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Jesus painting canvas Stock Photos and Images
![Italy: 'Christ and Mary Magdalene (Noli Me Tangere)'. Oil on canvas painting by Titian (1490 - 27 August 1576), c. 1512. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. She was the first person to see Jesus after his Resurrection. Stock Photo](https://c8.alamy.com/comp/2B01M26/italy-christ-and-mary-magdalene-noli-me-tangere-oil-on-canvas-painting-by-titian-1490-27-august-1576-c-1512-mary-magdalene-was-one-of-jesus-most-celebrated-disciples-and-the-most-important-woman-disciple-in-the-movement-of-jesus-jesus-cleansed-her-of-seven-demons-luke-82-mark-169-conventionally-interpreted-as-referring-to-complex-illnesses-she-became-most-prominent-during-his-last-days-being-present-at-the-cross-after-the-male-disciples-excepting-john-the-beloved-had-fled-and-at-his-burial-she-was-the-first-person-to-see-jesus-after-his-resurrection-2B01M26.jpg "Italy: 'Christ and Mary Magdalene (Noli Me Tangere)'. Oil on canvas painting by Titian (1490 - 27 August 1576), c. 1512. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. She was the first person to see Jesus after his Resurrection. Stock Photo")
Italy: 'Christ and Mary Magdalene (Noli Me Tangere)'. Oil on canvas painting by Titian (1490 - 27 August 1576), c. 1512. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. She was the first person to see Jesus after his Resurrection. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italy-christ-and-mary-magdalene-noli-me-tangere-oil-on-canvas-painting-by-titian-1490-27-august-1576-c-1512-mary-magdalene-was-one-of-jesus-most-celebrated-disciples-and-the-most-important-woman-disciple-in-the-movement-of-jesus-jesus-cleansed-her-of-seven-demons-luke-82-mark-169-conventionally-interpreted-as-referring-to-complex-illnesses-she-became-most-prominent-during-his-last-days-being-present-at-the-cross-after-the-male-disciples-excepting-john-the-beloved-had-fled-and-at-his-burial-she-was-the-first-person-to-see-jesus-after-his-resurrection-image344245054.htmlRM2B01M26–Italy: 'Christ and Mary Magdalene (Noli Me Tangere)'. Oil on canvas painting by Titian (1490 - 27 August 1576), c. 1512. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. She was the first person to see Jesus after his Resurrection.
Christ on the Cross by Peter Paul Rubens (1577-1640). Oil on canvas, c.1615/6. Jesus crucifixion painting. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-christ-on-the-cross-by-peter-paul-rubens-1577-1640-oil-on-canvas-c16156-122444710.htmlRMH35RDA–Christ on the Cross by Peter Paul Rubens (1577-1640). Oil on canvas, c.1615/6. Jesus crucifixion painting.
Carl Heinrich Bloch, painting, Jesus Christ (Christus Consolator), (altarpiece), oil on canvas, 1881 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carl-heinrich-bloch-painting-jesus-christ-christus-consolator-altarpiece-oil-on-canvas-1881-image475004270.htmlRM2JGP8P6–Carl Heinrich Bloch, painting, Jesus Christ (Christus Consolator), (altarpiece), oil on canvas, 1881
Painting titled 'The Annunciation ' by Master of Liesborn, a Westphalian painter. Dated 15th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-titled-the-annunciation-by-master-of-liesborn-a-westphalian-painter-dated-15th-century-image257293134.htmlRMTXGM0E–Painting titled 'The Annunciation ' by Master of Liesborn, a Westphalian painter. Dated 15th Century
religion, Christianity, Jesus Christ, nativity, 'The Nativity', painting, by Federico Barocci (1526 / 1535 - 1612), circa 1597, oil on canvas, 134 x 105 cm, Prado, Madrid, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/religion-christianity-jesus-christ-nativity-the-nativity-painting-by-federico-barocci-1526-1535-1612-circa-1597-oil-on-canvas-134-x-105-cm-prado-madrid-artists-copyright-has-not-to-be-cleared-image241765048.htmlRMT199P0–religion, Christianity, Jesus Christ, nativity, 'The Nativity', painting, by Federico Barocci (1526 / 1535 - 1612), circa 1597, oil on canvas, 134 x 105 cm, Prado, Madrid, Artist's Copyright has not to be cleared
The Supper at Emmaus, 1936-1937. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-supper-at-emmaus-1936-1937-image262730379.htmlRMW7CB7R–The Supper at Emmaus, 1936-1937.
Ivan Kramskoy, Christ in the Wilderness 1872 Oil on canvas, Tretyakov Gallery, Moscow, Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ivan-kramskoy-christ-in-the-wilderness-1872-oil-on-canvas-tretyakov-gallery-moscow-russia-image223269759.htmlRMPY6PRY–Ivan Kramskoy, Christ in the Wilderness 1872 Oil on canvas, Tretyakov Gallery, Moscow, Russia.
Painting depicting the Resurrection of Jesus Christ by El Greco (1541-1614) a painter, sculptor and architect of the Spanish Renaissance. Dated 17th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painting-depicting-the-resurrection-of-jesus-christ-by-el-greco-1541-104177358.htmlRMG1DK7X–Painting depicting the Resurrection of Jesus Christ by El Greco (1541-1614) a painter, sculptor and architect of the Spanish Renaissance. Dated 17th Century
The presentation of Jesus at the Temple Oil - canvas - wood 26/09/2013 - Collection Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-presentation-of-jesus-at-the-temple-oil-canvas-wood-26092013-collection-82283687.htmlRMENT9K3–The presentation of Jesus at the Temple Oil - canvas - wood 26/09/2013 - Collection
painting, Willem van Ingen, c. 1680, canvas, oil paint, plywood, painted, General: 81 x 151.5 x 0.5cm 810 x 1515 x 5mm, biblical depiction, christ, lead, Painting depicting Jesus under the scribes. On the left, on a high and richly decorated throne, Jesus is used almost entirely to the right. He wears a long lilac robe and speaks in an eloquent manner to three scribes on the right. Two of these sit on the floor, while a third sits on a richly decorated chair behind a table. To the left of Jesus' throne is a fourth scribe on the floor. Black curtains and columns close off the composition on the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-willem-van-ingen-c-1680-canvas-oil-paint-plywood-painted-general-81-x-1515-x-05cm-810-x-1515-x-5mm-biblical-depiction-christ-lead-painting-depicting-jesus-under-the-scribes-on-the-left-on-a-high-and-richly-decorated-throne-jesus-is-used-almost-entirely-to-the-right-he-wears-a-long-lilac-robe-and-speaks-in-an-eloquent-manner-to-three-scribes-on-the-right-two-of-these-sit-on-the-floor-while-a-third-sits-on-a-richly-decorated-chair-behind-a-table-to-the-left-of-jesus-throne-is-a-fourth-scribe-on-the-floor-black-curtains-and-columns-close-off-the-composition-on-the-image386384246.htmlRM2DCH91A–painting, Willem van Ingen, c. 1680, canvas, oil paint, plywood, painted, General: 81 x 151.5 x 0.5cm 810 x 1515 x 5mm, biblical depiction, christ, lead, Painting depicting Jesus under the scribes. On the left, on a high and richly decorated throne, Jesus is used almost entirely to the right. He wears a long lilac robe and speaks in an eloquent manner to three scribes on the right. Two of these sit on the floor, while a third sits on a richly decorated chair behind a table. To the left of Jesus' throne is a fourth scribe on the floor. Black curtains and columns close off the composition on the
Religious oil painting 'The Last Supper of Jesus', painting with Mongolian faces of an unknown artist in the Bishop's House in Guwahati, Assam, India Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/religious-oil-painting-the-last-supper-of-jesus-painting-with-mongolian-faces-of-an-unknown-artist-in-the-bishops-house-in-guwahati-assam-india-image263194768.htmlRMW85FH4–Religious oil painting 'The Last Supper of Jesus', painting with Mongolian faces of an unknown artist in the Bishop's House in Guwahati, Assam, India
Ippolito Borguese (1568-1627). Italian painter of the late-Renaissance. Pieta, 1603. Oil on canvas. National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ippolito-borguese-1568-1627-italian-painter-of-the-late-renaissance-140425205.htmlRMJ4CWNW–Ippolito Borguese (1568-1627). Italian painter of the late-Renaissance. Pieta, 1603. Oil on canvas. National Museum of Capodimonte. Naples. Italy.
