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Lake of avernus Stock Photos and Images
The Cave of the Cumean Sybil on the Shore of the Lake Avernus, attributed to James Barry, 1741–1806, Irish, formerly attributed to Richard Wilson RA, 1714–1782, British, active in Italy (1750–56), between 1740 and 1759, Pen and brown ink and graphite on medium, slightly textured, cream laid paper, Sheet: 5 7/8 x 16 5/8 inches (14.9 x 42.2 cm), caves, Grand Tour, hills, lakes, landscape, shores, Avernus, Lake, Campania Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-cave-of-the-cumean-sybil-on-the-shore-of-the-lake-avernus-attributed-to-james-barry-17411806-irish-formerly-attributed-to-richard-wilson-ra-17141782-british-active-in-italy-175056-between-1740-and-1759-pen-and-brown-ink-and-graphite-on-medium-slightly-textured-cream-laid-paper-sheet-5-78-x-16-58-inches-149-x-422-cm-caves-grand-tour-hills-lakes-landscape-shores-avernus-lake-campania-image389591943.htmlRM2DHRCDY–The Cave of the Cumean Sybil on the Shore of the Lake Avernus, attributed to James Barry, 1741–1806, Irish, formerly attributed to Richard Wilson RA, 1714–1782, British, active in Italy (1750–56), between 1740 and 1759, Pen and brown ink and graphite on medium, slightly textured, cream laid paper, Sheet: 5 7/8 x 16 5/8 inches (14.9 x 42.2 cm), caves, Grand Tour, hills, lakes, landscape, shores, Avernus, Lake, Campania
Lake Avernus Campania Spa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-campania-spa-48060669.htmlRMCP59TD–Lake Avernus Campania Spa
Lake Avernus and Monte di Procida, Campi Flegrei Naples, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-and-monte-di-procida-campi-flegrei-naples-italy-48839894.htmlRMCRCRNX–Lake Avernus and Monte di Procida, Campi Flegrei Naples, Italy
View of the Lake Avernus from the road between Puzzoli and Cuma, 1776. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-lake-avernus-from-the-road-between-puzzoli-and-cuma-1776-image186152182.htmlRMMPRY06–View of the Lake Avernus from the road between Puzzoli and Cuma, 1776.
crops on the shore of Lake Avernus, Pozzuoli, Naples, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-crops-on-the-shore-of-lake-avernus-pozzuoli-naples-italy-33871489.htmlRFBY2YC1–crops on the shore of Lake Avernus, Pozzuoli, Naples, Italy
THE LAKE OF AVERNUS, by Jakob Philipp Hackert (1737-1807) in the Picture Gallery at Attingham Park Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-lake-of-avernus-by-jakob-philipp-hackert-1737-1807-in-the-picture-22627243.htmlRMB8PN7R–THE LAKE OF AVERNUS, by Jakob Philipp Hackert (1737-1807) in the Picture Gallery at Attingham Park
Lake Avernus in Campania, entrance to Hades according to mythology Sandys George 1615 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-in-campania-entrance-to-hades-according-to-mythology-140206297.htmlRMJ42XFN–Lake Avernus in Campania, entrance to Hades according to mythology Sandys George 1615
357 Lake Avernus in Campania, entrance to Hades according to mythology - Sandys George - 1615 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/357-lake-avernus-in-campania-entrance-to-hades-according-to-mythology-sandys-george-1615-image213922273.htmlRMPC1015–357 Lake Avernus in Campania, entrance to Hades according to mythology - Sandys George - 1615
Lake Avernus in Campania, entrance to Hades according to mythology - Sandys George - 1615. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-in-campania-entrance-to-hades-according-to-mythology-sandys-george-1615-image395626823.htmlRM2DYJA1B–Lake Avernus in Campania, entrance to Hades according to mythology - Sandys George - 1615.
Lake Avernus in Campania, entrance to Hades according to mythology Sandys George 1615 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-in-campania-entrance-to-hades-according-to-mythology-132512641.htmlRMHKGD69–Lake Avernus in Campania, entrance to Hades according to mythology Sandys George 1615
Joseph Mallord William Turner - Lake Avernus. Aeneas and the Cumaean Sybil Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-joseph-mallord-william-turner-lake-avernus-aeneas-and-the-cumaean-90295098.htmlRMF6W88X–Joseph Mallord William Turner - Lake Avernus. Aeneas and the Cumaean Sybil
Lake Avernus, Cuma, Italy and the Cave of the Cumean Sibyl Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-cuma-italy-and-the-cave-of-the-cumean-sibyl-image504914466.htmlRM2M9CRFE–Lake Avernus, Cuma, Italy and the Cave of the Cumean Sibyl
JMW Turner, landscape painting, Lake Avernus, Aeneas and the Cumaean Sybil, 1814-1815 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jmw-turner-landscape-painting-lake-avernus-aeneas-and-the-cumaean-sybil-1814-1815-image261069862.htmlRMW4MN7J–JMW Turner, landscape painting, Lake Avernus, Aeneas and the Cumaean Sybil, 1814-1815
![A View of the Lake of Avernus, with the Ruins of the Temple of Apollo, the Lucrin Lake, Monte Nuovo, and the Island of Caprea, in the Bay of Naples Author Ziegler, J. C. 83.61.b. Place of publication: London Publisher: Published March 1. 1798. by Rob.t Freebairn No. 72 Newman Street, Date of publication: [March 1 1798] Item type: 1 print Medium: hand-coloured aquatint, etching, and stipple engraving Dimensions: sheet 45.6 x 59.5 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FP62/a-view-of-the-lake-of-avernus-with-the-ruins-of-the-temple-of-apollo-the-lucrin-lake-monte-nuovo-and-the-island-of-caprea-in-the-bay-of-naples-author-ziegler-j-c-8361b-place-of-publication-london-publisher-published-march-1-1798-by-robt-freebairn-no-72-newman-street-date-of-publication-march-1-1798-item-type-1-print-medium-hand-coloured-aquatint-etching-and-stipple-engraving-dimensions-sheet-456-x-595-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FP62.jpg "A View of the Lake of Avernus, with the Ruins of the Temple of Apollo, the Lucrin Lake, Monte Nuovo, and the Island of Caprea, in the Bay of Naples Author Ziegler, J. C. 83.61.b. Place of publication: London Publisher: Published March 1. 1798. by Rob.t Freebairn No. 72 Newman Street, Date of publication: [March 1 1798] Item type: 1 print Medium: hand-coloured aquatint, etching, and stipple engraving Dimensions: sheet 45.6 x 59.5 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
A View of the Lake of Avernus, with the Ruins of the Temple of Apollo, the Lucrin Lake, Monte Nuovo, and the Island of Caprea, in the Bay of Naples Author Ziegler, J. C. 83.61.b. Place of publication: London Publisher: Published March 1. 1798. by Rob.t Freebairn No. 72 Newman Street, Date of publication: [March 1 1798] Item type: 1 print Medium: hand-coloured aquatint, etching, and stipple engraving Dimensions: sheet 45.6 x 59.5 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-of-the-lake-of-avernus-with-the-ruins-of-the-temple-of-apollo-the-lucrin-lake-monte-nuovo-and-the-island-of-caprea-in-the-bay-of-naples-author-ziegler-j-c-8361b-place-of-publication-london-publisher-published-march-1-1798-by-robt-freebairn-no-72-newman-street-date-of-publication-march-1-1798-item-type-1-print-medium-hand-coloured-aquatint-etching-and-stipple-engraving-dimensions-sheet-456-x-595-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401717066.htmlRM2E9FP62–A View of the Lake of Avernus, with the Ruins of the Temple of Apollo, the Lucrin Lake, Monte Nuovo, and the Island of Caprea, in the Bay of Naples Author Ziegler, J. C. 83.61.b. Place of publication: London Publisher: Published March 1. 1798. by Rob.t Freebairn No. 72 Newman Street, Date of publication: [March 1 1798] Item type: 1 print Medium: hand-coloured aquatint, etching, and stipple engraving Dimensions: sheet 45.6 x 59.5 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820
