Joseon period, 19th century hi-res stock photography and images

Korea: A Korean sage, late Joseon period. Two pages from a 19th century Korean book depicting a Korean writer and sage. Stock Photo

RM2B018KA–Korea: A Korean sage, late Joseon period. Two pages from a 19th century Korean book depicting a Korean writer and sage.

Woodblock for printing with Buddhist texts from the Joseon period. Dated 1850 Stock Photo

RM2A5YYBP–Woodblock for printing with Buddhist texts from the Joseon period. Dated 1850

Korea: Samyeongdang (1544-1610), Buddhist monk. Hanging scroll silk painting, late Joseon period. Samyeong Daesa, also known by his pen name Song-un and his dharma name Yujeong, was a Buddhist monk during the Joseon era. Becoming a monk after the deaths of his parents, travelling across to Korea to learn at various temples. When Japanese invasions of Korea (1592-1598) started, he joined preceptor Hyujeon's righteous army of monks, eventually taking over leadership of the monastic militia. After the war, he travelled to Japan in 1604 to forge a peace accord and returned with 3500 Korean POWs. Stock Photo

RM2B01D1K–Korea: Samyeongdang (1544-1610), Buddhist monk. Hanging scroll silk painting, late Joseon period. Samyeong Daesa, also known by his pen name Song-un and his dharma name Yujeong, was a Buddhist monk during the Joseon era. Becoming a monk after the deaths of his parents, travelling across to Korea to learn at various temples. When Japanese invasions of Korea (1592-1598) started, he joined preceptor Hyujeon's righteous army of monks, eventually taking over leadership of the monastic militia. After the war, he travelled to Japan in 1604 to forge a peace accord and returned with 3500 Korean POWs.

Faceted jar, made with glazed porcelain, from the Joseon Period, Korea. Dated 19th Century Stock Photo

RMKHW5KJ–Faceted jar, made with glazed porcelain, from the Joseon Period, Korea. Dated 19th Century

Pillow, Wood, Korea, late 19th-early 20th century, Joseon Period, 1 7/8 x 14 15/16 in., 4.7 x 38 cm, Joseon, Korea, Korean, Napping, Pillow, Portable, Sarangbang, Traveling, Wood, Wooden Stock Photo

RM2HB1K88–Pillow, Wood, Korea, late 19th-early 20th century, Joseon Period, 1 7/8 x 14 15/16 in., 4.7 x 38 cm, Joseon, Korea, Korean, Napping, Pillow, Portable, Sarangbang, Traveling, Wood, Wooden

Inspired by Pillow, Wood, Korea, late 19th-early 20th century, Joseon Period, 1 7/8 x 14 15/16 in., 4.7 x 38 cm, Joseon, Korea, Korean, Napping, Pillow, Portable, Sarangbang, Traveling, Wood, Wooden, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK4D1Y–Inspired by Pillow, Wood, Korea, late 19th-early 20th century, Joseon Period, 1 7/8 x 14 15/16 in., 4.7 x 38 cm, Joseon, Korea, Korean, Napping, Pillow, Portable, Sarangbang, Traveling, Wood, Wooden, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Korea/Japan: 'Kato Kiyomasa Hunting Tigers in Korea during the Imjin War'. Ukiyo-e woodblock triptych by Tsukioka Yoshitoshi (1839-1892), 19th century. Kato Kiyomasa (25 July 1562 - 2 August 1611) was one of the three senior commanders during the Seven-Year War (1592–1598) against the Korean dynasty of Joseon. Together with Konishi Yukinaga, he captured Seoul, Busan and many other crucial cities. He defeated the last Korean regulars in the Battle of Imjin River and pacified Hamgyong. Stock Photo

RM2B01733–Korea/Japan: 'Kato Kiyomasa Hunting Tigers in Korea during the Imjin War'. Ukiyo-e woodblock triptych by Tsukioka Yoshitoshi (1839-1892), 19th century. Kato Kiyomasa (25 July 1562 - 2 August 1611) was one of the three senior commanders during the Seven-Year War (1592–1598) against the Korean dynasty of Joseon. Together with Konishi Yukinaga, he captured Seoul, Busan and many other crucial cities. He defeated the last Korean regulars in the Battle of Imjin River and pacified Hamgyong.

