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Lakenham Stock Photos and Images
William Say, The Duke of Wellington, William Say (British, Lakenham, near Norwich 1768–1834 London), After Michael William Sharp (British, London 1776/7–1840 Boulogne), Arthur Wellesley, 1st Duke of Wellington (British, 1769–1852), 1828, Mezzotint, Sheet: 18 1/4 × 14 5/16 in. (46.4 × 36.4 cm), Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-say-the-duke-of-wellington-william-say-british-lakenham-near-norwich-17681834-london-after-michael-william-sharp-british-london-177671840-boulogne-arthur-wellesley-1st-duke-of-wellington-british-17691852-1828-mezzotint-sheet-18-14-14-516-in-464-364-cm-prints-image344645945.htmlRM2B0KYBN–William Say, The Duke of Wellington, William Say (British, Lakenham, near Norwich 1768–1834 London), After Michael William Sharp (British, London 1776/7–1840 Boulogne), Arthur Wellesley, 1st Duke of Wellington (British, 1769–1852), 1828, Mezzotint, Sheet: 18 1/4 × 14 5/16 in. (46.4 × 36.4 cm), Prints
Lakenham, Norfolk, United Kingdom, England, N 52 37' 6'', E 1 17' 55'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lakenham-norfolk-united-kingdom-england-n-52-37-6-e-1-17-55-map-timeless-map-published-in-2021-travelers-explorers-and-adventurers-like-florence-nightingale-david-livingstone-ernest-shackleton-lewis-and-clark-and-sherlock-holmes-relied-on-maps-to-plan-travels-to-the-worlds-most-remote-corners-timeless-maps-is-mapping-most-locations-on-the-globe-showing-the-achievement-of-great-dreams-image439410261.htmlRM2GETT7H–Lakenham, Norfolk, United Kingdom, England, N 52 37' 6'', E 1 17' 55'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams
Liber Studiorum: Plate 40, Lakenham, near Norwich, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 23.7 x 16.1 cm (9 5/16 x 6 5/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/liber-studiorum-plate-40-lakenham-near-norwich-1838-john-sell-cotman-british-1782-1842-softground-etching-from-a-bound-volume-containing-48-plates-sheet-496-x-32-cm-19-12-x-12-58-in-platemark-237-x-161-cm-9-516-x-6-516-in-image240506404.htmlRMRY80AC–Liber Studiorum: Plate 40, Lakenham, near Norwich, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 23.7 x 16.1 cm (9 5/16 x 6 5/16 in
Old Lakenham church Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-old-lakenham-church-55636507.htmlRMD6ECX3–Old Lakenham church
John Sell Cotman, Lakenham, Near Norwich, Liber Studiorum: A Series of Sketches and Studies, John Sell Cotman (British, Norwich 1782–1842 London), 1838, Soft ground etching, Plate: 9 5/16 × 6 3/8 in. (23.6 × 16.2 cm), Sheet: 13 7/16 × 9 1/2 in. (34.1 × 24.2 cm), Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-sell-cotman-lakenham-near-norwich-liber-studiorum-a-series-of-sketches-and-studies-john-sell-cotman-british-norwich-17821842-london-1838-soft-ground-etching-plate-9-516-6-38-in-236-162-cm-sheet-13-716-9-12-in-341-242-cm-prints-image344624342.htmlRM2B0JYT6–John Sell Cotman, Lakenham, Near Norwich, Liber Studiorum: A Series of Sketches and Studies, John Sell Cotman (British, Norwich 1782–1842 London), 1838, Soft ground etching, Plate: 9 5/16 × 6 3/8 in. (23.6 × 16.2 cm), Sheet: 13 7/16 × 9 1/2 in. (34.1 × 24.2 cm), Prints
Mill after Fire, Lakenham, Norwich, Norfolk, England. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mill-after-fire-lakenham-norwich-norfolk-england-image366494939.htmlRM2C8780Y–Mill after Fire, Lakenham, Norwich, Norfolk, England.
