Eastbourne, UK. 13th Jan, 2015. John Virtue, the artist, at the hanging of his exhibition 'The Sea' at the Towner Gallery in Eastbourne, East Sussex, England, UK. The Exhibition opens to the public on the 17th of January 2015 and runs until April 12, 2015. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-eastbourne-uk-13th-jan-2015-john-virtue-the-artist-at-the-hanging-77512479.html
RMEE2YXR–Eastbourne, UK. 13th Jan, 2015. John Virtue, the artist, at the hanging of his exhibition 'The Sea' at the Towner Gallery in Eastbourne, East Sussex, England, UK. The Exhibition opens to the public on the 17th of January 2015 and runs until April 12, 2015.
Artist John Virtue photographed in the late 1980s near Exeter, England. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-john-virtue-photographed-in-the-late-1980s-near-exeter-england-image257124283.html
RMTX90J3–Artist John Virtue photographed in the late 1980s near Exeter, England.
A woman looks at a work by John Virtue, entitled Landscape No87, 1947, during the press preview of The Personal Collection of David Bowie ahead of being sold by SothebyÂ’s in London. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-woman-looks-at-a-work-by-john-virtue-entitled-landscape-no87-1947-124644910.html
RMH6P1RX–A woman looks at a work by John Virtue, entitled Landscape No87, 1947, during the press preview of The Personal Collection of David Bowie ahead of being sold by SothebyÂ’s in London.
John Virtue, Landscape No. 87, 1988-89, on display at the Bowie/Collector auction preview at Sotheby's in London; this piece has an estimate of £8,000–12,000. Where: London, United Kingdom When: 01 Nov 2016 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-john-virtue-landscape-no-87-1988-89-on-display-at-the-bowiecollector-128975658.html
RMHDR9NE–John Virtue, Landscape No. 87, 1988-89, on display at the Bowie/Collector auction preview at Sotheby's in London; this piece has an estimate of £8,000–12,000. Where: London, United Kingdom When: 01 Nov 2016
The Visual Arts Award winner John Virtue at the 10th annual South Bank Show Awards, rewarding excellence in everything from opera to pop music and literature to visual art, at the Savoy, central London, Friday 27 January 2006. PRESS ASSOCIATION Photo. Photo credit should read: Steve Parsons/PA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-visual-arts-award-winner-john-virtue-at-the-10th-annual-south-108879067.html
RMG93TA3–The Visual Arts Award winner John Virtue at the 10th annual South Bank Show Awards, rewarding excellence in everything from opera to pop music and literature to visual art, at the Savoy, central London, Friday 27 January 2006. PRESS ASSOCIATION Photo. Photo credit should read: Steve Parsons/PA
Modern wood sofa black and white artwork by John Virtue sideboard Interiors detail furniture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/modern-wood-sofa-black-and-white-artwork-by-john-virtue-sideboard-interiors-detail-furniture-image181852916.html
RMMFT370–Modern wood sofa black and white artwork by John Virtue sideboard Interiors detail furniture
PORTRAIT OF JOHN VIRTUE ARTIST SPEAKING Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-john-virtue-artist-speaking-image433442644.html
RM2G550EC–PORTRAIT OF JOHN VIRTUE ARTIST SPEAKING
'The Death of Wat Tyler', 1859. Artist: John Rogers. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-death-of-wat-tyler-1859-artist-john-rogers-image262790864.html
RMW7F4C0–'The Death of Wat Tyler', 1859. Artist: John Rogers.
Bombardment of Sweaborg, after John Wilson Carmichael, 1799–1868, British, Published by Virtue, active 1820s–1908, British, ca. 1860, Line engraving on medium, slightly textured, cream wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bombardment-of-sweaborg-after-john-wilson-carmichael-17991868-british-published-by-virtue-active-1820s1908-british-ca-1860-line-engraving-on-medium-slightly-textured-cream-wove-paper-image389830890.html
RM2DJ697P–Bombardment of Sweaborg, after John Wilson Carmichael, 1799–1868, British, Published by Virtue, active 1820s–1908, British, ca. 1860, Line engraving on medium, slightly textured, cream wove paper
Mrs Mary Ann Yates in the character of Berinthia in John Vanbrugh’s The Relapse or Virtue in Danger. Copperplate engraving after an illustration by James Roberts from Bell’s British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1777. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mrs-mary-ann-yates-in-the-character-of-berinthia-in-john-vanbrughs-the-relapse-or-virtue-in-danger-copperplate-engraving-after-an-illustration-by-james-roberts-from-bells-british-theatre-consisting-of-the-most-esteemed-english-plays-john-bell-london-1777-image363077662.html
RM2C2KH7A–Mrs Mary Ann Yates in the character of Berinthia in John Vanbrugh’s The Relapse or Virtue in Danger. Copperplate engraving after an illustration by James Roberts from Bell’s British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1777.
A selection of evil things that have no power over the power of chastity, from 'Comus' by John Milton, illustration by Arthur Rackham (1867-1939). See description for more information. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-selection-of-evil-things-that-have-no-power-over-the-power-of-chastity-87796861.html
RMF2RDP5–A selection of evil things that have no power over the power of chastity, from 'Comus' by John Milton, illustration by Arthur Rackham (1867-1939). See description for more information.
London, England, UK. Bust (by Nigel Boonham, 2012) of John Donne (1572-1631; poet and Dean of St Paul's Cathedral) in Festival Gardens,... Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-england-uk-bust-by-nigel-boonham-2012-of-john-donne-1572-1631-poet-and-dean-of-st-pauls-cathedral-in-festival-gardens-image178939793.html
RMMB3BEW–London, England, UK. Bust (by Nigel Boonham, 2012) of John Donne (1572-1631; poet and Dean of St Paul's Cathedral) in Festival Gardens,...
1870: The Bell Harry is known as by virtue of the original bell given in 1288 by Prior Henry of Eastry, to be hung on the roof of the tower as it then stood. It was designed by the architect John Wastell and completed in 1498. Canterbury Cathedral, Kent, England Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1870-the-bell-harry-is-known-as-by-virtue-of-the-original-bell-given-image156833625.html
RMK34ATW–1870: The Bell Harry is known as by virtue of the original bell given in 1288 by Prior Henry of Eastry, to be hung on the roof of the tower as it then stood. It was designed by the architect John Wastell and completed in 1498. Canterbury Cathedral, Kent, England
St. John, New Brunswick. Canada, 1885 antique map Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-st-john-new-brunswick-canada-1885-antique-map-114665802.html
RFGJFDB6–St. John, New Brunswick. Canada, 1885 antique map
'Allegory of Virtue and Vice', 1505. Artist: Lorenzo Lotto. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegory-of-virtue-and-vice-1505-artist-lorenzo-lotto-image186141561.html
RMMPRDCW–'Allegory of Virtue and Vice', 1505. Artist: Lorenzo Lotto.
London, UK. 1 November 2016. A visitor looks at the painting Landscape 87 by John Virtue, est. 8,000-12,000. On 10th and 11th November this year, Sotheby's will stage Bowie/Collector, a three-part sale that includes a selection of around 400 items from the private collection of David Bowie. From 1 to 10 November, Bowie's private collection will be exhibited at Sotheby's New Bond Street galleries giving fans, art historians and collectors a once-in-a-lifetime opportunity to immerse themselves in the art and objects that informed his private world. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-uk-1-november-2016-a-visitor-looks-at-the-painting-landscape-124757327.html
RMH6Y56R–London, UK. 1 November 2016. A visitor looks at the painting Landscape 87 by John Virtue, est. 8,000-12,000. On 10th and 11th November this year, Sotheby's will stage Bowie/Collector, a three-part sale that includes a selection of around 400 items from the private collection of David Bowie. From 1 to 10 November, Bowie's private collection will be exhibited at Sotheby's New Bond Street galleries giving fans, art historians and collectors a once-in-a-lifetime opportunity to immerse themselves in the art and objects that informed his private world.
