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Jewish newspaper Black & White Stock Photos
The Jewish Chronicle on sale outside Westminster Cathedral, London, 1966. Artist: EH Emanuel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-jewish-chronicle-on-sale-outside-westminster-cathedral-london-image60080108.htmlRMDDMTP4–The Jewish Chronicle on sale outside Westminster Cathedral, London, 1966. Artist: EH Emanuel
Newsies selling Jewish newspaper, Selling the 'Warheit' - Jewish paper, at midnight, on Delancey Street. M. Brown - 247 Monroe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-newsies-selling-jewish-newspaper-selling-the-warheit-jewish-paper-50033360.htmlRMCWB61M–Newsies selling Jewish newspaper, Selling the 'Warheit' - Jewish paper, at midnight, on Delancey Street. M. Brown - 247 Monroe
A Jewish-owned newspaper stand in Paris exercises a boycott on German press and literature as a response to the German boycott Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-jewish-owned-newspaper-stand-in-paris-exercises-a-boycott-on-german-48338866.htmlRMCPJ0M2–A Jewish-owned newspaper stand in Paris exercises a boycott on German press and literature as a response to the German boycott
Newsies selling Jewish newspaper, Selling the 'Warheit' - Jewish paper, at midnight, on Delancey Street. M. Brown - 247 Monroe Street, New York, photograph by Lewis Wickes Hine, March, 1913 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-newsies-selling-jewish-newspaper-selling-the-warheit-jewish-paper-32381943.htmlRMBTK3DY–Newsies selling Jewish newspaper, Selling the 'Warheit' - Jewish paper, at midnight, on Delancey Street. M. Brown - 247 Monroe Street, New York, photograph by Lewis Wickes Hine, March, 1913
WW II - February 1936 Nazi Pomp and Circumstance. Gauleiter Julius Streicher spoke at the 'opening of the Third Craft Competitions of the Province of Franconia on the Adolf Hitler Square, Nurnberg, German Worker's Front, Franconia.' The city's public square was entirely filled with neat rows of uniformed men and boys. Swastika flags and banners dominated the view. Note the flaming cauldron just left of top center. Streicher was one of Hitler's earliest supporters, and he published the anti-Jewish newspaper 'Der Sturmer.' To see my other WW II-related images, Search: Prestor vintage WW II Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ww-ii-february-1936-nazi-pomp-and-circumstance-gauleiter-julius-streicher-spoke-at-the-opening-of-the-third-craft-competitions-of-the-province-of-franconia-on-the-adolf-hitler-square-nurnberg-german-workers-front-franconia-the-citys-public-square-was-entirely-filled-with-neat-rows-of-uniformed-men-and-boys-swastika-flags-and-banners-dominated-the-view-note-the-flaming-cauldron-just-left-of-top-center-streicher-was-one-of-hitlers-earliest-supporters-and-he-published-the-anti-jewish-newspaper-der-sturmer-to-see-my-other-ww-ii-related-images-search-prestor-vintage-ww-ii-image386316375.htmlRF2DCE6DB–WW II - February 1936 Nazi Pomp and Circumstance. Gauleiter Julius Streicher spoke at the 'opening of the Third Craft Competitions of the Province of Franconia on the Adolf Hitler Square, Nurnberg, German Worker's Front, Franconia.' The city's public square was entirely filled with neat rows of uniformed men and boys. Swastika flags and banners dominated the view. Note the flaming cauldron just left of top center. Streicher was one of Hitler's earliest supporters, and he published the anti-Jewish newspaper 'Der Sturmer.' To see my other WW II-related images, Search: Prestor vintage WW II
A swastika flag is waving on the house of the Berliner Tageblatt in the Zimmerstrasse, Berlin. The newspaper belonged to a Jewish publishing group. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-swastika-flag-is-waving-on-the-house-of-the-berliner-tageblatt-in-the-zimmerstrasse-berlin-the-newspaper-belonged-to-a-jewish-publishing-group-image247155107.htmlRMTA2TT3–A swastika flag is waving on the house of the Berliner Tageblatt in the Zimmerstrasse, Berlin. The newspaper belonged to a Jewish publishing group.
J'ACCUSE...open letter by Emile Zola published in French newspaper L'Aurore 13 January 1896 about the jailing of Alfred Dreyfus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jaccuseopen-letter-by-emile-zola-published-in-french-newspaper-laurore-39301175.htmlRMC7X91B–J'ACCUSE...open letter by Emile Zola published in French newspaper L'Aurore 13 January 1896 about the jailing of Alfred Dreyfus
Boycott of Jewish businesses: orders of Julius Streicher, published in the Voelkischen Beobachter, Munich, 1st April 1933 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-boycott-of-jewish-businesses-orders-of-julius-streicher-published-48379261.htmlRMCPKT6N–Boycott of Jewish businesses: orders of Julius Streicher, published in the Voelkischen Beobachter, Munich, 1st April 1933
1948 New York Times newspaper State of Israel is born Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1948-new-york-times-newspaper-state-of-israel-is-born-image257330431.htmlRMTXJBGF–1948 New York Times newspaper State of Israel is born
Public reading of Julius Streicher's anti-Semitic newspaper Der Stürmer, Worms, Germany, 1935. Julius Streicher was a violently anti-semitic Nazi (and generally a violent man) and his rabid and hysterical newspaper Die Stürmer did much to stoke the flames of anti-Jewish feeling in the run up to the war. Photo Bundesarchiv, Bild 133-075 / Unknown / CC-BY-SA 3.0, CC BY-SA 3.0 de, https://commons.wikimedia.org/w/index.php?curid=5338071 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/public-reading-of-julius-streichers-anti-semitic-newspaper-der-strmer-worms-germany-1935-julius-streicher-was-a-violently-anti-semitic-nazi-and-generally-a-violent-man-and-his-rabid-and-hysterical-newspaper-die-strmer-did-much-to-stoke-the-flames-of-anti-jewish-feeling-in-the-run-up-to-the-war-photo-bundesarchiv-bild-133-075-unknown-cc-by-sa-30-cc-by-sa-30-de-httpscommonswikimediaorgwindexphpcurid=5338071-image528275306.htmlRM2NKD0F6–Public reading of Julius Streicher's anti-Semitic newspaper Der Stürmer, Worms, Germany, 1935. Julius Streicher was a violently anti-semitic Nazi (and generally a violent man) and his rabid and hysterical newspaper Die Stürmer did much to stoke the flames of anti-Jewish feeling in the run up to the war. Photo Bundesarchiv, Bild 133-075 / Unknown / CC-BY-SA 3.0, CC BY-SA 3.0 de, https://commons.wikimedia.org/w/index.php?curid=5338071
Frontpage of the newspaper 'L'Action Française': the Jewish issue discussed in the Parliament Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-frontpage-of-the-newspaper-laction-franaise-the-jewish-issue-discussed-145403886.htmlRMJCFM3X–Frontpage of the newspaper 'L'Action Française': the Jewish issue discussed in the Parliament
National Socialism / Nazism, persecution of the Jews, Nazi boycott of Jewish businesses, 1.4.1933, Kiel, Germany, article from a German newspaper with call to boycott, , Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-national-socialism-nazism-persecution-of-the-jews-nazi-boycott-of-58394560.htmlRMDB02T0–National Socialism / Nazism, persecution of the Jews, Nazi boycott of Jewish businesses, 1.4.1933, Kiel, Germany, article from a German newspaper with call to boycott, , Additional-Rights-Clearences-Not Available
Ghetto in Warsaw. The ghetto's secret press. 20th Poland - World War II Jewish Documentation Center Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ghetto-in-warsaw-the-ghettos-secret-press-20th-poland-world-war-ii-113151163.htmlRMGG2DCY–Ghetto in Warsaw. The ghetto's secret press. 20th Poland - World War II Jewish Documentation Center
Israel 1964-1965: Tel Aviv, Karl Adolf Eichmann Jewish young men with keppelts stand in front of a kiosk and hold a newspaper containing an article about Karl Adolf Eichmann up from the sunlight Annotation: Karl Adolf Eichmann (1906-1962) was a German SS official in the Third Reich and one of the main responsible for the mass murder of the Jews Date: 1964 Location: Israel, Tel Aviv Keywords: posters, boys, Jewish religion, kiosks, newspapers, men, street statues Personal name: Eichmann, Adolf Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/israel-1964-1965-tel-aviv-karl-adolf-eichmann-jewish-young-men-with-keppelts-stand-in-front-of-a-kiosk-and-hold-a-newspaper-containing-an-article-about-karl-adolf-eichmann-up-from-the-sunlight-annotation-karl-adolf-eichmann-1906-1962-was-a-german-ss-official-in-the-third-reich-and-one-of-the-main-responsible-for-the-mass-murder-of-the-jews-date-1964-location-israel-tel-aviv-keywords-posters-boys-jewish-religion-kiosks-newspapers-men-street-statues-personal-name-eichmann-adolf-image341069891.htmlRM2APW23F–Israel 1964-1965: Tel Aviv, Karl Adolf Eichmann Jewish young men with keppelts stand in front of a kiosk and hold a newspaper containing an article about Karl Adolf Eichmann up from the sunlight Annotation: Karl Adolf Eichmann (1906-1962) was a German SS official in the Third Reich and one of the main responsible for the mass murder of the Jews Date: 1964 Location: Israel, Tel Aviv Keywords: posters, boys, Jewish religion, kiosks, newspapers, men, street statues Personal name: Eichmann, Adolf
Kristallnacht or 'Crystal Night', also referred to as the Night of Broken Glass, was a pogrom against Jews throughout Nazi Germany and Austria that took place on 9–10 November 1938, carried out by SA (Sturmabteilung or Brownshirts) paramilitary forces and German civilians. German authorities looked on without intervening. The name Kristallnacht comes from the shards of broken glass that littered the streets after Jewish-owned stores, buildings, and synagogues had their windows smashed. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kristallnacht-or-crystal-night-also-referred-to-as-the-night-of-broken-glass-was-a-pogrom-against-jews-throughout-nazi-germany-and-austria-that-took-place-on-910-november-1938-carried-out-by-sa-sturmabteilung-or-brownshirts-paramilitary-forces-and-german-civilians-german-authorities-looked-on-without-intervening-the-name-kristallnacht-comes-from-the-shards-of-broken-glass-that-littered-the-streets-after-jewish-owned-stores-buildings-and-synagogues-had-their-windows-smashed-image344275212.htmlRM2B032F8–Kristallnacht or 'Crystal Night', also referred to as the Night of Broken Glass, was a pogrom against Jews throughout Nazi Germany and Austria that took place on 9–10 November 1938, carried out by SA (Sturmabteilung or Brownshirts) paramilitary forces and German civilians. German authorities looked on without intervening. The name Kristallnacht comes from the shards of broken glass that littered the streets after Jewish-owned stores, buildings, and synagogues had their windows smashed.
