Jesus at the of martha and mary Stock Photos and Images
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Jesus at the of martha and mary Stock Photos and Images
Christ with Mary and Martha, painting by Alessandro Allori, Historical, digitally restored reproduction from a 19th century original. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-with-mary-and-martha-painting-by-alessandro-allori-historical-digitally-restored-reproduction-from-a-19th-century-original-image566422585.htmlRF2RWENP1–Christ with Mary and Martha, painting by Alessandro Allori, Historical, digitally restored reproduction from a 19th century original.
Christ in the House of Martha and Mary Marthe et Marie (title object) Life and Passion of Christ (series title) La Vie de Jesus NS C (series title) Christ in the House of Martha and Mary Marthe et Marie (title object) Life and Passion of Christ (series title) La Vie de N.S. Jesus C. (series title) Property Type: picture Item number: RP-P-OB-43.691Catalogusreferentie: IFF 18e siècle 732 Inscriptions / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker Gabriel Huquier (listed building) printmaker Jacques Gabriel Huquier (possible) to design: Claude Gillot (listed build Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-in-the-house-of-martha-and-mary-marthe-et-marie-title-object-life-and-passion-of-christ-series-title-la-vie-de-jesus-ns-c-series-title-christ-in-the-house-of-martha-and-mary-marthe-et-marie-title-object-life-and-passion-of-christ-series-title-la-vie-de-ns-jesus-c-series-title-property-type-picture-item-number-rp-p-ob-43691catalogusreferentie-iff-18e-sicle-732-inscriptions-brands-collectors-mark-verso-stamped-lugt-2228-manufacturer-printmaker-gabriel-huquier-listed-building-printmaker-jacques-gabriel-huquier-possible-to-design-claude-gillot-listed-build-image348262517.htmlRM2B6GMB1–Christ in the House of Martha and Mary Marthe et Marie (title object) Life and Passion of Christ (series title) La Vie de Jesus NS C (series title) Christ in the House of Martha and Mary Marthe et Marie (title object) Life and Passion of Christ (series title) La Vie de N.S. Jesus C. (series title) Property Type: picture Item number: RP-P-OB-43.691Catalogusreferentie: IFF 18e siècle 732 Inscriptions / Brands: collector's mark, verso, stamped: Lugt 2228 Manufacturer : printmaker Gabriel Huquier (listed building) printmaker Jacques Gabriel Huquier (possible) to design: Claude Gillot (listed build
Postage stamp from Equatorial Guinea depicting the Tintoretto painting 'Christ in the house of Mary and Martha' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-postage-stamp-from-equatorial-guinea-depicting-the-tintoretto-painting-73521072.htmlRME7H4TG–Postage stamp from Equatorial Guinea depicting the Tintoretto painting 'Christ in the house of Mary and Martha'
France, Meurthe et Moselle, Remereville, village completely destroyed during the battle of the Grand Couronne between August and September 1914 rebuilt after the First World War, church of the Nativity of the Virgin rebuilt in 1925, stained glass window made in 1925 by masters glassmakers from Strasbourg Ott freres (Ott Brothers) representing Jesus meeting Martha and Mary Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/france-meurthe-et-moselle-remereville-village-completely-destroyed-during-the-battle-of-the-grand-couronne-between-august-and-september-1914-rebuilt-after-the-first-world-war-church-of-the-nativity-of-the-virgin-rebuilt-in-1925-stained-glass-window-made-in-1925-by-masters-glassmakers-from-strasbourg-ott-freres-ott-brothers-representing-jesus-meeting-martha-and-mary-image593102341.htmlRF2WCX42D–France, Meurthe et Moselle, Remereville, village completely destroyed during the battle of the Grand Couronne between August and September 1914 rebuilt after the First World War, church of the Nativity of the Virgin rebuilt in 1925, stained glass window made in 1925 by masters glassmakers from Strasbourg Ott freres (Ott Brothers) representing Jesus meeting Martha and Mary
Kitchen Piece, with Jesus in the House of Martha and Mary in the background, copy after Joachim Bueckelaer, 1569 reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kitchen-piece-with-jesus-in-the-house-of-martha-and-mary-in-the-background-copy-after-joachim-bueckelaer-1569-reimagined-image230464007.htmlRFRAXF5B–Kitchen Piece, with Jesus in the House of Martha and Mary in the background, copy after Joachim Bueckelaer, 1569 reimagined
Joachim Beuckelaer (c. 1533-1575). Flemish painter. The Well-stocked kitchen, 1566. Rijksmuseum. Amsterdam. Holland. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joachim-beuckelaer-c-1533-1575-flemish-painter-the-well-stocked-kitchen-image68675709.htmlRMDYMCFW–Joachim Beuckelaer (c. 1533-1575). Flemish painter. The Well-stocked kitchen, 1566. Rijksmuseum. Amsterdam. Holland.
Kitchen Scene, with Jesus in the House of Martha and Mary in the background, 1569. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kitchen-scene-with-jesus-in-the-house-of-martha-and-mary-in-the-background-1569-image565276300.htmlRM2RRJFK8–Kitchen Scene, with Jesus in the House of Martha and Mary in the background, 1569.
Christ in the House of Mary and Martha, main altar in the church of Saint Matthew in Stitar, Croatia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-in-the-house-of-mary-and-martha-main-altar-in-the-church-of-saint-matthew-in-stitar-croatia-image448592221.htmlRM2H1R3XN–Christ in the House of Mary and Martha, main altar in the church of Saint Matthew in Stitar, Croatia
Stained glass window by William Wailes c 1864 Brome church, Suffolk, England, UK Mary Magdalene, Good Shepherd, Saint Martha of Bethany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stained-glass-window-by-william-wailes-c-1864-brome-church-suffolk-england-uk-mary-magdalene-good-shepherd-saint-martha-of-bethany-image458797861.htmlRM2HJC19W–Stained glass window by William Wailes c 1864 Brome church, Suffolk, England, UK Mary Magdalene, Good Shepherd, Saint Martha of Bethany
Hendrick van Steenwijck the younger and Cornelis van Poelenburgh -- Jesus in the house of Martha and Mary 1620, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hendrick-van-steenwijck-the-younger-and-cornelis-van-poelenburgh-jesus-in-the-house-of-martha-and-mary-1620-image558766497.htmlRF2RD20A9–Hendrick van Steenwijck the younger and Cornelis van Poelenburgh -- Jesus in the house of Martha and Mary 1620,
The Well-stocked Kitchen. The Well-stocked Kitchen, with Jesus in het House of Martha and Mary in the Background. Dating: 1566. Place: Antwerp. Measurements: h 171 cm × w 250 cm; w 54.5 kg. Museum: Rijksmuseum, Amsterdam. Author: Joachim Bueckelaer. BEUCKELAER, JOACHIM. JOACHIM BEUCKELAER. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-well-stocked-kitchen-the-well-stocked-kitchen-with-jesus-in-het-house-of-martha-and-mary-in-the-background-dating-1566-place-antwerp-measurements-h-171-cm-w-250-cm-w-545-kg-museum-rijksmuseum-amsterdam-author-joachim-bueckelaer-beuckelaer-joachim-joachim-beuckelaer-image232836075.htmlRMREPGP3–The Well-stocked Kitchen. The Well-stocked Kitchen, with Jesus in het House of Martha and Mary in the Background. Dating: 1566. Place: Antwerp. Measurements: h 171 cm × w 250 cm; w 54.5 kg. Museum: Rijksmuseum, Amsterdam. Author: Joachim Bueckelaer. BEUCKELAER, JOACHIM. JOACHIM BEUCKELAER.
Adriaen van Utrecht and Erasmus Quellinus (II) - Jesus in the house of Martha and Mary. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adriaen-van-utrecht-and-erasmus-quellinus-ii-jesus-in-the-house-of-martha-and-mary-image592068216.htmlRM2WB711C–Adriaen van Utrecht and Erasmus Quellinus (II) - Jesus in the house of Martha and Mary.
St Peter and St Paul church, Lady Chapel south east window depicting the risen Christ and John the Baptist. Lavenham Suffolk UK. April 2023 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-peter-and-st-paul-church-lady-chapel-south-east-window-depicting-the-risen-christ-and-john-the-baptist-lavenham-suffolk-uk-april-2023-image551197040.htmlRM2R0N5CG–St Peter and St Paul church, Lady Chapel south east window depicting the risen Christ and John the Baptist. Lavenham Suffolk UK. April 2023
![Raising of Lazarus. Book of Hours. France; 15th century. [Whole folio] Office for the Dead at Vespers. Christ stands, with Mary and Martha kneeling beside him, as Lazarus emerges from the tomb. Psalm 114 beginning with initial 'D', skeletal figure rising from a tomb. Borders of foliate decoration Image taken from Book of Hours. Originally published/produced in France; 15th century. . Source: Add. 19738, f.128. Language: Latin. Stock Photo](https://c8.alamy.com/comp/R5ANJW/raising-of-lazarus-book-of-hours-france-15th-century-whole-folio-office-for-the-dead-at-vespers-christ-stands-with-mary-and-martha-kneeling-beside-him-as-lazarus-emerges-from-the-tomb-psalm-114-beginning-with-initial-d-skeletal-figure-rising-from-a-tomb-borders-of-foliate-decoration-image-taken-from-book-of-hours-originally-publishedproduced-in-france-15th-century-source-add-19738-f128-language-latin-R5ANJW.jpg "Raising of Lazarus. Book of Hours. France; 15th century. [Whole folio] Office for the Dead at Vespers. Christ stands, with Mary and Martha kneeling beside him, as Lazarus emerges from the tomb. Psalm 114 beginning with initial 'D', skeletal figure rising from a tomb. Borders of foliate decoration Image taken from Book of Hours. Originally published/produced in France; 15th century. . Source: Add. 19738, f.128. Language: Latin. Stock Photo")
Raising of Lazarus. Book of Hours. France; 15th century. [Whole folio] Office for the Dead at Vespers. Christ stands, with Mary and Martha kneeling beside him, as Lazarus emerges from the tomb. Psalm 114 beginning with initial 'D', skeletal figure rising from a tomb. Borders of foliate decoration Image taken from Book of Hours. Originally published/produced in France; 15th century. . Source: Add. 19738, f.128. Language: Latin. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raising-of-lazarus-book-of-hours-france-15th-century-whole-folio-office-for-the-dead-at-vespers-christ-stands-with-mary-and-martha-kneeling-beside-him-as-lazarus-emerges-from-the-tomb-psalm-114-beginning-with-initial-d-skeletal-figure-rising-from-a-tomb-borders-of-foliate-decoration-image-taken-from-book-of-hours-originally-publishedproduced-in-france-15th-century-source-add-19738-f128-language-latin-image227044577.htmlRMR5ANJW–Raising of Lazarus. Book of Hours. France; 15th century. [Whole folio] Office for the Dead at Vespers. Christ stands, with Mary and Martha kneeling beside him, as Lazarus emerges from the tomb. Psalm 114 beginning with initial 'D', skeletal figure rising from a tomb. Borders of foliate decoration Image taken from Book of Hours. Originally published/produced in France; 15th century. . Source: Add. 19738, f.128. Language: Latin.