The Father and Jupiter. A man prays to the Roman god Jove in a clearing near a classical building. Jove with his eagle looks down from the clouds. Copperplate engraving by Wilson after an illustration by William Kent from Fables by John Gay, with a Life of the Author, John Stockdale, London, 1793. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-father-and-jupiter-a-man-prays-to-the-roman-god-jove-in-a-clearing-near-a-classical-building-jove-with-his-eagle-looks-down-from-the-clouds-copperplate-engraving-by-wilson-after-an-illustration-by-william-kent-from-fables-by-john-gay-with-a-life-of-the-author-john-stockdale-london-1793-image501988032.html
RM2M4KET0–The Father and Jupiter. A man prays to the Roman god Jove in a clearing near a classical building. Jove with his eagle looks down from the clouds. Copperplate engraving by Wilson after an illustration by William Kent from Fables by John Gay, with a Life of the Author, John Stockdale, London, 1793.
Portrait of King John of England, reigned 1199-1216. In crown, collar and armorial robe. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-king-john-of-england-reigned-1199-1216-in-crown-collar-and-armorial-robe-copperplate-engraving-from-m-a-jones-history-of-england-from-julius-caesar-to-george-iv-g-virtue-26-ivy-lane-london-1836-image571911442.html
RM2T6CPTJ–Portrait of King John of England, reigned 1199-1216. In crown, collar and armorial robe. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.
Portrait of King John of England, reigned 1199-1216. In crown, collar and armorial robe. Copperplate engraving from M. A. Jones’ History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-king-john-of-england-reigned-1199-1216-in-crown-collar-and-armorial-robe-copperplate-engraving-from-m-a-jones-history-of-england-from-julius-caesar-to-george-iv-g-virtue-26-ivy-lane-london-1836-image441134618.html
RM2GHKBKP–Portrait of King John of England, reigned 1199-1216. In crown, collar and armorial robe. Copperplate engraving from M. A. Jones’ History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.
Statue of Saint John Nepomuk on the Charles Bridge Prague Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-statue-of-saint-john-nepomuk-on-the-charles-bridge-prague-37004364.html
RMC45KCC–Statue of Saint John Nepomuk on the Charles Bridge Prague
Artist John Virtue photographed in the late 1980s near Exeter, England. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-john-virtue-photographed-in-the-late-1980s-near-exeter-england-image257125825.html
RMTX92H5–Artist John Virtue photographed in the late 1980s near Exeter, England.
l-r: Lorraine Ashbourne (Miss Hoyden), Sheila Staefel (Nurse) in THE RELAPSE by Sir John Vanbrugh at the Royal Shakespeare Company (RSC), Swan Theatre, Stratford-upon-Avon, England 19/04/1995 design: Tim Goodchild lighting: Simon Tapping director: Ian Judge Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/l-r-lorraine-ashbourne-miss-hoyden-sheila-staefel-nurse-in-the-relapse-by-sir-john-vanbrugh-at-the-royal-shakespeare-company-rsc-swan-theatre-stratford-upon-avon-england-19041995-design-tim-goodchild-lighting-simon-tapping-director-ian-judge-image409762077.html
RM2EPJ7KW–l-r: Lorraine Ashbourne (Miss Hoyden), Sheila Staefel (Nurse) in THE RELAPSE by Sir John Vanbrugh at the Royal Shakespeare Company (RSC), Swan Theatre, Stratford-upon-Avon, England 19/04/1995 design: Tim Goodchild lighting: Simon Tapping director: Ian Judge
John Virtue, Landscape No. 87, 1988-89, on display at the Bowie/Collector auction preview at Sotheby's in London; this piece has an estimate of £8,000–12,000. Where: London, United Kingdom When: 01 Nov 2016 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-john-virtue-landscape-no-87-1988-89-on-display-at-the-bowiecollector-128975799.html
RMHDR9XF–John Virtue, Landscape No. 87, 1988-89, on display at the Bowie/Collector auction preview at Sotheby's in London; this piece has an estimate of £8,000–12,000. Where: London, United Kingdom When: 01 Nov 2016
. English: Image Title: Washington and Gist visit Queen Aliquippa. Creator: Rogers, John, ca. 1808-ca. 1888 -- Engraver McNevin, John -- Artist Published Date: 1856 Specific Material Type: Prints Item Physical Description: 1 print : b&w ; 16 x 23 cm. (6 1/2 x 8 3/4 in.) Notes: Printed on border: 'New York, Virtue, Yorston & Co.' 'Entd. according to act of congress in the year 1856 by Virtue, Yorston & Co. in the clerks office of the dist. court of the southern dist. of New York.' Source: Mid-Manhattan Picture Collection / Indians -- North America -- Eastern-Northern -- 1700s Source Description Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-image-title-washington-and-gist-visit-queen-aliquippa-creator-rogers-john-ca-1808-ca-1888-engraver-mcnevin-john-artist-published-date-1856-specific-material-type-prints-item-physical-description-1-print-bw-16-x-23-cm-6-12-x-8-34-in-notes-printed-on-border-new-york-virtue-yorston-co-entd-according-to-act-of-congress-in-the-year-1856-by-virtue-yorston-co-in-the-clerks-office-of-the-dist-court-of-the-southern-dist-of-new-york-source-mid-manhattan-picture-collection-indians-north-america-eastern-northern-1700s-source-description-image188151460.html
RMMX3130–. English: Image Title: Washington and Gist visit Queen Aliquippa. Creator: Rogers, John, ca. 1808-ca. 1888 -- Engraver McNevin, John -- Artist Published Date: 1856 Specific Material Type: Prints Item Physical Description: 1 print : b&w ; 16 x 23 cm. (6 1/2 x 8 3/4 in.) Notes: Printed on border: 'New York, Virtue, Yorston & Co.' 'Entd. according to act of congress in the year 1856 by Virtue, Yorston & Co. in the clerks office of the dist. court of the southern dist. of New York.' Source: Mid-Manhattan Picture Collection / Indians -- North America -- Eastern-Northern -- 1700s Source Description
Stain glass window, St John The Baptist Church, Campsea Ashe, Suffolk, East Anglia, England Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stain-glass-window-st-john-the-baptist-church-campsea-ashe-suffolk-east-anglia-england-image447771166.html
RM2H0DMKA–Stain glass window, St John The Baptist Church, Campsea Ashe, Suffolk, East Anglia, England
Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber, Print made by unknown artist, unknown artist, undated, Hand colored engraving on smooth, moderately textured, white wove paper, Sheet: 21 3/4 × 15 inches (55.2 × 38.1 cm) and Plate: 15 1/2 × 12 1/2 inches (39.4 × 31.8 cm), architectural subject, historical subject, City of Westminster, England, London, Palace of Westminster, United Kingdom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vol-6-plate-xxxix-the-story-of-st-john-as-a-pilgrim-and-king-edward-the-confessor-fragment-of-a-virtue-triumphant-an-ornamental-pattern-found-in-one-of-the-round-headed-windows-filled-up-in-the-painted-chamber-print-made-by-unknown-artist-unknown-artist-undated-hand-colored-engraving-on-smooth-moderately-textured-white-wove-paper-sheet-21-34-15-inches-552-381-cm-and-plate-15-12-12-12-inches-394-318-cm-architectural-subject-historical-subject-city-of-westminster-england-london-palace-of-westminster-united-kingdom-image389795128.html
RM2DJ4KJG–Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber, Print made by unknown artist, unknown artist, undated, Hand colored engraving on smooth, moderately textured, white wove paper, Sheet: 21 3/4 × 15 inches (55.2 × 38.1 cm) and Plate: 15 1/2 × 12 1/2 inches (39.4 × 31.8 cm), architectural subject, historical subject, City of Westminster, England, London, Palace of Westminster, United Kingdom
'Jamieson's Valley', by Edwin Carton BOOTH / John Skinner PROUT. Australia c1874 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jamiesons-valley-by-edwin-carton-booth-john-skinner-prout-australia-122962820.html
RFH41C98–'Jamieson's Valley', by Edwin Carton BOOTH / John Skinner PROUT. Australia c1874
BEN BARNES, EASY VIRTUE, 2008 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ben-barnes-easy-virtue-2008-image484843838.html
RM2K4PF7A–BEN BARNES, EASY VIRTUE, 2008
Mrs Mary Ann Yates in the character of Berinthia in John Vanbrughs The Relapse or Virtue in Danger. Copperplate engraving after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1777. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mrs-mary-ann-yates-in-the-character-of-berinthia-in-john-vanbrughs-the-relapse-or-virtue-in-danger-copperplate-engraving-after-an-illustration-by-james-roberts-from-bells-british-theatre-consisting-of-the-most-esteemed-english-plays-john-bell-london-1777-image571847145.html
RM2T69TT9–Mrs Mary Ann Yates in the character of Berinthia in John Vanbrughs The Relapse or Virtue in Danger. Copperplate engraving after an illustration by James Roberts from Bells British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1777.
