Jean baptiste le prince french 1734 Stock Photos and Images
Taste, 1774, Jean Baptiste Le Prince, French, 1734-1781, France, Aquatint and etching on ivory laid paper, 154 × 95 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/taste-1774-jean-baptiste-le-prince-french-1734-1781-france-aquatint-and-etching-on-ivory-laid-paper-154-95-mm-image328663466.html
RM2A2KWGX–Taste, 1774, Jean Baptiste Le Prince, French, 1734-1781, France, Aquatint and etching on ivory laid paper, 154 × 95 mm
The Russian Cradle; Jean-Baptiste Le Prince, French, 1734 - 1781; about 1764 - 1765; Oil on canvas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-russian-cradle-jean-baptiste-le-prince-french-1734-1781-about-image60350720.html
RMDE55XT–The Russian Cradle; Jean-Baptiste Le Prince, French, 1734 - 1781; about 1764 - 1765; Oil on canvas
The Fishers. Jean Baptiste Le Prince; French, 1734-1781. Date: 1771. Dimensions: 382 × 270 mm. Etching and aquatint on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fishers-jean-baptiste-le-prince-french-1734-1781-date-1771-dimensions-382-270-mm-etching-and-aquatint-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-image240110251.html
RMRXHY23–The Fishers. Jean Baptiste Le Prince; French, 1734-1781. Date: 1771. Dimensions: 382 × 270 mm. Etching and aquatint on cream laid paper. Origin: France. Museum: The Chicago Art Institute.
Visit to a Palmist, by Jean-Baptiste Le Prince (September 17, 1734 - September 30, 1781) was an important French etcher and painter Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/visit-to-a-palmist-by-jean-baptiste-le-prince-september-17-1734-september-30-1781-was-an-important-french-etcher-and-painter-image482076618.html
RM2K08DJ2–Visit to a Palmist, by Jean-Baptiste Le Prince (September 17, 1734 - September 30, 1781) was an important French etcher and painter
Paysage avec un pont - Landscape with a bridge by Jean-Baptiste Le Prince 1734-1781 France French Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-paysage-avec-un-pont-landscape-with-a-bridge-by-jean-baptiste-le-prince-94408713.html
RMFDGK7N–Paysage avec un pont - Landscape with a bridge by Jean-Baptiste Le Prince 1734-1781 France French
The Necromancer by Jean-Baptiste Le Prince (1734-1781), oil on canvas, c. 1775 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-necromancer-by-jean-baptiste-le-prince-1734-1781-oil-on-canvas-c-1775-image466325988.html
RM2J2JYFG–The Necromancer by Jean-Baptiste Le Prince (1734-1781), oil on canvas, c. 1775
Portrait of Orientale 1769 Jean Baptiste Le Prince ( 1734 – 1781) France French Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-orientale-1769-jean-baptiste-le-prince-1734-1781-france-78461972.html
RMEFJ718–Portrait of Orientale 1769 Jean Baptiste Le Prince ( 1734 – 1781) France French
The Russian Cradle. Jean-Baptiste Le Prince (French, 1734 - 1781) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-russian-cradle-jean-baptiste-le-prince-french-1734-1781-image416579923.html
RM2F5MRXB–The Russian Cradle. Jean-Baptiste Le Prince (French, 1734 - 1781)
Art inspired by Le Joueur de Chalumeau, 1770, Aquatint, sheet: 6 1/16 x 4 3/4 in. (15.4 x 12 cm), Prints, Jean-Baptiste Le Prince (French, Metz 1734–1781 Saint-Denis-du-Port, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-le-joueur-de-chalumeau-1770-aquatint-sheet-6-116-x-4-34-in-154-x-12-cm-prints-jean-baptiste-le-prince-french-metz-17341781-saint-denis-du-port-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463001478.html
RF2HW7F32–Art inspired by Le Joueur de Chalumeau, 1770, Aquatint, sheet: 6 1/16 x 4 3/4 in. (15.4 x 12 cm), Prints, Jean-Baptiste Le Prince (French, Metz 1734–1781 Saint-Denis-du-Port, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Calmouk. Artist: Jean-Baptiste Le Prince, French, 1734–1781 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/calmouk-artist-jean-baptiste-le-prince-french-17341781-image463103912.html
RM2HWC5NC–Calmouk. Artist: Jean-Baptiste Le Prince, French, 1734–1781
Drawing, A Woman Leading a Child; Jean Baptiste Le Prince (French, 1734 – 1781); France; red chalk on cream laid paper; Sheet: 22.5 x 16.3 cm (8 7/8 x 6 7/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-a-woman-leading-a-child-jean-baptiste-le-prince-french-1734-1781-france-red-chalk-on-cream-laid-paper-sheet-225-x-163-cm-8-78-x-6-716-in-image546142059.html
RM2PMEWNF–Drawing, A Woman Leading a Child; Jean Baptiste Le Prince (French, 1734 – 1781); France; red chalk on cream laid paper; Sheet: 22.5 x 16.3 cm (8 7/8 x 6 7/16 in.)
The Russian Dance, 1769, Jean Baptiste Le Prince, French, 1734-1781, France, Aquatint on paper, 302 × 242 mm (image), 385 × 310 mm (plate), 500 × 340 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-russian-dance-1769-jean-baptiste-le-prince-french-1734-1781-france-aquatint-on-paper-302-242-mm-image-385-310-mm-plate-500-340-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349727025.html
RF2B8YCAW–The Russian Dance, 1769, Jean Baptiste Le Prince, French, 1734-1781, France, Aquatint on paper, 302 × 242 mm (image), 385 × 310 mm (plate), 500 × 340 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Entrance to the Palace of Louis XV', 1775. Artist: Jean Baptiste Le Prince. Jean-Baptiste Le Prince (1734-1781) was an French etcher and painter. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/entrance-to-the-palace-of-louis-xv-1775-artist-jean-baptiste-le-prince-jean-baptiste-le-prince-1734-1781-was-an-french-etcher-and-painter-image377037554.html
RM2CWBF6X–Entrance to the Palace of Louis XV', 1775. Artist: Jean Baptiste Le Prince. Jean-Baptiste Le Prince (1734-1781) was an French etcher and painter.
. Русский: Жан-Батист Лепренс. Общественная баня. 1760-е гг. России . 1760s. Jean-Baptiste Le Prince (–1781) Description French painter and engraver Date of birth/death 17 September 1734 / 17 May 1734 30 September 1781 Location of birth/death Metz Saint-Denis-du-Port Authority control : Q562013 VIAF: 44571706 ISNI: 0000 0001 2130 6189 ULAN: 500026693 LCCN: n86031795 WGA: LE PRINCE, Jean-Baptiste WorldCat 806 LePrince Bain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1760-1760s-jean-baptiste-le-prince-1781-description-french-painter-and-engraver-date-of-birthdeath-17-september-1734-17-may-1734-30-september-1781-location-of-birthdeath-metz-saint-denis-du-port-authority-control-q562013-viaf44571706-isni0000-0001-2130-6189-ulan500026693-lccnn86031795-wgale-prince-jean-baptiste-worldcat-806-leprince-bain-image185826699.html
RMMP93RR–. Русский: Жан-Батист Лепренс. Общественная баня. 1760-е гг. России . 1760s. Jean-Baptiste Le Prince (–1781) Description French painter and engraver Date of birth/death 17 September 1734 / 17 May 1734 30 September 1781 Location of birth/death Metz Saint-Denis-du-Port Authority control : Q562013 VIAF: 44571706 ISNI: 0000 0001 2130 6189 ULAN: 500026693 LCCN: n86031795 WGA: LE PRINCE, Jean-Baptiste WorldCat 806 LePrince Bain
Young Girl Holding a Bird. In 1757 a printmaker named Jean-Charles François developed a printing technique to make facsimiles of chalk drawings. He perfected his method by inventing tools with toothed points of varying thicknesses set at irregular intervals and angles, imitating the random character of grains of chalk on textured paper. Demarteau adopted François's specialized implements to copy the chalk drawings of such well-known artists as Le Prince and François Boucher. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-girl-holding-a-bird-in-1757-a-printmaker-named-jean-charles-franxe7ois-developed-a-printing-technique-to-make-facsimiles-of-chalk-drawings-he-perfected-his-method-by-inventing-tools-with-toothed-points-of-varying-thicknesses-set-at-irregular-intervals-and-angles-imitating-the-random-character-of-grains-of-chalk-on-textured-paper-demarteau-adopted-franxe7oiss-specialized-implements-to-copy-the-chalk-drawings-of-such-well-known-artists-as-le-prince-and-franxe7ois-boucher-image330135941.html
RM2A52YN9–Young Girl Holding a Bird. In 1757 a printmaker named Jean-Charles François developed a printing technique to make facsimiles of chalk drawings. He perfected his method by inventing tools with toothed points of varying thicknesses set at irregular intervals and angles, imitating the random character of grains of chalk on textured paper. Demarteau adopted François's specialized implements to copy the chalk drawings of such well-known artists as Le Prince and François Boucher.