Orthodox icon of raising of Lazarus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/orthodox-icon-of-raising-of-lazarus-image260095508.htmlRFW34AD8–Orthodox icon of raising of Lazarus
Bethany The locality of the Tomb of Lazarus is marked by a little domed tower to the extreme right of the town. Ruins of chapel built over site of house of Lazarus, Martha, and Mary are in centre of village. The road to Jerusalem of Our Lord’s time passes over the brow of the hill to the right. Mid-day. from the book ' Letters from the Holy land ' by Elizabeth Butler, Published in London by Adam & Charles Black first published in 1903 and reprint in 1906 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bethany-the-locality-of-the-tomb-of-lazarus-is-marked-by-a-little-domed-tower-to-the-extreme-right-of-the-town-ruins-of-chapel-built-over-site-of-house-of-lazarus-martha-and-mary-are-in-centre-of-village-the-road-to-jerusalem-of-our-lords-time-passes-over-the-brow-of-the-hill-to-the-right-mid-day-from-the-book-letters-from-the-holy-land-by-elizabeth-butler-published-in-london-by-adam-charles-black-first-published-in-1903-and-reprint-in-1906-image505988238.htmlRF2MB5N4E–Bethany The locality of the Tomb of Lazarus is marked by a little domed tower to the extreme right of the town. Ruins of chapel built over site of house of Lazarus, Martha, and Mary are in centre of village. The road to Jerusalem of Our Lord’s time passes over the brow of the hill to the right. Mid-day. from the book ' Letters from the Holy land ' by Elizabeth Butler, Published in London by Adam & Charles Black first published in 1903 and reprint in 1906
Saint Martha leading Saint Mary Magdalene up a staircase towards Jesus Christ seated in a temple. Engraving by M. Raimondi, 15--, after Giulio Romano. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-martha-leading-saint-mary-magdalene-up-a-staircase-towards-jesus-christ-seated-in-a-temple-engraving-by-m-raimondi-15-after-giulio-romano-image450087167.htmlRM2H476NK–Saint Martha leading Saint Mary Magdalene up a staircase towards Jesus Christ seated in a temple. Engraving by M. Raimondi, 15--, after Giulio Romano.
![The Well-Stocked Kitchen.[1] Alternative title(s): The well-stocked kitchen, with Jesus in the house of Martha and Mary in the background.[2] 1566. 720 Joachim Beuckelaer 003 Stock Photo](https://c8.alamy.com/comp/MP8BP2/the-well-stocked-kitchen-1-alternative-titles-the-well-stocked-kitchen-with-jesus-in-the-house-of-martha-and-mary-in-the-background-2-1566-720-joachim-beuckelaer-003-MP8BP2.jpg "The Well-Stocked Kitchen.[1] Alternative title(s): The well-stocked kitchen, with Jesus in the house of Martha and Mary in the background.[2] 1566. 720 Joachim Beuckelaer 003 Stock Photo")
The Well-Stocked Kitchen.[1] Alternative title(s): The well-stocked kitchen, with Jesus in the house of Martha and Mary in the background.[2] 1566. 720 Joachim Beuckelaer 003 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-well-stocked-kitchen-1-alternative-titles-the-well-stocked-kitchen-with-jesus-in-the-house-of-martha-and-mary-in-the-background-2-1566-720-joachim-beuckelaer-003-image185810970.htmlRMMP8BP2–The Well-Stocked Kitchen.[1] Alternative title(s): The well-stocked kitchen, with Jesus in the house of Martha and Mary in the background.[2] 1566. 720 Joachim Beuckelaer 003
Design for Four Knife Handles with Title 1580–1600 Johann Theodor de Bry Netherlandish Panel with four different knife handle designs, with the title in a wreath at bottom center. The design at upper left shows Jesus and Mary in the house of Martha in an oval.. Design for Four Knife Handles with Title 424976 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-four-knife-handles-with-title-15801600-johann-theodor-de-bry-netherlandish-panel-with-four-different-knife-handle-designs-with-the-title-in-a-wreath-at-bottom-center-the-design-at-upper-left-shows-jesus-and-mary-in-the-house-of-martha-in-an-oval-design-for-four-knife-handles-with-title-424976-image458498394.htmlRM2HHXBAJ–Design for Four Knife Handles with Title 1580–1600 Johann Theodor de Bry Netherlandish Panel with four different knife handle designs, with the title in a wreath at bottom center. The design at upper left shows Jesus and Mary in the house of Martha in an oval.. Design for Four Knife Handles with Title 424976
The Raising of Lazarus (1795) by Jean-Louis Gilson, also known as Abraham Gilson or Brother Abraham of Orval (1741–1809). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-raising-of-lazarus-1795-by-jean-louis-gilson-also-known-as-abraham-gilson-or-brother-abraham-of-orval-17411809-image568628313.htmlRM2T13761–The Raising of Lazarus (1795) by Jean-Louis Gilson, also known as Abraham Gilson or Brother Abraham of Orval (1741–1809).
Print made by William Faithorne, 1656–ca. 1701, British, Mary Commended, Martha Reprehended, between 1690 and 1703. Mezzotint on medium, slightly textured, beige laid paper. beard , fire , gesturing , kneeling , Mary kneels weeping before Christ; sometimes Christ is also shown weeping , pointing , religious and mythological subject , robes , sisters , talking , women. Jesus Christ (7-2 BC/BCE to 30-36 AD/CE) Martha, sister of Mary of Bethany Mary of Bethany (1stC), biblical figure Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-made-by-william-faithorne-1656ca-1701-british-mary-commended-martha-reprehended-between-1690-and-1703-mezzotint-on-medium-slightly-textured-beige-laid-paper-beard-fire-gesturing-kneeling-mary-kneels-weeping-before-christ-sometimes-christ-is-also-shown-weeping-pointing-religious-and-mythological-subject-robes-sisters-talking-women-jesus-christ-7-2-bcbce-to-30-36-adce-martha-sister-of-mary-of-bethany-mary-of-bethany-1stc-biblical-figure-image398457952.htmlRM2E47954–Print made by William Faithorne, 1656–ca. 1701, British, Mary Commended, Martha Reprehended, between 1690 and 1703. Mezzotint on medium, slightly textured, beige laid paper. beard , fire , gesturing , kneeling , Mary kneels weeping before Christ; sometimes Christ is also shown weeping , pointing , religious and mythological subject , robes , sisters , talking , women. Jesus Christ (7-2 BC/BCE to 30-36 AD/CE) Martha, sister of Mary of Bethany Mary of Bethany (1stC), biblical figure
Lazarus church outside Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-lazarus-church-outside-161559758.htmlRFKARK3A–Lazarus church outside
France, Meurthe et Moselle, Remereville, village completely destroyed during the battle of the Grand Couronne between August and September 1914 rebuilt after the First World War, church of the Nativity of the Virgin rebuilt in 1925, stained glass window made in 1925 by masters glassmakers from Strasbourg Ott freres (Ott Brothers) representing Jesus meeting Martha and Mary Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/france-meurthe-et-moselle-remereville-village-completely-destroyed-during-the-battle-of-the-grand-couronne-between-august-and-september-1914-rebuilt-after-the-first-world-war-church-of-the-nativity-of-the-virgin-rebuilt-in-1925-stained-glass-window-made-in-1925-by-masters-glassmakers-from-strasbourg-ott-freres-ott-brothers-representing-jesus-meeting-martha-and-mary-image593102340.htmlRF2WCX42C–France, Meurthe et Moselle, Remereville, village completely destroyed during the battle of the Grand Couronne between August and September 1914 rebuilt after the First World War, church of the Nativity of the Virgin rebuilt in 1925, stained glass window made in 1925 by masters glassmakers from Strasbourg Ott freres (Ott Brothers) representing Jesus meeting Martha and Mary
The Well-stocked Kitchen The Well-stocked Kitchen The Well-stocked Kitchen, with Jesus in the House of Martha and Mary in the Background, The well-stocked kitchen, with Jesus with Martha and Mary in the background. In the kitchen, two maids are preparing food. One picks a chicken, the other strings a chicken on the spit. On the left others sit by the fireplace. All kinds of game and poultry, vegetables and fruits are displayed in the foreground. In between, also different glasses, jugs, jugs and plates, kitchen-interior with foodstuffs in foreground (Dutch: 'kitchen piece'), Christ in the hous Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-well-stocked-kitchen-the-well-stocked-kitchen-the-well-stocked-kitchen-with-jesus-in-the-house-of-martha-and-mary-in-the-background-the-well-stocked-kitchen-with-jesus-with-martha-and-mary-in-the-background-in-the-kitchen-two-maids-are-preparing-food-one-picks-a-chicken-the-other-strings-a-chicken-on-the-spit-on-the-left-others-sit-by-the-fireplace-all-kinds-of-game-and-poultry-vegetables-and-fruits-are-displayed-in-the-foreground-in-between-also-different-glasses-jugs-jugs-and-plates-kitchen-interior-with-foodstuffs-in-foreground-dutch-kitchen-piece-christ-in-the-hous-image350012069.htmlRF2B9CBY1–The Well-stocked Kitchen The Well-stocked Kitchen The Well-stocked Kitchen, with Jesus in the House of Martha and Mary in the Background, The well-stocked kitchen, with Jesus with Martha and Mary in the background. In the kitchen, two maids are preparing food. One picks a chicken, the other strings a chicken on the spit. On the left others sit by the fireplace. All kinds of game and poultry, vegetables and fruits are displayed in the foreground. In between, also different glasses, jugs, jugs and plates, kitchen-interior with foodstuffs in foreground (Dutch: 'kitchen piece'), Christ in the hous
Mary breastfeeding little Jesus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-breastfeeding-little-jesus-image255487883.htmlRFTRJDB7–Mary breastfeeding little Jesus
Christ’s Second Visit to the House of Mary and Martha, c.1515-c.1520. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christx2019s-second-visit-to-the-house-of-mary-and-martha-c1515-c1520-image565276493.htmlRM2RRJFX5–Christ’s Second Visit to the House of Mary and Martha, c.1515-c.1520.