King John of England receiving the Magna Carta from the rebel barons, Runnymede, 1215. Magna Charta presented to King John. Copperplate engraving from M. A. Jones’ History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/king-john-of-england-receiving-the-magna-carta-from-the-rebel-barons-runnymede-1215-magna-charta-presented-to-king-john-copperplate-engraving-from-m-a-jones-history-of-england-from-julius-caesar-to-george-iv-g-virtue-26-ivy-lane-london-1836-image441134623.html
RM2GHKBKY–King John of England receiving the Magna Carta from the rebel barons, Runnymede, 1215. Magna Charta presented to King John. Copperplate engraving from M. A. Jones’ History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.
BEN BARNES, EASY VIRTUE, 2008 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ben-barnes-easy-virtue-2008-image484843859.html
RM2K4PF83–BEN BARNES, EASY VIRTUE, 2008
Artist John Virtue photographed in the late 1980s near Exeter, England. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-john-virtue-photographed-in-the-late-1980s-near-exeter-england-image257125089.html
RMTX91JW–Artist John Virtue photographed in the late 1980s near Exeter, England.
BEN BARNES, COLIN FIRTH, EASY VIRTUE, 2008 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ben-barnes-colin-firth-easy-virtue-2008-image484843988.html
RM2K4PFCM–BEN BARNES, COLIN FIRTH, EASY VIRTUE, 2008
John Virtue, Landscape No. 87, 1988-89, on display at the Bowie/Collector auction preview at Sotheby's in London; this piece has an estimate of £8,000–12,000. Where: London, United Kingdom When: 01 Nov 2016 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-john-virtue-landscape-no-87-1988-89-on-display-at-the-bowiecollector-128975657.html
RMHDR9ND–John Virtue, Landscape No. 87, 1988-89, on display at the Bowie/Collector auction preview at Sotheby's in London; this piece has an estimate of £8,000–12,000. Where: London, United Kingdom When: 01 Nov 2016
. English: Image Title: Washington and Gist visit Queen Aliquippa. Creator: Rogers, John, ca. 1808-ca. 1888 -- Engraver McNevin, John -- Artist Published Date: 1856 Specific Material Type: Prints Item Physical Description: 1 print : b&w ; 16 x 23 cm. (6 1/2 x 8 3/4 in.) Notes: Printed on border: 'New York, Virtue, Yorston & Co.' 'Entd. according to act of congress in the year 1856 by Virtue, Yorston & Co. in the clerks office of the dist. court of the southern dist. of New York.' Source: Mid-Manhattan Picture Collection / Indians -- North America -- Eastern-Northern -- 1700s Source Description Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-image-title-washington-and-gist-visit-queen-aliquippa-creator-rogers-john-ca-1808-ca-1888-engraver-mcnevin-john-artist-published-date-1856-specific-material-type-prints-item-physical-description-1-print-bw-16-x-23-cm-6-12-x-8-34-in-notes-printed-on-border-new-york-virtue-yorston-co-entd-according-to-act-of-congress-in-the-year-1856-by-virtue-yorston-co-in-the-clerks-office-of-the-dist-court-of-the-southern-dist-of-new-york-source-mid-manhattan-picture-collection-indians-north-america-eastern-northern-1700s-source-description-image188850094.html
RMMY6T66–. English: Image Title: Washington and Gist visit Queen Aliquippa. Creator: Rogers, John, ca. 1808-ca. 1888 -- Engraver McNevin, John -- Artist Published Date: 1856 Specific Material Type: Prints Item Physical Description: 1 print : b&w ; 16 x 23 cm. (6 1/2 x 8 3/4 in.) Notes: Printed on border: 'New York, Virtue, Yorston & Co.' 'Entd. according to act of congress in the year 1856 by Virtue, Yorston & Co. in the clerks office of the dist. court of the southern dist. of New York.' Source: Mid-Manhattan Picture Collection / Indians -- North America -- Eastern-Northern -- 1700s Source Description
Stain glass window, St John The Baptist Church, Campsea Ashe, Suffolk, East Anglia, England Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stain-glass-window-st-john-the-baptist-church-campsea-ashe-suffolk-east-anglia-england-image447771172.html
RM2H0DMKG–Stain glass window, St John The Baptist Church, Campsea Ashe, Suffolk, East Anglia, England
JESSICA BIEL, BEN BARNES, EASY VIRTUE, 2008 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jessica-biel-ben-barnes-easy-virtue-2008-image484841389.html
RM2K4PC3W–JESSICA BIEL, BEN BARNES, EASY VIRTUE, 2008
Stain glass window, St John The Baptist Church, Campsea Ashe, Suffolk, East Anglia, England Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stain-glass-window-st-john-the-baptist-church-campsea-ashe-suffolk-east-anglia-england-image447770974.html
RM2H0DMCE–Stain glass window, St John The Baptist Church, Campsea Ashe, Suffolk, East Anglia, England
Burial at Sea, after John Wilson Carmichael, 1799–1868, British, Print made by Edward P. Brandard, 1819–1898, British, Published by Virtue, active 1820s–1908, British, 1857, Line engraving on medium, slightly textured, cream wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/burial-at-sea-after-john-wilson-carmichael-17991868-british-print-made-by-edward-p-brandard-18191898-british-published-by-virtue-active-1820s1908-british-1857-line-engraving-on-medium-slightly-textured-cream-wove-paper-image389830899.html
RM2DJ6983–Burial at Sea, after John Wilson Carmichael, 1799–1868, British, Print made by Edward P. Brandard, 1819–1898, British, Published by Virtue, active 1820s–1908, British, 1857, Line engraving on medium, slightly textured, cream wove paper
JESSICA BIEL, BEN BARNES, EASY VIRTUE, 2008 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jessica-biel-ben-barnes-easy-virtue-2008-image484841350.html
RM2K4PC2E–JESSICA BIEL, BEN BARNES, EASY VIRTUE, 2008
'The British surrendering their arms to Gen: Washington, 1781', 1859. Artist: James Stephenson. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-british-surrendering-their-arms-to-gen-washington-1781-1859-artist-james-stephenson-image262791039.html
RMW7F4J7–'The British surrendering their arms to Gen: Washington, 1781', 1859. Artist: James Stephenson.
