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Cordelia Championed by the Earl of Kent, from Shakespeare's 'King Lear,' I, i, unknown artist, eighteenth century, Formerly attributed to William Hamilton, 1751–1801, British, between 1770 and 1780, Oil on canvas, Support (PTG): 41 1/8 x 50 1/2 inches (104.5 x 128.3 cm), actors, architecture, armor, costume, curtain, dogs (animals), earl, gesture, guards (security), interior, king (person), King Lear, play by William Shakespeare, literary theme, map, performance, rug, stage, sword, theater (discipline), throne, women Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cordelia-championed-by-the-earl-of-kent-from-shakespeares-king-lear-i-i-unknown-artist-eighteenth-century-formerly-attributed-to-william-hamilton-17511801-british-between-1770-and-1780-oil-on-canvas-support-ptg-41-18-x-50-12-inches-1045-x-1283-cm-actors-architecture-armor-costume-curtain-dogs-animals-earl-gesture-guards-security-interior-king-person-king-lear-play-by-william-shakespeare-literary-theme-map-performance-rug-stage-sword-theater-discipline-throne-women-image389647817.htmlRM2DHWYND–Cordelia Championed by the Earl of Kent, from Shakespeare's 'King Lear,' I, i, unknown artist, eighteenth century, Formerly attributed to William Hamilton, 1751–1801, British, between 1770 and 1780, Oil on canvas, Support (PTG): 41 1/8 x 50 1/2 inches (104.5 x 128.3 cm), actors, architecture, armor, costume, curtain, dogs (animals), earl, gesture, guards (security), interior, king (person), King Lear, play by William Shakespeare, literary theme, map, performance, rug, stage, sword, theater (discipline), throne, women
King Lear (Act I Scene 4) Play by William Shakespeare. Lear, Kent and Fool. 'Fool: Let me hire him too, here's my coxcomb.' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-king-lear-act-i-scene-4-play-by-william-shakespeare-lear-kent-and-83353185.htmlRMERH1RD–King Lear (Act I Scene 4) Play by William Shakespeare. Lear, Kent and Fool. 'Fool: Let me hire him too, here's my coxcomb.'
l-r: Brian Cox (King Lear - top), Ian McKellen (Earl of Kent), David Bradley (Fool) in KING LEAR by Shakespeare at the Lyttelton Theatre, National Theatre (NT), London SE1 26/07/1990 design: Hildegard Bechtler lighting: Jean Kalman fights: John Waller director: Deborah Warner Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/l-r-brian-cox-king-lear-top-ian-mckellen-earl-of-kent-david-bradley-fool-in-king-lear-by-shakespeare-at-the-lyttelton-theatre-national-theatre-nt-london-se1-26071990-design-hildegard-bechtler-lighting-jean-kalman-fights-john-waller-director-deborah-warner-image543560490.htmlRM2PG98XJ–l-r: Brian Cox (King Lear - top), Ian McKellen (Earl of Kent), David Bradley (Fool) in KING LEAR by Shakespeare at the Lyttelton Theatre, National Theatre (NT), London SE1 26/07/1990 design: Hildegard Bechtler lighting: Jean Kalman fights: John Waller director: Deborah Warner
Scene from Shakespeare's 'King Lear,' 1934 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-scene-from-shakespeares-king-lear-1934-48334936.htmlRMCPHRKM–Scene from Shakespeare's 'King Lear,' 1934
Illustration for William Shakespeare’s play King Lear, Act III, Scene IV. From an 18th century engraving by William Sharp after a work by Benjamin West. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-for-william-shakespeares-play-king-lear-act-iii-scene-iv-from-an-18th-century-engraving-by-william-sharp-after-a-work-by-benjamin-west-image395826856.htmlRM2DYYD5C–Illustration for William Shakespeare’s play King Lear, Act III, Scene IV. From an 18th century engraving by William Sharp after a work by Benjamin West.
Scene from Shakespeare's 'King Lear,' 1940 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-scene-from-shakespeares-king-lear-1940-48334937.htmlRMCPHRKN–Scene from Shakespeare's 'King Lear,' 1940
William Shakespeare 's play King Lear - Act III Scene IV: King Lear, Kent, Fool, Edgar (disguised as a Madman) and Gloucester Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-shakespeare-s-play-king-lear-act-iii-scene-iv-king-lear-kent-83365354.htmlRMERHHA2–William Shakespeare 's play King Lear - Act III Scene IV: King Lear, Kent, Fool, Edgar (disguised as a Madman) and Gloucester
Scene from Shakespeare's 'King Lear', 1934 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-scene-from-shakespeares-king-lear-1934-37017076.htmlRMC467JC–Scene from Shakespeare's 'King Lear', 1934
Cordelia Championed by the Earl of Kent, from Shakespeare's King Lear I Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cordelia-championed-by-the-earl-of-kent-from-shakespeares-king-lear-113214784.htmlRMGG5AH4–Cordelia Championed by the Earl of Kent, from Shakespeare's King Lear I
David Garrick as King Lear with the Earl of Kent and Edgar disguised as Tom in a stormy landscape, Edgar on the left is possibly a portrait of actor Robert Bransby., print maker: James McArdell, after painting by: Benjamin Wilson, London, 1761, paper, etching, height 413 mm × width 513 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-garrick-as-king-lear-with-the-earl-of-kent-and-edgar-disguised-as-tom-in-a-stormy-landscape-edgar-on-the-left-is-possibly-a-portrait-of-actor-robert-bransby-print-maker-james-mcardell-after-painting-by-benjamin-wilson-london-1761-paper-etching-height-413-mm-width-513-mm-print-image599492808.htmlRM2WR975C–David Garrick as King Lear with the Earl of Kent and Edgar disguised as Tom in a stormy landscape, Edgar on the left is possibly a portrait of actor Robert Bransby., print maker: James McArdell, after painting by: Benjamin Wilson, London, 1761, paper, etching, height 413 mm × width 513 mm, print
An illustrated book of Shakespeare's plays open at the characters from King Lear and Othello Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-an-illustrated-book-of-shakespeares-plays-open-at-the-characters-from-173009206.htmlRMM1D706–An illustrated book of Shakespeare's plays open at the characters from King Lear and Othello
front, l-r: David Bradley (Fool), Brian Cox (King Lear), Ian McKellen (Earl of Kent) in KING LEAR by Shakespeare at the Lyttelton Theatre, National Theatre (NT), London SE1 26/07/1990 design: Hildegard Bechtler lighting: Jean Kalman fights: John Waller director: Deborah Warner Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/front-l-r-david-bradley-fool-brian-cox-king-lear-ian-mckellen-earl-of-kent-in-king-lear-by-shakespeare-at-the-lyttelton-theatre-national-theatre-nt-london-se1-26071990-design-hildegard-bechtler-lighting-jean-kalman-fights-john-waller-director-deborah-warner-image543560481.htmlRM2PG98X9–front, l-r: David Bradley (Fool), Brian Cox (King Lear), Ian McKellen (Earl of Kent) in KING LEAR by Shakespeare at the Lyttelton Theatre, National Theatre (NT), London SE1 26/07/1990 design: Hildegard Bechtler lighting: Jean Kalman fights: John Waller director: Deborah Warner
Randle Ayrton as Lear in Theodore Komisarjevsky's King Lear Royal Shakespeare Theatre Stratford upon Avon 1936. . 1936: KING LEAR, directed by Theodore Komisarjevsky. with Randle Ayrton as King Lear, Donald Wolfit as Kent,. and Rosalind Iden as Cordelia (and Trevor Howard as a servant Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/randle-ayrton-as-lear-in-theodore-komisarjevskys-king-lear-royal-shakespeare-theatre-stratford-upon-avon-1936-1936-king-lear-directed-by-theodore-komisarjevsky-with-randle-ayrton-as-king-lear-donald-wolfit-as-kent-and-rosalind-iden-as-cordelia-and-trevor-howard-as-a-servant-image268855651.htmlRMWHBC3F–Randle Ayrton as Lear in Theodore Komisarjevsky's King Lear Royal Shakespeare Theatre Stratford upon Avon 1936. . 1936: KING LEAR, directed by Theodore Komisarjevsky. with Randle Ayrton as King Lear, Donald Wolfit as Kent,. and Rosalind Iden as Cordelia (and Trevor Howard as a servant
l-r: Marcello Magni (Fool), Kathryn Hunter (King Lear), Simon Roberts (Edgar), Colin McCormack (Kent) in KING LEAR by Shakespeare at The Young Vic, London SE1 02/07/1997 a Leicester Haymarket Theatre production design & lighting: Pawel Dobrzycki director: Helena Kaut-Howson Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/l-r-marcello-magni-fool-kathryn-hunter-king-lear-simon-roberts-edgar-colin-mccormack-kent-in-king-lear-by-shakespeare-at-the-young-vic-london-se1-02071997-a-leicester-haymarket-theatre-production-design-lighting-pawel-dobrzycki-director-helena-kaut-howson-image471984226.htmlRM2JBTMKE–l-r: Marcello Magni (Fool), Kathryn Hunter (King Lear), Simon Roberts (Edgar), Colin McCormack (Kent) in KING LEAR by Shakespeare at The Young Vic, London SE1 02/07/1997 a Leicester Haymarket Theatre production design & lighting: Pawel Dobrzycki director: Helena Kaut-Howson
'King Lear. Act III. Scene IV', 1792. Artist: Luigi Schiavonetti. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-lear-act-iii-scene-iv-1792-artist-luigi-schiavonetti-image262787754.htmlRMW7F0CX–'King Lear. Act III. Scene IV', 1792. Artist: Luigi Schiavonetti.
