Quick filters:
Page 1 of 3
Lady in 1600s Stock Photos and Images
This painting Le Chapeau de Paille (Hat of Straw) by Rubens is of Suzanne Fourment, a sister of the painter's second wife. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-this-painting-le-chapeau-de-paille-hat-of-straw-by-rubens-is-of-suzanne-50852426.htmlRFCXMEP2–This painting Le Chapeau de Paille (Hat of Straw) by Rubens is of Suzanne Fourment, a sister of the painter's second wife.
English merchant (left), noble, and a lady-in-waiting for Elizabeth I. Hand-colored print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-english-merchant-left-noble-and-a-lady-in-waiting-for-elizabeth-i-26858688.htmlRMBFKEET–English merchant (left), noble, and a lady-in-waiting for Elizabeth I. Hand-colored print
Lady Playing a Lute in an Interior by the Dutch artist, Eglon van der Neer (1635/36- 1703), oil on panel, 1675 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-playing-a-lute-in-an-interior-by-the-dutch-artist-eglon-van-der-neer-163536-1703-oil-on-panel-1675-image442640454.htmlRM2GM40BJ–Lady Playing a Lute in an Interior by the Dutch artist, Eglon van der Neer (1635/36- 1703), oil on panel, 1675
Painting by Rembrandt Harmenszoon van Rijn, Late Flemish School; 1634; Portrait of an Old Lady in Black with White Cap and Ruff Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painting-by-rembrandt-harmenszoon-van-rijn-late-flemish-school-1634-37604328.htmlRMC550KM–Painting by Rembrandt Harmenszoon van Rijn, Late Flemish School; 1634; Portrait of an Old Lady in Black with White Cap and Ruff
Our Lady of Sorrows: santo de bulto, 1600s-1700s. America, New Mexico, 17th-18th century. Painted wood; overall: 36.9 x 17.8 x 7 cm (14 1/2 x 7 x 2 3/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/our-lady-of-sorrows-santo-de-bulto-1600s-1700s-america-new-mexico-17th-18th-century-painted-wood-overall-369-x-178-x-7-cm-14-12-x-7-x-2-34-in-image240394816.htmlRMRY2X14–Our Lady of Sorrows: santo de bulto, 1600s-1700s. America, New Mexico, 17th-18th century. Painted wood; overall: 36.9 x 17.8 x 7 cm (14 1/2 x 7 x 2 3/4 in
An English Lady in Winter Dress from 'Aula Veneris' by Wenceslaus Hollar, 1644; Black and White Illustration; Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-an-english-lady-in-winter-dress-from-aula-veneris-by-wenceslaus-hollar-38091516.htmlRMC5Y638–An English Lady in Winter Dress from 'Aula Veneris' by Wenceslaus Hollar, 1644; Black and White Illustration;
Pieter Soutman, Portrait of a Lady, painting in oil on canvas, 1625-1630 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pieter-soutman-portrait-of-a-lady-painting-in-oil-on-canvas-1625-1630-image490384027.htmlRM2KDPWR7–Pieter Soutman, Portrait of a Lady, painting in oil on canvas, 1625-1630
Lady Seated at a Virginal (1671) by Johannes Vermeer - 17th Century Dutch Baroque Period Painting - Very high resolution and quality image Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-seated-at-a-virginal-1671-by-johannes-vermeer-17th-century-dutch-baroque-period-painting-very-high-resolution-and-quality-image-image345055140.htmlRF2B1AH9T–Lady Seated at a Virginal (1671) by Johannes Vermeer - 17th Century Dutch Baroque Period Painting - Very high resolution and quality image
Godfried Schalcken, Lady at a Mirror by Candlelight, painting in oil on canvas, 1670-1680 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/godfried-schalcken-lady-at-a-mirror-by-candlelight-painting-in-oil-on-canvas-1670-1680-image503690207.htmlRM2M7D1YY–Godfried Schalcken, Lady at a Mirror by Candlelight, painting in oil on canvas, 1670-1680
Church of Our Lady Frauenkirche Nuremberg as it Appeared in the 17th Century Illustration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-church-of-our-lady-frauenkirche-nuremberg-as-it-appeared-in-the-17th-22082457.htmlRMB7WXB5–Church of Our Lady Frauenkirche Nuremberg as it Appeared in the 17th Century Illustration
Diego Velazquez, Portrait of a Lady, painting in oil on canvas, circa 1630 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/diego-velazquez-portrait-of-a-lady-painting-in-oil-on-canvas-circa-1630-image487230002.htmlRM2K8K6RE–Diego Velazquez, Portrait of a Lady, painting in oil on canvas, circa 1630
Wooden figure of Christ on exterior of Our Lady in the Hay church, Small Beguinage, Ghent, Belgium Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-wooden-figure-of-christ-on-exterior-of-our-lady-in-the-hay-church-38332599.htmlRMC6A5HB–Wooden figure of Christ on exterior of Our Lady in the Hay church, Small Beguinage, Ghent, Belgium
Lady Elizabeth Pope, portrait painting in oil on wood by Robert Peake (attributed), circa 1615 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-elizabeth-pope-portrait-painting-in-oil-on-wood-by-robert-peake-attributed-circa-1615-image592568446.htmlRM2WC1R2P–Lady Elizabeth Pope, portrait painting in oil on wood by Robert Peake (attributed), circa 1615
A Woman in a Red Jacket feeding a Parrot by the Dutch Golden Age artist, Frans van Mieris the elder (1635-1681), oil on copper, c. 1663 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-woman-in-a-red-jacket-feeding-a-parrot-by-the-dutch-golden-age-artist-frans-van-mieris-the-elder-1635-1681-oil-on-copper-c-1663-image469033728.htmlRM2J7298G–A Woman in a Red Jacket feeding a Parrot by the Dutch Golden Age artist, Frans van Mieris the elder (1635-1681), oil on copper, c. 1663
Anthony van Dyck, Portrait of a Genoese Lady, painting in oil on canvas, circa 1622 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anthony-van-dyck-portrait-of-a-genoese-lady-painting-in-oil-on-canvas-circa-1622-image487229550.htmlRM2K8K67A–Anthony van Dyck, Portrait of a Genoese Lady, painting in oil on canvas, circa 1622
Oaxaca, Mexico - Basílica de Nuestra Señora de la Soledad (Our Lady of Solitude), the patron saint of Oaxaca. It was built in the late 1600s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oaxaca-mexico-baslica-de-nuestra-seora-de-la-soledad-our-lady-of-solitude-the-patron-saint-of-oaxaca-it-was-built-in-the-late-1600s-image599571730.htmlRM2WRCRT2–Oaxaca, Mexico - Basílica de Nuestra Señora de la Soledad (Our Lady of Solitude), the patron saint of Oaxaca. It was built in the late 1600s.
