is virtually unobstructed from the place called Hara (literally 'field'). The mountain's majestic height is emphasized as its peak extends beyond the frame of the picture. Two women, accompanied by a male attendant in traveling dress, seem awestruck by the breathtaking view. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hara-asa-no-fuji-artist-utagawa-hiroshige-japanese-tokyo-edo-1797-1858-tokyo-edo-culture-japan-dimensions-9-1532-x-14-18-in-241-x-359-cm-date-ca-1833-34-the-view-of-mount-fuji-is-virtually-unobstructed-from-the-place-called-hara-literally-field-the-mountains-majestic-height-is-emphasized-as-its-peak-extends-beyond-the-frame-of-the-picture-two-women-accompanied-by-a-male-attendant-in-traveling-dress-seem-awestruck-by-the-breathtaking-view-museum-metropolitan-museum-of-art-new-york-usa-image233238545.htmlRMRFCX41–Hara; Asa no Fuji. Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: 9 15/32 x 14 1/8 in. (24.1 x 35.9 cm). Date: ca. 1833-34. The view of Mount Fuji is virtually unobstructed from the place called Hara (literally 'field'). The mountain's majestic height is emphasized as its peak extends beyond the frame of the picture. Two women, accompanied by a male attendant in traveling dress, seem awestruck by the breathtaking view. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by The Actor Tatsuoka Hisagiku in the Role of Kurenai, Edo period (1615–1868), 1739, Japan, Polychrome woodblock print (hand-colored); ink and color on paper, 12 x 6 in. (30.5 x 15.2 cm), Prints, Kiyonobu II (Japanese, active 1720–1750), The Osaka Kabuki actor Tatsuoka, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-actor-tatsuoka-hisagiku-in-the-role-of-kurenai-edo-period-16151868-1739-japan-polychrome-woodblock-print-hand-colored-ink-and-color-on-paper-12-x-6-in-305-x-152-cm-prints-kiyonobu-ii-japanese-active-17201750-the-osaka-kabuki-actor-tatsuoka-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462917992.htmlRF2HW3MHC–Art inspired by The Actor Tatsuoka Hisagiku in the Role of Kurenai, Edo period (1615–1868), 1739, Japan, Polychrome woodblock print (hand-colored); ink and color on paper, 12 x 6 in. (30.5 x 15.2 cm), Prints, Kiyonobu II (Japanese, active 1720–1750), The Osaka Kabuki actor Tatsuoka, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Minowa, Kanasugi, Mikawashima, No. 102 from One Hundred Famous Views of Edo, Utagawa Hiroshige, Ando, Japanese, 1797-1858, Woodblock print, Japan, 5th month of 1857, Edo Period, Ansei Era, Sheet: 14 3/16 x 9 1/4 in., 36 x 23.5 cm, 19th Century, 5th month of 1857, animal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-minowa-kanasugi-mikawashima-no-102-from-one-hundred-famous-views-of-edo-utagawa-hiroshige-ando-japanese-1797-1858-woodblock-print-japan-5th-month-of-1857-edo-period-ansei-era-sheet-14-316-x-9-14-in-36-x-235-cm-19th-century-5th-month-of-1857-animal-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459567556.htmlRF2HKK330–Art inspired by Minowa, Kanasugi, Mikawashima, No. 102 from One Hundred Famous Views of Edo, Utagawa Hiroshige, Ando, Japanese, 1797-1858, Woodblock print, Japan, 5th month of 1857, Edo Period, Ansei Era, Sheet: 14 3/16 x 9 1/4 in., 36 x 23.5 cm, 19th Century, 5th month of 1857, animal, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Tobosaku, Miura Daisuke Yoshiaki, and the Son of Urashima Taro Drinking Wine, 1873. TobosakuDongfang Shuo), Miura Yoshiaki and Urashima Taro, all three lived long. The crane and the turtles are symbols of longevity in Japan. Series: Notes by Yoshitoshi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tobosaku-miura-daisuke-yoshiaki-and-the-son-of-urashima-taro-drinking-wine-1873-tobosakudongfang-shuo-miura-yoshiaki-and-urashima-taro-all-three-lived-long-the-crane-and-the-turtles-are-symbols-of-longevity-in-japan-series-notes-by-yoshitoshi-image571913427.htmlRM2T6CWBF–Tobosaku, Miura Daisuke Yoshiaki, and the Son of Urashima Taro Drinking Wine, 1873. TobosakuDongfang Shuo), Miura Yoshiaki and Urashima Taro, all three lived long. The crane and the turtles are symbols of longevity in Japan. Series: Notes by Yoshitoshi.
Crane and sun, c. 1843/47, Utagawa Hiroshige ?? ??, Japanese, 1797-1858, Japan, Color woodblock print, aitanzaku, 13 1/2 x 4 1/4 in., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crane-and-sun-c-184347-utagawa-hiroshige-japanese-1797-1858-japan-color-woodblock-print-aitanzaku-13-12-x-4-14-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349702390.htmlRF2B8X8Y2–Crane and sun, c. 1843/47, Utagawa Hiroshige ?? ??, Japanese, 1797-1858, Japan, Color woodblock print, aitanzaku, 13 1/2 x 4 1/4 in., Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Pine and cranes, Japan, c. 1830/44. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pine-and-cranes-japan-c-183044-image457034797.htmlRM2HFFMF9–Pine and cranes, Japan, c. 1830/44.