Lakenham, near Norwich, Print made by John Sell Cotman, 1782–1842, British, ca. 1808, Soft-ground etching on moderately thick, moderately textured, beige wove paper, Sheet: 10 1/4 x 7 1/8 inches (26 x 18.1 cm), Plate: 9 3/8 x 6 3/8 inches (23.8 x 16.2 cm), and Image: 9 x 6 1/4 inches (22.8 x 15.8 cm), architectural subject, branches, bread, buildings, child, chimney (architectural element), cottage, courtyard, dog (animal), feeding, fence, genre subject, girl, hay, house, ruins, rural, straw, trees, England, Lakenham, Norfolk, Norwich, United Kingdom Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lakenham-near-norwich-print-made-by-john-sell-cotman-17821842-british-ca-1808-soft-ground-etching-on-moderately-thick-moderately-textured-beige-wove-paper-sheet-10-14-x-7-18-inches-26-x-181-cm-plate-9-38-x-6-38-inches-238-x-162-cm-and-image-9-x-6-14-inches-228-x-158-cm-architectural-subject-branches-bread-buildings-child-chimney-architectural-element-cottage-courtyard-dog-animal-feeding-fence-genre-subject-girl-hay-house-ruins-rural-straw-trees-england-lakenham-norfolk-norwich-united-kingdom-image389671848.htmlRM2DHY2BM–Lakenham, near Norwich, Print made by John Sell Cotman, 1782–1842, British, ca. 1808, Soft-ground etching on moderately thick, moderately textured, beige wove paper, Sheet: 10 1/4 x 7 1/8 inches (26 x 18.1 cm), Plate: 9 3/8 x 6 3/8 inches (23.8 x 16.2 cm), and Image: 9 x 6 1/4 inches (22.8 x 15.8 cm), architectural subject, branches, bread, buildings, child, chimney (architectural element), cottage, courtyard, dog (animal), feeding, fence, genre subject, girl, hay, house, ruins, rural, straw, trees, England, Lakenham, Norfolk, Norwich, United Kingdom
The Rood and Screen in the Church of St Mark at New Lakenham, Norwich, Norfolk, England, United Kingdom. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-rood-and-screen-in-the-church-of-st-mark-at-new-lakenham-norwich-160294571.htmlRMK8P1A3–The Rood and Screen in the Church of St Mark at New Lakenham, Norwich, Norfolk, England, United Kingdom.
Peafield Mill, Lakenham 1896 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-peafield-mill-lakenham-1896-140395478.htmlRMJ4BFT6–Peafield Mill, Lakenham 1896
Peafield Mill, Lakenham 1896. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/peafield-mill-lakenham-1896-image410789707.htmlRM2ET92CY–Peafield Mill, Lakenham 1896.
Isis (Liber Studiorum, part XIV, plate 68). Artist: Designed and etched by Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 7 1/16 x 10 5/16 in. (17.9 x 26.2 cm) sheet: 8 1/4 x 11 7/16 in. (21 x 29.1 cm). Engraver: William Say (British, Lakenham, near Norwich 1768-1834 London). Publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Date: January 1, 1819. Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/isis-liber-studiorum-part-xiv-plate-68-artist-designed-and-etched-by-joseph-mallord-william-turner-british-london-1775-1851-london-dimensions-plate-7-116-x-10-516-in-179-x-262-cm-sheet-8-14-x-11-716-in-21-x-291-cm-engraver-william-say-british-lakenham-near-norwich-1768-1834-london-publisher-joseph-mallord-william-turner-british-london-1775-1851-london-date-january-1-1819-turner-distilled-his-ideas-about-landscape-in-liber-studiorum-latin-for-book-of-studies-a-series-of-seventy-prints-plus-a-frontispiece-published-between-1807-and-1819-to-establi-image213296645.htmlRMPB0E19–Isis (Liber Studiorum, part XIV, plate 68). Artist: Designed and etched by Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 7 1/16 x 10 5/16 in. (17.9 x 26.2 cm) sheet: 8 1/4 x 11 7/16 in. (21 x 29.1 cm). Engraver: William Say (British, Lakenham, near Norwich 1768-1834 London). Publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Date: January 1, 1819. Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establi
Lakenham, Near Norwich 1922 by John Sell Cotman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lakenham-near-norwich-1922-by-john-sell-cotman-image591237253.htmlRM2W9W545–Lakenham, Near Norwich 1922 by John Sell Cotman