Christ in the House of Mary and Martha, main altar in the church of Saint Matthew in Stitar, Croatia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-in-the-house-of-mary-and-martha-main-altar-in-the-church-of-saint-matthew-in-stitar-croatia-image448551357.htmlRM2H1N7R9–Christ in the House of Mary and Martha, main altar in the church of Saint Matthew in Stitar, Croatia
מדינה פלסטינית, Palestine, دولة فلسطين, Israel, Izrael, ישראל; Palestyna; Al-Eizariya, العيزرية; אלעיזריה; Church of Saint Lazarus; Lazarus Kirche Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/palestine-israel-izrael-palestyna-al-eizariya-church-of-saint-lazarus-lazarus-kirche-image383268955.htmlRF2D7FBCY–מדינה פלסטינית, Palestine, دولة فلسطين, Israel, Izrael, ישראל; Palestyna; Al-Eizariya, العيزرية; אלעיזריה; Church of Saint Lazarus; Lazarus Kirche
3D render of Lazarus of Bethany and his resurrection by Jesus from the grave, book by John Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/3d-render-of-lazarus-of-bethany-and-his-resurrection-by-jesus-from-the-grave-book-by-john-image182991392.htmlRFMHKYAT–3D render of Lazarus of Bethany and his resurrection by Jesus from the grave, book by John
Martha and Mary Magdalene. Museum: DETROIT INSTITUTE OF ART. Author: CARAVAGGIO. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/martha-and-mary-magdalene-museum-detroit-institute-of-art-author-caravaggio-image231424317.htmlRMRCE825–Martha and Mary Magdalene. Museum: DETROIT INSTITUTE OF ART. Author: CARAVAGGIO.
People praying at the statue of Jesus carrying the cross. Metropolitan Cathedral of Guayaquil (officially the Cathedral of Saint Peter). Holy Week 20 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-people-praying-at-the-statue-of-jesus-carrying-the-cross-metropolitan-139979944.htmlRMJ3MHRM–People praying at the statue of Jesus carrying the cross. Metropolitan Cathedral of Guayaquil (officially the Cathedral of Saint Peter). Holy Week 20
Church by the Lazarus Tomb in Bethania Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/church-by-the-lazarus-tomb-in-bethania-image260197488.htmlRFW390FC–Church by the Lazarus Tomb in Bethania
![Mary and Martha before Christ. Stuart de Rothesay Hours. Italy [Rome and Perugia]; before 1511, and between. (Whole folio) Beginning of the Office of the Dead. Mary and Martha, the sisters of Lazarus, gesture towards the stone coffin of their brother, as they kneel before Christ. Produced for Cardinal Marino Grimani Image taken from Stuart de Rothesay Hours. Originally published/produced in Italy [Rome and Perugia]; before 1511, and between 1534 and 1538. . Source: Add. 20927, f.119v. Language: Latin. Author: Sanvito da Padova, Bartolomeo. Clovio, Guilio. Stock Photo](https://c8.alamy.com/comp/R5EJHB/mary-and-martha-before-christ-stuart-de-rothesay-hours-italy-rome-and-perugia-before-1511-and-between-whole-folio-beginning-of-the-office-of-the-dead-mary-and-martha-the-sisters-of-lazarus-gesture-towards-the-stone-coffin-of-their-brother-as-they-kneel-before-christ-produced-for-cardinal-marino-grimani-image-taken-from-stuart-de-rothesay-hours-originally-publishedproduced-in-italy-rome-and-perugia-before-1511-and-between-1534-and-1538-source-add-20927-f119v-language-latin-author-sanvito-da-padova-bartolomeo-clovio-guilio-R5EJHB.jpg "Mary and Martha before Christ. Stuart de Rothesay Hours. Italy [Rome and Perugia]; before 1511, and between. (Whole folio) Beginning of the Office of the Dead. Mary and Martha, the sisters of Lazarus, gesture towards the stone coffin of their brother, as they kneel before Christ. Produced for Cardinal Marino Grimani Image taken from Stuart de Rothesay Hours. Originally published/produced in Italy [Rome and Perugia]; before 1511, and between 1534 and 1538. . Source: Add. 20927, f.119v. Language: Latin. Author: Sanvito da Padova, Bartolomeo. Clovio, Guilio. Stock Photo")
Mary and Martha before Christ. Stuart de Rothesay Hours. Italy [Rome and Perugia]; before 1511, and between. (Whole folio) Beginning of the Office of the Dead. Mary and Martha, the sisters of Lazarus, gesture towards the stone coffin of their brother, as they kneel before Christ. Produced for Cardinal Marino Grimani Image taken from Stuart de Rothesay Hours. Originally published/produced in Italy [Rome and Perugia]; before 1511, and between 1534 and 1538. . Source: Add. 20927, f.119v. Language: Latin. Author: Sanvito da Padova, Bartolomeo. Clovio, Guilio. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-and-martha-before-christ-stuart-de-rothesay-hours-italy-rome-and-perugia-before-1511-and-between-whole-folio-beginning-of-the-office-of-the-dead-mary-and-martha-the-sisters-of-lazarus-gesture-towards-the-stone-coffin-of-their-brother-as-they-kneel-before-christ-produced-for-cardinal-marino-grimani-image-taken-from-stuart-de-rothesay-hours-originally-publishedproduced-in-italy-rome-and-perugia-before-1511-and-between-1534-and-1538-source-add-20927-f119v-language-latin-author-sanvito-da-padova-bartolomeo-clovio-guilio-image227129991.htmlRMR5EJHB–Mary and Martha before Christ. Stuart de Rothesay Hours. Italy [Rome and Perugia]; before 1511, and between. (Whole folio) Beginning of the Office of the Dead. Mary and Martha, the sisters of Lazarus, gesture towards the stone coffin of their brother, as they kneel before Christ. Produced for Cardinal Marino Grimani Image taken from Stuart de Rothesay Hours. Originally published/produced in Italy [Rome and Perugia]; before 1511, and between 1534 and 1538. . Source: Add. 20927, f.119v. Language: Latin. Author: Sanvito da Padova, Bartolomeo. Clovio, Guilio.
The Raising of Lazarus: sisters Mary and Martha watch and pray as Jesus Christ makes a gesture of blessing over the shrouded body of their brother, Lazarus of Bethany. Detail of one of 20 Romanesque stone capitals sculpted circa 1190 AD by The Master of San Juan de la Peña or Master of Aguero in the cloister of the Monasterio de San Juan de la Peña, near Jaca in Huesca, Aragon, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-raising-of-lazarus-sisters-mary-and-martha-watch-and-pray-as-jesus-christ-makes-a-gesture-of-blessing-over-the-shrouded-body-of-their-brother-lazarus-of-bethany-detail-of-one-of-20-romanesque-stone-capitals-sculpted-circa-1190-ad-by-the-master-of-san-juan-de-la-pea-or-master-of-aguero-in-the-cloister-of-the-monasterio-de-san-juan-de-la-pea-near-jaca-in-huesca-aragon-spain-image502571812.htmlRF2M5J3D8–The Raising of Lazarus: sisters Mary and Martha watch and pray as Jesus Christ makes a gesture of blessing over the shrouded body of their brother, Lazarus of Bethany. Detail of one of 20 Romanesque stone capitals sculpted circa 1190 AD by The Master of San Juan de la Peña or Master of Aguero in the cloister of the Monasterio de San Juan de la Peña, near Jaca in Huesca, Aragon, Spain.
Bethany St Mathew xxi 17 View ruin building God Jesus bible holy testament old new Christ Christian Christianity religion Bethan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bethany-st-mathew-xxi-17-view-ruin-building-god-jesus-bible-holy-testament-22002450.htmlRFB7P89P–Bethany St Mathew xxi 17 View ruin building God Jesus bible holy testament old new Christ Christian Christianity religion Bethan
÷lbild: Maria und Martha (P. Matthiessen, 1863) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lbild-maria-und-martha-p-matthiessen-1863-image398349823.htmlRM2E42B7B–÷lbild: Maria und Martha (P. Matthiessen, 1863)
![The Well-Stocked Kitchen.[1] Alternative title(s): The well-stocked kitchen, with Jesus in the house of Martha and Mary in the background.[2]. 1566. Bueckelaer, Joachim - Well-Stocked Kitchen, and Jesus in the house of Martha and Mary in the background, the Stock Photo](https://c8.alamy.com/comp/MMTN0E/the-well-stocked-kitchen-1-alternative-titles-the-well-stocked-kitchen-with-jesus-in-the-house-of-martha-and-mary-in-the-background-2-1566-bueckelaer-joachim-well-stocked-kitchen-and-jesus-in-the-house-of-martha-and-mary-in-the-background-the-MMTN0E.jpg "The Well-Stocked Kitchen.[1] Alternative title(s): The well-stocked kitchen, with Jesus in the house of Martha and Mary in the background.[2]. 1566. Bueckelaer, Joachim - Well-Stocked Kitchen, and Jesus in the house of Martha and Mary in the background, the Stock Photo")
The Well-Stocked Kitchen.[1] Alternative title(s): The well-stocked kitchen, with Jesus in the house of Martha and Mary in the background.[2]. 1566. Bueckelaer, Joachim - Well-Stocked Kitchen, and Jesus in the house of Martha and Mary in the background, the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-well-stocked-kitchen-1-alternative-titles-the-well-stocked-kitchen-with-jesus-in-the-house-of-martha-and-mary-in-the-background-2-1566-bueckelaer-joachim-well-stocked-kitchen-and-jesus-in-the-house-of-martha-and-mary-in-the-background-the-image184940126.htmlRMMMTN0E–The Well-Stocked Kitchen.[1] Alternative title(s): The well-stocked kitchen, with Jesus in the house of Martha and Mary in the background.[2]. 1566. Bueckelaer, Joachim - Well-Stocked Kitchen, and Jesus in the house of Martha and Mary in the background, the
Momus Criticizes the Gods' Creations Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/momus-criticizes-the-gods-creations-image184274035.htmlRMMKPBBF–Momus Criticizes the Gods' Creations
. Français : Detail of the raising of Lazarus, Mary and Martha meet Jesus. From the Hunterian Psalter, a twelfth century illuminated manuscript, thought to have been produced in England c. 1170. 1 January 1170. Unknown 1040 Raising Lazarus Martha and Mary Hunterian Psalter Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franais-detail-of-the-raising-of-lazarus-mary-and-martha-meet-jesus-from-the-hunterian-psalter-a-twelfth-century-illuminated-manuscript-thought-to-have-been-produced-in-england-c-1170-1-january-1170-unknown-1040-raising-lazarus-martha-and-mary-hunterian-psalter-image185729192.htmlRMMP4KDC–. Français : Detail of the raising of Lazarus, Mary and Martha meet Jesus. From the Hunterian Psalter, a twelfth century illuminated manuscript, thought to have been produced in England c. 1170. 1 January 1170. Unknown 1040 Raising Lazarus Martha and Mary Hunterian Psalter
Print made by William Faithorne, 1656–ca. 1701, British, Mary Commended, Martha Reprehended, between 1752 and 1768. Mezzotint on medium, slightly textured, beige laid paper. beard , fire , gesturing , kneeling , Mary kneels weeping before Christ; sometimes Christ is also shown weeping , pointing , religious and mythological subject , robes , sisters , talking , women. Jesus Christ (7-2 BC/BCE to 30-36 AD/CE) Mary of Bethany (1stC), biblical figure Martha, sister of Mary of Bethany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-made-by-william-faithorne-1656ca-1701-british-mary-commended-martha-reprehended-between-1752-and-1768-mezzotint-on-medium-slightly-textured-beige-laid-paper-beard-fire-gesturing-kneeling-mary-kneels-weeping-before-christ-sometimes-christ-is-also-shown-weeping-pointing-religious-and-mythological-subject-robes-sisters-talking-women-jesus-christ-7-2-bcbce-to-30-36-adce-mary-of-bethany-1stc-biblical-figure-martha-sister-of-mary-of-bethany-image398457950.htmlRM2E47952–Print made by William Faithorne, 1656–ca. 1701, British, Mary Commended, Martha Reprehended, between 1752 and 1768. Mezzotint on medium, slightly textured, beige laid paper. beard , fire , gesturing , kneeling , Mary kneels weeping before Christ; sometimes Christ is also shown weeping , pointing , religious and mythological subject , robes , sisters , talking , women. Jesus Christ (7-2 BC/BCE to 30-36 AD/CE) Mary of Bethany (1stC), biblical figure Martha, sister of Mary of Bethany