A Hawk Capturing a Crane in Flight, c. 1715, Attributed to Torii Kiyomasu I, Japanese, active c. 1704–18 (?), Japan, Hand-colored woodblock print, vertical o-oban, tan-e, 56.0 x 28.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-hawk-capturing-a-crane-in-flight-c-1715-attributed-to-torii-kiyomasu-i-japanese-active-c-170418-japan-hand-colored-woodblock-print-vertical-o-oban-tan-e-560-x-285-cm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349688035.htmlRF2B8WJJB–A Hawk Capturing a Crane in Flight, c. 1715, Attributed to Torii Kiyomasu I, Japanese, active c. 1704–18 (?), Japan, Hand-colored woodblock print, vertical o-oban, tan-e, 56.0 x 28.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Parody of Minamoto no Yoritomo releasing cranes at Yuigahama, Japan, c. 1805. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/parody-of-minamoto-no-yoritomo-releasing-cranes-at-yuigahama-japan-c-1805-image457035015.htmlRM2HFFMR3–Parody of Minamoto no Yoritomo releasing cranes at Yuigahama, Japan, c. 1805.
Cranes at the Sea Shore, c. 1768. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cranes-at-the-sea-shore-c-1768-image457037034.htmlRM2HFFRB6–Cranes at the Sea Shore, c. 1768.
Cranes in flight, n.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cranes-in-flight-nd-image457039797.htmlRM2HFFXWW–Cranes in flight, n.d.
Multitudes of Cranes, spring 1863. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/multitudes-of-cranes-spring-1863-image457029132.htmlRM2HFFD90–Multitudes of Cranes, spring 1863.
Act Two: The House of Kakogawa Honzo from the play Chushingura (Treasury of Loyal Retainers), Japan, c. 1779/80. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/act-two-the-house-of-kakogawa-honzo-from-the-play-chushingura-treasury-of-loyal-retainers-japan-c-177980-image457033570.htmlRM2HFFJYE–Act Two: The House of Kakogawa Honzo from the play Chushingura (Treasury of Loyal Retainers), Japan, c. 1779/80.
Actors Representing the Feat of Asahina Breaking the Armour of Soga no Goro (Hirakawa-cho Yamamoto-cho kusazuribiki odori yatai) from the series The Festival of the Sanno Shrine (Sanno go-sairei), 1780. Attributed to Torii Kiyonaga. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/actors-representing-the-feat-of-asahina-breaking-the-armour-of-soga-no-goro-hirakawa-cho-yamamoto-cho-kusazuribiki-odori-yatai-from-the-series-the-festival-of-the-sanno-shrine-sanno-go-sairei-1780-attributed-to-torii-kiyonaga-image457029052.htmlRM2HFFD64–Actors Representing the Feat of Asahina Breaking the Armour of Soga no Goro (Hirakawa-cho Yamamoto-cho kusazuribiki odori yatai) from the series The Festival of the Sanno Shrine (Sanno go-sairei), 1780. Attributed to Torii Kiyonaga.
Cranes on snow-covered pine, Japan, c. 1834. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cranes-on-snow-covered-pine-japan-c-1834-image457034064.htmlRM2HFFKH4–Cranes on snow-covered pine, Japan, c. 1834.
![Minowa, Kanasugi, Mikawashima, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)”, 1857. Stock Photo](https://c8.alamy.com/comp/2HFFY3K/minowa-kanasugi-mikawashima-from-the-series-quotone-hundred-famous-views-of-edo-meisho-edo-hyakkeix201d-1857-2HFFY3K.jpg "Minowa, Kanasugi, Mikawashima, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)”, 1857. Stock Photo")
Minowa, Kanasugi, Mikawashima, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)”, 1857. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/minowa-kanasugi-mikawashima-from-the-series-quotone-hundred-famous-views-of-edo-meisho-edo-hyakkeix201d-1857-image457039959.htmlRM2HFFY3K–Minowa, Kanasugi, Mikawashima, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)”, 1857.
![Minowa, Kanasugi, Mikawashima, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)”, 1857. Stock Photo](https://c8.alamy.com/comp/2HFFY56/minowa-kanasugi-mikawashima-from-the-series-quotone-hundred-famous-views-of-edo-meisho-edo-hyakkeix201d-1857-2HFFY56.jpg "Minowa, Kanasugi, Mikawashima, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)”, 1857. Stock Photo")
Minowa, Kanasugi, Mikawashima, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)”, 1857. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/minowa-kanasugi-mikawashima-from-the-series-quotone-hundred-famous-views-of-edo-meisho-edo-hyakkeix201d-1857-image457040002.htmlRM2HFFY56–Minowa, Kanasugi, Mikawashima, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)”, 1857.
