Men of Palestine Jewish Colonization Association in the Kabara Swamps Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-men-of-palestine-jewish-colonization-association-in-the-kabara-swamps-132441792.html
RMHKD6T0–Men of Palestine Jewish Colonization Association in the Kabara Swamps
'Delilah', c1880-1882.Artist: Charles Theodore Deblois Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/delilah-c1880-1882artist-charles-theodore-deblois-image262763617.html
RMW7DWJW–'Delilah', c1880-1882.Artist: Charles Theodore Deblois
Levites, Jewish priests, woodcut from 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-levites-jewish-priests-woodcut-from-1880-56088265.html
RFD77149–Levites, Jewish priests, woodcut from 1880
'Painting by Isidor Kaufmann, called ''Geschaeftsgeheimnisse'' ('' Business Secrets''). Two Jewish looking men in a room whisper to each other, while a third man overhears through the open window.' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-by-isidor-kaufmann-called-geschaeftsgeheimnisse-business-secrets-two-jewish-looking-men-in-a-room-whisper-to-each-other-while-a-third-man-overhears-through-the-open-window-image385781880.html
RM2DBHTM8–'Painting by Isidor Kaufmann, called ''Geschaeftsgeheimnisse'' ('' Business Secrets''). Two Jewish looking men in a room whisper to each other, while a third man overhears through the open window.'
Levites, Jewish priests, woodcut from 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/levites-jewish-priests-woodcut-from-1880-image231876830.html
RMRD6W7A–Levites, Jewish priests, woodcut from 1880
. English: Drawing, in red chalk on white paper, of two men each hanged by one foot. This was a preparatory sketch for a pittura infamante or shame painting. This drawing is part of the Duke of Devonshire Collection, Chatsworth, England. Hanging by one foot was a method of execution, prolonged and particularly degrading. In Germany it was usually associated with Jews and called the 'Jewish Execution', while in Italy it was usually associated with traitors. Shame paintings, depicting such hanging in effigy, were common in some parts of Italy, including Florence. Andrea del Sarto drew seven such Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-drawing-in-red-chalk-on-white-paper-of-two-men-each-hanged-by-one-foot-this-was-a-preparatory-sketch-for-a-pittura-infamante-or-shame-painting-this-drawing-is-part-of-the-duke-of-devonshire-collection-chatsworth-england-hanging-by-one-foot-was-a-method-of-execution-prolonged-and-particularly-degrading-in-germany-it-was-usually-associated-with-jews-and-called-the-jewish-execution-while-in-italy-it-was-usually-associated-with-traitors-shame-paintings-depicting-such-hanging-in-effigy-were-common-in-some-parts-of-italy-including-florence-andrea-del-sarto-drew-seven-such-image185009855.html
RMMMYWXR–. English: Drawing, in red chalk on white paper, of two men each hanged by one foot. This was a preparatory sketch for a pittura infamante or shame painting. This drawing is part of the Duke of Devonshire Collection, Chatsworth, England. Hanging by one foot was a method of execution, prolonged and particularly degrading. In Germany it was usually associated with Jews and called the 'Jewish Execution', while in Italy it was usually associated with traitors. Shame paintings, depicting such hanging in effigy, were common in some parts of Italy, including Florence. Andrea del Sarto drew seven such
Men of Palestine Jewish Colonization Association in the Kabara Swamps Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-men-of-palestine-jewish-colonization-association-in-the-kabara-swamps-140185825.html
RMJ420CH–Men of Palestine Jewish Colonization Association in the Kabara Swamps
Thomas Aquinas is sitting at a table talking to two Jewish rabbis. In the background a garden and a chapel where Thomas Aquinas baptizes two men. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thomas-aquinas-is-sitting-at-a-table-talking-to-two-jewish-rabbis-in-the-background-a-garden-and-a-chapel-where-thomas-aquinas-baptizes-two-men-image418879044.html
RF2F9DGDT–Thomas Aquinas is sitting at a table talking to two Jewish rabbis. In the background a garden and a chapel where Thomas Aquinas baptizes two men.
The First Passover Sedar Dinner given by Jewish Welfare Board to men 1919 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-first-passover-sedar-dinner-given-by-jewish-welfare-board-to-men-147685340.html
RMJG7J4C–The First Passover Sedar Dinner given by Jewish Welfare Board to men 1919
Display of the Torah scrolls in the Portuguese synagogue in Amsterdam, Abraham Jacobsz. Hulk, after Abraham Pietersz. Hulk, 1783 Men display the Torah Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/display-of-the-torah-scrolls-in-the-portuguese-synagogue-in-amsterdam-abraham-jacobsz-hulk-after-abraham-pietersz-hulk-1783-men-display-the-torah-image570303108.html
RF2T3RFC4–Display of the Torah scrolls in the Portuguese synagogue in Amsterdam, Abraham Jacobsz. Hulk, after Abraham Pietersz. Hulk, 1783 Men display the Torah
Emmanuel Mane-Katz (1894-1962), French painter. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-emmanuel-mane-katz-1894-1962-french-painter-artist-unknown-28081219.html
RMBHK5TK–Emmanuel Mane-Katz (1894-1962), French painter. Artist: Unknown
1869 Exhibition of Painting, A Jewish Ceremony by Brandon, vintage engraved illustration. Magasin Pittoresque 1870. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1869-exhibition-of-painting-a-jewish-ceremony-by-brandon-vintage-engraved-illustration-magasin-pittoresque-1870-image363157005.html
RF2C2R6D1–1869 Exhibition of Painting, A Jewish Ceremony by Brandon, vintage engraved illustration. Magasin Pittoresque 1870.