Cordelia Championed by the Earl of Kent, from Shakespeare's 'King Lear,' I, i. Date/Period: 1770s. Painting. Oil on canvas. Height: 1,045 mm (41.14 in); Width: 1,283 mm (50.51 in). Author: UNKNOWN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cordelia-championed-by-the-earl-of-kent-from-shakespeares-king-lear-i-i-dateperiod-1770s-painting-oil-on-canvas-height-1045-mm-4114-in-width-1283-mm-5051-in-author-unknown-image219069777.htmlRMPMBDMH–Cordelia Championed by the Earl of Kent, from Shakespeare's 'King Lear,' I, i. Date/Period: 1770s. Painting. Oil on canvas. Height: 1,045 mm (41.14 in); Width: 1,283 mm (50.51 in). Author: UNKNOWN.
A word cloud based on Shakespeare's King Lear Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-word-cloud-based-on-shakespeares-king-lear-39295963.htmlRFC7X2B7–A word cloud based on Shakespeare's King Lear
KING LEAR Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-lear-image68047771.htmlRMDXKRHF–KING LEAR
'King Lear. Act III. Scene IV', 1792. Artist: Luigi Schiavonetti. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-king-lear-act-iii-scene-iv-1792-artist-luigi-schiavonetti-135274812.htmlRMHT28B8–'King Lear. Act III. Scene IV', 1792. Artist: Luigi Schiavonetti.
Dover Kent England UK. Shakespeare Cliff at dusk. Scanned in 2019, photograph made in 2000's The White Cliffs of Dover, part of the North Downs formation, is the name given to the region of English coastline facing the Strait of Dover and France. The cliff face, which reaches a height of 350 feet (110 m), owes its striking appearance to its composition of chalk accented by streaks of black flint. The cliffs, on both sides of the town of Dover in Kent, stretch for eight miles (13 km). A section of coastline encompassing the cliffs was purchased by the National Trust in 2016. Shakespeare Cliff w Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dover-kent-england-uk-shakespeare-cliff-at-dusk-scanned-in-2019-photograph-made-in-2000s-the-white-cliffs-of-dover-part-of-the-north-downs-formation-is-the-name-given-to-the-region-of-english-coastline-facing-the-strait-of-dover-and-france-the-cliff-face-which-reaches-a-height-of-350-feet-110-m-owes-its-striking-appearance-to-its-composition-of-chalk-accented-by-streaks-of-black-flint-the-cliffs-on-both-sides-of-the-town-of-dover-in-kent-stretch-for-eight-miles-13-km-a-section-of-coastline-encompassing-the-cliffs-was-purchased-by-the-national-trust-in-2016-shakespeare-cliff-w-image231560687.htmlRMRCME0F–Dover Kent England UK. Shakespeare Cliff at dusk. Scanned in 2019, photograph made in 2000's The White Cliffs of Dover, part of the North Downs formation, is the name given to the region of English coastline facing the Strait of Dover and France. The cliff face, which reaches a height of 350 feet (110 m), owes its striking appearance to its composition of chalk accented by streaks of black flint. The cliffs, on both sides of the town of Dover in Kent, stretch for eight miles (13 km). A section of coastline encompassing the cliffs was purchased by the National Trust in 2016. Shakespeare Cliff w
![Cordelia Championed by the Earl of Kent, from Shakespeare's 'King Lear,' I, i. 1770s. Cordelia Championed by the Earl of Kent, from Shakespeare's "King Lear," I, i - Google Art Project Stock Photo](https://c8.alamy.com/comp/MMWNJA/cordelia-championed-by-the-earl-of-kent-from-shakespeares-king-lear-i-i-1770s-cordelia-championed-by-the-earl-of-kent-from-shakespeares-quotking-learquot-i-i-google-art-project-MMWNJA.jpg "Cordelia Championed by the Earl of Kent, from Shakespeare's 'King Lear,' I, i. 1770s. Cordelia Championed by the Earl of Kent, from Shakespeare's "King Lear," I, i - Google Art Project Stock Photo")
Cordelia Championed by the Earl of Kent, from Shakespeare's 'King Lear,' I, i. 1770s. Cordelia Championed by the Earl of Kent, from Shakespeare's "King Lear," I, i - Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cordelia-championed-by-the-earl-of-kent-from-shakespeares-king-lear-i-i-1770s-cordelia-championed-by-the-earl-of-kent-from-shakespeares-quotking-learquot-i-i-google-art-project-image184962578.htmlRMMMWNJA–Cordelia Championed by the Earl of Kent, from Shakespeare's 'King Lear,' I, i. 1770s. Cordelia Championed by the Earl of Kent, from Shakespeare's "King Lear," I, i - Google Art Project
Cordelia Championed by the Earl of Kent, from Shakespeare's ‘King Lear,‘ I, i - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cordelia-championed-by-the-earl-of-kent-from-shakespeares-king-lear-i-i-image261178432.htmlRMW4WKN4–Cordelia Championed by the Earl of Kent, from Shakespeare's ‘King Lear,‘ I, i -
King Lear act III scene IV- part of a heath, with a hovel. Lear, Kent, Fool, Edgar, disguised as a madman, and Gloster with a torch. A Collection of Prints, from pictures painted for the purpose of illustrating the Dramatic Works of Shakspeare, by the Artists of Great Britain. London : J. & J. Boydell, 1803. Source: Tab.599.c vol. II, plate XXXIX. Language: English. Author: SHAKESPEARE, WILLIAM. WEST, BENJAMIN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-lear-act-iii-scene-iv-part-of-a-heath-with-a-hovel-lear-kent-fool-edgar-disguised-as-a-madman-and-gloster-with-a-torch-a-collection-of-prints-from-pictures-painted-for-the-purpose-of-illustrating-the-dramatic-works-of-shakspeare-by-the-artists-of-great-britain-london-j-j-boydell-1803-source-tab599c-vol-ii-plate-xxxix-language-english-author-shakespeare-william-west-benjamin-image226822094.htmlRMR50HW2–King Lear act III scene IV- part of a heath, with a hovel. Lear, Kent, Fool, Edgar, disguised as a madman, and Gloster with a torch. A Collection of Prints, from pictures painted for the purpose of illustrating the Dramatic Works of Shakspeare, by the Artists of Great Britain. London : J. & J. Boydell, 1803. Source: Tab.599.c vol. II, plate XXXIX. Language: English. Author: SHAKESPEARE, WILLIAM. WEST, BENJAMIN.
Illustration for William Shakespeare’s play King Lear, Act I, Scene I. After an 18th century engraving by Richard Earlom from a work by Henry Fuseli. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-for-william-shakespeares-play-king-lear-act-i-scene-i-after-an-18th-century-engraving-by-richard-earlom-from-a-work-by-henry-fuseli-image395826854.htmlRM2DYYD5A–Illustration for William Shakespeare’s play King Lear, Act I, Scene I. After an 18th century engraving by Richard Earlom from a work by Henry Fuseli.
Metal thread ribbon fillet decorated with beetle wings and brass at Smallhythe Place, Kent. The ribbon was worn by Ellen Terry as Cordelia in King Lear. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-metal-thread-ribbon-fillet-decorated-with-beetle-wings-and-brass-at-94467908.htmlRMFDKANT–Metal thread ribbon fillet decorated with beetle wings and brass at Smallhythe Place, Kent. The ribbon was worn by Ellen Terry as Cordelia in King Lear.