Nazi Propaganda Against Jews Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nazi-propaganda-against-jews-image66293695.htmlRMDRRX7Y–Nazi Propaganda Against Jews
Front page of Der Sturmer a weekly Nazi German newspaper published by Julius Streicher from 1923 to the end of World War 2 in which the Jew is shown as an ugly, angry looking man with prominent exaggerated nose Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/front-page-of-der-sturmer-a-weekly-nazi-german-newspaper-published-image66883169.htmlRMDTPP4H–Front page of Der Sturmer a weekly Nazi German newspaper published by Julius Streicher from 1923 to the end of World War 2 in which the Jew is shown as an ugly, angry looking man with prominent exaggerated nose
Pamphlet on the lawsuit and execution of Lippold ben Judel Chluchim, the administrator of Joachim II Hector, 1505 1571, Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pamphlet-on-the-lawsuit-and-execution-of-lippold-ben-judel-chluchim-56917768.htmlRMD8GR5C–Pamphlet on the lawsuit and execution of Lippold ben Judel Chluchim, the administrator of Joachim II Hector, 1505 1571, Germany
1938 Sunday Express front page reporting new anti Jewish laws introduced in Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-1938-sunday-express-front-page-reporting-new-anti-jewish-laws-introduced-72281154.htmlRME5GK9P–1938 Sunday Express front page reporting new anti Jewish laws introduced in Germany
The Jewish Chronicle on sale outside Westminster Cathedral, London, 1966. Artist: EH Emanuel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-jewish-chronicle-on-sale-outside-westminster-cathedral-london-image60080109.htmlRMDDMTP5–The Jewish Chronicle on sale outside Westminster Cathedral, London, 1966. Artist: EH Emanuel
Arnold Zweig, German Jewish writer. His 1927 anti-war novel, THE CASE OF SERGEANT GRISHA, received international recognition. After the WW1 he became active socialist Zionist, and editor the newspaper, 'Judische Rundschau' in Berlin. (CSU 2015 11 1284) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-arnold-zweig-german-jewish-writer-his-1927-anti-war-novel-the-case-87520872.htmlRMF2AWNC–Arnold Zweig, German Jewish writer. His 1927 anti-war novel, THE CASE OF SERGEANT GRISHA, received international recognition. After the WW1 he became active socialist Zionist, and editor the newspaper, 'Judische Rundschau' in Berlin. (CSU 2015 11 1284)
General office of the Jewish Chronicle newspaper, London, 1951. Artist: EH Emanuel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/general-office-of-the-jewish-chronicle-newspaper-london-1951-artist-image60080113.htmlRMDDMTP9–General office of the Jewish Chronicle newspaper, London, 1951. Artist: EH Emanuel
The Hanukkah celebration at the Academy of Music by the Young Men's Hebrew Association, included a series of tableaux interspersed with melodies sung by 100 orphans from the Hebrew Orphan Asylum. Wood engraving of the sixth tableau, 'the dedication of the temple.', FRANK LESLIE'S ILLUSTRATED NEWSPAPER. New York City, December 16, 1879. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-hanukkah-celebration-at-the-academy-of-music-by-the-young-mens-32392816.htmlRMBTKHA8–The Hanukkah celebration at the Academy of Music by the Young Men's Hebrew Association, included a series of tableaux interspersed with melodies sung by 100 orphans from the Hebrew Orphan Asylum. Wood engraving of the sixth tableau, 'the dedication of the temple.', FRANK LESLIE'S ILLUSTRATED NEWSPAPER. New York City, December 16, 1879.
Baby Alex Feldman reading the Jewish Chronicle, 1968. Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-baby-alex-feldman-reading-the-jewish-chronicle-1968-artist-unknown-28083273.htmlRMBHK8E1–Baby Alex Feldman reading the Jewish Chronicle, 1968. Artist: Unknown
![Russian Prisoners, 1854. Russian women in Britain during the Crimean War. 'The wives of the Russian soldiers, who have been brought to England along with their husbands, are all plainly but neatly dressed, the majority having coloured handkerchiefs round their heads, and otherwise pretty much resembling the Bavarian broom girls who find their way to this country. Several of the women are of the Jewish persuasion'. From "Illustrated London News", 1854. Stock Photo](https://c8.alamy.com/comp/2K03YW9/russian-prisoners-1854-russian-women-in-britain-during-the-crimean-war-the-wives-of-the-russian-soldiers-who-have-been-brought-to-england-along-with-their-husbands-are-all-plainly-but-neatly-dressed-the-majority-having-coloured-handkerchiefs-round-their-heads-and-otherwise-pretty-much-resembling-the-bavarian-broom-girls-who-find-their-way-to-this-country-several-of-the-women-are-of-the-jewish-persuasion-from-quotillustrated-london-newsquot-1854-2K03YW9.jpg "Russian Prisoners, 1854. Russian women in Britain during the Crimean War. 'The wives of the Russian soldiers, who have been brought to England along with their husbands, are all plainly but neatly dressed, the majority having coloured handkerchiefs round their heads, and otherwise pretty much resembling the Bavarian broom girls who find their way to this country. Several of the women are of the Jewish persuasion'. From "Illustrated London News", 1854. Stock Photo")
Russian Prisoners, 1854. Russian women in Britain during the Crimean War. 'The wives of the Russian soldiers, who have been brought to England along with their husbands, are all plainly but neatly dressed, the majority having coloured handkerchiefs round their heads, and otherwise pretty much resembling the Bavarian broom girls who find their way to this country. Several of the women are of the Jewish persuasion'. From "Illustrated London News", 1854. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/russian-prisoners-1854-russian-women-in-britain-during-the-crimean-war-the-wives-of-the-russian-soldiers-who-have-been-brought-to-england-along-with-their-husbands-are-all-plainly-but-neatly-dressed-the-majority-having-coloured-handkerchiefs-round-their-heads-and-otherwise-pretty-much-resembling-the-bavarian-broom-girls-who-find-their-way-to-this-country-several-of-the-women-are-of-the-jewish-persuasion-from-quotillustrated-london-newsquot-1854-image481978037.htmlRM2K03YW9–Russian Prisoners, 1854. Russian women in Britain during the Crimean War. 'The wives of the Russian soldiers, who have been brought to England along with their husbands, are all plainly but neatly dressed, the majority having coloured handkerchiefs round their heads, and otherwise pretty much resembling the Bavarian broom girls who find their way to this country. Several of the women are of the Jewish persuasion'. From "Illustrated London News", 1854.