JESSICA BIEL, BEN BARNES, EASY VIRTUE, 2008 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jessica-biel-ben-barnes-easy-virtue-2008-image484843841.html
RM2K4PF7D–JESSICA BIEL, BEN BARNES, EASY VIRTUE, 2008
'The Tomb of Grace Darling', c1851-1886. Artist: John Godfrey. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-tomb-of-grace-darling-c1851-1886-artist-john-godfrey-image218485383.html
RMPKCT9B–'The Tomb of Grace Darling', c1851-1886. Artist: John Godfrey.
BEN BARNES, PIP TORRENS, KRISTIN SCOTT THOMAS, EASY VIRTUE, 2008 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ben-barnes-pip-torrens-kristin-scott-thomas-easy-virtue-2008-image484843953.html
RM2K4PFBD–BEN BARNES, PIP TORRENS, KRISTIN SCOTT THOMAS, EASY VIRTUE, 2008
What D'Ye Lack, Madam?, 1861, (c1915). Artist: John Pettie. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/what-dye-lack-madam-1861-c1915-artist-john-pettie-image186144118.html
RMMPRGM6–What D'Ye Lack, Madam?, 1861, (c1915). Artist: John Pettie.
'The Derwent, Tasmania'. Edwin Carton BOOTH/John Skinner PROUT. Australia c1874 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-derwent-tasmania-edwin-carton-boothjohn-skinner-prout-australia-122987654.html
RFH42G06–'The Derwent, Tasmania'. Edwin Carton BOOTH/John Skinner PROUT. Australia c1874
portrait of John Bunyan, author of Pilgrim’s Progress, 1847 engraving by Frederick Brewtnall Edwards, from a1684 painting by Thomas Sadler Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-john-bunyan-author-of-pilgrims-progress-1847-engraving-by-frederick-brewtnall-edwards-from-a1684-painting-by-thomas-sadler-image454501750.html
RF2HBC9HA–portrait of John Bunyan, author of Pilgrim’s Progress, 1847 engraving by Frederick Brewtnall Edwards, from a1684 painting by Thomas Sadler
King John of England receiving the Magna Carta from the rebel barons, Runnymede, 1215. Magna Charta presented to King John. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/king-john-of-england-receiving-the-magna-carta-from-the-rebel-barons-runnymede-1215-magna-charta-presented-to-king-john-copperplate-engraving-from-m-a-jones-history-of-england-from-julius-caesar-to-george-iv-g-virtue-26-ivy-lane-london-1836-image571846687.html
RM2T69T7Y–King John of England receiving the Magna Carta from the rebel barons, Runnymede, 1215. Magna Charta presented to King John. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.
Drunken King John of England killing Arthur I Duke of Brittany, with a dagger after imprisoning him in the castle of Rouen, 1203. Death of Prince Arthur. Copperplate engraving from M. A. Jones’ History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drunken-king-john-of-england-killing-arthur-i-duke-of-brittany-with-a-dagger-after-imprisoning-him-in-the-castle-of-rouen-1203-death-of-prince-arthur-copperplate-engraving-from-m-a-jones-history-of-england-from-julius-caesar-to-george-iv-g-virtue-26-ivy-lane-london-1836-image441134620.html
RM2GHKBKT–Drunken King John of England killing Arthur I Duke of Brittany, with a dagger after imprisoning him in the castle of Rouen, 1203. Death of Prince Arthur. Copperplate engraving from M. A. Jones’ History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.
Illustration from life of John Bunyan, author of Pilgrim’s Progress, 1845 engraving of Bunyan, idle, ignoring the church, printed for the religious tr Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-from-life-of-john-bunyan-author-of-pilgrims-progress-1845-engraving-of-bunyan-idle-ignoring-the-church-printed-for-the-religious-tr-image454501964.html
RF2HBC9W0–Illustration from life of John Bunyan, author of Pilgrim’s Progress, 1845 engraving of Bunyan, idle, ignoring the church, printed for the religious tr
John Rogers, a protestant prebendary of St Paul's, is burnt at the stake at Smithfield market, 1555. The first protestant martyr under Bloody Mary. Rogers a priest burnt. Copperplate engraving from M. A. Jones’ History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-rogers-a-protestant-prebendary-of-st-pauls-is-burnt-at-the-stake-at-smithfield-market-1555-the-first-protestant-martyr-under-bloody-mary-rogers-a-priest-burnt-copperplate-engraving-from-m-a-jones-history-of-england-from-julius-caesar-to-george-iv-g-virtue-26-ivy-lane-london-1836-image441134986.html
RM2GHKC4X–John Rogers, a protestant prebendary of St Paul's, is burnt at the stake at Smithfield market, 1555. The first protestant martyr under Bloody Mary. Rogers a priest burnt. Copperplate engraving from M. A. Jones’ History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.
Limerick - Thomond Bridge and King John's Castle, 1896. Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-limerick-thomond-bridge-and-king-johns-castle-1896-artist-unknown-135267775.html
RMHT1YBY–Limerick - Thomond Bridge and King John's Castle, 1896. Artist: Unknown
John Virtue, Landscape No. 87, 1988-89, on display at the Bowie/Collector auction preview at Sotheby's in London; this piece has an estimate of £8,000–12,000. Where: London, United Kingdom When: 01 Nov 2016 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-john-virtue-landscape-no-87-1988-89-on-display-at-the-bowiecollector-128975800.html
RMHDR9XG–John Virtue, Landscape No. 87, 1988-89, on display at the Bowie/Collector auction preview at Sotheby's in London; this piece has an estimate of £8,000–12,000. Where: London, United Kingdom When: 01 Nov 2016
King Edward II with his murderers Thomas de Gournay and John Montravers in Berkeley Castle, 1327. One sharpens a blade and another holds a bowl. The indignities offered to Edward the Second. Copperplate engraving from M. A. Jones’ History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/king-edward-ii-with-his-murderers-thomas-de-gournay-and-john-montravers-in-berkeley-castle-1327-one-sharpens-a-blade-and-another-holds-a-bowl-the-indignities-offered-to-edward-the-second-copperplate-engraving-from-m-a-jones-history-of-england-from-julius-caesar-to-george-iv-g-virtue-26-ivy-lane-london-1836-image441134647.html
RM2GHKBMR–King Edward II with his murderers Thomas de Gournay and John Montravers in Berkeley Castle, 1327. One sharpens a blade and another holds a bowl. The indignities offered to Edward the Second. Copperplate engraving from M. A. Jones’ History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.