Print c1870 entitled 'Christ Rejected' and depicting Jesus being rejected by the Jews when brought before Pontius Pilate. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-print-c1870-entitled-christ-rejected-and-depicting-jesus-being-rejected-27516534.html
RMBGNDHA–Print c1870 entitled 'Christ Rejected' and depicting Jesus being rejected by the Jews when brought before Pontius Pilate.
Men of Palestine Jewish Colonization Association in the Kabara Swamps Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-men-of-palestine-jewish-colonization-association-in-the-kabara-swamps-136600604.html
RMHX6KD0–Men of Palestine Jewish Colonization Association in the Kabara Swamps
'Rebecca and Eliezer', c1880-1882.Artist: Achille Jacquet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rebecca-and-eliezer-c1880-1882artist-achille-jacquet-image262763626.html
RMW7DWK6–'Rebecca and Eliezer', c1880-1882.Artist: Achille Jacquet
Levites, Jewish priests, woodcut from 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-levites-jewish-priests-woodcut-from-1880-79314769.html
RFEH12P9–Levites, Jewish priests, woodcut from 1880
Exodus of the Jews from Babylon, about 540 BC, woodcut from 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/exodus-of-the-jews-from-babylon-about-540-bc-woodcut-from-1880-image231877159.html
RMRD6WK3–Exodus of the Jews from Babylon, about 540 BC, woodcut from 1880
Lionel Nathan de Rothschild (1777-1836), German banker. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lionel-nathan-de-rothschild-1777-1836-german-banker-artist-unknown-image60079785.html
RMDDMTAH–Lionel Nathan de Rothschild (1777-1836), German banker. Artist: Unknown
Print c1872 depicting an angel of the Lord telling shepherds in Bethlehem of the birth of Jesus Christ. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-print-c1872-depicting-an-angel-of-the-lord-telling-shepherds-in-bethlehem-27518363.html
RMBGNFXK–Print c1872 depicting an angel of the Lord telling shepherds in Bethlehem of the birth of Jesus Christ.
'Then fell she down straightway at his feet, and yielded up the ghost', 19th century. Biblical scene, Acts 5: 10: 'Then fell she down straightway at his feet, and yielded up the ghost: and the young men came in, and found her dead, and, carrying her forth, buried her by her husband.' Ananias and his wife Sapphira die suddenly after lying to the Holy Spirit about money. Sapphira is convicted by St Peter and falls dead at the feet of the apostles. Engraving after 'The Death of Sapphira', painting of c1652 by Nicolas Poussin in the Louvre Museum, Paris. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/then-fell-she-down-straightway-at-his-feet-and-yielded-up-the-ghost-19th-century-biblical-scene-acts-5-10-then-fell-she-down-straightway-at-his-feet-and-yielded-up-the-ghost-and-the-young-men-came-in-and-found-her-dead-and-carrying-her-forth-buried-her-by-her-husband-ananias-and-his-wife-sapphira-die-suddenly-after-lying-to-the-holy-spirit-about-money-sapphira-is-convicted-by-st-peter-and-falls-dead-at-the-feet-of-the-apostles-engraving-after-the-death-of-sapphira-painting-of-c1652-by-nicolas-poussin-in-the-louvre-museum-paris-image274145603.html
RMWX0BEB–'Then fell she down straightway at his feet, and yielded up the ghost', 19th century. Biblical scene, Acts 5: 10: 'Then fell she down straightway at his feet, and yielded up the ghost: and the young men came in, and found her dead, and, carrying her forth, buried her by her husband.' Ananias and his wife Sapphira die suddenly after lying to the Holy Spirit about money. Sapphira is convicted by St Peter and falls dead at the feet of the apostles. Engraving after 'The Death of Sapphira', painting of c1652 by Nicolas Poussin in the Louvre Museum, Paris.
Exodus of the Jews from Babylon, about 540 BC, woodcut from 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-exodus-of-the-jews-from-babylon-about-540-bc-woodcut-from-1880-56088451.html
RFD771AY–Exodus of the Jews from Babylon, about 540 BC, woodcut from 1880
Lionel Nathan de Rothschild (1777-1836), German banker. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lionel-nathan-de-rothschild-1777-1836-german-banker-artist-unknown-image60079788.html
RMDDMTAM–Lionel Nathan de Rothschild (1777-1836), German banker. Artist: Unknown
Print engraving c1880s showing Jesus Christ, aged just 12, in the Temple at Jerusalem discoursing with the elders. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-print-engraving-c1880s-showing-jesus-christ-aged-just-12-in-the-temple-27777007.html
RMBH59RY–Print engraving c1880s showing Jesus Christ, aged just 12, in the Temple at Jerusalem discoursing with the elders.