Actors Edgar Selge (l,) as Lear and Matti Krause (Earl of Kent) on October 17, 2018, during a rehearsal of Shakespeare's drama 'King Lear' that has its first showing, directed by Karin Beier, on October 19, 2018 | usage worldwide Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/actors-edgar-selge-l-as-lear-and-matti-krause-earl-of-kent-on-october-17-2018-during-a-rehearsal-of-shakespeares-drama-king-lear-that-has-its-first-showing-directed-by-karin-beier-on-october-19-2018-usage-worldwide-image223418378.htmlRMPYDGBP–Actors Edgar Selge (l,) as Lear and Matti Krause (Earl of Kent) on October 17, 2018, during a rehearsal of Shakespeare's drama 'King Lear' that has its first showing, directed by Karin Beier, on October 19, 2018 | usage worldwide
Fotoreproductie van een prent naar een schilderij, voorstellende koning Lear met Kent en Cordelia King Lear (titel op object) Photo Reproduction of a picture into a painting, depicting King Lear by Kent and CordeliaKing Lear (title object) Property Type: photo reproduction page Item number: RP-F 2001-7-295-7 Inscriptions / Brands: inscription , recto, printed 'Act 4. scene 7' Manufacturer : photographer Alfred Brewer to print by: anonymous to painting by Gilbert Stuart Newton (listed property) Date: ca. 1866 - or for 1876 Material: paper Technique: albumen print dimensions: photo : h 116 mm × Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fotoreproductie-van-een-prent-naar-een-schilderij-voorstellende-koning-lear-met-kent-en-cordelia-king-lear-titel-op-object-photo-reproduction-of-a-picture-into-a-painting-depicting-king-lear-by-kent-and-cordeliaking-lear-title-object-property-type-photo-reproduction-page-item-number-rp-f-2001-7-295-7-inscriptions-brands-inscription-recto-printed-act-4-scene-7-manufacturer-photographer-alfred-brewer-to-print-by-anonymous-to-painting-by-gilbert-stuart-newton-listed-property-date-ca-1866-or-for-1876-material-paper-technique-albumen-print-dimensions-photo-h-116-mm-image348354600.htmlRM2B6MWRM–Fotoreproductie van een prent naar een schilderij, voorstellende koning Lear met Kent en Cordelia King Lear (titel op object) Photo Reproduction of a picture into a painting, depicting King Lear by Kent and CordeliaKing Lear (title object) Property Type: photo reproduction page Item number: RP-F 2001-7-295-7 Inscriptions / Brands: inscription , recto, printed 'Act 4. scene 7' Manufacturer : photographer Alfred Brewer to print by: anonymous to painting by Gilbert Stuart Newton (listed property) Date: ca. 1866 - or for 1876 Material: paper Technique: albumen print dimensions: photo : h 116 mm ×
Scene from play King Lear, Cornelis Brouwer, 1790 print Scene from play King Lear with, among other things, protagonists Lear, Kent and Gloucester during storms where lightning bolts shoot through the air. Netherlands paper etching King Lear Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scene-from-play-king-lear-cornelis-brouwer-1790-print-scene-from-play-king-lear-with-among-other-things-protagonists-lear-kent-and-gloucester-during-storms-where-lightning-bolts-shoot-through-the-air-netherlands-paper-etching-king-lear-image592896851.htmlRM2WCGNYF–Scene from play King Lear, Cornelis Brouwer, 1790 print Scene from play King Lear with, among other things, protagonists Lear, Kent and Gloucester during storms where lightning bolts shoot through the air. Netherlands paper etching King Lear
David Garrick as King Lear with the Earl of Kent and Edgar disguised as Tom in a stormy landscape, Edgar on the left is possibly a portrait of actor Robert Bransby., print maker: James McArdell, after painting by: Benjamin Wilson, London, 1761, paper, etching, height 413 mm × width 513 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-garrick-as-king-lear-with-the-earl-of-kent-and-edgar-disguised-as-tom-in-a-stormy-landscape-edgar-on-the-left-is-possibly-a-portrait-of-actor-robert-bransby-print-maker-james-mcardell-after-painting-by-benjamin-wilson-london-1761-paper-etching-height-413-mm-width-513-mm-print-image599492803.htmlRM2WR9757–David Garrick as King Lear with the Earl of Kent and Edgar disguised as Tom in a stormy landscape, Edgar on the left is possibly a portrait of actor Robert Bransby., print maker: James McArdell, after painting by: Benjamin Wilson, London, 1761, paper, etching, height 413 mm × width 513 mm, print
Off, off, you lendings - Come unbutton here (Shakespeare, King Lear, Act 3, Scene 4), 1793. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/off-off-you-lendings-come-unbutton-here-shakespeare-king-lear-act-3-scene-4-1793-image382611563.htmlRM2D6DCXK–Off, off, you lendings - Come unbutton here (Shakespeare, King Lear, Act 3, Scene 4), 1793.
Scene from play King Lear including protagonists Lear, Kent and Gloucester during storm with lightning bolts shooting through the sky, Scene from play King Lear King Lear IIIrd Company, IXth Act , print maker: Cornelis Brouwer, (mentioned on object), publisher: Arend Fokke Simonsz., (mentioned on object), Netherlands, 1790, paper, etching, h 194 mm × w 126 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scene-from-play-king-lear-including-protagonists-lear-kent-and-gloucester-during-storm-with-lightning-bolts-shooting-through-the-sky-scene-from-play-king-lear-king-lear-iiird-company-ixth-act-print-maker-cornelis-brouwer-mentioned-on-object-publisher-arend-fokke-simonsz-mentioned-on-object-netherlands-1790-paper-etching-h-194-mm-w-126-mm-image472281796.htmlRM2JCA870–Scene from play King Lear including protagonists Lear, Kent and Gloucester during storm with lightning bolts shooting through the sky, Scene from play King Lear King Lear IIIrd Company, IXth Act , print maker: Cornelis Brouwer, (mentioned on object), publisher: Arend Fokke Simonsz., (mentioned on object), Netherlands, 1790, paper, etching, h 194 mm × w 126 mm
Cordelia Championed by the Earl of Kent, from Shakespeare's 'King Lear,' I, i Cordelia championed by the Earl of Kent reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cordelia-championed-by-the-earl-of-kent-from-shakespeares-king-lear-i-i-cordelia-championed-by-the-earl-of-kent-reimagined-image230453208.htmlRFRAX1BM–Cordelia Championed by the Earl of Kent, from Shakespeare's 'King Lear,' I, i Cordelia championed by the Earl of Kent reimagined
l-r: Marcello Magni (Fool), Kathryn Hunter (King Lear), Simon Roberts (Edgar), Colin McCormack (Kent) in KING LEAR by Shakespeare at The Young Vic, London SE1 02/07/1997 a Leicester Haymarket Theatre production design & lighting: Pawel Dobrzycki director: Helena Kaut-Howson Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/l-r-marcello-magni-fool-kathryn-hunter-king-lear-simon-roberts-edgar-colin-mccormack-kent-in-king-lear-by-shakespeare-at-the-young-vic-london-se1-02071997-a-leicester-haymarket-theatre-production-design-lighting-pawel-dobrzycki-director-helena-kaut-howson-image471984228.htmlRM2JBTMKG–l-r: Marcello Magni (Fool), Kathryn Hunter (King Lear), Simon Roberts (Edgar), Colin McCormack (Kent) in KING LEAR by Shakespeare at The Young Vic, London SE1 02/07/1997 a Leicester Haymarket Theatre production design & lighting: Pawel Dobrzycki director: Helena Kaut-Howson
Cordelia Championed by the Earl of Kent, from Shakespeare's 'King Lear,' I, i Cordelia championed by the Earl of Kent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cordelia-championed-by-the-earl-of-kent-from-shakespeares-king-lear-77446431.htmlRMEDYYKY–Cordelia Championed by the Earl of Kent, from Shakespeare's 'King Lear,' I, i Cordelia championed by the Earl of Kent
l-r: Eve Matheson (Cordelia), Brian Cox (King Lear), Derek Hutchinson (Edgar), Ian McKellen (Earl of Kent) in KING LEAR by Shakespeare at the Lyttelton Theatre, National Theatre (NT), London SE1 26/07/1990 design: Hildegard Bechtler lighting: Jean Kalman fights: John Waller director: Deborah Warner Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/l-r-eve-matheson-cordelia-brian-cox-king-lear-derek-hutchinson-edgar-ian-mckellen-earl-of-kent-in-king-lear-by-shakespeare-at-the-lyttelton-theatre-national-theatre-nt-london-se1-26071990-design-hildegard-bechtler-lighting-jean-kalman-fights-john-waller-director-deborah-warner-image543560491.htmlRM2PG98XK–l-r: Eve Matheson (Cordelia), Brian Cox (King Lear), Derek Hutchinson (Edgar), Ian McKellen (Earl of Kent) in KING LEAR by Shakespeare at the Lyttelton Theatre, National Theatre (NT), London SE1 26/07/1990 design: Hildegard Bechtler lighting: Jean Kalman fights: John Waller director: Deborah Warner