The Fishers, 1771, Jean Baptiste Le Prince, French, 1734-1781, France, Etching and aquatint on cream laid paper, 382 × 270 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fishers-1771-jean-baptiste-le-prince-french-1734-1781-france-etching-and-aquatint-on-cream-laid-paper-382-270-mm-image328663462.html
RM2A2KWGP–The Fishers, 1771, Jean Baptiste Le Prince, French, 1734-1781, France, Etching and aquatint on cream laid paper, 382 × 270 mm
Jean-Baptiste Le Prince (French, 1734 - 1781). Rustic Recreation (La Récréation Champêtre), 1769. Etching and aquatint Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jean-baptiste-le-prince-french-1734-1781-rustic-recreation-la-rcration-77322796.html
RMEDPA0C–Jean-Baptiste Le Prince (French, 1734 - 1781). Rustic Recreation (La Récréation Champêtre), 1769. Etching and aquatint
The Washerwomen. Jean Baptiste Le Prince; French, 1734-1781. Date: 1771. Dimensions: 381 × 262 mm (plate); 439 × 310 mm (sheet). Etching and aquatint on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Author: JEAN BAPTISTE LE PRINCE. JEAN-BAPTISTE LE PRINCE. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-washerwomen-jean-baptiste-le-prince-french-1734-1781-date-1771-dimensions-381-262-mm-plate-439-310-mm-sheet-etching-and-aquatint-on-cream-laid-paper-origin-france-museum-the-chicago-art-institute-author-jean-baptiste-le-prince-jean-baptiste-le-prince-image240002326.html
RMRXD1BJ–The Washerwomen. Jean Baptiste Le Prince; French, 1734-1781. Date: 1771. Dimensions: 381 × 262 mm (plate); 439 × 310 mm (sheet). Etching and aquatint on cream laid paper. Origin: France. Museum: The Chicago Art Institute. Author: JEAN BAPTISTE LE PRINCE. JEAN-BAPTISTE LE PRINCE.
Russian Man 1765 Jean Baptiste Le Prince ( 1734 – 1781) France French Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-russian-man-1765-jean-baptiste-le-prince-1734-1781-france-french-78462277.html
RMEFJ7C5–Russian Man 1765 Jean Baptiste Le Prince ( 1734 – 1781) France French
The Flight into Egypt. Artist: Jean-Baptiste Le Prince, French, 1734–1781 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-flight-intoegypt-artist-jean-baptiste-le-prince-french-17341781-image463133349.html
RM2HWDF8N–The Flight into Egypt. Artist: Jean-Baptiste Le Prince, French, 1734–1781
Print, Second Pastoral; Print Maker: Jean Baptiste Le Prince (French, 1734 – 1781); France; aquatint and etching in sepia ink on laid paper; 30.6 × 38 cm (12 1/16 × 14 15/16 in.); 1896-31-89 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-second-pastoral-print-maker-jean-baptiste-le-prince-french-1734-1781-france-aquatint-and-etching-in-sepia-ink-on-laid-paper-306-38-cm-12-116-14-1516-in-1896-31-89-image546199964.html
RM2PMHFHG–Print, Second Pastoral; Print Maker: Jean Baptiste Le Prince (French, 1734 – 1781); France; aquatint and etching in sepia ink on laid paper; 30.6 × 38 cm (12 1/16 × 14 15/16 in.); 1896-31-89
The Russian Cradle, Jean-Baptiste Le Prince (French, 1734 - 1781), France, about 1764 - 1765, Oil on canvas, 59.1 × 72.7 cm (23 1/4 × 28 5/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-russian-cradle-jean-baptiste-le-prince-french-1734-1781-france-about-1764-1765-oil-on-canvas-591-727-cm-23-14-28-58-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349891653.html
RF2B96XAD–The Russian Cradle, Jean-Baptiste Le Prince (French, 1734 - 1781), France, about 1764 - 1765, Oil on canvas, 59.1 × 72.7 cm (23 1/4 × 28 5/8 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
. Русский: Жан-Батист Лепренс. Колыбель (Le berceau), 1769. Россия. 1769. Jean-Baptiste Le Prince (–1781) Description French painter and engraver Date of birth/death 17 September 1734 / 17 May 1734 30 September 1781 Location of birth/death Metz Saint-Denis-du-Port Authority control : Q562013 VIAF: 44571706 ISNI: 0000 0001 2130 6189 ULAN: 500026693 LCCN: n86031795 WGA: LE PRINCE, Jean-Baptiste WorldCat 806 LePrince Berceau Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-berceau-1769-1769-jean-baptiste-le-prince-1781-description-french-painter-and-engraver-date-of-birthdeath-17-september-1734-17-may-1734-30-september-1781-location-of-birthdeath-metz-saint-denis-du-port-authority-control-q562013-viaf44571706-isni0000-0001-2130-6189-ulan500026693-lccnn86031795-wgale-prince-jean-baptiste-worldcat-806-leprince-berceau-image185826701.html
RMMP93RW–. Русский: Жан-Батист Лепренс. Колыбель (Le berceau), 1769. Россия. 1769. Jean-Baptiste Le Prince (–1781) Description French painter and engraver Date of birth/death 17 September 1734 / 17 May 1734 30 September 1781 Location of birth/death Metz Saint-Denis-du-Port Authority control : Q562013 VIAF: 44571706 ISNI: 0000 0001 2130 6189 ULAN: 500026693 LCCN: n86031795 WGA: LE PRINCE, Jean-Baptiste WorldCat 806 LePrince Berceau
Art inspired by The Rest (Le Repos), 1771, Etching and aquatint printed in brown ink, sheet: 17 11/16 x 13 3/4 in. (45 x 35 cm), Prints, Jean-Baptiste Le Prince (French, Metz 1734–1781 Saint-Denis-du-Port, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-rest-le-repos-1771-etching-and-aquatint-printed-in-brown-ink-sheet-17-1116-x-13-34-in-45-x-35-cm-prints-jean-baptiste-le-prince-french-metz-17341781-saint-denis-du-port-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462810380.html
RF2HTXRA4–Art inspired by The Rest (Le Repos), 1771, Etching and aquatint printed in brown ink, sheet: 17 11/16 x 13 3/4 in. (45 x 35 cm), Prints, Jean-Baptiste Le Prince (French, Metz 1734–1781 Saint-Denis-du-Port, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Rural Recreation, 1769. To create printed reproductions of his wash drawings, Le Prince refined the method of aquatint, which uses particles of resin and acid to etch areas of granular tone into the printing plate. The finished effect imitates the subtle gradations of light and shadow achieved in wash drawings like Landscape with Watermill . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rural-recreation-1769-to-create-printed-reproductions-of-his-wash-drawings-le-prince-refined-the-method-of-aquatint-which-uses-particles-of-resin-and-acid-to-etch-areas-of-granular-tone-into-the-printing-plate-the-finished-effect-imitates-the-subtle-gradations-of-light-and-shadow-achieved-in-wash-drawings-like-landscape-with-watermill-image330116167.html
RM2A522F3–Rural Recreation, 1769. To create printed reproductions of his wash drawings, Le Prince refined the method of aquatint, which uses particles of resin and acid to etch areas of granular tone into the printing plate. The finished effect imitates the subtle gradations of light and shadow achieved in wash drawings like Landscape with Watermill .
Jean-Baptiste Le Prince (French, 1734 - 1781), Les Pecheurs (The Fishermen), 1771, etching and aquatint printed in reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-baptiste-le-prince-french-1734-1781-les-pecheurs-the-fishermen-1771-etching-and-aquatint-printed-in-reimagined-image230430105.html
RFRATYXH–Jean-Baptiste Le Prince (French, 1734 - 1781), Les Pecheurs (The Fishermen), 1771, etching and aquatint printed in reimagined
Jean-Baptiste Le Prince (French, 1734 - 1781). The Farm (La Ferme), 1771. Etching and aquatint on laid paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jean-baptiste-le-prince-french-1734-1781-the-farm-la-ferme-1771-etching-77323635.html
RMEDPB2B–Jean-Baptiste Le Prince (French, 1734 - 1781). The Farm (La Ferme), 1771. Etching and aquatint on laid paper
Taste. Jean Baptiste Le Prince; French, 1734-1781. Date: 1774. Dimensions: 154 × 95 mm. Aquatint and etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/taste-jean-baptiste-le-prince-french-1734-1781-date-1774-dimensions-154-95-mm-aquatint-and-etching-on-ivory-laid-paper-origin-france-museum-the-chicago-art-institute-image240132081.html
RMRXJXWN–Taste. Jean Baptiste Le Prince; French, 1734-1781. Date: 1774. Dimensions: 154 × 95 mm. Aquatint and etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute.