"The Reverse of Fortune", by Mademoiselle Amanda Fougère...the Paris Exhibition of Fine Arts, 1864. Engraving of a painting. 'The subject is sufficiently expressive to render a detailed description unnecessary; but how beautiful the widow appears in her grief, and what nobleness of expression we perceive in the face and attitude of this bereaved woman as she offers her jewels for sale to the calculating Jew! Her child, who is scarcely old enough to comprehend the extent of the misfortune, appears to sympathise with the mother's anguish. The Jew dealer, who naturally depreciates Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotthe-reverse-of-fortunequot-by-mademoiselle-amanda-fougxe8rethe-paris-exhibition-of-fine-arts-1864-engraving-of-a-painting-the-subject-is-sufficiently-expressive-to-render-a-detailed-description-unnecessary-but-how-beautiful-the-widow-appears-in-her-grief-and-what-nobleness-of-expression-we-perceive-in-the-face-and-attitude-of-this-bereaved-woman-as-she-offers-her-jewels-for-sale-to-the-calculating-jew!-her-child-who-is-scarcely-old-enough-to-comprehend-the-extent-of-the-misfortune-appears-to-sympathise-with-the-mothers-anguish-the-jew-dealer-who-naturally-depreciates-image599660359.html
RM2WRGTWB–"The Reverse of Fortune", by Mademoiselle Amanda Fougère...the Paris Exhibition of Fine Arts, 1864. Engraving of a painting. 'The subject is sufficiently expressive to render a detailed description unnecessary; but how beautiful the widow appears in her grief, and what nobleness of expression we perceive in the face and attitude of this bereaved woman as she offers her jewels for sale to the calculating Jew! Her child, who is scarcely old enough to comprehend the extent of the misfortune, appears to sympathise with the mother's anguish. The Jew dealer, who naturally depreciates
The artist Frank Auerbach (1931- ) in his studio. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-artist-frank-auerbach-1931-in-his-studio-artist-unknown-28079374.html
RMBHK3EP–The artist Frank Auerbach (1931- ) in his studio. Artist: Unknown
Print c1863 entitled 'Christ Blessing Little Children' and depicting events outlined in the Gospels of Mark, Matthew and Luke. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-print-c1863-entitled-christ-blessing-little-children-and-depicting-27517499.html
RMBGNERR–Print c1863 entitled 'Christ Blessing Little Children' and depicting events outlined in the Gospels of Mark, Matthew and Luke.
The Royal Academy Prize-painting, Trial Scene in "The Merchant of Venice", by A. B. Donaldson, 1862. Engraving of a painting. 'The medal for historical painting has been awarded to Mr. Andrew Brown Donaldson...The exact point which the artist appears to have selected is where Bassanio, having tendered for Antonio "twice the sum", the amount of the bond (this is indicated by the money-bags on the floor), which the Jew inexorably refuses, Portia proceeds to give judgment...The eager, malignant look of Shylock as he grasps the knife and brandishes the scales would show that he Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-royal-academy-prize-painting-trial-scene-in-quotthe-merchant-of-venicequot-by-a-b-donaldson-1862-engraving-of-a-painting-the-medal-for-historical-painting-has-been-awarded-to-mr-andrew-brown-donaldsonthe-exact-point-which-the-artist-appears-to-have-selected-is-where-bassanio-having-tendered-for-antonio-quottwice-the-sumquot-the-amount-of-the-bond-this-is-indicated-by-the-money-bags-on-the-floor-which-the-jew-inexorably-refuses-portia-proceeds-to-give-judgmentthe-eager-malignant-look-of-shylock-as-he-grasps-the-knife-and-brandishes-the-scales-would-show-that-he-image595000760.html
RM2WG0HF4–The Royal Academy Prize-painting, Trial Scene in "The Merchant of Venice", by A. B. Donaldson, 1862. Engraving of a painting. 'The medal for historical painting has been awarded to Mr. Andrew Brown Donaldson...The exact point which the artist appears to have selected is where Bassanio, having tendered for Antonio "twice the sum", the amount of the bond (this is indicated by the money-bags on the floor), which the Jew inexorably refuses, Portia proceeds to give judgment...The eager, malignant look of Shylock as he grasps the knife and brandishes the scales would show that he
Portrait print circa 1872 of John the Baptist on the banks of the River Jordan with Jesus Christ in the background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-print-circa-1872-of-john-the-baptist-on-the-banks-of-the-27777044.html
RMBH59W8–Portrait print circa 1872 of John the Baptist on the banks of the River Jordan with Jesus Christ in the background.
'Herod being reproved by him for many evils, shut up John in prison', mid 19th century. Biblical scene from Luke 3: 19 & 20: St John the Baptist was sentenced to death and subsequently beheaded by Herod Antipas after John rebuked him for divorcing his wife. Engraving after a painting of the 17th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/herod-being-reproved-by-him-for-many-evils-shut-up-john-in-prison-mid-19th-century-biblical-scene-from-luke-3-19-amp-20-st-john-the-baptist-was-sentenced-to-death-and-subsequently-beheaded-by-herod-antipas-after-john-rebuked-him-for-divorcing-his-wife-engraving-after-a-painting-of-the-17th-century-image274145573.html
RMWX0BD9–'Herod being reproved by him for many evils, shut up John in prison', mid 19th century. Biblical scene from Luke 3: 19 & 20: St John the Baptist was sentenced to death and subsequently beheaded by Herod Antipas after John rebuked him for divorcing his wife. Engraving after a painting of the 17th century.
Print entitled 'A Night on the Sea of Galilee' depicting one of the miracles of Christ - walking on water to meet his disciples. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-print-entitled-a-night-on-the-sea-of-galilee-depicting-one-of-the-27514381.html
RMBGNATD–Print entitled 'A Night on the Sea of Galilee' depicting one of the miracles of Christ - walking on water to meet his disciples.