Portrait of Scholar-Official An in his Fiftieth Year Joseon period (1392-1910) 19th century. 1278 Yi Jaegwan - Portrait of Scholar-Official An in his Fiftieth Year - Google Art Project Stock Photo

RMMNYER4–Portrait of Scholar-Official An in his Fiftieth Year Joseon period (1392-1910) 19th century. 1278 Yi Jaegwan - Portrait of Scholar-Official An in his Fiftieth Year - Google Art Project

Birds and Flowers. Artist: Unidentified Artist Korean. Culture: Korea. Dimensions: Image (each panel): 54 3/8 x 10 3/8 in. (138.1 x 26.4 cm) Overall: 73 5/8 in. × 11 ft. 3/8 in. (187 × 336.2 cm). Date: late 19th-early 20th century. Paintings of birds and flowers have a long tradition in East Asian art. In Korea folding screens depicting combinations of birds and flowers became prevalent in the late Joseon period and continued to be popular in the twentieth century. Carefully composed and meticulously detailed, the scenes in this colorful and exquisitely painted screen are characterized by Stock Photo

RMPAABJW–Birds and Flowers. Artist: Unidentified Artist Korean. Culture: Korea. Dimensions: Image (each panel): 54 3/8 x 10 3/8 in. (138.1 x 26.4 cm) Overall: 73 5/8 in. × 11 ft. 3/8 in. (187 × 336.2 cm). Date: late 19th-early 20th century. Paintings of birds and flowers have a long tradition in East Asian art. In Korea folding screens depicting combinations of birds and flowers became prevalent in the late Joseon period and continued to be popular in the twentieth century. Carefully composed and meticulously detailed, the scenes in this colorful and exquisitely painted screen are characterized by

Korea: Two women dancing with swords. Painting from the 'Hyewon Pungsokdo', c. 1805. 'Hyewon Pungsokdo' is an album of genre paintings by Shin Yunbok or Hyewon (1758-1813), one of the most famous genre painters of the late Joseon period (1390-1910). This album is designated as the 135th National Treasure of South Korea and held by Gansong Art Museum in Seongbuk-gu, Seoul. Stock Photo

RM2B01R2A–Korea: Two women dancing with swords. Painting from the 'Hyewon Pungsokdo', c. 1805. 'Hyewon Pungsokdo' is an album of genre paintings by Shin Yunbok or Hyewon (1758-1813), one of the most famous genre painters of the late Joseon period (1390-1910). This album is designated as the 135th National Treasure of South Korea and held by Gansong Art Museum in Seongbuk-gu, Seoul.

Portrait of Scholar-official Ahn in his Fifties Year. Yi Chaegwan (Korea, 1783-1837). Korea, Korean, Joseon period (1392-1910), 19th century. Paintings. Hanging scroll, ink and color on silk Stock Photo

RM2J00R8G–Portrait of Scholar-official Ahn in his Fifties Year. Yi Chaegwan (Korea, 1783-1837). Korea, Korean, Joseon period (1392-1910), 19th century. Paintings. Hanging scroll, ink and color on silk

Korea: Four porters bearing an official in a 'gama' or palanquin during the late Joseon period. Watercolour on mulberry paper painting, c. 1890. A Korean 'gama' was a closed chair used by upper classes and nobles, both men and women. This painting shows four porters, two in front and two at the rear, holding long poles through an enclosed palanquin. In Korea, royalty and aristocrats were carried in elaborately decorated litters called gama. Gamas were primarily used by royalty and government officials. There were six types of gama, each assigned to different government official rankings. Stock Photo

RM2B01817–Korea: Four porters bearing an official in a 'gama' or palanquin during the late Joseon period. Watercolour on mulberry paper painting, c. 1890. A Korean 'gama' was a closed chair used by upper classes and nobles, both men and women. This painting shows four porters, two in front and two at the rear, holding long poles through an enclosed palanquin. In Korea, royalty and aristocrats were carried in elaborately decorated litters called gama. Gamas were primarily used by royalty and government officials. There were six types of gama, each assigned to different government official rankings.

