The king giving the accolade - Louis XIII sitting on the throne with eight men kneeling before him; scene through windows shows fortifications with cannons, bell tents, and soldiers in formation, circa 1633 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-king-giving-the-accolade-louis-xiii-sitting-on-the-throne-with-72983645.html
RME6MKAN–The king giving the accolade - Louis XIII sitting on the throne with eight men kneeling before him; scene through windows shows fortifications with cannons, bell tents, and soldiers in formation, circa 1633
Charles II. Portrait of King Charles II by Godfrey Kneller, 1685 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charles-ii-portrait-of-king-charles-ii-by-godfrey-kneller-1685-101413930.html
RMFTYPE2–Charles II. Portrait of King Charles II by Godfrey Kneller, 1685
Shah Jahan Miniature painting of Mughal Emperor sitting on throne smelling rose India Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-shah-jahan-miniature-painting-of-mughal-emperor-sitting-on-throne-83591968.html
RMERYXBC–Shah Jahan Miniature painting of Mughal Emperor sitting on throne smelling rose India
Charles II. Portrait of King Charles II by John Michael Wright, oil on canvas, c.1671-76 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charles-ii-portrait-of-king-charles-ii-by-john-michael-wright-oil-174623180.html
RMM42NJ4–Charles II. Portrait of King Charles II by John Michael Wright, oil on canvas, c.1671-76
King James I (1566-1625), ruled England 1603-1625. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-king-james-i-1566-1625-ruled-england-1603-1625-50030367.html
RMCWB26R–King James I (1566-1625), ruled England 1603-1625.
Louis XIV. Portrait of King Louis XIV of France by Henri Testelin, 1668. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-louis-xiv-portrait-of-king-louis-xiv-of-france-by-henri-testelin-1668-103123196.html
RMFYNJK8–Louis XIV. Portrait of King Louis XIV of France by Henri Testelin, 1668.
King Charles I portrait, 1600 – 1649, who ascended the throne on 27th March 1625 and was executed on the 30th January 1649, antique illustration circa 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/king-charles-i-portrait-1600-1649-who-ascended-the-throne-on-27th-march-1625-and-was-executed-on-the-30th-january-1649-antique-illustration-circa-1880-image183176561.html
RMMJ0BG1–King Charles I portrait, 1600 – 1649, who ascended the throne on 27th March 1625 and was executed on the 30th January 1649, antique illustration circa 1880
Charles II. King Charles II in the robes of the Order of the Garter, portrait by Godfrey Kneller, oil on canvas, c.1685 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-ii-king-charles-ii-in-the-robes-of-the-order-of-the-garter-portrait-by-godfrey-kneller-oil-on-canvas-c1685-image226097089.html
RMR3RH41–Charles II. King Charles II in the robes of the Order of the Garter, portrait by Godfrey Kneller, oil on canvas, c.1685
Edward Balliol (circa 1283-1364), disputed claimant to the Scottish throne, King of Scotland (parts) 1332-1356, portrait painting in oil on canvas by Jacob Jacobsz de Wet II, 1684-1686 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edward-balliol-circa-1283-1364-disputed-claimant-to-the-scottish-throne-king-of-scotland-parts-1332-1356-portrait-painting-in-oil-on-canvas-by-jacob-jacobsz-de-wet-ii-1684-1686-image599617114.html
RM2WREWMX–Edward Balliol (circa 1283-1364), disputed claimant to the Scottish throne, King of Scotland (parts) 1332-1356, portrait painting in oil on canvas by Jacob Jacobsz de Wet II, 1684-1686
Charles II. Portrait of King Charles II by John Michael Wright, oil on canvas, c.1671-76 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charles-ii-portrait-of-king-charles-ii-by-john-michael-wright-oil-174623181.html
RMM42NJ5–Charles II. Portrait of King Charles II by John Michael Wright, oil on canvas, c.1671-76
PLATE 8. The Production of Silk. Eighth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of the production of silk. In the background women are performing various procedures for the making of silk. In the foreground, in a room separated from the production site, several men converse with a king seated upon his throne. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-8-the-production-of-silk-eighth-plate-from-a-print-series-entitled-nova-reperta-new-inventions-of-modern-times-consisting-of-a-title-page-and-19-plates-engraved-by-jan-collaert-i-after-jan-van-der-straet-called-stradanus-and-published-by-philips-galle-illustration-of-the-production-of-silk-in-the-background-women-are-performing-various-procedures-for-the-making-of-silk-in-the-foreground-in-a-room-separated-from-the-production-site-several-men-converse-with-a-king-seated-upon-his-throne-image246613984.html
RMT966J8–PLATE 8. The Production of Silk. Eighth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of the production of silk. In the background women are performing various procedures for the making of silk. In the foreground, in a room separated from the production site, several men converse with a king seated upon his throne.