Peru Modern Religious Art - Jesus Crown Of Thorns Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/peru-modern-religious-art-jesus-crown-of-thorns-image444233875.htmlRM2GPMGRF–Peru Modern Religious Art - Jesus Crown Of Thorns
canvas painting in the orthodox church Abreha wa Atsbaha, Gheralta region, Tigray, Ethiopia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/canvas-painting-in-the-orthodox-church-abreha-wa-atsbaha-gheralta-region-tigray-ethiopia-image350576357.htmlRM2BAA3M5–canvas painting in the orthodox church Abreha wa Atsbaha, Gheralta region, Tigray, Ethiopia
John Nash by Sir Thomas Lawrence - oil on canvas - Jesus College, Oxford - John Nash (January 18, 1752 - 13 May 1835) was an English architect responsible for much of the layout of Regency London.. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-nash-by-sir-thomas-lawrence-oil-on-canvas-jesus-college-oxford-john-nash-january-18-1752-13-may-1835-was-an-english-architect-responsible-for-much-of-the-layout-of-regency-london-image268853237.htmlRMWHB919–John Nash by Sir Thomas Lawrence - oil on canvas - Jesus College, Oxford - John Nash (January 18, 1752 - 13 May 1835) was an English architect responsible for much of the layout of Regency London..
Inspired by Virgin de Chiquinquira, Oil on canvas, Peru, n.d., 16 x 20 in., 40.6 x 50.8 cm, baby, baby Jesus, Child, Chiquinquira, Chirst, Christ, Christian, cloud, clouds, couronne, crown, halo, heaven, inscription, Jesus, Madonna, mandorla, Marie, Mary, Oil, oil painting, painting, Peru, rosary, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-virgin-de-chiquinquira-oil-on-canvas-peru-nd-16-x-20-in-406-x-508-cm-baby-baby-jesus-child-chiquinquira-chirst-christ-christian-cloud-clouds-couronne-crown-halo-heaven-inscription-jesus-madonna-mandorla-marie-mary-oil-oil-painting-painting-peru-rosary-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459254126.htmlRF2HK4R92–Inspired by Virgin de Chiquinquira, Oil on canvas, Peru, n.d., 16 x 20 in., 40.6 x 50.8 cm, baby, baby Jesus, Child, Chiquinquira, Chirst, Christ, Christian, cloud, clouds, couronne, crown, halo, heaven, inscription, Jesus, Madonna, mandorla, Marie, Mary, Oil, oil painting, painting, Peru, rosary, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The Dead Christ with Angels, by Edouard Manet, 1864, French impressionist painting, oil on canvas (BSLOC 2017 3 6) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-dead-christ-with-angels-by-edouard-manet-1864-french-impressionist-170544086.htmlRMKWCXM6–The Dead Christ with Angels, by Edouard Manet, 1864, French impressionist painting, oil on canvas (BSLOC 2017 3 6)
Toledo, Spain-October 29, 2021: Painting Christ the Saviour, Cristo Salvador, by El Greco in 1608-1614. Oil on Canvas. Shows Jesus Christ as the Savio Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/toledo-spain-october-29-2021-painting-christ-the-saviour-cristo-salvador-by-el-greco-in-1608-1614-oil-on-canvas-shows-jesus-christ-as-the-savio-image548912203.htmlRF2PW1337–Toledo, Spain-October 29, 2021: Painting Christ the Saviour, Cristo Salvador, by El Greco in 1608-1614. Oil on Canvas. Shows Jesus Christ as the Savio
Orsay Museum. Alexandre Gabriel Decamps. Jesus Christ in the courtroom. Oil on canvas. 1847. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-orsay-museum-alexandre-gabriel-decamps-jesus-christ-in-the-courtroom-148148416.htmlRFJH0MPT–Orsay Museum. Alexandre Gabriel Decamps. Jesus Christ in the courtroom. Oil on canvas. 1847.
Netherlands: 'The Last Supper'. Oil on canvas painting by Gerbrand van den Eeckhout (19 August 1621 - 29 September 1674), 1664. Van den Eeckhout was a student of Rembrandt and, like his mentor, he preferred using dark colours and contrasts with light. In this masterpiece, he shows Jesus Christ in the centre, illuminated by candlelight and a halo. Jesus breaks bread to share with his disciples who appear to be anxious and deep in discussion. They are vexed because Christ has just declared that one of them would betray him. Jesus appears to be glancing at Judas, who stands in the foreground. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/netherlands-the-last-supper-oil-on-canvas-painting-by-gerbrand-van-den-eeckhout-19-august-1621-29-september-1674-1664-van-den-eeckhout-was-a-student-of-rembrandt-and-like-his-mentor-he-preferred-using-dark-colours-and-contrasts-with-light-in-this-masterpiece-he-shows-jesus-christ-in-the-centre-illuminated-by-candlelight-and-a-halo-jesus-breaks-bread-to-share-with-his-disciples-who-appear-to-be-anxious-and-deep-in-discussion-they-are-vexed-because-christ-has-just-declared-that-one-of-them-would-betray-him-jesus-appears-to-be-glancing-at-judas-who-stands-in-the-foreground-image344235566.htmlRM2B017YA–Netherlands: 'The Last Supper'. Oil on canvas painting by Gerbrand van den Eeckhout (19 August 1621 - 29 September 1674), 1664. Van den Eeckhout was a student of Rembrandt and, like his mentor, he preferred using dark colours and contrasts with light. In this masterpiece, he shows Jesus Christ in the centre, illuminated by candlelight and a halo. Jesus breaks bread to share with his disciples who appear to be anxious and deep in discussion. They are vexed because Christ has just declared that one of them would betray him. Jesus appears to be glancing at Judas, who stands in the foreground.
Nativity painting.'The Adoration of the Shepherds' by Guido Reni (1575-1642), oil on canvas, 1640. This is a detail from a larger painting, G29XR6. It depicts a nativity scene with the baby Jesus being visited by shepherds. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nativity-paintingthe-adoration-of-the-shepherds-by-guido-reni-1575-104710119.htmlRMG29XR3–Nativity painting.'The Adoration of the Shepherds' by Guido Reni (1575-1642), oil on canvas, 1640. This is a detail from a larger painting, G29XR6. It depicts a nativity scene with the baby Jesus being visited by shepherds.