ITALY: Lake Avernus, antique print c1870 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-italy-lake-avernus-antique-print-c1870-94654658.htmlRFFDYTYE–ITALY: Lake Avernus, antique print c1870
View of Lake Avernus, Campi Flegrei (Phlegraean Fields), Naples, Campania, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-lake-avernus-campi-flegrei-phlegraean-fields-naples-campania-italy-image394578873.htmlRF2DWXHAH–View of Lake Avernus, Campi Flegrei (Phlegraean Fields), Naples, Campania, Italy
lake Avernus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-image330906735.htmlRF2A6A2WK–lake Avernus
![Lake Avernus plant and surrounding places, Map of the ancient ruins of Lago d'Averno, signed: T. R. A, In, tab. XLII no. II, Rajola, Tommaso (del.); Fiorillo, Nicola (sc.), 1768, Paolo Antonius Paoli: Avanzi delle antichita esistenti a Pozzuoli Cuma e Baja. [Neapel]: [s.n.], Anno A.C.N.MDCCLXVIII. [1768 Stock Photo](https://c8.alamy.com/comp/2A2TKRG/lake-avernus-plant-and-surrounding-places-map-of-the-ancient-ruins-of-lago-daverno-signed-t-r-a-in-tab-xlii-no-ii-rajola-tommaso-del-fiorillo-nicola-sc-1768-paolo-antonius-paoli-avanzi-delle-antichita-esistenti-a-pozzuoli-cuma-e-baja-neapel-sn-anno-acnmdcclxviii-1768-2A2TKRG.jpg "Lake Avernus plant and surrounding places, Map of the ancient ruins of Lago d'Averno, signed: T. R. A, In, tab. XLII no. II, Rajola, Tommaso (del.); Fiorillo, Nicola (sc.), 1768, Paolo Antonius Paoli: Avanzi delle antichita esistenti a Pozzuoli Cuma e Baja. [Neapel]: [s.n.], Anno A.C.N.MDCCLXVIII. [1768 Stock Photo")
Lake Avernus plant and surrounding places, Map of the ancient ruins of Lago d'Averno, signed: T. R. A, In, tab. XLII no. II, Rajola, Tommaso (del.); Fiorillo, Nicola (sc.), 1768, Paolo Antonius Paoli: Avanzi delle antichita esistenti a Pozzuoli Cuma e Baja. [Neapel]: [s.n.], Anno A.C.N.MDCCLXVIII. [1768 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-plant-and-surrounding-places-map-of-the-ancient-ruins-of-lago-daverno-signed-t-r-a-in-tab-xlii-no-ii-rajola-tommaso-del-fiorillo-nicola-sc-1768-paolo-antonius-paoli-avanzi-delle-antichita-esistenti-a-pozzuoli-cuma-e-baja-neapel-sn-anno-acnmdcclxviii-1768-image328768708.htmlRM2A2TKRG–Lake Avernus plant and surrounding places, Map of the ancient ruins of Lago d'Averno, signed: T. R. A, In, tab. XLII no. II, Rajola, Tommaso (del.); Fiorillo, Nicola (sc.), 1768, Paolo Antonius Paoli: Avanzi delle antichita esistenti a Pozzuoli Cuma e Baja. [Neapel]: [s.n.], Anno A.C.N.MDCCLXVIII. [1768
Lake Avernus and Monte di Procida, Campi Flegrei, Naples, Italy, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-and-monte-di-procida-campi-flegrei-naples-italy-europe-105736964.htmlRMG40MG4–Lake Avernus and Monte di Procida, Campi Flegrei, Naples, Italy, Europe
Lake Avernus: Aeneas and the Cumaean Sibyl, Joseph Mallord William Turner, 1775–1851, British, between 1814 and 1815, Oil on canvas, Support (PTG): 28 1/4 x 38 1/4 inches (71.8 x 97.2 cm), Aeneas' visit to the underworld, armor, castle, city, costume, darkness, epics, hills, lake, landscape, legend, men, mountains, mythology, poem, relief, religious and mythological subject, Roman, ruins, ruins, shield, soldiers, the arrival of Aeneas at Cumae, where they consult Deiphobe, the Cumaean Sibyl, who foretells of Aeneas' wars in Latium, woman, Averno, Lago d', Avernus, Lake, Campania, Cumae, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-aeneas-and-the-cumaean-sibyl-joseph-mallord-william-turner-17751851-british-between-1814-and-1815-oil-on-canvas-support-ptg-28-14-x-38-14-inches-718-x-972-cm-aeneas-visit-to-the-underworld-armor-castle-city-costume-darkness-epics-hills-lake-landscape-legend-men-mountains-mythology-poem-relief-religious-and-mythological-subject-roman-ruins-ruins-shield-soldiers-the-arrival-of-aeneas-at-cumae-where-they-consult-deiphobe-the-cumaean-sibyl-who-foretells-of-aeneas-wars-in-latium-woman-averno-lago-d-avernus-lake-campania-cumae-italy-image389782447.htmlRM2DJ43DK–Lake Avernus: Aeneas and the Cumaean Sibyl, Joseph Mallord William Turner, 1775–1851, British, between 1814 and 1815, Oil on canvas, Support (PTG): 28 1/4 x 38 1/4 inches (71.8 x 97.2 cm), Aeneas' visit to the underworld, armor, castle, city, costume, darkness, epics, hills, lake, landscape, legend, men, mountains, mythology, poem, relief, religious and mythological subject, Roman, ruins, ruins, shield, soldiers, the arrival of Aeneas at Cumae, where they consult Deiphobe, the Cumaean Sibyl, who foretells of Aeneas' wars in Latium, woman, Averno, Lago d', Avernus, Lake, Campania, Cumae, Italy
![Two men in Classical robes stand in conversation under some trees by a lake near a temple, with ruins at left and Bay of Naples in the background. A View of the Lake of Avernus, with the Ruins of the Temple of Apollo, the Lucrin Lake, Monte Nuovo, and the Island of Caprea, in the Bay of Naples ... London : Published March 1. 1798. by Rob.t Freebairn No. 72 Newman Street, [March 1 1798]. 1 print : hand-coloured aquatint, etching, and stipple engraving ; sheet 45.6 x 59.5 cm (trimmed below platemark). Source: Maps K.Top.83.61.b. Stock Photo](https://c8.alamy.com/comp/R577CN/two-men-in-classical-robes-stand-in-conversation-under-some-trees-by-a-lake-near-a-temple-with-ruins-at-left-and-bay-of-naples-in-the-background-a-view-of-the-lake-of-avernus-with-the-ruins-of-the-temple-of-apollo-the-lucrin-lake-monte-nuovo-and-the-island-of-caprea-in-the-bay-of-naples-london-published-march-1-1798-by-robt-freebairn-no-72-newman-street-march-1-1798-1-print-hand-coloured-aquatint-etching-and-stipple-engraving-sheet-456-x-595-cm-trimmed-below-platemark-source-maps-ktop8361b-R577CN.jpg "Two men in Classical robes stand in conversation under some trees by a lake near a temple, with ruins at left and Bay of Naples in the background. A View of the Lake of Avernus, with the Ruins of the Temple of Apollo, the Lucrin Lake, Monte Nuovo, and the Island of Caprea, in the Bay of Naples ... London : Published March 1. 1798. by Rob.t Freebairn No. 72 Newman Street, [March 1 1798]. 1 print : hand-coloured aquatint, etching, and stipple engraving ; sheet 45.6 x 59.5 cm (trimmed below platemark). Source: Maps K.Top.83.61.b. Stock Photo")
Two men in Classical robes stand in conversation under some trees by a lake near a temple, with ruins at left and Bay of Naples in the background. A View of the Lake of Avernus, with the Ruins of the Temple of Apollo, the Lucrin Lake, Monte Nuovo, and the Island of Caprea, in the Bay of Naples ... London : Published March 1. 1798. by Rob.t Freebairn No. 72 Newman Street, [March 1 1798]. 1 print : hand-coloured aquatint, etching, and stipple engraving ; sheet 45.6 x 59.5 cm (trimmed below platemark). Source: Maps K.Top.83.61.b. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-men-in-classical-robes-stand-in-conversation-under-some-trees-by-a-lake-near-a-temple-with-ruins-at-left-and-bay-of-naples-in-the-background-a-view-of-the-lake-of-avernus-with-the-ruins-of-the-temple-of-apollo-the-lucrin-lake-monte-nuovo-and-the-island-of-caprea-in-the-bay-of-naples-london-published-march-1-1798-by-robt-freebairn-no-72-newman-street-march-1-1798-1-print-hand-coloured-aquatint-etching-and-stipple-engraving-sheet-456-x-595-cm-trimmed-below-platemark-source-maps-ktop8361b-image226967573.htmlRMR577CN–Two men in Classical robes stand in conversation under some trees by a lake near a temple, with ruins at left and Bay of Naples in the background. A View of the Lake of Avernus, with the Ruins of the Temple of Apollo, the Lucrin Lake, Monte Nuovo, and the Island of Caprea, in the Bay of Naples ... London : Published March 1. 1798. by Rob.t Freebairn No. 72 Newman Street, [March 1 1798]. 1 print : hand-coloured aquatint, etching, and stipple engraving ; sheet 45.6 x 59.5 cm (trimmed below platemark). Source: Maps K.Top.83.61.b.