Box decorated with auspicious symbols 19th century Korea This lacquered wood box is decorated with thin sheets of ox horn painted in bright colors. The technique developed fully in later Joseon lacquer ware, becoming a fashionable art form during this period, alongside lacquer with mother-of-pearl. Decorative motifs on this piece include animals symbolizing good fortune, longevity, or protection, such as cranes, deer, dragons, phoenixes, and tigers. Similar imagery was also popular on paintings and ceramics during the nineteenth century.. Box decorated with auspicious symbols 44987 Stock Photo

RM2HHW70H–Box decorated with auspicious symbols 19th century Korea This lacquered wood box is decorated with thin sheets of ox horn painted in bright colors. The technique developed fully in later Joseon lacquer ware, becoming a fashionable art form during this period, alongside lacquer with mother-of-pearl. Decorative motifs on this piece include animals symbolizing good fortune, longevity, or protection, such as cranes, deer, dragons, phoenixes, and tigers. Similar imagery was also popular on paintings and ceramics during the nineteenth century.. Box decorated with auspicious symbols 44987

Tiger Family 호랑이 가족도 (虎家圖 . Korea. Late 1800s, Joseon dynasty. Hanging scroll; ink and colour on paper. Stock Photo

RM2X3KG3P–Tiger Family 호랑이 가족도 (虎家圖 . Korea. Late 1800s, Joseon dynasty. Hanging scroll; ink and colour on paper.

Birds and Flowers late 19th–early 20th century Unidentified artist By the tenth century, bird-and-flower painting was an established genre in East Asian painting. In Korea folding screens on this subject became prevalent in the late Joseon period and continued to be popular in the twentieth century.Carefully painted and composed, the scenes on this colorful screen are characterized by meticulous depictions. Each panel portrays one or more pairs of birds resting on or flying around a blossoming plant, a tree, or reeds. Other species appear as well, including insects and the marine life seen in Stock Photo

RM2HHF33A–Birds and Flowers late 19th–early 20th century Unidentified artist By the tenth century, bird-and-flower painting was an established genre in East Asian painting. In Korea folding screens on this subject became prevalent in the late Joseon period and continued to be popular in the twentieth century.Carefully painted and composed, the scenes on this colorful screen are characterized by meticulous depictions. Each panel portrays one or more pairs of birds resting on or flying around a blossoming plant, a tree, or reeds. Other species appear as well, including insects and the marine life seen in

Shoes from the Joseon period, made from silk, leather, felt soles, hide and metal nails. Dated 19th Century Stock Photo

RM2A5YYAD–Shoes from the Joseon period, made from silk, leather, felt soles, hide and metal nails. Dated 19th Century

RMKHW5JY–Faceted jar, made with glazed porcelain, from the Joseon Period, Korea. Dated 19th Century

Bamboo, Nakabayashi Chikkei, Japanese, 1816-1867, Hanging scroll; ink on paper, Japan, 19th century, Edo Period, Image: 43 1/4 x 11 1/2 in., 109.9 x 29.2 cm, 19th Century, 19thC, 20th Century, 20thC, Asian Art, Choson, food, granite, Gray, Joseon, Korea, Korean, mill, Millstone, Spout, Stand, stone, tool, wood Stock Photo

RM2HB2AA3–Bamboo, Nakabayashi Chikkei, Japanese, 1816-1867, Hanging scroll; ink on paper, Japan, 19th century, Edo Period, Image: 43 1/4 x 11 1/2 in., 109.9 x 29.2 cm, 19th Century, 19thC, 20th Century, 20thC, Asian Art, Choson, food, granite, Gray, Joseon, Korea, Korean, mill, Millstone, Spout, Stand, stone, tool, wood