. English: Image Title: Washington and Gist visit Queen Aliquippa. Creator: Rogers, John, ca. 1808-ca. 1888 -- Engraver McNevin, John -- Artist Published Date: 1856 Specific Material Type: Prints Item Physical Description: 1 print : b&w ; 16 x 23 cm. (6 1/2 x 8 3/4 in.) Notes: Printed on border: 'New York, Virtue, Yorston & Co.' 'Entd. according to act of congress in the year 1856 by Virtue, Yorston & Co. in the clerks office of the dist. court of the southern dist. of New York.' Source: Mid-Manhattan Picture Collection / Indians -- North America -- Eastern-Northern -- 1700s Source Description Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-image-title-washington-and-gist-visit-queen-aliquippa-creator-rogers-john-ca-1808-ca-1888-engraver-mcnevin-john-artist-published-date-1856-specific-material-type-prints-item-physical-description-1-print-bw-16-x-23-cm-6-12-x-8-34-in-notes-printed-on-border-new-york-virtue-yorston-co-entd-according-to-act-of-congress-in-the-year-1856-by-virtue-yorston-co-in-the-clerks-office-of-the-dist-court-of-the-southern-dist-of-new-york-source-mid-manhattan-picture-collection-indians-north-america-eastern-northern-1700s-source-description-image187572424.html
RMMW4JF4–. English: Image Title: Washington and Gist visit Queen Aliquippa. Creator: Rogers, John, ca. 1808-ca. 1888 -- Engraver McNevin, John -- Artist Published Date: 1856 Specific Material Type: Prints Item Physical Description: 1 print : b&w ; 16 x 23 cm. (6 1/2 x 8 3/4 in.) Notes: Printed on border: 'New York, Virtue, Yorston & Co.' 'Entd. according to act of congress in the year 1856 by Virtue, Yorston & Co. in the clerks office of the dist. court of the southern dist. of New York.' Source: Mid-Manhattan Picture Collection / Indians -- North America -- Eastern-Northern -- 1700s Source Description
The Duel from William Shakespeare's Twelfth Night. Sir Toby Belch tricks the cowardly Sir Andrew to fight Viola, cross-dressing as Cesario. Antonio enters and stops the duel. Engraving on steel by John Brain after an illustration by William Powell Frith in The Works of Shakespeare, edited by Charles Knight, Virtue & Yorston, New York, 1880. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-duel-from-william-shakespeares-twelfth-night-sir-toby-belch-tricks-the-cowardly-sir-andrew-to-fight-viola-cross-dressing-as-cesario-antonio-enters-and-stops-the-duel-engraving-on-steel-by-john-brain-after-an-illustration-by-william-powell-frith-in-the-works-of-shakespeare-edited-by-charles-knight-virtue-yorston-new-york-1880-image576558946.html
RM2TE0EPX–The Duel from William Shakespeare's Twelfth Night. Sir Toby Belch tricks the cowardly Sir Andrew to fight Viola, cross-dressing as Cesario. Antonio enters and stops the duel. Engraving on steel by John Brain after an illustration by William Powell Frith in The Works of Shakespeare, edited by Charles Knight, Virtue & Yorston, New York, 1880.
Stain glass window, St John The Baptist Church, Campsea Ashe, Suffolk, East Anglia, England Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stain-glass-window-st-john-the-baptist-church-campsea-ashe-suffolk-east-anglia-england-image447770984.html
RM2H0DMCT–Stain glass window, St John The Baptist Church, Campsea Ashe, Suffolk, East Anglia, England
The Vulture Landing Despatches at Dantzic, Print made by James T. Willmore, 1800–1863, British, after John Wilson Carmichael, 1799–1868, British, Published by Virtue, active 1820s–1908, British, undated, Line engraving on medium, slightly textured, cream wove paper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-vulture-landing-despatches-at-dantzic-print-made-by-james-t-willmore-18001863-british-after-john-wilson-carmichael-17991868-british-published-by-virtue-active-1820s1908-british-undated-line-engraving-on-medium-slightly-textured-cream-wove-paper-image389830897.html
RM2DJ6981–The Vulture Landing Despatches at Dantzic, Print made by James T. Willmore, 1800–1863, British, after John Wilson Carmichael, 1799–1868, British, Published by Virtue, active 1820s–1908, British, undated, Line engraving on medium, slightly textured, cream wove paper
Elizabeth Grey imploring King Edward IV of England for the restitution of her deceased husband John Grey's lands. Her two sons stand behind her before a castle staircase. Lady Gray's interview with Edward IV. Copperplate engraving from M. A. Jones’ History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/elizabeth-grey-imploring-king-edward-iv-of-england-for-the-restitution-of-her-deceased-husband-john-greys-lands-her-two-sons-stand-behind-her-before-a-castle-staircase-lady-grays-interview-with-edward-iv-copperplate-engraving-from-m-a-jones-history-of-england-from-julius-caesar-to-george-iv-g-virtue-26-ivy-lane-london-1836-image441134795.html
RM2GHKBX3–Elizabeth Grey imploring King Edward IV of England for the restitution of her deceased husband John Grey's lands. Her two sons stand behind her before a castle staircase. Lady Gray's interview with Edward IV. Copperplate engraving from M. A. Jones’ History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.
Mary with Child and John the Baptist, The Madonna della Sedia (title on object), print, print maker: Charles Auguste Schuler, (mentioned on object), after painting by: Rafaël, (mentioned on object), publisher: Virtue & Co., (mentioned on object), London, 1814 - 1859, paper, engraving, height, 336 mm × width, 248 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-with-child-and-john-the-baptist-the-madonna-della-sedia-title-on-object-print-print-maker-charles-auguste-schuler-mentioned-on-object-after-painting-by-rafal-mentioned-on-object-publisher-virtue-co-mentioned-on-object-london-1814-1859-paper-engraving-height-336-mm-width-248-mm-image606668702.html
RM2X7043A–Mary with Child and John the Baptist, The Madonna della Sedia (title on object), print, print maker: Charles Auguste Schuler, (mentioned on object), after painting by: Rafaël, (mentioned on object), publisher: Virtue & Co., (mentioned on object), London, 1814 - 1859, paper, engraving, height, 336 mm × width, 248 mm
Touchstone and Audrey in William Shakespeare's As You Like It. Touchstone, jester to Duke Frederick's court, in hood with bells, holding a marotte and pig's bladder, proposing to the dull-witted goat girl Audrey. Engraving on steel by Charles Cousen after an illustration by John Pettie in The Works of Shakespeare, edited by Charles Knight, Virtue & Yorston, New York, 1880. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/touchstone-and-audrey-in-william-shakespeares-as-you-like-it-touchstone-jester-to-duke-fredericks-court-in-hood-with-bells-holding-a-marotte-and-pigs-bladder-proposing-to-the-dull-witted-goat-girl-audrey-engraving-on-steel-by-charles-cousen-after-an-illustration-by-john-pettie-in-the-works-of-shakespeare-edited-by-charles-knight-virtue-yorston-new-york-1880-image576558966.html
RM2TE0ERJ–Touchstone and Audrey in William Shakespeare's As You Like It. Touchstone, jester to Duke Frederick's court, in hood with bells, holding a marotte and pig's bladder, proposing to the dull-witted goat girl Audrey. Engraving on steel by Charles Cousen after an illustration by John Pettie in The Works of Shakespeare, edited by Charles Knight, Virtue & Yorston, New York, 1880.