![Jesus visiting Martha and Mary. Alternative title(s): Triptych of the Micault family (closed).[1]. Exterior of a triptych. See File:Jan Cornelisz Vermeyen, Triptych of Micault Family.JPG for the interior. circa 1539-1559. 696 Jan Cornelisz Vermeyen - Triptych of the Micault Family, closed Stock Photo](https://c8.alamy.com/comp/MP7MD8/jesus-visiting-martha-and-mary-alternative-titles-triptych-of-the-micault-family-closed-1-exterior-of-a-triptych-see-filejan-cornelisz-vermeyen-triptych-of-micault-familyjpg-for-the-interior-circa-1539-1559-696-jan-cornelisz-vermeyen-triptych-of-the-micault-family-closed-MP7MD8.jpg "Jesus visiting Martha and Mary. Alternative title(s): Triptych of the Micault family (closed).[1]. Exterior of a triptych. See File:Jan Cornelisz Vermeyen, Triptych of Micault Family.JPG for the interior. circa 1539-1559. 696 Jan Cornelisz Vermeyen - Triptych of the Micault Family, closed Stock Photo")
Jesus visiting Martha and Mary. Alternative title(s): Triptych of the Micault family (closed).[1]. Exterior of a triptych. See File:Jan Cornelisz Vermeyen, Triptych of Micault Family.JPG for the interior. circa 1539-1559. 696 Jan Cornelisz Vermeyen - Triptych of the Micault Family, closed Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jesus-visiting-martha-and-mary-alternative-titles-triptych-of-the-micault-family-closed-1-exterior-of-a-triptych-see-filejan-cornelisz-vermeyen-triptych-of-micault-familyjpg-for-the-interior-circa-1539-1559-696-jan-cornelisz-vermeyen-triptych-of-the-micault-family-closed-image185795828.htmlRMMP7MD8–Jesus visiting Martha and Mary. Alternative title(s): Triptych of the Micault family (closed).[1]. Exterior of a triptych. See File:Jan Cornelisz Vermeyen, Triptych of Micault Family.JPG for the interior. circa 1539-1559. 696 Jan Cornelisz Vermeyen - Triptych of the Micault Family, closed
Dome of Lazarusa church 2 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-dome-of-lazarusa-church-2-161559810.htmlRFKARK56–Dome of Lazarusa church 2
Kitchen Scene, with Jesus in the House of Martha and Mary in the background, Kitchen piece, with Jesus in the background with Martha and Mary. In the foreground a kitchen maid with a ham and a basket with vegetables. More vegetables, fruits and poultry are displayed on the right. Hereby also different jars and a kettle, foodstuffs, still life of foodstuffs, kitchen interior with foodstuffs in foreground (Dutch: 'kitchen piece'), Christ in the house of Martha and Mary (Luke 10: 38-42), kitchen-maid, kitchen servant, Joachim Bueckelaer (copy after), 1569, panel, oil paint (paint), h 110 cm × w 1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kitchen-scene-with-jesus-in-the-house-of-martha-and-mary-in-the-background-kitchen-piece-with-jesus-in-the-background-with-martha-and-mary-in-the-foreground-a-kitchen-maid-with-a-ham-and-a-basket-with-vegetables-more-vegetables-fruits-and-poultry-are-displayed-on-the-right-hereby-also-different-jars-and-a-kettle-foodstuffs-still-life-of-foodstuffs-kitchen-interior-with-foodstuffs-in-foreground-dutch-kitchen-piece-christ-in-the-house-of-martha-and-mary-luke-10-38-42-kitchen-maid-kitchen-servant-joachim-bueckelaer-copy-after-1569-panel-oil-paint-paint-h-110-cm-w-1-image350013160.htmlRF2B9CDA0–Kitchen Scene, with Jesus in the House of Martha and Mary in the background, Kitchen piece, with Jesus in the background with Martha and Mary. In the foreground a kitchen maid with a ham and a basket with vegetables. More vegetables, fruits and poultry are displayed on the right. Hereby also different jars and a kettle, foodstuffs, still life of foodstuffs, kitchen interior with foodstuffs in foreground (Dutch: 'kitchen piece'), Christ in the house of Martha and Mary (Luke 10: 38-42), kitchen-maid, kitchen servant, Joachim Bueckelaer (copy after), 1569, panel, oil paint (paint), h 110 cm × w 1
HE RAISES LAZARUS Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-he-raises-lazarus-105323719.htmlRMG39WDB–HE RAISES LAZARUS
The Well-stocked Kitchen, with Jesus in the House of Martha and Mary in the Background, 1566. It is not the profusion of vegetables, fruit, meat, poultry and kitchenware displayed here by these domestic workers that forms the main theme of this painting.Jesus visiting Mary and Martha is shown almost as an aside in the distance. The contrast between foreground and background contains the moral of the painting: do not be seduced by worldly temptation. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-well-stocked-kitchen-with-jesus-in-the-house-of-martha-and-mary-in-the-background-1566-it-is-not-the-profusion-of-vegetables-fruit-meat-poultry-and-kitchenware-displayed-here-by-these-domestic-workers-that-forms-the-main-theme-of-this-paintingjesus-visiting-mary-and-martha-is-shown-almost-as-an-aside-in-the-distance-the-contrast-between-foreground-and-background-contains-the-moral-of-the-painting-do-not-be-seduced-by-worldly-temptation-image565276306.htmlRM2RRJFKE–The Well-stocked Kitchen, with Jesus in the House of Martha and Mary in the Background, 1566. It is not the profusion of vegetables, fruit, meat, poultry and kitchenware displayed here by these domestic workers that forms the main theme of this painting.Jesus visiting Mary and Martha is shown almost as an aside in the distance. The contrast between foreground and background contains the moral of the painting: do not be seduced by worldly temptation.
Christ in the House of Mary and Martha, main altar in the church of Saint Matthew in Stitar, Croatia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-in-the-house-of-mary-and-martha-main-altar-in-the-church-of-saint-matthew-in-stitar-croatia-image448560128.htmlRM2H1NK0G–Christ in the House of Mary and Martha, main altar in the church of Saint Matthew in Stitar, Croatia
Brigham Young - Mormon Leader and Wives Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/brigham-young-mormon-leader-and-wives-image66164866.htmlRMDRJ1XX–Brigham Young - Mormon Leader and Wives
Joachim Beuckelaer, The Four Elements: Fire, painting in oil on canvas, 1570 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joachim-beuckelaer-the-four-elements-fire-painting-in-oil-on-canvas-1570-image597222240.htmlRM2WKHR1M–Joachim Beuckelaer, The Four Elements: Fire, painting in oil on canvas, 1570
Christ in the House of Martha and Mary. Museum: National Gallery of Scotland, Edinburgh. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-in-the-house-of-martha-and-mary-museum-national-gallery-of-scotland-edinburgh-image212258745.htmlRMP9965D–Christ in the House of Martha and Mary. Museum: National Gallery of Scotland, Edinburgh.
Statue of Jesus nailed to the cross. Metropolitan Cathedral of Guayaquil (officially the Cathedral of Saint Peter). Holy Week 2017. Guayaquil. Ecu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-statue-of-jesus-nailed-to-the-cross-metropolitan-cathedral-of-guayaquil-139980070.htmlRMJ3MJ06–Statue of Jesus nailed to the cross. Metropolitan Cathedral of Guayaquil (officially the Cathedral of Saint Peter). Holy Week 2017. Guayaquil. Ecu
Engraving by Gustave Dore (1832-1883) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/engraving-by-gustave-dore-1832-1883-image186342779.htmlRMMR4J37–Engraving by Gustave Dore (1832-1883)
The casting out of demons; St Mary Magdalene washing Christ's feet at table; Martha and Mary. Holkham Bible Picture Book. England, circa 1320-1330. Source: Add. 47682, f.25. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-casting-out-of-demons-st-mary-magdalene-washing-christs-feet-at-table-martha-and-mary-holkham-bible-picture-book-england-circa-1320-1330-source-add-47682-f25-image227214014.htmlRMR5JDP6–The casting out of demons; St Mary Magdalene washing Christ's feet at table; Martha and Mary. Holkham Bible Picture Book. England, circa 1320-1330. Source: Add. 47682, f.25.
Christ in the House of Mary and Martha, main altar in the church of Saint Matthew in Stitar, Croatia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-in-the-house-of-mary-and-martha-main-altar-in-the-church-of-saint-matthew-in-stitar-croatia-image443888253.htmlRF2GP4RYW–Christ in the House of Mary and Martha, main altar in the church of Saint Matthew in Stitar, Croatia
A Chichester Cathedral relief; the image of Christ arriving in Bethany and being greeted my Martha & Mary, the grieving sisters of Lazarus. UK (114) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-chichester-cathedral-relief-the-image-of-christ-arriving-in-bethany-and-being-greeted-my-martha-mary-the-grieving-sisters-of-lazarus-uk-114-image345268722.htmlRM2B1M9NP–A Chichester Cathedral relief; the image of Christ arriving in Bethany and being greeted my Martha & Mary, the grieving sisters of Lazarus. UK (114)
Christ in the House of Mary and Martha, main altar in the church of Saint Matthew in Stitar, Croatia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-in-the-house-of-mary-and-martha-main-altar-in-the-church-of-saint-matthew-in-stitar-croatia-image443906870.htmlRF2GP5KMP–Christ in the House of Mary and Martha, main altar in the church of Saint Matthew in Stitar, Croatia
Crucifixion by Luca Signorelli, tempera on wood, (1441-1523), Italy, Tuscany, Sansepolcro, Civic Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-crucifixion-by-luca-signorelli-tempera-on-wood-1441-1523-italy-tuscany-29546327.htmlRMBM1XHY–Crucifixion by Luca Signorelli, tempera on wood, (1441-1523), Italy, Tuscany, Sansepolcro, Civic Museum
The Raising of Lazarus: sisters Mary and Martha watch and pray as Jesus Christ makes a gesture of blessing over the shrouded body of their brother, Lazarus of Bethany. Square detail of one of 20 Romanesque stone capitals sculpted circa 1190 AD by The Master of San Juan de la Peña or Master of Aguero in the cloister of the Monasterio de San Juan de la Peña, near Jaca in Huesca, Aragon, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-raising-of-lazarus-sisters-mary-and-martha-watch-and-pray-as-jesus-christ-makes-a-gesture-of-blessing-over-the-shrouded-body-of-their-brother-lazarus-of-bethany-square-detail-of-one-of-20-romanesque-stone-capitals-sculpted-circa-1190-ad-by-the-master-of-san-juan-de-la-pea-or-master-of-aguero-in-the-cloister-of-the-monasterio-de-san-juan-de-la-pea-near-jaca-in-huesca-aragon-spain-image502571818.htmlRF2M5J3DE–The Raising of Lazarus: sisters Mary and Martha watch and pray as Jesus Christ makes a gesture of blessing over the shrouded body of their brother, Lazarus of Bethany. Square detail of one of 20 Romanesque stone capitals sculpted circa 1190 AD by The Master of San Juan de la Peña or Master of Aguero in the cloister of the Monasterio de San Juan de la Peña, near Jaca in Huesca, Aragon, Spain.