'Make not my Father's house an house of merchandise', mid 19th century. Biblical scene, from John 2: 16: 'And said unto them that sold doves, Take these things hence; make not my Father's house an house of merchandise.' Christ expelling the moneychangers from the Temple. Engraving after a painting of 1706 by Jean Jouvenet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/make-not-my-fathers-house-an-house-of-merchandise-mid-19th-century-biblical-scene-from-john-2-16-and-said-unto-them-that-sold-doves-take-these-things-hence-make-not-my-fathers-house-an-house-of-merchandise-christ-expelling-the-moneychangers-from-the-temple-engraving-after-a-painting-of-1706-by-jean-jouvenet-image274145621.html
RMWX0BF1–'Make not my Father's house an house of merchandise', mid 19th century. Biblical scene, from John 2: 16: 'And said unto them that sold doves, Take these things hence; make not my Father's house an house of merchandise.' Christ expelling the moneychangers from the Temple. Engraving after a painting of 1706 by Jean Jouvenet.
Print engraving circa 1866 depicting Jesus Christ raising the daughter of Jairus from the dead. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-print-engraving-circa-1866-depicting-jesus-christ-raising-the-daughter-27514014.html
RMBGNABA–Print engraving circa 1866 depicting Jesus Christ raising the daughter of Jairus from the dead.
'Wherefore she said unto Abraham, cast out this bondwoman and her son', 18th-19th century. "Wherefore she said unto Abraham, cast out this bondwoman and her son". Biblical scene from Genesis 21:10. Abraham, aged 100, banishes the slave Hagar and their son Ishmael to comply with his first wife Sarah's demands. Engraving after a painting of c1657 by Guercino. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wherefore-she-said-unto-abraham-cast-out-this-bondwoman-and-her-son-18th-19th-century-quotwherefore-she-said-unto-abraham-cast-out-this-bondwoman-and-her-sonquot-biblical-scene-from-genesis-2110-abraham-aged-100-banishes-the-slave-hagar-and-their-son-ishmael-to-comply-with-his-first-wife-sarahs-demands-engraving-after-a-painting-of-c1657-by-guercino-image274145578.html
RMWX0BDE–'Wherefore she said unto Abraham, cast out this bondwoman and her son', 18th-19th century. "Wherefore she said unto Abraham, cast out this bondwoman and her son". Biblical scene from Genesis 21:10. Abraham, aged 100, banishes the slave Hagar and their son Ishmael to comply with his first wife Sarah's demands. Engraving after a painting of c1657 by Guercino.
Print circa 1835 showing the Last Supper of Jesus Christ and his disciples as depicted in the Gospels. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-print-circa-1835-showing-the-last-supper-of-jesus-christ-and-his-disciples-27777123.html
RMBH5A03–Print circa 1835 showing the Last Supper of Jesus Christ and his disciples as depicted in the Gospels.
'Jerusalem hath grievously sinned therefore she is removed', c1846. Biblical scene, from Lamentations 1: 8: 'Jerusalem hath grievously sinned; therefore she is removed: all that honoured her despise her, because they have seen her nakedness: yea, she sigheth, and turneth backward'. The city of Jerusalem is poetically personified in a lament mourning the desertion of the city by God. Engraving after a mid 19th century painting by Karl Joseph Begas. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jerusalem-hath-grievously-sinned-therefore-she-is-removed-c1846-biblical-scene-from-lamentations-1-8-jerusalem-hath-grievously-sinned-therefore-she-is-removed-all-that-honoured-her-despise-her-because-they-have-seen-her-nakedness-yea-she-sigheth-and-turneth-backward-the-city-of-jerusalem-is-poetically-personified-in-a-lament-mourning-the-desertion-of-the-city-by-god-engraving-after-a-mid-19th-century-painting-by-karl-joseph-begas-image274145612.html
RMWX0BEM–'Jerusalem hath grievously sinned therefore she is removed', c1846. Biblical scene, from Lamentations 1: 8: 'Jerusalem hath grievously sinned; therefore she is removed: all that honoured her despise her, because they have seen her nakedness: yea, she sigheth, and turneth backward'. The city of Jerusalem is poetically personified in a lament mourning the desertion of the city by God. Engraving after a mid 19th century painting by Karl Joseph Begas.
Print circa 1886 showing the Last Supper of Jesus Christ and his disciples as depicted in the Gospels. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-print-circa-1886-showing-the-last-supper-of-jesus-christ-and-his-disciples-27777207.html
RMBH5A33–Print circa 1886 showing the Last Supper of Jesus Christ and his disciples as depicted in the Gospels.
'They cried out, saying, Crucify him, crucify him', c1840. Biblical scene, from John 19: 6: 'When the chief priests therefore and officers saw him, they cried out, saying, Crucify him, crucify him. Pilate saith unto them, Take ye him, and crucify him: for I find no fault in him.' Jesus Christ is tried before Pontius Pilate, governor of the Roman province of Judaea, and is condemned to death. Engraving after an early 17th century painting by Rubens. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/they-cried-out-saying-crucify-him-crucify-him-c1840-biblical-scene-from-john-19-6-when-the-chief-priests-therefore-and-officers-saw-him-they-cried-out-saying-crucify-him-crucify-him-pilate-saith-unto-them-take-ye-him-and-crucify-him-for-i-find-no-fault-in-him-jesus-christ-is-tried-before-pontius-pilate-governor-of-the-roman-province-of-judaea-and-is-condemned-to-death-engraving-after-an-early-17th-century-painting-by-rubens-image274145584.html
RMWX0BDM–'They cried out, saying, Crucify him, crucify him', c1840. Biblical scene, from John 19: 6: 'When the chief priests therefore and officers saw him, they cried out, saying, Crucify him, crucify him. Pilate saith unto them, Take ye him, and crucify him: for I find no fault in him.' Jesus Christ is tried before Pontius Pilate, governor of the Roman province of Judaea, and is condemned to death. Engraving after an early 17th century painting by Rubens.