The Flagellation of Our Lord Jesus Christ, painting in oil on canvas by William Adolphe Bouguereau, 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-flagellation-of-our-lord-jesus-christ-painting-in-oil-on-canvas-by-william-adolphe-bouguereau-1880-image471358057.htmlRM2JAT609–The Flagellation of Our Lord Jesus Christ, painting in oil on canvas by William Adolphe Bouguereau, 1880
Painting titled 'The Adoration of the Kings' by Bartolomeo Suardi (1456-1530) an Italian painter and architect. Dated 16th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-titled-the-adoration-of-the-kings-by-bartolomeo-suardi-1456-1530-an-italian-painter-and-architect-dated-16th-century-image257293598.htmlRMTXGMH2–Painting titled 'The Adoration of the Kings' by Bartolomeo Suardi (1456-1530) an Italian painter and architect. Dated 16th Century
religion, Christianity, Jesus Christ, nativity, 'The Nativity', painting by Giovanni Battista Pittoni (1687 - 1767), 18th century, oil on canvas, 74 x 56 cm, art museum, Quimper, baroque, fine arts, religious art, art of painting, Messiah, Saviour, Redeemer, half-length, half length, kneel, kneeling, Mary, Madonna, stable, barn, barnstable, stables, barns, barnstables, the infant Jesus, baby Jesus, divine infant, angel, angels, baby, babies, child, children, kid, kids, Nativity scene, crib, cribs, Nativity scenes, Joseph, religion, religions, nativity,, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/religion-christianity-jesus-christ-nativity-the-nativity-painting-by-giovanni-battista-pittoni-1687-1767-18th-century-oil-on-canvas-74-x-56-cm-art-museum-quimper-baroque-fine-arts-religious-art-art-of-painting-messiah-saviour-redeemer-half-length-half-length-kneel-kneeling-mary-madonna-stable-barn-barnstable-stables-barns-barnstables-the-infant-jesus-baby-jesus-divine-infant-angel-angels-baby-babies-child-children-kid-kids-nativity-scene-crib-cribs-nativity-scenes-joseph-religion-religions-nativity-artists-copyright-has-not-to-be-cleared-image240732481.htmlRMRYJ8MH–religion, Christianity, Jesus Christ, nativity, 'The Nativity', painting by Giovanni Battista Pittoni (1687 - 1767), 18th century, oil on canvas, 74 x 56 cm, art museum, Quimper, baroque, fine arts, religious art, art of painting, Messiah, Saviour, Redeemer, half-length, half length, kneel, kneeling, Mary, Madonna, stable, barn, barnstable, stables, barns, barnstables, the infant Jesus, baby Jesus, divine infant, angel, angels, baby, babies, child, children, kid, kids, Nativity scene, crib, cribs, Nativity scenes, Joseph, religion, religions, nativity,, Artist's Copyright has not to be cleared
Niño Jesús del Hospital de la Caridad. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nio-jess-del-hospital-de-la-caridad-image262732877.htmlRMW7CED1–Niño Jesús del Hospital de la Caridad.
Luca Giordano, The Entombment of Christ 1655 Oil on canvas, Philbrook Museum of Art, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/luca-giordano-the-entombment-of-christ-1655-oil-on-canvas-philbrook-museum-of-art-usa-image230668638.htmlRMRB7T5J–Luca Giordano, The Entombment of Christ 1655 Oil on canvas, Philbrook Museum of Art, USA.
Christ Crowned with Thorns by Gerard van Honthorst (1592-1656) oil on canvas, c 1622. Before Christ's trial, Roman soldiers placed a plaited crown of thorns on his head, dressed him in a cloak and mocked him. After all, was he not the 'King of the Jews'? The scene is dramatically illuminated by a torch, held by the boy at the left. Honthorst probably made this painting for a clandestine Catholic church (schullkerk) in Amsterdam. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-crowned-with-thorns-by-gerard-van-honthorst-1592-1656-oil-on-image68542942.htmlRMDYEB66–Christ Crowned with Thorns by Gerard van Honthorst (1592-1656) oil on canvas, c 1622. Before Christ's trial, Roman soldiers placed a plaited crown of thorns on his head, dressed him in a cloak and mocked him. After all, was he not the 'King of the Jews'? The scene is dramatically illuminated by a torch, held by the boy at the left. Honthorst probably made this painting for a clandestine Catholic church (schullkerk) in Amsterdam.
ActiveMuseum 0003295.jpg / The evil healing - oil on canvas 25/10/2013 - / 17th century Collection / Active Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-activemuseum-0003295jpg-the-evil-healing-oil-on-canvas-25102013-17th-79293163.htmlRMEH036K–ActiveMuseum 0003295.jpg / The evil healing - oil on canvas 25/10/2013 - / 17th century Collection / Active Museum
Saint Philip of Jesus, San Felipe de Jesus, Oil on canvas, Mexico, 18th century, 16 1/2 x 11 1/2in., 41.9 x 29.2cm, angels, catholicism, crucifixion, crusifix, fabric, halo, hispanic heritage, Jesus, lance, latin american art, martyr, Mexican Painting, oil on canvas, pattern, religious, religious art, spanish american art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-philip-of-jesus-san-felipe-de-jesus-oil-on-canvas-mexico-18th-century-16-12-x-11-12in-419-x-292cm-angels-catholicism-crucifixion-crusifix-fabric-halo-hispanic-heritage-jesus-lance-latin-american-art-martyr-mexican-painting-oil-on-canvas-pattern-religious-religious-art-spanish-american-art-image454276177.htmlRM2HB21W5–Saint Philip of Jesus, San Felipe de Jesus, Oil on canvas, Mexico, 18th century, 16 1/2 x 11 1/2in., 41.9 x 29.2cm, angels, catholicism, crucifixion, crusifix, fabric, halo, hispanic heritage, Jesus, lance, latin american art, martyr, Mexican Painting, oil on canvas, pattern, religious, religious art, spanish american art
Religious oil painting 'The Last Supper of Jesus', painting with Mongolian faces of an unknown artist in the Bishop's House in Guwahati, Assam, India Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/religious-oil-painting-the-last-supper-of-jesus-painting-with-mongolian-faces-of-an-unknown-artist-in-the-bishops-house-in-guwahati-assam-india-image263194924.htmlRMW85FPM–Religious oil painting 'The Last Supper of Jesus', painting with Mongolian faces of an unknown artist in the Bishop's House in Guwahati, Assam, India
Painted Cross. 1272-85. Oil painting on canvas. Master of San Francesco. Louvre. Paris. France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painted-cross-1272-85-oil-painting-on-canvas-master-of-san-francesco-79298112.htmlRMEH09FC–Painted Cross. 1272-85. Oil painting on canvas. Master of San Francesco. Louvre. Paris. France.
Jesus and the Doctors, attributed to Gioacchino Assereto, second quarter of the 17th century, oil on canvas - Museo Diocesano (Genoa) Italy, Italian. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jesus-and-the-doctors-attributed-to-gioacchino-assereto-second-quarter-of-the-17th-century-oil-on-canvas-museo-diocesano-genoa-italy-italian-image452685007.htmlRM2H8DG9K–Jesus and the Doctors, attributed to Gioacchino Assereto, second quarter of the 17th century, oil on canvas - Museo Diocesano (Genoa) Italy, Italian.
Title: Rua da Quitanda Creator: Benedito Calixto de Jesus Date: 1858 Dimensions: 51 x 60.6 cm Medium: Oil on canvas Location: Museu Paulista da USP Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-rua-da-quitanda-creator-benedito-calixto-de-jesus-date-1858-dimensions-51-x-606-cm-medium-oil-on-canvas-location-museu-paulista-da-usp-image371654946.htmlRM2CGJ9JX–Title: Rua da Quitanda Creator: Benedito Calixto de Jesus Date: 1858 Dimensions: 51 x 60.6 cm Medium: Oil on canvas Location: Museu Paulista da USP
old painting on canvas of virgin Mary holding baby Jesus, religious symbol in Christianity. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/old-painting-on-canvas-of-virgin-mary-holding-baby-jesus-religious-symbol-in-christianity-image565597413.htmlRF2RT557H–old painting on canvas of virgin Mary holding baby Jesus, religious symbol in Christianity.