Art inspired by Pillow, Wood, Korea, late 19th-early 20th century, Joseon Period, 1 7/8 x 14 15/16 in., 4.7 x 38 cm, Joseon, Korea, Korean, Napping, Pillow, Portable, Sarangbang, Traveling, Wood, Wooden, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKJW9X–Art inspired by Pillow, Wood, Korea, late 19th-early 20th century, Joseon Period, 1 7/8 x 14 15/16 in., 4.7 x 38 cm, Joseon, Korea, Korean, Napping, Pillow, Portable, Sarangbang, Traveling, Wood, Wooden, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Box with floral scrolls, late 19th early - 20th century, Unknown Korean, 7 1/16 × 7 1/2 × 14 in. (17.94 × 19.05 × 35.56 cm), Black lacquered wood with mother-of-pearl inlay and brass wire, Korea, 19th-20th century, Lacquer boxes from the late Joseon period are frequently decorated with floral scrolls like those seen here. The petals and leaves are made of mother-of-pearl inlaid on the black lacquer ground, while the graceful, curvilinear stems are made of twisted wire Stock Photo

RM2T91HYE–Box with floral scrolls, late 19th early - 20th century, Unknown Korean, 7 1/16 × 7 1/2 × 14 in. (17.94 × 19.05 × 35.56 cm), Black lacquered wood with mother-of-pearl inlay and brass wire, Korea, 19th-20th century, Lacquer boxes from the late Joseon period are frequently decorated with floral scrolls like those seen here. The petals and leaves are made of mother-of-pearl inlaid on the black lacquer ground, while the graceful, curvilinear stems are made of twisted wire

N/A. English: Japanese map, The map, 202 centimeters in length and 118 centimeters in width, was drawn up in 1807 by Takahashi Kakeyasu , an astronomer of the Edo Period. The map was printed from a copperplate in 1810. Early 19th century Japanese map that marked the seaway between Korea and Japan as “Sea of Joseon().” Joseon was the old name of Korea from 1392-1910. 1810. Takahashi Kakeyasu, Astronomer to the Edo shogunate [1]. 27 1810 Japanese map Stock Photo

RMP5K0HT–N/A. English: Japanese map, The map, 202 centimeters in length and 118 centimeters in width, was drawn up in 1807 by Takahashi Kakeyasu , an astronomer of the Edo Period. The map was printed from a copperplate in 1810. Early 19th century Japanese map that marked the seaway between Korea and Japan as “Sea of Joseon().” Joseon was the old name of Korea from 1392-1910. 1810. Takahashi Kakeyasu, Astronomer to the Edo shogunate [1]. 27 1810 Japanese map

Portrait of Scholar-Official An in his Fiftieth Year. Date/Period: Joseon period (1392-1910) 19th century. Painting. Hanging scroll, ink and color on silk. Height: 825.50 mm (32.50 in); Width: 571.50 mm (22.50 in). Author: Yi Jae-gwan. Stock Photo

RMRG86DW–Portrait of Scholar-Official An in his Fiftieth Year. Date/Period: Joseon period (1392-1910) 19th century. Painting. Hanging scroll, ink and color on silk. Height: 825.50 mm (32.50 in); Width: 571.50 mm (22.50 in). Author: Yi Jae-gwan.

Korea: Two women ironing using a long-handled iron filled with hot coals. Watercolour painting, late Joseon period, 1886. A typical domestic scene from the late Joseon Dynasty period showing two women dressed in traditional Hanbok clothing, ironing a robe using a long-handled ironing device filled with hot coals. There is a three legged stand for the iron, a basket full of clothes waiting to be ironed, and a pile of neatly-ironed clothing beside the women. Stock Photo

RM2B01815–Korea: Two women ironing using a long-handled iron filled with hot coals. Watercolour painting, late Joseon period, 1886. A typical domestic scene from the late Joseon Dynasty period showing two women dressed in traditional Hanbok clothing, ironing a robe using a long-handled ironing device filled with hot coals. There is a three legged stand for the iron, a basket full of clothes waiting to be ironed, and a pile of neatly-ironed clothing beside the women.