The new and complete life of Our Blessed Lord and Saviour Jesus Christ: containing an authentic and full account of all the wonderful transactions, sufferings, and death of our glorious Redeemer . AND LIVES OF HIS APOSTLES. CHAPTER XXIL Je5us journeying to Jerusalem to be present at the Jeaft of Dedication; lodges at Bethany,and is entertained by Mary and Martha; When he arrives at Jerusalem, he attendethat the Feajl, and disputes with the Jews in Solomons Porch: The Feajt being over, heretires beyond Jordan, and teacheth his Disciples to pray: He cajleth out a Devil:He dines and disputes with Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-new-and-complete-life-of-our-blessed-lord-and-saviour-jesus-christ-containing-an-authentic-and-full-account-of-all-the-wonderful-transactions-sufferings-and-death-of-our-glorious-redeemer-and-lives-of-his-apostles-chapter-xxil-je5us-journeying-to-jerusalem-to-be-present-at-the-jeaft-of-dedication-lodges-at-bethanyand-is-entertained-by-mary-and-martha-when-he-arrives-at-jerusalem-he-attendethat-the-feajl-and-disputes-with-the-jews-in-solomons-porch-the-feajt-being-over-heretires-beyond-jordan-and-teacheth-his-disciples-to-pray-he-cajleth-out-a-devilhe-dines-and-disputes-with-image342780975.htmlRM2AWK0HK–The new and complete life of Our Blessed Lord and Saviour Jesus Christ: containing an authentic and full account of all the wonderful transactions, sufferings, and death of our glorious Redeemer . AND LIVES OF HIS APOSTLES. CHAPTER XXIL Je5us journeying to Jerusalem to be present at the Jeaft of Dedication; lodges at Bethany,and is entertained by Mary and Martha; When he arrives at Jerusalem, he attendethat the Feajl, and disputes with the Jews in Solomons Porch: The Feajt being over, heretires beyond Jordan, and teacheth his Disciples to pray: He cajleth out a Devil:He dines and disputes with
Plaque with the Raising of Lazarus, Jean Penicaud (I) (attributed to), c. 1500 - c. 1525 Rectangular plaque of copper, with a representation in email from the Opwekking of Lazarus. Lazarus is dressed centrally in lumbaries. He is helped two men from a tomb. To the left of that, Jesus and to the right are two women, the sisters Martha and Mary. In the background, more people are depicted and a church building. Limoges copper (metal). Rectangular plaque of copper, with a representation in email from the Opwekking of Lazarus. Lazarus is dressed centrally in lumbaries. He is helped two men from a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plaque-with-the-raising-of-lazarus-jean-penicaud-i-attributed-to-c-1500-c-1525-rectangular-plaque-of-copper-with-a-representation-in-email-from-the-opwekking-of-lazarus-lazarus-is-dressed-centrally-in-lumbaries-he-is-helped-two-men-from-a-tomb-to-the-left-of-that-jesus-and-to-the-right-are-two-women-the-sisters-martha-and-mary-in-the-background-more-people-are-depicted-and-a-church-building-limoges-copper-metal-rectangular-plaque-of-copper-with-a-representation-in-email-from-the-opwekking-of-lazarus-lazarus-is-dressed-centrally-in-lumbaries-he-is-helped-two-men-from-a-image581511814.htmlRM2TP2472–Plaque with the Raising of Lazarus, Jean Penicaud (I) (attributed to), c. 1500 - c. 1525 Rectangular plaque of copper, with a representation in email from the Opwekking of Lazarus. Lazarus is dressed centrally in lumbaries. He is helped two men from a tomb. To the left of that, Jesus and to the right are two women, the sisters Martha and Mary. In the background, more people are depicted and a church building. Limoges copper (metal). Rectangular plaque of copper, with a representation in email from the Opwekking of Lazarus. Lazarus is dressed centrally in lumbaries. He is helped two men from a
. English: Abel Grimmer (painted the interior) and Frans Francken (II)(painted the staff age), Jesus in the House of Martha and Mary, oil on panel, 54 x 73, 1614, Royal Museums of Fine Arts of Belgium . 1614. Abel Grimmer Abel Grimmer - Jesus in the House of Martha and Mary Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-abel-grimmer-painted-the-interior-and-frans-francken-iipainted-the-staff-age-jesus-in-the-house-of-martha-and-mary-oil-on-panel-54-x-73-1614-royal-museums-of-fine-arts-of-belgium-1614-abel-grimmer-abel-grimmer-jesus-in-the-house-of-martha-and-mary-image185012712.htmlRMMN01GT–. English: Abel Grimmer (painted the interior) and Frans Francken (II)(painted the staff age), Jesus in the House of Martha and Mary, oil on panel, 54 x 73, 1614, Royal Museums of Fine Arts of Belgium . 1614. Abel Grimmer Abel Grimmer - Jesus in the House of Martha and Mary
Dome of Lazarus Church Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-dome-of-lazarus-church-161559883.htmlRFKARK7R–Dome of Lazarus Church
N/A. English: A Kitchenmaid, in the background Jesus in the house of Mary and Martha oil on canvas 103,2 x 72,3 cm signed c.r.: Jo . wte wael . fecit 1620 - 1625 . between circa 1620 and circa 1625. Joachim Anthonisz Wtewael 44 A Kitchenmaid, by Joachim Anthonisz Wtewael Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-a-kitchenmaid-in-the-background-jesus-in-the-house-of-mary-and-martha-oil-on-canvas-1032-x-723-cm-signed-cr-jo-wte-wael-fecit-1620-1625-between-circa-1620-and-circa-1625-joachim-anthonisz-wtewael-44-a-kitchenmaid-by-joachim-anthonisz-wtewael-image209875246.htmlRMP5CJ0E–N/A. English: A Kitchenmaid, in the background Jesus in the house of Mary and Martha oil on canvas 103,2 x 72,3 cm signed c.r.: Jo . wte wael . fecit 1620 - 1625 . between circa 1620 and circa 1625. Joachim Anthonisz Wtewael 44 A Kitchenmaid, by Joachim Anthonisz Wtewael
Christ in the home of Mary and Martha, Tanner, Henry Ossawa, 1859-1937, Jesus Christ, Mary, of Bethany, Saint, Martha reimagined Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-in-the-home-of-mary-and-martha-tanner-henry-ossawa-1859-1937-jesus-christ-mary-of-bethany-saint-martha-reimagined-image230189622.htmlRFRAE15X–Christ in the home of Mary and Martha, Tanner, Henry Ossawa, 1859-1937, Jesus Christ, Mary, of Bethany, Saint, Martha reimagined
. Jesus in the house of Martha and Mary . 17th century. Erasmus Quellinus II (1607–1678) Description Flemish painter, draughtsman and etcher Date of birth/death 19 November 1607 7 November 1678 Location of birth/death Antwerp Antwerp Work period from 1633 until 1678 Work location Antwerp Authority control : Q625228 VIAF:?35253663 ISNI:?0000 0001 0964 2374 ULAN:?500117086 LCCN:?n88217744 WGA:?QUELLINUS, Erasmus II WorldCat and Adriaen van Utrecht (1599–1653) Description Flemish painter and draughtsman Date of birth/death 12 January 1599 Autumn 1652 Location of birth/d Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jesus-in-the-house-of-martha-and-mary-17th-century-erasmus-quellinus-ii-16071678-description-flemish-painter-draughtsman-and-etcher-date-of-birthdeath-19-november-1607-7-november-1678-location-of-birthdeath-antwerp-antwerp-work-period-from-1633-until-1678-work-location-antwerp-authority-control-q625228-viaf35253663-isni0000-0001-0964-2374-ulan500117086-lccnn88217744-wgaquellinus-erasmus-ii-worldcat-and-adriaen-van-utrecht-15991653-description-flemish-painter-and-draughtsman-date-of-birthdeath-12-january-1599-autumn-1652-location-of-birthd-image184976756.htmlRMMMXBMM–. Jesus in the house of Martha and Mary . 17th century. Erasmus Quellinus II (1607–1678) Description Flemish painter, draughtsman and etcher Date of birth/death 19 November 1607 7 November 1678 Location of birth/death Antwerp Antwerp Work period from 1633 until 1678 Work location Antwerp Authority control : Q625228 VIAF:?35253663 ISNI:?0000 0001 0964 2374 ULAN:?500117086 LCCN:?n88217744 WGA:?QUELLINUS, Erasmus II WorldCat and Adriaen van Utrecht (1599–1653) Description Flemish painter and draughtsman Date of birth/death 12 January 1599 Autumn 1652 Location of birth/d
Christ with Martha and Mary, c.1630-c.1634. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-with-martha-and-mary-c1630-c1634-image556254151.htmlRM2R8YFRK–Christ with Martha and Mary, c.1630-c.1634.
Design for Four Knife Handles with Title, Johann Theodor de Bry, 1580–1600 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-four-knife-handles-with-title-johann-theodor-de-bry-15801600-162532049.htmlRMKCBY81–Design for Four Knife Handles with Title, Johann Theodor de Bry, 1580–1600
Stained glass window by Burlison and Grylls depicting, St Longinus, Cornelius the Centurion and the prophet Joshua, All Saint's Church, Wroxton Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-stained-glass-window-by-burlison-and-grylls-depicting-st-longinus-89099140.htmlRMF4XPT4–Stained glass window by Burlison and Grylls depicting, St Longinus, Cornelius the Centurion and the prophet Joshua, All Saint's Church, Wroxton
Christ Conversing with Martha and Mary. Museum: BRITISH MUSEUM. Author: Rembrandt van Rhijn. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-conversing-with-martha-and-mary-museum-british-museum-author-rembrandt-van-rhijn-image220286525.htmlRMPPAWKW–Christ Conversing with Martha and Mary. Museum: BRITISH MUSEUM. Author: Rembrandt van Rhijn.