Inspired by Saint Philip of Jesus, San Felipe de Jesus, Oil on canvas, Mexico, 18th century, 16 1/2 x 11 1/2in., 41.9 x 29.2cm, angels, catholicism, crucifixion, crusifix, fabric, halo, hispanic heritage, Jesus, lance, latin american art, martyr, Mexican Painting, oil on canvas, pattern, religious, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-saint-philip-of-jesus-san-felipe-de-jesus-oil-on-canvas-mexico-18th-century-16-12-x-11-12in-419-x-292cm-angels-catholicism-crucifixion-crusifix-fabric-halo-hispanic-heritage-jesus-lance-latin-american-art-martyr-mexican-painting-oil-on-canvas-pattern-religious-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459254562.htmlRF2HK4RTJ–Inspired by Saint Philip of Jesus, San Felipe de Jesus, Oil on canvas, Mexico, 18th century, 16 1/2 x 11 1/2in., 41.9 x 29.2cm, angels, catholicism, crucifixion, crusifix, fabric, halo, hispanic heritage, Jesus, lance, latin american art, martyr, Mexican Painting, oil on canvas, pattern, religious, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
CHRIST CARRYING THE CROSS, by El Greco, 1577–87, Spanish Renaissance painting, oil on canvas. This is a devotional image, in which Christ is portrayed as vulnerable, emotional human. El Greco paints Christ in embracing the instrument of his death with liquid eyes looking skyward (BSLOC 2017 16 55) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-christ-carrying-the-cross-by-el-greco-157787-spanish-renaissance-painting-170559724.htmlRMKWDJJM–CHRIST CARRYING THE CROSS, by El Greco, 1577–87, Spanish Renaissance painting, oil on canvas. This is a devotional image, in which Christ is portrayed as vulnerable, emotional human. El Greco paints Christ in embracing the instrument of his death with liquid eyes looking skyward (BSLOC 2017 16 55)
El Greco, Greek (active in Italy and Spain), 1541 - 1614, Christ Driving the Money Changers from the Temple, c. 1570-1575, Oil on Canvas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/el-greco-greek-active-in-italy-and-spain-1541-1614-christ-driving-the-money-changers-from-the-temple-c-1570-1575-oil-on-canvas-image573862437.htmlRF2T9HKB1–El Greco, Greek (active in Italy and Spain), 1541 - 1614, Christ Driving the Money Changers from the Temple, c. 1570-1575, Oil on Canvas
Louvre museum. The temptation of Jesus Christ. Oil on canvas. Ary Scheffer. 1849-1854. France. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-louvre-museum-the-temptation-of-jesus-christ-oil-on-canvas-ary-scheffer-166353319.htmlRFKJJ19Y–Louvre museum. The temptation of Jesus Christ. Oil on canvas. Ary Scheffer. 1849-1854. France.
![Russia: 'Appearance of Jesus Christ to Maria Magdalena'/'Noli Me Tangere (Touch Me Not)'. Oil on canvas painting by Alexander Andreyevich Ivanov (28 July 1806 - 16 July 1858), c. 1835. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. Stock Photo](https://c8.alamy.com/comp/2B01KW4/russia-appearance-of-jesus-christ-to-maria-magdalenanoli-me-tangere-touch-me-not-oil-on-canvas-painting-by-alexander-andreyevich-ivanov-28-july-1806-16-july-1858-c-1835-mary-magdalene-was-one-of-jesus-most-celebrated-disciples-and-the-most-important-woman-disciple-in-the-movement-of-jesus-jesus-cleansed-her-of-seven-demons-luke-82-mark-169-conventionally-interpreted-as-referring-to-complex-illnesses-she-became-most-prominent-during-his-last-days-being-present-at-the-cross-after-the-male-disciples-excepting-john-the-beloved-had-fled-and-at-his-burial-2B01KW4.jpg "Russia: 'Appearance of Jesus Christ to Maria Magdalena'/'Noli Me Tangere (Touch Me Not)'. Oil on canvas painting by Alexander Andreyevich Ivanov (28 July 1806 - 16 July 1858), c. 1835. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. Stock Photo")
Russia: 'Appearance of Jesus Christ to Maria Magdalena'/'Noli Me Tangere (Touch Me Not)'. Oil on canvas painting by Alexander Andreyevich Ivanov (28 July 1806 - 16 July 1858), c. 1835. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/russia-appearance-of-jesus-christ-to-maria-magdalenanoli-me-tangere-touch-me-not-oil-on-canvas-painting-by-alexander-andreyevich-ivanov-28-july-1806-16-july-1858-c-1835-mary-magdalene-was-one-of-jesus-most-celebrated-disciples-and-the-most-important-woman-disciple-in-the-movement-of-jesus-jesus-cleansed-her-of-seven-demons-luke-82-mark-169-conventionally-interpreted-as-referring-to-complex-illnesses-she-became-most-prominent-during-his-last-days-being-present-at-the-cross-after-the-male-disciples-excepting-john-the-beloved-had-fled-and-at-his-burial-image344244912.htmlRM2B01KW4–Russia: 'Appearance of Jesus Christ to Maria Magdalena'/'Noli Me Tangere (Touch Me Not)'. Oil on canvas painting by Alexander Andreyevich Ivanov (28 July 1806 - 16 July 1858), c. 1835. Mary Magdalene was one of Jesus' most celebrated disciples, and the most important woman disciple in the movement of Jesus. Jesus cleansed her of 'seven demons', [Luke 8:2] [Mark 16:9] conventionally interpreted as referring to complex illnesses. She became most prominent during his last days, being present at the cross after the male disciples (excepting John the Beloved) had fled, and at his burial.
El Greco painting. Jesus in the Garden of Olives by El Greco (Domenikos Theotokopoulos, 1541-1614), oil on canvas, c.1600-1610 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/el-greco-painting-jesus-in-the-garden-of-olives-by-el-greco-domenikos-theotokopoulos-1541-1614-oil-on-canvas-c1600-1610-image218292427.htmlRMPK4263–El Greco painting. Jesus in the Garden of Olives by El Greco (Domenikos Theotokopoulos, 1541-1614), oil on canvas, c.1600-1610
Mary and Elizabeth with Jesus and John the Baptist, painting in oil on canvas by Johann Friedrich Overbeck, 1825 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-and-elizabeth-with-jesus-and-john-the-baptist-painting-in-oil-on-canvas-by-johann-friedrich-overbeck-1825-image490383944.htmlRM2KDPWM8–Mary and Elizabeth with Jesus and John the Baptist, painting in oil on canvas by Johann Friedrich Overbeck, 1825
Painting titled 'Christ Crowned with Thorns' by Dieric Bouts (1415-1475) an Early Netherlandish painter. Dated 15th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-titled-christ-crowned-with-thorns-by-dieric-bouts-1415-1475-an-early-netherlandish-painter-dated-15th-century-image257293686.htmlRMTXGMM6–Painting titled 'Christ Crowned with Thorns' by Dieric Bouts (1415-1475) an Early Netherlandish painter. Dated 15th Century
fine arts, Raphael (1483 - 1520), painting, Madonna of the rose, 1518 - 1520, oil on canvas, 103 x 84 cm, ARTIST'S COPYRIGHT HAS NOT TO BE CLEARED Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fine-arts-raphael-1483-1520-painting-madonna-of-the-rose-1518-1520-oil-on-canvas-103-x-84-cm-artists-copyright-has-not-to-be-cleared-image426557517.htmlRM2FNYAD1–fine arts, Raphael (1483 - 1520), painting, Madonna of the rose, 1518 - 1520, oil on canvas, 103 x 84 cm, ARTIST'S COPYRIGHT HAS NOT TO BE CLEARED
The Preaching of Saint John the Baptist, 1602. Artist: Haarlem, Cornelis Cornelisz., van (1562-1638) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-preaching-of-saint-john-the-baptist-1602-artist-haarlem-cornelis-cornelisz-van-1562-1638-image262727635.htmlRMW7C7NR–The Preaching of Saint John the Baptist, 1602. Artist: Haarlem, Cornelis Cornelisz., van (1562-1638)
Luis Tristan, Christ Crucified 1624, Oil on canvas, El Greco Museum, Toledo, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/luis-tristan-christ-crucified-1624-oil-on-canvas-el-greco-museum-toledo-spain-image230668558.htmlRMRB7T2P–Luis Tristan, Christ Crucified 1624, Oil on canvas, El Greco Museum, Toledo, Spain.
The Apparition of Christ to the People by Aleksander Ivano. Oil on Canvas, circa 1837-1857. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-apparition-of-christ-to-the-people-by-aleksander-ivano-oil-on-image68559356.htmlRMDYF44C–The Apparition of Christ to the People by Aleksander Ivano. Oil on Canvas, circa 1837-1857.