'The Tale of the Heike' is a Japanese epic account of the conflict between the Minamoto and Taira clans over control of Japan which occurred near the end of the 12th century CE, known as the Genpei War (1180-1185). The tale is often described as a Japanese 'Iliad', and has been translated into English multiple times. The Genpei War occurred during the late Heian Period, and ultimately saw the fall of the Taira clan and the rise of the Minamoto clan. Minamoto no Yoritomo, clan leader, then established the Kamakura shogunate, which would rule over Japan for roughly 150 years. The Kamakura shogu Stock Photo

RM2B036P7–'The Tale of the Heike' is a Japanese epic account of the conflict between the Minamoto and Taira clans over control of Japan which occurred near the end of the 12th century CE, known as the Genpei War (1180-1185). The tale is often described as a Japanese 'Iliad', and has been translated into English multiple times. The Genpei War occurred during the late Heian Period, and ultimately saw the fall of the Taira clan and the rise of the Minamoto clan. Minamoto no Yoritomo, clan leader, then established the Kamakura shogunate, which would rule over Japan for roughly 150 years. The Kamakura shogu

The Imo Incident, also referred to as the Imo Mutiny, was a military revolt by some units of the Korean military in Seoul, on July 23, 1882. The initial cause for the violence was due to dissatisfaction with the Korean government, and worries about Japanese military advisors and the support Emperor Gojong was showing them. Initially, government officials were attacked and killed by the rioters, who were swelled by Seoul's general population. The regent father of the emperor, the Heungseon Daewongun, took power during the chaos and supported the rioting soldiers. A number of Japanese were kil Stock Photo

RM2B036NE–The Imo Incident, also referred to as the Imo Mutiny, was a military revolt by some units of the Korean military in Seoul, on July 23, 1882. The initial cause for the violence was due to dissatisfaction with the Korean government, and worries about Japanese military advisors and the support Emperor Gojong was showing them. Initially, government officials were attacked and killed by the rioters, who were swelled by Seoul's general population. The regent father of the emperor, the Heungseon Daewongun, took power during the chaos and supported the rioting soldiers. A number of Japanese were kil

RM2B036NF–The Imo Incident, also referred to as the Imo Mutiny, was a military revolt by some units of the Korean military in Seoul, on July 23, 1882. The initial cause for the violence was due to dissatisfaction with the Korean government, and worries about Japanese military advisors and the support Emperor Gojong was showing them. Initially, government officials were attacked and killed by the rioters, who were swelled by Seoul's general population. The regent father of the emperor, the Heungseon Daewongun, took power during the chaos and supported the rioting soldiers. A number of Japanese were kil

The First Sino-Japanese War (1 August 1894 - 17 April 1895) was waged between Qing Dynasty China and the Japanese Empire, primarily over control of the Korean peninsula. In China, the war is commonly known as the War of Jiawu, while in Japan it is called the Japan-Qing War, and in Korea, the Qing-Japan War. The war lasted 8 months altogether, and saw more than six months of unbroken victories and success by the Japanese land and naval forces against the numerically superior but militarily inferior Chinese army. The Japanese eventually took over the Chinese port city of Weihaiwei and forced th Stock Photo

RM2B036NK–The First Sino-Japanese War (1 August 1894 - 17 April 1895) was waged between Qing Dynasty China and the Japanese Empire, primarily over control of the Korean peninsula. In China, the war is commonly known as the War of Jiawu, while in Japan it is called the Japan-Qing War, and in Korea, the Qing-Japan War. The war lasted 8 months altogether, and saw more than six months of unbroken victories and success by the Japanese land and naval forces against the numerically superior but militarily inferior Chinese army. The Japanese eventually took over the Chinese port city of Weihaiwei and forced th

