Late 17th century original hi-res stock photography and images

British 'Lely' frame, Unknown framemaker, late 17th to early 18th century, Carved wood, original lacquered silverleaf Stock Photo

RM2DJ5J1Y–British 'Lely' frame, Unknown framemaker, late 17th to early 18th century, Carved wood, original lacquered silverleaf

A horseman's hammer Polish or Hungarian, late 16th / early 17th century. The head formed with a square hammer face on a slightly down-curved neck strongly moulded in two stages, slender beak also of square section, struck with a small saltire mark on one side, cut with narrow angular flutes tapering to a sharp point, and the head retained by a flattened iron cap over the ring socket, with iron haft of flattened hexagonal section widening to form flattened rectangular ends, wooden grip fitted between iron discs and retaining its original moulded l, Additional-Rights-Clearance-Info-Not-Available Stock Photo

RMT8C4R8–A horseman's hammer Polish or Hungarian, late 16th / early 17th century. The head formed with a square hammer face on a slightly down-curved neck strongly moulded in two stages, slender beak also of square section, struck with a small saltire mark on one side, cut with narrow angular flutes tapering to a sharp point, and the head retained by a flattened iron cap over the ring socket, with iron haft of flattened hexagonal section widening to form flattened rectangular ends, wooden grip fitted between iron discs and retaining its original moulded l, Additional-Rights-Clearance-Info-Not-Available

Inspired by Two-Handed Sword, Master SB, late 16th or early 17th century, Steel, iron, wood, and original and modern leather, Switzerland, Europe, Germany, Europe, Arms & armor, metalwork, 66 1/2 x 17 5/8 x 7 3/4 in. (168.9 x 44.8 x 19.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HK662Y–Inspired by Two-Handed Sword, Master SB, late 16th or early 17th century, Steel, iron, wood, and original and modern leather, Switzerland, Europe, Germany, Europe, Arms & armor, metalwork, 66 1/2 x 17 5/8 x 7 3/4 in. (168.9 x 44.8 x 19.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

The Pantheon, Rome showing the twin bell towers added in the 17th century and removed in the late 19th. Stock Photo

RMM4TNMA–The Pantheon, Rome showing the twin bell towers added in the 17th century and removed in the late 19th.

Late 17th century XVII French Officer and Nobleman Stock Photo

RFDJ8KR3–Late 17th century XVII French Officer and Nobleman

Sweden, Stockholm. English Galleon, 16th century. Votive ship hanging from the ceiling of the Cathedral of Saint Nicholas. One of the oldest votive ships in the world. This ship model is a copy of the original made in 1950s. The original ship model was built around 1600, today kept in the Museum of Maritime History in Stockholm. The ship-type is an Elizabethan galleon, as at the end of the 15th century. Stock Photo

RM2CA4530–Sweden, Stockholm. English Galleon, 16th century. Votive ship hanging from the ceiling of the Cathedral of Saint Nicholas. One of the oldest votive ships in the world. This ship model is a copy of the original made in 1950s. The original ship model was built around 1600, today kept in the Museum of Maritime History in Stockholm. The ship-type is an Elizabethan galleon, as at the end of the 15th century.

The Blue Bell on Fossgate is a historic late 17th century pub in the city of York Stock Photo

RM2R6AWNH–The Blue Bell on Fossgate is a historic late 17th century pub in the city of York

St Paul's Cathedral, London, is a Church of England cathedral and seat of the Bishop of London. dates back to the original church on this site, founded in AD 604.The present church dating from the late 17th century was built to an English Baroque design of Sir Christopher Wren, as part of a major rebuilding program which took place in the city after the Great Fire of London, Stock Photo

RMD9927G–St Paul's Cathedral, London, is a Church of England cathedral and seat of the Bishop of London. dates back to the original church on this site, founded in AD 604.The present church dating from the late 17th century was built to an English Baroque design of Sir Christopher Wren, as part of a major rebuilding program which took place in the city after the Great Fire of London,

Pietra dura table top. Culture: Italian, Rome. Dimensions: Overall (confirmed): 94 1/8 × 45 1/8 × 4 in., 1926 lb. (239.1 × 114.6 × 10.2 cm, 873.6279 kg); Overall (confirmed, ht. and wt. of table assembled on non-original base): 35 3/4 × 94 1/8 × 45 1/8 in., 1926 lb. (90.8 × 239.1 × 114.6 cm, 873.6279 kg). Date: late 16th or early 17th century. This magnificent hardstone (pietra dura) tabletop is notable for the geometric design and central alabaster oval flanked by roundels of marble (breccia di Tivoli). These features are typical of Rome in the years around 1600 and distinguish the tabletop Stock Photo

RMPA9BTE–Pietra dura table top. Culture: Italian, Rome. Dimensions: Overall (confirmed): 94 1/8 × 45 1/8 × 4 in., 1926 lb. (239.1 × 114.6 × 10.2 cm, 873.6279 kg); Overall (confirmed, ht. and wt. of table assembled on non-original base): 35 3/4 × 94 1/8 × 45 1/8 in., 1926 lb. (90.8 × 239.1 × 114.6 cm, 873.6279 kg). Date: late 16th or early 17th century. This magnificent hardstone (pietra dura) tabletop is notable for the geometric design and central alabaster oval flanked by roundels of marble (breccia di Tivoli). These features are typical of Rome in the years around 1600 and distinguish the tabletop

Sir Christopher Wren's original model for St Paul's Cathedral. By Arthur Robertson. St Paul's Cathedral, London, is an Anglican cathedral, the seat of the Bishop of London and the mother church of the Diocese of London. The present cathedral, dates from the late 17th century and was designed in the English Baroque style by Sir Christopher Wren. Stock Photo

RMW60BW8–Sir Christopher Wren's original model for St Paul's Cathedral. By Arthur Robertson. St Paul's Cathedral, London, is an Anglican cathedral, the seat of the Bishop of London and the mother church of the Diocese of London. The present cathedral, dates from the late 17th century and was designed in the English Baroque style by Sir Christopher Wren.