The Pump, 1771, Jean Baptiste Le Prince, French, 1734-1781, France, Etching on paper, 190 × 304 mm (plate), 268 × 370 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-pump-1771-jean-baptiste-le-prince-french-1734-1781-france-etching-on-paper-190-304-mm-plate-268-370-mm-sheet-image328663463.html
RM2A2KWGR–The Pump, 1771, Jean Baptiste Le Prince, French, 1734-1781, France, Etching on paper, 190 × 304 mm (plate), 268 × 370 mm (sheet
Jean-Baptiste Le Prince (French, 1734 - 1781). The Fishermen (Les Pêcheurs), 1771. Etching and aquatint printed in brown ink Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jean-baptiste-le-prince-french-1734-1781-the-fishermen-les-pcheurs-77324154.html
RMEDPBMX–Jean-Baptiste Le Prince (French, 1734 - 1781). The Fishermen (Les Pêcheurs), 1771. Etching and aquatint printed in brown ink
The Washerwomen, 1771, Jean Baptiste Le Prince, French, 1734-1781, France, Etching and aquatint on cream laid paper, 381 × 262 mm (plate), 439 × 310 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-washerwomen-1771-jean-baptiste-le-prince-french-1734-1781-france-etching-and-aquatint-on-cream-laid-paper-381-262-mm-plate-439-310-mm-sheet-image328663461.html
RM2A2KWGN–The Washerwomen, 1771, Jean Baptiste Le Prince, French, 1734-1781, France, Etching and aquatint on cream laid paper, 381 × 262 mm (plate), 439 × 310 mm (sheet
RM2HWE2R8–Seated Kalmuck Warrior. Artist: Jean-Baptiste Le Prince, French, 1734–1781
Print, First Pastoral; Print Maker: Jean Baptiste Le Prince (French, 1734 – 1781); France; aquatint and etching in sepia on ivory laid paper; 30.5 × 38.2 cm (12 in. × 15 1/16 in.); 1896-31-88 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-first-pastoral-print-maker-jean-baptiste-le-prince-french-1734-1781-france-aquatint-and-etching-in-sepia-on-ivory-laid-paper-305-382-cm-12-in-15-116-in-1896-31-88-image546195230.html
RM2PMH9GE–Print, First Pastoral; Print Maker: Jean Baptiste Le Prince (French, 1734 – 1781); France; aquatint and etching in sepia on ivory laid paper; 30.5 × 38.2 cm (12 in. × 15 1/16 in.); 1896-31-88
. Deutsch: Ein galantes Paar vor der Einschiffung nach Kythera, Öl auf Leinwand, 47 x 58,4 cm . 18th century. Circle of Jean-Baptiste Le Prince (–1781) Description French painter and engraver Date of birth/death 17 September 1734 / 17 May 1734 30 September 1781 Location of birth/death Metz Saint-Denis-du-Port Authority control : Q562013 VIAF: 44571706 ISNI: 0000 0001 2130 6189 ULAN: 500026693 LCCN: n86031795 WGA: LE PRINCE, Jean-Baptiste WorldCat 709 Jean Baptiste Leprince Paar vor der Einschiffung nach Kythera Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deutsch-ein-galantes-paar-vor-der-einschiffung-nach-kythera-l-auf-leinwand-47-x-584-cm-18th-century-circle-of-jean-baptiste-le-prince-1781-description-french-painter-and-engraver-date-of-birthdeath-17-september-1734-17-may-1734-30-september-1781-location-of-birthdeath-metz-saint-denis-du-port-authority-control-q562013-viaf44571706-isni0000-0001-2130-6189-ulan500026693-lccnn86031795-wgale-prince-jean-baptiste-worldcat-709-jean-baptiste-leprince-paar-vor-der-einschiffung-nach-kythera-image185798875.html
RMMP7TA3–. Deutsch: Ein galantes Paar vor der Einschiffung nach Kythera, Öl auf Leinwand, 47 x 58,4 cm . 18th century. Circle of Jean-Baptiste Le Prince (–1781) Description French painter and engraver Date of birth/death 17 September 1734 / 17 May 1734 30 September 1781 Location of birth/death Metz Saint-Denis-du-Port Authority control : Q562013 VIAF: 44571706 ISNI: 0000 0001 2130 6189 ULAN: 500026693 LCCN: n86031795 WGA: LE PRINCE, Jean-Baptiste WorldCat 709 Jean Baptiste Leprince Paar vor der Einschiffung nach Kythera
The Moscow Tavern, c. 1773. French art during the 1700s often reflects an interest in the exotic, especially in imagery of lands then perceived as far away and unusual-such as Turkey and China, places with religions and cultural practices different from those of Western Europe. Le Prince developed his own type of exotic imagery based on the peoples and customs of Russia. But unlike most artists, who fabricated fantastic visions of such places, he based his work on his own observations made in Russia between 1758 and 1763. After returning to Paris, Le Prince continued to rely on his Russian exp Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-moscow-tavern-c-1773-french-art-during-the-1700s-often-reflects-an-interest-in-the-exotic-especially-in-imagery-of-lands-then-perceived-as-far-away-and-unusual-such-as-turkey-and-china-places-with-religions-and-cultural-practices-different-from-those-of-western-europe-le-prince-developed-his-own-type-of-exotic-imagery-based-on-the-peoples-and-customs-of-russia-but-unlike-most-artists-who-fabricated-fantastic-visions-of-such-places-he-based-his-work-on-his-own-observations-made-in-russia-between-1758-and-1763-after-returning-to-paris-le-prince-continued-to-rely-on-his-russian-exp-image330129132.html
RM2A52K24–The Moscow Tavern, c. 1773. French art during the 1700s often reflects an interest in the exotic, especially in imagery of lands then perceived as far away and unusual-such as Turkey and China, places with religions and cultural practices different from those of Western Europe. Le Prince developed his own type of exotic imagery based on the peoples and customs of Russia. But unlike most artists, who fabricated fantastic visions of such places, he based his work on his own observations made in Russia between 1758 and 1763. After returning to Paris, Le Prince continued to rely on his Russian exp
Jean-Baptiste Le Prince (French, 1734 - 1781), Les Pecheurs (The Fishermen), 1771, etching and aquatint printed in reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-baptiste-le-prince-french-1734-1781-les-pecheurs-the-fishermen-1771-etching-and-aquatint-printed-in-reimagined-image230069968.html
RFRA8GGG–Jean-Baptiste Le Prince (French, 1734 - 1781), Les Pecheurs (The Fishermen), 1771, etching and aquatint printed in reimagined
The Pump. Jean Baptiste Le Prince; French, 1734-1781. Date: 1771. Dimensions: 190 × 304 mm (plate); 268 × 370 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-pump-jean-baptiste-le-prince-french-1734-1781-date-1771-dimensions-190-304-mm-plate-268-370-mm-sheet-etching-on-paper-origin-france-museum-the-chicago-art-institute-image240099968.html
RMRXHDXT–The Pump. Jean Baptiste Le Prince; French, 1734-1781. Date: 1771. Dimensions: 190 × 304 mm (plate); 268 × 370 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute.
View near St. Petersburg, n.d., Jean Baptiste Le Prince, French, 1734-1781, France, Etching on paper, 193 × 223 mm (plate), 243 × 304 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-near-st-petersburg-nd-jean-baptiste-le-prince-french-1734-1781-france-etching-on-paper-193-223-mm-plate-243-304-mm-sheet-image328663456.html
RM2A2KWGG–View near St. Petersburg, n.d., Jean Baptiste Le Prince, French, 1734-1781, France, Etching on paper, 193 × 223 mm (plate), 243 × 304 mm (sheet
Femmes du Peuple Revenant du Marché (Women of the People Returning from the Market). Artist: Jean-Baptiste Le Prince, French, 1734–1781 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/femmes-du-peuple-revenant-du-march-women-of-the-people-returning-from-themarket-artist-jean-baptiste-le-prince-french-17341781-image463133353.html
RM2HWDF8W–Femmes du Peuple Revenant du Marché (Women of the People Returning from the Market). Artist: Jean-Baptiste Le Prince, French, 1734–1781
Fragonard, Moreau le jeune and French engravers, etchers, and illustrators of the later XVIII century . .?//rnfn M UrnLi ni.i/u •r,! /r..^.;Jr LIX. JEAN BAPTISTE LE PRINCE. LE MARCHAND DE LUNETTES.ENGRAVED BY ISIDORE STANISLAS HELMANJ. B, Le Prince, painter, draughtsman, and etcher in aquatint;b. 1734 (at Mctz) ; d. 1781 ; w. in Paris, and Russia. LX. JEAN BAPTISTE LE PRINCE. LE BERCEAU. HEDOU, 126.ORIGINAL AQUATINT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragonard-moreau-le-jeune-and-french-engravers-etchers-and-illustrators-of-the-later-xviii-century-rnfn-m-urnli-niiu-r!-rjr-lix-jean-baptiste-le-prince-le-marchand-de-lunettesengraved-by-isidore-stanislas-helmanj-b-le-prince-painter-draughtsman-and-etcher-in-aquatintb-1734-at-mctz-d-1781-w-in-paris-and-russia-lx-jean-baptiste-le-prince-le-berceau-hedou-126original-aquatint-image338133016.html
RM2AJ3834–Fragonard, Moreau le jeune and French engravers, etchers, and illustrators of the later XVIII century . .?//rnfn M UrnLi ni.i/u •r,! /r..^.;Jr LIX. JEAN BAPTISTE LE PRINCE. LE MARCHAND DE LUNETTES.ENGRAVED BY ISIDORE STANISLAS HELMANJ. B, Le Prince, painter, draughtsman, and etcher in aquatint;b. 1734 (at Mctz) ; d. 1781 ; w. in Paris, and Russia. LX. JEAN BAPTISTE LE PRINCE. LE BERCEAU. HEDOU, 126.ORIGINAL AQUATINT
. English: 'Habit of a Georgian in 1768. Georgien.'. From A Collection of the Dresses of Different Nations, Antient and Modern, particularly Old English Dresses.... London: Thomas Jefferys, 1757-72. . 1768. Jean-Baptiste Le Prince (–1781) Description French painter and engraver Date of birth/death 17 September 1734 / 17 May 1734 30 September 1781 Location of birth/death Metz Saint-Denis-du-Port Authority control : Q562013 VIAF:?44571706 ISNI:?0000 0001 2130 6189 ULAN:?500026693 LCCN:?n86031795 WGA:?LE PRINCE, Jean-Baptiste WorldCat Georgian in 1768 (Le Prince) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-habit-of-a-georgian-in-1768-georgien-from-a-collection-of-the-dresses-of-different-nations-antient-and-modern-particularly-old-english-dresses-london-thomas-jefferys-1757-72-1768-jean-baptiste-le-prince-1781-description-french-painter-and-engraver-date-of-birthdeath-17-september-1734-17-may-1734-30-september-1781-location-of-birthdeath-metz-saint-denis-du-port-authority-control-q562013-viaf44571706-isni0000-0001-2130-6189-ulan500026693-lccnn86031795-wgale-prince-jean-baptiste-worldcat-georgian-in-1768-le-prince-image184990549.html
RMMMY199–. English: 'Habit of a Georgian in 1768. Georgien.'. From A Collection of the Dresses of Different Nations, Antient and Modern, particularly Old English Dresses.... London: Thomas Jefferys, 1757-72. . 1768. Jean-Baptiste Le Prince (–1781) Description French painter and engraver Date of birth/death 17 September 1734 / 17 May 1734 30 September 1781 Location of birth/death Metz Saint-Denis-du-Port Authority control : Q562013 VIAF:?44571706 ISNI:?0000 0001 2130 6189 ULAN:?500026693 LCCN:?n86031795 WGA:?LE PRINCE, Jean-Baptiste WorldCat Georgian in 1768 (Le Prince)
Woman from the Suburbs of Moscow, 1768. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-from-the-suburbs-of-moscow-1768-image330135427.html
RM2A52Y2Y–Woman from the Suburbs of Moscow, 1768.