Art inspired by Hybrid Amaryllis, from Transactions of the Horticultural Society of London, vol. 5, 1824, Hand-colored aquatint on steel, sheet: 16 3/4 x 11 3/4 in. (42.5 x 29.8 cm), Prints, William Say (British, Lakenham, near Norwich 1768–1834 London), After Barbara Cotton (British, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-hybrid-amaryllis-from-transactions-of-the-horticultural-society-of-london-vol-5-1824-hand-colored-aquatint-on-steel-sheet-16-34-x-11-34-in-425-x-298-cm-prints-william-say-british-lakenham-near-norwich-17681834-london-after-barbara-cotton-british-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462973852.htmlRF2HW67TC–Art inspired by Hybrid Amaryllis, from Transactions of the Horticultural Society of London, vol. 5, 1824, Hand-colored aquatint on steel, sheet: 16 3/4 x 11 3/4 in. (42.5 x 29.8 cm), Prints, William Say (British, Lakenham, near Norwich 1768–1834 London), After Barbara Cotton (British, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A group of young tennis fans from Norwich in Norfolk who play tennis at Lakenham sports Centre wait for the rain to stop on centre court at the Lawn tennis Championships in Wimbledon, London. EDITORIAL USE ONLY, NO MOBILE PHONE USE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-group-of-young-tennis-fans-from-norwich-in-norfolk-who-play-tennis-at-lakenham-sports-centre-wait-for-the-rain-to-stop-on-centre-court-at-the-lawn-tennis-championships-in-wimbledon-london-editorial-use-only-no-mobile-phone-use-image380553303.htmlRM2D33KHB–A group of young tennis fans from Norwich in Norfolk who play tennis at Lakenham sports Centre wait for the rain to stop on centre court at the Lawn tennis Championships in Wimbledon, London. EDITORIAL USE ONLY, NO MOBILE PHONE USE
Lakenham, Near Norwich, 1838. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lakenham-near-norwich-1838-image474669016.htmlRM2JG714T–Lakenham, Near Norwich, 1838.
Three Maries. William Say (England, Norfolk, Lakenham, 1768-1834)Annibale Carracci (Italy, Bologna, 1560-1609). England, 1824. Prints; mezzotints. Mezzotint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/three-maries-william-say-england-norfolk-lakenham-1768-1834annibale-carracci-italy-bologna-1560-1609-england-1824-prints-mezzotints-mezzotint-image464686894.htmlRM2J008TE–Three Maries. William Say (England, Norfolk, Lakenham, 1768-1834)Annibale Carracci (Italy, Bologna, 1560-1609). England, 1824. Prints; mezzotints. Mezzotint
Huntingdon St Ives Ely Soham Bury St Edmunds Ipswich. KITCHIN road map 1767 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-huntingdon-st-ives-ely-soham-bury-st-edmunds-ipswich-kitchin-road-176387936.htmlRFM6Y4H4–Huntingdon St Ives Ely Soham Bury St Edmunds Ipswich. KITCHIN road map 1767
Hybrid Amaryllis, from Transactions of the Horticultural Society of London, vol. 5, William Say, 1824 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-hybrid-amaryllis-from-transactions-of-the-horticultural-society-of-162536600.htmlRMKCC52G–Hybrid Amaryllis, from Transactions of the Horticultural Society of London, vol. 5, William Say, 1824
Image taken from page 362 of 'The Castles of England: their story and structure ... With ... illustrations and ... plans' Image taken from page 362 of 'The Castles of England Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-362-of-the-castles-of-england-their-story-and-130145502.htmlRMHFMHWJ–Image taken from page 362 of 'The Castles of England: their story and structure ... With ... illustrations and ... plans' Image taken from page 362 of 'The Castles of England
Lakenham, Norfolk, GB, United Kingdom, England, N 52 37' 6'', N 1 17' 55'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lakenham-norfolk-gb-united-kingdom-england-n-52-37-6-n-1-17-55-map-cartascapes-map-published-in-2024-explore-cartascapes-a-map-revealing-earths-diverse-landscapes-cultures-and-ecosystems-journey-through-time-and-space-discovering-the-interconnectedness-of-our-planets-past-present-and-future-image604072055.htmlRM2X2NT1Y–Lakenham, Norfolk, GB, United Kingdom, England, N 52 37' 6'', N 1 17' 55'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future.