The Return of the Holy Family to Nazareth, c. 1627. When King Herod learned that he would lose his throne to a child born in Bethlehem, he ordered all male infants to be massacred. Mary and Joseph thus fled to Egypt to protect their son, Jesus. The age of the boy in this painting suggests that Poussin depicted the less-common subject of the Holy Family’s return from Egypt. Jesus reaches toward a vision of a cross borne by angels, a reference to both his eventual crucifixion and Herod’s cruel slaughter of innocent children. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-return-of-the-holy-family-to-nazareth-c-1627-when-king-herod-learned-that-he-would-lose-his-throne-to-a-child-born-in-bethlehem-he-ordered-all-male-infants-to-be-massacred-mary-and-joseph-thus-fled-to-egypt-to-protect-their-son-jesus-the-age-of-the-boy-in-this-painting-suggests-that-poussin-depicted-the-less-common-subject-of-the-holy-familyx2019s-return-from-egypt-jesus-reaches-toward-a-vision-of-a-cross-borne-by-angels-a-reference-to-both-his-eventual-crucifixion-and-herodx2019s-cruel-slaughter-of-innocent-children-image330130047.html
RM2A52M6R–The Return of the Holy Family to Nazareth, c. 1627. When King Herod learned that he would lose his throne to a child born in Bethlehem, he ordered all male infants to be massacred. Mary and Joseph thus fled to Egypt to protect their son, Jesus. The age of the boy in this painting suggests that Poussin depicted the less-common subject of the Holy Family’s return from Egypt. Jesus reaches toward a vision of a cross borne by angels, a reference to both his eventual crucifixion and Herod’s cruel slaughter of innocent children.
This frontispiece was for the Theater of Agriculture (French: Theatre d'Agriculture) by Olivier de Serres in 1600. It was dedicated to the king (Henry IV), a statue of whom can be seen at the top, seated on a throne between the goddesses of Justice and Peace. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-this-frontispiece-was-for-the-theater-of-agriculture-french-theatre-102875615.html
RFFYAAW3–This frontispiece was for the Theater of Agriculture (French: Theatre d'Agriculture) by Olivier de Serres in 1600. It was dedicated to the king (Henry IV), a statue of whom can be seen at the top, seated on a throne between the goddesses of Justice and Peace.
Miniature painting of Mughal Emperor Shah Jahan sitting on his throne and smelling a rose flower ; India ; Asia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-miniature-painting-of-mughal-emperor-shah-jahan-sitting-on-his-throne-83591971.html
RMERYXBF–Miniature painting of Mughal Emperor Shah Jahan sitting on his throne and smelling a rose flower ; India ; Asia
King James I (1566-1625), ruled England 1603-1625. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-king-james-i-1566-1625-ruled-england-1603-1625-32389114.html
RMBTKCJ2–King James I (1566-1625), ruled England 1603-1625.
Royal Palace of Naples, Italy, The wonderful Throne inside the Palace that was built starting in 1600s. Napoli,Italia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/royal-palace-of-naples-italy-the-wonderful-throne-inside-the-palace-that-was-built-starting-in-1600s-napoliitalia-image550553990.html
RF2PYKW6E–Royal Palace of Naples, Italy, The wonderful Throne inside the Palace that was built starting in 1600s. Napoli,Italia
King James I portrait illustration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/king-james-i-portrait-illustration-image475731405.html
RF2JHYC79–King James I portrait illustration
King Charles II (1630-1685), English Restoration monarch who fought for the Crown during the English Civil Wars. Engraving, published in 1650, by William Faithorne the Elder (1616-1691). Faithorne was a royalist and, like all royalists, believed Charles II to be king immediately upon the execution of Charles’s father, King Charles I, in 1649. Charles II, the ‘Merry Monarch’, was restored to the throne in 1660 and his reign is associated with a period of joyfulness. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/king-charles-ii-1630-1685-english-restoration-monarch-who-fought-for-the-crown-during-the-english-civil-wars-engraving-published-in-1650-by-william-faithorne-the-elder-1616-1691-faithorne-was-a-royalist-and-like-all-royalists-believed-charles-ii-to-be-king-immediately-upon-the-execution-of-charless-father-king-charles-i-in-1649-charles-ii-the-merry-monarch-was-restored-to-the-throne-in-1660-and-his-reign-is-associated-with-a-period-of-joyfulness-image343197198.html
RF2AX9YEP–King Charles II (1630-1685), English Restoration monarch who fought for the Crown during the English Civil Wars. Engraving, published in 1650, by William Faithorne the Elder (1616-1691). Faithorne was a royalist and, like all royalists, believed Charles II to be king immediately upon the execution of Charles’s father, King Charles I, in 1649. Charles II, the ‘Merry Monarch’, was restored to the throne in 1660 and his reign is associated with a period of joyfulness.