Jean-Baptiste Le Prince, French (1734-1781), Two Russians Seated in Landscape, brown chalk on beige laid paper reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-baptiste-le-prince-french-1734-1781-two-russians-seated-in-landscape-brown-chalk-on-beige-laid-paper-reimagined-image230051198.html
RFRA7MJ6–Jean-Baptiste Le Prince, French (1734-1781), Two Russians Seated in Landscape, brown chalk on beige laid paper reimagined
View near St. Petersburg. Jean Baptiste Le Prince; French, 1734-1781. Date: 1754-1781. Dimensions: 193 × 223 mm (plate); 243 × 304 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-near-st-petersburg-jean-baptiste-le-prince-french-1734-1781-date-1754-1781-dimensions-193-223-mm-plate-243-304-mm-sheet-etching-on-paper-origin-france-museum-the-chicago-art-institute-image240132543.html
RMRXJYE7–View near St. Petersburg. Jean Baptiste Le Prince; French, 1734-1781. Date: 1754-1781. Dimensions: 193 × 223 mm (plate); 243 × 304 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute.
Temple of Augustus, n.d., Attributed to Jean-Baptiste Le Prince, French, 1734-1781, France, Etching on ivory laid paper, 261 × 232 mm (image/sheet, trimmed within platemark Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/temple-of-augustus-nd-attributed-to-jean-baptiste-le-prince-french-1734-1781-france-etching-on-ivory-laid-paper-261-232-mm-imagesheet-trimmed-within-platemark-image328661365.html
RM2A2KPWW–Temple of Augustus, n.d., Attributed to Jean-Baptiste Le Prince, French, 1734-1781, France, Etching on ivory laid paper, 261 × 232 mm (image/sheet, trimmed within platemark
A Russian Priest (1965.9.36), and Head of a man (1977.147.3). Artist: Jean-Baptiste Le Prince, French, 1734–1781 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-russian-priest-1965936-and-head-of-a-man19771473-artist-jean-baptiste-le-prince-french-17341781-image463133404.html
RM2HWDFAM–A Russian Priest (1965.9.36), and Head of a man (1977.147.3). Artist: Jean-Baptiste Le Prince, French, 1734–1781
Fragonard, Moreau le jeune and French engravers, etchers, and illustrators of the later XVIII century . F 8 LVIII. CHARLES JOSEPH FLIPART. THE BOUDOIR. ORIGINALENGRAVING Painter, draughtsman, and line-engraver j b. 1721 j d. 1793?w. in Paris, Venice, and Madrid. .?//rnfn M UrnLi ni.i/u •r,! /r..^.;Jr LIX. JEAN BAPTISTE LE PRINCE. LE MARCHAND DE LUNETTES.ENGRAVED BY ISIDORE STANISLAS HELMANJ. B, Le Prince, painter, draughtsman, and etcher in aquatint;b. 1734 (at Mctz) ; d. 1781 ; w. in Paris, and Russia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragonard-moreau-le-jeune-and-french-engravers-etchers-and-illustrators-of-the-later-xviii-century-f-8-lviii-charles-joseph-flipart-the-boudoir-originalengraving-painter-draughtsman-and-line-engraver-j-b-1721-j-d-1793w-in-paris-venice-and-madrid-rnfn-m-urnli-niiu-r!-rjr-lix-jean-baptiste-le-prince-le-marchand-de-lunettesengraved-by-isidore-stanislas-helmanj-b-le-prince-painter-draughtsman-and-etcher-in-aquatintb-1734-at-mctz-d-1781-w-in-paris-and-russia-image338133497.html
RM2AJ38M9–Fragonard, Moreau le jeune and French engravers, etchers, and illustrators of the later XVIII century . F 8 LVIII. CHARLES JOSEPH FLIPART. THE BOUDOIR. ORIGINALENGRAVING Painter, draughtsman, and line-engraver j b. 1721 j d. 1793?w. in Paris, Venice, and Madrid. .?//rnfn M UrnLi ni.i/u •r,! /r..^.;Jr LIX. JEAN BAPTISTE LE PRINCE. LE MARCHAND DE LUNETTES.ENGRAVED BY ISIDORE STANISLAS HELMANJ. B, Le Prince, painter, draughtsman, and etcher in aquatint;b. 1734 (at Mctz) ; d. 1781 ; w. in Paris, and Russia
. English: 'Habit of a Georgian in 1768. Georgien.'. From A Collection of the Dresses of Different Nations, Antient and Modern, particularly Old English Dresses.... London: Thomas Jefferys, 1757-72. . 9 July 2011. Georgian in 1768 (Le Prince).jpg: Jean-Baptiste Le Prince (–1781) Description French painter and engraver Date of birth/death 17 September 1734 / 17 May 1734 30 September 1781 Location of birth/death Metz Saint-Denis-du-Port Authority control : Q562013 VIAF:?44571706 ISNI:?0000 0001 2130 6189 ULAN:?500026693 LCCN:?n86031795 WGA:?LE PRINCE, Jean-Baptiste WorldCat Georgian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-habit-of-a-georgian-in-1768-georgien-from-a-collection-of-the-dresses-of-different-nations-antient-and-modern-particularly-old-english-dresses-london-thomas-jefferys-1757-72-9-july-2011-georgian-in-1768-le-princejpg-jean-baptiste-le-prince-1781-description-french-painter-and-engraver-date-of-birthdeath-17-september-1734-17-may-1734-30-september-1781-location-of-birthdeath-metz-saint-denis-du-port-authority-control-q562013-viaf44571706-isni0000-0001-2130-6189-ulan500026693-lccnn86031795-wgale-prince-jean-baptiste-worldcat-georgian-image184990546.html
RMMMY196–. English: 'Habit of a Georgian in 1768. Georgien.'. From A Collection of the Dresses of Different Nations, Antient and Modern, particularly Old English Dresses.... London: Thomas Jefferys, 1757-72. . 9 July 2011. Georgian in 1768 (Le Prince).jpg: Jean-Baptiste Le Prince (–1781) Description French painter and engraver Date of birth/death 17 September 1734 / 17 May 1734 30 September 1781 Location of birth/death Metz Saint-Denis-du-Port Authority control : Q562013 VIAF:?44571706 ISNI:?0000 0001 2130 6189 ULAN:?500026693 LCCN:?n86031795 WGA:?LE PRINCE, Jean-Baptiste WorldCat Georgian
The Art of Pleasing, 1771. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-art-of-pleasing-1771-image330124791.html
RM2A52DF3–The Art of Pleasing, 1771.
Jean-Baptiste Le Prince, French (1734-1781), Two Russians Seated in Landscape, brown chalk on beige laid paper reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-baptiste-le-prince-french-1734-1781-two-russians-seated-in-landscape-brown-chalk-on-beige-laid-paper-reimagined-image230450687.html
RFRAWX5K–Jean-Baptiste Le Prince, French (1734-1781), Two Russians Seated in Landscape, brown chalk on beige laid paper reimagined
Women of the People, plate six from Divers Habillements des Peuples du Nord. Jean Baptiste Le Prince; French, 1734-1781. Date: 1765. Dimensions: 225 × 176 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/women-of-the-people-plate-six-from-divers-habillements-des-peuples-du-nord-jean-baptiste-le-prince-french-1734-1781-date-1765-dimensions-225-176-mm-etching-on-paper-origin-france-museum-the-chicago-art-institute-image240108474.html
RMRXHTPJ–Women of the People, plate six from Divers Habillements des Peuples du Nord. Jean Baptiste Le Prince; French, 1734-1781. Date: 1765. Dimensions: 225 × 176 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute.