Frans van Mieris the Elder, Lady at the Virginal (Woman at a Harpsichord), painting in oil on wood, 1658 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frans-van-mieris-the-elder-lady-at-the-virginal-woman-at-a-harpsichord-painting-in-oil-on-wood-1658-image555987990.htmlRM2R8FC9X–Frans van Mieris the Elder, Lady at the Virginal (Woman at a Harpsichord), painting in oil on wood, 1658
Engraving of the Shakespearean character Lady Macbeth, acted by an American, Charlotte Cushman in Macbeth. From the Illustrated Complete Works of Shakespeare, 1878 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-engraving-of-the-shakespearean-character-lady-macbeth-acted-by-an-173274647.htmlRMM1W9G7–Engraving of the Shakespearean character Lady Macbeth, acted by an American, Charlotte Cushman in Macbeth. From the Illustrated Complete Works of Shakespeare, 1878
Mary Hill, Lady Killigrew, portrait painting in oil on canvas by Sir Anthony van Dyck, 1638 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-hill-lady-killigrew-portrait-painting-in-oil-on-canvas-by-sir-anthony-van-dyck-1638-image592568231.htmlRM2WC1PR3–Mary Hill, Lady Killigrew, portrait painting in oil on canvas by Sir Anthony van Dyck, 1638
Peter Paul Rubens (1577-1640) was a Flemish Baroque painter. This portrait is of his first wife, Elizabeth Brandt. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-peter-paul-rubens-1577-1640-was-a-flemish-baroque-painter-this-portrait-50852390.htmlRFCXMEMP–Peter Paul Rubens (1577-1640) was a Flemish Baroque painter. This portrait is of his first wife, Elizabeth Brandt.
Fashionable couple in the Netherlands, end of 1600s. Hand-colored print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fashionable-couple-in-the-netherlands-end-of-1600s-hand-colored-print-59605731.htmlRMDCY7M3–Fashionable couple in the Netherlands, end of 1600s. Hand-colored print
The figures represented here are French people around 1600. They are, from left to right: courtier, lady of rank, Louis XIV in 1680, courtier, courtier. The illustration dates to 1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-figures-represented-here-are-french-people-around-1600-they-are-from-left-to-right-courtier-lady-of-rank-louis-xiv-in-1680-courtier-courtier-the-illustration-dates-to-1882-image246937433.htmlRFT9MY61–The figures represented here are French people around 1600. They are, from left to right: courtier, lady of rank, Louis XIV in 1680, courtier, courtier. The illustration dates to 1882.
Anne Wortley, later, Lady Morton, portrait painting in oil on canvas by an artist of the British School, circa 1620 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anne-wortley-later-lady-morton-portrait-painting-in-oil-on-canvas-by-an-artist-of-the-british-school-circa-1620-image594097380.htmlRM2WEFD7G–Anne Wortley, later, Lady Morton, portrait painting in oil on canvas by an artist of the British School, circa 1620
Spanish nobility in the Netherlands, 1600s. Hand-colored print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spanish-nobility-in-the-netherlands-1600s-hand-colored-print-image187454481.htmlRMMTY82W–Spanish nobility in the Netherlands, 1600s. Hand-colored print
Johannes Vermeer, Lady with Her Maidservant Holding a Letter (Mistress and Maid), painting in oil on canvas, 1666-1667 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johannes-vermeer-lady-with-her-maidservant-holding-a-letter-mistress-and-maid-painting-in-oil-on-canvas-1666-1667-image260417319.htmlRMW3K0XF–Johannes Vermeer, Lady with Her Maidservant Holding a Letter (Mistress and Maid), painting in oil on canvas, 1666-1667
Presentation of the Virgin in the Temple and the Virgin of the Burning Bush - Anonymous Russian Artist, circa 1600 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/presentation-of-the-virgin-in-the-temple-and-the-virgin-of-the-burning-bush-anonymous-russian-artist-circa-1600-image242426858.htmlRMT2BDX2–Presentation of the Virgin in the Temple and the Virgin of the Burning Bush - Anonymous Russian Artist, circa 1600
Susanna Temple, Later Lady Lister, portrait painting in oil on panel by Cornelius Johnson (Cornelis Janssens van Ceulen), 1620 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/susanna-temple-later-lady-lister-portrait-painting-in-oil-on-panel-by-cornelius-johnson-cornelis-janssens-van-ceulen-1620-image592568548.htmlRM2WC1R6C–Susanna Temple, Later Lady Lister, portrait painting in oil on panel by Cornelius Johnson (Cornelis Janssens van Ceulen), 1620
Lady Standing at a Virginal (circa 1671) by Johannes Vermeer - 17th Century Dutch Baroque Period Painting - Very high resolution and quality image Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-standing-at-a-virginal-circa-1671-by-johannes-vermeer-17th-century-dutch-baroque-period-painting-very-high-resolution-and-quality-image-image345055143.htmlRF2B1AH9Y–Lady Standing at a Virginal (circa 1671) by Johannes Vermeer - 17th Century Dutch Baroque Period Painting - Very high resolution and quality image
Lady Jane Grey (circa 1537-1554) also known as Lady Jane Dudley, 'The Streatham Portrait', portrait painting in oil on panel, 1590-1600 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-jane-grey-circa-1537-1554-also-known-as-lady-jane-dudley-the-streatham-portrait-portrait-painting-in-oil-on-panel-1590-1600-image595633874.htmlRM2WH1D2A–Lady Jane Grey (circa 1537-1554) also known as Lady Jane Dudley, 'The Streatham Portrait', portrait painting in oil on panel, 1590-1600
A Lady of the English Court from 'Ornatus Muliebris Anglicanus' by Wenceslaus Hollar, 1643; ; Black and White Illustration; Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-lady-of-the-english-court-from-ornatus-muliebris-anglicanus-by-wenceslaus-38091509.htmlRMC5Y631–A Lady of the English Court from 'Ornatus Muliebris Anglicanus' by Wenceslaus Hollar, 1643; ; Black and White Illustration;
Margaret, Lady Denham (circa 1642-1667), English courtier and mistress of King James II of England, portrait painting in oil on canvas by Sir Peter Lely, 1663-1665 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/margaret-lady-denham-circa-1642-1667-english-courtier-and-mistress-of-king-james-ii-of-england-portrait-painting-in-oil-on-canvas-by-sir-peter-lely-1663-1665-image596543168.htmlRM2WJETW4–Margaret, Lady Denham (circa 1642-1667), English courtier and mistress of King James II of England, portrait painting in oil on canvas by Sir Peter Lely, 1663-1665
Wooden figure of Christ on exterior of Our Lady in the Hay church, Small Beguinage, Ghent, Belgium Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-wooden-figure-of-christ-on-exterior-of-our-lady-in-the-hay-church-38332614.htmlRMC6A5HX–Wooden figure of Christ on exterior of Our Lady in the Hay church, Small Beguinage, Ghent, Belgium
Thomas de Keyser, Portrait of a Lady, painting in oil on wood, 1632 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/thomas-de-keyser-portrait-of-a-lady-painting-in-oil-on-wood-1632-image487230248.htmlRM2K8K748–Thomas de Keyser, Portrait of a Lady, painting in oil on wood, 1632
Memorials in 16th C Lady Chapel in Gloucester Cathedral UK - Judge Johannes (John) Powell died 1714 and Elizabeth Williams died in childbirth in 1622. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/memorials-in-16th-c-lady-chapel-in-gloucester-cathedral-uk-judge-johannes-john-powell-died-1714-and-elizabeth-williams-died-in-childbirth-in-1622-image332129654.htmlRM2A89PNA–Memorials in 16th C Lady Chapel in Gloucester Cathedral UK - Judge Johannes (John) Powell died 1714 and Elizabeth Williams died in childbirth in 1622.