Public flogging in front of the floor tower in Gdansk, Poland, late 17th century / Öffentliche Auspeitschung vor dem Stockturm in Danzig, Polen, Ende des 17. Jahrhunderts, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Stock Photo

RF2B6YA4T–Public flogging in front of the floor tower in Gdansk, Poland, late 17th century / Öffentliche Auspeitschung vor dem Stockturm in Danzig, Polen, Ende des 17. Jahrhunderts, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,

The Ampulla and Coronation Spoon. When a monarch is anointed, the Dean of Westminster first pours holy anointing oil from an ampulla into a spoon. The original ampulla was a small stone phial, sometimes worn around the neck as a pendant by kings, and otherwise kept inside an eagle-shaped golden reliquary. It is unclear why, after the Restoration, the vessel itself came to be reinterpreted as an eagle standing on a domed base. The Coronation Spoon, dates from the late 12th century and is silver-gilt and set with four pearls, which were added in the 17th century. Stock Photo

RM2M41NGT–The Ampulla and Coronation Spoon. When a monarch is anointed, the Dean of Westminster first pours holy anointing oil from an ampulla into a spoon. The original ampulla was a small stone phial, sometimes worn around the neck as a pendant by kings, and otherwise kept inside an eagle-shaped golden reliquary. It is unclear why, after the Restoration, the vessel itself came to be reinterpreted as an eagle standing on a domed base. The Coronation Spoon, dates from the late 12th century and is silver-gilt and set with four pearls, which were added in the 17th century.

Rear view of three-piece breastplate armour or Harnische-Schmiede Plattner, late 15ht century, with engraved and jointed arm armour. From an original suit of armour in Vienna Arsenal. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photo

RMW0311C–Rear view of three-piece breastplate armour or Harnische-Schmiede Plattner, late 15ht century, with engraved and jointed arm armour. From an original suit of armour in Vienna Arsenal. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

N/A. English: St. Anne with Mary and Jesus 17th century; Wood, polychrome; Cathedral Museum, Santiago de Compostela, Spain This is a late example of the Anna Selbdritt type -- Anne with her daughter Mary and the Christ Child. 30 October 2011 (original upload date). Dickstracke at en. 105 AnneSantiago Stock Photo

RMP5KKX5–N/A. English: St. Anne with Mary and Jesus 17th century; Wood, polychrome; Cathedral Museum, Santiago de Compostela, Spain This is a late example of the Anna Selbdritt type -- Anne with her daughter Mary and the Christ Child. 30 October 2011 (original upload date). Dickstracke at en. 105 AnneSantiago

An historic drawing of the old Star Chamber, Westminster, London; an English courtroom which operated from the late 15th century to the mid-17th century. As well as hearing civil and property disputes, cases heard by the Star Chamber Court included monastic discrepancies and disputes and those dealing with treason, riots, murder, forgery, felony, perjury, fraud, libel & slander and even duels.It was abolished by an act of parliament in July 1641 and was demolished after the Great Fire of London of 1666. Stock Photo

RM2AF06PJ–An historic drawing of the old Star Chamber, Westminster, London; an English courtroom which operated from the late 15th century to the mid-17th century. As well as hearing civil and property disputes, cases heard by the Star Chamber Court included monastic discrepancies and disputes and those dealing with treason, riots, murder, forgery, felony, perjury, fraud, libel & slander and even duels.It was abolished by an act of parliament in July 1641 and was demolished after the Great Fire of London of 1666.

Fashion, costumes, clothing in Scotland, from the left, late medieval costume of the Clan Dugal, then costume of the Clan June, then costume of the Clan Laurin in the 15th century, then warrior of the Clan Quaries around 1600, bagpiper of the Clan Cruimin in the 17th century, digital improved reproduction from an original from the year 1900 Stock Photo

RFM3TWYY–Fashion, costumes, clothing in Scotland, from the left, late medieval costume of the Clan Dugal, then costume of the Clan June, then costume of the Clan Laurin in the 15th century, then warrior of the Clan Quaries around 1600, bagpiper of the Clan Cruimin in the 17th century, digital improved reproduction from an original from the year 1900

Antique 1854 engraving, View of the Convent of La Merced in Mexico. The La Merced Cloister is all that is left of a monastery complex built in the late 16th and early 17th century by the Mercedarian order. SOURCE: ORIGINAL ENGRAVING. Stock Photo

RMJ4DDAX–Antique 1854 engraving, View of the Convent of La Merced in Mexico. The La Merced Cloister is all that is left of a monastery complex built in the late 16th and early 17th century by the Mercedarian order. SOURCE: ORIGINAL ENGRAVING.

The interior of St Paul's Cathedral, London, is an Anglican cathedral, the seat of the Bishop of London and the mother church of the Diocese of London. It sits on Ludgate Hill at the highest point of the City of London. Its dedication to Paul the Apostle dates back to the original church on this site, founded in AD 604. The present cathedral, dating from the late 17th century, was designed in the English Baroque style by Sir Christopher Wren. Its construction, completed in Wren's lifetime, was part of a major rebuilding programme in the City after the Great Fire of London. Stock Photo

RMR6RRD7–The interior of St Paul's Cathedral, London, is an Anglican cathedral, the seat of the Bishop of London and the mother church of the Diocese of London. It sits on Ludgate Hill at the highest point of the City of London. Its dedication to Paul the Apostle dates back to the original church on this site, founded in AD 604. The present cathedral, dating from the late 17th century, was designed in the English Baroque style by Sir Christopher Wren. Its construction, completed in Wren's lifetime, was part of a major rebuilding programme in the City after the Great Fire of London.