Women of the People, plate six from Divers Habillements des Peuples du Nord, 1765, Jean Baptiste Le Prince, French, 1734-1781, France, Etching on paper, 225 × 176 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/women-of-the-people-plate-six-from-divers-habillements-des-peuples-du-nord-1765-jean-baptiste-le-prince-french-1734-1781-france-etching-on-paper-225-176-mm-image328663473.html
RM2A2KWH5–Women of the People, plate six from Divers Habillements des Peuples du Nord, 1765, Jean Baptiste Le Prince, French, 1734-1781, France, Etching on paper, 225 × 176 mm
La vertu au cabaret (The Virtue in the Cabaret) and Le charretier et la laitiere (The Carter and the Dairywoman). Artist: Jean-Baptiste Le Prince, French, 1734–1781 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-vertu-au-cabaret-the-virtue-in-the-cabaret-and-le-charretier-et-la-laitiere-the-carter-and-thedairywoman-artist-jean-baptiste-le-prince-french-17341781-image463130215.html
RM2HWDB8R–La vertu au cabaret (The Virtue in the Cabaret) and Le charretier et la laitiere (The Carter and the Dairywoman). Artist: Jean-Baptiste Le Prince, French, 1734–1781
The Art of Pleasing, 1771. Jean Baptiste Le Prince (French, 1734-1781). Etching and aquatint printed in brown; sheet: 10.4 x 7.2 cm (4 1/8 x 2 13/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-art-of-pleasing-1771-jean-baptiste-le-prince-french-1734-1781-etching-and-aquatint-printed-in-brown-sheet-104-x-72-cm-4-18-x-2-1316-in-image448141951.html
RM2H12HHK–The Art of Pleasing, 1771. Jean Baptiste Le Prince (French, 1734-1781). Etching and aquatint printed in brown; sheet: 10.4 x 7.2 cm (4 1/8 x 2 13/16 in.).
Ancient Ruins: Ancient Aqueduct, 1756. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-ruins-ancient-aqueduct-1756-image330074159.html
RM2A504XR–Ancient Ruins: Ancient Aqueduct, 1756.
Attributed to Jean-Baptiste Le Prince (French, 1734 - 1781), Man Pulling on His Shoe, 1761-1763?, black chalk on laid reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attributed-to-jean-baptiste-le-prince-french-1734-1781-man-pulling-on-his-shoe-1761-1763-black-chalk-on-laid-reimagined-image230055629.html
RFRA7X8D–Attributed to Jean-Baptiste Le Prince (French, 1734 - 1781), Man Pulling on His Shoe, 1761-1763?, black chalk on laid reimagined
Temple of Augustus. Attributed to Jean-Baptiste Le Prince; French, 1734-1781. Date: 1754-1781. Dimensions: 261 × 232 mm (image/sheet, trimmed within platemark). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/temple-of-augustus-attributed-to-jean-baptiste-le-prince-french-1734-1781-date-1754-1781-dimensions-261-232-mm-imagesheet-trimmed-within-platemark-etching-on-ivory-laid-paper-origin-france-museum-the-chicago-art-institute-image240102252.html
RMRXHGTC–Temple of Augustus. Attributed to Jean-Baptiste Le Prince; French, 1734-1781. Date: 1754-1781. Dimensions: 261 × 232 mm (image/sheet, trimmed within platemark). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute.
Rustic Seaside Scene, n.d., Possibly Jean Baptiste Le Prince, French, 1734-1781, France, Pen and black ink, with brush and gray wash, on ivory wove paper, 215 × 320 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rustic-seaside-scene-nd-possibly-jean-baptiste-le-prince-french-1734-1781-france-pen-and-black-ink-with-brush-and-gray-wash-on-ivory-wove-paper-215-320-mm-image328622296.html
RM2A2J12G–Rustic Seaside Scene, n.d., Possibly Jean Baptiste Le Prince, French, 1734-1781, France, Pen and black ink, with brush and gray wash, on ivory wove paper, 215 × 320 mm
The Moscow Tavern, c. 1773. Jean Baptiste Le Prince (French, 1734-1781). Pen and brown ink and brush and brown and gray wash on white laid paper; sheet: 19.5 x 24.2 cm (7 11/16 x 9 1/2 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-moscow-tavern-c-1773-jean-baptiste-le-prince-french-1734-1781-pen-and-brown-ink-and-brush-and-brown-and-gray-wash-on-white-laid-paper-sheet-195-x-242-cm-7-1116-x-9-12-in-image448109968.html
RM2H114RC–The Moscow Tavern, c. 1773. Jean Baptiste Le Prince (French, 1734-1781). Pen and brown ink and brush and brown and gray wash on white laid paper; sheet: 19.5 x 24.2 cm (7 11/16 x 9 1/2 in.).
Attributed to Jean-Baptiste Le Prince (French, 1734 - 1781), Man Pulling on His Shoe, 1761-1763?, black chalk on laid reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/attributed-to-jean-baptiste-le-prince-french-1734-1781-man-pulling-on-his-shoe-1761-1763-black-chalk-on-laid-reimagined-image230443549.html
RFRAWH2N–Attributed to Jean-Baptiste Le Prince (French, 1734 - 1781), Man Pulling on His Shoe, 1761-1763?, black chalk on laid reimagined
Art inspired by The Washerwomen (Les Laveuses), 1771, Etching and aquatint printed in brown ink, sheet: 13 3/8 x 9 9/16 in. (34 x 24.3 cm), Prints, Jean-Baptiste Le Prince (French, Metz 1734–1781 Saint-Denis-du-Port, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-washerwomen-les-laveuses-1771-etching-and-aquatint-printed-in-brown-ink-sheet-13-38-x-9-916-in-34-x-243-cm-prints-jean-baptiste-le-prince-french-metz-17341781-saint-denis-du-port-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462995819.html
RF2HW77TY–Art inspired by The Washerwomen (Les Laveuses), 1771, Etching and aquatint printed in brown ink, sheet: 13 3/8 x 9 9/16 in. (34 x 24.3 cm), Prints, Jean-Baptiste Le Prince (French, Metz 1734–1781 Saint-Denis-du-Port, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by A Fisherman and his Family., 1769, Pen and black ink, brush and gray wash, over black chalk., sheet: 6 11/16 x 4 3/4 in. (17 x 12 cm), Drawings, Jean-Baptiste Le Prince (French, Metz 1734–1781 Saint-Denis-du-Port, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-a-fisherman-and-his-family-1769-pen-and-black-ink-brush-and-gray-wash-over-black-chalk-sheet-6-1116-x-4-34-in-17-x-12-cm-drawings-jean-baptiste-le-prince-french-metz-17341781-saint-denis-du-port-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463011785.html
RF2HW8075–Art inspired by A Fisherman and his Family., 1769, Pen and black ink, brush and gray wash, over black chalk., sheet: 6 11/16 x 4 3/4 in. (17 x 12 cm), Drawings, Jean-Baptiste Le Prince (French, Metz 1734–1781 Saint-Denis-du-Port, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Married Woman and her Children, plate five from Divers Habillements des Peuples du Nord. Jean Baptiste Le Prince; French, 1734-1781. Date: 1765. Dimensions: 225 × 176 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/married-woman-and-her-children-plate-five-from-divers-habillements-des-peuples-du-nord-jean-baptiste-le-prince-french-1734-1781-date-1765-dimensions-225-176-mm-etching-on-paper-origin-france-museum-the-chicago-art-institute-image240002554.html
RMRXD1KP–Married Woman and her Children, plate five from Divers Habillements des Peuples du Nord. Jean Baptiste Le Prince; French, 1734-1781. Date: 1765. Dimensions: 225 × 176 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute.