Madonna di Loreto. Painting by Caravaggio in the Basilica di Sant'Agostino in Campo Marzio in Rome, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-madonna-di-loreto-painting-by-caravaggio-in-the-basilica-di-santagostino-80200635.htmlRMEJDCMB–Madonna di Loreto. Painting by Caravaggio in the Basilica di Sant'Agostino in Campo Marzio in Rome, Italy.
Portrait of a lady in Polish costume.. 1600s. Portret damy w stroju polskim Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-lady-in-polish-costume-1600s-portret-damy-w-stroju-polskim-image184868146.htmlRMMMND5P–Portrait of a lady in Polish costume.. 1600s. Portret damy w stroju polskim
Marble monument by Nicholas Stone to Sir Baptist Hicks (died 1629) and his lady Elizabeth (died 1643) in St James church in Chipping Campden, Glos. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marble-monument-by-nicholas-stone-to-sir-baptist-hicks-died-1629-and-his-lady-elizabeth-died-1643-in-st-james-church-in-chipping-campden-glos-image238870436.htmlRMRTHDK0–Marble monument by Nicholas Stone to Sir Baptist Hicks (died 1629) and his lady Elizabeth (died 1643) in St James church in Chipping Campden, Glos.
Lady Arabella Stuart 1575 – 1615 was an English noblewoman who was for some time considered a possible successor to Queen Elizabeth I of England, seen here escaping in disguise, antique illustration circa 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lady-arabella-stuart-1575-1615-was-an-english-noblewoman-who-was-for-some-time-considered-a-possible-successor-to-queen-elizabeth-i-of-england-seen-here-escaping-in-disguise-antique-illustration-circa-1880-image183102141.htmlRMMHW0J5–Lady Arabella Stuart 1575 – 1615 was an English noblewoman who was for some time considered a possible successor to Queen Elizabeth I of England, seen here escaping in disguise, antique illustration circa 1880
Chapel Lady Seven Sorrows Crucifixion painting Basilica Saint Marie and Saint Reparte de Nice, Cote d'Azur, France. Chapel from 1600's painting by Joseph Provensau in 1837 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/chapel-lady-seven-sorrows-crucifixion-painting-basilica-saint-marie-and-saint-reparte-de-nice-cote-dazur-france-chapel-from-1600s-painting-by-joseph-provensau-in-1837-image605087629.htmlRF2X4C3CD–Chapel Lady Seven Sorrows Crucifixion painting Basilica Saint Marie and Saint Reparte de Nice, Cote d'Azur, France. Chapel from 1600's painting by Joseph Provensau in 1837
Catherine Howard, Countess of Suffolk, 1564 – 1638, was an English court office holder, she served as lady-in-waiting to the queen consort of England, Anne of Denmark, etching by Bohemian etcher Wenceslaus Hollar from 1600s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catherine-howard-countess-of-suffolk-1564-1638-was-an-english-court-office-holder-she-served-as-lady-in-waiting-to-the-queen-consort-of-england-anne-of-denmark-etching-by-bohemian-etcher-wenceslaus-hollar-from-1600s-image340437941.htmlRM2ANT81W–Catherine Howard, Countess of Suffolk, 1564 – 1638, was an English court office holder, she served as lady-in-waiting to the queen consort of England, Anne of Denmark, etching by Bohemian etcher Wenceslaus Hollar from 1600s
The figures represented here are French people around 1600. They are, from left to right: cuirassier, grenadier, soldier of the guards, Louis XIV in 1680, lady of rank, lady of rank en negligee, citizen, abbe, servingman. The illustration dates to 1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-figures-represented-here-are-french-people-around-1600-they-are-from-left-to-right-cuirassier-grenadier-soldier-of-the-guards-louis-xiv-in-1680-lady-of-rank-lady-of-rank-en-negligee-citizen-abbe-servingman-the-illustration-dates-to-1882-image246937475.htmlRFT9MY7F–The figures represented here are French people around 1600. They are, from left to right: cuirassier, grenadier, soldier of the guards, Louis XIV in 1680, lady of rank, lady of rank en negligee, citizen, abbe, servingman. The illustration dates to 1882.
Johannes Vermeer, A Lady Standing at a Virginal, painting in oil on canvas, 1670-1672 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johannes-vermeer-a-lady-standing-at-a-virginal-painting-in-oil-on-canvas-1670-1672-image260417378.htmlRMW3K10J–Johannes Vermeer, A Lady Standing at a Virginal, painting in oil on canvas, 1670-1672
Woman in mourning and woman with fan, fashion of 1600s. Hand-colored print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-in-mourning-and-woman-with-fan-fashion-of-1600s-hand-colored-print-image187454408.htmlRMMTY808–Woman in mourning and woman with fan, fashion of 1600s. Hand-colored print
The life of a lady. Portrait of an elegant noble woman reading in her palace room. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-life-of-a-lady-portrait-of-an-elegant-noble-woman-reading-in-her-palace-room-image548211323.htmlRF2PRW53R–The life of a lady. Portrait of an elegant noble woman reading in her palace room.