Lake Avernus and Monte di Procida, Campi Flegrei Naples, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-and-monte-di-procida-campi-flegrei-naples-italy-48839405.htmlRMCRCR4D–Lake Avernus and Monte di Procida, Campi Flegrei Naples, Italy
Lake Avernus, Campania, Italy, c1833. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-campania-italy-c1833-artist-unknown-image60225326.htmlRMDDYE0E–Lake Avernus, Campania, Italy, c1833. Artist: Unknown
Roman ruins of thermal baths or Temple of Apollo on the edge of Lago d Averno, Cuma, Pozzuoli, Campania Italy, EU Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-ruins-of-thermal-baths-or-temple-of-apollo-on-the-edge-of-lago-d-averno-cuma-pozzuoli-campania-italy-eu-image335155272.htmlRM2AD7HY4–Roman ruins of thermal baths or Temple of Apollo on the edge of Lago d Averno, Cuma, Pozzuoli, Campania Italy, EU
Lake Avernus and Monte di Procida, Campi Flegrei Naples, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-and-monte-di-procida-campi-flegrei-naples-italy-33871393.htmlRFBY2Y8H–Lake Avernus and Monte di Procida, Campi Flegrei Naples, Italy
Lake Avernus in Campania, entrance to Hades according to mythology Sandys George 1615 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-lake-avernus-in-campania-entrance-to-hades-according-to-mythology-163707278.htmlRMKE9E8E–Lake Avernus in Campania, entrance to Hades according to mythology Sandys George 1615
Lake Avernus: Aeneas and the Cumaean Sybil. Date/Period: 1814 or 1815. Painting. Oil on canvas. 76 × 92.7 cm (29.9 × 36.4 in). Author: J. M. W. Turner. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-aeneas-and-the-cumaean-sybil-dateperiod-1814-or-1815-painting-oil-on-canvas-76-927-cm-299-364-in-author-j-m-w-turner-image219735415.htmlRMPNDPNB–Lake Avernus: Aeneas and the Cumaean Sybil. Date/Period: 1814 or 1815. Painting. Oil on canvas. 76 × 92.7 cm (29.9 × 36.4 in). Author: J. M. W. Turner.
Joseph Mallord William Turner - Aeneas and the Sibyl Lake Avernus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-mallord-william-turner-aeneas-and-the-sibyl-lake-avernus-image432814617.htmlRF2G44BCW–Joseph Mallord William Turner - Aeneas and the Sibyl Lake Avernus
Lake Avernus: Aeneas and the Cumaean Sybil, Joseph Mallord William Turner, 1775-1851, British Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-aeneas-and-the-cumaean-sybil-joseph-mallord-william-turner-77444778.htmlRMEDYWGX–Lake Avernus: Aeneas and the Cumaean Sybil, Joseph Mallord William Turner, 1775-1851, British
Lake Avernus circa 1765. 1269 Wilson-avernus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-circa-1765-1269-wilson-avernus-image185600166.htmlRMMNXPWA–Lake Avernus circa 1765. 1269 Wilson-avernus
James Barry - The Cave of the Cumean Sybil on the Shore of the Lake Avernus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-barry-the-cave-of-the-cumean-sybil-on-the-shore-of-the-lake-avernus-image367360190.htmlRM2C9JKJP–James Barry - The Cave of the Cumean Sybil on the Shore of the Lake Avernus
Lake Avernus by Richard Wilson (1713-1782) - IMG 7297 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-by-richard-wilson-1713-1782-img-7297-132844804.htmlRMHM3GW8–Lake Avernus by Richard Wilson (1713-1782) - IMG 7297
Lake Avernus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-image271830161.htmlRMWP6X41–Lake Avernus
Joseph Mallord William Turner Lake Avernus Aeneas and the Cumaean Sybil Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-joseph-mallord-william-turner-lake-avernus-aeneas-and-the-cumaean-137388088.htmlRMHYEFWC–Joseph Mallord William Turner Lake Avernus Aeneas and the Cumaean Sybil Google Art Project
View of Lake Avernus, Campi Flegrei (Phlegraean Fields), Naples, Campania, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-lake-avernus-campi-flegrei-phlegraean-fields-naples-campania-italy-image394619432.htmlRF2DX0D34–View of Lake Avernus, Campi Flegrei (Phlegraean Fields), Naples, Campania, Italy
entrance to haden Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/entrance-to-haden-image330906806.htmlRF2A6A306–entrance to haden
Lake Avernus I (c. 1765) Richard Wilson - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-i-c1765-richard-wilson-image624979093.htmlRM2Y8P75W–Lake Avernus I (c. 1765) Richard Wilson -
Lake Avernus and Monte di Procida, Campi Flegrei, Naples, Italy, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-and-monte-di-procida-campi-flegrei-naples-italy-europe-105736963.htmlRMG40MG3–Lake Avernus and Monte di Procida, Campi Flegrei, Naples, Italy, Europe
![The Port and Castle of Baie: The Cape of Misenum Site of the Garden of Lucullus: Monte Procida and the Island of Ischia; and the Lakes Lucrinus and Avernus, 1856. Preparations to '...form a naval port of Lucrinus and Avernus [in the Campania region of southern Italy]...the harbingers of modern destructiveness are already visible - the flags of the land-surveyors are erected, and measurements are being made with a view to ascertain the practicability of the project, and the value of the land to be purchased...The sea, when it was agitated, brought up here, as at Brindisi, an immense quantity of Stock Photo](https://c8.alamy.com/comp/2R4DJ3P/the-port-and-castle-of-baie-the-cape-of-misenum-site-of-the-garden-of-lucullus-monte-procida-and-the-island-of-ischia-and-the-lakes-lucrinus-and-avernus-1856-preparations-to-form-a-naval-port-of-lucrinus-and-avernus-in-the-campania-region-of-southern-italy-the-harbingers-of-modern-destructiveness-are-already-visible-the-flags-of-the-land-surveyors-are-erected-and-measurements-are-being-made-with-a-view-to-ascertain-the-practicability-of-the-project-and-the-value-of-the-land-to-be-purchasedthe-sea-when-it-was-agitated-brought-up-here-as-at-brindisi-an-immense-quantity-of-2R4DJ3P.jpg "The Port and Castle of Baie: The Cape of Misenum Site of the Garden of Lucullus: Monte Procida and the Island of Ischia; and the Lakes Lucrinus and Avernus, 1856. Preparations to '...form a naval port of Lucrinus and Avernus [in the Campania region of southern Italy]...the harbingers of modern destructiveness are already visible - the flags of the land-surveyors are erected, and measurements are being made with a view to ascertain the practicability of the project, and the value of the land to be purchased...The sea, when it was agitated, brought up here, as at Brindisi, an immense quantity of Stock Photo")
The Port and Castle of Baie: The Cape of Misenum Site of the Garden of Lucullus: Monte Procida and the Island of Ischia; and the Lakes Lucrinus and Avernus, 1856. Preparations to '...form a naval port of Lucrinus and Avernus [in the Campania region of southern Italy]...the harbingers of modern destructiveness are already visible - the flags of the land-surveyors are erected, and measurements are being made with a view to ascertain the practicability of the project, and the value of the land to be purchased...The sea, when it was agitated, brought up here, as at Brindisi, an immense quantity of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-port-and-castle-of-baie-the-cape-of-misenum-site-of-the-garden-of-lucullus-monte-procida-and-the-island-of-ischia-and-the-lakes-lucrinus-and-avernus-1856-preparations-to-form-a-naval-port-of-lucrinus-and-avernus-in-the-campania-region-of-southern-italy-the-harbingers-of-modern-destructiveness-are-already-visible-the-flags-of-the-land-surveyors-are-erected-and-measurements-are-being-made-with-a-view-to-ascertain-the-practicability-of-the-project-and-the-value-of-the-land-to-be-purchasedthe-sea-when-it-was-agitated-brought-up-here-as-at-brindisi-an-immense-quantity-of-image553489994.htmlRM2R4DJ3P–The Port and Castle of Baie: The Cape of Misenum Site of the Garden of Lucullus: Monte Procida and the Island of Ischia; and the Lakes Lucrinus and Avernus, 1856. Preparations to '...form a naval port of Lucrinus and Avernus [in the Campania region of southern Italy]...the harbingers of modern destructiveness are already visible - the flags of the land-surveyors are erected, and measurements are being made with a view to ascertain the practicability of the project, and the value of the land to be purchased...The sea, when it was agitated, brought up here, as at Brindisi, an immense quantity of
Lake Avernus I 1765 by Richard Wilson Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-i-1765-by-richard-wilson-image558057779.htmlRM2RBWMAY–Lake Avernus I 1765 by Richard Wilson
Temple of Apollo, Roman archeological site of a thermal spa on the Avernus lake, Campi flegrei, Pozzuoli, Naples, Campania Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-temple-of-apollo-roman-archeological-site-of-a-thermal-spa-on-the-126705283.htmlRMHA3WTK–Temple of Apollo, Roman archeological site of a thermal spa on the Avernus lake, Campi flegrei, Pozzuoli, Naples, Campania
Lake Avernus: Aeneas and the Cumaean Sibyl;Lake Avernus: Aeneas and the Cumaean Sybil, between 1814 and 1815. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-aeneas-and-the-cumaean-sibyllake-avernus-aeneas-and-the-cumaean-sybil-between-1814-and-1815-image415167065.htmlRM2F3CDR5–Lake Avernus: Aeneas and the Cumaean Sibyl;Lake Avernus: Aeneas and the Cumaean Sybil, between 1814 and 1815.