'Danejohn Hill', c1829. The Dane John Mound, a former Roman cemetery at Canterbury in Kent, was converted into a motte-and-bailey castle in the 11th century. The area was laid out as a civic park between 1790 and 1803. [G. Virtue, London] Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/danejohn-hill-c1829-the-dane-john-mound-a-former-roman-cemetery-at-canterbury-in-kent-was-converted-into-a-motte-and-bailey-castle-in-the-11th-century-the-area-was-laid-out-as-a-civic-park-between-1790-and-1803-g-virtue-london-image274146198.html
RMWX0C7J–'Danejohn Hill', c1829. The Dane John Mound, a former Roman cemetery at Canterbury in Kent, was converted into a motte-and-bailey castle in the 11th century. The area was laid out as a civic park between 1790 and 1803. [G. Virtue, London]
Israel Jerusalem St John the Baptist church John BaHarim in Ein Kerem Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/israel-jerusalem-st-john-the-baptist-church-john-baharim-in-ein-kerem-image9570775.html
RMAX6XN8–Israel Jerusalem St John the Baptist church John BaHarim in Ein Kerem
Charity, c. 1550-1600. When this alabaster group entered the museum's collection, it was thought to depict the Virgin Mary, Christ, and Saint John the Baptist. It has been identified, however, as a personification of Charity, the most elevated of the three Christian theological virtues. The two other theological virtues are Faith and Hope. Within Christian belief, Charity is also known as a supernatural virtue, where the object of human conduct is the ultimate unification with God through love. Alluding to its eminent position, Charity sits enthroned, with powerful hybrid beasts supporting her Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charity-c-1550-1600-when-this-alabaster-group-entered-the-museums-collection-it-was-thought-to-depict-the-virgin-mary-christ-and-saint-john-the-baptist-it-has-been-identified-however-as-a-personification-of-charity-the-most-elevated-of-the-three-christian-theological-virtues-the-two-other-theological-virtues-are-faith-and-hope-within-christian-belief-charity-is-also-known-as-a-supernatural-virtue-where-the-object-of-human-conduct-is-the-ultimate-unification-with-god-through-love-alluding-to-its-eminent-position-charity-sits-enthroned-with-powerful-hybrid-beasts-supporting-her-image330082233.html
RM2A50F75–Charity, c. 1550-1600. When this alabaster group entered the museum's collection, it was thought to depict the Virgin Mary, Christ, and Saint John the Baptist. It has been identified, however, as a personification of Charity, the most elevated of the three Christian theological virtues. The two other theological virtues are Faith and Hope. Within Christian belief, Charity is also known as a supernatural virtue, where the object of human conduct is the ultimate unification with God through love. Alluding to its eminent position, Charity sits enthroned, with powerful hybrid beasts supporting her
'Launceston, Tasmania' by Edwin Carton BOOTH/John Skinner PROUT. Australia c1874 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-launceston-tasmania-by-edwin-carton-boothjohn-skinner-prout-australia-122987944.html
RFH42GAG–'Launceston, Tasmania' by Edwin Carton BOOTH/John Skinner PROUT. Australia c1874
panels of the gate of the baptistery of st john Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-panels-of-the-gate-of-the-baptistery-of-st-john-23981010.html
RMBB0C0J–panels of the gate of the baptistery of st john
Drunken King John of England killing Arthur I Duke of Brittany, with a dagger after imprisoning him in the castle of Rouen, 1203. Death of Prince Arthur. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drunken-king-john-of-england-killing-arthur-i-duke-of-brittany-with-a-dagger-after-imprisoning-him-in-the-castle-of-rouen-1203-death-of-prince-arthur-copperplate-engraving-from-m-a-jones-history-of-england-from-julius-caesar-to-george-iv-g-virtue-26-ivy-lane-london-1836-image571916729.html
RM2T6D1HD–Drunken King John of England killing Arthur I Duke of Brittany, with a dagger after imprisoning him in the castle of Rouen, 1203. Death of Prince Arthur. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.
Charity sculpture at John Houldsworth Mausoleum in Glasgow Necropolis, Scotland. Charity personification representing one of traditional Christian vir Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charity-sculpture-at-john-houldsworth-mausoleum-in-glasgow-necropolis-scotland-charity-personification-representing-one-of-traditional-christian-vir-image556444096.html
RM2R9863C–Charity sculpture at John Houldsworth Mausoleum in Glasgow Necropolis, Scotland. Charity personification representing one of traditional Christian vir
Sheriff's sale of real estate. By virtue of a writ of Levari Facias, to me directed, will be sold at Public Sale, on Wednesday, February Fourth, 1880... seized and taken in execution as the property of John H. Kephart, and will be sold by Samuel L. Ely, Sheriff Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheriffs-sale-of-real-estate-by-virtue-of-a-writ-of-levari-facias-to-me-directed-will-be-sold-at-public-sale-on-wednesday-february-fourth-1880-seized-and-taken-in-execution-as-the-property-of-john-h-kephart-and-will-be-sold-by-samuel-l-ely-sheriff-image329081433.html
RM2A3AXM9–Sheriff's sale of real estate. By virtue of a writ of Levari Facias, to me directed, will be sold at Public Sale, on Wednesday, February Fourth, 1880... seized and taken in execution as the property of John H. Kephart, and will be sold by Samuel L. Ely, Sheriff
Sheffield, England, 30th October 2021. John Fleck of Sheffield Utd and Matty Virtue of Blackpool during the Sky Bet Championship match at Bramall Lane, Sheffield. Picture credit should read: Simon Bellis/ Sportimage Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheffield-england-30th-october-2021-john-fleck-of-sheffield-utd-and-matty-virtue-of-blackpool-during-the-sky-bet-championship-match-at-bramall-lane-sheffield-picture-credit-should-read-simon-bellis-sportimage-image449896373.html
RM2H3XFBH–Sheffield, England, 30th October 2021. John Fleck of Sheffield Utd and Matty Virtue of Blackpool during the Sky Bet Championship match at Bramall Lane, Sheffield. Picture credit should read: Simon Bellis/ Sportimage
Ladder of Virtue fresco on outside wall, Sucevita Monastery, Sucevita, Bucovina, Moldavia, Romania Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ladder-of-virtue-fresco-on-outside-wall-sucevita-monastery-sucevita-13647372.html
RMAED7RW–Ladder of Virtue fresco on outside wall, Sucevita Monastery, Sucevita, Bucovina, Moldavia, Romania
BUNYAN: PILGRIM'S PROGRESS. /nChristian Armed by Prudence, Discretion, Piety and Charity. Wood engraving after a drawing by H.C. Selous, for an 1844 edition of John Bunyan's 'The Pilgrim's Progress,' first published in London in 1678. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bunyan-pilgrims-progress-nchristian-armed-by-prudence-discretion-piety-95488540.html
RMFF9TH0–BUNYAN: PILGRIM'S PROGRESS. /nChristian Armed by Prudence, Discretion, Piety and Charity. Wood engraving after a drawing by H.C. Selous, for an 1844 edition of John Bunyan's 'The Pilgrim's Progress,' first published in London in 1678.
Shutters on windows in Zell am See, Austria. St John the Apostle is depicted on the facade of the building. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shutters-on-windows-in-zell-am-see-austria-st-john-the-apostle-is-depicted-on-the-facade-of-the-building-image339061251.html
RM2AKHG2B–Shutters on windows in Zell am See, Austria. St John the Apostle is depicted on the facade of the building.