'Off, off, you lendings–Come unbutton here' (Shakespeare, King Lear, Act 3, Scene 4), William Sharp, 1793 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-off-off-you-lendingscome-unbutton-here-shakespeare-king-lear-act-3-162528703.htmlRMKCBR0F–'Off, off, you lendings–Come unbutton here' (Shakespeare, King Lear, Act 3, Scene 4), William Sharp, 1793
front, l-r: Monica Dolan (Regan), Guy Williams (Duke of Cornwall), Ian McKellen (King Lear), Frances Barber (Goneril) rear centre: Jonathan Hyde (Earl of Kent) right: William Gaunt (Gloucester) in KING LEAR by Shakespeare at the Royal Shakespeare Company (RSC),Courtyard Theatre, Stratford-upon-Avon, England 03/04/2007 design: Christopher Oram lighting: Neil Austin director: Trevor Nunn Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/front-l-r-monica-dolan-regan-guy-williams-duke-of-cornwall-ian-mckellen-king-lear-frances-barber-goneril-rear-centre-jonathan-hyde-earl-of-kent-right-william-gaunt-gloucester-in-king-lear-by-shakespeare-at-the-royal-shakespeare-company-rsccourtyard-theatre-stratford-upon-avon-england-03042007-design-christopher-oram-lighting-neil-austin-director-trevor-nunn-image622284762.htmlRM2Y4BEFP–front, l-r: Monica Dolan (Regan), Guy Williams (Duke of Cornwall), Ian McKellen (King Lear), Frances Barber (Goneril) rear centre: Jonathan Hyde (Earl of Kent) right: William Gaunt (Gloucester) in KING LEAR by Shakespeare at the Royal Shakespeare Company (RSC),Courtyard Theatre, Stratford-upon-Avon, England 03/04/2007 design: Christopher Oram lighting: Neil Austin director: Trevor Nunn
. Shakespeare's tragedy of King Lear. en, by the grotesque surface of theFools official function. His whole soul is bound up in his love for Lear and for Corde-lia. He would not set his life at a pins fee to serve his master; and when his youngmistress goes to France he pines away for the sight of her. When the king feels theconsequences of his headstrong folly, the Fool continues the satirical comment which hebegins when he offers Kent his coxcomb. So might Touchstone have done ; but in avein more cynical, colder, and without that undertone rather of sweetness than of sad-ness which tells us Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shakespeares-tragedy-of-king-lear-en-by-the-grotesque-surface-of-thefools-official-function-his-whole-soul-is-bound-up-in-his-love-for-lear-and-for-corde-lia-he-would-not-set-his-life-at-a-pins-fee-to-serve-his-master-and-when-his-youngmistress-goes-to-france-he-pines-away-for-the-sight-of-her-when-the-king-feels-theconsequences-of-his-headstrong-folly-the-fool-continues-the-satirical-comment-which-hebegins-when-he-offers-kent-his-coxcomb-so-might-touchstone-have-done-but-in-avein-more-cynical-colder-and-without-that-undertone-rather-of-sweetness-than-of-sad-ness-which-tells-us-image336926271.htmlRM2AG48W3–. Shakespeare's tragedy of King Lear. en, by the grotesque surface of theFools official function. His whole soul is bound up in his love for Lear and for Corde-lia. He would not set his life at a pins fee to serve his master; and when his youngmistress goes to France he pines away for the sight of her. When the king feels theconsequences of his headstrong folly, the Fool continues the satirical comment which hebegins when he offers Kent his coxcomb. So might Touchstone have done ; but in avein more cynical, colder, and without that undertone rather of sweetness than of sad-ness which tells us
Ian McKellen (Earl of Kent) in KING LEAR by Shakespeare at the Lyttelton Theatre, National Theatre (NT), London SE1 26/07/1990 design: Hildegard Bechtler lighting: Jean Kalman director: Deborah Warner (c) Donald Cooper/Photostage photos@photostage.co.uk ref/CT-047 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ian-mckellen-earl-of-kent-in-king-lear-by-shakespeare-at-the-lyttelton-theatre-national-theatre-nt-london-se1-26071990-design-hildegard-bechtler-lighting-jean-kalman-director-deborah-warner-c-donald-cooperphotostage-photos@photostagecouk-refct-047-image364286667.htmlRM2C4JKA3–Ian McKellen (Earl of Kent) in KING LEAR by Shakespeare at the Lyttelton Theatre, National Theatre (NT), London SE1 26/07/1990 design: Hildegard Bechtler lighting: Jean Kalman director: Deborah Warner (c) Donald Cooper/Photostage photos@photostage.co.uk ref/CT-047
l-r: Malcolm Storry (Earl of Kent), Michael Gambon (King Lear), Antony Sher (Lear's Fool) in KING LEAR by Shakespeare at the Royal Shakespeare Company (RSC), Barbican Theatre, London EC2 31/05/1983 design: Bob Crowley lighting: Brian Harris fights: Malcolm Ranson director: Adrian Noble Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/l-r-malcolm-storry-earl-of-kent-michael-gambon-king-lear-antony-sher-lears-fool-in-king-lear-by-shakespeare-at-the-royal-shakespeare-company-rsc-barbican-theatre-london-ec2-31051983-design-bob-crowley-lighting-brian-harris-fights-malcolm-ranson-director-adrian-noble-image397325816.htmlRM2E2BN3M–l-r: Malcolm Storry (Earl of Kent), Michael Gambon (King Lear), Antony Sher (Lear's Fool) in KING LEAR by Shakespeare at the Royal Shakespeare Company (RSC), Barbican Theatre, London EC2 31/05/1983 design: Bob Crowley lighting: Brian Harris fights: Malcolm Ranson director: Adrian Noble
Füssli - Edgar feigning madness approaches King Lear supported by Kent and the Fool on the Heath. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fssli-edgar-feigning-madness-approaches-king-lear-supported-by-kent-and-the-fool-on-the-heath-image345091020.htmlRM2B1C738–Füssli - Edgar feigning madness approaches King Lear supported by Kent and the Fool on the Heath.
Sharon Duce (Cordelia), John Woodvine (Kent), Robert Eddison (King Lear), Robin Ellis (Albany) and Ian McKellen (Edgar) in KING LEAR by Shakespeare directed by David William for The Actors Company in 1974, touring in the UK and at the Brooklyn Academy of Music (BAM) in New York. Sir Ian Murray McKellen, born 1939, Burnley, England. English stage and film actor. Co-founder of Stonewall, gay rights activist, knighted in 1990, made a Companion of Honour 2007. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sharon-duce-cordelia-john-woodvine-kent-robert-eddison-king-lear-robin-ellis-albany-and-ian-mckellen-edgar-in-king-lear-by-shakespeare-directed-by-david-william-for-the-actors-company-in-1974-touring-in-the-uk-and-at-the-brooklyn-academy-of-music-bam-in-new-york-sir-ian-murray-mckellen-born-1939-burnley-england-english-stage-and-film-actor-co-founder-of-stonewall-gay-rights-activist-knighted-in-1990-made-a-companion-of-honour-2007-image341936300.htmlRM2AT8F6M–Sharon Duce (Cordelia), John Woodvine (Kent), Robert Eddison (King Lear), Robin Ellis (Albany) and Ian McKellen (Edgar) in KING LEAR by Shakespeare directed by David William for The Actors Company in 1974, touring in the UK and at the Brooklyn Academy of Music (BAM) in New York. Sir Ian Murray McKellen, born 1939, Burnley, England. English stage and film actor. Co-founder of Stonewall, gay rights activist, knighted in 1990, made a Companion of Honour 2007.
King Lear act I scene I- Lear's Palace with Lear, Cornwall, Albany, Goneril, Regan, Cordelia, King of France, Duke of Burgundy, Kent, Attendants & c. A Collection of Prints, from pictures painted for the purpose of illustrating the Dramatic Works of Shakspeare, by the Artists of Great Britain. London : J. & J. Boydell, 1803. Source: Tab.599.c vol. II, plate XXXVIII. Language: English. Author: SHAKESPEARE, WILLIAM. EARLOM, RICHARD. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-lear-act-i-scene-i-lears-palace-with-lear-cornwall-albany-goneril-regan-cordelia-king-of-france-duke-of-burgundy-kent-attendants-c-a-collection-of-prints-from-pictures-painted-for-the-purpose-of-illustrating-the-dramatic-works-of-shakspeare-by-the-artists-of-great-britain-london-j-j-boydell-1803-source-tab599c-vol-ii-plate-xxxviii-language-english-author-shakespeare-william-earlom-richard-image227171534.htmlRMR5GFH2–King Lear act I scene I- Lear's Palace with Lear, Cornwall, Albany, Goneril, Regan, Cordelia, King of France, Duke of Burgundy, Kent, Attendants & c. A Collection of Prints, from pictures painted for the purpose of illustrating the Dramatic Works of Shakspeare, by the Artists of Great Britain. London : J. & J. Boydell, 1803. Source: Tab.599.c vol. II, plate XXXVIII. Language: English. Author: SHAKESPEARE, WILLIAM. EARLOM, RICHARD.