Art inspired by Landscape with Peasants Fording a Stream, 1756, Red chalk with brush and brown and gray wash, 12 5/16 x 16 1/8 in. (31.3 x 41 cm.), Drawings, Jean-Baptiste Le Prince (French, Metz 1734–1781 Saint-Denis-du-Port, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-landscape-with-peasants-fording-a-stream-1756-red-chalk-with-brush-and-brown-and-gray-wash-12-516-x-16-18-in-313-x-41-cm-drawings-jean-baptiste-le-prince-french-metz-17341781-saint-denis-du-port-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462969161.html
RF2HW61TW–Art inspired by Landscape with Peasants Fording a Stream, 1756, Red chalk with brush and brown and gray wash, 12 5/16 x 16 1/8 in. (31.3 x 41 cm.), Drawings, Jean-Baptiste Le Prince (French, Metz 1734–1781 Saint-Denis-du-Port, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Kamchatkans Preparing Fish to be Dried, 1769, Pen and black ink, brush and gray wash, over black chalk., sheet: 6 7/8 x 4 3/4 in. (17.5 x 12 cm), Drawings, Jean-Baptiste Le Prince (French, Metz 1734–1781 Saint-Denis-du-Port, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-kamchatkans-preparing-fish-to-be-dried-1769-pen-and-black-ink-brush-and-gray-wash-over-black-chalk-sheet-6-78-x-4-34-in-175-x-12-cm-drawings-jean-baptiste-le-prince-french-metz-17341781-saint-denis-du-port-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463000749.html
RF2HW7E51–Art inspired by Kamchatkans Preparing Fish to be Dried, 1769, Pen and black ink, brush and gray wash, over black chalk., sheet: 6 7/8 x 4 3/4 in. (17.5 x 12 cm), Drawings, Jean-Baptiste Le Prince (French, Metz 1734–1781 Saint-Denis-du-Port, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Married Woman and her Children, plate five from Divers Habillements des Peuples du Nord, 1765, Jean Baptiste Le Prince, French, 1734-1781, France, Etching on paper, 225 × 176 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/married-woman-and-her-children-plate-five-from-divers-habillements-des-peuples-du-nord-1765-jean-baptiste-le-prince-french-1734-1781-france-etching-on-paper-225-176-mm-image328663469.html
RM2A2KWH1–Married Woman and her Children, plate five from Divers Habillements des Peuples du Nord, 1765, Jean Baptiste Le Prince, French, 1734-1781, France, Etching on paper, 225 × 176 mm
Art inspired by Shepherd with His Flock in a Clearing, 1776, Brush, brown wash over black chalk. Framing lines in pen and brown ink., 10 9/16 x 13 5/16 in. (26.8 x 33.8 cm), Drawings, Jean-Baptiste Le Prince (French, Metz 1734–1781 Saint-Denis-du-Port, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-shepherd-with-his-flock-in-a-clearing-1776-brush-brown-wash-over-black-chalk-framing-lines-in-pen-and-brown-ink-10-916-x-13-516-in-268-x-338-cm-drawings-jean-baptiste-le-prince-french-metz-17341781-saint-denis-du-port-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462950383.html
RF2HW55X7–Art inspired by Shepherd with His Flock in a Clearing, 1776, Brush, brown wash over black chalk. Framing lines in pen and brown ink., 10 9/16 x 13 5/16 in. (26.8 x 33.8 cm), Drawings, Jean-Baptiste Le Prince (French, Metz 1734–1781 Saint-Denis-du-Port, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Ancient Ruins: Ancient Aqueduct, 1756. Jean-Claude-Richard de Saint-Non (French, 1727-1791), after Jean Baptiste Le Prince (French, 1734-1781). Etching; platemark: 27.2 x 23.7 cm (10 11/16 x 9 5/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-ruins-ancient-aqueduct-1756-jean-claude-richard-de-saint-non-french-1727-1791-after-jean-baptiste-le-prince-french-1734-1781-etching-platemark-272-x-237-cm-10-1116-x-9-516-in-image448119614.html
RM2H11H3X–Ancient Ruins: Ancient Aqueduct, 1756. Jean-Claude-Richard de Saint-Non (French, 1727-1791), after Jean Baptiste Le Prince (French, 1734-1781). Etching; platemark: 27.2 x 23.7 cm (10 11/16 x 9 5/16 in.).
Art inspired by Adoration of the Angels (L’Adoration des anges), ca0, Etching and aquatint, printed in brown ink, Sheet: 8 11/16 x 7 1/16 in. (22 x 18 cm), Prints, Jean-Baptiste Le Prince (French, Metz 1734–1781 Saint-Denis-du-Port), after Joseph Marie Vien (French, Montpellier 1716–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-adoration-of-the-angels-ladoration-des-anges-ca0-etching-and-aquatint-printed-in-brown-ink-sheet-8-1116-x-7-116-in-22-x-18-cm-prints-jean-baptiste-le-prince-french-metz-17341781-saint-denis-du-port-after-joseph-marie-vien-french-montpellier-1716-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463011184.html
RF2HW7YDM–Art inspired by Adoration of the Angels (L’Adoration des anges), ca0, Etching and aquatint, printed in brown ink, Sheet: 8 11/16 x 7 1/16 in. (22 x 18 cm), Prints, Jean-Baptiste Le Prince (French, Metz 1734–1781 Saint-Denis-du-Port), after Joseph Marie Vien (French, Montpellier 1716–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Calmouk, 1771. Jean Baptiste Le Prince (French, 1734-1781). Etching and aquatint; sheet: 28.9 x 20.8 cm (11 3/8 x 8 3/16 in.); platemark: 24.1 x 18.4 cm (9 1/2 x 7 1/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/calmouk-1771-jean-baptiste-le-prince-french-1734-1781-etching-and-aquatint-sheet-289-x-208-cm-11-38-x-8-316-in-platemark-241-x-184-cm-9-12-x-7-14-in-image448075403.html
RM2H0YGMY–Calmouk, 1771. Jean Baptiste Le Prince (French, 1734-1781). Etching and aquatint; sheet: 28.9 x 20.8 cm (11 3/8 x 8 3/16 in.); platemark: 24.1 x 18.4 cm (9 1/2 x 7 1/4 in.).
Rustic Seaside Scene. Possibly Jean Baptiste Le Prince; French, 1734-1781. Date: 1754-1781. Dimensions: 215 × 320 mm. Pen and black ink, with brush and gray wash, on ivory wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rustic-seaside-scene-possibly-jean-baptiste-le-prince-french-1734-1781-date-1754-1781-dimensions-215-320-mm-pen-and-black-ink-with-brush-and-gray-wash-on-ivory-wove-paper-origin-france-museum-the-chicago-art-institute-image240132922.html
RMRXJYYP–Rustic Seaside Scene. Possibly Jean Baptiste Le Prince; French, 1734-1781. Date: 1754-1781. Dimensions: 215 × 320 mm. Pen and black ink, with brush and gray wash, on ivory wove paper. Origin: France. Museum: The Chicago Art Institute.
The Russian Dance, 1769, Jean Baptiste Le Prince, French, 1734-1781, France, Aquatint on paper, 302 × 242 mm (image), 385 × 310 mm (plate), 500 × 340 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-russian-dance-1769-jean-baptiste-le-prince-french-1734-1781-france-aquatint-on-paper-302-242-mm-image-385-310-mm-plate-500-340-mm-sheet-image328648592.html
RM2A2K6HM–The Russian Dance, 1769, Jean Baptiste Le Prince, French, 1734-1781, France, Aquatint on paper, 302 × 242 mm (image), 385 × 310 mm (plate), 500 × 340 mm (sheet
Art inspired by L'Amour a L'Espagnole, ca. 1780, Etching and engraving; fifth state of five (Bocher), Sheet: 19 13/16 × 14 15/16 in. (50.4 × 38 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), Noël Pruneau (French, born 1751), After Jean-Baptiste Le Prince (French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-lamour-a-lespagnole-ca-1780-etching-and-engraving-fifth-state-of-five-bocher-sheet-19-1316-14-1516-in-504-38-cm-prints-augustin-de-saint-aubin-french-paris-17361807-paris-nol-pruneau-french-born-1751-after-jean-baptiste-le-prince-french-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463020602.html
RF2HW8BE2–Art inspired by L'Amour a L'Espagnole, ca. 1780, Etching and engraving; fifth state of five (Bocher), Sheet: 19 13/16 × 14 15/16 in. (50.4 × 38 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), Noël Pruneau (French, born 1751), After Jean-Baptiste Le Prince (French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Woman from the Suburbs of Moscow, 1768. Jean Baptiste Le Prince (French, 1734-1781). Etching; sheet: 23.8 x 19.1 cm (9 3/8 x 7 1/2 in.); platemark: 11.9 x 8.2 cm (4 11/16 x 3 1/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-from-the-suburbs-of-moscow-1768-jean-baptiste-le-prince-french-1734-1781-etching-sheet-238-x-191-cm-9-38-x-7-12-in-platemark-119-x-82-cm-4-1116-x-3-14-in-image448075368.html
RM2H0YGKM–Woman from the Suburbs of Moscow, 1768. Jean Baptiste Le Prince (French, 1734-1781). Etching; sheet: 23.8 x 19.1 cm (9 3/8 x 7 1/2 in.); platemark: 11.9 x 8.2 cm (4 11/16 x 3 1/4 in.).
Rural Recreation, 1769. Jean Baptiste Le Prince (French, 1734-1781). Etching and aquatint; sheet: 58.5 x 43.5 cm (23 1/16 x 17 1/8 in.); platemark: 37.7 x 29.8 cm (14 13/16 x 11 3/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rural-recreation-1769-jean-baptiste-le-prince-french-1734-1781-etching-and-aquatint-sheet-585-x-435-cm-23-116-x-17-18-in-platemark-377-x-298-cm-14-1316-x-11-34-in-image448107697.html
RM2H111X9–Rural Recreation, 1769. Jean Baptiste Le Prince (French, 1734-1781). Etching and aquatint; sheet: 58.5 x 43.5 cm (23 1/16 x 17 1/8 in.); platemark: 37.7 x 29.8 cm (14 13/16 x 11 3/4 in.).
The Moscow Tavern (Le Cabaret de Moskou), 1773. Jean Baptiste Le Prince (French, 1734-1781). Aquatint; sheet: 21.6 x 25.7 cm (8 1/2 x 10 1/8 in.); plate: 21.5 x 25.2 cm (8 7/16 x 9 15/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-moscow-tavern-le-cabaret-de-moskou-1773-jean-baptiste-le-prince-french-1734-1781-aquatint-sheet-216-x-257-cm-8-12-x-10-18-in-plate-215-x-252-cm-8-716-x-9-1516-in-image448087877.html
RM2H104JD–The Moscow Tavern (Le Cabaret de Moskou), 1773. Jean Baptiste Le Prince (French, 1734-1781). Aquatint; sheet: 21.6 x 25.7 cm (8 1/2 x 10 1/8 in.); plate: 21.5 x 25.2 cm (8 7/16 x 9 15/16 in.).