Printing room at the Jewish Chronicle, London, c1951. Artist: EH Emanuel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/printing-room-at-the-jewish-chronicle-london-c1951-artist-eh-emanuel-image60080116.htmlRMDDMTPC–Printing room at the Jewish Chronicle, London, c1951. Artist: EH Emanuel
An appeal to the German public to boycott Jewish doctors, as published in the Voelkischer Beobachter, Munich, Bavaria, 1st Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-an-appeal-to-the-german-public-to-boycott-jewish-doctors-as-published-48379274.htmlRMCPKT76–An appeal to the German public to boycott Jewish doctors, as published in the Voelkischer Beobachter, Munich, Bavaria, 1st
Printing room at the Jewish Chronicle, London, c1951. Artist: EH Emanuel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/printing-room-at-the-jewish-chronicle-london-c1951-artist-eh-emanuel-image60080115.htmlRMDDMTPB–Printing room at the Jewish Chronicle, London, c1951. Artist: EH Emanuel
1933 Daily Telegraph (Sydney) front page reporting anti Jewish actions in Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-1933-daily-telegraph-sydney-front-page-reporting-anti-jewish-actions-72281471.htmlRME5GKN3–1933 Daily Telegraph (Sydney) front page reporting anti Jewish actions in Germany
Burying a box containing copies of the Jewish Chronicle, London, 1955. Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/burying-a-box-containing-copies-of-the-jewish-chronicle-london-1955-image60080110.htmlRMDDMTP6–Burying a box containing copies of the Jewish Chronicle, London, 1955. Artist: Unknown
1938 Daily Telegraph page 17 reporting attacks on Jewish properties across Germany on Kristallnacht Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-1938-daily-telegraph-page-17-reporting-attacks-on-jewish-properties-72280415.htmlRME5GJBB–1938 Daily Telegraph page 17 reporting attacks on Jewish properties across Germany on Kristallnacht
Recording the Jewish Chronicle cassette for the Jewish Blind Society, London, 1980. Artist: Sidney Harris Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-recording-the-jewish-chronicle-cassette-for-the-jewish-blind-society-28083267.htmlRMBHK8DR–Recording the Jewish Chronicle cassette for the Jewish Blind Society, London, 1980. Artist: Sidney Harris
Ghetto in Warsaw. The ghetto's secret press. Title : 'For Our Liberty and Yours' 20th Poland - World War II Jewish Documentation Center Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ghetto-in-warsaw-the-ghettos-secret-press-title-for-our-liberty-and-113151160.htmlRMGG2DCT–Ghetto in Warsaw. The ghetto's secret press. Title : 'For Our Liberty and Yours' 20th Poland - World War II Jewish Documentation Center
David Reiss inspects a linotype machine at the Jewish Chronicle, London, 1960. Artist: EH Emanuel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-david-reiss-inspects-a-linotype-machine-at-the-jewish-chronicle-london-28083292.htmlRMBHK8EM–David Reiss inspects a linotype machine at the Jewish Chronicle, London, 1960. Artist: EH Emanuel
Ghetto in Warsaw. The ghetto's secret press. Publication : 'Towards the skies' 1940-1943 Poland - World War II Jewish Documentation Center Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ghetto-in-warsaw-the-ghettos-secret-press-publication-towards-the-133440530.htmlRMHN2MN6–Ghetto in Warsaw. The ghetto's secret press. Publication : 'Towards the skies' 1940-1943 Poland - World War II Jewish Documentation Center
Dame Cybil Thorndyke (1882-1976), British actress, 1971. Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dame-cybil-thorndyke-1882-1976-british-actress-1971-artist-unknown-image60079939.htmlRMDDMTG3–Dame Cybil Thorndyke (1882-1976), British actress, 1971. Artist: Unknown
Collection / Archive: Photo collection Van de Poll Report / Series: Israel 1964-1965: Tel Aviv, Karl Adolf Eichmann Jewish young men standing with skullcaps for a kiosk and holding a newspaper containing an article about Karl Adolf Eichmann up Annotation: Karl Adolf Eichmann (1906-1962) was a German SS officer in the Third Reich and one of the most responsible for the mass murder of the Jews Date: 1964 Location: Israel, Tel Aviv Keywords: posters, boys, Jewish religion, kiosks, newspapers, men , streets Person Name: Eichmann, Adolf Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/collection-archive-photo-collection-van-de-poll-report-series-israel-1964-1965-tel-aviv-karl-adolf-eichmann-jewish-young-men-standing-with-skullcaps-for-a-kiosk-and-holding-a-newspaper-containing-an-article-about-karl-adolf-eichmann-up-annotation-karl-adolf-eichmann-1906-1962-was-a-german-ss-officer-in-the-third-reich-and-one-of-the-most-responsible-for-the-mass-murder-of-the-jews-date-1964-location-israel-tel-aviv-keywords-posters-boys-jewish-religion-kiosks-newspapers-men-streets-person-name-eichmann-adolf-image343434099.htmlRM2AXMNKF–Collection / Archive: Photo collection Van de Poll Report / Series: Israel 1964-1965: Tel Aviv, Karl Adolf Eichmann Jewish young men standing with skullcaps for a kiosk and holding a newspaper containing an article about Karl Adolf Eichmann up Annotation: Karl Adolf Eichmann (1906-1962) was a German SS officer in the Third Reich and one of the most responsible for the mass murder of the Jews Date: 1964 Location: Israel, Tel Aviv Keywords: posters, boys, Jewish religion, kiosks, newspapers, men , streets Person Name: Eichmann, Adolf
Rupert Murdoch (1931- ), Australian media mogul. Artist: Sidney Harris Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rupert-murdoch-1931-australian-media-mogul-artist-sidney-harris-image60079742.htmlRMDDMT92–Rupert Murdoch (1931- ), Australian media mogul. Artist: Sidney Harris
First Jewish Slave Girls Camp Liberated -- These sturdy Jewish girls, were taken to the slave workers camp at Kaunitz, Germany, were liberated by the 9th., Army. They were forced by the Nazis to work in a German munition factory. They come from Italy, France, Holland, Belgium, Poland, Csechoslovakia, etc.,, Each has a yellow cross on the back, and everyone of them, even the children have been tattooed on the left arm with their numbers. The yellow was just dabbed on with a paint brush by the Ger Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/first-jewish-slave-girls-camp-liberated-these-sturdy-jewish-girls-were-taken-to-the-slave-workers-camp-at-kaunitz-germany-were-liberated-by-the-9th-army-they-were-forced-by-the-nazis-to-work-in-a-german-munition-factory-they-come-from-italy-france-holland-belgium-poland-csechoslovakia-etc-each-has-a-yellow-cross-on-the-back-and-everyone-of-them-even-the-children-have-been-tattooed-on-the-left-arm-with-their-numbers-the-yellow-was-just-dabbed-on-with-a-paint-brush-by-the-ger-image463587514.htmlRM2HX66GX–First Jewish Slave Girls Camp Liberated -- These sturdy Jewish girls, were taken to the slave workers camp at Kaunitz, Germany, were liberated by the 9th., Army. They were forced by the Nazis to work in a German munition factory. They come from Italy, France, Holland, Belgium, Poland, Csechoslovakia, etc.,, Each has a yellow cross on the back, and everyone of them, even the children have been tattooed on the left arm with their numbers. The yellow was just dabbed on with a paint brush by the Ger
Eugene Isaac Meyer, American financier, and newspaper publisher, ca. 1930. Among his many positions were: War Finance Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-eugene-isaac-meyer-american-financier-and-newspaper-publisher-ca-1930-59781577.htmlRMDD7809–Eugene Isaac Meyer, American financier, and newspaper publisher, ca. 1930. Among his many positions were: War Finance
New York, NY - September 12, 2022: Ronald Lauder, President of World Jewish Congress speaks during annual Jerusalem Post conference at Gotham Hall Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/new-york-ny-september-12-2022-ronald-lauder-president-of-world-jewish-congress-speaks-during-annual-jerusalem-post-conference-at-gotham-hall-image482374471.htmlRM2K0P1FK–New York, NY - September 12, 2022: Ronald Lauder, President of World Jewish Congress speaks during annual Jerusalem Post conference at Gotham Hall