Roman ruins of thermal baths or Temple of Apollo on the edge of Lago d Averno, Cuma, Pozzuoli, Campania Italy, EU Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-ruins-of-thermal-baths-or-temple-of-apollo-on-the-edge-of-lago-d-averno-cuma-pozzuoli-campania-italy-eu-image335155367.htmlRM2AD7J2F–Roman ruins of thermal baths or Temple of Apollo on the edge of Lago d Averno, Cuma, Pozzuoli, Campania Italy, EU
JMW Turner 1775- 1851 Aeneas and the Sibil, Lake Avernus (1798) Oil on canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jmw-turner-1775-1851-aeneas-and-the-sibil-lake-avernus-1798-oil-on-canvas-image358318275.htmlRM2BPXPH7–JMW Turner 1775- 1851 Aeneas and the Sibil, Lake Avernus (1798) Oil on canvas
Lake Avernus and Monte di Procida, Campi Flegrei Naples, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-and-monte-di-procida-campi-flegrei-naples-italy-48839632.htmlRMCRCRCG–Lake Avernus and Monte di Procida, Campi Flegrei Naples, Italy
A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl). Artist: Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591-1666 Bologna). Dimensions: sheet: 7 13/16 x 5 7/8 in. (19.8 x 15 cm). Date: 1638. Like other Sibyls of the ancient world, the Cimmerian Sibyl - whose real name was Carmentis - was venerated as the great prophetic priestess presiding over the Apollonian Oracle at Cimmerium in Italy, near Lake Avernus. Guercino's vibrant drawing, executed with a dense network lines in pen and ink, is associated with a painting of the Cimmerian Sibyl, which is extant in at least two ve Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-sibyl-holding-a-scroll-study-for-the-cimmerian-sibyl-artist-guercino-giovanni-francesco-barbieri-italian-cento-1591-1666-bologna-dimensions-sheet-7-1316-x-5-78-in-198-x-15-cm-date-1638-like-other-sibyls-of-the-ancient-world-the-cimmerian-sibyl-whose-real-name-was-carmentis-was-venerated-as-the-great-prophetic-priestess-presiding-over-the-apollonian-oracle-at-cimmerium-in-italy-near-lake-avernus-guercinos-vibrant-drawing-executed-with-a-dense-network-lines-in-pen-and-ink-is-associated-with-a-painting-of-the-cimmerian-sibyl-which-is-extant-in-at-least-two-ve-image213262727.htmlRMPAXXNY–A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl). Artist: Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591-1666 Bologna). Dimensions: sheet: 7 13/16 x 5 7/8 in. (19.8 x 15 cm). Date: 1638. Like other Sibyls of the ancient world, the Cimmerian Sibyl - whose real name was Carmentis - was venerated as the great prophetic priestess presiding over the Apollonian Oracle at Cimmerium in Italy, near Lake Avernus. Guercino's vibrant drawing, executed with a dense network lines in pen and ink, is associated with a painting of the Cimmerian Sibyl, which is extant in at least two ve
Lake Averno Landscape, Pozzuoli, Naples, Campania, Italy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-averno-landscape-pozzuoli-naples-campania-italy-image6054062.htmlRMA2TPJF–Lake Averno Landscape, Pozzuoli, Naples, Campania, Italy
Joseph Mallord William Turner - Lake Avernus- Aeneas and the Cumaean Sybil Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-mallord-william-turner-lake-avernus-aeneas-and-the-cumaean-sybil-image432817161.htmlRF2G44EKN–Joseph Mallord William Turner - Lake Avernus- Aeneas and the Cumaean Sybil
Roman ruins of thermal baths or Temple of Apollo on the edge of Lago d Averno, Cuma, Pozzuoli, Campania Italy, EU Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-ruins-of-thermal-baths-or-temple-of-apollo-on-the-edge-of-lago-d-averno-cuma-pozzuoli-campania-italy-eu-image335159184.htmlRM2AD7PXT–Roman ruins of thermal baths or Temple of Apollo on the edge of Lago d Averno, Cuma, Pozzuoli, Campania Italy, EU
Joseph Mallord William Turner - Lake Avernus- Aeneas and the Cumaean Sybil Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-mallord-william-turner-lake-avernus-aeneas-and-the-cumaean-sybil-image374348402.htmlRM2CN115P–Joseph Mallord William Turner - Lake Avernus- Aeneas and the Cumaean Sybil
153 Lake Avernus in Campania, entrance to Hades according to mythology - Sandys George - 1615 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/153-lake-avernus-in-campania-entrance-to-hades-according-to-mythology-sandys-george-1615-image212895220.htmlRMPAA60M–153 Lake Avernus in Campania, entrance to Hades according to mythology - Sandys George - 1615
Joseph Mallord William Turner - Lake Avernus- Aeneas and the Cumaean Sybil - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-joseph-mallord-william-turner-lake-avernus-aeneas-and-the-cumaean-148370221.htmlRMJHARMD–Joseph Mallord William Turner - Lake Avernus- Aeneas and the Cumaean Sybil -
Lake Avernus before 1782. 789 Lake Avernus by Richard Wilson (1713-1782) - IMG 7297 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-before-1782-789-lake-avernus-by-richard-wilson-1713-1782-img-7297-image185695659.htmlRMMP34KR–Lake Avernus before 1782. 789 Lake Avernus by Richard Wilson (1713-1782) - IMG 7297
James Barry The Cave of the Cumean Sybil on the Shore of the Lake Avernus Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-james-barry-the-cave-of-the-cumean-sybil-on-the-shore-of-the-lake-137379954.htmlRMHYE5EX–James Barry The Cave of the Cumean Sybil on the Shore of the Lake Avernus Google Art Project
Lago d'Averno Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lago-daverno-image330906870.htmlRF2A6A32E–Lago d'Averno
. English: George Sandys. Relation of a Journey begun An: Dom: 1610. Foure Bookes. Containing a Description of the Turkish Empire, of Aegypt, of the Holy Land, London, W. Barrett, 1615. 1615. George Sandys (1577–1644) Description English travel writer, colonizer and poet English traveller, colonist and poet Date of birth/death 2 March 1577 March 1644 Location of birth/death Bishopthorpe Palace Boxley Authority control : Q5544276 VIAF: 76334788 ISNI: 0000 0000 8156 0309 LCCN: n50016635 NLA: 35474878 GND: 118794418 WorldCat 357 Lake Avernus in Campania, entrance to Hades according to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-george-sandys-relation-of-a-journey-begun-an-dom-1610-foure-bookes-containing-a-description-of-the-turkish-empire-of-aegypt-of-the-holy-land-london-w-barrett-1615-1615-george-sandys-15771644-description-english-travel-writer-colonizer-and-poet-english-traveller-colonist-and-poet-date-of-birthdeath-2-march-1577-march-1644-location-of-birthdeath-bishopthorpe-palace-boxley-authority-control-q5544276-viaf76334788-isni0000-0000-8156-0309-lccnn50016635-nla35474878-gnd118794418-worldcat-357-lake-avernus-in-campania-entrance-to-hades-according-to-image187825284.htmlRMMWG51T–. English: George Sandys. Relation of a Journey begun An: Dom: 1610. Foure Bookes. Containing a Description of the Turkish Empire, of Aegypt, of the Holy Land, London, W. Barrett, 1615. 1615. George Sandys (1577–1644) Description English travel writer, colonizer and poet English traveller, colonist and poet Date of birth/death 2 March 1577 March 1644 Location of birth/death Bishopthorpe Palace Boxley Authority control : Q5544276 VIAF: 76334788 ISNI: 0000 0000 8156 0309 LCCN: n50016635 NLA: 35474878 GND: 118794418 WorldCat 357 Lake Avernus in Campania, entrance to Hades according to
Lake Avernus LCCN2003680503 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lake-avernus-lccn2003680503-176671995.htmlRMM7C2X3–Lake Avernus LCCN2003680503
Wilson, Richard, 1713/1714-1782; Lake Avernus and the Island of Capri Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wilson-richard-17131714-1782-lake-avernus-and-the-island-of-capri-image616344910.htmlRM2XPMX66–Wilson, Richard, 1713/1714-1782; Lake Avernus and the Island of Capri
Lake Avernus (WAM) before 1782 by Richard Wilson Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-wam-before-1782-by-richard-wilson-image559839745.htmlRM2REPW8H–Lake Avernus (WAM) before 1782 by Richard Wilson
Temple of Apollo, Roman archeological site of a thermal spa on the Avernus lake, Campi flegrei, Pozzuoli, Naples, Campania Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-temple-of-apollo-roman-archeological-site-of-a-thermal-spa-on-the-126705281.htmlRMHA3WTH–Temple of Apollo, Roman archeological site of a thermal spa on the Avernus lake, Campi flegrei, Pozzuoli, Naples, Campania
Lago Avernus, ca. 1867-70. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lago-avernus-ca-1867-70-image343014702.htmlRM2AX1JN2–Lago Avernus, ca. 1867-70.