A Genoese Noblewoman and Her Son by Sir Anthony Van Dyck (1599-1641), oil on canvas, c. 1626 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-genoese-noblewoman-and-her-son-by-sir-anthony-van-dyck-1599-1641-oil-on-canvas-c-1626-image459640395.htmlRM2HKPC0B–A Genoese Noblewoman and Her Son by Sir Anthony Van Dyck (1599-1641), oil on canvas, c. 1626
Engraving of Francoise d'Aubigne, Marquise de Maintenon, (1635 - 1715) lady in waiting and eventual wife of Louis XIV. From Louis XIV by Jacob Abbott 1901 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-engraving-of-francoise-daubigne-marquise-de-maintenon-1635-1715-lady-171001797.htmlRMKX5PF1–Engraving of Francoise d'Aubigne, Marquise de Maintenon, (1635 - 1715) lady in waiting and eventual wife of Louis XIV. From Louis XIV by Jacob Abbott 1901
The early 17th century Iglesia de San Agustín (Church of St Augustine), in downtown Santiago, Chile, South America Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-early-17th-century-iglesia-de-san-agustn-church-of-st-augustine-in-downtown-santiago-chile-south-america-image330108862.htmlRM2A51N66–The early 17th century Iglesia de San Agustín (Church of St Augustine), in downtown Santiago, Chile, South America
Whose Sleeves? left of a pair, early 17th century, Unknown Japanese, 59 3/4 x 137 in. (151.77 x 347.98 cm), Ink, color, gold and silver on paper, Japan, 17th century, The artist who created this pair of folding screens was clearly inspired by the beautiful, colorful kimonos worn by wealthy women of the 1600s. He depicted a variety of women’s robes, some hung on ornate lacquer racks, others folded on the ground. In the painting, the lady who evidently owns these garments is absent. We, the viewers, are invited to imagine her beauty ourselves Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/whose-sleeves-left-of-a-pair-early-17th-century-unknown-japanese-59-34-x-137-in-15177-x-34798-cm-ink-color-gold-and-silver-on-paper-japan-17th-century-the-artist-who-created-this-pair-of-folding-screens-was-clearly-inspired-by-the-beautiful-colorful-kimonos-worn-by-wealthy-women-of-the-1600s-he-depicted-a-variety-of-womens-robes-some-hung-on-ornate-lacquer-racks-others-folded-on-the-ground-in-the-painting-the-lady-who-evidently-owns-these-garments-is-absent-we-the-viewers-are-invited-to-imagine-her-beauty-ourselves-image573503852.htmlRM2T91A0C–Whose Sleeves? left of a pair, early 17th century, Unknown Japanese, 59 3/4 x 137 in. (151.77 x 347.98 cm), Ink, color, gold and silver on paper, Japan, 17th century, The artist who created this pair of folding screens was clearly inspired by the beautiful, colorful kimonos worn by wealthy women of the 1600s. He depicted a variety of women’s robes, some hung on ornate lacquer racks, others folded on the ground. In the painting, the lady who evidently owns these garments is absent. We, the viewers, are invited to imagine her beauty ourselves
Scenes from the Tale of Genji painted on a six-panel folding screen. Early 17th century, Tosa school, artist unknown. The Tale of Genji was written by Murasaki Shikibu (Lady Murasaki) (c. 973 - c. 1014 or 1025) in the early 11th century. She was a Japan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-scenes-from-the-tale-of-genji-painted-on-a-six-panel-folding-screen-104000781.htmlRMG15J1H–Scenes from the Tale of Genji painted on a six-panel folding screen. Early 17th century, Tosa school, artist unknown. The Tale of Genji was written by Murasaki Shikibu (Lady Murasaki) (c. 973 - c. 1014 or 1025) in the early 11th century. She was a Japan
Beauty and elegance of the aristocratic. a noble lady looking at herself in a mirror. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beauty-and-elegance-of-the-aristocratic-a-noble-lady-looking-at-herself-in-a-mirror-image503361456.htmlRF2M6X2JT–Beauty and elegance of the aristocratic. a noble lady looking at herself in a mirror.
Eglise Notre Dames d'Esperance (also known as Our Lady of Hope), Cannes. France The altar & apse of hilltop stone church completed in the 1600s (135) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eglise-notre-dames-desperance-also-known-as-our-lady-of-hope-cannes-france-the-altar-apse-of-hilltop-stone-church-completed-in-the-1600s-135-image575192249.htmlRM2TBP7G9–Eglise Notre Dames d'Esperance (also known as Our Lady of Hope), Cannes. France The altar & apse of hilltop stone church completed in the 1600s (135)
Gerard Ter Borch (II) (1617-1681); Nicolaes Berchem (1620-1683), study of a standing lady, turned to the left, holding a feather or fan in his hand, 1600's Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gerard-ter-borch-ii-1617-1681-nicolaes-berchem-1620-1683-study-of-a-standing-lady-turned-to-the-left-holding-a-feather-or-fan-in-his-hand-1600s-image408009900.htmlRM2EKPCP4–Gerard Ter Borch (II) (1617-1681); Nicolaes Berchem (1620-1683), study of a standing lady, turned to the left, holding a feather or fan in his hand, 1600's
The High Cross Boroughgate. Appleby-in-Westmorland, Cumbria, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-high-cross-boroughgate-appleby-in-westmorland-cumbria-england-united-kingdom-image244610232.htmlRMT5XXRM–The High Cross Boroughgate. Appleby-in-Westmorland, Cumbria, England, United Kingdom.
Mexico, Oaxaca, Oaxaca City, The Bascilica Menor de la Soledad, completed in the late 1600s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mexico-oaxaca-oaxaca-city-the-bascilica-menor-de-la-soledad-completed-73142542.htmlRME6YX1J–Mexico, Oaxaca, Oaxaca City, The Bascilica Menor de la Soledad, completed in the late 1600s
17th century XVII 1600s 1670 Germany Lady in large hat, winter dress, mourning Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/17th-century-xvii-1600s-1670-germany-lady-in-large-hat-winter-dress-image63219766.htmlRFDJRWCP–17th century XVII 1600s 1670 Germany Lady in large hat, winter dress, mourning
Marble monument by Nicholas Stone to Sir Baptist Hicks (died 1629) and his lady Elizabeth (died 1643) in St James church in the Cotswold town of Chipp Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marble-monument-by-nicholas-stone-to-sir-baptist-hicks-died-1629-and-his-lady-elizabeth-died-1643-in-st-james-church-in-the-cotswold-town-of-chipp-image228129200.htmlRMR7453C–Marble monument by Nicholas Stone to Sir Baptist Hicks (died 1629) and his lady Elizabeth (died 1643) in St James church in the Cotswold town of Chipp
Renaissance Woman in a dress Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-renaissance-woman-in-a-dress-147264814.htmlRFJFGDNJ–Renaissance Woman in a dress
Marble monument by Joshua Marshal to Edward Noel, Viscount Camden (d. 1645) and his lady Juliana Hicks (d. 1680) in Chipping Campden church Glos. UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marble-monument-by-joshua-marshal-to-edward-noel-viscount-camden-d-1645-and-his-lady-juliana-hicks-d-1680-in-chipping-campden-church-glos-uk-image424919407.htmlRM2FK8N13–Marble monument by Joshua Marshal to Edward Noel, Viscount Camden (d. 1645) and his lady Juliana Hicks (d. 1680) in Chipping Campden church Glos. UK
Antique 17th century engraving, 'a Greek lady in her room' (Eine Griechische Dame in ihrem Zimmer) by Johann Christoph Weigel, known as Christoph Weigel the Elder (1654-1725). SOURCE: ORIGINAL ENGRAVING Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antique-17th-century-engraving-a-greek-lady-in-her-room-eine-griechische-dame-in-ihrem-zimmer-by-johann-christoph-weigel-known-as-christoph-weigel-the-elder-1654-1725-source-original-engraving-image458425938.htmlRM2HHR2XX–Antique 17th century engraving, 'a Greek lady in her room' (Eine Griechische Dame in ihrem Zimmer) by Johann Christoph Weigel, known as Christoph Weigel the Elder (1654-1725). SOURCE: ORIGINAL ENGRAVING
The figures represented here are French people around 1600. They are, from left to right: Louis XIV in 1680, lady of rank, lady of rank in simple clothes. The illustration dates to 1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-figures-represented-here-are-french-people-around-1600-they-are-from-left-to-right-louis-xiv-in-1680-lady-of-rank-lady-of-rank-in-simple-clothes-the-illustration-dates-to-1882-image247506932.htmlRFTAJWH8–The figures represented here are French people around 1600. They are, from left to right: Louis XIV in 1680, lady of rank, lady of rank in simple clothes. The illustration dates to 1882.