Herman Bernstein, Russian born Jewish American journalist, c. 1920. In 1921 he published 'History of a Lie' in response to Henry Ford's printing of 500,000 copies of the notorious anti-Semitic forgery, 'The Protocols of the Elders of Zion' (BSLOC 2016 8 152) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-herman-bernstein-russian-born-jewish-american-journalist-c-1920-in-170553245.htmlRMKWDAB9–Herman Bernstein, Russian born Jewish American journalist, c. 1920. In 1921 he published 'History of a Lie' in response to Henry Ford's printing of 500,000 copies of the notorious anti-Semitic forgery, 'The Protocols of the Elders of Zion' (BSLOC 2016 8 152)
David Owen (1938- ), British, Leader of the Social Democratic Party and former Foreign Secretary. Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/david-owen-1938-british-leader-of-the-social-democratic-party-and-image60079769.htmlRMDDMTA1–David Owen (1938- ), British, Leader of the Social Democratic Party and former Foreign Secretary. Artist: Unknown
!["Shylock and Jessica" - drawn by John Gilbert, 1854. 'Mr. Gilbert has selected for Illustration a scene from Shakspeare's charming; play of "The Merchant of Venice." It represents one of the milder incidents of the Jew's suspicions...The scene presented the artist with an opportunity for the display of the striking costume of the drama, of which he has gracefully availed himself. The Jew wears "his Jewish gaberdine;" the maiden wears in her hair sequins; the impersonation realises Mr. Knight's characteristic of her - "young, agreeable, intelligent, formed for Stock Photo](https://c8.alamy.com/comp/2K03YW7/quotshylock-and-jessicaquot-drawn-by-john-gilbert-1854-mr-gilbert-has-selected-for-illustration-a-scene-from-shakspeares-charming-play-of-quotthe-merchant-of-venicequot-it-represents-one-of-the-milder-incidents-of-the-jews-suspicionsthe-scene-presented-the-artist-with-an-opportunity-for-the-display-of-the-striking-costume-of-the-drama-of-which-he-has-gracefully-availed-himself-the-jew-wears-quothis-jewish-gaberdinequot-the-maiden-wears-in-her-hair-sequins-the-impersonation-realises-mr-knights-characteristic-of-her-quotyoung-agreeable-intelligent-formed-for-2K03YW7.jpg ""Shylock and Jessica" - drawn by John Gilbert, 1854. 'Mr. Gilbert has selected for Illustration a scene from Shakspeare's charming; play of "The Merchant of Venice." It represents one of the milder incidents of the Jew's suspicions...The scene presented the artist with an opportunity for the display of the striking costume of the drama, of which he has gracefully availed himself. The Jew wears "his Jewish gaberdine;" the maiden wears in her hair sequins; the impersonation realises Mr. Knight's characteristic of her - "young, agreeable, intelligent, formed for Stock Photo")
"Shylock and Jessica" - drawn by John Gilbert, 1854. 'Mr. Gilbert has selected for Illustration a scene from Shakspeare's charming; play of "The Merchant of Venice." It represents one of the milder incidents of the Jew's suspicions...The scene presented the artist with an opportunity for the display of the striking costume of the drama, of which he has gracefully availed himself. The Jew wears "his Jewish gaberdine;" the maiden wears in her hair sequins; the impersonation realises Mr. Knight's characteristic of her - "young, agreeable, intelligent, formed for Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/quotshylock-and-jessicaquot-drawn-by-john-gilbert-1854-mr-gilbert-has-selected-for-illustration-a-scene-from-shakspeares-charming-play-of-quotthe-merchant-of-venicequot-it-represents-one-of-the-milder-incidents-of-the-jews-suspicionsthe-scene-presented-the-artist-with-an-opportunity-for-the-display-of-the-striking-costume-of-the-drama-of-which-he-has-gracefully-availed-himself-the-jew-wears-quothis-jewish-gaberdinequot-the-maiden-wears-in-her-hair-sequins-the-impersonation-realises-mr-knights-characteristic-of-her-quotyoung-agreeable-intelligent-formed-for-image481978035.htmlRM2K03YW7–"Shylock and Jessica" - drawn by John Gilbert, 1854. 'Mr. Gilbert has selected for Illustration a scene from Shakspeare's charming; play of "The Merchant of Venice." It represents one of the milder incidents of the Jew's suspicions...The scene presented the artist with an opportunity for the display of the striking costume of the drama, of which he has gracefully availed himself. The Jew wears "his Jewish gaberdine;" the maiden wears in her hair sequins; the impersonation realises Mr. Knight's characteristic of her - "young, agreeable, intelligent, formed for
SELIG SLONIMSKI Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/selig-slonimski-image65736625.htmlRMDPXFMH–SELIG SLONIMSKI
Call for a boycott action against Jewish businesses with orders for a regulated execution. Newspaper excerpt from the Voelkischer Beobachter from 01/02. 04.1933. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/call-for-a-boycott-action-against-jewish-businesses-with-orders-for-a-regulated-execution-newspaper-excerpt-from-the-voelkischer-beobachter-from-0102-041933-image247137310.htmlRMTA224E–Call for a boycott action against Jewish businesses with orders for a regulated execution. Newspaper excerpt from the Voelkischer Beobachter from 01/02. 04.1933.
Washington, D.C. The hands of Mr. Venus Alsobrook, official salvage collector for the government, wrapping old newspapers he has gathered from different sections of the city. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/washington-dc-the-hands-of-mr-venus-alsobrook-official-salvage-collector-for-the-government-wrapping-old-newspapers-he-has-gathered-from-different-sections-of-the-city-image469810048.htmlRM2J89KE8–Washington, D.C. The hands of Mr. Venus Alsobrook, official salvage collector for the government, wrapping old newspapers he has gathered from different sections of the city.
![Adolf Hitler and Max Schmeling looking at the sports section of the newspaper. Despite Schmeling's distance to the Nazis, he could not avoid being misused by them for propaganda purposes, because as a popular sportsman he was an ideal projection figure for them. After he had refused to separate from his Czech wife and his Jewish adviser he let himself be used for advertising purposes for the Olympic Games in Berlin. Since these events took place in 1935, this picture may be seen in this context. [automated translation] Stock Photo](https://c8.alamy.com/comp/2GY4P7E/adolf-hitler-and-max-schmeling-looking-at-the-sports-section-of-the-newspaper-despite-schmelings-distance-to-the-nazis-he-could-not-avoid-being-misused-by-them-for-propaganda-purposes-because-as-a-popular-sportsman-he-was-an-ideal-projection-figure-for-them-after-he-had-refused-to-separate-from-his-czech-wife-and-his-jewish-adviser-he-let-himself-be-used-for-advertising-purposes-for-the-olympic-games-in-berlin-since-these-events-took-place-in-1935-this-picture-may-be-seen-in-this-context-automated-translation-2GY4P7E.jpg "Adolf Hitler and Max Schmeling looking at the sports section of the newspaper. Despite Schmeling's distance to the Nazis, he could not avoid being misused by them for propaganda purposes, because as a popular sportsman he was an ideal projection figure for them. After he had refused to separate from his Czech wife and his Jewish adviser he let himself be used for advertising purposes for the Olympic Games in Berlin. Since these events took place in 1935, this picture may be seen in this context. [automated translation] Stock Photo")