Actors Edgar Selge (l,) as Lear and Matti Krause (Earl of Kent) on October 17, 2018, during a rehearsal of Shakespeare's drama 'King Lear' that has its first showing, directed by Karin Beier, on October 19, 2018 | usage worldwide Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/actors-edgar-selge-l-as-lear-and-matti-krause-earl-of-kent-on-october-17-2018-during-a-rehearsal-of-shakespeares-drama-king-lear-that-has-its-first-showing-directed-by-karin-beier-on-october-19-2018-usage-worldwide-image223418349.htmlRMPYDGAN–Actors Edgar Selge (l,) as Lear and Matti Krause (Earl of Kent) on October 17, 2018, during a rehearsal of Shakespeare's drama 'King Lear' that has its first showing, directed by Karin Beier, on October 19, 2018 | usage worldwide
David Garrick as King Lear with the Count of Kent and Edgar Downrumed as Tom in a stormy landscape, James Mcardell, After Benjamin Wilson, 1761 print Edgar Links may be a portrait of actor Robert Bransby. London paper etching King Lear. historical persons. portrait of actor, actress. mountains. storm on land Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-garrick-as-king-lear-with-the-count-of-kent-and-edgar-downrumed-as-tom-in-a-stormy-landscape-james-mcardell-after-benjamin-wilson-1761-print-edgar-links-may-be-a-portrait-of-actor-robert-bransby-london-paper-etching-king-lear-historical-persons-portrait-of-actor-actress-mountains-storm-on-land-image594903587.htmlRM2WFT5GK–David Garrick as King Lear with the Count of Kent and Edgar Downrumed as Tom in a stormy landscape, James Mcardell, After Benjamin Wilson, 1761 print Edgar Links may be a portrait of actor Robert Bransby. London paper etching King Lear. historical persons. portrait of actor, actress. mountains. storm on land
. Shakespeare's tragedy of King Lear : illustrated. ver, never, never, never, never ! — 310 Pray you, undo this button ; thank you, sir. —Do you see this ? Look on her, — look, — her lips, —Look there, look there ! [Dies. Edgar. He faints ! — My lord, my lord ! Kent. Break, heart; I prithee, break! Edgar. Look up, my lord. Kent. Vex not his ghost. O, let him pass !he hateshimThat would upon the rack of this tough worldStretch him out longer. I Edgar. He is gone, indeed. Kent. The wonder is he hath endurd so long;He but usurpd his life. , Albany. Bear them from hence. — Our present busi-ness 3 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shakespeares-tragedy-of-king-lear-illustrated-ver-never-never-never-never-!-310-pray-you-undo-this-button-thank-you-sir-do-you-see-this-look-on-her-look-her-lips-look-there-look-there-!-dies-edgar-he-faints-!-my-lord-my-lord-!-kent-break-heart-i-prithee-break!-edgar-look-up-my-lord-kent-vex-not-his-ghost-o-let-him-pass-!he-hateshimthat-would-upon-the-rack-of-this-tough-worldstretch-him-out-longer-i-edgar-he-is-gone-indeed-kent-the-wonder-is-he-hath-endurd-so-longhe-but-usurpd-his-life-albany-bear-them-from-hence-our-present-busi-ness-3-image336872946.htmlRM2AG1TTJ–. Shakespeare's tragedy of King Lear : illustrated. ver, never, never, never, never ! — 310 Pray you, undo this button ; thank you, sir. —Do you see this ? Look on her, — look, — her lips, —Look there, look there ! [Dies. Edgar. He faints ! — My lord, my lord ! Kent. Break, heart; I prithee, break! Edgar. Look up, my lord. Kent. Vex not his ghost. O, let him pass !he hateshimThat would upon the rack of this tough worldStretch him out longer. I Edgar. He is gone, indeed. Kent. The wonder is he hath endurd so long;He but usurpd his life. , Albany. Bear them from hence. — Our present busi-ness 3
Actors Edgar Selge (l) as Lear, and Matti Krause (Earl of Kent) on October 17, 2018, during a rehearsal of Shakespeare's drama 'King Lear' that has its first showing, directed by Karin Beier, on October 19, 2018 | usage worldwide Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/actors-edgar-selge-l-as-lear-and-matti-krause-earl-of-kent-on-october-17-2018-during-a-rehearsal-of-shakespeares-drama-king-lear-that-has-its-first-showing-directed-by-karin-beier-on-october-19-2018-usage-worldwide-image223418339.htmlRMPYDGAB–Actors Edgar Selge (l) as Lear, and Matti Krause (Earl of Kent) on October 17, 2018, during a rehearsal of Shakespeare's drama 'King Lear' that has its first showing, directed by Karin Beier, on October 19, 2018 | usage worldwide
David Garrick as King Lear with the Count of Kent and Edgar Downrumed as Tom in a stormy landscape, James Mcardell, After Benjamin Wilson, 1761 print Edgar Links may be a portrait of actor Robert Bransby. London paper etching King Lear. historical persons. portrait of actor, actress. mountains. storm on land Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-garrick-as-king-lear-with-the-count-of-kent-and-edgar-downrumed-as-tom-in-a-stormy-landscape-james-mcardell-after-benjamin-wilson-1761-print-edgar-links-may-be-a-portrait-of-actor-robert-bransby-london-paper-etching-king-lear-historical-persons-portrait-of-actor-actress-mountains-storm-on-land-image594899862.htmlRM2WFT0RJ–David Garrick as King Lear with the Count of Kent and Edgar Downrumed as Tom in a stormy landscape, James Mcardell, After Benjamin Wilson, 1761 print Edgar Links may be a portrait of actor Robert Bransby. London paper etching King Lear. historical persons. portrait of actor, actress. mountains. storm on land
![. Shakespeare's tragedy of King Lear. m. [scene IV.] ACT I. Scene I. King Lears Palace.Enter Kent, Gloster, and Edmund.Kent. I thought the king had more affected the Duke ofAlbany than Cornwall. Gloster. It did always seem so to us : but now, in the di-vision of the kingdom, it appears not which of the dukes he 44 KING LEAR. values most; for qualities are so weighed, that curiosity inneither can make choice of eithers moiety. Kent. Is not this your son, my lord ? Gloster. His breeding, sir, hath been at my charge ; I haveso often blushed to acknowledge him, that now I am brazedto t. Do you sme Stock Photo](https://c8.alamy.com/comp/2AG4D1R/shakespeares-tragedy-of-king-lear-m-scene-iv-act-i-scene-i-king-lears-palaceenter-kent-gloster-and-edmundkent-i-thought-the-king-had-more-affected-the-duke-ofalbany-than-cornwall-gloster-it-did-always-seem-so-to-us-but-now-in-the-di-vision-of-the-kingdom-it-appears-not-which-of-the-dukes-he-44-king-lear-values-most-for-qualities-are-so-weighed-that-curiosity-inneither-can-make-choice-of-eithers-moiety-kent-is-not-this-your-son-my-lord-gloster-his-breeding-sir-hath-been-at-my-charge-i-haveso-often-blushed-to-acknowledge-him-that-now-i-am-brazedto-t-do-you-sme-2AG4D1R.jpg ". Shakespeare's tragedy of King Lear. m. [scene IV.] ACT I. Scene I. King Lears Palace.Enter Kent, Gloster, and Edmund.Kent. I thought the king had more affected the Duke ofAlbany than Cornwall. Gloster. It did always seem so to us : but now, in the di-vision of the kingdom, it appears not which of the dukes he 44 KING LEAR. values most; for qualities are so weighed, that curiosity inneither can make choice of eithers moiety. Kent. Is not this your son, my lord ? Gloster. His breeding, sir, hath been at my charge ; I haveso often blushed to acknowledge him, that now I am brazedto t. Do you sme Stock Photo")