The First Sino-Japanese War (1 August 1894 - 17 April 1895) was waged beween the Qing Dynasty and the Japanese Empire, primarily over control of the Korean peninsula. In China, the war is commonly known as the War of Jiawu, while in Japan it is called the Japan-Qing War, and in Korea, the Qing-Japan War. The war lasted 8 months altogether, and saw more than six months of unbroken victories and success by the Japanese land and naval forces against the numerically superior but militarily inferior Chinese army. The Japanese eventually took over the Chinese port city of Weihaiwei and forced the Q Stock Photo

RM2B036PB–The First Sino-Japanese War (1 August 1894 - 17 April 1895) was waged beween the Qing Dynasty and the Japanese Empire, primarily over control of the Korean peninsula. In China, the war is commonly known as the War of Jiawu, while in Japan it is called the Japan-Qing War, and in Korea, the Qing-Japan War. The war lasted 8 months altogether, and saw more than six months of unbroken victories and success by the Japanese land and naval forces against the numerically superior but militarily inferior Chinese army. The Japanese eventually took over the Chinese port city of Weihaiwei and forced the Q

RMKHW5H4–Faceted jar, made with glazed porcelain, from the Joseon Period, Korea. Dated 19th Century

RM2B036P2–The First Sino-Japanese War (1 August 1894 - 17 April 1895) was waged between Qing Dynasty China and the Japanese Empire, primarily over control of the Korean peninsula. In China, the war is commonly known as the War of Jiawu, while in Japan it is called the Japan-Qing War, and in Korea, the Qing-Japan War. The war lasted 8 months altogether, and saw more than six months of unbroken victories and success by the Japanese land and naval forces against the numerically superior but militarily inferior Chinese army. The Japanese eventually took over the Chinese port city of Weihaiwei and forced th

Inspired by Bamboo, Nakabayashi Chikkei, Japanese, 1816-1867, Hanging scroll; ink on paper, Japan, 19th century, Edo Period, Image: 43 1/4 x 11 1/2 in., 109.9 x 29.2 cm, 19th Century, 19thC, 20th Century, 20thC, Asian Art, Choson, food, granite, Gray, Joseon, Korea, Korean, mill, Millstone, Spout, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK57RH–Inspired by Bamboo, Nakabayashi Chikkei, Japanese, 1816-1867, Hanging scroll; ink on paper, Japan, 19th century, Edo Period, Image: 43 1/4 x 11 1/2 in., 109.9 x 29.2 cm, 19th Century, 19thC, 20th Century, 20thC, Asian Art, Choson, food, granite, Gray, Joseon, Korea, Korean, mill, Millstone, Spout, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Decorative hanging panel of an official’s robe, 19th century, Unknown Korean, 10 1/4 × 21 11/16 in. (26.04 × 55.09 cm) (including fringe), Silk thread embroidery on silk, Korea, 19th century, This embroidered silk textile is an example of a decorative panel, called a husu, that would have decorated the back of an official’s courtly or ceremonial garb. The motif and materials of husu were differentiated based on the official’s position and rank. This late Joseon example featuring four pairs of facing cranes, in blue, yellow, and white, would have been reserved for a civil official. Stock Photo

RM2T90G93–Decorative hanging panel of an official’s robe, 19th century, Unknown Korean, 10 1/4 × 21 11/16 in. (26.04 × 55.09 cm) (including fringe), Silk thread embroidery on silk, Korea, 19th century, This embroidered silk textile is an example of a decorative panel, called a husu, that would have decorated the back of an official’s courtly or ceremonial garb. The motif and materials of husu were differentiated based on the official’s position and rank. This late Joseon example featuring four pairs of facing cranes, in blue, yellow, and white, would have been reserved for a civil official.