Adolf Hitler and Max Schmeling looking at the sports section of the newspaper. Despite Schmeling's distance to the Nazis, he could not avoid being misused by them for propaganda purposes, because as a popular sportsman he was an ideal projection figure for them. After he had refused to separate from his Czech wife and his Jewish adviser he let himself be used for advertising purposes for the Olympic Games in Berlin. Since these events took place in 1935, this picture may be seen in this context. [automated translation] Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adolf-hitler-and-max-schmeling-looking-at-the-sports-section-of-the-newspaper-despite-schmelings-distance-to-the-nazis-he-could-not-avoid-being-misused-by-them-for-propaganda-purposes-because-as-a-popular-sportsman-he-was-an-ideal-projection-figure-for-them-after-he-had-refused-to-separate-from-his-czech-wife-and-his-jewish-adviser-he-let-himself-be-used-for-advertising-purposes-for-the-olympic-games-in-berlin-since-these-events-took-place-in-1935-this-picture-may-be-seen-in-this-context-automated-translation-image446960178.htmlRM2GY4P7E–Adolf Hitler and Max Schmeling looking at the sports section of the newspaper. Despite Schmeling's distance to the Nazis, he could not avoid being misused by them for propaganda purposes, because as a popular sportsman he was an ideal projection figure for them. After he had refused to separate from his Czech wife and his Jewish adviser he let himself be used for advertising purposes for the Olympic Games in Berlin. Since these events took place in 1935, this picture may be seen in this context. [automated translation]
Jew Demonstration. Anti-German protest, showing amusement among the small group of onlookers. 1933 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jew-demonstration-anti-german-protest-showing-amusement-among-the-small-group-of-onlookers-1933-image359630393.htmlRM2BW2G6H–Jew Demonstration. Anti-German protest, showing amusement among the small group of onlookers. 1933
Police regulations about the identification of Jews, 1941 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/police-regulations-about-the-identification-of-jews-1941-image68836810.htmlRMDYYP1E–Police regulations about the identification of Jews, 1941
Sonnino (LOC) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sonnino-loc-55134481.htmlRMD5KGGH–Sonnino (LOC)
Anti-Semitic illustration from the 'Politischen Bilderbogen' titled 'The Fairy tale of Christ!', Dresden, 1896 (lithograph) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-anti-semitic-illustration-from-the-politischen-bilderbogen-titled-48338873.htmlRMCPJ0M9–Anti-Semitic illustration from the 'Politischen Bilderbogen' titled 'The Fairy tale of Christ!', Dresden, 1896 (lithograph)
1948 Palestine Post State of Israel is born Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1948-palestine-post-state-of-israel-is-born-image257328550.htmlRMTXJ95A–1948 Palestine Post State of Israel is born
Editor Lisa Schwarz in the editorial office of the weekly paper 'Aufbau' in New York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-editor-lisa-schwarz-in-the-editorial-office-of-the-weekly-paper-aufbau-123553071.htmlRMH5095K–Editor Lisa Schwarz in the editorial office of the weekly paper 'Aufbau' in New York
1915 Daily Sketch front page Death of Lord Rothschild Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1915-daily-sketch-front-page-death-of-lord-rothschild-image257325515.htmlRMTXJ58Y–1915 Daily Sketch front page Death of Lord Rothschild
Passengers in a New York underground, 1960s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/passengers-in-a-new-york-underground-1960s-image68852334.htmlRME00DRX–Passengers in a New York underground, 1960s
1948 Chicago Daily News front page reporting State of Israel created Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-1948-chicago-daily-news-front-page-reporting-state-of-israel-created-72282367.htmlRME5GMW3–1948 Chicago Daily News front page reporting State of Israel created
Ada Louise Huxtable; outspoken architectural critic 1921-2013, photographed in her home in New York City, USA, in 1997 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ada-louise-huxtable-outspoken-architectural-critic-1921-2013-photographed-54259975.htmlRMD47N47–Ada Louise Huxtable; outspoken architectural critic 1921-2013, photographed in her home in New York City, USA, in 1997
Herman Bernstein, Russian born Jewish American journalist, c. 1920. In 1921 he published 'History of a Lie' in response to Henry Ford's printing of 500,000 copies of the notorious anti-Semitic forgery, 'The Protocols of the Elders of Zion' (BSLOC 2016 8 152) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-herman-bernstein-russian-born-jewish-american-journalist-c-1920-in-170552123.htmlRMKWD8Y7–Herman Bernstein, Russian born Jewish American journalist, c. 1920. In 1921 he published 'History of a Lie' in response to Henry Ford's printing of 500,000 copies of the notorious anti-Semitic forgery, 'The Protocols of the Elders of Zion' (BSLOC 2016 8 152)
1938 Sunday Express front page reporting that Jews are forbiden to drive cars in Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-1938-sunday-express-front-page-reporting-that-jews-are-forbiden-to-72281572.htmlRME5GKTM–1938 Sunday Express front page reporting that Jews are forbiden to drive cars in Germany
Jerusalem, Israel. 19th Apr, 2020. As an ease of the Coronavirus lockdown comes into effect allowing a wider range of businesses to open, so does a mandatory requirement to wear a face mask in public, punishable with a 200 ILS fine. 13,362 Israelis have been diagnosed with COVID-19. Death toll is 172. Credit: Nir Alon/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jerusalem-israel-19th-apr-2020-as-an-ease-of-the-coronavirus-lockdown-comes-into-effect-allowing-a-wider-range-of-businesses-to-open-so-does-a-mandatory-requirement-to-wear-a-face-mask-in-public-punishable-with-a-200-ils-fine-13362-israelis-have-been-diagnosed-with-covid-19-death-toll-is-172-credit-nir-alonalamy-live-news-image353869592.htmlRM2BFM47M–Jerusalem, Israel. 19th Apr, 2020. As an ease of the Coronavirus lockdown comes into effect allowing a wider range of businesses to open, so does a mandatory requirement to wear a face mask in public, punishable with a 200 ILS fine. 13,362 Israelis have been diagnosed with COVID-19. Death toll is 172. Credit: Nir Alon/Alamy Live News
Eupatoria - Jews' Synagogue and Schools, 1854. Yevpatoria is a city in Western Crimea on the Black Sea. It was the first port landed at by the allies during the Crimean War. 'Unpretending as the Synagogue appears, its interior indicates that the Jews must be a comparatively wealthy body here. Within the porch is a paved passuge, on one side planted with trees, leading to a tolerably large square...On the left side of this square is a Synagogue (the principal one), on the right a smaller one. Proceeding from this square you enter a large quadrangle paved with marble. The walls were covered with Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eupatoria-jews-synagogue-and-schools-1854-yevpatoria-is-a-city-in-western-crimea-on-the-black-sea-it-was-the-first-port-landed-at-by-the-allies-during-the-crimean-war-unpretending-as-the-synagogue-appears-its-interior-indicates-that-the-jews-must-be-a-comparatively-wealthy-body-here-within-the-porch-is-a-paved-passuge-on-one-side-planted-with-trees-leading-to-a-tolerably-large-squareon-the-left-side-of-this-square-is-a-synagogue-the-principal-one-on-the-right-a-smaller-one-proceeding-from-this-square-you-enter-a-large-quadrangle-paved-with-marble-the-walls-were-covered-with-image481978904.htmlRM2K04108–Eupatoria - Jews' Synagogue and Schools, 1854. Yevpatoria is a city in Western Crimea on the Black Sea. It was the first port landed at by the allies during the Crimean War. 'Unpretending as the Synagogue appears, its interior indicates that the Jews must be a comparatively wealthy body here. Within the porch is a paved passuge, on one side planted with trees, leading to a tolerably large square...On the left side of this square is a Synagogue (the principal one), on the right a smaller one. Proceeding from this square you enter a large quadrangle paved with marble. The walls were covered with
Mrs. S. Loebinger, New York, 1910. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mrs-s-loebinger-new-york-1910-image603637542.htmlRM2X221RJ–Mrs. S. Loebinger, New York, 1910.