1600s PILGRIM COUPLE KNEELING IN PRAYER 1906 MAGAZINE ILLUSTRATION Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-1600s-pilgrim-couple-kneeling-in-prayer-1906-magazine-illustration-72597869.htmlRME63391–1600s PILGRIM COUPLE KNEELING IN PRAYER 1906 MAGAZINE ILLUSTRATION
The 1916 caption reads: 'Rembrandt 1606-1669 Dutch school of Ansterdam-Old Lady with the Handkerchief in Black Widow's Cap and White Ruffle. National Gallery Painted about 1661. in oil on canvas. 4 ft 2.75 in h x 23 ft 2 in w.' The Dutch artist Rembrandt (1606-1669) (full name-Rembrandt Harmenszoon van Rijn) was a Dutch Golden Age painter, printmaker, and draughtsman and of the Dutch School of Amsterdam. Rembrandt painted this one of himself in old age. An innovative and prolific master in three media, Rembrandt is generally considered one of the greatest visual artists in the history of ar Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-1916-caption-reads-rembrandt-1606-1669-dutch-school-of-ansterdam-old-lady-with-the-handkerchief-in-black-widows-cap-and-white-ruffle-national-gallery-painted-about-1661-in-oil-on-canvas-4-ft-275-in-h-x-23-ft-2-in-w-the-dutch-artist-rembrandt-1606-1669-full-name-rembrandt-harmenszoon-van-rijn-was-a-dutch-golden-age-painter-printmaker-and-draughtsman-and-of-the-dutch-school-of-amsterdam-rembrandt-painted-this-one-of-himself-in-old-age-an-innovative-and-prolific-master-in-three-media-rembrandt-is-generally-considered-one-of-the-greatest-visual-artists-in-the-history-of-ar-image568243508.htmlRF2T0DMB0–The 1916 caption reads: 'Rembrandt 1606-1669 Dutch school of Ansterdam-Old Lady with the Handkerchief in Black Widow's Cap and White Ruffle. National Gallery Painted about 1661. in oil on canvas. 4 ft 2.75 in h x 23 ft 2 in w.' The Dutch artist Rembrandt (1606-1669) (full name-Rembrandt Harmenszoon van Rijn) was a Dutch Golden Age painter, printmaker, and draughtsman and of the Dutch School of Amsterdam. Rembrandt painted this one of himself in old age. An innovative and prolific master in three media, Rembrandt is generally considered one of the greatest visual artists in the history of ar
1600s THE WALK HOME FOR PILGRIM SETTLERS MAN WITH LANTERN & MUSKET WOMAN BASKET & GIFTS KIND DEEDS IN CRUEL DAYS Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-1600s-the-walk-home-for-pilgrim-settlers-man-with-lantern-musket-woman-59023042.htmlRMDC0MDP–1600s THE WALK HOME FOR PILGRIM SETTLERS MAN WITH LANTERN & MUSKET WOMAN BASKET & GIFTS KIND DEEDS IN CRUEL DAYS
The Figure represented here Maria Theresa, Queen of France, in 1666. The illustration dates to 1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-figure-represented-here-maria-theresa-queen-of-france-in-1666-the-illustration-dates-to-1882-image221475398.htmlRFPT923J–The Figure represented here Maria Theresa, Queen of France, in 1666. The illustration dates to 1882.
1500s 1600s ENGRAVING DEPICTING EARLY NATIVE AMERICAN INDIAN LIFE MEN PADDLING DUGOUT CANOE ON RIVER BY VILLAGE IN FLORIDA - i6010 LAN001 HARS ENGRAVING TRANSPORTATION NOSTALGIA NORTH AMERICA TOGETHERNESS HISTORIC NORTH AMERICAN EARLY PROPERTY STRENGTH EXTERIOR PROGRESS PEOPLES TRANSPORTING REAL ESTATE PADDLES COOPERATION STRUCTURES EDIFICE NATIVE AMERICAN SMALL GROUP OF PEOPLE 1600s DUGOUT MALES PADDLING PRIMITIVE 1500s B&W BLACK AND WHITE DEPICTING INDIGENOUS OLD FASHIONED PERSONS THE AMERICAS Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-1500s-1600s-engraving-depicting-early-native-american-indian-life-175907523.htmlRMM657RF–1500s 1600s ENGRAVING DEPICTING EARLY NATIVE AMERICAN INDIAN LIFE MEN PADDLING DUGOUT CANOE ON RIVER BY VILLAGE IN FLORIDA - i6010 LAN001 HARS ENGRAVING TRANSPORTATION NOSTALGIA NORTH AMERICA TOGETHERNESS HISTORIC NORTH AMERICAN EARLY PROPERTY STRENGTH EXTERIOR PROGRESS PEOPLES TRANSPORTING REAL ESTATE PADDLES COOPERATION STRUCTURES EDIFICE NATIVE AMERICAN SMALL GROUP OF PEOPLE 1600s DUGOUT MALES PADDLING PRIMITIVE 1500s B&W BLACK AND WHITE DEPICTING INDIGENOUS OLD FASHIONED PERSONS THE AMERICAS
Habit of a woman of Mexico in 1625, vintage illustration from the 1700s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/habit-of-a-woman-of-mexico-in-1625-vintage-illustration-from-the-1700s-image398750602.htmlRM2E4MJCX–Habit of a woman of Mexico in 1625, vintage illustration from the 1700s
Portrait of a Young Girl, c. 1650, Jacob van Loo, Dutch, 1614–1670, 20 x 16 1/2 in. (50.8 x 41.91 cm) (panel), Oil on panel, Netherlands, 17th century, Portrait paintings were a common household item in the 1600s, a period known as the Dutch Golden Age. These portraits would stay within the family, passed down for generations, documenting the life and clothing of ancestors. In this painting, the young woman is dressed in a plain black gown, laced bodice, headpiece, and a collar typical of the 1650s. Her identity is unknown, though she was clearly a lady of a comfortable class in Amsterdam Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-young-girl-c-1650-jacob-van-loo-dutch-16141670-20-x-16-12-in-508-x-4191-cm-panel-oil-on-panel-netherlands-17th-century-portrait-paintings-were-a-common-household-item-in-the-1600s-a-period-known-as-the-dutch-golden-age-these-portraits-would-stay-within-the-family-passed-down-for-generations-documenting-the-life-and-clothing-of-ancestors-in-this-painting-the-young-woman-is-dressed-in-a-plain-black-gown-laced-bodice-headpiece-and-a-collar-typical-of-the-1650s-her-identity-is-unknown-though-she-was-clearly-a-lady-of-a-comfortable-class-in-amsterdam-image573493882.htmlRM2T90W8A–Portrait of a Young Girl, c. 1650, Jacob van Loo, Dutch, 1614–1670, 20 x 16 1/2 in. (50.8 x 41.91 cm) (panel), Oil on panel, Netherlands, 17th century, Portrait paintings were a common household item in the 1600s, a period known as the Dutch Golden Age. These portraits would stay within the family, passed down for generations, documenting the life and clothing of ancestors. In this painting, the young woman is dressed in a plain black gown, laced bodice, headpiece, and a collar typical of the 1650s. Her identity is unknown, though she was clearly a lady of a comfortable class in Amsterdam