Grapevine and Squirrels. Artist: Unidentified Artist. Culture: Korea. Dimensions: Image: 54 x 22 3/4 in. (137.2 x 57.8 cm) Overall with mounting: 74 3/4 x 29 1/2 in. (189.9 x 74.9 cm) Overall with knobs: 74 3/4 x 31 3/4 in. (189.9 x 80.6 cm). Date: early 19th century. The subject of grapevine rendered in ink was popular among literati painters throughout the Choson period. Artists who won fame as painters of grapevine include Sim Saimdang (1504-1551), Huang Chip-chung (b.1533), and Hong Suju (1642-1704). While earlier paintings of the subject are mostly in the form of album leaves, ink-grap Stock Photo

RMPAR99D–Grapevine and Squirrels. Artist: Unidentified Artist. Culture: Korea. Dimensions: Image: 54 x 22 3/4 in. (137.2 x 57.8 cm) Overall with mounting: 74 3/4 x 29 1/2 in. (189.9 x 74.9 cm) Overall with knobs: 74 3/4 x 31 3/4 in. (189.9 x 80.6 cm). Date: early 19th century. The subject of grapevine rendered in ink was popular among literati painters throughout the Choson period. Artists who won fame as painters of grapevine include Sim Saimdang (1504-1551), Huang Chip-chung (b.1533), and Hong Suju (1642-1704). While earlier paintings of the subject are mostly in the form of album leaves, ink-grap

Grapevine and Squirrels, Unidentified Artist, early 19th century Stock Photo

RMKCD6PY–Grapevine and Squirrels, Unidentified Artist, early 19th century

Birds and Flowers, Unidentified Artist Korean, late 19th–early 20th century Stock Photo

RMKCD6P8–Birds and Flowers, Unidentified Artist Korean, late 19th–early 20th century

RMKHW5GJ–Faceted jar, made with glazed porcelain, from the Joseon Period, Korea. Dated 19th Century

RMF7PCMK–Shoes from the Joseon period, made from silk, leather, felt soles, hide and metal nails. Dated 19th Century

Art inspired by Bamboo, Nakabayashi Chikkei, Japanese, 1816-1867, Hanging scroll; ink on paper, Japan, 19th century, Edo Period, Image: 43 1/4 x 11 1/2 in., 109.9 x 29.2 cm, 19th Century, 19thC, 20th Century, 20thC, Asian Art, Choson, food, granite, Gray, Joseon, Korea, Korean, mill, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKKAKH–Art inspired by Bamboo, Nakabayashi Chikkei, Japanese, 1816-1867, Hanging scroll; ink on paper, Japan, 19th century, Edo Period, Image: 43 1/4 x 11 1/2 in., 109.9 x 29.2 cm, 19th Century, 19thC, 20th Century, 20thC, Asian Art, Choson, food, granite, Gray, Joseon, Korea, Korean, mill, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Spools from the Joseon Period, Korea. Made from lacquered wood with a mother-of-pearl inlay. Dated 19th Century Stock Photo

RMKHW5EY–Spools from the Joseon Period, Korea. Made from lacquered wood with a mother-of-pearl inlay. Dated 19th Century

Art inspired by Grapevine and Squirrels, Joseon dynasty (1392–1910), early 19th century, Korea, Hanging scroll; ink and color on paper, Image: 54 x 22 3/4 in. (137.2 x 57.8 cm), Paintings, Unidentified Artist, The subject of grapevine rendered in ink was popular among literati painters, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW391X–Art inspired by Grapevine and Squirrels, Joseon dynasty (1392–1910), early 19th century, Korea, Hanging scroll; ink and color on paper, Image: 54 x 22 3/4 in. (137.2 x 57.8 cm), Paintings, Unidentified Artist, The subject of grapevine rendered in ink was popular among literati painters, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Chaekkori. Date/Period: Joseon Dynasty (1392-1910), 19th century. Decorative Arts. Ink and color on paper mounted on silk brocade with wooden frame. Height: 1,625 mm (63.97 in); Width: 4,152 mm (13.62 ft). Author: KOREAN. Stock Photo

RMPNDHXY–Chaekkori. Date/Period: Joseon Dynasty (1392-1910), 19th century. Decorative Arts. Ink and color on paper mounted on silk brocade with wooden frame. Height: 1,625 mm (63.97 in); Width: 4,152 mm (13.62 ft). Author: KOREAN.