. English: Engraving of John Dryden (1631-1700)thus in public domain by virtue of age . This file is lacking author information. 171 Dryden3 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-engraving-of-john-dryden-1631-1700thus-in-public-domain-by-virtue-of-age-this-file-is-lacking-author-information-171-dryden3-image187742833.html
RMMWCBW5–. English: Engraving of John Dryden (1631-1700)thus in public domain by virtue of age . This file is lacking author information. 171 Dryden3
Concept art, a The Usual Suspects style line up featuring five famous philosophers. L-R: Aristotle, Kant, Confucius, John Stuart Mill, Jeremy Bentham. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/concept-art-a-the-usual-suspects-style-line-up-featuring-five-famous-philosophers-l-r-aristotle-kant-confucius-john-stuart-mill-jeremy-bentham-image513021307.html
RM2MPJ3WF–Concept art, a The Usual Suspects style line up featuring five famous philosophers. L-R: Aristotle, Kant, Confucius, John Stuart Mill, Jeremy Bentham.
Loch Goil, from the Head of the Lake, Argyllshire - John Cousen (1804-80) after Horatio McCulloch (1805-67) published by George Virtue, 1836. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/loch-goil-from-the-head-of-the-lake-argyllshire-john-cousen-1804-80-after-horatio-mcculloch-1805-67-published-by-george-virtue-1836-image557776301.html
RF2RBCWA5–Loch Goil, from the Head of the Lake, Argyllshire - John Cousen (1804-80) after Horatio McCulloch (1805-67) published by George Virtue, 1836.
A stained glass window by the C E Kempe & Co. depicting the Virtue Hope 1907; St Marwenna's Church Marhamchurch Church, Cornwall. Artist John Lisle Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-stained-glass-window-by-the-c-e-kempe-co-depicting-the-virtue-hope-31484253.html
RMBR66DH–A stained glass window by the C E Kempe & Co. depicting the Virtue Hope 1907; St Marwenna's Church Marhamchurch Church, Cornwall. Artist John Lisle
RELEASE DATE: May 22, 2009. MOVIE TITLE: Easy Virtue. STUDIO: Sony Pictures Classics. PLOT: A young Englishman marries a glamorous American. When he brings her home to meet the parents, she arrives like a blast from the future - blowing their entrenched British stuffiness out the window. PICTURED: JESSICA BIEL as Larita Whittaker and BEN BARNES as John Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-release-date-may-22-2009-movie-title-easy-virtue-studio-sony-pictures-90187522.html
RMF6MB2X–RELEASE DATE: May 22, 2009. MOVIE TITLE: Easy Virtue. STUDIO: Sony Pictures Classics. PLOT: A young Englishman marries a glamorous American. When he brings her home to meet the parents, she arrives like a blast from the future - blowing their entrenched British stuffiness out the window. PICTURED: JESSICA BIEL as Larita Whittaker and BEN BARNES as John
Christ is depicted as an example of virtue and fortitude, praying in the Garden of Gethsemane. Around him Peter, John and James are asleep. From heaven, an angel appears with a chalice. In the foreground four courtiers playing music, for whom this example is intended. Top left a coat of arms of a canon. The print has a superscription in Dutch. Print from a book edition in which a scene from the life of Christ is juxtaposed with a worldly situation, Christ in the Garden of Gethsemane and musicians playing courtiers By Deught and Stantvasticheyt Moralising lessons for courtiers , print maker Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-is-depicted-as-an-example-of-virtue-and-fortitude-praying-in-the-garden-of-gethsemane-around-him-peter-john-and-james-are-asleep-from-heaven-an-angel-appears-with-a-chalice-in-the-foreground-four-courtiers-playing-music-for-whom-this-example-is-intended-top-left-a-coat-of-arms-of-a-canon-the-print-has-a-superscription-in-dutch-print-from-a-book-edition-in-which-a-scene-from-the-life-of-christ-is-juxtaposed-with-a-worldly-situation-christ-in-the-garden-of-gethsemane-and-musicians-playing-courtiers-by-deught-and-stantvasticheyt-moralising-lessons-for-courtiers-print-maker-image472227766.html
RM2JC7R9A–Christ is depicted as an example of virtue and fortitude, praying in the Garden of Gethsemane. Around him Peter, John and James are asleep. From heaven, an angel appears with a chalice. In the foreground four courtiers playing music, for whom this example is intended. Top left a coat of arms of a canon. The print has a superscription in Dutch. Print from a book edition in which a scene from the life of Christ is juxtaposed with a worldly situation, Christ in the Garden of Gethsemane and musicians playing courtiers By Deught and Stantvasticheyt Moralising lessons for courtiers , print maker
Sir John Falstaff and Mistress Ford in William Shakespeare's The Merry Wives of Windsor. Falstaff tries to seduce Alice Ford who sits behind a folding screen at a table. Mistress Margaret Page eavesdrops. Engraving on steel by H. Boure after a painting by George Clint in The Works of Shakespeare, edited by Charles Knight, Virtue & Yorston, New York, 1880. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-john-falstaff-and-mistress-ford-in-william-shakespeares-the-merry-wives-of-windsor-falstaff-tries-to-seduce-alice-ford-who-sits-behind-a-folding-screen-at-a-table-mistress-margaret-page-eavesdrops-engraving-on-steel-by-h-boure-after-a-painting-by-george-clint-in-the-works-of-shakespeare-edited-by-charles-knight-virtue-yorston-new-york-1880-image576559430.html
RM2TE0FC6–Sir John Falstaff and Mistress Ford in William Shakespeare's The Merry Wives of Windsor. Falstaff tries to seduce Alice Ford who sits behind a folding screen at a table. Mistress Margaret Page eavesdrops. Engraving on steel by H. Boure after a painting by George Clint in The Works of Shakespeare, edited by Charles Knight, Virtue & Yorston, New York, 1880.