ActiveMuseum 0001928.jpg / Jesus healing the paralytic of Bethesda, circa 1780 - Gian Domenico Tiepolo Oil on canvas 25/09/2013 - / 18th century Collection / Active Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-activemuseum-0001928jpg-jesus-healing-the-paralytic-of-bethesda-circa-76109155.htmlRMEBR203–ActiveMuseum 0001928.jpg / Jesus healing the paralytic of Bethesda, circa 1780 - Gian Domenico Tiepolo Oil on canvas 25/09/2013 - / 18th century Collection / Active Museum
Virgin de Chiquinquira, Oil on canvas, Peru, n.d., 16 x 20 in., 40.6 x 50.8 cm, baby, baby Jesus, Child, Chiquinquira, Chirst, Christ, Christian, cloud, clouds, couronne, crown, halo, heaven, inscription, Jesus, Madonna, mandorla, Marie, Mary, Oil, oil painting, painting, Peru, rosary, saint, saints, Spanish colonial, Virgin, Virgin de Chiqunquira, Virgin Mary Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virgin-de-chiquinquira-oil-on-canvas-peru-nd-16-x-20-in-406-x-508-cm-baby-baby-jesus-child-chiquinquira-chirst-christ-christian-cloud-clouds-couronne-crown-halo-heaven-inscription-jesus-madonna-mandorla-marie-mary-oil-oil-painting-painting-peru-rosary-saint-saints-spanish-colonial-virgin-virgin-de-chiqunquira-virgin-mary-image454275623.htmlRM2HB215B–Virgin de Chiquinquira, Oil on canvas, Peru, n.d., 16 x 20 in., 40.6 x 50.8 cm, baby, baby Jesus, Child, Chiquinquira, Chirst, Christ, Christian, cloud, clouds, couronne, crown, halo, heaven, inscription, Jesus, Madonna, mandorla, Marie, Mary, Oil, oil painting, painting, Peru, rosary, saint, saints, Spanish colonial, Virgin, Virgin de Chiqunquira, Virgin Mary
Jean-Auguste-Dominique Ingres 1780-1867. Jésus remettant à saint Pierre les clés du paradis. 1820. oil painting on canvas cm 280 x 217. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jean-auguste-dominique-ingres-1780-1867-jsus-remettant-saint-pierre-les-cls-du-paradis-1820-oil-painting-on-canvas-cm-280-x-217-image376541630.htmlRM2CTGXKA–Jean-Auguste-Dominique Ingres 1780-1867. Jésus remettant à saint Pierre les clés du paradis. 1820. oil painting on canvas cm 280 x 217.
Carlo Maratta (1625-1713). Italian Baroque painter. Madonna and Child with infant Saint John. Oil on canvas. The seated Madonna holds Baby Jesus in her arms, with the infant Saint John the Baptist nearby. National Museum of Fine Arts. Valletta. Malta. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carlo-maratta-1625-1713-italian-baroque-painter-madonna-and-child-with-infant-saint-john-oil-on-canvas-the-seated-madonna-holds-baby-jesus-in-her-arms-with-the-infant-saint-john-the-baptist-nearby-national-museum-of-fine-arts-valletta-malta-image356946272.htmlRM2BMM8H4–Carlo Maratta (1625-1713). Italian Baroque painter. Madonna and Child with infant Saint John. Oil on canvas. The seated Madonna holds Baby Jesus in her arms, with the infant Saint John the Baptist nearby. National Museum of Fine Arts. Valletta. Malta.
Carlo Maratta, The Holy Night (The Nativity) 1655; oil on canvas; Dresden, Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/carlo-maratta-the-holy-night-the-nativity-1655-oil-on-canvas-dresden-germany-image574434429.htmlRF2TAFMY9–Carlo Maratta, The Holy Night (The Nativity) 1655; oil on canvas; Dresden, Germany
Title: Largo e Matriz do Brás Creator: Benedito Calixto de Jesus Date: 1862 Dimensions: 49 x 64 cm Medium: Oil on canvas Location: Museu Paulista da USP Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-largo-e-matriz-do-brs-creator-benedito-calixto-de-jesus-date-1862-dimensions-49-x-64-cm-medium-oil-on-canvas-location-museu-paulista-da-usp-image371654936.htmlRM2CGJ9JG–Title: Largo e Matriz do Brás Creator: Benedito Calixto de Jesus Date: 1862 Dimensions: 49 x 64 cm Medium: Oil on canvas Location: Museu Paulista da USP
The Mocking of Christ. 1630. Oil on canvas. By Karel Škréta (1610-1674). Belvedere Museum, Vienna, Austria. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-mocking-of-christ-1630-oil-on-canvas-by-karel-krta-1610-1674-belvedere-museum-vienna-austria-image340588734.htmlRF2AP34BA–The Mocking of Christ. 1630. Oil on canvas. By Karel Škréta (1610-1674). Belvedere Museum, Vienna, Austria.
Art inspired by Saint Philip of Jesus, San Felipe de Jesus, Oil on canvas, Mexico, 18th century, 16 1/2 x 11 1/2in., 41.9 x 29.2cm, angels, catholicism, crucifixion, crusifix, fabric, halo, hispanic heritage, Jesus, lance, latin american art, martyr, Mexican Painting, oil on canvas, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-saint-philip-of-jesus-san-felipe-de-jesus-oil-on-canvas-mexico-18th-century-16-12-x-11-12in-419-x-292cm-angels-catholicism-crucifixion-crusifix-fabric-halo-hispanic-heritage-jesus-lance-latin-american-art-martyr-mexican-painting-oil-on-canvas-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459568934.htmlRF2HKK4T6–Art inspired by Saint Philip of Jesus, San Felipe de Jesus, Oil on canvas, Mexico, 18th century, 16 1/2 x 11 1/2in., 41.9 x 29.2cm, angels, catholicism, crucifixion, crusifix, fabric, halo, hispanic heritage, Jesus, lance, latin american art, martyr, Mexican Painting, oil on canvas, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Canvas painting in St. Andrew's Forane Church at Arthunkal near Cherthala, Kerala, India. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-canvas-painting-in-st-andrews-forane-church-at-arthunkal-near-cherthala-31513232.htmlRFBR7FCG–Canvas painting in St. Andrew's Forane Church at Arthunkal near Cherthala, Kerala, India.
Bernard van Orley, triptych with the Crucifixion in the Church of our Lady, Bruges Belgium 4 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bernard-van-orley-triptych-with-the-crucifixion-in-the-church-of-our-37600450.htmlRMC54RN6–Bernard van Orley, triptych with the Crucifixion in the Church of our Lady, Bruges Belgium 4
Painting by Sir Joshua Reynolds; 'The Holy Family'; English School; Oil on canvas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painting-by-sir-joshua-reynolds-the-holy-family-english-school-oil-37916396.htmlRMC5K6N0–Painting by Sir Joshua Reynolds; 'The Holy Family'; English School; Oil on canvas
Holland/Netherlands: 'The Adoration of the Magi'. Tempera on canvas painting by Pieter Bruegel the Elder (1526 - 9 September 1569), c. 1556. Pieter Bruegel (Brueghel) the Elder was a Flemish Renaissance painter and printmaker known for his landscapes and peasant scenes. He is sometimes referred to as the 'Peasant Bruegel' to distinguish him from other members of the Brueghel dynasty, but he is also the one generally meant when the context does not make clear which Brueghel is being referred to. From 1559 he dropped the 'h' from his name and signed his paintings as Bruegel. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hollandnetherlands-the-adoration-of-the-magi-tempera-on-canvas-painting-by-pieter-bruegel-the-elder-1526-9-september-1569-c-1556-pieter-bruegel-brueghel-the-elder-was-a-flemish-renaissance-painter-and-printmaker-known-for-his-landscapes-and-peasant-scenes-he-is-sometimes-referred-to-as-the-peasant-bruegel-to-distinguish-him-from-other-members-of-the-brueghel-dynasty-but-he-is-also-the-one-generally-meant-when-the-context-does-not-make-clear-which-brueghel-is-being-referred-to-from-1559-he-dropped-the-h-from-his-name-and-signed-his-paintings-as-bruegel-image344249265.htmlRM2B01WCH–Holland/Netherlands: 'The Adoration of the Magi'. Tempera on canvas painting by Pieter Bruegel the Elder (1526 - 9 September 1569), c. 1556. Pieter Bruegel (Brueghel) the Elder was a Flemish Renaissance painter and printmaker known for his landscapes and peasant scenes. He is sometimes referred to as the 'Peasant Bruegel' to distinguish him from other members of the Brueghel dynasty, but he is also the one generally meant when the context does not make clear which Brueghel is being referred to. From 1559 he dropped the 'h' from his name and signed his paintings as Bruegel.