Der Saturntempel wurde in den frühen Jahren des republikanischen Zeitalters auf dem Forum Romanum in Rom erbaut und erfuhr bis ins späte vierte Jahrhundert hinein zahlreiche Restaurierungen, historisches Rom, Italien, Splendore Dell' Antica Roma: The Splendors of Rome, Circa 1625 / historical Rome, Italy, Temple of Saturn was built in the Roman Forum in Rome in the early years of the Republican era and underwent numerous restorations until the late fourth century, Historisch, historical, digital improved reproduction of an original from the 17th century / digitale Reproduktion einer Original Stock Photo

RF2G6CTKA–Der Saturntempel wurde in den frühen Jahren des republikanischen Zeitalters auf dem Forum Romanum in Rom erbaut und erfuhr bis ins späte vierte Jahrhundert hinein zahlreiche Restaurierungen, historisches Rom, Italien, Splendore Dell' Antica Roma: The Splendors of Rome, Circa 1625 / historical Rome, Italy, Temple of Saturn was built in the Roman Forum in Rome in the early years of the Republican era and underwent numerous restorations until the late fourth century, Historisch, historical, digital improved reproduction of an original from the 17th century / digitale Reproduktion einer Original

British, 'Lely' frame, Unknown framemaker, late 17th to early 18th century, Carved wood, later gilding over original gilding Stock Photo

RM2DJ5NC0–British, 'Lely' frame, Unknown framemaker, late 17th to early 18th century, Carved wood, later gilding over original gilding

RMT8C4R9–A horseman's hammer Polish or Hungarian, late 16th / early 17th century. The head formed with a square hammer face on a slightly down-curved neck strongly moulded in two stages, slender beak also of square section, struck with a small saltire mark on one side, cut with narrow angular flutes tapering to a sharp point, and the head retained by a flattened iron cap over the ring socket, with iron haft of flattened hexagonal section widening to form flattened rectangular ends, wooden grip fitted between iron discs and retaining its original moulded l, Additional-Rights-Clearance-Info-Not-Available

Art inspired by Two-Handed Sword, Master SB, late 16th or early 17th century, Steel, iron, wood, and original and modern leather, Switzerland, Europe, Germany, Europe, Arms & armor, metalwork, 66 1/2 x 17 5/8 x 7 3/4 in. (168.9 x 44.8 x 19.7 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKMDA9–Art inspired by Two-Handed Sword, Master SB, late 16th or early 17th century, Steel, iron, wood, and original and modern leather, Switzerland, Europe, Germany, Europe, Arms & armor, metalwork, 66 1/2 x 17 5/8 x 7 3/4 in. (168.9 x 44.8 x 19.7 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

A Spanish cup-hilt rapier,late 17th century Slender sturdy thrusting blade,inscribed 'HEINRICH BRAEENDER' within the short fuller on the obverse side and 'EN SOLINGEN' on the reverse. Cut knuckle-bow hilt comprising a pierced cup decorated with figures,original grip with elaborate wire binding and Turk's heads,small globular pommel with rivetted finial. Length 128 cm,historic,historical,,17th century,weapons,arms,weapon,arm,baronial,military,militaria,rapier,rapiers,sword,swords,melee weapon,melee weapons,thrusting,thrustings,baton,objec,Additional-Rights-Clearences-Not Available Stock Photo

RMCYXD5R–A Spanish cup-hilt rapier,late 17th century Slender sturdy thrusting blade,inscribed 'HEINRICH BRAEENDER' within the short fuller on the obverse side and 'EN SOLINGEN' on the reverse. Cut knuckle-bow hilt comprising a pierced cup decorated with figures,original grip with elaborate wire binding and Turk's heads,small globular pommel with rivetted finial. Length 128 cm,historic,historical,,17th century,weapons,arms,weapon,arm,baronial,military,militaria,rapier,rapiers,sword,swords,melee weapon,melee weapons,thrusting,thrustings,baton,objec,Additional-Rights-Clearences-Not Available

Art inspired by Armchair (fauteuil à la reine), ca. 1690–1710, French, Paris, Carved and gilded walnut, late 17th-century wool velvet (not original), H. 46-1/2 x W. 28 x D. 23-1/4 in. (118.1 x 71.1 x 59.1 cm), Woodwork-Furniture, In the most recent catalogue of the furniture at, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW7RM–Art inspired by Armchair (fauteuil à la reine), ca. 1690–1710, French, Paris, Carved and gilded walnut, late 17th-century wool velvet (not original), H. 46-1/2 x W. 28 x D. 23-1/4 in. (118.1 x 71.1 x 59.1 cm), Woodwork-Furniture, In the most recent catalogue of the furniture at, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RM2CA452T–Sweden, Stockholm. English Galleon, 16th century. Votive ship hanging from the ceiling of the Cathedral of Saint Nicholas. One of the oldest votive ships in the world. This ship model is a copy of the original made in 1950s. The original ship model was built around 1600, today kept in the Museum of Maritime History in Stockholm. The ship-type is an Elizabethan galleon, as at the end of the 15th century.

Late 17th century XVII Musketeer of the French Palace Guard Gardes Françaises Stock Photo

RFDJ8KPM–Late 17th century XVII Musketeer of the French Palace Guard Gardes Françaises

'Westminster Abbey - Interior. West through Choir, London, England.', c1930s. The original choir screen was rebuilt in or after the late 17th century. From "Tour of the World". [Keystone View Company, Meadville, Pa., New York, Chicago, London] Stock Photo

RM2A8E92Y–'Westminster Abbey - Interior. West through Choir, London, England.', c1930s. The original choir screen was rebuilt in or after the late 17th century. From "Tour of the World". [Keystone View Company, Meadville, Pa., New York, Chicago, London]

RM2BT5G3B–Rear view of three-piece breastplate armour or Harnische-Schmiede Plattner, late 15ht century, with engraved and jointed arm armour. From an original suit of armour in Vienna Arsenal. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

puritan women 17th century costume A Puritan of 16th and 17th century England was an associate of any number of religious groups Stock Photo

RMB7P40C–puritan women 17th century costume A Puritan of 16th and 17th century England was an associate of any number of religious groups

Section of the Tijou Screen, late 17th century, (1881). Etching of one of the twelve sections of a wrought iron screen, designed c1690 by the Huguenot ironworker Jean Tijou for the gardens at Hampton Court Palace, (west London). The gardens were remodelled in the late 18th century by George III, and as there was no longer room for the screen, it was lent to the South Kensington Museum by Queen Victoria. It was later restored and returned to its original position at the end of the Privy Garden fronting the River Thames. From "The South Kensington Museum", a book of engraved illustrati Stock Photo

RMWX0YXM–Section of the Tijou Screen, late 17th century, (1881). Etching of one of the twelve sections of a wrought iron screen, designed c1690 by the Huguenot ironworker Jean Tijou for the gardens at Hampton Court Palace, (west London). The gardens were remodelled in the late 18th century by George III, and as there was no longer room for the screen, it was lent to the South Kensington Museum by Queen Victoria. It was later restored and returned to its original position at the end of the Privy Garden fronting the River Thames. From "The South Kensington Museum", a book of engraved illustrati