Print depicting the crucifixion of Jesus Christ at Golgotha, outside the walls of ancient Jerusalem, in the first century AD. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-print-depicting-the-crucifixion-of-jesus-christ-at-golgotha-outside-26769326.html
RMBFFCFA–Print depicting the crucifixion of Jesus Christ at Golgotha, outside the walls of ancient Jerusalem, in the first century AD.
'The meeting of Eliezer and Rebecca at the well', 19th century. Biblical scene, from Genesis 24: 22: 'And it came to pass, as the camels had done drinking, that the man took a golden earring of half a shekel weight, and two bracelets for her hands of ten shekels weight of gold'. Abraham's servant Eliezer gives Rebecca jewels to seal her betrothal to Isaac, after she had demonstrated kindness in offering water to Eliezer's camels. Engraving after a painting of 1701 by Antoine Coypel, in the Louvre Museum in Paris. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-meeting-of-eliezer-and-rebecca-at-the-well-19th-century-biblical-scene-from-genesis-24-22-and-it-came-to-pass-as-the-camels-had-done-drinking-that-the-man-took-a-golden-earring-of-half-a-shekel-weight-and-two-bracelets-for-her-hands-of-ten-shekels-weight-of-gold-abrahams-servant-eliezer-gives-rebecca-jewels-to-seal-her-betrothal-to-isaac-after-she-had-demonstrated-kindness-in-offering-water-to-eliezers-camels-engraving-after-a-painting-of-1701-by-antoine-coypel-in-the-louvre-museum-in-paris-image274145604.html
RMWX0BEC–'The meeting of Eliezer and Rebecca at the well', 19th century. Biblical scene, from Genesis 24: 22: 'And it came to pass, as the camels had done drinking, that the man took a golden earring of half a shekel weight, and two bracelets for her hands of ten shekels weight of gold'. Abraham's servant Eliezer gives Rebecca jewels to seal her betrothal to Isaac, after she had demonstrated kindness in offering water to Eliezer's camels. Engraving after a painting of 1701 by Antoine Coypel, in the Louvre Museum in Paris.
Print entitled 'Christ Stilling the Tempest' and depicting one of the miracles of Jesus - calming a storm on the Sea of Galilee. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-print-entitled-christ-stilling-the-tempest-and-depicting-one-of-the-27514251.html
RMBGNAKR–Print entitled 'Christ Stilling the Tempest' and depicting one of the miracles of Jesus - calming a storm on the Sea of Galilee.
'Moses "smote the rock twice, and the water came out abundantly"', 1840. Biblical scene, from Numbers 20: 11: 'And Moses lifted up his hand, and with his rod he smote the rock twice: and the water came out abundantly, and the congregation drank, and their beasts also'. After being instructed to do so by God, Moses struck the rock with his staff and it split apart, providing water for the Israelites who were dying of thirst. Engraving after 'Moses Striking the Rock', a painting of 1649 by Nicolas Poussin, in the Hermitage Museum, St Petersburg, Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/moses-quotsmote-the-rock-twice-and-the-water-came-out-abundantlyquot-1840-biblical-scene-from-numbers-20-11-and-moses-lifted-up-his-hand-and-with-his-rod-he-smote-the-rock-twice-and-the-water-came-out-abundantly-and-the-congregation-drank-and-their-beasts-also-after-being-instructed-to-do-so-by-god-moses-struck-the-rock-with-his-staff-and-it-split-apart-providing-water-for-the-israelites-who-were-dying-of-thirst-engraving-after-moses-striking-the-rock-a-painting-of-1649-by-nicolas-poussin-in-the-hermitage-museum-st-petersburg-russia-image274145624.html
RMWX0BF4–'Moses "smote the rock twice, and the water came out abundantly"', 1840. Biblical scene, from Numbers 20: 11: 'And Moses lifted up his hand, and with his rod he smote the rock twice: and the water came out abundantly, and the congregation drank, and their beasts also'. After being instructed to do so by God, Moses struck the rock with his staff and it split apart, providing water for the Israelites who were dying of thirst. Engraving after 'Moses Striking the Rock', a painting of 1649 by Nicolas Poussin, in the Hermitage Museum, St Petersburg, Russia.
Vintage lithograph print circa 1884 depicting the Ascension of Jesus Christ to Heaven following his resurrection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vintage-lithograph-print-circa-1884-depicting-the-ascension-of-jesus-29319589.html
RMBKKHC5–Vintage lithograph print circa 1884 depicting the Ascension of Jesus Christ to Heaven following his resurrection.