Lake Avernus (Lago d'Averno) and environs. Coloured etching by Pietro Fabris, 1776. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-lago-daverno-and-environs-coloured-etching-by-pietro-fabris-1776-image450030589.htmlRM2H44JH1–Lake Avernus (Lago d'Averno) and environs. Coloured etching by Pietro Fabris, 1776.
Lake Avernus; Aeneas and the Cumaean Sibyl - 1814 15 - oil on canvas 71,8 x 97,2 cm - Turner Joseph Mallord William Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-aeneas-and-the-cumaean-sibyl-1814-15-oil-on-canvas-718-x-972-cm-turner-joseph-mallord-william-image454777329.htmlRF2HBTW3D–Lake Avernus; Aeneas and the Cumaean Sibyl - 1814 15 - oil on canvas 71,8 x 97,2 cm - Turner Joseph Mallord William
![Lake Avernus plant and surrounding places, Map of the ancient ruins of Lago d'Averno, signed: T. R. A, In, tab. XLII no. II, Rajola, Tommaso (del.), Fiorillo, Nicola (sc.), 1768, Paolo Antonius Paoli: Avanzi delle antichita esistenti a Pozzuoli Cuma e Baja. [Neapel]: [s.n.], Anno A.C.N.MDCCLXVIII. [1768], Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo](https://c8.alamy.com/comp/2B94F8H/lake-avernus-plant-and-surrounding-places-map-of-the-ancient-ruins-of-lago-daverno-signed-t-r-a-in-tab-xlii-no-ii-rajola-tommaso-del-fiorillo-nicola-sc-1768-paolo-antonius-paoli-avanzi-delle-antichita-esistenti-a-pozzuoli-cuma-e-baja-neapel-sn-anno-acnmdcclxviii-1768-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-2B94F8H.jpg "Lake Avernus plant and surrounding places, Map of the ancient ruins of Lago d'Averno, signed: T. R. A, In, tab. XLII no. II, Rajola, Tommaso (del.), Fiorillo, Nicola (sc.), 1768, Paolo Antonius Paoli: Avanzi delle antichita esistenti a Pozzuoli Cuma e Baja. [Neapel]: [s.n.], Anno A.C.N.MDCCLXVIII. [1768], Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo")
Lake Avernus plant and surrounding places, Map of the ancient ruins of Lago d'Averno, signed: T. R. A, In, tab. XLII no. II, Rajola, Tommaso (del.), Fiorillo, Nicola (sc.), 1768, Paolo Antonius Paoli: Avanzi delle antichita esistenti a Pozzuoli Cuma e Baja. [Neapel]: [s.n.], Anno A.C.N.MDCCLXVIII. [1768], Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-plant-and-surrounding-places-map-of-the-ancient-ruins-of-lago-daverno-signed-t-r-a-in-tab-xlii-no-ii-rajola-tommaso-del-fiorillo-nicola-sc-1768-paolo-antonius-paoli-avanzi-delle-antichita-esistenti-a-pozzuoli-cuma-e-baja-neapel-sn-anno-acnmdcclxviii-1768-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349839073.htmlRF2B94F8H–Lake Avernus plant and surrounding places, Map of the ancient ruins of Lago d'Averno, signed: T. R. A, In, tab. XLII no. II, Rajola, Tommaso (del.), Fiorillo, Nicola (sc.), 1768, Paolo Antonius Paoli: Avanzi delle antichita esistenti a Pozzuoli Cuma e Baja. [Neapel]: [s.n.], Anno A.C.N.MDCCLXVIII. [1768], Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Lago Avernus. Artist: William Trost Richards (American, Philadelphia, Pennsylvania 1833-1905 Newport, Rhode Island). Dimensions: 4 1/2 x 9 1/2 in. (11.4 x 24.1 cm). Date: ca. 1867-70. Lago Avernus is an early example of Richards's work in watercolor. His interest in the medium was stimulated by the founding of the American Watercolor Society in 1867, about the time he departed for his second trip to Europe. The society would provide a forum for him and many other American artists to exhibit their works. Richards's panoramic view of the volcanic lake above Naples was probably inspired by Josep Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lago-avernus-artist-william-trost-richards-american-philadelphia-pennsylvania-1833-1905-newport-rhode-island-dimensions-4-12-x-9-12-in-114-x-241-cm-date-ca-1867-70-lago-avernus-is-an-early-example-of-richardss-work-in-watercolor-his-interest-in-the-medium-was-stimulated-by-the-founding-of-the-american-watercolor-society-in-1867-about-the-time-he-departed-for-his-second-trip-to-europe-the-society-would-provide-a-forum-for-him-and-many-other-american-artists-to-exhibit-their-works-richardss-panoramic-view-of-the-volcanic-lake-above-naples-was-probably-inspired-by-josep-image213250966.htmlRMPAXBNX–Lago Avernus. Artist: William Trost Richards (American, Philadelphia, Pennsylvania 1833-1905 Newport, Rhode Island). Dimensions: 4 1/2 x 9 1/2 in. (11.4 x 24.1 cm). Date: ca. 1867-70. Lago Avernus is an early example of Richards's work in watercolor. His interest in the medium was stimulated by the founding of the American Watercolor Society in 1867, about the time he departed for his second trip to Europe. The society would provide a forum for him and many other American artists to exhibit their works. Richards's panoramic view of the volcanic lake above Naples was probably inspired by Josep
Literature of the world : an introductory study . there on a rough shore linds Hades. He does not enter, but heconverses with the spirits of the dead and returns as he came.Hades itself is only vaguely described, but at the entrance fourrivers and other natural features are mentioned, including Tartarus,a gloomy gulf. It is the abode of all the dead and is not, properlyspeaking, a place of positive suffering, but more like the Hebrewunderworld, Sheol. Virgil makes ^Eneas enter the underworldthrough a huge cave near Lake Avernus and return by the ivorygate of dreams. His description is particul Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/literature-of-the-world-an-introductory-study-there-on-a-rough-shore-linds-hades-he-does-not-enter-but-heconverses-with-the-spirits-of-the-dead-and-returns-as-he-camehades-itself-is-only-vaguely-described-but-at-the-entrance-fourrivers-and-other-natural-features-are-mentioned-including-tartarusa-gloomy-gulf-it-is-the-abode-of-all-the-dead-and-is-not-properlyspeaking-a-place-of-positive-suffering-but-more-like-the-hebrewunderworld-sheol-virgil-makes-eneas-enter-the-underworldthrough-a-huge-cave-near-lake-avernus-and-return-by-the-ivorygate-of-dreams-his-description-is-particul-image338508657.htmlRM2AJMB6W–Literature of the world : an introductory study . there on a rough shore linds Hades. He does not enter, but heconverses with the spirits of the dead and returns as he came.Hades itself is only vaguely described, but at the entrance fourrivers and other natural features are mentioned, including Tartarus,a gloomy gulf. It is the abode of all the dead and is not, properlyspeaking, a place of positive suffering, but more like the Hebrewunderworld, Sheol. Virgil makes ^Eneas enter the underworldthrough a huge cave near Lake Avernus and return by the ivorygate of dreams. His description is particul