The Resurrection of Lazarus, scene of the New Testament, Histoire Biblique de L´Ancien Testament, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-resurrection-of-lazarus-scene-of-the-new-testament-histoire-biblique-de-lancien-testament-image404504212.htmlRM2EE2N70–The Resurrection of Lazarus, scene of the New Testament, Histoire Biblique de L´Ancien Testament,
South transept window in St. Peter and St. Paul Church, Langham, Rutland, England, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/south-transept-window-in-st-peter-and-st-paul-church-langham-rutland-england-uk-image620009448.htmlRM2Y0KTAG–South transept window in St. Peter and St. Paul Church, Langham, Rutland, England, UK
Christ, with three disciples, encounters a woman, possibly Martha, the Canaanite woman or the woman with an issue of blood, who kneels in supplication, holding an unfurled blank scroll, with four male figures in niches to the left and right; below, part of the text of Psalm 96. A bas-de-page scene of a clerk who sung daily an antiphon to the Virgin containing five Gaudes, and how she visited him on his death-bed and promised him a share of the joy he had wished her. Queen Mary Psalter. England (London?); circa 1310-1320. Source: Royal 2 B. VII, f.210v. Language: Latin. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-with-three-disciples-encounters-a-woman-possibly-martha-the-canaanite-woman-or-the-woman-with-an-issue-of-blood-who-kneels-in-supplication-holding-an-unfurled-blank-scroll-with-four-male-figures-in-niches-to-the-left-and-right-below-part-of-the-text-of-psalm-96-a-bas-de-page-scene-of-a-clerk-who-sung-daily-an-antiphon-to-the-virgin-containing-five-gaudes-and-how-she-visited-him-on-his-death-bed-and-promised-him-a-share-of-the-joy-he-had-wished-her-queen-mary-psalter-england-london-circa-1310-1320-source-royal-2-b-vii-f210v-language-latin-image227046071.htmlRMR5ARG7–Christ, with three disciples, encounters a woman, possibly Martha, the Canaanite woman or the woman with an issue of blood, who kneels in supplication, holding an unfurled blank scroll, with four male figures in niches to the left and right; below, part of the text of Psalm 96. A bas-de-page scene of a clerk who sung daily an antiphon to the Virgin containing five Gaudes, and how she visited him on his death-bed and promised him a share of the joy he had wished her. Queen Mary Psalter. England (London?); circa 1310-1320. Source: Royal 2 B. VII, f.210v. Language: Latin.
Art inspired by Design for Four Knife Handles with Title, 1580–1600, Engraving and blackwork, Sheet: 6 1/8 × 5 in. (15.5 × 12.7 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Panel with four different knife handle designs, with the title in a wreath at, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-design-for-four-knife-handles-with-title-15801600-engraving-and-blackwork-sheet-6-18-5-in-155-127-cm-johann-theodor-de-bry-netherlandish-strasbourg-15611623-bad-schwalbach-panel-with-four-different-knife-handle-designs-with-the-title-in-a-wreath-at-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463021009.htmlRF2HW8C0H–Art inspired by Design for Four Knife Handles with Title, 1580–1600, Engraving and blackwork, Sheet: 6 1/8 × 5 in. (15.5 × 12.7 cm), Johann Theodor de Bry (Netherlandish, Strasbourg 1561–1623 Bad Schwalbach), Panel with four different knife handle designs, with the title in a wreath at, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The raising of Lazarus, window by Henry Holiday. Church of Saint Oswald, Grasmere, Lake District National Park, Cumbria, England Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-raising-of-lazarus-window-by-henry-holiday-church-of-saint-oswald-22875079.htmlRMB961B3–The raising of Lazarus, window by Henry Holiday. Church of Saint Oswald, Grasmere, Lake District National Park, Cumbria, England
In the foreground a kitchen in which two women are cleaning fish and a woman is stirring a pot over the fire. They are dressed according to the bourge Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/in-the-foreground-a-kitchen-in-which-two-women-are-cleaning-fish-and-a-woman-is-stirring-a-pot-over-the-fire-they-are-dressed-according-to-the-bourge-image488026459.htmlRF2K9YEMB–In the foreground a kitchen in which two women are cleaning fish and a woman is stirring a pot over the fire. They are dressed according to the bourge
The Church at Bethany near Lazarus Tomb, Holy Land Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-church-at-bethany-near-lazarus-tomb-holy-land-image69533478.htmlRME13EJE–The Church at Bethany near Lazarus Tomb, Holy Land
Traditional and modern houses, church and mosque in Betania Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/traditional-and-modern-houses-church-and-mosque-in-betania-image261473604.htmlRFW5B470–Traditional and modern houses, church and mosque in Betania
Jesus of Nazareth: His life and teachings; founded on the four Gospels, and illustrated by reference to the manners, customs, religious beliefs, and political institutions of His times . sdarkly, but face to face. And yet Ave have not read the full story of his life; forthat life knows no end. Among his last and most precious promises was his dec-laration that he would not leave his disciples orphans—thathe would come again to them. Still, where two or three aregathered together in his name is he in the midst of them.Still is he Immanuel—God with us. Still Mary sits at hisfeet, and Martha busi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jesus-of-nazareth-his-life-and-teachings-founded-on-the-four-gospels-and-illustrated-by-reference-to-the-manners-customs-religious-beliefs-and-political-institutions-of-his-times-sdarkly-but-face-to-face-and-yet-ave-have-not-read-the-full-story-of-his-life-forthat-life-knows-no-end-among-his-last-and-most-precious-promises-was-his-dec-laration-that-he-would-not-leave-his-disciples-orphansthathe-would-come-again-to-them-still-where-two-or-three-aregathered-together-in-his-name-is-he-in-the-midst-of-themstill-is-he-immanuelgod-with-us-still-mary-sits-at-hisfeet-and-martha-busi-image338182820.htmlRM2AJ5FHT–Jesus of Nazareth: His life and teachings; founded on the four Gospels, and illustrated by reference to the manners, customs, religious beliefs, and political institutions of His times . sdarkly, but face to face. And yet Ave have not read the full story of his life; forthat life knows no end. Among his last and most precious promises was his dec-laration that he would not leave his disciples orphans—thathe would come again to them. Still, where two or three aregathered together in his name is he in the midst of them.Still is he Immanuel—God with us. Still Mary sits at hisfeet, and Martha busi
Kitchen Scene, with Jesus in the House of Martha and Mary in the background, Joachim Bueckelaer (copy after), 1569 painting Kitchen piece, with Jesus in the background with Martha and Mary. In the foreground a kitchen maid with a ham and a basket with vegetables. To the right are more vegetables, fruits and poultry displayed. Hereby also different jars and a boiler. panel. oil paint (paint) foodstuffs; still life of foodstuffs. kitchen-interior with foodstuffs in foreground (Dutch: 'keukenstuk'). Christ in the house of Martha and Mary (Luke 10:38-42). kitchen-maid, kitchen servant Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kitchen-scene-with-jesus-in-the-house-of-martha-and-mary-in-the-background-joachim-bueckelaer-copy-after-1569-painting-kitchen-piece-with-jesus-in-the-background-with-martha-and-mary-in-the-foreground-a-kitchen-maid-with-a-ham-and-a-basket-with-vegetables-to-the-right-are-more-vegetables-fruits-and-poultry-displayed-hereby-also-different-jars-and-a-boiler-panel-oil-paint-paint-foodstuffs-still-life-of-foodstuffs-kitchen-interior-with-foodstuffs-in-foreground-dutch-keukenstuk-christ-in-the-house-of-martha-and-mary-luke-1038-42-kitchen-maid-kitchen-servant-image595615840.htmlRM2WH0J28–Kitchen Scene, with Jesus in the House of Martha and Mary in the background, Joachim Bueckelaer (copy after), 1569 painting Kitchen piece, with Jesus in the background with Martha and Mary. In the foreground a kitchen maid with a ham and a basket with vegetables. To the right are more vegetables, fruits and poultry displayed. Hereby also different jars and a boiler. panel. oil paint (paint) foodstuffs; still life of foodstuffs. kitchen-interior with foodstuffs in foreground (Dutch: 'keukenstuk'). Christ in the house of Martha and Mary (Luke 10:38-42). kitchen-maid, kitchen servant
Capronniier Long Preston Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/capronniier-long-preston-image337363296.htmlRM2AGT694–Capronniier Long Preston
Dome in sunlight Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-dome-in-sunlight-161559803.htmlRFKARK4Y–Dome in sunlight
Guildford, UK - May 28, 2023: Sunrise at St Martha's Church, Surrey Hills, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/guildford-uk-may-28-2023-sunrise-at-st-marthas-church-surrey-hills-uk-image595589742.htmlRM2WGYCP6–Guildford, UK - May 28, 2023: Sunrise at St Martha's Church, Surrey Hills, UK
Resurrection of Lazarus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-resurrection-of-lazarus-162620577.htmlRFKCG05N–Resurrection of Lazarus
. Jesus in the house of Martha and Mary . 17th century. Erasmus Quellinus II (1607–1678) Description Flemish painter, draughtsman and etcher Date of birth/death 19 November 1607 7 November 1678 Location of birth/death Antwerp Antwerp Work period from 1633 until 1678 Work location Antwerp Authority control : Q625228 VIAF:?35253663 ISNI:?0000 0001 0964 2374 ULAN:?500117086 LCCN:?n88217744 WGA:?QUELLINUS, Erasmus II WorldCat and Adriaen van Utrecht (1599–1653) Description Flemish painter and draughtsman Date of birth/death 12 January 1599 Autumn 1652 Location of birth/d Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jesus-in-the-house-of-martha-and-mary-17th-century-erasmus-quellinus-ii-16071678-description-flemish-painter-draughtsman-and-etcher-date-of-birthdeath-19-november-1607-7-november-1678-location-of-birthdeath-antwerp-antwerp-work-period-from-1633-until-1678-work-location-antwerp-authority-control-q625228-viaf35253663-isni0000-0001-0964-2374-ulan500117086-lccnn88217744-wgaquellinus-erasmus-ii-worldcat-and-adriaen-van-utrecht-15991653-description-flemish-painter-and-draughtsman-date-of-birthdeath-12-january-1599-autumn-1652-location-of-birthd-image184976749.htmlRMMMXBMD–. Jesus in the house of Martha and Mary . 17th century. Erasmus Quellinus II (1607–1678) Description Flemish painter, draughtsman and etcher Date of birth/death 19 November 1607 7 November 1678 Location of birth/death Antwerp Antwerp Work period from 1633 until 1678 Work location Antwerp Authority control : Q625228 VIAF:?35253663 ISNI:?0000 0001 0964 2374 ULAN:?500117086 LCCN:?n88217744 WGA:?QUELLINUS, Erasmus II WorldCat and Adriaen van Utrecht (1599–1653) Description Flemish painter and draughtsman Date of birth/death 12 January 1599 Autumn 1652 Location of birth/d
Christ in the House of Mary and Martha, probably c. 1576/1580. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-in-the-house-of-mary-and-martha-probably-c-15761580-image491512916.htmlRM2KFJ9MM–Christ in the House of Mary and Martha, probably c. 1576/1580.