Dorothy Thompson, newspaper columnist, with Rep. Edith Nourse Rogers, April 22, 1939. Thompson testified to the Congressional Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-dorothy-thompson-newspaper-columnist-with-rep-edith-nourse-rogers-59781602.htmlRMDD7816–Dorothy Thompson, newspaper columnist, with Rep. Edith Nourse Rogers, April 22, 1939. Thompson testified to the Congressional
!["The Reverse of Fortune", by Mademoiselle Amanda Fougère...the Paris Exhibition of Fine Arts, 1864. Engraving of a painting. 'The subject is sufficiently expressive to render a detailed description unnecessary; but how beautiful the widow appears in her grief, and what nobleness of expression we perceive in the face and attitude of this bereaved woman as she offers her jewels for sale to the calculating Jew! Her child, who is scarcely old enough to comprehend the extent of the misfortune, appears to sympathise with the mother's anguish. The Jew dealer, who naturally depreciates Stock Photo](https://c8.alamy.com/comp/2WRGTWB/quotthe-reverse-of-fortunequot-by-mademoiselle-amanda-fougxe8rethe-paris-exhibition-of-fine-arts-1864-engraving-of-a-painting-the-subject-is-sufficiently-expressive-to-render-a-detailed-description-unnecessary-but-how-beautiful-the-widow-appears-in-her-grief-and-what-nobleness-of-expression-we-perceive-in-the-face-and-attitude-of-this-bereaved-woman-as-she-offers-her-jewels-for-sale-to-the-calculating-jew!-her-child-who-is-scarcely-old-enough-to-comprehend-the-extent-of-the-misfortune-appears-to-sympathise-with-the-mothers-anguish-the-jew-dealer-who-naturally-depreciates-2WRGTWB.jpg ""The Reverse of Fortune", by Mademoiselle Amanda Fougère...the Paris Exhibition of Fine Arts, 1864. Engraving of a painting. 'The subject is sufficiently expressive to render a detailed description unnecessary; but how beautiful the widow appears in her grief, and what nobleness of expression we perceive in the face and attitude of this bereaved woman as she offers her jewels for sale to the calculating Jew! Her child, who is scarcely old enough to comprehend the extent of the misfortune, appears to sympathise with the mother's anguish. The Jew dealer, who naturally depreciates Stock Photo")
"The Reverse of Fortune", by Mademoiselle Amanda Fougère...the Paris Exhibition of Fine Arts, 1864. Engraving of a painting. 'The subject is sufficiently expressive to render a detailed description unnecessary; but how beautiful the widow appears in her grief, and what nobleness of expression we perceive in the face and attitude of this bereaved woman as she offers her jewels for sale to the calculating Jew! Her child, who is scarcely old enough to comprehend the extent of the misfortune, appears to sympathise with the mother's anguish. The Jew dealer, who naturally depreciates Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/quotthe-reverse-of-fortunequot-by-mademoiselle-amanda-fougxe8rethe-paris-exhibition-of-fine-arts-1864-engraving-of-a-painting-the-subject-is-sufficiently-expressive-to-render-a-detailed-description-unnecessary-but-how-beautiful-the-widow-appears-in-her-grief-and-what-nobleness-of-expression-we-perceive-in-the-face-and-attitude-of-this-bereaved-woman-as-she-offers-her-jewels-for-sale-to-the-calculating-jew!-her-child-who-is-scarcely-old-enough-to-comprehend-the-extent-of-the-misfortune-appears-to-sympathise-with-the-mothers-anguish-the-jew-dealer-who-naturally-depreciates-image599660359.htmlRM2WRGTWB–"The Reverse of Fortune", by Mademoiselle Amanda Fougère...the Paris Exhibition of Fine Arts, 1864. Engraving of a painting. 'The subject is sufficiently expressive to render a detailed description unnecessary; but how beautiful the widow appears in her grief, and what nobleness of expression we perceive in the face and attitude of this bereaved woman as she offers her jewels for sale to the calculating Jew! Her child, who is scarcely old enough to comprehend the extent of the misfortune, appears to sympathise with the mother's anguish. The Jew dealer, who naturally depreciates
![The Firing and Sacking of the Synagogue, 1857. Scene from "Master Walter, the Physician. A Tale of Old London": ' "They have fired the Synagogue"...[Muriel] said quietly, " and it will be our turn next...When the sun rose on the morning following that eventful night the ruins of the Synagogue and of the best houses in the quarter, and the dead bodies of 700 Jews, bore witness to the fervent zeal of the Christian mob'. From "Illustrated London News", 1857. Stock Photo](https://c8.alamy.com/comp/2R8Y8EF/the-firing-and-sacking-of-the-synagogue-1857-scene-from-quotmaster-walter-the-physician-a-tale-of-old-londonquot-quotthey-have-fired-the-synagoguequot-muriel-said-quietly-quot-and-it-will-be-our-turn-nextwhen-the-sun-rose-on-the-morning-following-that-eventful-night-the-ruins-of-the-synagogue-and-of-the-best-houses-in-the-quarter-and-the-dead-bodies-of-700-jews-bore-witness-to-the-fervent-zeal-of-the-christian-mob-from-quotillustrated-london-newsquot-1857-2R8Y8EF.jpg "The Firing and Sacking of the Synagogue, 1857. Scene from "Master Walter, the Physician. A Tale of Old London": ' "They have fired the Synagogue"...[Muriel] said quietly, " and it will be our turn next...When the sun rose on the morning following that eventful night the ruins of the Synagogue and of the best houses in the quarter, and the dead bodies of 700 Jews, bore witness to the fervent zeal of the Christian mob'. From "Illustrated London News", 1857. Stock Photo")
The Firing and Sacking of the Synagogue, 1857. Scene from "Master Walter, the Physician. A Tale of Old London": ' "They have fired the Synagogue"...[Muriel] said quietly, " and it will be our turn next...When the sun rose on the morning following that eventful night the ruins of the Synagogue and of the best houses in the quarter, and the dead bodies of 700 Jews, bore witness to the fervent zeal of the Christian mob'. From "Illustrated London News", 1857. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-firing-and-sacking-of-the-synagogue-1857-scene-from-quotmaster-walter-the-physician-a-tale-of-old-londonquot-quotthey-have-fired-the-synagoguequot-muriel-said-quietly-quot-and-it-will-be-our-turn-nextwhen-the-sun-rose-on-the-morning-following-that-eventful-night-the-ruins-of-the-synagogue-and-of-the-best-houses-in-the-quarter-and-the-dead-bodies-of-700-jews-bore-witness-to-the-fervent-zeal-of-the-christian-mob-from-quotillustrated-london-newsquot-1857-image556248407.htmlRM2R8Y8EF–The Firing and Sacking of the Synagogue, 1857. Scene from "Master Walter, the Physician. A Tale of Old London": ' "They have fired the Synagogue"...[Muriel] said quietly, " and it will be our turn next...When the sun rose on the morning following that eventful night the ruins of the Synagogue and of the best houses in the quarter, and the dead bodies of 700 Jews, bore witness to the fervent zeal of the Christian mob'. From "Illustrated London News", 1857.
![The late Dr. John Bird Sumner, Archbishop of Canterbury, 1862. Engraving from a photograph by John and Charles Watkins. 'Shortly after his ordination, he was appointed to an assistant-mastership at Eton...The duties of a master at Eton did not exclusively occupy his attention; he was a writer also...In 1816 he won the second prize...for a treatise on "The Evidences." He published this essay in 1817, under the title of "A Treatise on the Records of the Creation and on Moral Attributes of the Creator." The "Evidences of Christianity, Derived from its Nature and Reception Stock Photo](https://c8.alamy.com/comp/2WG0JY3/the-late-dr-john-bird-sumner-archbishop-of-canterbury-1862-engraving-from-a-photograph-by-john-and-charles-watkins-shortly-after-his-ordination-he-was-appointed-to-an-assistant-mastership-at-etonthe-duties-of-a-master-at-eton-did-not-exclusively-occupy-his-attention-he-was-a-writer-alsoin-1816-he-won-the-second-prizefor-a-treatise-on-quotthe-evidencesquot-he-published-this-essay-in-1817-under-the-title-of-quota-treatise-on-the-records-of-the-creation-and-on-moral-attributes-of-the-creatorquot-the-quotevidences-of-christianity-derived-from-its-nature-and-reception-2WG0JY3.jpg "The late Dr. John Bird Sumner, Archbishop of Canterbury, 1862. Engraving from a photograph by John and Charles Watkins. 'Shortly after his ordination, he was appointed to an assistant-mastership at Eton...The duties of a master at Eton did not exclusively occupy his attention; he was a writer also...In 1816 he won the second prize...for a treatise on "The Evidences." He published this essay in 1817, under the title of "A Treatise on the Records of the Creation and on Moral Attributes of the Creator." The "Evidences of Christianity, Derived from its Nature and Reception Stock Photo")