St Edmund's Church, Holme Pierrepont is a parish church in the Church of England in Holme Pierrepont, Nottinghamshire, etching by Bohemian etcher Wenceslaus Hollar from 1676 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-edmunds-church-holme-pierrepont-is-a-parish-church-in-the-church-of-england-in-holme-pierrepont-nottinghamshire-etching-by-bohemian-etcher-wenceslaus-hollar-from-1676-image230990345.htmlRMRBPEF5–St Edmund's Church, Holme Pierrepont is a parish church in the Church of England in Holme Pierrepont, Nottinghamshire, etching by Bohemian etcher Wenceslaus Hollar from 1676
Christmas party in a baronial hall in the olden time England. Hand-colored woodcut Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christmas-party-in-a-baronial-hall-in-the-olden-time-england-hand-image7737337.htmlRMAE1WKA–Christmas party in a baronial hall in the olden time England. Hand-colored woodcut
Eglise Notre Dames d'Esperance (also known as Our Lady of Hope), Cannes. France The altar & apse of hilltop stone church completed in the 1600s (135) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eglise-notre-dames-desperance-also-known-as-our-lady-of-hope-cannes-france-the-altar-apse-of-hilltop-stone-church-completed-in-the-1600s-135-image575192233.htmlRM2TBP7FN–Eglise Notre Dames d'Esperance (also known as Our Lady of Hope), Cannes. France The altar & apse of hilltop stone church completed in the 1600s (135)
Our Lady of Sorrows: santo de bulto, 1600s-1700s. America, New Mexico, 17th-18th century. Painted wood; overall: 36.9 x 17.8 x 7 cm (14 1/2 x 7 x 2 3/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/our-lady-of-sorrows-santo-de-bulto-1600s-1700s-america-new-mexico-17th-18th-century-painted-wood-overall-369-x-178-x-7-cm-14-12-x-7-x-2-34-in-image448062668.htmlRM2H0Y0E4–Our Lady of Sorrows: santo de bulto, 1600s-1700s. America, New Mexico, 17th-18th century. Painted wood; overall: 36.9 x 17.8 x 7 cm (14 1/2 x 7 x 2 3/4 in.).
Presentation of Our Lady By Luca Giordano late 1600s Santa Maria della Salute Church Basilica Dome Venice Italy. Church competed in 1681 dedicated to Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-presentation-of-our-lady-by-luca-giordano-late-1600s-santa-maria-della-175407401.htmlRFM5ADX1–Presentation of Our Lady By Luca Giordano late 1600s Santa Maria della Salute Church Basilica Dome Venice Italy. Church competed in 1681 dedicated to
Minamoto no Nakakuni Visits Lady Kogō, late 1600s. Kiyohara Yukinobu (Japanese, 1643-1682). One of a triptych of hanging scrolls; ink and color on silk; painting only: 95 x 41 cm (37 3/8 x 16 1/8 in.); including mounting: 180 x 59.4 cm (70 7/8 x 23 3/8 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/minamoto-no-nakakuni-visits-lady-kog-late-1600s-kiyohara-yukinobu-japanese-1643-1682-one-of-a-triptych-of-hanging-scrolls-ink-and-color-on-silk-painting-only-95-x-41-cm-37-38-x-16-18-in-including-mounting-180-x-594-cm-70-78-x-23-38-in-image448070147.htmlRM2H0YA17–Minamoto no Nakakuni Visits Lady Kogō, late 1600s. Kiyohara Yukinobu (Japanese, 1643-1682). One of a triptych of hanging scrolls; ink and color on silk; painting only: 95 x 41 cm (37 3/8 x 16 1/8 in.); including mounting: 180 x 59.4 cm (70 7/8 x 23 3/8 in.).
A Genoese Lady with Her Child, c. 1623-1625. Prior to the 1600s, large, full-length portraits of wealthy clients usually emphasized the trappings of status above any other qualities. The accuracy of the likeness and vivacity of the person remained subordinate to an easily readable sense of the sitter’s power and position in society. Artists such as Van Dyck transformed this tradition, which sent shockwaves through Genoa, instantly changing the direction of elite portraiture in the city. While the elaborate garb of this unidentified sitter and the scale of the image certainly mark her st Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-genoese-lady-with-her-child-c-1623-1625-prior-to-the-1600s-large-full-length-portraits-of-wealthy-clients-usually-emphasized-the-trappings-of-status-above-any-other-qualities-the-accuracy-of-the-likeness-and-vivacity-of-the-person-remained-subordinate-to-an-easily-readable-sense-of-the-sitterx2019s-power-and-position-in-society-artists-such-as-van-dyck-transformed-this-tradition-which-sent-shockwaves-through-genoa-instantly-changing-the-direction-of-elite-portraiture-in-the-city-while-the-elaborate-garb-of-this-unidentified-sitter-and-the-scale-of-the-image-certainly-mark-her-st-image330069721.htmlRM2A4YY89–A Genoese Lady with Her Child, c. 1623-1625. Prior to the 1600s, large, full-length portraits of wealthy clients usually emphasized the trappings of status above any other qualities. The accuracy of the likeness and vivacity of the person remained subordinate to an easily readable sense of the sitter’s power and position in society. Artists such as Van Dyck transformed this tradition, which sent shockwaves through Genoa, instantly changing the direction of elite portraiture in the city. While the elaborate garb of this unidentified sitter and the scale of the image certainly mark her st
Empress Xiaoduanwen (1599-1649) Chinese consort of Hong Taiji during the Qing dynasty from 1636 until her husband's death in 1643, after which she was known as Empress dowager. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/empress-xiaoduanwen-1599-1649-chinese-consort-of-hong-taiji-during-the-qing-dynasty-from-1636-until-her-husbands-death-in-1643-after-which-she-was-known-as-empress-dowager-image448980426.htmlRM2H2CR36–Empress Xiaoduanwen (1599-1649) Chinese consort of Hong Taiji during the Qing dynasty from 1636 until her husband's death in 1643, after which she was known as Empress dowager.