Art inspired by Birds and Flowers, Joseon dynasty (1392–1910), late 19th–early 20th century, Korea, Ten-panel folding screen; ink and color on silk, Image (each panel): 54 3/8 x 10 3/8 in. (138.1 x 26.4 cm), Screens, Unidentified Artist Korean, Paintings of birds and flowers have a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3A5E–Art inspired by Birds and Flowers, Joseon dynasty (1392–1910), late 19th–early 20th century, Korea, Ten-panel folding screen; ink and color on silk, Image (each panel): 54 3/8 x 10 3/8 in. (138.1 x 26.4 cm), Screens, Unidentified Artist Korean, Paintings of birds and flowers have a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMKHW5G6–Spools from the Joseon Period, Korea. Made from lacquered wood with a mother-of-pearl inlay. Dated 19th Century

Still life with bronze vessels and flowering plants. Artist: Attributed to Jang Seung-eop (pen name: Owon) (Korean, 1843-1897). Culture: Korea. Dimensions: Overall: 77 in. × 14 ft. 2 in. (195.6 × 431.8 cm). Date: 1894. In the nineteenth century, still-life paintings of precious vessels with flowering plants and/or fruits emerged as a distinct and popular genre (Korean: gimyeong jeoljido). The bronzes in this screen are more stylized or exaggerated versions of late Qing-period (1644-1911) Chinese examples, which were known in Korea from imported collectibles or their representation in Chinese Stock Photo

RMPANHF3–Still life with bronze vessels and flowering plants. Artist: Attributed to Jang Seung-eop (pen name: Owon) (Korean, 1843-1897). Culture: Korea. Dimensions: Overall: 77 in. × 14 ft. 2 in. (195.6 × 431.8 cm). Date: 1894. In the nineteenth century, still-life paintings of precious vessels with flowering plants and/or fruits emerged as a distinct and popular genre (Korean: gimyeong jeoljido). The bronzes in this screen are more stylized or exaggerated versions of late Qing-period (1644-1911) Chinese examples, which were known in Korea from imported collectibles or their representation in Chinese

RMKHW5G5–Spools from the Joseon Period, Korea. Made from lacquered wood with a mother-of-pearl inlay. Dated 19th Century

Faceted jar from the Joseon period. Dated 19th Century Stock Photo

RMF7P8F0–Faceted jar from the Joseon period. Dated 19th Century

RMF7P845–Faceted jar from the Joseon period. Dated 19th Century

RMF7PDRM–Woodblock for printing with Buddhist texts from the Joseon period. Dated 1850

Jeong Yakyong / Jung Yak-Yong (1762 - 1836), known as 'Dasan' (mountain of tea), was one of the greatest Korean thinkers in the later Joseon dynasty period, wrote highly influential books about philosophy, science and theories of government, held significant administrative positions, and was noted as a poet. Stock Photo

RM2K0E608–Jeong Yakyong / Jung Yak-Yong (1762 - 1836), known as 'Dasan' (mountain of tea), was one of the greatest Korean thinkers in the later Joseon dynasty period, wrote highly influential books about philosophy, science and theories of government, held significant administrative positions, and was noted as a poet.

Jeong Yakyong Jung Yak-Yong (1762 - 1836), often simply known as Dasan (the mountain of tea), was one of the greatest thinkers in the later Joseon dynasty period, wrote highly influential books about philosophy, science and theories of government, held significant administrative positions, and was noted as a poet. Stock Photo

RM2K0E5FA–Jeong Yakyong Jung Yak-Yong (1762 - 1836), often simply known as Dasan (the mountain of tea), was one of the greatest thinkers in the later Joseon dynasty period, wrote highly influential books about philosophy, science and theories of government, held significant administrative positions, and was noted as a poet.

Joseon period, 19th century Stock Photos and Images

Joseon period, 19th century Stock Photos and Images

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