The late Dr. John Bird Sumner, Archbishop of Canterbury, 1862. Engraving from a photograph by John and Charles Watkins. 'Shortly after his ordination, he was appointed to an assistant-mastership at Eton...The duties of a master at Eton did not exclusively occupy his attention; he was a writer also...In 1816 he won the second prize...for a treatise on "The Evidences." He published this essay in 1817, under the title of "A Treatise on the Records of the Creation and on Moral Attributes of the Creator." The "Evidences of Christianity, Derived from its Nature and Reception Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-late-dr-john-bird-sumner-archbishop-of-canterbury-1862-engraving-from-a-photograph-by-john-and-charles-watkins-shortly-after-his-ordination-he-was-appointed-to-an-assistant-mastership-at-etonthe-duties-of-a-master-at-eton-did-not-exclusively-occupy-his-attention-he-was-a-writer-alsoin-1816-he-won-the-second-prizefor-a-treatise-on-quotthe-evidencesquot-he-published-this-essay-in-1817-under-the-title-of-quota-treatise-on-the-records-of-the-creation-and-on-moral-attributes-of-the-creatorquot-the-quotevidences-of-christianity-derived-from-its-nature-and-reception-image595001879.htmlRM2WG0JY3–The late Dr. John Bird Sumner, Archbishop of Canterbury, 1862. Engraving from a photograph by John and Charles Watkins. 'Shortly after his ordination, he was appointed to an assistant-mastership at Eton...The duties of a master at Eton did not exclusively occupy his attention; he was a writer also...In 1816 he won the second prize...for a treatise on "The Evidences." He published this essay in 1817, under the title of "A Treatise on the Records of the Creation and on Moral Attributes of the Creator." The "Evidences of Christianity, Derived from its Nature and Reception
![The Royal Academy Prize-painting, Trial Scene in "The Merchant of Venice", by A. B. Donaldson, 1862. Engraving of a painting. 'The medal for historical painting has been awarded to Mr. Andrew Brown Donaldson...The exact point which the artist appears to have selected is where Bassanio, having tendered for Antonio "twice the sum", the amount of the bond (this is indicated by the money-bags on the floor), which the Jew inexorably refuses, Portia proceeds to give judgment...The eager, malignant look of Shylock as he grasps the knife and brandishes the scales would show that he Stock Photo](https://c8.alamy.com/comp/2WG0HF4/the-royal-academy-prize-painting-trial-scene-in-quotthe-merchant-of-venicequot-by-a-b-donaldson-1862-engraving-of-a-painting-the-medal-for-historical-painting-has-been-awarded-to-mr-andrew-brown-donaldsonthe-exact-point-which-the-artist-appears-to-have-selected-is-where-bassanio-having-tendered-for-antonio-quottwice-the-sumquot-the-amount-of-the-bond-this-is-indicated-by-the-money-bags-on-the-floor-which-the-jew-inexorably-refuses-portia-proceeds-to-give-judgmentthe-eager-malignant-look-of-shylock-as-he-grasps-the-knife-and-brandishes-the-scales-would-show-that-he-2WG0HF4.jpg "The Royal Academy Prize-painting, Trial Scene in "The Merchant of Venice", by A. B. Donaldson, 1862. Engraving of a painting. 'The medal for historical painting has been awarded to Mr. Andrew Brown Donaldson...The exact point which the artist appears to have selected is where Bassanio, having tendered for Antonio "twice the sum", the amount of the bond (this is indicated by the money-bags on the floor), which the Jew inexorably refuses, Portia proceeds to give judgment...The eager, malignant look of Shylock as he grasps the knife and brandishes the scales would show that he Stock Photo")
The Royal Academy Prize-painting, Trial Scene in "The Merchant of Venice", by A. B. Donaldson, 1862. Engraving of a painting. 'The medal for historical painting has been awarded to Mr. Andrew Brown Donaldson...The exact point which the artist appears to have selected is where Bassanio, having tendered for Antonio "twice the sum", the amount of the bond (this is indicated by the money-bags on the floor), which the Jew inexorably refuses, Portia proceeds to give judgment...The eager, malignant look of Shylock as he grasps the knife and brandishes the scales would show that he Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-royal-academy-prize-painting-trial-scene-in-quotthe-merchant-of-venicequot-by-a-b-donaldson-1862-engraving-of-a-painting-the-medal-for-historical-painting-has-been-awarded-to-mr-andrew-brown-donaldsonthe-exact-point-which-the-artist-appears-to-have-selected-is-where-bassanio-having-tendered-for-antonio-quottwice-the-sumquot-the-amount-of-the-bond-this-is-indicated-by-the-money-bags-on-the-floor-which-the-jew-inexorably-refuses-portia-proceeds-to-give-judgmentthe-eager-malignant-look-of-shylock-as-he-grasps-the-knife-and-brandishes-the-scales-would-show-that-he-image595000760.htmlRM2WG0HF4–The Royal Academy Prize-painting, Trial Scene in "The Merchant of Venice", by A. B. Donaldson, 1862. Engraving of a painting. 'The medal for historical painting has been awarded to Mr. Andrew Brown Donaldson...The exact point which the artist appears to have selected is where Bassanio, having tendered for Antonio "twice the sum", the amount of the bond (this is indicated by the money-bags on the floor), which the Jew inexorably refuses, Portia proceeds to give judgment...The eager, malignant look of Shylock as he grasps the knife and brandishes the scales would show that he
The Right Hon. Benjamin Samuel Phillips, the new Lord Mayor of London, 1865. Engraving from a photograph by Messrs. Mayall. 'Mr. Phillips...has been a member of the Common Council nearly twenty years, his first appearance there dating as far back as the year 1847, when he was returned as representative of the ward of Farringdon Within. He was at that time thirty-six years of age, and one of the firm of Faudel, Phillips, and Sons, Newgate-street, importers and manufacturers of embroidery and fancy wools, of which firm he is now the head. In his commercial dealings Mr. Phillips had proved himsel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-right-hon-benjamin-samuel-phillips-the-new-lord-mayor-of-london-1865-engraving-from-a-photograph-by-messrs-mayall-mr-phillipshas-been-a-member-of-the-common-council-nearly-twenty-years-his-first-appearance-there-dating-as-far-back-as-the-year-1847-when-he-was-returned-as-representative-of-the-ward-of-farringdon-within-he-was-at-that-time-thirty-six-years-of-age-and-one-of-the-firm-of-faudel-phillips-and-sons-newgate-street-importers-and-manufacturers-of-embroidery-and-fancy-wools-of-which-firm-he-is-now-the-head-in-his-commercial-dealings-mr-phillips-had-proved-himsel-image603634933.htmlRM2X21XED–The Right Hon. Benjamin Samuel Phillips, the new Lord Mayor of London, 1865. Engraving from a photograph by Messrs. Mayall. 'Mr. Phillips...has been a member of the Common Council nearly twenty years, his first appearance there dating as far back as the year 1847, when he was returned as representative of the ward of Farringdon Within. He was at that time thirty-six years of age, and one of the firm of Faudel, Phillips, and Sons, Newgate-street, importers and manufacturers of embroidery and fancy wools, of which firm he is now the head. In his commercial dealings Mr. Phillips had proved himsel
![New Pictures in the National Gallery - "Christ Driving the Money-Changers out of the Temple" - painted by Bassano, 1856. 'In the picture before us, which was presented to the National Gallery by Philip L. Hinds, Esq., we have a fair sample of [Bassano's] powers and his peculiar predilections. Amidst the confused crowd of money-brokers, cattle, dogs, and dealers in live-stock, we recognise none of those sublimer attributes usually aimed at in the treatment of sacred subjects. We cannot conclude our notice of this picture without animadverting upon the taste and judgment of the "H Stock Photo](https://c8.alamy.com/comp/2R4DJKW/new-pictures-in-the-national-gallery-quotchrist-driving-the-money-changers-out-of-the-templequot-painted-by-bassano-1856-in-the-picture-before-us-which-was-presented-to-the-national-gallery-by-philip-l-hinds-esq-we-have-a-fair-sample-of-bassanos-powers-and-his-peculiar-predilections-amidst-the-confused-crowd-of-money-brokers-cattle-dogs-and-dealers-in-live-stock-we-recognise-none-of-those-sublimer-attributes-usually-aimed-at-in-the-treatment-of-sacred-subjects-we-cannot-conclude-our-notice-of-this-picture-without-animadverting-upon-the-taste-and-judgment-of-the-quoth-2R4DJKW.jpg "New Pictures in the National Gallery - "Christ Driving the Money-Changers out of the Temple" - painted by Bassano, 1856. 'In the picture before us, which was presented to the National Gallery by Philip L. Hinds, Esq., we have a fair sample of [Bassano's] powers and his peculiar predilections. Amidst the confused crowd of money-brokers, cattle, dogs, and dealers in live-stock, we recognise none of those sublimer attributes usually aimed at in the treatment of sacred subjects. We cannot conclude our notice of this picture without animadverting upon the taste and judgment of the "H Stock Photo")