'They presented him with gifts; gold, and frankincense and myrrh', mid-late 19th century. Biblical scene, from Matthew 2: 11: 'And when they were come into the house, they saw the young child with Mary his mother, and fell down, and worshipped him: and when they had opened their treasures, they presented unto him gifts; gold, and frankincense, and myrrh'. The Nativity: the Magi bring gifts to the Christ-child, on the lap of his mother Mary. Engraving after 'Adoration of the Magi', a painting of 1633 by Nicolas Poussin, in the Gemaeldegalerie Alte Meister, Dresden, Germany. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/they-presented-him-with-gifts-gold-and-frankincense-and-myrrh-mid-late-19th-century-biblical-scene-from-matthew-2-11-and-when-they-were-come-into-the-house-they-saw-the-young-child-with-mary-his-mother-and-fell-down-and-worshipped-him-and-when-they-had-opened-their-treasures-they-presented-unto-him-gifts-gold-and-frankincense-and-myrrh-the-nativity-the-magi-bring-gifts-to-the-christ-child-on-the-lap-of-his-mother-mary-engraving-after-adoration-of-the-magi-a-painting-of-1633-by-nicolas-poussin-in-the-gemaeldegalerie-alte-meister-dresden-germany-image274145663.html
RMWX0BGF–'They presented him with gifts; gold, and frankincense and myrrh', mid-late 19th century. Biblical scene, from Matthew 2: 11: 'And when they were come into the house, they saw the young child with Mary his mother, and fell down, and worshipped him: and when they had opened their treasures, they presented unto him gifts; gold, and frankincense, and myrrh'. The Nativity: the Magi bring gifts to the Christ-child, on the lap of his mother Mary. Engraving after 'Adoration of the Magi', a painting of 1633 by Nicolas Poussin, in the Gemaeldegalerie Alte Meister, Dresden, Germany.
Print depicting the crucifixion of Jesus Christ at Golgotha, outside the walls of ancient Jerusalem, in the first century AD. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-print-depicting-the-crucifixion-of-jesus-christ-at-golgotha-outside-26769984.html
RMBFFDAT–Print depicting the crucifixion of Jesus Christ at Golgotha, outside the walls of ancient Jerusalem, in the first century AD.
'David took a harp and played with his hand', mid 19th century. Biblical scene, from 1 Samuel 16: 23: 'And it came to pass, when the evil spirit from God was upon Saul, that David took an harp, and played with his hand: so Saul was refreshed, and was well, and the evil spirit departed from him.' David plays the harp to soothe King Saul. Engraving after an 18th century painting by Carle Van Loo. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-took-a-harp-and-played-with-his-hand-mid-19th-century-biblical-scene-from-1-samuel-16-23-and-it-came-to-pass-when-the-evil-spirit-from-god-was-upon-saul-that-david-took-an-harp-and-played-with-his-hand-so-saul-was-refreshed-and-was-well-and-the-evil-spirit-departed-from-him-david-plays-the-harp-to-soothe-king-saul-engraving-after-an-18th-century-painting-by-carle-van-loo-image274145609.html
RMWX0BEH–'David took a harp and played with his hand', mid 19th century. Biblical scene, from 1 Samuel 16: 23: 'And it came to pass, when the evil spirit from God was upon Saul, that David took an harp, and played with his hand: so Saul was refreshed, and was well, and the evil spirit departed from him.' David plays the harp to soothe King Saul. Engraving after an 18th century painting by Carle Van Loo.
Vintage lithograph print circa 1873 depicting the Ascension of Jesus Christ to Heaven following his resurrection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vintage-lithograph-print-circa-1873-depicting-the-ascension-of-jesus-29319889.html
RMBKKHPW–Vintage lithograph print circa 1873 depicting the Ascension of Jesus Christ to Heaven following his resurrection.
'The voice is Jacob's voice, but the hands are the hands of Esau', 19th century? Biblical scene, from Genesis 27: 22: 'And Jacob went near unto Isaac his father; and he felt him, and said, The voice is Jacob's voice, but the hands are the hands of Esau'. The blind and elderly Israelite patriarch Isaac is visited by his son Jacob who pretends to be his brother Esau in order to fool his father into blessing him and making him the primary heir. Engraving after a painting of the 17th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-voice-is-jacobs-voice-but-the-hands-are-the-hands-of-esau-19th-century-biblical-scene-from-genesis-27-22-and-jacob-went-near-unto-isaac-his-father-and-he-felt-him-and-said-the-voice-is-jacobs-voice-but-the-hands-are-the-hands-of-esau-the-blind-and-elderly-israelite-patriarch-isaac-is-visited-by-his-son-jacob-who-pretends-to-be-his-brother-esau-in-order-to-fool-his-father-into-blessing-him-and-making-him-the-primary-heir-engraving-after-a-painting-of-the-17th-century-image274145583.html
RMWX0BDK–'The voice is Jacob's voice, but the hands are the hands of Esau', 19th century? Biblical scene, from Genesis 27: 22: 'And Jacob went near unto Isaac his father; and he felt him, and said, The voice is Jacob's voice, but the hands are the hands of Esau'. The blind and elderly Israelite patriarch Isaac is visited by his son Jacob who pretends to be his brother Esau in order to fool his father into blessing him and making him the primary heir. Engraving after a painting of the 17th century.
Vintage print c1873 depicting Christ restoring sight to a blind man - a miracle outlined in the Gospel of John (Chapter 9). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vintage-print-c1873-depicting-christ-restoring-sight-to-a-blind-man-29320117.html
RMBKKJ31–Vintage print c1873 depicting Christ restoring sight to a blind man - a miracle outlined in the Gospel of John (Chapter 9).