Renaissance Woman in a dress Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-renaissance-woman-in-a-dress-147264566.htmlRFJFGDCP–Renaissance Woman in a dress
Marble monument by Joshua Marshal to Edward Noel, Viscount Camden (d. 1645) and his lady Juliana Hicks (d. 1680) in Chipping Campden church Glos. UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marble-monument-by-joshua-marshal-to-edward-noel-viscount-camden-d-1645-and-his-lady-juliana-hicks-d-1680-in-chipping-campden-church-glos-uk-image424919418.htmlRM2FK8N1E–Marble monument by Joshua Marshal to Edward Noel, Viscount Camden (d. 1645) and his lady Juliana Hicks (d. 1680) in Chipping Campden church Glos. UK
The Thames at Westminster Stairs, landscape painting in oil on panel by Claude de Jongh, 1631 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-thames-at-westminster-stairs-landscape-painting-in-oil-on-panel-by-claude-de-jongh-1631-image568564525.htmlRM2T109RW–The Thames at Westminster Stairs, landscape painting in oil on panel by Claude de Jongh, 1631
Memorial in Gloucester Cathedral UK - Elizabeth Williams died in childbirth at the age of 17 in 1622. Note effigy of her baby in its chrisom shroud. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/memorial-in-gloucester-cathedral-uk-elizabeth-williams-died-in-childbirth-at-the-age-of-17-in-1622-note-effigy-of-her-baby-in-its-chrisom-shroud-image332129667.htmlRM2A89PNR–Memorial in Gloucester Cathedral UK - Elizabeth Williams died in childbirth at the age of 17 in 1622. Note effigy of her baby in its chrisom shroud.
Virgin of Guadalupe (Virgen de Guadalupe), painting in oil on canvas by Manuel de Arellano & Antonio de Arellano, 1691 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/virgin-of-guadalupe-virgen-de-guadalupe-painting-in-oil-on-canvas-by-manuel-de-arellano-antonio-de-arellano-1691-image570246425.htmlRM2T3MY3N–Virgin of Guadalupe (Virgen de Guadalupe), painting in oil on canvas by Manuel de Arellano & Antonio de Arellano, 1691
The tomb of Sir Lawrence Tanfield and his wife Elizabeth in the parish church of St John the Baptist in Burford, Oxfordshire UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-tomb-of-sir-lawrence-tanfield-and-his-wife-elizabeth-in-the-parish-74985769.htmlRME9YW35–The tomb of Sir Lawrence Tanfield and his wife Elizabeth in the parish church of St John the Baptist in Burford, Oxfordshire UK
King Charles II (1630-1685) and Jane Lane riding to Bristol, painting in oil on canvas by Isaac Fuller, 1660-1669 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/king-charles-ii-1630-1685-and-jane-lane-riding-to-bristol-painting-in-oil-on-canvas-by-isaac-fuller-1660-1669-image593685073.htmlRM2WDTKA9–King Charles II (1630-1685) and Jane Lane riding to Bristol, painting in oil on canvas by Isaac Fuller, 1660-1669
The Figures represented here are all French ladies of the court living in the 17th century, specifically between 1600 and 1670. The illustration dates to 1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-figures-represented-here-are-all-french-ladies-of-the-court-living-in-the-17th-century-specifically-between-1600-and-1670-the-illustration-dates-to-1882-image221475453.htmlRFPT925H–The Figures represented here are all French ladies of the court living in the 17th century, specifically between 1600 and 1670. The illustration dates to 1882.
Mary Boleyn (circa 1499-1543), sister of Anne, mistress of King Henry VIII, portrait painting in oil on panel after Remigius van Leemput, 1630-1670 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mary-boleyn-circa-1499-1543-sister-of-anne-mistress-of-king-henry-viii-portrait-painting-in-oil-on-panel-after-remigius-van-leemput-1630-1670-image595633666.htmlRM2WH1CPX–Mary Boleyn (circa 1499-1543), sister of Anne, mistress of King Henry VIII, portrait painting in oil on panel after Remigius van Leemput, 1630-1670
Portrait of Lady-in-Waiting to the Infanta Isabella (Portrait of Clara Serena Rubens, Daughter of the Painter ? Peter Paul Rubens: 1625 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-lady-in-waiting-to-the-infanta-isabella-portrait-of-clara-serena-rubens-daughter-of-the-painter-peter-paul-rubens-1625-image597828912.htmlRF2WMHCTG–Portrait of Lady-in-Waiting to the Infanta Isabella (Portrait of Clara Serena Rubens, Daughter of the Painter ? Peter Paul Rubens: 1625
The life of a lady. Portrait of an elegant noble woman reading in her palace room. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-life-of-a-lady-portrait-of-an-elegant-noble-woman-reading-in-her-palace-room-image483401045.htmlRF2K2CPY1–The life of a lady. Portrait of an elegant noble woman reading in her palace room.
Princess Elizabeth (1596-1662), Later Queen of Bohemia. Artist: Robert Peake the Elder (British, ca. 1551-1619 London). Dimensions: 60 3/4 x 31 1/4 in. (154.3 x 79.4 cm). Date: ca. 1606. Elizabeth, sister of Prince Henry and of the future Charles I, was about ten years old when this portrait was painted. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/princess-elizabeth-1596-1662-later-queen-of-bohemia-artist-robert-peake-the-elder-british-ca-1551-1619-london-dimensions-60-34-x-31-14-in-1543-x-794-cm-date-ca-1606-elizabeth-sister-of-prince-henry-and-of-the-future-charles-i-was-about-ten-years-old-when-this-portrait-was-painted-museum-metropolitan-museum-of-art-new-york-usa-image213323125.htmlRMPB1KR1–Princess Elizabeth (1596-1662), Later Queen of Bohemia. Artist: Robert Peake the Elder (British, ca. 1551-1619 London). Dimensions: 60 3/4 x 31 1/4 in. (154.3 x 79.4 cm). Date: ca. 1606. Elizabeth, sister of Prince Henry and of the future Charles I, was about ten years old when this portrait was painted. Museum: Metropolitan Museum of Art, New York, USA.