The Ampulla and Coronation Spoon, 1953. When a monarch is anointed, the Dean of Westminster first pours holy anointing oil from an ampulla into a spoon. The original ampulla was a small stone phial, sometimes worn around the neck as a pendant by kings, and otherwise kept inside an eagle-shaped golden reliquary. It is unclear why, after the Restoration, the vessel itself came to be reinterpreted as an eagle standing on a domed base. The Coronation Spoon, dates from the late 12th century and is silver-gilt and set with four pearls, which were added in the 17th century. Stock Photo

RM2X8BF1N–The Ampulla and Coronation Spoon, 1953. When a monarch is anointed, the Dean of Westminster first pours holy anointing oil from an ampulla into a spoon. The original ampulla was a small stone phial, sometimes worn around the neck as a pendant by kings, and otherwise kept inside an eagle-shaped golden reliquary. It is unclear why, after the Restoration, the vessel itself came to be reinterpreted as an eagle standing on a domed base. The Coronation Spoon, dates from the late 12th century and is silver-gilt and set with four pearls, which were added in the 17th century.

German suit of armour from the late 15th century. Salade or sallet helmet, three-piece breastplate or Harnische-Schmiede Plattner, engraved and jointed arm and leg armour, long crakow sabatons. From an original suit of armour in Vienna Arsenal. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photo

RMW03115–German suit of armour from the late 15th century. Salade or sallet helmet, three-piece breastplate or Harnische-Schmiede Plattner, engraved and jointed arm and leg armour, long crakow sabatons. From an original suit of armour in Vienna Arsenal. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

. English: This painting by Seth Eastman, c.1850 depicts a 'small' pinnace, a boat design that was used on the earliest voyages from England to establish the Popham Colony in southern Maine, and settlement at Jamestown and other sites on coastal Virginia in the first decade of the 17th century. The 1584 date refers to the ill-fated, late 16th century English colony at Roanoke, Virginia. circa 1850. Original painting by Seth Eastman, c.1850. 37 America Pinnace Virginia 1584 artist Stock Photo

RMMY9AN0–. English: This painting by Seth Eastman, c.1850 depicts a 'small' pinnace, a boat design that was used on the earliest voyages from England to establish the Popham Colony in southern Maine, and settlement at Jamestown and other sites on coastal Virginia in the first decade of the 17th century. The 1584 date refers to the ill-fated, late 16th century English colony at Roanoke, Virginia. circa 1850. Original painting by Seth Eastman, c.1850. 37 America Pinnace Virginia 1584 artist

Russia: Adam and Eve as represented on a woodcut in a Russian lubok, 1792. A lubok is a Russian popular print, defined by simple graphics and narratives inspired by literature, religious stories and folk tales. Lubki prints were used as decoration in houses and inns. Early examples from the late 17th and early 18th centuries were woodcuts, then engravings or etchings were typical, and from the mid-19th century lithography. They sometimes appeared in series, which might be regarded as predecessors of the modern comic strip. Stock Photo

RM2B01873–Russia: Adam and Eve as represented on a woodcut in a Russian lubok, 1792. A lubok is a Russian popular print, defined by simple graphics and narratives inspired by literature, religious stories and folk tales. Lubki prints were used as decoration in houses and inns. Early examples from the late 17th and early 18th centuries were woodcuts, then engravings or etchings were typical, and from the mid-19th century lithography. They sometimes appeared in series, which might be regarded as predecessors of the modern comic strip.

John Milton (1608-1674) English poet dictating Paradise Lost to his daughters. Old 19th century engraved illustration from El Mundo Ilustrado 1879 Stock Photo

RM2G9CDWJ–John Milton (1608-1674) English poet dictating Paradise Lost to his daughters. Old 19th century engraved illustration from El Mundo Ilustrado 1879

Pierre Puget, Milo of Croton, marble original 1670-1682, bronze reduction late 17th-early 18th century Milo of Croton; marble original 1670-1682, bronze reduction late 17th/early 18th century Stock Photo

RM2AEM2NX–Pierre Puget, Milo of Croton, marble original 1670-1682, bronze reduction late 17th-early 18th century Milo of Croton; marble original 1670-1682, bronze reduction late 17th/early 18th century

RMR6RRBM–The interior of St Paul's Cathedral, London, is an Anglican cathedral, the seat of the Bishop of London and the mother church of the Diocese of London. It sits on Ludgate Hill at the highest point of the City of London. Its dedication to Paul the Apostle dates back to the original church on this site, founded in AD 604. The present cathedral, dating from the late 17th century, was designed in the English Baroque style by Sir Christopher Wren. Its construction, completed in Wren's lifetime, was part of a major rebuilding programme in the City after the Great Fire of London.

A new map of England, Scotland and Ireland, this map illustrates late 17th century Britain, showing the many towns. A royal family tree describes each of the heirs to the throne after William the Conqueror, Historical, digitally restored reproduction from a 19th century original / Eine neue Landkarte von England, Schottland und Irland, diese Karte veranschaulicht das Großbritannien des späten 17. Jahrhunderts, und zeigt die zahlreichen Städte. Ein königlicher Stammbaum beschreibt die einzelnen Thronfolger nach Wilhelm dem Eroberer, Historisch, digital restaurierte Reproduktion von einer Vorl Stock Photo

RF2R6C694–A new map of England, Scotland and Ireland, this map illustrates late 17th century Britain, showing the many towns. A royal family tree describes each of the heirs to the throne after William the Conqueror, Historical, digitally restored reproduction from a 19th century original / Eine neue Landkarte von England, Schottland und Irland, diese Karte veranschaulicht das Großbritannien des späten 17. Jahrhunderts, und zeigt die zahlreichen Städte. Ein königlicher Stammbaum beschreibt die einzelnen Thronfolger nach Wilhelm dem Eroberer, Historisch, digital restaurierte Reproduktion von einer Vorl

Italian, Baroque frame, Unknown framemaker, late 17th century to early 18th century, Carved wood, original parcel gilding and black tempera Stock Photo

RM2DJ5K54–Italian, Baroque frame, Unknown framemaker, late 17th century to early 18th century, Carved wood, original parcel gilding and black tempera