William and Mary the Protestants Joy ruling England after the Glorious Revolution 1688. Hand-colored halftone of an ilustration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-william-and-mary-the-protestants-joy-ruling-england-after-the-glorious-12420064.html
RMA9PR4H–William and Mary the Protestants Joy ruling England after the Glorious Revolution 1688. Hand-colored halftone of an ilustration
Charles II of England in Coronation robes, portrait painting by John Michael Wright, circa 1661 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/charles-ii-of-england-in-coronation-robes-portrait-painting-by-john-michael-wright-circa-1661-image245741120.html
RMT7PD8G–Charles II of England in Coronation robes, portrait painting by John Michael Wright, circa 1661
King James I (1566-1625), ruled England 1603-1625. Puritans conferring with King James I. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-king-james-i-1566-1625-ruled-england-1603-1625-puritans-conferring-50030358.html
RMCWB26E–King James I (1566-1625), ruled England 1603-1625. Puritans conferring with King James I.
King Charles I portrait, 1600 – 1649, who ascended the throne on 27th March 1625 and was executed on the 30th January 1649, antique illustration circa 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/king-charles-i-portrait-1600-1649-who-ascended-the-throne-on-27th-march-1625-and-was-executed-on-the-30th-january-1649-antique-illustration-circa-1880-image183177427.html
RMMJ0CJY–King Charles I portrait, 1600 – 1649, who ascended the throne on 27th March 1625 and was executed on the 30th January 1649, antique illustration circa 1880
Charles II. Portrait of King Charles II in the robes of the Order of the Garter, by Simon Verelst, oil on canvas, c.1677-85 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charles-ii-portrait-of-king-charles-ii-in-the-robes-of-the-order-of-174711979.html
RMM46PWF–Charles II. Portrait of King Charles II in the robes of the Order of the Garter, by Simon Verelst, oil on canvas, c.1677-85
Alexander the Great as Judge, 1606. From Thronus Justitiae, pl. 10. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/alexander-the-great-as-judge-1606-from-thronus-justitiae-pl-10-image571905337.html
RM2T6CF2H–Alexander the Great as Judge, 1606. From Thronus Justitiae, pl. 10.
Miniature painting of mughal emperor aurangzeb Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-miniature-painting-of-mughal-emperor-aurangzeb-83592082.html
RMERYXFE–Miniature painting of mughal emperor aurangzeb
King James I (1566-1625), ruled England 1603-1625. Puritans conferring with King James I. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-king-james-i-1566-1625-ruled-england-1603-1625-puritans-conferring-32389109.html
RMBTKCHW–King James I (1566-1625), ruled England 1603-1625. Puritans conferring with King James I.
Royal Palace of Naples, Italy, The wonderful Throne inside the Palace that was built starting in 1600s. Napoli,Italia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/royal-palace-of-naples-italy-the-wonderful-throne-inside-the-palace-that-was-built-starting-in-1600s-napoliitalia-image590848210.html
RF2W97CWP–Royal Palace of Naples, Italy, The wonderful Throne inside the Palace that was built starting in 1600s. Napoli,Italia
King James I portrait illustration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/king-james-i-portrait-illustration-image475731224.html
RF2JHYC0T–King James I portrait illustration
King Charles II (1630-1685), English Restoration monarch who fought for the Crown during the English Civil Wars. Close detail of engraving, published in 1650, by William Faithorne the Elder (1616-1691). Faithorne was a royalist and, like all royalists, believed Charles II to be king immediately upon the execution of Charles’s father, King Charles I, in 1649. Charles II, the ‘Merry Monarch’, was restored to the throne in 1660 and his reign is associated with a period of joyfulness. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/king-charles-ii-1630-1685-english-restoration-monarch-who-fought-for-the-crown-during-the-english-civil-wars-close-detail-of-engraving-published-in-1650-by-william-faithorne-the-elder-1616-1691-faithorne-was-a-royalist-and-like-all-royalists-believed-charles-ii-to-be-king-immediately-upon-the-execution-of-charless-father-king-charles-i-in-1649-charles-ii-the-merry-monarch-was-restored-to-the-throne-in-1660-and-his-reign-is-associated-with-a-period-of-joyfulness-image345798546.html
RF2B2GDG2–King Charles II (1630-1685), English Restoration monarch who fought for the Crown during the English Civil Wars. Close detail of engraving, published in 1650, by William Faithorne the Elder (1616-1691). Faithorne was a royalist and, like all royalists, believed Charles II to be king immediately upon the execution of Charles’s father, King Charles I, in 1649. Charles II, the ‘Merry Monarch’, was restored to the throne in 1660 and his reign is associated with a period of joyfulness.