Old Lakenham church Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-old-lakenham-church-55635775.htmlRMD6EBYY–Old Lakenham church
A view of the interior of the church of St Mark at New Lakenham, Norwich, Norfolk, England, United Kingdom. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-a-view-of-the-interior-of-the-church-of-st-mark-at-new-lakenham-norwich-160294386.htmlRMK8P13E–A view of the interior of the church of St Mark at New Lakenham, Norwich, Norfolk, England, United Kingdom.
Chain of Alps from Grenoble to Chamberi (Liber Studiorum, part X, plate 49) MET DP821485 382952 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: William Say, British, Lakenham, near Norwich 1768?1834 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Chain of Alps from Grenoble to Chamberi (Liber Studiorum, part X, plate 49), May 23, 1812, Etching and mezzotint; first state of four, plate: 7 x 10 3/8 in. (17.8 x 26.4 cm) sheet: 8 5/16 x 11 9/16 in. (21.1 x 29.4 cm). The Metropolitan Museum of Art, New Yor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-chain-of-alps-from-grenoble-to-chamberi-liber-studiorum-part-x-plate-168352972.htmlRMKNW3X4–Chain of Alps from Grenoble to Chamberi (Liber Studiorum, part X, plate 49) MET DP821485 382952 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: William Say, British, Lakenham, near Norwich 1768?1834 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Chain of Alps from Grenoble to Chamberi (Liber Studiorum, part X, plate 49), May 23, 1812, Etching and mezzotint; first state of four, plate: 7 x 10 3/8 in. (17.8 x 26.4 cm) sheet: 8 5/16 x 11 9/16 in. (21.1 x 29.4 cm). The Metropolitan Museum of Art, New Yor
The church of St John the Baptist and All Saints at Lakenham, Norwich, England, United Kingdom. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-church-of-st-john-the-baptist-and-all-saints-at-lakenham-norwich-56240681.htmlRMD7DYFN–The church of St John the Baptist and All Saints at Lakenham, Norwich, England, United Kingdom.
Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24). Artist: Designed and etched by Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 7 x 10 7/16 in. (17.8 x 26.5 cm) sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). Engraver: William Say (British, Lakenham, near Norwich 1768-1834 London). Publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Date: January 1, 1811. Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coast-of-yorkshire-near-whitby-liber-studiorum-part-v-plate-24-artist-designed-and-etched-by-joseph-mallord-william-turner-british-london-1775-1851-london-dimensions-plate-7-x-10-716-in-178-x-265-cm-sheet-8-14-x-11-12-in-21-x-292-cm-engraver-william-say-british-lakenham-near-norwich-1768-1834-london-publisher-joseph-mallord-william-turner-british-london-1775-1851-london-date-january-1-1811-turner-distilled-his-ideas-about-landscape-in-liber-studiorum-latin-for-book-of-studies-a-series-of-seventy-prints-plus-a-frontispiece-published-between-1807-a-image213270349.htmlRMPAY8E5–Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24). Artist: Designed and etched by Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: plate: 7 x 10 7/16 in. (17.8 x 26.5 cm) sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). Engraver: William Say (British, Lakenham, near Norwich 1768-1834 London). Publisher: Joseph Mallord William Turner (British, London 1775-1851 London). Date: January 1, 1811. Turner distilled his ideas about landscape In 'Liber Studiorum' (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 a
Liber Studiorum: Plate 40, Lakenham, near Norwich, 1838. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/liber-studiorum-plate-40-lakenham-near-norwich-1838-image330104038.htmlRM2A51F1X–Liber Studiorum: Plate 40, Lakenham, near Norwich, 1838.