RF2RAF16B–A new map of England, Scotland and Ireland, this map illustrates late 17th century Britain, showing the many towns. A royal family tree describes each of the heirs to the throne after William the Conqueror, Historical, digitally restored reproduction from a 19th century original / Eine neue Landkarte von England, Schottland und Irland, diese Karte veranschaulicht das Großbritannien des späten 17. Jahrhunderts, und zeigt die zahlreichen Städte. Ein königlicher Stammbaum beschreibt die einzelnen Thronfolger nach Wilhelm dem Eroberer, Historisch, digital restaurierte Reproduktion von einer Vorl

A Venetian Ecclesiastic by Giusto Le Court, circa late 17th century Stock Photo

RMF2BMXM–A Venetian Ecclesiastic by Giusto Le Court, circa late 17th century

RMCYXD54–A Spanish cup-hilt rapier,late 17th century Slender sturdy thrusting blade,inscribed 'HEINRICH BRAEENDER' within the short fuller on the obverse side and 'EN SOLINGEN' on the reverse. Cut knuckle-bow hilt comprising a pierced cup decorated with figures,original grip with elaborate wire binding and Turk's heads,small globular pommel with rivetted finial. Length 128 cm,historic,historical,,17th century,weapons,arms,weapon,arm,baronial,military,militaria,rapier,rapiers,sword,swords,melee weapon,melee weapons,thrusting,thrustings,baton,objec,Additional-Rights-Clearences-Not Available

Art inspired by Pietra dura table top, late 16th or early 17th century, Italian, Rome, Hardstones, alabaster, and marble (pietra dura); marble frame and walnut stand (replacement), Overall (confirmed): 94 1/8 × 45 1/8 × 4 in., 1926 lb. (239.1 × 114.6 × 10.2 cm, 873.6279 kg); Overall (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3W57–Art inspired by Pietra dura table top, late 16th or early 17th century, Italian, Rome, Hardstones, alabaster, and marble (pietra dura); marble frame and walnut stand (replacement), Overall (confirmed): 94 1/8 × 45 1/8 × 4 in., 1926 lb. (239.1 × 114.6 × 10.2 cm, 873.6279 kg); Overall (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

View of the fortified city of Ormus, by the Strait of Hormuz. Original Drawings of Muscovy, Persia, the East Indies and Japan. Europe and Asia; late 17th century. Drawing. Source: Add. 5232, f.110. Author: Kaempfer, Engelbert. Schenchzer, J. G. Stock Photo

RMR56XRT–View of the fortified city of Ormus, by the Strait of Hormuz. Original Drawings of Muscovy, Persia, the East Indies and Japan. Europe and Asia; late 17th century. Drawing. Source: Add. 5232, f.110. Author: Kaempfer, Engelbert. Schenchzer, J. G.

Art inspired by Pipa, Ming dynasty (1368-1644), late 16th–early 17th century, China, Chinese, Wood, ivory, bone, silk, L. 37 × W. 9 15/16 × D. 1 1/8 in. (94 × 25.3 × 2.9 cm), Chordophone-Lute-plucked-fretted, The pear-shaped lute slowly migrated from Central Asia into China during the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW0FXB–Art inspired by Pipa, Ming dynasty (1368-1644), late 16th–early 17th century, China, Chinese, Wood, ivory, bone, silk, L. 37 × W. 9 15/16 × D. 1 1/8 in. (94 × 25.3 × 2.9 cm), Chordophone-Lute-plucked-fretted, The pear-shaped lute slowly migrated from Central Asia into China during the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

The north west front of Tredegar House, Newport, South Wales. The door is a nineteenth century addition, but modelled on a seventeenth century original. The house is a fine example of a late seventeenth century mansion. Stock Photo

RMFDKJ9E–The north west front of Tredegar House, Newport, South Wales. The door is a nineteenth century addition, but modelled on a seventeenth century original. The house is a fine example of a late seventeenth century mansion.

RM2BT5E64–German suit of armour from the late 15th century. Salade or sallet helmet, three-piece breastplate or Harnische-Schmiede Plattner, engraved and jointed arm and leg armour, long crakow sabatons. From an original suit of armour in Vienna Arsenal. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

puritans embarking new england 17th century holy men sheep goat sailing ship coast luggage Puritan of 16th and 17th century Eng Stock Photo

RMB7P4T9–puritans embarking new england 17th century holy men sheep goat sailing ship coast luggage Puritan of 16th and 17th century Eng

Gobelins tapestries, late 17th-early18th century, (1898). 'Fig 1: Gobelin tapestry for the Castle of St. Germain [Château-Neuf de Saint-Germain-en-Laye, near Paris], designed for Louis XIV by D'Espouy. Fig 2: Border of a gobelin carpet representing the triumph of Hercules for Louis XIV's rooms at Versailles, designed by Noel Coypel. Figs 1 and 2 drawn by N. Vivien of Paris...Although the preparation of the weaved copy demands great skill, and for an exact resemblance of the original a master-hand is necessary, which can employ the most effectual methods, yet we must also remember that the Stock Photo

RM2AG0G05–Gobelins tapestries, late 17th-early18th century, (1898). 'Fig 1: Gobelin tapestry for the Castle of St. Germain [Château-Neuf de Saint-Germain-en-Laye, near Paris], designed for Louis XIV by D'Espouy. Fig 2: Border of a gobelin carpet representing the triumph of Hercules for Louis XIV's rooms at Versailles, designed by Noel Coypel. Figs 1 and 2 drawn by N. Vivien of Paris...Although the preparation of the weaved copy demands great skill, and for an exact resemblance of the original a master-hand is necessary, which can employ the most effectual methods, yet we must also remember that the

Late 17th century XVII French Infantry officer and Nobleman Stock Photo

RFDJ8KPR–Late 17th century XVII French Infantry officer and Nobleman

St Paul's Cathedral in the City of London, London England. 1980 St Paul's Cathedral, London, is an Anglican cathedral, the seat of the Bishop of London and the mother church of the Diocese of London. It sits on Ludgate Hill at the highest point of the City of London and is a Grade I listed building. Its dedication to Paul the Apostle dates back to the original church on this site, founded in AD 604. The present cathedral, dating from the late 17th century, was designed in the English Baroque style by Sir Christopher Wren. Its construction, completed in Wren's lifetime, was part of a major rebu Stock Photo