The Deposition by Sir Anthony van Dyck (1599-1641), oil on canvas, c.1619. The painting depicts Jesus Christ being taken down from the cross Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-deposition-by-sir-anthony-van-dyck-1599-1641-oil-on-canvas-c1619-175413794.htmlRMM5AP2A–The Deposition by Sir Anthony van Dyck (1599-1641), oil on canvas, c.1619. The painting depicts Jesus Christ being taken down from the cross
Jan Steen, The twelve year old Jesus in the Temple, painting, 1659-1660 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jan-steen-the-twelve-year-old-jesus-in-the-temple-painting-1659-1660-image447903058.htmlRM2H0KMWP–Jan Steen, The twelve year old Jesus in the Temple, painting, 1659-1660
Painting depicting Christ on the Cross by El Greco (1541-1614) a painter, sculptor and architect of the Spanish Renaissance. Dated 17th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-depicting-christ-on-the-cross-by-el-greco-1541-1614-a-painter-sculptor-and-architect-of-the-spanish-renaissance-dated-17th-century-image330686399.htmlRM2A601TF–Painting depicting Christ on the Cross by El Greco (1541-1614) a painter, sculptor and architect of the Spanish Renaissance. Dated 17th Century
fine arts, painting, miniature, School of Jan Brueghel the Elder, 'Christ at the Mount of Olives with the sleeping disciples', oil on canvas, Flanders, circa 1600, Bavarian National Museum, Munich, , Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fine-arts-painting-miniature-school-of-jan-brueghel-the-elder-christ-111300749.htmlRMGD256N–fine arts, painting, miniature, School of Jan Brueghel the Elder, 'Christ at the Mount of Olives with the sleeping disciples', oil on canvas, Flanders, circa 1600, Bavarian National Museum, Munich, , Artist's Copyright has not to be cleared
The Woman Taken in Adultery, ca 1937. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-woman-taken-in-adultery-ca-1937-image262730381.htmlRMW7CB7W–The Woman Taken in Adultery, ca 1937.
Raimundo de Madrazo, Holy Family 1908 Oil on canvas, Museum of El Greco, Toledo, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/raimundo-de-madrazo-holy-family-1908-oil-on-canvas-museum-of-el-greco-toledo-spain-image230668733.htmlRMRB7T91–Raimundo de Madrazo, Holy Family 1908 Oil on canvas, Museum of El Greco, Toledo, Spain.
The Apparition of Christ to the People by Aleksander Ivano. Oil on Canvas, circa 1837-1857. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-apparition-of-christ-to-the-people-by-aleksander-ivano-oil-on-image68559355.htmlRMDYF44B–The Apparition of Christ to the People by Aleksander Ivano. Oil on Canvas, circa 1837-1857.
17th century - Jesus found in the Temple by his Parents, around 1640 - Jacques Stella oil on canvas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/17th-century-jesus-found-in-the-temple-by-his-parents-around-1640-image60814848.htmlRMDEX9XT–17th century - Jesus found in the Temple by his Parents, around 1640 - Jacques Stella oil on canvas
Virgin of Mercy, Oil on canvas, 18th century, 13 x 10 1/4 in., 33 x 26 cm, canopy, Christianity, dove, frame, Jesus, Mary, painting, religious Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virgin-of-mercy-oil-on-canvas-18th-century-13-x-10-14-in-33-x-26-cm-canopy-christianity-dove-frame-jesus-mary-painting-religious-image454275604.htmlRM2HB214M–Virgin of Mercy, Oil on canvas, 18th century, 13 x 10 1/4 in., 33 x 26 cm, canopy, Christianity, dove, frame, Jesus, Mary, painting, religious
Jesus Hears St. John the Baptist Calling from Jail by Christen Dalsgaard, oil on canvas, (1824-1907) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jesus-hears-st-john-the-baptist-calling-from-jail-by-christen-dalsgaard-29565964.htmlRMBM2RK8–Jesus Hears St. John the Baptist Calling from Jail by Christen Dalsgaard, oil on canvas, (1824-1907)
Caravaggio (1571-1610). Italian painter. Baroque. Flagellation, 1607-1608. Detail. National Museum of Capodimonte. Naples. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-caravaggio-1571-1610-italian-painter-baroque-flagellation-1607-1608-140425207.htmlRMJ4CWNY–Caravaggio (1571-1610). Italian painter. Baroque. Flagellation, 1607-1608. Detail. National Museum of Capodimonte. Naples. Italy.
Sebastiano Conca (1680-1764) The Adoration of the Shepherds, 1720; oil on canvas; California, USA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sebastiano-conca-1680-1764-the-adoration-of-the-shepherds-1720-oil-on-canvas-california-usa-image452172924.htmlRF2H7J750–Sebastiano Conca (1680-1764) The Adoration of the Shepherds, 1720; oil on canvas; California, USA
Title: Proclamation of the Republic - Proclamação da República Creator: Benedito Calixto de Jesus Date: 1893 Dimensions: 123,5 x 200 Medium: Oil on canvas Location: Pinacoteca Municipal de São Paulo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-proclamation-of-the-republic-proclamao-da-repblica-creator-benedito-calixto-de-jesus-date-1893-dimensions-1235-x-200-medium-oil-on-canvas-location-pinacoteca-municipal-de-so-paulo-image371655092.htmlRM2CGJ9T4–Title: Proclamation of the Republic - Proclamação da República Creator: Benedito Calixto de Jesus Date: 1893 Dimensions: 123,5 x 200 Medium: Oil on canvas Location: Pinacoteca Municipal de São Paulo
THE CRUCIFIXION, THE LAST JUDGMENT, by Jan van Eyck, 1440-41, Northern Renaissance painting. In this masterpiece of Renaissance art, the naturalism of a landscape setting replaced the gold ground of Italian painting. In the left panel, Van Eyck depicted the Crucifixion as it would take place in his contemporary 15th century world (BSLOC 2017 16 106) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-crucifixion-the-last-judgment-by-jan-van-eyck-1440-41-northern-170559635.htmlRMKWDJFF–THE CRUCIFIXION, THE LAST JUDGMENT, by Jan van Eyck, 1440-41, Northern Renaissance painting. In this masterpiece of Renaissance art, the naturalism of a landscape setting replaced the gold ground of Italian painting. In the left panel, Van Eyck depicted the Crucifixion as it would take place in his contemporary 15th century world (BSLOC 2017 16 106)
Art inspired by Virgin de Chiquinquira, Oil on canvas, Peru, n.d., 16 x 20 in., 40.6 x 50.8 cm, baby, baby Jesus, Child, Chiquinquira, Chirst, Christ, Christian, cloud, clouds, couronne, crown, halo, heaven, inscription, Jesus, Madonna, mandorla, Marie, Mary, Oil, oil painting, painting, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-virgin-de-chiquinquira-oil-on-canvas-peru-nd-16-x-20-in-406-x-508-cm-baby-baby-jesus-child-chiquinquira-chirst-christ-christian-cloud-clouds-couronne-crown-halo-heaven-inscription-jesus-madonna-mandorla-marie-mary-oil-oil-painting-painting-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459568683.htmlRF2HKK4F7–Art inspired by Virgin de Chiquinquira, Oil on canvas, Peru, n.d., 16 x 20 in., 40.6 x 50.8 cm, baby, baby Jesus, Child, Chiquinquira, Chirst, Christ, Christian, cloud, clouds, couronne, crown, halo, heaven, inscription, Jesus, Madonna, mandorla, Marie, Mary, Oil, oil painting, painting, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Canvas painting in St. Andrew's Forane Church at Arthunkal near Cherthala, Kerala, India. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-canvas-painting-in-st-andrews-forane-church-at-arthunkal-near-cherthala-31510598.htmlRFBR7C2E–Canvas painting in St. Andrew's Forane Church at Arthunkal near Cherthala, Kerala, India.