One of the stained glass windows on the North side of St Marys church in Long Preston, North Yorkshire Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/one-of-the-stained-glass-windows-on-the-north-side-of-st-marys-church-in-long-preston-north-yorkshire-image504417050.htmlRM2M8J52J–One of the stained glass windows on the North side of St Marys church in Long Preston, North Yorkshire
Bethany, Jordan, is recorded in the New Testament as the home of the siblings Mary, Martha, and Lazarus, as well as that of Simon the Leper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bethany-jordan-is-recorded-in-the-new-testament-as-the-home-of-the-siblings-mary-martha-and-lazarus-as-well-as-that-of-simon-the-leper-image182074651.htmlRFMG6623–Bethany, Jordan, is recorded in the New Testament as the home of the siblings Mary, Martha, and Lazarus, as well as that of Simon the Leper.
Martha Reproving Her Sister Mary. Museum: Alte Pinakothek, Munich. Author: GENTILESCHI, ORAZIO. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/martha-reproving-her-sister-mary-museum-alte-pinakothek-munich-author-gentileschi-orazio-image231378962.htmlRMRCC66A–Martha Reproving Her Sister Mary. Museum: Alte Pinakothek, Munich. Author: GENTILESCHI, ORAZIO.
The Catholic encyclopedia (Volume 2); an international work of reference on the constitution, doctrine, discipline and history of the Catholic Church . ;c (dedicating it to theviceroy Antonio de Mendoza), one of the most im-portant sources for ancient Peruvian history. Un-fortunately only a part of this work is still known to of the Mount of Olives. It is not mentioned in theOld Testament; in the New Testament it comesinto prominence as the Village of Mary, Martha,and Lazarus, and as the scene of the great miracle ofthe raising of Lazarus to life by Jesus. Here Jesusoften received hospitality Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-catholic-encyclopedia-volume-2-an-international-work-of-reference-on-the-constitution-doctrine-discipline-and-history-of-the-catholic-church-c-dedicating-it-to-theviceroy-antonio-de-mendoza-one-of-the-most-im-portant-sources-for-ancient-peruvian-history-un-fortunately-only-a-part-of-this-work-is-still-known-to-of-the-mount-of-olives-it-is-not-mentioned-in-theold-testament-in-the-new-testament-it-comesinto-prominence-as-the-village-of-mary-marthaand-lazarus-and-as-the-scene-of-the-great-miracle-ofthe-raising-of-lazarus-to-life-by-jesus-here-jesusoften-received-hospitality-image339456846.htmlRM2AM7GJP–The Catholic encyclopedia (Volume 2); an international work of reference on the constitution, doctrine, discipline and history of the Catholic Church . ;c (dedicating it to theviceroy Antonio de Mendoza), one of the most im-portant sources for ancient Peruvian history. Un-fortunately only a part of this work is still known to of the Mount of Olives. It is not mentioned in theOld Testament; in the New Testament it comesinto prominence as the Village of Mary, Martha,and Lazarus, and as the scene of the great miracle ofthe raising of Lazarus to life by Jesus. Here Jesusoften received hospitality
The Well-stocked Kitchen, with Jesus in het House of Martha and Mary in the Background, Joachim Bueckelaer, 1566 painting The well -being cuisine, with Jesus in the background with Martha and Mary. Two maids are preparing food in the kitchen. One picks a chicken, the other strings a chicken on the spit. On the left are others by the fireplace. In the foreground there are all kinds of wildlife and poultry, vegetables and fruits displayed. In between also different glasses, jugs, jugs and plates. Antwerp panel. oil paint (paint) kitchen-interior with foodstuffs in foreground (Dutch: 'keukenstuk Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-well-stocked-kitchen-with-jesus-in-het-house-of-martha-and-mary-in-the-background-joachim-bueckelaer-1566-painting-the-well-being-cuisine-with-jesus-in-the-background-with-martha-and-mary-two-maids-are-preparing-food-in-the-kitchen-one-picks-a-chicken-the-other-strings-a-chicken-on-the-spit-on-the-left-are-others-by-the-fireplace-in-the-foreground-there-are-all-kinds-of-wildlife-and-poultry-vegetables-and-fruits-displayed-in-between-also-different-glasses-jugs-jugs-and-plates-antwerp-panel-oil-paint-paint-kitchen-interior-with-foodstuffs-in-foreground-dutch-keukenstuk-image595593787.htmlRM2WGYHXK–The Well-stocked Kitchen, with Jesus in het House of Martha and Mary in the Background, Joachim Bueckelaer, 1566 painting The well -being cuisine, with Jesus in the background with Martha and Mary. Two maids are preparing food in the kitchen. One picks a chicken, the other strings a chicken on the spit. On the left are others by the fireplace. In the foreground there are all kinds of wildlife and poultry, vegetables and fruits displayed. In between also different glasses, jugs, jugs and plates. Antwerp panel. oil paint (paint) kitchen-interior with foodstuffs in foreground (Dutch: 'keukenstuk
Christ in the House of Martha and Mary (Luke 10:38-42) ca. 1700 Paolo Gerolamo Piola Italian The story is told in the Gospel according to St. Luke (10:38-42). In the course of a journey with his disciples, Jesus was welcomed into the house of a woman named Martha. While she was busy with the preparations of a meal, her sister Mary sat at the Lord's feet, listening to his words instead of helping with the household tasks. This stately tableau was no doubt intended for a monumental wall fresco. It could be associated with Piola's decorations in the church of Santa Marta in Genoa. However, in the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-in-the-house-of-martha-and-mary-luke-1038-42-ca-1700-paolo-gerolamo-piola-italian-the-story-is-told-in-the-gospel-according-to-st-luke-1038-42-in-the-course-of-a-journey-with-his-disciples-jesus-was-welcomed-into-the-house-of-a-woman-named-martha-while-she-was-busy-with-the-preparations-of-a-meal-her-sister-mary-sat-at-the-lords-feet-listening-to-his-words-instead-of-helping-with-the-household-tasks-this-stately-tableau-was-no-doubt-intended-for-a-monumental-wall-fresco-it-could-be-associated-with-piolas-decorations-in-the-church-of-santa-marta-in-genoa-however-in-the-image457999246.htmlRM2HH3JKX–Christ in the House of Martha and Mary (Luke 10:38-42) ca. 1700 Paolo Gerolamo Piola Italian The story is told in the Gospel according to St. Luke (10:38-42). In the course of a journey with his disciples, Jesus was welcomed into the house of a woman named Martha. While she was busy with the preparations of a meal, her sister Mary sat at the Lord's feet, listening to his words instead of helping with the household tasks. This stately tableau was no doubt intended for a monumental wall fresco. It could be associated with Piola's decorations in the church of Santa Marta in Genoa. However, in the
Guildford, UK - May 28, 2023: Sunrise at St Martha's Church, Surrey Hills, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/guildford-uk-may-28-2023-sunrise-at-st-marthas-church-surrey-hills-uk-image595589763.htmlRM2WGYCPY–Guildford, UK - May 28, 2023: Sunrise at St Martha's Church, Surrey Hills, UK
![Prophet Isaiah ca. 1325 French Represented at the left is the prophet Isaiah (YSAIAS) holding a scroll inscribed: ECCE VIRGO—the first words of his prophecy, “Behold, a virgin shall conceive, and bear a son” (Isaiah 7:14). At the right is Saint Mary Magdalene holding her attribute, the alabaster jar containing the ointment with which she anointed the body of Jesus. The inscription reads: M[ARIA SOROR] MARTH[HA]E (Mary, sister of Martha). Grisaille windows with figural glass in the central zones, known as band windows, were common in French glazing programs of the fourteenth century. Here, the Stock Photo](https://c8.alamy.com/comp/2HHTXTC/prophet-isaiah-ca-1325-french-represented-at-the-left-is-the-prophet-isaiah-ysaias-holding-a-scroll-inscribed-ecce-virgothe-first-words-of-his-prophecy-behold-a-virgin-shall-conceive-and-bear-a-son-isaiah-714-at-the-right-is-saint-mary-magdalene-holding-her-attribute-the-alabaster-jar-containing-the-ointment-with-which-she-anointed-the-body-of-jesus-the-inscription-reads-m-aria-soror-marth-ha-e-mary-sister-of-martha-grisaille-windows-with-figural-glass-in-the-central-zones-known-as-band-windows-were-common-in-french-glazing-programs-of-the-fourteenth-century-here-the-2HHTXTC.jpg "Prophet Isaiah ca. 1325 French Represented at the left is the prophet Isaiah (YSAIAS) holding a scroll inscribed: ECCE VIRGO—the first words of his prophecy, “Behold, a virgin shall conceive, and bear a son” (Isaiah 7:14). At the right is Saint Mary Magdalene holding her attribute, the alabaster jar containing the ointment with which she anointed the body of Jesus. The inscription reads: M[ARIA SOROR] MARTH[HA]E (Mary, sister of Martha). Grisaille windows with figural glass in the central zones, known as band windows, were common in French glazing programs of the fourteenth century. Here, the Stock Photo")
Prophet Isaiah ca. 1325 French Represented at the left is the prophet Isaiah (YSAIAS) holding a scroll inscribed: ECCE VIRGO—the first words of his prophecy, “Behold, a virgin shall conceive, and bear a son” (Isaiah 7:14). At the right is Saint Mary Magdalene holding her attribute, the alabaster jar containing the ointment with which she anointed the body of Jesus. The inscription reads: M[ARIA SOROR] MARTH[HA]E (Mary, sister of Martha). Grisaille windows with figural glass in the central zones, known as band windows, were common in French glazing programs of the fourteenth century. Here, the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/prophet-isaiah-ca-1325-french-represented-at-the-left-is-the-prophet-isaiah-ysaias-holding-a-scroll-inscribed-ecce-virgothe-first-words-of-his-prophecy-behold-a-virgin-shall-conceive-and-bear-a-son-isaiah-714-at-the-right-is-saint-mary-magdalene-holding-her-attribute-the-alabaster-jar-containing-the-ointment-with-which-she-anointed-the-body-of-jesus-the-inscription-reads-m-aria-soror-marth-ha-e-mary-sister-of-martha-grisaille-windows-with-figural-glass-in-the-central-zones-known-as-band-windows-were-common-in-french-glazing-programs-of-the-fourteenth-century-here-the-image458466636.htmlRM2HHTXTC–Prophet Isaiah ca. 1325 French Represented at the left is the prophet Isaiah (YSAIAS) holding a scroll inscribed: ECCE VIRGO—the first words of his prophecy, “Behold, a virgin shall conceive, and bear a son” (Isaiah 7:14). At the right is Saint Mary Magdalene holding her attribute, the alabaster jar containing the ointment with which she anointed the body of Jesus. The inscription reads: M[ARIA SOROR] MARTH[HA]E (Mary, sister of Martha). Grisaille windows with figural glass in the central zones, known as band windows, were common in French glazing programs of the fourteenth century. Here, the
Christ in the House of Mary and Martha, probably c. 1576/1580. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-in-the-house-of-mary-and-martha-probably-c-15761580-image491459763.htmlRM2KFFWXB–Christ in the House of Mary and Martha, probably c. 1576/1580.