. Shakespeare's tragedy of King Lear. m. [scene IV.] ACT I. Scene I. King Lears Palace.Enter Kent, Gloster, and Edmund.Kent. I thought the king had more affected the Duke ofAlbany than Cornwall. Gloster. It did always seem so to us : but now, in the di-vision of the kingdom, it appears not which of the dukes he 44 KING LEAR. values most; for qualities are so weighed, that curiosity inneither can make choice of eithers moiety. Kent. Is not this your son, my lord ? Gloster. His breeding, sir, hath been at my charge ; I haveso often blushed to acknowledge him, that now I am brazedto t. Do you sme Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shakespeares-tragedy-of-king-lear-m-scene-iv-act-i-scene-i-king-lears-palaceenter-kent-gloster-and-edmundkent-i-thought-the-king-had-more-affected-the-duke-ofalbany-than-cornwall-gloster-it-did-always-seem-so-to-us-but-now-in-the-di-vision-of-the-kingdom-it-appears-not-which-of-the-dukes-he-44-king-lear-values-most-for-qualities-are-so-weighed-that-curiosity-inneither-can-make-choice-of-eithers-moiety-kent-is-not-this-your-son-my-lord-gloster-his-breeding-sir-hath-been-at-my-charge-i-haveso-often-blushed-to-acknowledge-him-that-now-i-am-brazedto-t-do-you-sme-image336929539.htmlRM2AG4D1R–. Shakespeare's tragedy of King Lear. m. [scene IV.] ACT I. Scene I. King Lears Palace.Enter Kent, Gloster, and Edmund.Kent. I thought the king had more affected the Duke ofAlbany than Cornwall. Gloster. It did always seem so to us : but now, in the di-vision of the kingdom, it appears not which of the dukes he 44 KING LEAR. values most; for qualities are so weighed, that curiosity inneither can make choice of eithers moiety. Kent. Is not this your son, my lord ? Gloster. His breeding, sir, hath been at my charge ; I haveso often blushed to acknowledge him, that now I am brazedto t. Do you sme
Actors Edgar Selge (l,) as Lear and Matti Krause (Earl of Kent) on October 17, 2018, during a rehearsal of Shakespeare's drama 'King Lear' that has its first showing, directed by Karin Beier, on October 19, 2018 | usage worldwide Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/actors-edgar-selge-l-as-lear-and-matti-krause-earl-of-kent-on-october-17-2018-during-a-rehearsal-of-shakespeares-drama-king-lear-that-has-its-first-showing-directed-by-karin-beier-on-october-19-2018-usage-worldwide-image223418283.htmlRMPYDG8B–Actors Edgar Selge (l,) as Lear and Matti Krause (Earl of Kent) on October 17, 2018, during a rehearsal of Shakespeare's drama 'King Lear' that has its first showing, directed by Karin Beier, on October 19, 2018 | usage worldwide
Bad Hersfeld, Germany. 28th June, 2023. Actors Günter Alt (l) plays Kent and Friederike Ott plays Cordelia in a scene of the media rehearsal for 'King Lear' at the Bad Hersfeld Festival in the Stiftsruine. The 72nd Festival opens with the Shakespeare classic. Credit: Uwe Zucchi/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bad-hersfeld-germany-28th-june-2023-actors-gnter-alt-l-plays-kent-and-friederike-ott-plays-cordelia-in-a-scene-of-the-media-rehearsal-for-king-lear-at-the-bad-hersfeld-festival-in-the-stiftsruine-the-72nd-festival-opens-with-the-shakespeare-classic-credit-uwe-zucchidpaalamy-live-news-image556800278.htmlRM2R9TCC6–Bad Hersfeld, Germany. 28th June, 2023. Actors Günter Alt (l) plays Kent and Friederike Ott plays Cordelia in a scene of the media rehearsal for 'King Lear' at the Bad Hersfeld Festival in the Stiftsruine. The 72nd Festival opens with the Shakespeare classic. Credit: Uwe Zucchi/dpa/Alamy Live News
David Garrick as King Lear with the Count of Kent and Edgar Downrumed as Tom in a stormy landscape, James Mcardell, After Benjamin Wilson, 1761 print Edgar Links may be a portrait of actor Robert Bransby. London paper etching King Lear. historical persons. portrait of actor, actress. mountains. storm on land Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-garrick-as-king-lear-with-the-count-of-kent-and-edgar-downrumed-as-tom-in-a-stormy-landscape-james-mcardell-after-benjamin-wilson-1761-print-edgar-links-may-be-a-portrait-of-actor-robert-bransby-london-paper-etching-king-lear-historical-persons-portrait-of-actor-actress-mountains-storm-on-land-image594905724.htmlRM2WFT890–David Garrick as King Lear with the Count of Kent and Edgar Downrumed as Tom in a stormy landscape, James Mcardell, After Benjamin Wilson, 1761 print Edgar Links may be a portrait of actor Robert Bransby. London paper etching King Lear. historical persons. portrait of actor, actress. mountains. storm on land
Hamburg, Thuringia. 17th Oct, 2018. 17 October 2018, Germany, Hamburg: The actors Lina Beckmann (L-R) as fool, Matti Krause as Count of Kent and Edgar Selge as King Lear will be on stage at the Schauspielhaus during a photo rehearsal of King Lear. The Shakespeare classic in a production by Karin Beier has its world premiere on 19 October 2018. Credit: Christian Charisius/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hamburg-thuringia-17th-oct-2018-17-october-2018-germany-hamburg-the-actors-lina-beckmann-l-r-as-fool-matti-krause-as-count-of-kent-and-edgar-selge-as-king-lear-will-be-on-stage-at-the-schauspielhaus-during-a-photo-rehearsal-of-king-lear-the-shakespeare-classic-in-a-production-by-karin-beier-has-its-world-premiere-on-19-october-2018-credit-christian-charisiusdpaalamy-live-news-image222375398.htmlRMPWP22E–Hamburg, Thuringia. 17th Oct, 2018. 17 October 2018, Germany, Hamburg: The actors Lina Beckmann (L-R) as fool, Matti Krause as Count of Kent and Edgar Selge as King Lear will be on stage at the Schauspielhaus during a photo rehearsal of King Lear. The Shakespeare classic in a production by Karin Beier has its world premiere on 19 October 2018. Credit: Christian Charisius/dpa/Alamy Live News
unknown artist, eighteenth century, Cordelia Championed by the Earl of Kent, from Shakespeare's King Lear, I, i, between 1770 and 1780. Oil on canvas. actors , architecture , armor , costume , curtain , dogs (animals) , earl , gesture , guards (security) , interior , king (person) , King Lear, play by William Shakespeare , literary theme , map , performance , rug , stage , sword , theater (discipline) , throne , women. Cordelia (character in King Lear) Shakespeare, William (1564–1616), playwright and poet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-eighteenth-century-cordelia-championed-by-the-earl-of-kent-from-shakespeares-king-lear-i-i-between-1770-and-1780-oil-on-canvas-actors-architecture-armor-costume-curtain-dogs-animals-earl-gesture-guards-security-interior-king-person-king-lear-play-by-william-shakespeare-literary-theme-map-performance-rug-stage-sword-theater-discipline-throne-women-cordelia-character-in-king-lear-shakespeare-william-15641616-playwright-and-poet-image398399640.htmlRM2E44JPG–unknown artist, eighteenth century, Cordelia Championed by the Earl of Kent, from Shakespeare's King Lear, I, i, between 1770 and 1780. Oil on canvas. actors , architecture , armor , costume , curtain , dogs (animals) , earl , gesture , guards (security) , interior , king (person) , King Lear, play by William Shakespeare , literary theme , map , performance , rug , stage , sword , theater (discipline) , throne , women. Cordelia (character in King Lear) Shakespeare, William (1564–1616), playwright and poet
'Off, off, you lendings–Come unbutton here' (Shakespeare, King Lear, Act 3, Scene 4) 1793 William Sharp British In one of a series of engravings Boydell published to reproduce paintings displayed in the Shakespeare Gallery, King Lear has been driven out by his daughters and is buffeted by a storm on a heath. As the king displays his unsettled mind by tearing off his clothes, the Duke of Kent begs him to take shelter. Edgar, another outcast disguised as Tom O'Bedlam, sits at lower right near the Fool. Completing the group, the Duke of Gloucester raises a torch against the darkness. The American Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/off-off-you-lendingscome-unbutton-here-shakespeare-king-lear-act-3-scene-4-1793-william-sharp-british-in-one-of-a-series-of-engravings-boydell-published-to-reproduce-paintings-displayed-in-the-shakespeare-gallery-king-lear-has-been-driven-out-by-his-daughters-and-is-buffeted-by-a-storm-on-a-heath-as-the-king-displays-his-unsettled-mind-by-tearing-off-his-clothes-the-duke-of-kent-begs-him-to-take-shelter-edgar-another-outcast-disguised-as-tom-obedlam-sits-at-lower-right-near-the-fool-completing-the-group-the-duke-of-gloucester-raises-a-torch-against-the-darkness-the-american-image458155293.htmlRM2HHANN1–'Off, off, you lendings–Come unbutton here' (Shakespeare, King Lear, Act 3, Scene 4) 1793 William Sharp British In one of a series of engravings Boydell published to reproduce paintings displayed in the Shakespeare Gallery, King Lear has been driven out by his daughters and is buffeted by a storm on a heath. As the king displays his unsettled mind by tearing off his clothes, the Duke of Kent begs him to take shelter. Edgar, another outcast disguised as Tom O'Bedlam, sits at lower right near the Fool. Completing the group, the Duke of Gloucester raises a torch against the darkness. The American