Ecstasy of Saint Francis. William Say (England, Norfolk, Lakenham, 1768-1834)Lodovico Carracci (Italy, Bologna, 1555-1619). England, 1809. Prints; mezzotints. Mezzotint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ecstasy-of-saint-francis-william-say-england-norfolk-lakenham-1768-1834lodovico-carracci-italy-bologna-1555-1619-england-1809-prints-mezzotints-mezzotint-image464684407.htmlRM2J005KK–Ecstasy of Saint Francis. William Say (England, Norfolk, Lakenham, 1768-1834)Lodovico Carracci (Italy, Bologna, 1555-1619). England, 1809. Prints; mezzotints. Mezzotint
Ipswich Mendlesham Yaxley Scole Norwich Cromer. KITCHIN road map 1767 old Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ipswich-mendlesham-yaxley-scole-norwich-cromer-kitchin-road-map-1767-176387937.htmlRFM6Y4H5–Ipswich Mendlesham Yaxley Scole Norwich Cromer. KITCHIN road map 1767 old
The Duke of Wellington 1828 William Say. The Duke of Wellington. After Michael William Sharp (British, London 1776/7–1840 Boulogne). 1828. Mezzotint. William Sams (British, active 1815–63). William Say (British, Lakenham, near Norwich 1768–1834 London). Arthur Wellesley, 1st Duke of Wellington (British, 1769–1852). Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-duke-of-wellington-1828-william-say-the-duke-of-wellington-after-michael-william-sharp-british-london-177671840-boulogne-1828-mezzotint-william-sams-british-active-181563-william-say-british-lakenham-near-norwich-17681834-london-arthur-wellesley-1st-duke-of-wellington-british-17691852-prints-image457772751.htmlRM2HGN9PR–The Duke of Wellington 1828 William Say. The Duke of Wellington. After Michael William Sharp (British, London 1776/7–1840 Boulogne). 1828. Mezzotint. William Sams (British, active 1815–63). William Say (British, Lakenham, near Norwich 1768–1834 London). Arthur Wellesley, 1st Duke of Wellington (British, 1769–1852). Prints
Liber Studiorum: Plate 40, Lakenham, near Norwich, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 23.7 x 16.1 cm (9 5/16 x 6 5/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/liber-studiorum-plate-40-lakenham-near-norwich-1838-john-sell-cotman-british-1782-1842-softground-etching-from-a-bound-volume-containing-48-plates-sheet-496-x-32-cm-19-12-x-12-58-in-platemark-237-x-161-cm-9-516-x-6-516-in-image448076306.htmlRM2H0YHW6–Liber Studiorum: Plate 40, Lakenham, near Norwich, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 23.7 x 16.1 cm (9 5/16 x 6 5/16 in.).
Lakenham, Norfolk, GB, United Kingdom, England, N 52 37' 6'', N 1 17' 55'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lakenham-norfolk-gb-united-kingdom-england-n-52-37-6-n-1-17-55-map-cartascapes-map-published-in-2024-explore-cartascapes-a-map-revealing-earths-diverse-landscapes-cultures-and-ecosystems-journey-through-time-and-space-discovering-the-interconnectedness-of-our-planets-past-present-and-future-image604072049.htmlRM2X2NT1N–Lakenham, Norfolk, GB, United Kingdom, England, N 52 37' 6'', N 1 17' 55'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future.