Coronation of the Virgin Mary (1603-1605) by Spanish mannerist painter El Greco on display in the El Greco Museum in Toledo, Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-coronation-of-the-virgin-mary-1603-1605-by-spanish-mannerist-painter-139201890.htmlRMJ2D5C2–Coronation of the Virgin Mary (1603-1605) by Spanish mannerist painter El Greco on display in the El Greco Museum in Toledo, Spain.
Hilltop Gothic-style stone church with bell tower completed in the 1600s, featuring a musical crèche and city views. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hilltop-gothic-style-stone-church-with-bell-tower-completed-in-the-1600s-featuring-a-musical-crche-and-city-views-image359919388.htmlRF2BWFMRT–Hilltop Gothic-style stone church with bell tower completed in the 1600s, featuring a musical crèche and city views.
Painting in Alte Pinakothek, Munich, Bavaria, Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painting-in-alte-pinakothek-munich-bavaria-germany-27232161.htmlRMBG8EW5–Painting in Alte Pinakothek, Munich, Bavaria, Germany
The iconostasis of the Church of the Nativity, built in the 17th century, Landmark Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-iconostasis-of-the-church-of-the-nativity-built-in-the-17th-century-landmark-image619064911.htmlRM2XY4RH3–The iconostasis of the Church of the Nativity, built in the 17th century, Landmark
Minamoto no Nakakuni Visits Lady Kogō, late 1600s. Kiyohara Yukinobu (Japanese, 1643-1682). One of a triptych of hanging scrolls; ink and color on silk; painting only: 95 x 41 cm (37 3/8 x 16 1/8 in.); including mounting: 180 x 59.4 cm (70 7/8 x 23 3/8 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/minamoto-no-nakakuni-visits-lady-kog-late-1600s-kiyohara-yukinobu-japanese-1643-1682-one-of-a-triptych-of-hanging-scrolls-ink-and-color-on-silk-painting-only-95-x-41-cm-37-38-x-16-18-in-including-mounting-180-x-594-cm-70-78-x-23-38-in-image448070168.htmlRM2H0YA20–Minamoto no Nakakuni Visits Lady Kogō, late 1600s. Kiyohara Yukinobu (Japanese, 1643-1682). One of a triptych of hanging scrolls; ink and color on silk; painting only: 95 x 41 cm (37 3/8 x 16 1/8 in.); including mounting: 180 x 59.4 cm (70 7/8 x 23 3/8 in.).
Cecilia Killigrew, d1685, courtier and maid of honour to Henrietta Maria, and subject of poems, etching by Bohemian etcher Wenceslaus Hollar from 1600s. From a portrait by Anthony van Dyck. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cecilia-killigrew-d1685-courtier-and-maid-of-honour-to-henrietta-maria-and-subject-of-poems-etching-by-bohemian-etcher-wenceslaus-hollar-from-1600s-from-a-portrait-by-anthony-van-dyck-image340565752.htmlRM2AP232G–Cecilia Killigrew, d1685, courtier and maid of honour to Henrietta Maria, and subject of poems, etching by Bohemian etcher Wenceslaus Hollar from 1600s. From a portrait by Anthony van Dyck.
Eglise Notre Dames d'Esperance (also known as Our Lady of Hope), Cannes. France The altar & apse of hilltop stone church completed in the 1600s (135) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eglise-notre-dames-desperance-also-known-as-our-lady-of-hope-cannes-france-the-altar-apse-of-hilltop-stone-church-completed-in-the-1600s-135-image574504606.htmlRM2TAJXDJ–Eglise Notre Dames d'Esperance (also known as Our Lady of Hope), Cannes. France The altar & apse of hilltop stone church completed in the 1600s (135)
The Presentation of the Christ Child in the Temple, 1605. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-presentation-of-the-christ-child-in-the-temple-1605-image603657115.htmlRM2X22XPK–The Presentation of the Christ Child in the Temple, 1605.
Mid seventeenth century wall monument to William and Avis Alston, Marlseford church, Suffolk, England, UK he died in 1641 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mid-seventeenth-century-wall-monument-to-william-and-avis-alston-marlseford-95618195.htmlRMFFFNYF–Mid seventeenth century wall monument to William and Avis Alston, Marlseford church, Suffolk, England, UK he died in 1641
William and Mary the Protestants Joy ruling England after the Glorious Revolution 1688. Hand-colored halftone of an ilustration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-william-and-mary-the-protestants-joy-ruling-england-after-the-glorious-12420064.htmlRMA9PR4H–William and Mary the Protestants Joy ruling England after the Glorious Revolution 1688. Hand-colored halftone of an ilustration
The Église Notre-Dame-des-Anges (Church of Our Lady of the Angels) was built in Mediterranean Gothic style on the waterfront at Collioure, Pyrénées-Orientales, Occitanie, France, between 1684 and 1691, with its cylindrical rubble bell tower converted in 1693 from a medieval pharos lighthouse, beacon and lookout that used to alert ships at sea to the port’s location with smoke during the day and fire at night. The much-painted and photographed landmark now also functions as a clock tower. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-glise-notre-dame-des-anges-church-of-our-lady-of-the-angels-was-built-in-mediterranean-gothic-style-on-the-waterfront-at-collioure-pyrnes-orientales-occitanie-france-between-1684-and-1691-with-its-cylindrical-rubble-bell-tower-converted-in-1693-from-a-medieval-pharos-lighthouse-beacon-and-lookout-that-used-to-alert-ships-at-sea-to-the-ports-location-with-smoke-during-the-day-and-fire-at-night-the-much-painted-and-photographed-landmark-now-also-functions-as-a-clock-tower-image429207393.htmlRF2FX82BD–The Église Notre-Dame-des-Anges (Church of Our Lady of the Angels) was built in Mediterranean Gothic style on the waterfront at Collioure, Pyrénées-Orientales, Occitanie, France, between 1684 and 1691, with its cylindrical rubble bell tower converted in 1693 from a medieval pharos lighthouse, beacon and lookout that used to alert ships at sea to the port’s location with smoke during the day and fire at night. The much-painted and photographed landmark now also functions as a clock tower.
People in Puebla Cathedral interior and the Cypress High Altar d. 1819. Roman Catholic Basilica Cathedral of Puebla, Puebla Mexico Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/people-in-puebla-cathedral-interior-and-the-cypress-high-altar-d-1819-roman-catholic-basilica-cathedral-of-puebla-puebla-mexico-image612060164.htmlRM2XFNMYG–People in Puebla Cathedral interior and the Cypress High Altar d. 1819. Roman Catholic Basilica Cathedral of Puebla, Puebla Mexico
A quiet spot to meet in Gamla Stan (the old town) in Stockholm, Sweden Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-quiet-spot-to-meet-in-gamla-stan-the-old-town-in-stockholm-sweden-image474364920.htmlRM2JFN588–A quiet spot to meet in Gamla Stan (the old town) in Stockholm, Sweden
Search Results for Lady in 1600s Stock Photos and Images (206)
Page 1 of 3