RMT5RN9R–St Paul's Cathedral in the City of London, London England. 1980 St Paul's Cathedral, London, is an Anglican cathedral, the seat of the Bishop of London and the mother church of the Diocese of London. It sits on Ludgate Hill at the highest point of the City of London and is a Grade I listed building. Its dedication to Paul the Apostle dates back to the original church on this site, founded in AD 604. The present cathedral, dating from the late 17th century, was designed in the English Baroque style by Sir Christopher Wren. Its construction, completed in Wren's lifetime, was part of a major rebu

Late 17th century XVII 1600s France, Crown Princess Marie Anna von Bayern 1679 and male follower Stock Photo

RFDJD021–Late 17th century XVII 1600s France, Crown Princess Marie Anna von Bayern 1679 and male follower

RMMX4865–. English: This painting by Seth Eastman, c.1850 depicts a 'small' pinnace, a boat design that was used on the earliest voyages from England to establish the Popham Colony in southern Maine, and settlement at Jamestown and other sites on coastal Virginia in the first decade of the 17th century. The 1584 date refers to the ill-fated, late 16th century English colony at Roanoke, Virginia. circa 1850. Original painting by Seth Eastman, c.1850. 42 America Pinnace Virginia 1584 artist

state bed 17th century sleep rest room linen douvet pillow four post The state bed, intended for receiving important visitors an Stock Photo

RFB7P475–state bed 17th century sleep rest room linen douvet pillow four post The state bed, intended for receiving important visitors an

RM2G9M9HG–John Milton (1608-1674) English poet dictating Paradise Lost to his daughters. Old 19th century engraved illustration from El Mundo Ilustrado 1879

The north west view of St Paul's Cathedral, London, an Anglican cathedral, the seat of the Bishop of London and the mother church of the Diocese of London. It sits on Ludgate Hill at the highest point of the City of London. Its dedication to Paul the Apostle dates back to the original church on this site, founded in AD 604. The present cathedral, dating from the late 17th century, was designed in the English Baroque style by Sir Christopher Wren. Its construction, completed in Wren's lifetime, was part of a major rebuilding programme in the City after the Great Fire of London. Stock Photo

RMR6RR5T–The north west view of St Paul's Cathedral, London, an Anglican cathedral, the seat of the Bishop of London and the mother church of the Diocese of London. It sits on Ludgate Hill at the highest point of the City of London. Its dedication to Paul the Apostle dates back to the original church on this site, founded in AD 604. The present cathedral, dating from the late 17th century, was designed in the English Baroque style by Sir Christopher Wren. Its construction, completed in Wren's lifetime, was part of a major rebuilding programme in the City after the Great Fire of London.

Artist unknown. Desk and Bookcase. 1750–1770. Boston. Mahogany, red oak, and white pine This desk and bookcase is closely related to English furniture of the late 17th and early 18th centuries. The naturalistic carving on the top of the bookcase section recalls English architectural carvings of the seventeenth century. Almost all brass fittings on 18th-century American furniture were imported from England or Europe. The original and distinctive brass hardware on this piece, however, may have been made in Boston by one of the few brass foundries known to operate in the colonies. Stock Photo

RM2AHNHE6–Artist unknown. Desk and Bookcase. 1750–1770. Boston. Mahogany, red oak, and white pine This desk and bookcase is closely related to English furniture of the late 17th and early 18th centuries. The naturalistic carving on the top of the bookcase section recalls English architectural carvings of the seventeenth century. Almost all brass fittings on 18th-century American furniture were imported from England or Europe. The original and distinctive brass hardware on this piece, however, may have been made in Boston by one of the few brass foundries known to operate in the colonies.

British, Provincial Louis XIV style frame, Unknown framemaker, late 17th to early 18th century, Carved wood, sucessive later oil gildings over original gilding Stock Photo

RM2DJ5NJJ–British, Provincial Louis XIV style frame, Unknown framemaker, late 17th to early 18th century, Carved wood, sucessive later oil gildings over original gilding

Side chair late 17th century British. Side chair. British. late 17th century. Ebonized beech with rattan caning (original to chair). Woodwork-Furniture Stock Photo

RM2HGXNKC–Side chair late 17th century British. Side chair. British. late 17th century. Ebonized beech with rattan caning (original to chair). Woodwork-Furniture

RMF2BMXK–A Venetian Ecclesiastic by Giusto Le Court, circa late 17th century

RMCYXD57–A Spanish cup-hilt rapier,late 17th century Slender sturdy thrusting blade,inscribed 'HEINRICH BRAEENDER' within the short fuller on the obverse side and 'EN SOLINGEN' on the reverse. Cut knuckle-bow hilt comprising a pierced cup decorated with figures,original grip with elaborate wire binding and Turk's heads,small globular pommel with rivetted finial. Length 128 cm,historic,historical,,17th century,weapons,arms,weapon,arm,baronial,military,militaria,rapier,rapiers,sword,swords,melee weapon,melee weapons,thrusting,thrustings,baton,objec,Additional-Rights-Clearences-Not Available

Side chair British late 17th century View more. Side chair. British. late 17th century. Ebonized beech with rattan caning (original to chair). Woodwork-Furniture Stock Photo

RM2T2EYD3–Side chair British late 17th century View more. Side chair. British. late 17th century. Ebonized beech with rattan caning (original to chair). Woodwork-Furniture

Bedcover, Portugal, Late 17th century. Stock Photo

RM2HT7R97–Bedcover, Portugal, Late 17th century.

Armchair late 17th–early 18th century French. Armchair. French. late 17th–early 18th century. Carved and gilded beechwood; red damask (not original to the frame). Woodwork-Furniture Stock Photo

RM2HHTFY6–Armchair late 17th–early 18th century French. Armchair. French. late 17th–early 18th century. Carved and gilded beechwood; red damask (not original to the frame). Woodwork-Furniture

A view through the gateway at Godolphin, near Helston, Cornwall. The original house was built in the late fifteenth century, but remodelled in the Italianate style in 1635. Stock Photo

RMFDJKW5–A view through the gateway at Godolphin, near Helston, Cornwall. The original house was built in the late fifteenth century, but remodelled in the Italianate style in 1635.