A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl), Guercino, 1638 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-a-sibyl-holding-a-scroll-study-for-the-cimmerian-sibyl-guercino-1638-162484318.htmlRMKC9PBA–A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl), Guercino, 1638
Roman ruins of thermal baths or Temple of Apollo on the edge of Lago d Averno, Cuma, Pozzuoli, Campania Italy, EU Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-ruins-of-thermal-baths-or-temple-of-apollo-on-the-edge-of-lago-d-averno-cuma-pozzuoli-campania-italy-eu-image335159081.htmlRM2AD7PR5–Roman ruins of thermal baths or Temple of Apollo on the edge of Lago d Averno, Cuma, Pozzuoli, Campania Italy, EU
Lake Avernus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-image395607604.htmlRM2DYHDF0–Lake Avernus
Lake Avernus by Richard Wilson (1713-1782) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-by-richard-wilson-1713-1782-image395589785.htmlRM2DYGJPH–Lake Avernus by Richard Wilson (1713-1782)
Temple of Apollo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/temple-of-apollo-image330906777.htmlRF2A6A2Y5–Temple of Apollo
. English: George Sandys. Relation of a Journey begun An: Dom: 1610. Foure Bookes. Containing a Description of the Turkish Empire, of Aegypt, of the Holy Land, London, W. Barrett, 1615. 1615. George Sandys (1577–1644) Description English travel writer, colonizer and poet English traveller, colonist and poet Date of birth/death 2 March 1577 March 1644 Location of birth/death Bishopthorpe Palace Boxley Authority control : Q5544276 VIAF: 76334788 ISNI: 0000 0000 8156 0309 LCCN: n50016635 NLA: 35474878 GND: 118794418 WorldCat 357 Lake Avernus in Campania, entrance to Hades according to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-george-sandys-relation-of-a-journey-begun-an-dom-1610-foure-bookes-containing-a-description-of-the-turkish-empire-of-aegypt-of-the-holy-land-london-w-barrett-1615-1615-george-sandys-15771644-description-english-travel-writer-colonizer-and-poet-english-traveller-colonist-and-poet-date-of-birthdeath-2-march-1577-march-1644-location-of-birthdeath-bishopthorpe-palace-boxley-authority-control-q5544276-viaf76334788-isni0000-0000-8156-0309-lccnn50016635-nla35474878-gnd118794418-worldcat-357-lake-avernus-in-campania-entrance-to-hades-according-to-image188328758.htmlRMMXB372–. English: George Sandys. Relation of a Journey begun An: Dom: 1610. Foure Bookes. Containing a Description of the Turkish Empire, of Aegypt, of the Holy Land, London, W. Barrett, 1615. 1615. George Sandys (1577–1644) Description English travel writer, colonizer and poet English traveller, colonist and poet Date of birth/death 2 March 1577 March 1644 Location of birth/death Bishopthorpe Palace Boxley Authority control : Q5544276 VIAF: 76334788 ISNI: 0000 0000 8156 0309 LCCN: n50016635 NLA: 35474878 GND: 118794418 WorldCat 357 Lake Avernus in Campania, entrance to Hades according to
Turner, Joseph Mallord William; Aeneas and the Sibyl, Lake Avernus; Tate; Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/turner-joseph-mallord-william-aeneas-and-the-sibyl-lake-avernus-tate-image618751930.htmlRM2XXJGB6–Turner, Joseph Mallord William; Aeneas and the Sibyl, Lake Avernus; Tate;
Lake Avernus and the Island of Capri 1760 by Richard Wilson Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-and-the-island-of-capri-1760-by-richard-wilson-image559839647.htmlRM2REPW53–Lake Avernus and the Island of Capri 1760 by Richard Wilson
Temple of Apollo, Roman archeological site of a thermal spa on the Avernus lake, Campi flegrei, Pozzuoli, Naples, Campania Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-temple-of-apollo-roman-archeological-site-of-a-thermal-spa-on-the-126705282.htmlRMHA3WTJ–Temple of Apollo, Roman archeological site of a thermal spa on the Avernus lake, Campi flegrei, Pozzuoli, Naples, Campania
View from the top of Monte Gauro or Barbaro into its crater, 1776. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-from-the-top-of-monte-gauro-or-barbaro-into-its-crater-1776-image186152181.htmlRMMPRY05–View from the top of Monte Gauro or Barbaro into its crater, 1776.
Two men on a crater lake (Avernus Lacus) near Baia, Anonymous, c. 1865 - c. 1875 photograph Part of Reisalbum with photos of sights in Naples and the surrounding area. the bathroom paper. photographic support albumen print lake the bathroom Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-men-on-a-crater-lake-avernus-lacus-near-baia-anonymous-c-1865-c-1875-photograph-part-of-reisalbum-with-photos-of-sights-in-naples-and-the-surrounding-area-the-bathroom-paper-photographic-support-albumen-print-lake-the-bathroom-image592493329.htmlRM2WBXB81–Two men on a crater lake (Avernus Lacus) near Baia, Anonymous, c. 1865 - c. 1875 photograph Part of Reisalbum with photos of sights in Naples and the surrounding area. the bathroom paper. photographic support albumen print lake the bathroom
Lake Avernus: Aeneas and the Cumaean Sybil, Joseph Mallord William Turner, 1775-1851, British. Reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-aeneas-and-the-cumaean-sybil-joseph-mallord-william-turner-1775-1851-british-reimagined-image230445724.htmlRFRAWKTC–Lake Avernus: Aeneas and the Cumaean Sybil, Joseph Mallord William Turner, 1775-1851, British. Reimagined
The Cave of the Cumean Sybil on the Shore of the Lake Avernus. Date/Period: Between 1740 and 1759. Drawing. Pen and brown ink and graphite on medium, slightly textured, cream laid paper. Height: 149 mm (5.86 in); Width: 422 mm (16.61 in). Author: James Barry. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-cave-of-the-cumean-sybil-on-the-shore-of-the-lake-avernus-dateperiod-between-1740-and-1759-drawing-pen-and-brown-ink-and-graphite-on-medium-slightly-textured-cream-laid-paper-height-149-mm-586-in-width-422-mm-1661-in-author-james-barry-image233248137.htmlRMRFDAAH–The Cave of the Cumean Sybil on the Shore of the Lake Avernus. Date/Period: Between 1740 and 1759. Drawing. Pen and brown ink and graphite on medium, slightly textured, cream laid paper. Height: 149 mm (5.86 in); Width: 422 mm (16.61 in). Author: James Barry.