Print made by John Sell Cotman, 1782–1842, British, Lakenham, near Norwich, ca. 1808. Soft-ground etching on moderately thick, moderately textured, beige wove paper. architectural subject , branches , bread , buildings , child , chimney (architectural element) , cottage , courtyard , dog (animal) , feeding , fence , genre subject , girl , hay , house , ruins , rural , straw , trees. England , Lakenham , Norfolk , Norwich , United Kingdom Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-made-by-john-sell-cotman-17821842-british-lakenham-near-norwich-ca-1808-soft-ground-etching-on-moderately-thick-moderately-textured-beige-wove-paper-architectural-subject-branches-bread-buildings-child-chimney-architectural-element-cottage-courtyard-dog-animal-feeding-fence-genre-subject-girl-hay-house-ruins-rural-straw-trees-england-lakenham-norfolk-norwich-united-kingdom-image398378229.htmlRM2E43KDW–Print made by John Sell Cotman, 1782–1842, British, Lakenham, near Norwich, ca. 1808. Soft-ground etching on moderately thick, moderately textured, beige wove paper. architectural subject , branches , bread , buildings , child , chimney (architectural element) , cottage , courtyard , dog (animal) , feeding , fence , genre subject , girl , hay , house , ruins , rural , straw , trees. England , Lakenham , Norfolk , Norwich , United Kingdom
Old Lakenham church Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-old-lakenham-church-55636549.htmlRMD6ECYH–Old Lakenham church
Lakenham, Near Norwich 1838 John Sell Cotman Bright sunlight casts the shadow of a small girl onto a cottage wall as she plays with a dog. The patches of plaster that have fallen away reveal patterned boards beneath and reflect Cotman’s delight in the decayed irregularity of old buildings. The rustic architectural forms also echo those in his earlier watercolor Farm Building by a Pond (ca. 1808–11), on view nearby. Here the soft-ground etching technique enabled him to adapt into print the tones and patterns characteristic of his graphite drawings.. Lakenham, Near Norwich. Liber Studiorum: A Se Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lakenham-near-norwich-1838-john-sell-cotman-bright-sunlight-casts-the-shadow-of-a-small-girl-onto-a-cottage-wall-as-she-plays-with-a-dog-the-patches-of-plaster-that-have-fallen-away-reveal-patterned-boards-beneath-and-reflect-cotmans-delight-in-the-decayed-irregularity-of-old-buildings-the-rustic-architectural-forms-also-echo-those-in-his-earlier-watercolor-farm-building-by-a-pond-ca-180811-on-view-nearby-here-the-soft-ground-etching-technique-enabled-him-to-adapt-into-print-the-tones-and-patterns-characteristic-of-his-graphite-drawings-lakenham-near-norwich-liber-studiorum-a-se-image457918791.htmlRM2HH002F–Lakenham, Near Norwich 1838 John Sell Cotman Bright sunlight casts the shadow of a small girl onto a cottage wall as she plays with a dog. The patches of plaster that have fallen away reveal patterned boards beneath and reflect Cotman’s delight in the decayed irregularity of old buildings. The rustic architectural forms also echo those in his earlier watercolor Farm Building by a Pond (ca. 1808–11), on view nearby. Here the soft-ground etching technique enabled him to adapt into print the tones and patterns characteristic of his graphite drawings.. Lakenham, Near Norwich. Liber Studiorum: A Se
Apuleia in Search of Apuleius (unpublished plate, Liber Studiorum) MET DP821583 383031 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: William Say, British, Lakenham, near Norwich 1768?1834 London, Apuleia in Search of Apuleius (unpublished plate, Liber Studiorum), 1813?23, Etching and mezzotint; engraver's proof b (Finberg), plate: 7 1/4 x 10 9/16 in. (18.4 x 26.8 cm) sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). The Metropolitan Museum of Art, New York. Gift of Theodore De Witt, 1917 (23.65.95) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-apuleia-in-search-of-apuleius-unpublished-plate-liber-studiorum-met-168355636.htmlRMKNW798–Apuleia in Search of Apuleius (unpublished plate, Liber Studiorum) MET DP821583 383031 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: William Say, British, Lakenham, near Norwich 1768?1834 London, Apuleia in Search of Apuleius (unpublished plate, Liber Studiorum), 1813?23, Etching and mezzotint; engraver's proof b (Finberg), plate: 7 1/4 x 10 9/16 in. (18.4 x 26.8 cm) sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). The Metropolitan Museum of Art, New York. Gift of Theodore De Witt, 1917 (23.65.95)
The tower of the church of St John the Baptist and All Saints at Lakenham, Norwich, Norfolk, England, United Kingdom. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-tower-of-the-church-of-st-john-the-baptist-and-all-saints-at-lakenham-56240859.htmlRMD7DYP3–The tower of the church of St John the Baptist and All Saints at Lakenham, Norwich, Norfolk, England, United Kingdom.