'I am not mad, most noble Festus', 19th century. Biblical scene, from Acts 26: 25: 'But he said, I am not mad, most noble Festus; but speak forth the words of truth and soberness.' St Paul on trial before Antonius Felix, governor of Caesarea. Paul (right, with arms raised and in chains), appeals to Felix. Engraving after 'Paul before Felix', also called 'Paul at Ephesus', a painting made c1748 by William Hogarth, in Lincoln's Inn, London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/i-am-not-mad-most-noble-festus-19th-century-biblical-scene-from-acts-26-25-but-he-said-i-am-not-mad-most-noble-festus-but-speak-forth-the-words-of-truth-and-soberness-st-paul-on-trial-before-antonius-felix-governor-of-caesarea-paul-right-with-arms-raised-and-in-chains-appeals-to-felix-engraving-after-paul-before-felix-also-called-paul-at-ephesus-a-painting-made-c1748-by-william-hogarth-in-lincolns-inn-london-image274145632.html
RMWX0BFC–'I am not mad, most noble Festus', 19th century. Biblical scene, from Acts 26: 25: 'But he said, I am not mad, most noble Festus; but speak forth the words of truth and soberness.' St Paul on trial before Antonius Felix, governor of Caesarea. Paul (right, with arms raised and in chains), appeals to Felix. Engraving after 'Paul before Felix', also called 'Paul at Ephesus', a painting made c1748 by William Hogarth, in Lincoln's Inn, London.
'And the Angel of God called to Hagar out of Heaven', mid-late 19th century?Biblical scene, from Genesis 21: 17: 'And God heard the voice of the lad; and the angel of God called to Hagar out of heaven, and said unto her, What aileth thee, Hagar? fear not; for God hath heard the voice of the lad where he is.' Ishmael lies asleep on the ground with an empty water vessel beside him. His mother Hagar kneels with her hands stretched out in front of her, appealing to God. Engraving after 'Hagar and Ishmael in the Wilderness', painting made c1657 by Pier Francesco Mola, in the Blanton Museum of Art, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/and-the-angel-of-god-called-to-hagar-out-of-heaven-mid-late-19th-centurybiblical-scene-from-genesis-21-17-and-god-heard-the-voice-of-the-lad-and-the-angel-of-god-called-to-hagar-out-of-heaven-and-said-unto-her-what-aileth-thee-hagar-fear-not-for-god-hath-heard-the-voice-of-the-lad-where-he-is-ishmael-lies-asleep-on-the-ground-with-an-empty-water-vessel-beside-him-his-mother-hagar-kneels-with-her-hands-stretched-out-in-front-of-her-appealing-to-god-engraving-after-hagar-and-ishmael-in-the-wilderness-painting-made-c1657-by-pier-francesco-mola-in-the-blanton-museum-of-art-image274145655.html
RMWX0BG7–'And the Angel of God called to Hagar out of Heaven', mid-late 19th century?Biblical scene, from Genesis 21: 17: 'And God heard the voice of the lad; and the angel of God called to Hagar out of heaven, and said unto her, What aileth thee, Hagar? fear not; for God hath heard the voice of the lad where he is.' Ishmael lies asleep on the ground with an empty water vessel beside him. His mother Hagar kneels with her hands stretched out in front of her, appealing to God. Engraving after 'Hagar and Ishmael in the Wilderness', painting made c1657 by Pier Francesco Mola, in the Blanton Museum of Art,
'Jesus said, - one of you that eateth with me shall betray me', mid 19th century. Biblical scene, from Mark 14: 18: 'And as they sat and did eat, Jesus said, Verily I say unto you, One of you which eateth with me shall betray me. They began to be grieved and to ask Him one after another, "Surely not I?". Jesus predicts that one of his Apostles present at the meal will betray him, despite their assertions to the contrary. Engraving after 'The Last Supper', a mural painting of the 1490s by Leonardo da Vinci, in the Convent of Santa Maria delle Grazie in Milan, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jesus-said-one-of-you-that-eateth-with-me-shall-betray-me-mid-19th-century-biblical-scene-from-mark-14-18-and-as-they-sat-and-did-eat-jesus-said-verily-i-say-unto-you-one-of-you-which-eateth-with-me-shall-betray-me-they-began-to-be-grieved-and-to-ask-him-one-after-another-quotsurely-not-iquot-jesus-predicts-that-one-of-his-apostles-present-at-the-meal-will-betray-him-despite-their-assertions-to-the-contrary-engraving-after-the-last-supper-a-mural-painting-of-the-1490s-by-leonardo-da-vinci-in-the-convent-of-santa-maria-delle-grazie-in-milan-italy-image274145627.html
RMWX0BF7–'Jesus said, - one of you that eateth with me shall betray me', mid 19th century. Biblical scene, from Mark 14: 18: 'And as they sat and did eat, Jesus said, Verily I say unto you, One of you which eateth with me shall betray me. They began to be grieved and to ask Him one after another, "Surely not I?". Jesus predicts that one of his Apostles present at the meal will betray him, despite their assertions to the contrary. Engraving after 'The Last Supper', a mural painting of the 1490s by Leonardo da Vinci, in the Convent of Santa Maria delle Grazie in Milan, Italy.