Robert Adam & his brothers; their lives, work & influence on English architecture, decoration and furniture . market place.Next morning we set out for Baise, and went first to the Temple ofApollo,- upon the Lake Avernus ; from thence to the Grotto of theSibyl. Thence to the Baths of Nero, where there is a vault and thestucco work still very entire with octagonal panels. Along this shorethere are constructions of incredible extent, and no less surprising for 1 The so-called Temple of Serapis is now believed to have been an ancient markethall, like the one at Pompeii. - The ruins formerly descri Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/robert-adam-his-brothers-their-lives-work-influence-on-english-architecture-decoration-and-furniture-market-placenext-morning-we-set-out-for-baise-and-went-first-to-the-temple-ofapollo-upon-the-lake-avernus-from-thence-to-the-grotto-of-thesibyl-thence-to-the-baths-of-nero-where-there-is-a-vault-and-thestucco-work-still-very-entire-with-octagonal-panels-along-this-shorethere-are-constructions-of-incredible-extent-and-no-less-surprising-for-1-the-so-called-temple-of-serapis-is-now-believed-to-have-been-an-ancient-markethall-like-the-one-at-pompeii-the-ruins-formerly-descri-image343370528.htmlRM2AXHTH4–Robert Adam & his brothers; their lives, work & influence on English architecture, decoration and furniture . market place.Next morning we set out for Baise, and went first to the Temple ofApollo,- upon the Lake Avernus ; from thence to the Grotto of theSibyl. Thence to the Baths of Nero, where there is a vault and thestucco work still very entire with octagonal panels. Along this shorethere are constructions of incredible extent, and no less surprising for 1 The so-called Temple of Serapis is now believed to have been an ancient markethall, like the one at Pompeii. - The ruins formerly descri
Art inspired by A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl), 1638, Pen and dark brown ink, sheet: 7 13/16 x 5 7/8 in. (19.8 x 15 cm), Drawings, Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna), Like other Sibyls of the ancient world, the Cimmerian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-a-sibyl-holding-a-scroll-study-for-the-cimmerian-sibyl-1638-pen-and-dark-brown-ink-sheet-7-1316-x-5-78-in-198-x-15-cm-drawings-guercino-giovanni-francesco-barbieri-italian-cento-15911666-bologna-like-other-sibyls-of-the-ancient-world-the-cimmerian-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462951718.htmlRF2HW57HX–Art inspired by A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl), 1638, Pen and dark brown ink, sheet: 7 13/16 x 5 7/8 in. (19.8 x 15 cm), Drawings, Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna), Like other Sibyls of the ancient world, the Cimmerian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Roman ruins of thermal baths or Temple of Apollo on the edge of Lago d Averno, Cuma, Pozzuoli, Campania Italy, EU Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-ruins-of-thermal-baths-or-temple-of-apollo-on-the-edge-of-lago-d-averno-cuma-pozzuoli-campania-italy-eu-image335159407.htmlRM2AD7R6R–Roman ruins of thermal baths or Temple of Apollo on the edge of Lago d Averno, Cuma, Pozzuoli, Campania Italy, EU
Turner, Joseph Mallord William; Aeneas and the Sibyl, Lake Avernus; Tate; http://www.artuk.org/artworks/aeneas-and-the-sibyl-lake-avernus-202292 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/turner-joseph-mallord-william-aeneas-and-the-sibyl-lake-avernus-tate-httpwwwartukorgartworksaeneas-and-the-sibyl-lake-avernus-202292-image616482206.htmlRM2XPY59J–Turner, Joseph Mallord William; Aeneas and the Sibyl, Lake Avernus; Tate; http://www.artuk.org/artworks/aeneas-and-the-sibyl-lake-avernus-202292
The Cave of the Cumean Sybil on the Shore of the Lake Avernus between 1740 and 1759 by James Barry Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-cave-of-the-cumean-sybil-on-the-shore-of-the-lake-avernus-between-1740-and-1759-by-james-barry-image545393568.htmlRM2PK8R1M–The Cave of the Cumean Sybil on the Shore of the Lake Avernus between 1740 and 1759 by James Barry
Avernian Lake Pieter van der Aa (1), 1682 - 1730 print View of the Avernus Lacus (Lago d'Averto), a lake in a burnt -out crater in Campania southeast of Cumae. There are different ruins around the lake. paper etching landscapes. lake. landscape with ruins Avernian Lake Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/avernian-lake-pieter-van-der-aa-1-1682-1730-print-view-of-the-avernus-lacus-lago-daverto-a-lake-in-a-burnt-out-crater-in-campania-southeast-of-cumae-there-are-different-ruins-around-the-lake-paper-etching-landscapes-lake-landscape-with-ruins-avernian-lake-image594113845.htmlRM2WEG67H–Avernian Lake Pieter van der Aa (1), 1682 - 1730 print View of the Avernus Lacus (Lago d'Averto), a lake in a burnt -out crater in Campania southeast of Cumae. There are different ruins around the lake. paper etching landscapes. lake. landscape with ruins Avernian Lake
Lago Avernus ca. 1867–70 William Trost Richards American Lago Avernus is an early example of Richards’s work in watercolor. His interest in the medium was stimulated by the founding of the American Watercolor Society in 1867, about the time he departed for his second trip to Europe. The society would provide a forum for him and many other American artists to exhibit their works. Richards’s panoramic view of the volcanic lake above Naples was probably inspired by Joseph Mallord William Turner (1775–1851), who painted the lake on several occasions and whose works he had seen in England. In his w Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lago-avernus-ca-186770-william-trost-richards-american-lago-avernus-is-an-early-example-of-richardss-work-in-watercolor-his-interest-in-the-medium-was-stimulated-by-the-founding-of-the-american-watercolor-society-in-1867-about-the-time-he-departed-for-his-second-trip-to-europe-the-society-would-provide-a-forum-for-him-and-many-other-american-artists-to-exhibit-their-works-richardss-panoramic-view-of-the-volcanic-lake-above-naples-was-probably-inspired-by-joseph-mallord-william-turner-17751851-who-painted-the-lake-on-several-occasions-and-whose-works-he-had-seen-in-england-in-his-w-image458594475.htmlRM2HJ2NX3–Lago Avernus ca. 1867–70 William Trost Richards American Lago Avernus is an early example of Richards’s work in watercolor. His interest in the medium was stimulated by the founding of the American Watercolor Society in 1867, about the time he departed for his second trip to Europe. The society would provide a forum for him and many other American artists to exhibit their works. Richards’s panoramic view of the volcanic lake above Naples was probably inspired by Joseph Mallord William Turner (1775–1851), who painted the lake on several occasions and whose works he had seen in England. In his w
Joseph Mallord William Turner, 1775–1851, British, Lake Avernus: Aeneas and the Cumaean Sibyl, between 1814 and 1815. Oil on canvas. Aeneas' visit to the underworld , armor , castle , city , costume , darkness , epics , hills , lake , landscape , legend , men , mountains , mythology , poem , relief , religious and mythological subject , Roman , ruins , ruins , shield , soldiers , the arrival of Aeneas at Cumae, where they consult Deiphobe, the Cumaean Sibyl, who foretells of Aeneas' wars in Latium , woman. Averno, Lago d' , Avernus, Lake , Campania , Cumae , Italy , Napoli. Sibyl of Cumae Pu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-mallord-william-turner-17751851-british-lake-avernus-aeneas-and-the-cumaean-sibyl-between-1814-and-1815-oil-on-canvas-aeneas-visit-to-the-underworld-armor-castle-city-costume-darkness-epics-hills-lake-landscape-legend-men-mountains-mythology-poem-relief-religious-and-mythological-subject-roman-ruins-ruins-shield-soldiers-the-arrival-of-aeneas-at-cumae-where-they-consult-deiphobe-the-cumaean-sibyl-who-foretells-of-aeneas-wars-in-latium-woman-averno-lago-d-avernus-lake-campania-cumae-italy-napoli-sibyl-of-cumae-pu-image398460216.htmlRM2E47C20–Joseph Mallord William Turner, 1775–1851, British, Lake Avernus: Aeneas and the Cumaean Sibyl, between 1814 and 1815. Oil on canvas. Aeneas' visit to the underworld , armor , castle , city , costume , darkness , epics , hills , lake , landscape , legend , men , mountains , mythology , poem , relief , religious and mythological subject , Roman , ruins , ruins , shield , soldiers , the arrival of Aeneas at Cumae, where they consult Deiphobe, the Cumaean Sibyl, who foretells of Aeneas' wars in Latium , woman. Averno, Lago d' , Avernus, Lake , Campania , Cumae , Italy , Napoli. Sibyl of Cumae Pu