Lich gate Old Lakenham church Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lich-gate-old-lakenham-church-55637015.htmlRMD6EDG7–Lich gate Old Lakenham church
Chain of Alps from Grenoble to Chamberi (Liber Studiorum, part X, plate 49) MET DP821485 382952 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: William Say, British, Lakenham, near Norwich 1768?1834 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Chain of Alps from Grenoble to Chamberi (Liber Studiorum, part X, plate 49), May 23, 1812, Etching and mezzotint; first state of four, plate: 7 x 10 3/8 in. (17.8 x 26.4 cm) sheet: 8 5/16 x 11 9/16 in. (21.1 x 29.4 cm). The Metropolitan Museum of Art, New Yor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-chain-of-alps-from-grenoble-to-chamberi-liber-studiorum-part-x-plate-168496342.htmlRMKP3JPE–Chain of Alps from Grenoble to Chamberi (Liber Studiorum, part X, plate 49) MET DP821485 382952 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: William Say, British, Lakenham, near Norwich 1768?1834 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Chain of Alps from Grenoble to Chamberi (Liber Studiorum, part X, plate 49), May 23, 1812, Etching and mezzotint; first state of four, plate: 7 x 10 3/8 in. (17.8 x 26.4 cm) sheet: 8 5/16 x 11 9/16 in. (21.1 x 29.4 cm). The Metropolitan Museum of Art, New Yor
An ornate tomb in the churchyard of the church of St John the Baptist and All Saints at Lakenham, Norwich, Norfolk, UK. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-an-ornate-tomb-in-the-churchyard-of-the-church-of-st-john-the-baptist-56240685.htmlRMD7DYFW–An ornate tomb in the churchyard of the church of St John the Baptist and All Saints at Lakenham, Norwich, Norfolk, UK.
Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24) MET DP821400 383002 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: William Say, British, Lakenham, near Norwich 1768?1834 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), January 1, 1811, Etching and mezzotint; second state of four, plate: 7 x 10 7/16 in. (17.8 x 26.5 cm) sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). The Metropolitan Museum of Art, New York. Gift of Will Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-coast-of-yorkshire-near-whitby-liber-studiorum-part-v-plate-24-met-168354187.htmlRMKNW5DF–Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24) MET DP821400 383002 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: William Say, British, Lakenham, near Norwich 1768?1834 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), January 1, 1811, Etching and mezzotint; second state of four, plate: 7 x 10 7/16 in. (17.8 x 26.5 cm) sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). The Metropolitan Museum of Art, New York. Gift of Will
Apuleia in Search of Apuleius (unpublished plate, Liber Studiorum) MET DP821583 383031 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: William Say, British, Lakenham, near Norwich 1768?1834 London, Apuleia in Search of Apuleius (unpublished plate, Liber Studiorum), 1813?23, Etching and mezzotint; engraver's proof b (Finberg), plate: 7 1/4 x 10 9/16 in. (18.4 x 26.8 cm) sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). The Metropolitan Museum of Art, New York. Gift of Theodore De Witt, 1917 (23.65.95) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-apuleia-in-search-of-apuleius-unpublished-plate-liber-studiorum-met-168498570.htmlRMKP3NJ2–Apuleia in Search of Apuleius (unpublished plate, Liber Studiorum) MET DP821583 383031 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: William Say, British, Lakenham, near Norwich 1768?1834 London, Apuleia in Search of Apuleius (unpublished plate, Liber Studiorum), 1813?23, Etching and mezzotint; engraver's proof b (Finberg), plate: 7 1/4 x 10 9/16 in. (18.4 x 26.8 cm) sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). The Metropolitan Museum of Art, New York. Gift of Theodore De Witt, 1917 (23.65.95)
Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24) MET DP821400 383002 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: William Say, British, Lakenham, near Norwich 1768?1834 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), January 1, 1811, Etching and mezzotint; second state of four, plate: 7 x 10 7/16 in. (17.8 x 26.5 cm) sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). The Metropolitan Museum of Art, New York. Gift of Will Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-coast-of-yorkshire-near-whitby-liber-studiorum-part-v-plate-24-met-168497148.htmlRMKP3KR8–Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24) MET DP821400 383002 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: William Say, British, Lakenham, near Norwich 1768?1834 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), January 1, 1811, Etching and mezzotint; second state of four, plate: 7 x 10 7/16 in. (17.8 x 26.5 cm) sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). The Metropolitan Museum of Art, New York. Gift of Will
Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24) MET DP821391 383003 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: William Say, British, Lakenham, near Norwich 1768?1834 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), January 1, 1811, Etching and mezzotint; third state of four, plate: 7 1/8 x 10 1/2 in. (18.1 x 26.7 cm) sheet: 8 5/16 x 11 5/8 in. (21.1 x 29.5 cm). The Metropolitan Museum of Art, New York. Gift of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-coast-of-yorkshire-near-whitby-liber-studiorum-part-v-plate-24-met-168497157.htmlRMKP3KRH–Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24) MET DP821391 383003 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: William Say, British, Lakenham, near Norwich 1768?1834 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), January 1, 1811, Etching and mezzotint; third state of four, plate: 7 1/8 x 10 1/2 in. (18.1 x 26.7 cm) sheet: 8 5/16 x 11 5/8 in. (21.1 x 29.5 cm). The Metropolitan Museum of Art, New York. Gift of
Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24) MET DP821391 383003 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: William Say, British, Lakenham, near Norwich 1768?1834 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), January 1, 1811, Etching and mezzotint; third state of four, plate: 7 1/8 x 10 1/2 in. (18.1 x 26.7 cm) sheet: 8 5/16 x 11 5/8 in. (21.1 x 29.5 cm). The Metropolitan Museum of Art, New York. Gift of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-coast-of-yorkshire-near-whitby-liber-studiorum-part-v-plate-24-met-168354199.htmlRMKNW5DY–Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24) MET DP821391 383003 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: William Say, British, Lakenham, near Norwich 1768?1834 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), January 1, 1811, Etching and mezzotint; third state of four, plate: 7 1/8 x 10 1/2 in. (18.1 x 26.7 cm) sheet: 8 5/16 x 11 5/8 in. (21.1 x 29.5 cm). The Metropolitan Museum of Art, New York. Gift of
Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24) MET DP821394 382927 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: William Say, British, Lakenham, near Norwich 1768?1834 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), January 1, 1811, Etching and mezzotint; first state of four, plate: 7 1/16 x 10 1/2 in. (17.9 x 26.7 cm) sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). The Metropolitan Museum of Art, New York. Harris Br Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-coast-of-yorkshire-near-whitby-liber-studiorum-part-v-plate-24-met-168353094.htmlRMKNW42E–Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24) MET DP821394 382927 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: William Say, British, Lakenham, near Norwich 1768?1834 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), January 1, 1811, Etching and mezzotint; first state of four, plate: 7 1/16 x 10 1/2 in. (17.9 x 26.7 cm) sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). The Metropolitan Museum of Art, New York. Harris Br
Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24) MET DP821394 382927 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: William Say, British, Lakenham, near Norwich 1768?1834 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), January 1, 1811, Etching and mezzotint; first state of four, plate: 7 1/16 x 10 1/2 in. (17.9 x 26.7 cm) sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). The Metropolitan Museum of Art, New York. Harris Br Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-coast-of-yorkshire-near-whitby-liber-studiorum-part-v-plate-24-met-168496400.htmlRMKP3JTG–Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24) MET DP821394 382927 Artist: Designed and etched by Joseph Mallord William Turner, British, London 1775?1851 London, Engraver: William Say, British, Lakenham, near Norwich 1768?1834 London, Publisher: Joseph Mallord William Turner, British, London 1775?1851 London, Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), January 1, 1811, Etching and mezzotint; first state of four, plate: 7 1/16 x 10 1/2 in. (17.9 x 26.7 cm) sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm). The Metropolitan Museum of Art, New York. Harris Br