King Charles I (1600-1649), King of England, Scotland, and Ireland from 1625 until his execution in 1649. Charles I reigning Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-king-charles-i-1600-1649-king-of-england-scotland-and-ireland-from-50030337.html
RMCWB25N–King Charles I (1600-1649), King of England, Scotland, and Ireland from 1625 until his execution in 1649. Charles I reigning
Prince Charles son of King James I, 1600 – 1649, who ascended the throne on 27th March 1625 and was executed on the 30th January 1649, antique illustration circa 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/prince-charles-son-of-king-james-i-1600-1649-who-ascended-the-throne-on-27th-march-1625-and-was-executed-on-the-30th-january-1649-antique-illustration-circa-1880-image183101954.html
RMMHW0BE–Prince Charles son of King James I, 1600 – 1649, who ascended the throne on 27th March 1625 and was executed on the 30th January 1649, antique illustration circa 1880
Charles II. Portrait of King Charles II in the robes of the Order of the Garter, by Simon Verelst, oil on canvas, c.1677-85. Detail from a larger painting, M46PWF. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-charles-ii-portrait-of-king-charles-ii-in-the-robes-of-the-order-of-174711973.html
RMM46PW9–Charles II. Portrait of King Charles II in the robes of the Order of the Garter, by Simon Verelst, oil on canvas, c.1677-85. Detail from a larger painting, M46PWF.
The King of the Congo receives Portuguese soldiers as three Christian missionaries stand beside the King. In the previous century, the King Nzinga Nvemba (1506-1543) converted to Christianity and became allied with Portugal. The slave trade grew to dominate all other commerce, eventually destroying the social and political structure of the Kingdom. Ca. 1650. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-king-of-the-congo-receives-portuguese-soldiers-as-three-christian-32390957.html
RMBTKEYW–The King of the Congo receives Portuguese soldiers as three Christian missionaries stand beside the King. In the previous century, the King Nzinga Nvemba (1506-1543) converted to Christianity and became allied with Portugal. The slave trade grew to dominate all other commerce, eventually destroying the social and political structure of the Kingdom. Ca. 1650.
Royal Palace of Naples, Italy, The wonderful Throne inside the Palace that was built starting in 1600s. Napoli,Italia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/royal-palace-of-naples-italy-the-wonderful-throne-inside-the-palace-that-was-built-starting-in-1600s-napoliitalia-image563146874.html
RF2RM5FGA–Royal Palace of Naples, Italy, The wonderful Throne inside the Palace that was built starting in 1600s. Napoli,Italia
King James I portrait illustration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/king-james-i-portrait-illustration-image475731392.html
RF2JHYC6T–King James I portrait illustration
King Charles II (1630-1685), English Restoration monarch who fought for the Crown during the English Civil Wars. Detail of engraving, published in 1650, by William Faithorne the Elder (1616-1691). Faithorne was a royalist and, like all royalists, believed Charles II to be king immediately upon the execution of Charles’s father, King Charles I, in 1649. Charles II, the ‘Merry Monarch’, was restored to the throne in 1660 and his reign is associated with a period of joyfulness. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/king-charles-ii-1630-1685-english-restoration-monarch-who-fought-for-the-crown-during-the-english-civil-wars-detail-of-engraving-published-in-1650-by-william-faithorne-the-elder-1616-1691-faithorne-was-a-royalist-and-like-all-royalists-believed-charles-ii-to-be-king-immediately-upon-the-execution-of-charless-father-king-charles-i-in-1649-charles-ii-the-merry-monarch-was-restored-to-the-throne-in-1660-and-his-reign-is-associated-with-a-period-of-joyfulness-image345798543.html
RF2B2GDFY–King Charles II (1630-1685), English Restoration monarch who fought for the Crown during the English Civil Wars. Detail of engraving, published in 1650, by William Faithorne the Elder (1616-1691). Faithorne was a royalist and, like all royalists, believed Charles II to be king immediately upon the execution of Charles’s father, King Charles I, in 1649. Charles II, the ‘Merry Monarch’, was restored to the throne in 1660 and his reign is associated with a period of joyfulness.