Young Girl Holding a Bird. Gilles Demarteau (French, 1722-1776), after Jean Baptiste Le Prince (French, 1734-1781). Chalk-manner etching and engraving; sheet: 22.3 x 26.9 cm (8 3/4 x 10 9/16 in.); platemark: 21.5 x 25.7 cm (8 7/16 x 10 1/8 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-girl-holding-a-bird-gilles-demarteau-french-1722-1776-after-jean-baptiste-le-prince-french-1734-1781-chalk-manner-etching-and-engraving-sheet-223-x-269-cm-8-34-x-10-916-in-platemark-215-x-257-cm-8-716-x-10-18-in-image448106925.html
RM2H110XN–Young Girl Holding a Bird. Gilles Demarteau (French, 1722-1776), after Jean Baptiste Le Prince (French, 1734-1781). Chalk-manner etching and engraving; sheet: 22.3 x 26.9 cm (8 3/4 x 10 9/16 in.); platemark: 21.5 x 25.7 cm (8 7/16 x 10 1/8 in.).
Second Pastoral. Jean Baptiste Le Prince; French, 1734-1781. Date: 1769. Dimensions: 554 × 402 mm (sheet); 307 × 381 mm (plate). Aquatint and etching in sepia on ivory laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/second-pastoral-jean-baptiste-le-prince-french-1734-1781-date-1769-dimensions-554-402-mm-sheet-307-381-mm-plate-aquatint-and-etching-in-sepia-on-ivory-laid-paper-origin-france-museum-the-chicago-art-institute-image240123692.html
RMRXJG64–Second Pastoral. Jean Baptiste Le Prince; French, 1734-1781. Date: 1769. Dimensions: 554 × 402 mm (sheet); 307 × 381 mm (plate). Aquatint and etching in sepia on ivory laid paper. Origin: France. Museum: The Chicago Art Institute.
The Russian Cradle, Jean-Baptiste Le Prince (French, 1734 - 1781), France, about 1764 - 1765, Oil on canvas, 59.1 × 72.7 cm (23 1/4 × 28 5/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-russian-cradle-jean-baptiste-le-prince-french-1734-1781-france-about-1764-1765-oil-on-canvas-591-727-cm-23-14-28-58-in-image261259312.html
RMW51AWM–The Russian Cradle, Jean-Baptiste Le Prince (French, 1734 - 1781), France, about 1764 - 1765, Oil on canvas, 59.1 × 72.7 cm (23 1/4 × 28 5/8 in
Art inspired by L'Amour a L'Espagnole, ca. 1780, Etching and engraving; fourth state of five (Bocher), Mount: 21 × 15 7/8 in. (53.3 × 40.4 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), Noël Pruneau (French, born 1751), After Jean-Baptiste Le Prince (French, Metz, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-lamour-a-lespagnole-ca-1780-etching-and-engraving-fourth-state-of-five-bocher-mount-21-15-78-in-533-404-cm-prints-augustin-de-saint-aubin-french-paris-17361807-paris-nol-pruneau-french-born-1751-after-jean-baptiste-le-prince-french-metz-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463020608.html
RF2HW8BE8–Art inspired by L'Amour a L'Espagnole, ca. 1780, Etching and engraving; fourth state of five (Bocher), Mount: 21 × 15 7/8 in. (53.3 × 40.4 cm), Prints, Augustin de Saint-Aubin (French, Paris 1736–1807 Paris), Noël Pruneau (French, born 1751), After Jean-Baptiste Le Prince (French, Metz, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Maternal Solicitude, 1777. Jean Baptiste Le Prince (French, 1734-1781). Pen and black ink and brush and brown wash over graphite, with traces of white gouache; framing lines in black ink; sheet: 13.3 x 18.3 cm (5 1/4 x 7 3/16 in.); secondary support: 20 x 25.2 cm (7 7/8 x 9 15/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maternal-solicitude-1777-jean-baptiste-le-prince-french-1734-1781-pen-and-black-ink-and-brush-and-brown-wash-over-graphite-with-traces-of-white-gouache-framing-lines-in-black-ink-sheet-133-x-183-cm-5-14-x-7-316-in-secondary-support-20-x-252-cm-7-78-x-9-1516-in-image448110198.html
RM2H1153J–Maternal Solicitude, 1777. Jean Baptiste Le Prince (French, 1734-1781). Pen and black ink and brush and brown wash over graphite, with traces of white gouache; framing lines in black ink; sheet: 13.3 x 18.3 cm (5 1/4 x 7 3/16 in.); secondary support: 20 x 25.2 cm (7 7/8 x 9 15/16 in.).
La Chamarere; Le Prince, Jean-Baptiste (1734-1781); 1765 (1765-00-00-1765-00-00);Estonia, Frasik, Tadeusz-collection, Le Prince, Jean-Baptiste (1734-1781). Diverses Vues de Livoni-Illustrations, Vernet, Claude-Joseph (1714-1789), French (culture), landscapes, purchase (provenance) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-chamarere-le-prince-jean-baptiste-1734-1781-1765-1765-00-00-1765-00-00estonia-frasik-tadeusz-collection-le-prince-jean-baptiste-1734-1781-diverses-vues-de-livoni-illustrations-vernet-claude-joseph-1714-1789-french-culture-landscapes-purchase-provenance-image598710906.html
RM2WP1HTA–La Chamarere; Le Prince, Jean-Baptiste (1734-1781); 1765 (1765-00-00-1765-00-00);Estonia, Frasik, Tadeusz-collection, Le Prince, Jean-Baptiste (1734-1781). Diverses Vues de Livoni-Illustrations, Vernet, Claude-Joseph (1714-1789), French (culture), landscapes, purchase (provenance)
The Russian Dance. Jean Baptiste Le Prince; French, 1734-1781. Date: 1769. Dimensions: 302 × 242 mm (image); 385 × 310 mm (plate); 500 × 340 mm (sheet). Aquatint on paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-russian-dance-jean-baptiste-le-prince-french-1734-1781-date-1769-dimensions-302-242-mm-image-385-310-mm-plate-500-340-mm-sheet-aquatint-on-paper-origin-france-museum-the-chicago-art-institute-image240101676.html
RMRXHG3T–The Russian Dance. Jean Baptiste Le Prince; French, 1734-1781. Date: 1769. Dimensions: 302 × 242 mm (image); 385 × 310 mm (plate); 500 × 340 mm (sheet). Aquatint on paper. Origin: France. Museum: The Chicago Art Institute.
Jean Baptiste Le Prince, French, 1734 - 1781, Landscape with Cowherd, 1770/1779, oil on canvas, Unframed: 9 3/4 × 12 3/4 inches (24.8 × 32.4 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-baptiste-le-prince-french-1734-1781-landscape-with-cowherd-17701779-oil-on-canvas-unframed-9-34-12-34-inches-248-324-cm-image328718850.html
RM2A2PC6X–Jean Baptiste Le Prince, French, 1734 - 1781, Landscape with Cowherd, 1770/1779, oil on canvas, Unframed: 9 3/4 × 12 3/4 inches (24.8 × 32.4 cm
Art inspired by Vignette of the first volume, page 165: Usage des Russes après le Mariage et avant la Noce, from Voyage en Sibérie fait par ordre du Roi en 1761 ..., Paris, 1768 by Chappe d'Auteroche, 1767, Etching; first state of three (Bocher), Sheet: 10 13/16 × 8 7/8 in. (27.4 × 22., Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-vignette-of-the-first-volume-page-165-usage-des-russes-aprs-le-mariage-et-avant-la-noce-from-voyage-en-sibrie-fait-par-ordre-du-roi-en-1761-paris-1768-by-chappe-dauteroche-1767-etching-first-state-of-three-bocher-sheet-10-1316-8-78-in-274-22-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463020457.html
RF2HW8B8W–Art inspired by Vignette of the first volume, page 165: Usage des Russes après le Mariage et avant la Noce, from Voyage en Sibérie fait par ordre du Roi en 1761 ..., Paris, 1768 by Chappe d'Auteroche, 1767, Etching; first state of three (Bocher), Sheet: 10 13/16 × 8 7/8 in. (27.4 × 22., Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Le pont; Le Prince, Jean-Baptiste (1734-1781); 1765 (1765-00-00-1765-00-00);Estonia, Frasik, Tadeusz-collection, Le Prince, Jean-Baptiste (1734-1781). Diverses Vues de Livoni-Illustrations, Vernet, Claude-Joseph (1714-1789), French (culture), landscapes, purchase (provenance) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-pont-le-prince-jean-baptiste-1734-1781-1765-1765-00-00-1765-00-00estonia-frasik-tadeusz-collection-le-prince-jean-baptiste-1734-1781-diverses-vues-de-livoni-illustrations-vernet-claude-joseph-1714-1789-french-culture-landscapes-purchase-provenance-image598710584.html
RM2WP1HCT–Le pont; Le Prince, Jean-Baptiste (1734-1781); 1765 (1765-00-00-1765-00-00);Estonia, Frasik, Tadeusz-collection, Le Prince, Jean-Baptiste (1734-1781). Diverses Vues de Livoni-Illustrations, Vernet, Claude-Joseph (1714-1789), French (culture), landscapes, purchase (provenance)
First Pastoral. Jean Baptiste Le Prince; French, 1734-1781. Date: 1769. Dimensions: 554 × 402 mm (sheet); 306 × 380 mm (plate). Aquatint and etching in sepia on ivory laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/first-pastoral-jean-baptiste-le-prince-french-1734-1781-date-1769-dimensions-554-402-mm-sheet-306-380-mm-plate-aquatint-and-etching-in-sepia-on-ivory-laid-paper-origin-france-museum-the-chicago-art-institute-image240137899.html
RMRXK69F–First Pastoral. Jean Baptiste Le Prince; French, 1734-1781. Date: 1769. Dimensions: 554 × 402 mm (sheet); 306 × 380 mm (plate). Aquatint and etching in sepia on ivory laid paper. Origin: France. Museum: The Chicago Art Institute.