'Danejohn Hill, Canterbury, Kent', 1829. The Dane John Mound, a former Roman cemetery, was converted into a motte-and-bailey castle in the 11th century. The area was laid out as a civic park between 1790 and 1803. [G. Virtue, London, 1829] Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/danejohn-hill-canterbury-kent-1829-the-dane-john-mound-a-former-roman-cemetery-was-converted-into-a-motte-and-bailey-castle-in-the-11th-century-the-area-was-laid-out-as-a-civic-park-between-1790-and-1803-g-virtue-london-1829-image274146159.html
RMWX0C67–'Danejohn Hill, Canterbury, Kent', 1829. The Dane John Mound, a former Roman cemetery, was converted into a motte-and-bailey castle in the 11th century. The area was laid out as a civic park between 1790 and 1803. [G. Virtue, London, 1829]
Israel Jerusalem St John the Baptist church John BaHarim in Ein Kerem Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/israel-jerusalem-st-john-the-baptist-church-john-baharim-in-ein-kerem-image9570770.html
RMAX6XN3–Israel Jerusalem St John the Baptist church John BaHarim in Ein Kerem
Waterfall from the book The Severn valley: a series of sketches, descriptive and pictorial, of the course of the Severn: containing notices of its topographical, industrial, and geological features; with glances at its historical and legendary associations by Randall, John, 1810-1910 Publication date 1862 Publisher J. S. Virtue Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/waterfall-from-the-book-the-severn-valley-a-series-of-sketches-descriptive-and-pictorial-of-the-course-of-the-severn-containing-notices-of-its-topographical-industrial-and-geological-features-with-glances-at-its-historical-and-legendary-associations-by-randall-john-1810-1910-publication-date-1862-publisher-j-s-virtue-image576408820.html
RF2TDNK98–Waterfall from the book The Severn valley: a series of sketches, descriptive and pictorial, of the course of the Severn: containing notices of its topographical, industrial, and geological features; with glances at its historical and legendary associations by Randall, John, 1810-1910 Publication date 1862 Publisher J. S. Virtue
'Perth, Tasmania', by Edwin Carton BOOTH / John Skinner PROUT. Australia c1874 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-perth-tasmania-by-edwin-carton-booth-john-skinner-prout-australia-122987420.html
RFH42FKT–'Perth, Tasmania', by Edwin Carton BOOTH / John Skinner PROUT. Australia c1874
Original Film Title: DANGEROUS LIAISONS. English Title: DANGEROUS LIAISONS. Film Director: STEPHEN FREARS. Year: 1988. Stars: MICHELLE PFEIFFER; JOHN MALKOVICH. Credit: WARNER BROTHERS / Album Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/original-film-title-dangerous-liaisons-english-title-dangerous-liaisons-film-director-stephen-frears-year-1988-stars-michelle-pfeiffer-john-malkovich-credit-warner-brothers-album-image207429643.html
RMP1D6HF–Original Film Title: DANGEROUS LIAISONS. English Title: DANGEROUS LIAISONS. Film Director: STEPHEN FREARS. Year: 1988. Stars: MICHELLE PFEIFFER; JOHN MALKOVICH. Credit: WARNER BROTHERS / Album
John Rogers, a protestant prebendary of St Paul's, is burnt at the stake at Smithfield market, 1555. The first protestant martyr under Bloody Mary. Rogers a priest burnt. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-rogers-a-protestant-prebendary-of-st-pauls-is-burnt-at-the-stake-at-smithfield-market-1555-the-first-protestant-martyr-under-bloody-mary-rogers-a-priest-burnt-copperplate-engraving-from-m-a-jones-history-of-england-from-julius-caesar-to-george-iv-g-virtue-26-ivy-lane-london-1836-image571849449.html
RM2T69YPH–John Rogers, a protestant prebendary of St Paul's, is burnt at the stake at Smithfield market, 1555. The first protestant martyr under Bloody Mary. Rogers a priest burnt. Copperplate engraving from M. A. Jones History of England from Julius Caesar to George IV, G. Virtue, 26 Ivy Lane, London, 1836.
Command Sgt. Maj. John Dobbins assumes responsibility as the US Army Garrison Rock Island Arsenal command sergeant major by virtue of accepting the unit colors from Col. Todd Allison, garrison commander, US Army Garrison Rock Island Arsenal, at the assumption of responsibility ceremony held in Heritage Hall at Rock Island Arsenal on July 21. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/command-sgt-maj-john-dobbins-assumes-responsibility-as-the-us-army-garrison-rock-island-arsenal-command-sergeant-major-by-virtue-of-accepting-the-unit-colors-from-col-todd-allison-garrison-commander-us-army-garrison-rock-island-arsenal-at-the-assumption-of-responsibility-ceremony-held-in-heritage-hall-at-rock-island-arsenal-on-july-21-image442526836.html
RM2GKXRDT–Command Sgt. Maj. John Dobbins assumes responsibility as the US Army Garrison Rock Island Arsenal command sergeant major by virtue of accepting the unit colors from Col. Todd Allison, garrison commander, US Army Garrison Rock Island Arsenal, at the assumption of responsibility ceremony held in Heritage Hall at Rock Island Arsenal on July 21.
'The Death of Wat Tyler', 1859. Artist: John Rogers. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-death-of-wat-tyler-1859-artist-john-rogers-135306783.html
RMHT3N53–'The Death of Wat Tyler', 1859. Artist: John Rogers.
Hercules op de tweesprong Hercules by personification of Vice withdrawn into the abyss while Minerva as the personification of Virtue tries to pull him back. She points to the fame that blows to the sky on her trumpet. Right sleeping Juno. The show is held in an oval frame. The corners are decorated with putti with symbols of the arts and sciences: astronomy (top left), geometry (right), architecture (left) and aritmetrie (right) . Manufacturer : printmaker John Who: rixnaar design Joannes Martinus Stella Writer: Hugo Favoliusuitgever: Johannes Baptista Vrints (I) (listed building) provider of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hercules-op-de-tweesprong-hercules-by-personification-of-vice-withdrawn-into-the-abyss-while-minerva-as-the-personification-of-virtue-tries-to-pull-him-back-she-points-to-the-fame-that-blows-to-the-sky-on-her-trumpet-right-sleeping-juno-the-show-is-held-in-an-oval-frame-the-corners-are-decorated-with-putti-with-symbols-of-the-arts-and-sciences-astronomy-top-left-geometry-right-architecture-left-and-aritmetrie-right-manufacturer-printmaker-john-who-rixnaar-design-joannes-martinus-stella-writer-hugo-favoliusuitgever-johannes-baptista-vrints-i-listed-building-provider-of-image348432489.html
RM2B6TD5D–Hercules op de tweesprong Hercules by personification of Vice withdrawn into the abyss while Minerva as the personification of Virtue tries to pull him back. She points to the fame that blows to the sky on her trumpet. Right sleeping Juno. The show is held in an oval frame. The corners are decorated with putti with symbols of the arts and sciences: astronomy (top left), geometry (right), architecture (left) and aritmetrie (right) . Manufacturer : printmaker John Who: rixnaar design Joannes Martinus Stella Writer: Hugo Favoliusuitgever: Johannes Baptista Vrints (I) (listed building) provider of
Sophia Western, c18th century, (1902). Artist: John Raphael Smith Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sophia-western-c18th-century-1902-artist-john-raphael-smith-135268182.html
RMHT1YXE–Sophia Western, c18th century, (1902). Artist: John Raphael Smith
Niagara Falls from the Ferry, illustration for Nathaniel Parker Willis’s book American Scenery. Artist: John Cousen, British, 1804–1880 Artist: William Henry Bartlett, British, 1809–1854Publisher: George Virtue, British, 1793–1868 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/niagara-falls-from-the-ferry-illustration-for-nathaniel-parker-williss-book-americanscenery-artist-john-cousen-british-18041880-artist-william-henry-bartlett-british-18091854publisher-george-virtue-british-17931868-image463195913.html
RM2HWGB35–Niagara Falls from the Ferry, illustration for Nathaniel Parker Willis’s book American Scenery. Artist: John Cousen, British, 1804–1880 Artist: William Henry Bartlett, British, 1809–1854Publisher: George Virtue, British, 1793–1868
A portrait of Herbert Berbohm Tree as Sir John Falstaff. The Plays of Shakespeare, with notes by Charles Knight, and illustrations in photogravure. London : Virtue & Co., [1906-10]. Source: Tab.1328.a.2, frontispiece. Language: English. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-portrait-of-herbert-berbohm-tree-as-sir-john-falstaff-the-plays-of-shakespeare-with-notes-by-charles-knight-and-illustrations-in-photogravure-london-virtue-co-1906-10-source-tab1328a2-frontispiece-language-english-image226946953.html
RMR56949–A portrait of Herbert Berbohm Tree as Sir John Falstaff. The Plays of Shakespeare, with notes by Charles Knight, and illustrations in photogravure. London : Virtue & Co., [1906-10]. Source: Tab.1328.a.2, frontispiece. Language: English.
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