King Lear and Cordelia (Shakespeare, King Lear, Act 4, Scene 7) ca. 1783 (?) Francesco Bartolozzi West painted several versions of this subject, showing Lear regaining consciousness in the French camp following his ordeal on the heath. This related stipple engraving is closest to a painting at the Huntington Library and Art Gallery, and shows Kent, or a doctor, supporting the traumatized king. When Cordelia asks if her father knows her, Lear replies: 'You are a soul in bliss; but I am boundUpon a wheel of fire, that my own tearsDo scald like molten lead.'. King Lear and Cordelia (Shakespeare, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-lear-and-cordelia-shakespeare-king-lear-act-4-scene-7-ca-1783-francesco-bartolozzi-west-painted-several-versions-of-this-subject-showing-lear-regaining-consciousness-in-the-french-camp-following-his-ordeal-on-the-heath-this-related-stipple-engraving-is-closest-to-a-painting-at-the-huntington-library-and-art-gallery-and-shows-kent-or-a-doctor-supporting-the-traumatized-king-when-cordelia-asks-if-her-father-knows-her-lear-replies-you-are-a-soul-in-bliss-but-i-am-boundupon-a-wheel-of-fire-that-my-own-tearsdo-scald-like-molten-lead-king-lear-and-cordelia-shakespeare-image457806577.htmlRM2HGPTXW–King Lear and Cordelia (Shakespeare, King Lear, Act 4, Scene 7) ca. 1783 (?) Francesco Bartolozzi West painted several versions of this subject, showing Lear regaining consciousness in the French camp following his ordeal on the heath. This related stipple engraving is closest to a painting at the Huntington Library and Art Gallery, and shows Kent, or a doctor, supporting the traumatized king. When Cordelia asks if her father knows her, Lear replies: 'You are a soul in bliss; but I am boundUpon a wheel of fire, that my own tearsDo scald like molten lead.'. King Lear and Cordelia (Shakespeare,
. Shakespeare's tragedy of King Lear. hou It come no more,Never, never, never, never, never !—Pray you, undo this button; thank you, sir.— 310 ACT V. SCENE III. *53 Do you see this? Look on her,—look,—her lips,— Look there, look there ! [Dies. Edgar. He faints !—My lord, my lord ! Kent. Break, heart; I prithee, break ! Edgar. Look up, my lord. Kent. Vex not his ghost. O, let him pass! he hates himThat would upon the rack of this tough worldStretch him out longer. Edgar. He is gone, indeed. Ke?it. The wonder is he hath endurd so long;He but usurpd his life. Albany. Bear them from hence.—Our pre Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shakespeares-tragedy-of-king-lear-hou-it-come-no-morenever-never-never-never-never-!pray-you-undo-this-button-thank-you-sir-310-act-v-scene-iii-53-do-you-see-this-look-on-herlookher-lips-look-there-look-there-!-dies-edgar-he-faints-!my-lord-my-lord-!-kent-break-heart-i-prithee-break-!-edgar-look-up-my-lord-kent-vex-not-his-ghost-o-let-him-pass!-he-hates-himthat-would-upon-the-rack-of-this-tough-worldstretch-him-out-longer-edgar-he-is-gone-indeed-keit-the-wonder-is-he-hath-endurd-so-longhe-but-usurpd-his-life-albany-bear-them-from-henceour-pre-image336926962.htmlRM2AG49NP–. Shakespeare's tragedy of King Lear. hou It come no more,Never, never, never, never, never !—Pray you, undo this button; thank you, sir.— 310 ACT V. SCENE III. *53 Do you see this? Look on her,—look,—her lips,— Look there, look there ! [Dies. Edgar. He faints !—My lord, my lord ! Kent. Break, heart; I prithee, break ! Edgar. Look up, my lord. Kent. Vex not his ghost. O, let him pass! he hates himThat would upon the rack of this tough worldStretch him out longer. Edgar. He is gone, indeed. Ke?it. The wonder is he hath endurd so long;He but usurpd his life. Albany. Bear them from hence.—Our pre
Hamburg, Germany. 17th Oct, 2018. 17 October 2018, Germany, Hamburg: The actors Samuel Weiss (L-R) as Regan, Matti Krause as Count of Kent, Carlo Ljubek as Goneril, Maximilian Scheidt as Oswald, Edgar Selge as King Lear and Lina Beckmann as Fool are on stage in the Schauspielhaus during a photo rehearsal of King Lear. The Shakespeare classic in a production by Karin Beier has its world premiere on 19 October 2018. Credit: Christian Charisius/dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hamburg-germany-17th-oct-2018-17-october-2018-germany-hamburg-the-actors-samuel-weiss-l-r-as-regan-matti-krause-as-count-of-kent-carlo-ljubek-as-goneril-maximilian-scheidt-as-oswald-edgar-selge-as-king-lear-and-lina-beckmann-as-fool-are-on-stage-in-the-schauspielhaus-during-a-photo-rehearsal-of-king-lear-the-shakespeare-classic-in-a-production-by-karin-beier-has-its-world-premiere-on-19-october-2018-credit-christian-charisiusdpaalamy-live-news-image222492295.htmlRMPWYB5B–Hamburg, Germany. 17th Oct, 2018. 17 October 2018, Germany, Hamburg: The actors Samuel Weiss (L-R) as Regan, Matti Krause as Count of Kent, Carlo Ljubek as Goneril, Maximilian Scheidt as Oswald, Edgar Selge as King Lear and Lina Beckmann as Fool are on stage in the Schauspielhaus during a photo rehearsal of King Lear. The Shakespeare classic in a production by Karin Beier has its world premiere on 19 October 2018. Credit: Christian Charisius/dpa/Alamy Live News
David Garrick as King Lear (Shakespeare, King Lear, Act 3, Scene 1) 1761 James McArdell Garrick, who spearheaded the eighteenth-century Shakespeare revival, appears here as King Lear. In the play, the king is cast out by his power-hungry daughters, and wanders on a stormy heath attended by the faithful duke of Kent, and by Edgar, disguised as Poor Tom. The image reflects Nahum Tate's revised version of the play, staged in London between 1681 and the early nineteenth century, where the role of the Fool is removed, Lear and Cordelia do not die, and the princess marries Edgar.. David Garrick as K Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/david-garrick-as-king-lear-shakespeare-king-lear-act-3-scene-1-1761-james-mcardell-garrick-who-spearheaded-the-eighteenth-century-shakespeare-revival-appears-here-as-king-lear-in-the-play-the-king-is-cast-out-by-his-power-hungry-daughters-and-wanders-on-a-stormy-heath-attended-by-the-faithful-duke-of-kent-and-by-edgar-disguised-as-poor-tom-the-image-reflects-nahum-tates-revised-version-of-the-play-staged-in-london-between-1681-and-the-early-nineteenth-century-where-the-role-of-the-fool-is-removed-lear-and-cordelia-do-not-die-and-the-princess-marries-edgar-david-garrick-as-k-image457800942.htmlRM2HGPHNJ–David Garrick as King Lear (Shakespeare, King Lear, Act 3, Scene 1) 1761 James McArdell Garrick, who spearheaded the eighteenth-century Shakespeare revival, appears here as King Lear. In the play, the king is cast out by his power-hungry daughters, and wanders on a stormy heath attended by the faithful duke of Kent, and by Edgar, disguised as Poor Tom. The image reflects Nahum Tate's revised version of the play, staged in London between 1681 and the early nineteenth century, where the role of the Fool is removed, Lear and Cordelia do not die, and the princess marries Edgar.. David Garrick as K
Scène uit toneelstuk King Lear; Koning Lear. IIIe Bedrijf, IXe Tooneel..Scene from play Koning Lear with protagonists Lear, among other things, Kent and Gloucester during storm shooting at lightning through the air. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scne-uit-toneelstuk-king-lear-koning-lear-iiie-bedrijf-ixe-tooneelscene-from-play-koning-lear-with-protagonists-lear-among-other-things-kent-and-gloucester-during-storm-shooting-at-lightning-through-the-air-image414457267.htmlRM2F284D7–Scène uit toneelstuk King Lear; Koning Lear. IIIe Bedrijf, IXe Tooneel..Scene from play Koning Lear with protagonists Lear, among other things, Kent and Gloucester during storm shooting at lightning through the air.