Bernard van Orley, triptych with the Crucifixion in the Church of our Lady, Bruges Belgium 3 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bernard-van-orley-triptych-with-the-crucifixion-in-the-church-of-our-37600477.htmlRMC54RP5–Bernard van Orley, triptych with the Crucifixion in the Church of our Lady, Bruges Belgium 3
The Birth of the Virgin 1520 Jan de Beer 1475-Antwerp-1528 Flemish Belgian Belgium Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-birth-of-the-virgin-1520-jan-de-beer-1475-antwerp-1528-flemish-belgian-belgium-image351130355.htmlRM2BB7A9R–The Birth of the Virgin 1520 Jan de Beer 1475-Antwerp-1528 Flemish Belgian Belgium
USA: 'The Magi'. Oil on canvas painting by Henry Siddons Mowbray (5 August 1858 - 13 January 1928), c. 1915. Magi (Latin plural of magus; English singular magian, mage, magus, magusian, magusaean) is a term, used since at least the 4th century BCE, to denote followers of Zoroaster, or rather, followers of what the Hellenistic world associated Zoroaster with, which was - in the main - the ability to read the stars, and manipulate the fate that the stars foretold. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/usa-the-magi-oil-on-canvas-painting-by-henry-siddons-mowbray-5-august-1858-13-january-1928-c-1915-magi-latin-plural-of-magus-english-singular-magian-mage-magus-magusian-magusaean-is-a-term-used-since-at-least-the-4th-century-bce-to-denote-followers-of-zoroaster-or-rather-followers-of-what-the-hellenistic-world-associated-zoroaster-with-which-was-in-the-main-the-ability-to-read-the-stars-and-manipulate-the-fate-that-the-stars-foretold-image344246874.htmlRM2B01PB6–USA: 'The Magi'. Oil on canvas painting by Henry Siddons Mowbray (5 August 1858 - 13 January 1928), c. 1915. Magi (Latin plural of magus; English singular magian, mage, magus, magusian, magusaean) is a term, used since at least the 4th century BCE, to denote followers of Zoroaster, or rather, followers of what the Hellenistic world associated Zoroaster with, which was - in the main - the ability to read the stars, and manipulate the fate that the stars foretold.
Adoration of the Child by Gerrit van Honthorst (Gherardo delle Notti, c. 1592-1656), oil on canvas, 1619-20. The painting shows a nativity scene with the baby Jesus, the Virgin Mary, Joseph and two angels. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-adoration-of-the-child-by-gerrit-van-honthorst-gherardo-delle-notti-168928070.htmlRMKPR9DA–Adoration of the Child by Gerrit van Honthorst (Gherardo delle Notti, c. 1592-1656), oil on canvas, 1619-20. The painting shows a nativity scene with the baby Jesus, the Virgin Mary, Joseph and two angels.
El Greco, Saint Veronica holding the veil, (showing the face of Jesus Christ), painting, circa 1580 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/el-greco-saint-veronica-holding-the-veil-showing-the-face-of-jesus-christ-painting-circa-1580-image330014510.htmlRM2A4WCTE–El Greco, Saint Veronica holding the veil, (showing the face of Jesus Christ), painting, circa 1580
Painting titled 'Saints Cosmas and Damian and the Virgin' by Master of Liesborn, a Westphalian painter. Dated 15th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-titled-saints-cosmas-and-damian-and-the-virgin-by-master-of-liesborn-a-westphalian-painter-dated-15th-century-image257293110.htmlRMTXGKYJ–Painting titled 'Saints Cosmas and Damian and the Virgin' by Master of Liesborn, a Westphalian painter. Dated 15th Century
fine arts, Murillo, Bartolome Esteban (1618 - 1682), painting, 'The Holy Family with a Little Bird', oil on canvas, circa 1650, Prado, Madrid, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fine-arts-murillo-bartolome-esteban-1618-1682-painting-the-holy-family-110562449.htmlRMGBTFEW–fine arts, Murillo, Bartolome Esteban (1618 - 1682), painting, 'The Holy Family with a Little Bird', oil on canvas, circa 1650, Prado, Madrid,
Jesus and the Samaritan', oil on canvas by Alonso Cano. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jesus-and-the-samaritan-oil-on-canvas-by-alonso-cano-image212469489.htmlRMP9JR01–Jesus and the Samaritan', oil on canvas by Alonso Cano.
Nicolaes Maes, Adoration of the Shepherds, Circa 1660 Oil on canvas, The J. Paul Getty Museum, Los Angeles, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nicolaes-maes-adoration-of-the-shepherds-circa-1660-oil-on-canvas-the-j-paul-getty-museum-los-angeles-usa-image230668396.htmlRMRB7RW0–Nicolaes Maes, Adoration of the Shepherds, Circa 1660 Oil on canvas, The J. Paul Getty Museum, Los Angeles, USA.
The Fountain of Life', c1517-1543. Artist: Hans Holbein the Younger Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fountain-of-life-c1517-1543-artist-hans-holbein-the-younger-image377037450.htmlRM2CWBF36–The Fountain of Life', c1517-1543. Artist: Hans Holbein the Younger
17th century - Jesus Christ served by the Angel, 1630 - Francesco Albani Philippe Sauvan-Magnet / Active Museum oil on canvas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/17th-century-jesus-christ-served-by-the-angel-1630-francesco-albani-image60240351.htmlRMDE0553–17th century - Jesus Christ served by the Angel, 1630 - Francesco Albani Philippe Sauvan-Magnet / Active Museum oil on canvas
Sketch for the church of Saint Laurent: Saint Joseph at the feet of Jesus Christ - the Flight into Egypt, Saint Joseph intercessor - Saint Joseph protector, Faivre-Duffer, Painter, In 1878, 4th quarter of the 19th century, Painting, Oil painting, Canvas (material), Dimensions - Work: Height: 70.2 cm, Width: 73.4 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sketch-for-the-church-of-saint-laurent-saint-joseph-at-the-feet-of-jesus-christ-the-flight-into-egypt-saint-joseph-intercessor-saint-joseph-protector-faivre-duffer-painter-in-1878-4th-quarter-of-the-19th-century-painting-oil-painting-canvas-material-dimensions-work-height-702-cm-width-734-cm-image573232841.htmlRM2T8H09D–Sketch for the church of Saint Laurent: Saint Joseph at the feet of Jesus Christ - the Flight into Egypt, Saint Joseph intercessor - Saint Joseph protector, Faivre-Duffer, Painter, In 1878, 4th quarter of the 19th century, Painting, Oil painting, Canvas (material), Dimensions - Work: Height: 70.2 cm, Width: 73.4 cm
Popular Art in the USA - painted sailcloth, Jesus assisted in carrying the Cross, Spanish Colonial. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/popular-art-in-the-usa-painted-sailcloth-jesus-assisted-in-carrying-the-cross-spanish-colonial-image504840254.htmlRM2M99CW2–Popular Art in the USA - painted sailcloth, Jesus assisted in carrying the Cross, Spanish Colonial.