New Pictures in the National Gallery - "Christ Driving the Money-Changers out of the Temple" - painted by Bassano, 1856. 'In the picture before us, which was presented to the National Gallery by Philip L. Hinds, Esq., we have a fair sample of [Bassano's] powers and his peculiar predilections. Amidst the confused crowd of money-brokers, cattle, dogs, and dealers in live-stock, we recognise none of those sublimer attributes usually aimed at in the treatment of sacred subjects. We cannot conclude our notice of this picture without animadverting upon the taste and judgment of the "H Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/new-pictures-in-the-national-gallery-quotchrist-driving-the-money-changers-out-of-the-templequot-painted-by-bassano-1856-in-the-picture-before-us-which-was-presented-to-the-national-gallery-by-philip-l-hinds-esq-we-have-a-fair-sample-of-bassanos-powers-and-his-peculiar-predilections-amidst-the-confused-crowd-of-money-brokers-cattle-dogs-and-dealers-in-live-stock-we-recognise-none-of-those-sublimer-attributes-usually-aimed-at-in-the-treatment-of-sacred-subjects-we-cannot-conclude-our-notice-of-this-picture-without-animadverting-upon-the-taste-and-judgment-of-the-quoth-image553490445.htmlRM2R4DJKW–New Pictures in the National Gallery - "Christ Driving the Money-Changers out of the Temple" - painted by Bassano, 1856. 'In the picture before us, which was presented to the National Gallery by Philip L. Hinds, Esq., we have a fair sample of [Bassano's] powers and his peculiar predilections. Amidst the confused crowd of money-brokers, cattle, dogs, and dealers in live-stock, we recognise none of those sublimer attributes usually aimed at in the treatment of sacred subjects. We cannot conclude our notice of this picture without animadverting upon the taste and judgment of the "H
![Marriage Ceremonial of the Baron Alphonse de Rothschild and Miss Leonora Rothschild [at Gunnersbury Park]: the Bridegroom Breaking the Wine-cup, 1857. 'The marriage contract having been read, the Chief Rabbi presented a wine-cup, and invoked on the wedding pair seven blessings. The Chief Rabbi then congratulated the pair, and offered up a supplication for the poor of the Land of Promise. The wine-cup, which the Hebrews regard as the symbol of blended joy and sorrow, was then taken by the bridegroom, who, after tasting the contents, threw the cup on the ground, when it was shattered into pieces Stock Photo](https://c8.alamy.com/comp/2R8Y3MY/marriage-ceremonial-of-the-baron-alphonse-de-rothschild-and-miss-leonora-rothschild-at-gunnersbury-park-the-bridegroom-breaking-the-wine-cup-1857-the-marriage-contract-having-been-read-the-chief-rabbi-presented-a-wine-cup-and-invoked-on-the-wedding-pair-seven-blessings-the-chief-rabbi-then-congratulated-the-pair-and-offered-up-a-supplication-for-the-poor-of-the-land-of-promise-the-wine-cup-which-the-hebrews-regard-as-the-symbol-of-blended-joy-and-sorrow-was-then-taken-by-the-bridegroom-who-after-tasting-the-contents-threw-the-cup-on-the-ground-when-it-was-shattered-into-pieces-2R8Y3MY.jpg "Marriage Ceremonial of the Baron Alphonse de Rothschild and Miss Leonora Rothschild [at Gunnersbury Park]: the Bridegroom Breaking the Wine-cup, 1857. 'The marriage contract having been read, the Chief Rabbi presented a wine-cup, and invoked on the wedding pair seven blessings. The Chief Rabbi then congratulated the pair, and offered up a supplication for the poor of the Land of Promise. The wine-cup, which the Hebrews regard as the symbol of blended joy and sorrow, was then taken by the bridegroom, who, after tasting the contents, threw the cup on the ground, when it was shattered into pieces Stock Photo")
Marriage Ceremonial of the Baron Alphonse de Rothschild and Miss Leonora Rothschild [at Gunnersbury Park]: the Bridegroom Breaking the Wine-cup, 1857. 'The marriage contract having been read, the Chief Rabbi presented a wine-cup, and invoked on the wedding pair seven blessings. The Chief Rabbi then congratulated the pair, and offered up a supplication for the poor of the Land of Promise. The wine-cup, which the Hebrews regard as the symbol of blended joy and sorrow, was then taken by the bridegroom, who, after tasting the contents, threw the cup on the ground, when it was shattered into pieces Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marriage-ceremonial-of-the-baron-alphonse-de-rothschild-and-miss-leonora-rothschild-at-gunnersbury-park-the-bridegroom-breaking-the-wine-cup-1857-the-marriage-contract-having-been-read-the-chief-rabbi-presented-a-wine-cup-and-invoked-on-the-wedding-pair-seven-blessings-the-chief-rabbi-then-congratulated-the-pair-and-offered-up-a-supplication-for-the-poor-of-the-land-of-promise-the-wine-cup-which-the-hebrews-regard-as-the-symbol-of-blended-joy-and-sorrow-was-then-taken-by-the-bridegroom-who-after-tasting-the-contents-threw-the-cup-on-the-ground-when-it-was-shattered-into-pieces-image556244667.htmlRM2R8Y3MY–Marriage Ceremonial of the Baron Alphonse de Rothschild and Miss Leonora Rothschild [at Gunnersbury Park]: the Bridegroom Breaking the Wine-cup, 1857. 'The marriage contract having been read, the Chief Rabbi presented a wine-cup, and invoked on the wedding pair seven blessings. The Chief Rabbi then congratulated the pair, and offered up a supplication for the poor of the Land of Promise. The wine-cup, which the Hebrews regard as the symbol of blended joy and sorrow, was then taken by the bridegroom, who, after tasting the contents, threw the cup on the ground, when it was shattered into pieces
![The murder of a missionary by the Maoris in New Zealand: Captain Levy, master of the...Eclipse, 1865. 'The hideous superstition now prevailing, which takes the name of the "Pai Marire" from the Virgin Mary, of whom they [the Maori] have heard from a French Catholic missionary...is held to sanctify the commission of any crime or offence...Prompted by this deadly fanaticism, the natives...committed a horrible crime at Opotiki...the Maoris, being in irresistible force, ordered Captain [Morris] Levy, with his crew and passengers, to come out of the vessel. As soon as they did so, the Mao Stock Photo](https://c8.alamy.com/comp/2X21WDY/the-murder-of-a-missionary-by-the-maoris-in-new-zealand-captain-levy-master-of-theeclipse-1865-the-hideous-superstition-now-prevailing-which-takes-the-name-of-the-quotpai-marirequot-from-the-virgin-mary-of-whom-they-the-maori-have-heard-from-a-french-catholic-missionaryis-held-to-sanctify-the-commission-of-any-crime-or-offenceprompted-by-this-deadly-fanaticism-the-nativescommitted-a-horrible-crime-at-opotikithe-maoris-being-in-irresistible-force-ordered-captain-morris-levy-with-his-crew-and-passengers-to-come-out-of-the-vessel-as-soon-as-they-did-so-the-mao-2X21WDY.jpg "The murder of a missionary by the Maoris in New Zealand: Captain Levy, master of the...Eclipse, 1865. 'The hideous superstition now prevailing, which takes the name of the "Pai Marire" from the Virgin Mary, of whom they [the Maori] have heard from a French Catholic missionary...is held to sanctify the commission of any crime or offence...Prompted by this deadly fanaticism, the natives...committed a horrible crime at Opotiki...the Maoris, being in irresistible force, ordered Captain [Morris] Levy, with his crew and passengers, to come out of the vessel. As soon as they did so, the Mao Stock Photo")
The murder of a missionary by the Maoris in New Zealand: Captain Levy, master of the...Eclipse, 1865. 'The hideous superstition now prevailing, which takes the name of the "Pai Marire" from the Virgin Mary, of whom they [the Maori] have heard from a French Catholic missionary...is held to sanctify the commission of any crime or offence...Prompted by this deadly fanaticism, the natives...committed a horrible crime at Opotiki...the Maoris, being in irresistible force, ordered Captain [Morris] Levy, with his crew and passengers, to come out of the vessel. As soon as they did so, the Mao Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-murder-of-a-missionary-by-the-maoris-in-new-zealand-captain-levy-master-of-theeclipse-1865-the-hideous-superstition-now-prevailing-which-takes-the-name-of-the-quotpai-marirequot-from-the-virgin-mary-of-whom-they-the-maori-have-heard-from-a-french-catholic-missionaryis-held-to-sanctify-the-commission-of-any-crime-or-offenceprompted-by-this-deadly-fanaticism-the-nativescommitted-a-horrible-crime-at-opotikithe-maoris-being-in-irresistible-force-ordered-captain-morris-levy-with-his-crew-and-passengers-to-come-out-of-the-vessel-as-soon-as-they-did-so-the-mao-image603634135.htmlRM2X21WDY–The murder of a missionary by the Maoris in New Zealand: Captain Levy, master of the...Eclipse, 1865. 'The hideous superstition now prevailing, which takes the name of the "Pai Marire" from the Virgin Mary, of whom they [the Maori] have heard from a French Catholic missionary...is held to sanctify the commission of any crime or offence...Prompted by this deadly fanaticism, the natives...committed a horrible crime at Opotiki...the Maoris, being in irresistible force, ordered Captain [Morris] Levy, with his crew and passengers, to come out of the vessel. As soon as they did so, the Mao
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