Collar. Culture: Spanish. Date: late 17th century. As it was customary to refashion fine laces, early lace pieces in their original form are fairly rare. That the lace pattern fills the whole space and conforms to the shape of the piece indicates this collar is in its original form. The ties are later replacements for the original ones. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAB0RK–Collar. Culture: Spanish. Date: late 17th century. As it was customary to refashion fine laces, early lace pieces in their original form are fairly rare. That the lace pattern fills the whole space and conforms to the shape of the piece indicates this collar is in its original form. The ties are later replacements for the original ones. Museum: Metropolitan Museum of Art, New York, USA.

Aberuchill Castle, Comrie, Perthshire, 19th century, from Modern Athens by Th. H. Shepherd Stock Photo

RMR3D9H4–Aberuchill Castle, Comrie, Perthshire, 19th century, from Modern Athens by Th. H. Shepherd

A view of St Paul's Cathedral, seen through the entrance of a shopping mall opposite in the City of London. St Paul's Cathedral, London, is a Church of England cathedral and seat of the Bishop of London. Its dedication to Paul the Apostle dates back to the original church on this site, founded in AD 604. St Paul's sits at the top of Ludgate Hill, the highest point in the City of London, and is the mother church of the Diocese of London. The present church dating from the late 17th century was built to an English Baroque design of Sir Christopher Wren, as part of a major rebuilding program that Stock Photo

RMEFR9MM–A view of St Paul's Cathedral, seen through the entrance of a shopping mall opposite in the City of London. St Paul's Cathedral, London, is a Church of England cathedral and seat of the Bishop of London. Its dedication to Paul the Apostle dates back to the original church on this site, founded in AD 604. St Paul's sits at the top of Ludgate Hill, the highest point in the City of London, and is the mother church of the Diocese of London. The present church dating from the late 17th century was built to an English Baroque design of Sir Christopher Wren, as part of a major rebuilding program that

Hawthornden Castle, Midlothian, Edinburgh, Scotland, 19th century, Views in Edinburgh by J. & H. S. Storer Stock Photo

RMR91562–Hawthornden Castle, Midlothian, Edinburgh, Scotland, 19th century, Views in Edinburgh by J. & H. S. Storer

RMT5RN63–St Paul's Cathedral in the City of London, London England. 1980 St Paul's Cathedral, London, is an Anglican cathedral, the seat of the Bishop of London and the mother church of the Diocese of London. It sits on Ludgate Hill at the highest point of the City of London and is a Grade I listed building. Its dedication to Paul the Apostle dates back to the original church on this site, founded in AD 604. The present cathedral, dating from the late 17th century, was designed in the English Baroque style by Sir Christopher Wren. Its construction, completed in Wren's lifetime, was part of a major rebu

Hawthornden Castle, 1883, Midlothian, Edinburgh, Scotland Stock Photo

RMRG3X2D–Hawthornden Castle, 1883, Midlothian, Edinburgh, Scotland

RMMW74J2–. English: This painting by Seth Eastman, c.1850 depicts a 'small' pinnace, a boat design that was used on the earliest voyages from England to establish the Popham Colony in southern Maine, and settlement at Jamestown and other sites on coastal Virginia in the first decade of the 17th century. The 1584 date refers to the ill-fated, late 16th century English colony at Roanoke, Virginia. circa 1850. Original painting by Seth Eastman, c.1850. 42 America Pinnace Virginia 1584 artist

pirates attacking town west indies 17th century fighting battle war attack death fight sword dagger knife kill Piracy is a warli Stock Photo

RMB7P46M–pirates attacking town west indies 17th century fighting battle war attack death fight sword dagger knife kill Piracy is a warli

. English: Portrait of Tsaritsa Natalya Kirillovna Naryshkina. Unknown artist, copy after an original. Late 17th century. Ministry of Culture of the Russian Federation via Google Cultural Institute. . Late 17th century. Unknown (copy) 3 Portrait of Tsaritsa Natalya Kirillovna Naryshkina - Google Cultural Institute Stock Photo

RMP0FBRN–. English: Portrait of Tsaritsa Natalya Kirillovna Naryshkina. Unknown artist, copy after an original. Late 17th century. Ministry of Culture of the Russian Federation via Google Cultural Institute. . Late 17th century. Unknown (copy) 3 Portrait of Tsaritsa Natalya Kirillovna Naryshkina - Google Cultural Institute

The famous Magere Brug or 'Skinny Bridge' spanning the river Amstel in the city centre of Amsterdam, The Netherlands Stock Photo

RME7EAWR–The famous Magere Brug or 'Skinny Bridge' spanning the river Amstel in the city centre of Amsterdam, The Netherlands

. English: John Cleveland a poet who supported the Royalist cause during the English Civil War. '[A] portrait, accounted genuine, is engraved in Nichols's 'Select Collection of Miscellaneous Poems,' vol. vii. 1781, from an original painting by Fuller, in possession of Bishop Percy of Dromore' (Ebsworth, Joseph Woodfall (1887). 'Cleveland, John'. Dictionary of National Biography. 11. p. 53). after Unknown artist, line engraving, late 17th to early 18th century John Cleveland Stock Photo

RMMMKW3F–. English: John Cleveland a poet who supported the Royalist cause during the English Civil War. '[A] portrait, accounted genuine, is engraved in Nichols's 'Select Collection of Miscellaneous Poems,' vol. vii. 1781, from an original painting by Fuller, in possession of Bishop Percy of Dromore' (Ebsworth, Joseph Woodfall (1887). 'Cleveland, John'. Dictionary of National Biography. 11. p. 53). after Unknown artist, line engraving, late 17th to early 18th century John Cleveland

Dutch, or British (?) Louis XIV style frame, Unknown framemaker, late 17th to early 18th century, Carved wood, later oil gilding and lacquer over original gilding Stock Photo

RM2DJ5NFN–Dutch, or British (?) Louis XIV style frame, Unknown framemaker, late 17th to early 18th century, Carved wood, later oil gilding and lacquer over original gilding

RMMMP3TD–. English: This painting by Seth Eastman, c.1850 depicts a 'small' pinnace, a boat design that was used on the earliest voyages from England to establish the Popham Colony in southern Maine, and settlement at Jamestown and other sites on coastal Virginia in the first decade of the 17th century. The 1584 date refers to the ill-fated, late 16th century English colony at Roanoke, Virginia. . circa 1850. Original painting by Seth Eastman, c.1850. 42 America Pinnace Virginia 1584 artist