Baroque Art. Italy. Michelangelo Merisi da Caravaggio (1571-1610). Italian painter. Supper at Emmaus (1601). Oil on canvas. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-baroque-art-italy-michelangelo-merisi-da-caravaggio-1571-1610-italian-48132860.htmlRMCP8HXM–Baroque Art. Italy. Michelangelo Merisi da Caravaggio (1571-1610). Italian painter. Supper at Emmaus (1601). Oil on canvas.
Sandro Botticelli, Mystic Nativity, 1500, oil on canvas, National Gallery, London, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sandro-botticelli-mystic-nativity-1500-oil-on-canvas-national-gallery-london-united-kingdom-image452655636.htmlRF2H8C6TM–Sandro Botticelli, Mystic Nativity, 1500, oil on canvas, National Gallery, London, United Kingdom.
Title: Foundation of São Vicente - Fundação de São Vicente Creator: Benedito Calixto de Jesus Date: 1900 Dimensions: 192 x 385 cm Medium: Oil on canvas Location: Museu Paulista da USP Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-foundation-of-so-vicente-fundao-de-so-vicente-creator-benedito-calixto-de-jesus-date-1900-dimensions-192-x-385-cm-medium-oil-on-canvas-location-museu-paulista-da-usp-image371655148.htmlRM2CGJ9X4–Title: Foundation of São Vicente - Fundação de São Vicente Creator: Benedito Calixto de Jesus Date: 1900 Dimensions: 192 x 385 cm Medium: Oil on canvas Location: Museu Paulista da USP
Hail Mary (Ia Orana Maria), by Paul Gauguin, 1891, French Post-Impressionist painting, oil on canvas. Gauguin devoted this first major Tahitian canvas, to a Christian theme, with an angel with yellow wings revealing a Tahitian Mary and Jesus, to island wo (BSLOC 2017 5 28) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-hail-mary-ia-orana-maria-by-paul-gauguin-1891-french-post-impressionist-170544589.htmlRMKWCYA5–Hail Mary (Ia Orana Maria), by Paul Gauguin, 1891, French Post-Impressionist painting, oil on canvas. Gauguin devoted this first major Tahitian canvas, to a Christian theme, with an angel with yellow wings revealing a Tahitian Mary and Jesus, to island wo (BSLOC 2017 5 28)
Inspired by Virgin of Mercy, Oil on canvas, 18th century, 13 x 10 1/4 in., 33 x 26 cm, canopy, Christianity, dove, frame, Jesus, Mary, painting, religious, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-virgin-of-mercy-oil-on-canvas-18th-century-13-x-10-14-in-33-x-26-cm-canopy-christianity-dove-frame-jesus-mary-painting-religious-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459254138.htmlRF2HK4R9E–Inspired by Virgin of Mercy, Oil on canvas, 18th century, 13 x 10 1/4 in., 33 x 26 cm, canopy, Christianity, dove, frame, Jesus, Mary, painting, religious, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Oil painting - Jesus cross next to a hiking trail in the mountains Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oil-painting-jesus-cross-next-to-a-hiking-trail-in-the-mountains-image218244419.htmlRFPK1TYF–Oil painting - Jesus cross next to a hiking trail in the mountains
Bernard van Orley, triptych with the Crucifixion in the Church of our Lady, Bruges Belgium Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bernard-van-orley-triptych-with-the-crucifixion-in-the-church-of-our-37600525.htmlRMC54RRW–Bernard van Orley, triptych with the Crucifixion in the Church of our Lady, Bruges Belgium
Holy Family (Heilige Familie), by Matthias Stomer, c. 1600, 17th Century, oil on canvas, Museum, Italy, Holy Family in a room illuminated by candlelight; Saint Joseph remains in the shadows along with a young shepherd who tends his hand towards Jesus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/holy-family-heilige-familie-by-matthias-stomer-c-1600-17th-century-oil-on-canvas-museum-italy-holy-family-in-a-room-illuminated-by-candlelight-saint-joseph-remains-in-the-shadows-along-with-a-young-shepherd-who-tends-his-hand-towards-jesus-image569309933.htmlRM2T268HH–Holy Family (Heilige Familie), by Matthias Stomer, c. 1600, 17th Century, oil on canvas, Museum, Italy, Holy Family in a room illuminated by candlelight; Saint Joseph remains in the shadows along with a young shepherd who tends his hand towards Jesus
Netherlands: 'The Last Supper'. Oil on canvas painting by Gerbrand van den Eeckhout (19 August 1621 - 29 September 1674), 1664. Van den Eeckhout was a student of Rembrandt and, like his mentor, he preferred using dark colours and contrasts with light. In this masterpiece, he shows Jesus Christ in the centre, illuminated by candlelight and a halo. Jesus breaks bread to share with his disciples who appear to be anxious and deep in discussion. They are vexed because Christ has just declared that one of them would betray him. Jesus appears to be glancing at Judas, who stands in the foreground. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/netherlands-the-last-supper-oil-on-canvas-painting-by-gerbrand-van-den-eeckhout-19-august-1621-29-september-1674-1664-van-den-eeckhout-was-a-student-of-rembrandt-and-like-his-mentor-he-preferred-using-dark-colours-and-contrasts-with-light-in-this-masterpiece-he-shows-jesus-christ-in-the-centre-illuminated-by-candlelight-and-a-halo-jesus-breaks-bread-to-share-with-his-disciples-who-appear-to-be-anxious-and-deep-in-discussion-they-are-vexed-because-christ-has-just-declared-that-one-of-them-would-betray-him-jesus-appears-to-be-glancing-at-judas-who-stands-in-the-foreground-image607785894.htmlRM2X8R132–Netherlands: 'The Last Supper'. Oil on canvas painting by Gerbrand van den Eeckhout (19 August 1621 - 29 September 1674), 1664. Van den Eeckhout was a student of Rembrandt and, like his mentor, he preferred using dark colours and contrasts with light. In this masterpiece, he shows Jesus Christ in the centre, illuminated by candlelight and a halo. Jesus breaks bread to share with his disciples who appear to be anxious and deep in discussion. They are vexed because Christ has just declared that one of them would betray him. Jesus appears to be glancing at Judas, who stands in the foreground.
Nativity scene. 'The Adoration of the Shepherds' by Guido Reni (1575-1642), oil on canvas, 1640. This is a detail from a larger painting, G29XR6. It depicts a nativity scene with the baby Jesus being visited by shepherds. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nativity-scene-the-adoration-of-the-shepherds-by-guido-reni-1575-1642-124653774.htmlRMH6PD4E–Nativity scene. 'The Adoration of the Shepherds' by Guido Reni (1575-1642), oil on canvas, 1640. This is a detail from a larger painting, G29XR6. It depicts a nativity scene with the baby Jesus being visited by shepherds.
Edouard Manet, Jesus Mocked by the Soldiers, painting, 1865 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edouard-manet-jesus-mocked-by-the-soldiers-painting-1865-image260896539.htmlRMW4CT5F–Edouard Manet, Jesus Mocked by the Soldiers, painting, 1865
Painting titled 'The Agony in the Garden' by Giovanni Bellini (1430-1516) an Italian Renaissance painter. Dated 16th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-titled-the-agony-in-the-garden-by-giovanni-bellini-1430-1516-an-italian-renaissance-painter-dated-16th-century-image257293090.htmlRMTXGKXX–Painting titled 'The Agony in the Garden' by Giovanni Bellini (1430-1516) an Italian Renaissance painter. Dated 16th Century
fine arts, Murillo, Bartolome Esteban (1618 - 1682), painting, 'Madonna of the Rosary', oil on canvas, circa 1670/1680, Palazzo Pitti, Galleria Palatina, Florence, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fine-arts-murillo-bartolome-esteban-1618-1682-painting-madonna-of-110562434.htmlRMGBTFEA–fine arts, Murillo, Bartolome Esteban (1618 - 1682), painting, 'Madonna of the Rosary', oil on canvas, circa 1670/1680, Palazzo Pitti, Galleria Palatina, Florence,
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