'I do thee no wrong, didst not thou agree with me for a penny', 19th century.Biblical scene, from Matthew 20: 13: 'But he answered one of them, and said, Friend, I do thee no wrong: didst not thou agree with me for a penny?' Jesus says that any worker who accepts the invitation to the work in the vineyard (said by Jesus to represent the Kingdom of Heaven), no matter how late in the day, will receive the same reward as those who have been faithful the longest. Engraving after 'Parable of the Workers in the Vineyard', painting made c1650-1660, Circle of Ferdinand Bol, in the Städel Museum, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/i-do-thee-no-wrong-didst-not-thou-agree-with-me-for-a-penny-19th-centurybiblical-scene-from-matthew-20-13-but-he-answered-one-of-them-and-said-friend-i-do-thee-no-wrong-didst-not-thou-agree-with-me-for-a-penny-jesus-says-that-any-worker-who-accepts-the-invitation-to-the-work-in-the-vineyard-said-by-jesus-to-represent-the-kingdom-of-heaven-no-matter-how-late-in-the-day-will-receive-the-same-reward-as-those-who-have-been-faithful-the-longest-engraving-after-parable-of-the-workers-in-the-vineyard-painting-made-c1650-1660-circle-of-ferdinand-bol-in-the-stxe4del-museum-image274145636.html
RMWX0BFG–'I do thee no wrong, didst not thou agree with me for a penny', 19th century.Biblical scene, from Matthew 20: 13: 'But he answered one of them, and said, Friend, I do thee no wrong: didst not thou agree with me for a penny?' Jesus says that any worker who accepts the invitation to the work in the vineyard (said by Jesus to represent the Kingdom of Heaven), no matter how late in the day, will receive the same reward as those who have been faithful the longest. Engraving after 'Parable of the Workers in the Vineyard', painting made c1650-1660, Circle of Ferdinand Bol, in the Städel Museum,
'Jesus said, Were there not ten cleansed? But where are the nine?', mid 19th century. Biblical scene, from Luke 17: 17: 'And Jesus answering said, Were there not ten cleansed? but where are the nine? Was no one found except this foreigner to return and give glory to God?' Jesus performs the miracle of healing ten lepers, but only one man returns to thank him. Engraving after 'Christ Healing the Paralytic', a painting made c1619 by Anthony van Dyck, in the Royal Collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jesus-said-were-there-not-ten-cleansed-but-where-are-the-nine-mid-19th-century-biblical-scene-from-luke-17-17-and-jesus-answering-said-were-there-not-ten-cleansed-but-where-are-the-nine-was-no-one-found-except-this-foreigner-to-return-and-give-glory-to-god-jesus-performs-the-miracle-of-healing-ten-lepers-but-only-one-man-returns-to-thank-him-engraving-after-christ-healing-the-paralytic-a-painting-made-c1619-by-anthony-van-dyck-in-the-royal-collection-image274145638.html
RMWX0BFJ–'Jesus said, Were there not ten cleansed? But where are the nine?', mid 19th century. Biblical scene, from Luke 17: 17: 'And Jesus answering said, Were there not ten cleansed? but where are the nine? Was no one found except this foreigner to return and give glory to God?' Jesus performs the miracle of healing ten lepers, but only one man returns to thank him. Engraving after 'Christ Healing the Paralytic', a painting made c1619 by Anthony van Dyck, in the Royal Collection.
'Then said Boaz to Ruth, go not to glean in another field', 1840. Biblical scene, from Ruth 2: 8: 'Then said Boaz unto Ruth, Hearest thou not, my daughter? Go not to glean in another field, neither go from hence, but abide here fast by my maidens:'. The landowner Boaz deliberately leaves grain for the widow Ruth, who gleans (collects leftover crops from farmers' fields after they have been harvested), to provide for herself and her mother-in-law, Naomi, who was also a widow. Engraving after a painting of 1790 by Francis Wheatley. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/then-said-boaz-to-ruth-go-not-to-glean-in-another-field-1840-biblical-scene-from-ruth-2-8-then-said-boaz-unto-ruth-hearest-thou-not-my-daughter-go-not-to-glean-in-another-field-neither-go-from-hence-but-abide-here-fast-by-my-maidens-the-landowner-boaz-deliberately-leaves-grain-for-the-widow-ruth-who-gleans-collects-leftover-crops-from-farmers-fields-after-they-have-been-harvested-to-provide-for-herself-and-her-mother-in-law-naomi-who-was-also-a-widow-engraving-after-a-painting-of-1790-by-francis-wheatley-image274145595.html
RMWX0BE3–'Then said Boaz to Ruth, go not to glean in another field', 1840. Biblical scene, from Ruth 2: 8: 'Then said Boaz unto Ruth, Hearest thou not, my daughter? Go not to glean in another field, neither go from hence, but abide here fast by my maidens:'. The landowner Boaz deliberately leaves grain for the widow Ruth, who gleans (collects leftover crops from farmers' fields after they have been harvested), to provide for herself and her mother-in-law, Naomi, who was also a widow. Engraving after a painting of 1790 by Francis Wheatley.
'The Death of the First Born', 1872 (c1880-1882).Artist: A Mongin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-death-of-the-first-born-1872-c1880-1882artist-a-mongin-image262762498.html
RMW7DT6X–'The Death of the First Born', 1872 (c1880-1882).Artist: A Mongin
''Pictures of the Year - V. "Saul and David", after Ernest Normand', 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pictures-of-the-year-v-quotsaul-and-davidquot-after-ernest-normand-1891-from-quotthe-graphic-an-illustrated-weekly-newspaperquot-volume-44-july-to-december-1891-image506127843.html
RM2MBC36B–''Pictures of the Year - V. "Saul and David", after Ernest Normand', 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891.
''The Death of the First Born', after Lawrence Alma-Tadema, R.A.'From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-death-of-the-first-born-after-lawrence-alma-tadema-rafrom-quotmodern-artistsquot-by-fgdumas-jsvirtue-amp-co-ltd-london-c1880-image534079635.html
RM2P0WC0K–''The Death of the First Born', after Lawrence Alma-Tadema, R.A.'From "Modern Artists" by F.G.Dumas. [J.S.Virtue & Co Ltd, London, c1880]