A complete illustrated catalogue to the National Gallery . in theAcademy in the previous year, i ft. loi in. x 2 ft. 6t in. R.A. 1807. Above the foregoing, and near Tur-ners early works, is appropriatelyplaced— 458. Portrait of Himself; a life-size portrait of the young artist,painted by himself, just before hemade his name by such works as Calais Pier and The Ship-wreck. Painted 1802. 463. ^neas with the 6%/—Lake Avernus. 2 ft. 6 in. x 3 ft. 3 in. Painted about 1800. No. 458. 2 ft. sin. X I ft. n ill. Next, on the line, is a beautiful landscape, low in tone, and some-what in the style of Clau Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-complete-illustrated-catalogue-to-the-national-gallery-in-theacademy-in-the-previous-year-i-ft-loi-in-x-2-ft-6t-in-ra-1807-above-the-foregoing-and-near-tur-ners-early-works-is-appropriatelyplaced-458-portrait-of-himself-a-life-size-portrait-of-the-young-artistpainted-by-himself-just-before-hemade-his-name-by-such-works-as-calais-pier-and-the-ship-wreck-painted-1802-463-neas-with-the-6lake-avernus-2-ft-6-in-x-3-ft-3-in-painted-about-1800-no-458-2-ft-sin-x-i-ft-n-ill-next-on-the-line-is-a-beautiful-landscape-low-in-tone-and-some-what-in-the-style-of-clau-image338186912.htmlRM2AJ5MT0–A complete illustrated catalogue to the National Gallery . in theAcademy in the previous year, i ft. loi in. x 2 ft. 6t in. R.A. 1807. Above the foregoing, and near Tur-ners early works, is appropriatelyplaced— 458. Portrait of Himself; a life-size portrait of the young artist,painted by himself, just before hemade his name by such works as Calais Pier and The Ship-wreck. Painted 1802. 463. ^neas with the 6%/—Lake Avernus. 2 ft. 6 in. x 3 ft. 3 in. Painted about 1800. No. 458. 2 ft. sin. X I ft. n ill. Next, on the line, is a beautiful landscape, low in tone, and some-what in the style of Clau
Roman ruins of thermal baths or Temple of Apollo on the edge of Lago d Averno, Cuma, Pozzuoli, Campania Italy, EU Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-ruins-of-thermal-baths-or-temple-of-apollo-on-the-edge-of-lago-d-averno-cuma-pozzuoli-campania-italy-eu-image335159314.htmlRM2AD7R3E–Roman ruins of thermal baths or Temple of Apollo on the edge of Lago d Averno, Cuma, Pozzuoli, Campania Italy, EU
![A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl) 1638 Guercino (Giovanni Francesco Barbieri) Italian Like other Sibyls of the ancient world, the Cimmerian Sibyl - whose real name was Carmentis - was venerated as the great prophetic priestess presiding over the Apollonian Oracle at Cimmerium in Italy, near Lake Avernus. Guercino's vibrant drawing, executed with a dense network lines in pen and ink, is associated with a painting of the Cimmerian Sibyl, which is extant in at least two versions (Reggio Emilia, Credito Emiliano [now Credem] and Galerie Canesso, Paris in 2002; see 'A Redisco Stock Photo](https://c8.alamy.com/comp/2HHBE21/a-sibyl-holding-a-scroll-study-for-the-cimmerian-sibyl-1638-guercino-giovanni-francesco-barbieri-italian-like-other-sibyls-of-the-ancient-world-the-cimmerian-sibyl-whose-real-name-was-carmentis-was-venerated-as-the-great-prophetic-priestess-presiding-over-the-apollonian-oracle-at-cimmerium-in-italy-near-lake-avernus-guercinos-vibrant-drawing-executed-with-a-dense-network-lines-in-pen-and-ink-is-associated-with-a-painting-of-the-cimmerian-sibyl-which-is-extant-in-at-least-two-versions-reggio-emilia-credito-emiliano-now-credem-and-galerie-canesso-paris-in-2002-see-a-redisco-2HHBE21.jpg "A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl) 1638 Guercino (Giovanni Francesco Barbieri) Italian Like other Sibyls of the ancient world, the Cimmerian Sibyl - whose real name was Carmentis - was venerated as the great prophetic priestess presiding over the Apollonian Oracle at Cimmerium in Italy, near Lake Avernus. Guercino's vibrant drawing, executed with a dense network lines in pen and ink, is associated with a painting of the Cimmerian Sibyl, which is extant in at least two versions (Reggio Emilia, Credito Emiliano [now Credem] and Galerie Canesso, Paris in 2002; see 'A Redisco Stock Photo")
A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl) 1638 Guercino (Giovanni Francesco Barbieri) Italian Like other Sibyls of the ancient world, the Cimmerian Sibyl - whose real name was Carmentis - was venerated as the great prophetic priestess presiding over the Apollonian Oracle at Cimmerium in Italy, near Lake Avernus. Guercino's vibrant drawing, executed with a dense network lines in pen and ink, is associated with a painting of the Cimmerian Sibyl, which is extant in at least two versions (Reggio Emilia, Credito Emiliano [now Credem] and Galerie Canesso, Paris in 2002; see 'A Redisco Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-sibyl-holding-a-scroll-study-for-the-cimmerian-sibyl-1638-guercino-giovanni-francesco-barbieri-italian-like-other-sibyls-of-the-ancient-world-the-cimmerian-sibyl-whose-real-name-was-carmentis-was-venerated-as-the-great-prophetic-priestess-presiding-over-the-apollonian-oracle-at-cimmerium-in-italy-near-lake-avernus-guercinos-vibrant-drawing-executed-with-a-dense-network-lines-in-pen-and-ink-is-associated-with-a-painting-of-the-cimmerian-sibyl-which-is-extant-in-at-least-two-versions-reggio-emilia-credito-emiliano-now-credem-and-galerie-canesso-paris-in-2002-see-a-redisco-image458171225.htmlRM2HHBE21–A Sibyl Holding a Scroll (Study for the Cimmerian Sibyl) 1638 Guercino (Giovanni Francesco Barbieri) Italian Like other Sibyls of the ancient world, the Cimmerian Sibyl - whose real name was Carmentis - was venerated as the great prophetic priestess presiding over the Apollonian Oracle at Cimmerium in Italy, near Lake Avernus. Guercino's vibrant drawing, executed with a dense network lines in pen and ink, is associated with a painting of the Cimmerian Sibyl, which is extant in at least two versions (Reggio Emilia, Credito Emiliano [now Credem] and Galerie Canesso, Paris in 2002; see 'A Redisco
Two men to a crater lake (Avernus lacus) at Baia; Baïe: Lac d'Averne: Temple Apollon: Grotte Sibylle de Cume. Part of travel album with pictures of sights in Naples and surroundings. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-men-to-a-crater-lake-avernus-lacus-at-baia-bae-lac-daverne-temple-apollon-grotte-sibylle-de-cume-part-of-travel-album-with-pictures-of-sights-in-naples-and-surroundings-image432602960.htmlRM2G3PNDM–Two men to a crater lake (Avernus lacus) at Baia; Baïe: Lac d'Averne: Temple Apollon: Grotte Sibylle de Cume. Part of travel album with pictures of sights in Naples and surroundings.
Turner, Joseph Mallord William; Aeneas and the Sibyl, Lake Avernus; Tate; http://www.artuk.org/artworks/aeneas-and-the-sibyl-lake-avernus-202292 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/turner-joseph-mallord-william-aeneas-and-the-sibyl-lake-avernus-tate-httpwwwartukorgartworksaeneas-and-the-sibyl-lake-avernus-202292-image616482203.htmlRM2XPY59F–Turner, Joseph Mallord William; Aeneas and the Sibyl, Lake Avernus; Tate; http://www.artuk.org/artworks/aeneas-and-the-sibyl-lake-avernus-202292
Lake Avernus: Aeneas and the Cumaean Sybil 1814 or 1815 by Joseph Mallord William Turner Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lake-avernus-aeneas-and-the-cumaean-sybil-1814-or-1815-by-joseph-mallord-william-turner-image538940987.htmlRM2P8PTMB–Lake Avernus: Aeneas and the Cumaean Sybil 1814 or 1815 by Joseph Mallord William Turner
. The Saturday magazine . the verdure of Monte Nuovo, which isalways clothed with arbutus, myrtle, and other wild ever-greens, that a stranger would imagine the hill of older dateto be that which was thrown up in the sixteenth century. Avernus, a circular lake near Puzzuoli, about half a milein diameter, once noted for dangerous vapours like those ofvolcanic craters after fiery emptions, is now a healthy spot. The Solfatara, likewise, near Puzzuoli, which may stillbe considered a half-extinguished crater, appears fromStrabo and others, to have been, before the Christian era,in much the same st Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-saturday-magazine-the-verdure-of-monte-nuovo-which-isalways-clothed-with-arbutus-myrtle-and-other-wild-ever-greens-that-a-stranger-would-imagine-the-hill-of-older-dateto-be-that-which-was-thrown-up-in-the-sixteenth-century-avernus-a-circular-lake-near-puzzuoli-about-half-a-milein-diameter-once-noted-for-dangerous-vapours-like-those-ofvolcanic-craters-after-fiery-emptions-is-now-a-healthy-spot-the-solfatara-likewise-near-puzzuoli-which-may-stillbe-considered-a-half-extinguished-crater-appears-fromstrabo-and-others-to-have-been-before-the-christian-erain-much-the-same-st-image370028901.htmlRM2CE07HW–. The Saturday magazine . the verdure of Monte Nuovo, which isalways clothed with arbutus, myrtle, and other wild ever-greens, that a stranger would imagine the hill of older dateto be that which was thrown up in the sixteenth century. Avernus, a circular lake near Puzzuoli, about half a milein diameter, once noted for dangerous vapours like those ofvolcanic craters after fiery emptions, is now a healthy spot. The Solfatara, likewise, near Puzzuoli, which may stillbe considered a half-extinguished crater, appears fromStrabo and others, to have been, before the Christian era,in much the same st
Lago d Averno, Cuma, Pozzuoli, Campania Italy, EU Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lago-d-averno-cuma-pozzuoli-campania-italy-eu-image335522484.htmlRM2ADTA9T–Lago d Averno, Cuma, Pozzuoli, Campania Italy, EU
Environs of Cuma a Lago, D'Averno with Lago de Fussaro n.d. by Unidentified Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/environs-of-cuma-a-lago-daverno-with-lago-de-fussaro-nd-by-unidentified-image555914037.htmlRM2R8C20N–Environs of Cuma a Lago, D'Averno with Lago de Fussaro n.d. by Unidentified