The King of the Congo receives Portuguese soldiers as three Christian missionaries stand beside the King. In the previous Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-king-of-the-congo-receives-portuguese-soldiers-as-three-christian-50046313.html
RMCWBPG9–The King of the Congo receives Portuguese soldiers as three Christian missionaries stand beside the King. In the previous
Henry, Prince of Wales, eldest son of King James I of England. Prince Henry Frederick was heir to the throne but predeceased his father in 1612, at the age of 18, portrait by Robert Peake, oil on panel, early 17th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-henry-prince-of-wales-eldest-son-of-king-james-i-of-england-prince-174840722.html
RMM4CK3E–Henry, Prince of Wales, eldest son of King James I of England. Prince Henry Frederick was heir to the throne but predeceased his father in 1612, at the age of 18, portrait by Robert Peake, oil on panel, early 17th century.
Henry Frederick (1594–1612), Prince of Wales, with Sir John Harington (1592–1614), in the Hunting Field by Robert Peake the Elder, oil on canvas, 1603. Henry was the eldest son of King James VI and I of Scotland, England, and Ireland and was heir to the throne but predeceased his father in 1612, at the age of 18. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henry-frederick-15941612-prince-of-wales-with-sir-john-harington-15921614-in-the-hunting-field-by-robert-peake-the-elder-oil-on-canvas-1603-henry-was-the-eldest-son-of-king-james-vi-and-i-of-scotland-england-and-ireland-and-was-heir-to-the-throne-but-predeceased-his-father-in-1612-at-the-age-of-18-image456141181.html
RM2HE30MD–Henry Frederick (1594–1612), Prince of Wales, with Sir John Harington (1592–1614), in the Hunting Field by Robert Peake the Elder, oil on canvas, 1603. Henry was the eldest son of King James VI and I of Scotland, England, and Ireland and was heir to the throne but predeceased his father in 1612, at the age of 18.
Henry, Prince of Wales (1594-1612), eldest son of King James VI and I of Scotland, England, and Ireland and Queen Anne of Denmark. Prince Henry Frederick was heir to the throne but predeceased his father in 1612, at the age of 18. Oil on panel portrait by Robert Peake the Elder, c. 1603-5 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-henry-prince-of-wales-1594-1612-eldest-son-of-king-james-vi-and-i-105041344.html
RMG2W18G–Henry, Prince of Wales (1594-1612), eldest son of King James VI and I of Scotland, England, and Ireland and Queen Anne of Denmark. Prince Henry Frederick was heir to the throne but predeceased his father in 1612, at the age of 18. Oil on panel portrait by Robert Peake the Elder, c. 1603-5
Royal Palace of Naples, Italy, The wonderful Throne inside the Palace that was built starting in 1600s. Napoli,Italia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/royal-palace-of-naples-italy-the-wonderful-throne-inside-the-palace-that-was-built-starting-in-1600s-napoliitalia-image607374956.html
RF2X848XM–Royal Palace of Naples, Italy, The wonderful Throne inside the Palace that was built starting in 1600s. Napoli,Italia
Henry Frederick, Prince of Wales (1594-1612) portrait by Robert Peake the Elder, oil on canvas, c. 1610. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henry-frederick-prince-of-wales-1594-1612-portrait-by-robert-peake-the-elder-oil-on-canvas-c-1610-image359124446.html
RM2BT7EW2–Henry Frederick, Prince of Wales (1594-1612) portrait by Robert Peake the Elder, oil on canvas, c. 1610.
King James I of England and VI of Scotland (1566-1625), under whose patronage the 'King James' translation of the Bible into English was undertaken in 1611. Engraving by Flemish engraver, Michael van der Gucht (1660-1725), first published in the early 1700s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/king-james-i-of-england-and-vi-of-scotland-1566-1625-under-whose-patronage-the-king-james-translation-of-the-bible-into-english-was-undertaken-in-1611-engraving-by-flemish-engraver-michael-van-der-gucht-1660-1725-first-published-in-the-early-1700s-image349561357.html
RF2B8KW25–King James I of England and VI of Scotland (1566-1625), under whose patronage the 'King James' translation of the Bible into English was undertaken in 1611. Engraving by Flemish engraver, Michael van der Gucht (1660-1725), first published in the early 1700s.
Download Confirmation
Please complete the form below. The information provided will be included in your download confirmation