. Shakespeare's tragedy of King Lear. rance ? Kent. In your own kingdom, sir. Lear. Do not abuse me. Doctor. Be comforted, good madam : the great rage,You see, is killd in him; and yett is clangerTo make him even oer the time he has lost. 80 ACT IV. SCENE VII. J37 Desire him to go in; trouble him no moreTill further settling. Cordelia. Willt please your highness walk? Lear. You must bear with me. Pray you now, forget andforgive; I am old and foolish. Exeiint all but Kent and Gentleman. Gentleman. Holds it true, sir, that the Duke of Cornwallwas so slain ? Kent. Most certain, sir. Gentleman. W Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shakespeares-tragedy-of-king-lear-rance-kent-in-your-own-kingdom-sir-lear-do-not-abuse-me-doctor-be-comforted-good-madam-the-great-rageyou-see-is-killd-in-him-and-yett-is-clangerto-make-him-even-oer-the-time-he-has-lost-80-act-iv-scene-vii-j37-desire-him-to-go-in-trouble-him-no-moretill-further-settling-cordelia-willt-please-your-highness-walk-lear-you-must-bear-with-me-pray-you-now-forget-andforgive-i-am-old-and-foolish-exeiint-all-but-kent-and-gentleman-gentleman-holds-it-true-sir-that-the-duke-of-cornwallwas-so-slain-kent-most-certain-sir-gentleman-w-image336927499.htmlRM2AG4ACY–. Shakespeare's tragedy of King Lear. rance ? Kent. In your own kingdom, sir. Lear. Do not abuse me. Doctor. Be comforted, good madam : the great rage,You see, is killd in him; and yett is clangerTo make him even oer the time he has lost. 80 ACT IV. SCENE VII. J37 Desire him to go in; trouble him no moreTill further settling. Cordelia. Willt please your highness walk? Lear. You must bear with me. Pray you now, forget andforgive; I am old and foolish. Exeiint all but Kent and Gentleman. Gentleman. Holds it true, sir, that the Duke of Cornwallwas so slain ? Kent. Most certain, sir. Gentleman. W
. Shakespeare's tragedy of King Lear : illustrated. ause ! Lear. Am I in France ? Kent. In your own kingdom, sir. Lear. Do not abuse me. Doctor. Be comforted, good madam : the great rage,You see, is killd in him; and yet t is dangerTo make him even oer the time he has lost. 80 Desire him to go in; trouble him no moreTill further settling. Cordelia. Will t please your highness walk ? Lear. You must bear with me. Pray you now,forget and forgive; I am old and foolish. [Exeunt all but Kent and Gentlema?t. Gentleman. Holds it true, sir, that the Duke ofCornwall was so slain ? Kent. Most certain, si Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shakespeares-tragedy-of-king-lear-illustrated-ause-!-lear-am-i-in-france-kent-in-your-own-kingdom-sir-lear-do-not-abuse-me-doctor-be-comforted-good-madam-the-great-rageyou-see-is-killd-in-him-and-yet-t-is-dangerto-make-him-even-oer-the-time-he-has-lost-80-desire-him-to-go-in-trouble-him-no-moretill-further-settling-cordelia-will-t-please-your-highness-walk-lear-you-must-bear-with-me-pray-you-nowforget-and-forgive-i-am-old-and-foolish-exeunt-all-but-kent-and-gentlemat-gentleman-holds-it-true-sir-that-the-duke-ofcornwall-was-so-slain-kent-most-certain-si-image336873134.htmlRM2AG1W3A–. Shakespeare's tragedy of King Lear : illustrated. ause ! Lear. Am I in France ? Kent. In your own kingdom, sir. Lear. Do not abuse me. Doctor. Be comforted, good madam : the great rage,You see, is killd in him; and yet t is dangerTo make him even oer the time he has lost. 80 Desire him to go in; trouble him no moreTill further settling. Cordelia. Will t please your highness walk ? Lear. You must bear with me. Pray you now,forget and forgive; I am old and foolish. [Exeunt all but Kent and Gentlema?t. Gentleman. Holds it true, sir, that the Duke ofCornwall was so slain ? Kent. Most certain, si
The young people of Shakespeare's dramas . iadman.And thou, his yoke-fellow of equity, YTo the Fool.Bench by his side.—You are o the commission, [To Kent.Edg. Let us deal justly. Steepest or wakest thou, Jolly shepherd? Thy sheep be in the corn.And for one blast of thy minikin mouthThy sheep shall take no harm.Pur! the cat is gray. Lear. Arraign her first ; tis Goneril. I heretake my oath before this honorable assembly, shekicked the poor king her father.. -^^^^^fi^^^i/^iSiM^^: On the Heath, in the Storm. The Boy Fool. I THE BOY FOOL. 215 Fool. Come hither, mistress. Is your name Goneril}Lear. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-young-people-of-shakespeares-dramas-iadmanand-thou-his-yoke-fellow-of-equity-yto-the-foolbench-by-his-sideyou-are-o-the-commission-to-kentedg-let-us-deal-justly-steepest-or-wakest-thou-jolly-shepherd-thy-sheep-be-in-the-cornand-for-one-blast-of-thy-minikin-mouththy-sheep-shall-take-no-harmpur!-the-cat-is-gray-lear-arraign-her-first-tis-goneril-i-heretake-my-oath-before-this-honorable-assembly-shekicked-the-poor-king-her-father-fiiisim-on-the-heath-in-the-storm-the-boy-fool-i-the-boy-fool-215-fool-come-hither-mistress-is-your-name-gonerillear-image338132084.htmlRM2AJ36WT–The young people of Shakespeare's dramas . iadman.And thou, his yoke-fellow of equity, YTo the Fool.Bench by his side.—You are o the commission, [To Kent.Edg. Let us deal justly. Steepest or wakest thou, Jolly shepherd? Thy sheep be in the corn.And for one blast of thy minikin mouthThy sheep shall take no harm.Pur! the cat is gray. Lear. Arraign her first ; tis Goneril. I heretake my oath before this honorable assembly, shekicked the poor king her father.. -^^^^^fi^^^i/^iSiM^^: On the Heath, in the Storm. The Boy Fool. I THE BOY FOOL. 215 Fool. Come hither, mistress. Is your name Goneril}Lear.
. The history of King Lear: a tragedy, as it is now acted at the King's theatre. Reviv'd with alterations. By N. Tate. here a Fathers Right,Thy helping Hand t heap Bleflings on their Heads. Kent. Old Kejjt throws in his hearty Wifhes too. Edg. The Gods and you too largely RecompenceWhat I have done ; the Gift ftrikes Merit dumb. Cord. Nor do I blufh to own my felf oer-paidFor all my Suftrings paft. Glofi. Now, gentle Gods, give G/^^r his Difcharge, Lear. No, Glojier, thou haft Bufinefsyet for Life ;Thou, Ke?it, and I, retird to fome clofe CellWill gently pafs our fhort Referves of TimeIn calm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-history-of-king-lear-a-tragedy-as-it-is-now-acted-at-the-kings-theatre-revivd-with-alterations-by-n-tate-here-a-fathers-rightthy-helping-hand-t-heap-bleflings-on-their-heads-kent-old-kejjt-throws-in-his-hearty-wifhes-too-edg-the-gods-and-you-too-largely-recompencewhat-i-have-done-the-gift-ftrikes-merit-dumb-cord-nor-do-i-blufh-to-own-my-felf-oer-paidfor-all-my-suftrings-paft-glofi-now-gentle-gods-give-gr-his-difcharge-lear-no-glojier-thou-haft-bufinefsyet-for-life-thou-keit-and-i-retird-to-fome-clofe-cellwill-gently-pafs-our-fhort-referves-of-timein-calm-image336773855.htmlRM2AFWADK–. The history of King Lear: a tragedy, as it is now acted at the King's theatre. Reviv'd with alterations. By N. Tate. here a Fathers Right,Thy helping Hand t heap Bleflings on their Heads. Kent. Old Kejjt throws in his hearty Wifhes too. Edg. The Gods and you too largely RecompenceWhat I have done ; the Gift ftrikes Merit dumb. Cord. Nor do I blufh to own my felf oer-paidFor all my Suftrings paft. Glofi. Now, gentle Gods, give G/^^r his Difcharge, Lear. No, Glojier, thou haft Bufinefsyet for Life ;Thou, Ke?it, and I, retird to fome clofe CellWill gently pafs our fhort Referves of TimeIn calm
. Shakespeare's tragedy of King Lear. ACT IIL Scene I. A Heath.Storm still. Enter Kent and a Gentleman, meeting. Kent. Who s there, besides foul weather ? Gentleman. One minded like the weather, most unquietly. Kent. I know you. Where s the king ? Gentleman. Contending with the fretful elements •Bids the wind blow the earth into the sea,Or swell the curled waters bove the main,That things might change or cease; tears his white hair,Which the impetuous blasts, with eyeless rage,Catch in their fury, and make nothing of; ACT III. SCENE I. 95 Strives in his little world of man to out-scorn 10 The Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shakespeares-tragedy-of-king-lear-act-iil-scene-i-a-heathstorm-still-enter-kent-and-a-gentleman-meeting-kent-who-s-there-besides-foul-weather-gentleman-one-minded-like-the-weather-most-unquietly-kent-i-know-you-where-s-the-king-gentleman-contending-with-the-fretful-elements-bids-the-wind-blow-the-earth-into-the-seaor-swell-the-curled-waters-bove-the-mainthat-things-might-change-or-cease-tears-his-white-hairwhich-the-impetuous-blasts-with-eyeless-ragecatch-in-their-fury-and-make-nothing-of-act-iii-scene-i-95-strives-in-his-little-world-of-man-to-out-scorn-10-the-image336928314.htmlRM2AG4BE2–. Shakespeare's tragedy of King Lear. ACT IIL Scene I. A Heath.Storm still. Enter Kent and a Gentleman, meeting. Kent. Who s there, besides foul weather ? Gentleman. One minded like the weather, most unquietly. Kent. I know you. Where s the king ? Gentleman. Contending with the fretful elements •Bids the wind blow the earth into the sea,Or swell the curled waters bove the main,That things might change or cease; tears his white hair,Which the impetuous blasts, with eyeless rage,Catch in their fury, and make nothing of; ACT III. SCENE I. 95 Strives in his little world of man to out-scorn 10 The