Jean Baptiste Le Prince, French, 1734 - 1781, Jesus dans le temple, 1768, Aquatint and etching printed in brown on laid paper, image: 7 1/4 x 9 3/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-baptiste-le-prince-french-1734-1781-jesus-dans-le-temple-1768-aquatint-and-etching-printed-in-brown-on-laid-paper-image-7-14-x-9-34-in-image328734519.html
RM2A2R46F–Jean Baptiste Le Prince, French, 1734 - 1781, Jesus dans le temple, 1768, Aquatint and etching printed in brown on laid paper, image: 7 1/4 x 9 3/4 in
La Cabane de Pecheurs; Le Prince, Jean-Baptiste (1734-1781); 1781 (1760-00-00-1781-00-00);Brandel, Konstanty-collection, Estonia, Livonia, Le Prince, Jean-Baptiste (1734-1781). Diverses Vues de Livoni - Illustrations, Leitgeber, Witold - collection, Russia, gift (provenance), French (culture), landscapes, fishermen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-cabane-de-pecheurs-le-prince-jean-baptiste-1734-1781-1781-1760-00-00-1781-00-00brandel-konstanty-collection-estonia-livonia-le-prince-jean-baptiste-1734-1781-diverses-vues-de-livoni-illustrations-leitgeber-witold-collection-russia-gift-provenance-french-culture-landscapes-fishermen-image598712697.html
RM2WP1M49–La Cabane de Pecheurs; Le Prince, Jean-Baptiste (1734-1781); 1781 (1760-00-00-1781-00-00);Brandel, Konstanty-collection, Estonia, Livonia, Le Prince, Jean-Baptiste (1734-1781). Diverses Vues de Livoni - Illustrations, Leitgeber, Witold - collection, Russia, gift (provenance), French (culture), landscapes, fishermen
Return Walk, plate four from Suite de Divers Habillements de Peuples du Nord. Jean Baptiste Le Prince; French, 1734-1781. Date: 1765. Dimensions: 222 × 178 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/return-walk-plate-four-from-suite-de-divers-habillements-de-peuples-du-nord-jean-baptiste-le-prince-french-1734-1781-date-1765-dimensions-222-178-mm-etching-on-paper-origin-france-museum-the-chicago-art-institute-image240132643.html
RMRXJYHR–Return Walk, plate four from Suite de Divers Habillements de Peuples du Nord. Jean Baptiste Le Prince; French, 1734-1781. Date: 1765. Dimensions: 222 × 178 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute.
Return Walk, plate four from Suite de Divers Habillements de Peuples du Nord, 1765, Jean Baptiste Le Prince, French, 1734-1781, France, Etching on paper, 222 × 178 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/return-walk-plate-four-from-suite-de-divers-habillements-de-peuples-du-nord-1765-jean-baptiste-le-prince-french-1734-1781-france-etching-on-paper-222-178-mm-image328663472.html
RM2A2KWH4–Return Walk, plate four from Suite de Divers Habillements de Peuples du Nord, 1765, Jean Baptiste Le Prince, French, 1734-1781, France, Etching on paper, 222 × 178 mm
The Art of Pleasing, 1771. Jean Baptiste Le Prince (French, 1734-1781). Etching and aquatint printed in brown; sheet: 10.4 x 7.2 cm (4 1/8 x 2 13/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-art-of-pleasing-1771-jean-baptiste-le-prince-french-1734-1781-etching-and-aquatint-printed-in-brown-sheet-104-x-72-cm-4-18-x-2-1316-in-image240476819.html
RMRY6JHR–The Art of Pleasing, 1771. Jean Baptiste Le Prince (French, 1734-1781). Etching and aquatint printed in brown; sheet: 10.4 x 7.2 cm (4 1/8 x 2 13/16 in
Jesus in the Temple, n.d., Jean Baptiste Le Prince, French, 1734-1781, France, Aquatint and etching on off-white laid paper, 262 × 299 mm (plate), 312 × 354 mm (sheet Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jesus-in-the-temple-nd-jean-baptiste-le-prince-french-1734-1781-france-aquatint-and-etching-on-off-white-laid-paper-262-299-mm-plate-312-354-mm-sheet-image328663468.html
RM2A2KWH0–Jesus in the Temple, n.d., Jean Baptiste Le Prince, French, 1734-1781, France, Aquatint and etching on off-white laid paper, 262 × 299 mm (plate), 312 × 354 mm (sheet
La Tour; Le Prince, Jean-Baptiste (1734-1781); 1765 (1765-00-00-1765-00-00);Brandel, Konstanty-collection, Estonia, Le Prince, Jean-Baptiste (1734-1781). Diverses Vues de Livoni - Illustrations, Leitgeber, Witold - collection, Vernet, Claude -Joseph (1714-1789), Dar (provenance), French (culture), landscapes, towers (archite.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/la-tour-le-prince-jean-baptiste-1734-1781-1765-1765-00-00-1765-00-00brandel-konstanty-collection-estonia-le-prince-jean-baptiste-1734-1781-diverses-vues-de-livoni-illustrations-leitgeber-witold-collection-vernet-claude-joseph-1714-1789-dar-provenance-french-culture-landscapes-towers-archite-image598711793.html
RM2WP1K01–La Tour; Le Prince, Jean-Baptiste (1734-1781); 1765 (1765-00-00-1765-00-00);Brandel, Konstanty-collection, Estonia, Le Prince, Jean-Baptiste (1734-1781). Diverses Vues de Livoni - Illustrations, Leitgeber, Witold - collection, Vernet, Claude -Joseph (1714-1789), Dar (provenance), French (culture), landscapes, towers (archite.)
Headdress for Girls and Women in summer, plate three from Divers Habillements des Peuples du Nord. Jean Baptiste Le Prince; French, 1734-1781. Date: 1765. Dimensions: 222 × 178 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/headdress-for-girls-and-women-in-summer-plate-three-from-divers-habillements-des-peuples-du-nord-jean-baptiste-le-prince-french-1734-1781-date-1765-dimensions-222-178-mm-etching-on-paper-origin-france-museum-the-chicago-art-institute-image239831174.html
RMRX5732–Headdress for Girls and Women in summer, plate three from Divers Habillements des Peuples du Nord. Jean Baptiste Le Prince; French, 1734-1781. Date: 1765. Dimensions: 222 × 178 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute.
Headdress for Girls and Women in summer, plate three from Divers Habillements des Peuples du Nord, 1765, Jean Baptiste Le Prince, French, 1734-1781, France, Etching on paper, 222 × 178 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/headdress-for-girls-and-women-in-summer-plate-three-from-divers-habillements-des-peuples-du-nord-1765-jean-baptiste-le-prince-french-1734-1781-france-etching-on-paper-222-178-mm-image328663470.html
RM2A2KWH2–Headdress for Girls and Women in summer, plate three from Divers Habillements des Peuples du Nord, 1765, Jean Baptiste Le Prince, French, 1734-1781, France, Etching on paper, 222 × 178 mm
Artist: Jean-Baptiste Le Prince, French, 1734–1781, The Flight into Egypt, ca. 1770, Aquatint, 18.6 × 18.7 cm (7 5/16 × 7 3/8 in.), French, 18th century, Works on Paper - Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-jean-baptiste-le-prince-french-17341781-the-flight-intoegypt-ca1770-aquatint-186-187-cm-7-516-7-38in-french-18thcentury-works-on-paper-prints-image393646674.html
RM2DTC49P–Artist: Jean-Baptiste Le Prince, French, 1734–1781, The Flight into Egypt, ca. 1770, Aquatint, 18.6 × 18.7 cm (7 5/16 × 7 3/8 in.), French, 18th century, Works on Paper - Prints
A Woman in Russian Dress, 1780, Jean Baptiste Le Prince, French, 1734-1781, France, Red chalk on cream laid paper, laid down on cream laid paper, 347 × 199 mm (primary support), 472 × 336 (secondary support Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-woman-in-russian-dress-1780-jean-baptiste-le-prince-french-1734-1781-france-red-chalk-on-cream-laid-paper-laid-down-on-cream-laid-paper-347-199-mm-primary-support-472-336-secondary-support-image328661728.html
RM2A2KRAT–A Woman in Russian Dress, 1780, Jean Baptiste Le Prince, French, 1734-1781, France, Red chalk on cream laid paper, laid down on cream laid paper, 347 × 199 mm (primary support), 472 × 336 (secondary support
The Moscow Tavern, c. 1773. Jean Baptiste Le Prince (French, 1734-1781). Pen and brown ink and brush and brown and gray wash on white laid paper; sheet: 19.5 x 24.2 cm (7 11/16 x 9 1/2 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-moscow-tavern-c-1773-jean-baptiste-le-prince-french-1734-1781-pen-and-brown-ink-and-brush-and-brown-and-gray-wash-on-white-laid-paper-sheet-195-x-242-cm-7-1116-x-9-12-in-image240491215.html
RMRY78YY–The Moscow Tavern, c. 1773. Jean Baptiste Le Prince (French, 1734-1781). Pen and brown ink and brush and brown and gray wash on white laid paper; sheet: 19.5 x 24.2 cm (7 11/16 x 9 1/2 in
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