Bethany, Jordan, is recorded in the New Testament as the home of the siblings Mary, Martha, and Lazarus, as well as that of Simon the Leper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bethany-jordan-is-recorded-in-the-new-testament-as-the-home-of-the-siblings-mary-martha-and-lazarus-as-well-as-that-of-simon-the-leper-image182074618.htmlRFMG660X–Bethany, Jordan, is recorded in the New Testament as the home of the siblings Mary, Martha, and Lazarus, as well as that of Simon the Leper.
Christ in the House of Martha and Mary. Museum: Rijksmuseum, Amsterdam. Author: Engebrechtsz., Cornelis. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-in-the-house-of-martha-and-mary-museum-rijksmuseum-amsterdam-author-engebrechtsz-cornelis-image220264441.htmlRMPP9WF5–Christ in the House of Martha and Mary. Museum: Rijksmuseum, Amsterdam. Author: Engebrechtsz., Cornelis.
![A pictorial commentary on the Gospel according to Mark : with the text of the Authorized and Revised versions . different anointings. there came a woman] John says her name was Mary, probably the sisterof Martha, and of Lazarus. The name of the woman who was a sinner, andanointed Jesus at the house of Simon the Pharisee, is not given, so that theRomanist writers have no ground for identifying her with Mary of Bethany,or for regarding the anointing at Bethany as the same as the one describedin Luke vii, 36—50. Mark XIV, 4.] ON THE GOSPEL OF MARK. 163 Authorized Version. woman having an alabaste Stock Photo](https://c8.alamy.com/comp/2AKH8CE/a-pictorial-commentary-on-the-gospel-according-to-mark-with-the-text-of-the-authorized-and-revised-versions-different-anointings-there-came-a-woman-john-says-her-name-was-mary-probably-the-sisterof-martha-and-of-lazarus-the-name-of-the-woman-who-was-a-sinner-andanointed-jesus-at-the-house-of-simon-the-pharisee-is-not-given-so-that-theromanist-writers-have-no-ground-for-identifying-her-with-mary-of-bethanyor-for-regarding-the-anointing-at-bethany-as-the-same-as-the-one-describedin-luke-vii-3650-mark-xiv-4-on-the-gospel-of-mark-163-authorized-version-woman-having-an-alabaste-2AKH8CE.jpg "A pictorial commentary on the Gospel according to Mark : with the text of the Authorized and Revised versions . different anointings. there came a woman] John says her name was Mary, probably the sisterof Martha, and of Lazarus. The name of the woman who was a sinner, andanointed Jesus at the house of Simon the Pharisee, is not given, so that theRomanist writers have no ground for identifying her with Mary of Bethany,or for regarding the anointing at Bethany as the same as the one describedin Luke vii, 36—50. Mark XIV, 4.] ON THE GOSPEL OF MARK. 163 Authorized Version. woman having an alabaste Stock Photo")
A pictorial commentary on the Gospel according to Mark : with the text of the Authorized and Revised versions . different anointings. there came a woman] John says her name was Mary, probably the sisterof Martha, and of Lazarus. The name of the woman who was a sinner, andanointed Jesus at the house of Simon the Pharisee, is not given, so that theRomanist writers have no ground for identifying her with Mary of Bethany,or for regarding the anointing at Bethany as the same as the one describedin Luke vii, 36—50. Mark XIV, 4.] ON THE GOSPEL OF MARK. 163 Authorized Version. woman having an alabaste Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-pictorial-commentary-on-the-gospel-according-to-mark-with-the-text-of-the-authorized-and-revised-versions-different-anointings-there-came-a-woman-john-says-her-name-was-mary-probably-the-sisterof-martha-and-of-lazarus-the-name-of-the-woman-who-was-a-sinner-andanointed-jesus-at-the-house-of-simon-the-pharisee-is-not-given-so-that-theromanist-writers-have-no-ground-for-identifying-her-with-mary-of-bethanyor-for-regarding-the-anointing-at-bethany-as-the-same-as-the-one-describedin-luke-vii-3650-mark-xiv-4-on-the-gospel-of-mark-163-authorized-version-woman-having-an-alabaste-image339055262.htmlRM2AKH8CE–A pictorial commentary on the Gospel according to Mark : with the text of the Authorized and Revised versions . different anointings. there came a woman] John says her name was Mary, probably the sisterof Martha, and of Lazarus. The name of the woman who was a sinner, andanointed Jesus at the house of Simon the Pharisee, is not given, so that theRomanist writers have no ground for identifying her with Mary of Bethany,or for regarding the anointing at Bethany as the same as the one describedin Luke vii, 36—50. Mark XIV, 4.] ON THE GOSPEL OF MARK. 163 Authorized Version. woman having an alabaste
Guildford, UK - May 28, 2023: Sunrise at St Martha's Church, Surrey Hills, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/guildford-uk-may-28-2023-sunrise-at-st-marthas-church-surrey-hills-uk-image595589881.htmlRM2WGYCY5–Guildford, UK - May 28, 2023: Sunrise at St Martha's Church, Surrey Hills, UK
![Saint Mary Magdalene ca. 1325 French Represented at the left is the prophet Isaiah (YSAIAS) holding a scroll inscribed: ECCE VIRGO—the first words of his prophecy, “Behold, a virgin shall conceive, and bear a son” (Isaiah 7:14). At the right is Saint Mary Magdalene holding her attribute, the alabaster jar containing the ointment with which she anointed the body of Jesus. The inscription reads: M[ARIA SOROR] MARTH[HA]E (Mary, sister of Martha). Grisaille windows with figural glass in the central zones, known as band windows, were common in French glazing programs of the fourteenth century. Here Stock Photo](https://c8.alamy.com/comp/2HHTXW4/saint-mary-magdalene-ca-1325-french-represented-at-the-left-is-the-prophet-isaiah-ysaias-holding-a-scroll-inscribed-ecce-virgothe-first-words-of-his-prophecy-behold-a-virgin-shall-conceive-and-bear-a-son-isaiah-714-at-the-right-is-saint-mary-magdalene-holding-her-attribute-the-alabaster-jar-containing-the-ointment-with-which-she-anointed-the-body-of-jesus-the-inscription-reads-m-aria-soror-marth-ha-e-mary-sister-of-martha-grisaille-windows-with-figural-glass-in-the-central-zones-known-as-band-windows-were-common-in-french-glazing-programs-of-the-fourteenth-century-here-2HHTXW4.jpg "Saint Mary Magdalene ca. 1325 French Represented at the left is the prophet Isaiah (YSAIAS) holding a scroll inscribed: ECCE VIRGO—the first words of his prophecy, “Behold, a virgin shall conceive, and bear a son” (Isaiah 7:14). At the right is Saint Mary Magdalene holding her attribute, the alabaster jar containing the ointment with which she anointed the body of Jesus. The inscription reads: M[ARIA SOROR] MARTH[HA]E (Mary, sister of Martha). Grisaille windows with figural glass in the central zones, known as band windows, were common in French glazing programs of the fourteenth century. Here Stock Photo")
Saint Mary Magdalene ca. 1325 French Represented at the left is the prophet Isaiah (YSAIAS) holding a scroll inscribed: ECCE VIRGO—the first words of his prophecy, “Behold, a virgin shall conceive, and bear a son” (Isaiah 7:14). At the right is Saint Mary Magdalene holding her attribute, the alabaster jar containing the ointment with which she anointed the body of Jesus. The inscription reads: M[ARIA SOROR] MARTH[HA]E (Mary, sister of Martha). Grisaille windows with figural glass in the central zones, known as band windows, were common in French glazing programs of the fourteenth century. Here Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-mary-magdalene-ca-1325-french-represented-at-the-left-is-the-prophet-isaiah-ysaias-holding-a-scroll-inscribed-ecce-virgothe-first-words-of-his-prophecy-behold-a-virgin-shall-conceive-and-bear-a-son-isaiah-714-at-the-right-is-saint-mary-magdalene-holding-her-attribute-the-alabaster-jar-containing-the-ointment-with-which-she-anointed-the-body-of-jesus-the-inscription-reads-m-aria-soror-marth-ha-e-mary-sister-of-martha-grisaille-windows-with-figural-glass-in-the-central-zones-known-as-band-windows-were-common-in-french-glazing-programs-of-the-fourteenth-century-here-image458466656.htmlRM2HHTXW4–Saint Mary Magdalene ca. 1325 French Represented at the left is the prophet Isaiah (YSAIAS) holding a scroll inscribed: ECCE VIRGO—the first words of his prophecy, “Behold, a virgin shall conceive, and bear a son” (Isaiah 7:14). At the right is Saint Mary Magdalene holding her attribute, the alabaster jar containing the ointment with which she anointed the body of Jesus. The inscription reads: M[ARIA SOROR] MARTH[HA]E (Mary, sister of Martha). Grisaille windows with figural glass in the central zones, known as band windows, were common in French glazing programs of the fourteenth century. Here
Jesus Wept (Jésus pleura) James Tissot (French, 1836-1902). Jesus Wept (Jésus pleura), 1886-1896. Opaque watercolor over graphite on gray wove paper, Image: 6 3/4 x 8 15/16 in. (17.1 x 22.7 cm). Following the death of his friend Lazarus, Jesus goes to Bethany to comfort Martha and Mary Magdalene for a loss that he also felt keenly. Both women lament that Jesus was absent when Lazarus took ill, knowing that he would have prevented the death with his healing powers. Affected by the loss, Jesus weeps. Led to the darkened tomb of Lazarus, Jesus commands the removal of the stone covering the openi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jesus-wept-jsus-pleura-james-tissot-french-1836-1902-jesus-wept-jsus-pleura-1886-1896-opaque-watercolor-over-graphite-on-gray-wove-paper-image-6-34-x-8-1516-in-171-x-227-cm-following-the-death-of-his-friend-lazarus-jesus-goes-to-bethany-to-comfort-martha-and-mary-magdalene-for-a-loss-that-he-also-felt-keenly-both-women-lament-that-jesus-was-absent-when-lazarus-took-ill-knowing-that-he-would-have-prevented-the-death-with-his-healing-powers-affected-by-the-loss-jesus-weeps-led-to-the-darkened-tomb-of-lazarus-jesus-commands-the-removal-of-the-stone-covering-the-openi-image504684928.htmlRM2M92ANM–Jesus Wept (Jésus pleura) James Tissot (French, 1836-1902). Jesus Wept (Jésus pleura), 1886-1896. Opaque watercolor over graphite on gray wove paper, Image: 6 3/4 x 8 15/16 in. (17.1 x 22.7 cm). Following the death of his friend Lazarus, Jesus goes to Bethany to comfort Martha and Mary Magdalene for a loss that he also felt keenly. Both women lament that Jesus was absent when Lazarus took ill, knowing that he would have prevented the death with his healing powers. Affected by the loss, Jesus weeps. Led to the darkened tomb of Lazarus, Jesus commands the removal of the stone covering the openi
Search Results for Jesus at the of martha and mary Stock Photos and Images (470)
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