After an original by Johan Ignaz Bendl, Copy of The Relief of Vienna, September 12, 1683, American, After an original by Johan Ignaz Bendl (late 17th century–died ca. 1730), 19th century, American, Medals and Plaquettes-Reproductions Stock Photo

RM2B0N6CE–After an original by Johan Ignaz Bendl, Copy of The Relief of Vienna, September 12, 1683, American, After an original by Johan Ignaz Bendl (late 17th century–died ca. 1730), 19th century, American, Medals and Plaquettes-Reproductions

RMCYXD61–A Spanish cup-hilt rapier,late 17th century Slender sturdy thrusting blade,inscribed 'HEINRICH BRAEENDER' within the short fuller on the obverse side and 'EN SOLINGEN' on the reverse. Cut knuckle-bow hilt comprising a pierced cup decorated with figures,original grip with elaborate wire binding and Turk's heads,small globular pommel with rivetted finial. Length 128 cm,historic,historical,,17th century,weapons,arms,weapon,arm,baronial,military,militaria,rapier,rapiers,sword,swords,melee weapon,melee weapons,thrusting,thrustings,baton,objec,Additional-Rights-Clearences-Not Available

French, Louis XIV frame, Unknown framemaker, late 17th century, Carved wood, later oil and water gilding over original gilding and sanded frieze, Frame: 30 1/4 × 24 × 3 7/8 inches (76.8 × 61 × 9.8 cm Stock Photo

RM2DJ5P29–French, Louis XIV frame, Unknown framemaker, late 17th century, Carved wood, later oil and water gilding over original gilding and sanded frieze, Frame: 30 1/4 × 24 × 3 7/8 inches (76.8 × 61 × 9.8 cm

A German flintlock rifle, late 17th century Heavy, octagonal barrel in 16 mm calibre, slightly swamped near the muzzle, with bright bore and good rifling, with dovetailed brass front sight and rear sight on the upper side, copper-lined mark 'HGO'/hunting horn at the breech, the tang inscribed '10'. Brass-lined vent hole. Slightly chiselled flintlock, defective set trigger, upper jaw not original. Beautifully chiselled left-hand stock with patch box and iron furniture. Original, wooden ramrod with iron tip. Slight traces of age, a small tension crack on the nosepiece. Length, Editorial-Use-Only Stock Photo

RMT989AT–A German flintlock rifle, late 17th century Heavy, octagonal barrel in 16 mm calibre, slightly swamped near the muzzle, with bright bore and good rifling, with dovetailed brass front sight and rear sight on the upper side, copper-lined mark 'HGO'/hunting horn at the breech, the tang inscribed '10'. Brass-lined vent hole. Slightly chiselled flintlock, defective set trigger, upper jaw not original. Beautifully chiselled left-hand stock with patch box and iron furniture. Original, wooden ramrod with iron tip. Slight traces of age, a small tension crack on the nosepiece. Length, Editorial-Use-Only

Pierre Puget, (artist), French, 1620 - 1694, Milo of Croton, marble original 1670-1682, bronze reduction late 17th/early 18th century, bronze, overall: 61.6 x 47 x 38.1 cm (24 1/4 x 18 1/2 x 15 in Stock Photo

RM2DCB8MR–Pierre Puget, (artist), French, 1620 - 1694, Milo of Croton, marble original 1670-1682, bronze reduction late 17th/early 18th century, bronze, overall: 61.6 x 47 x 38.1 cm (24 1/4 x 18 1/2 x 15 in

RMT989AR–A German flintlock rifle, late 17th century Heavy, octagonal barrel in 16 mm calibre, slightly swamped near the muzzle, with bright bore and good rifling, with dovetailed brass front sight and rear sight on the upper side, copper-lined mark 'HGO'/hunting horn at the breech, the tang inscribed '10'. Brass-lined vent hole. Slightly chiselled flintlock, defective set trigger, upper jaw not original. Beautifully chiselled left-hand stock with patch box and iron furniture. Original, wooden ramrod with iron tip. Slight traces of age, a small tension crack on the nosepiece. Length, Editorial-Use-Only

Sword. Culture: South Indian, possibly Deccan. Dimensions: L. 34 in. (86.5 cm); L. of blade 29 3/8 in. (74.5 cm); Wt. 2 lb. (916 g). Date: possibly late 17-18th century. This sword represents an Indian interpretation of <i>Dhu'l Fiqar</i>. The disk-shaped pommel and recurved knuckle guard are distinct features of Indian <i>talwars</i>, a type of saber. The scalloped, notched pattern running along the edges of the blade could refer to the historic belief of <i>Dhu'l Fiqar</i>'s original appearance, as well as the derivation of the name; <i>faqar</i> means 'vertebrae' or 'notch.'. Museum: Metro Stock Photo

RMPAB0G0–Sword. Culture: South Indian, possibly Deccan. Dimensions: L. 34 in. (86.5 cm); L. of blade 29 3/8 in. (74.5 cm); Wt. 2 lb. (916 g). Date: possibly late 17-18th century. This sword represents an Indian interpretation of Dhu'l Fiqar. The disk-shaped pommel and recurved knuckle guard are distinct features of Indian talwars, a type of saber. The scalloped, notched pattern running along the edges of the blade could refer to the historic belief of Dhu'l Fiqar's original appearance, as well as the derivation of the name; faqar means 'vertebrae' or 'notch.'. Museum: Metro

RMT989AM–A German flintlock rifle, late 17th century Heavy, octagonal barrel in 16 mm calibre, slightly swamped near the muzzle, with bright bore and good rifling, with dovetailed brass front sight and rear sight on the upper side, copper-lined mark 'HGO'/hunting horn at the breech, the tang inscribed '10'. Brass-lined vent hole. Slightly chiselled flintlock, defective set trigger, upper jaw not original. Beautifully chiselled left-hand stock with patch box and iron furniture. Original, wooden ramrod with iron tip. Slight traces of age, a small tension crack on the nosepiece. Length, Editorial-Use-Only

Horn 19th century, after 1597–1609 original Elkington & Co. British This electrotype is after a late 16th–early 17th century original (1597–1609), at the time of reproduction in the treasury of the Kremlin, Moscow.. Horn 186637 Stock Photo

RM2HHW827–Horn 19th century, after 1597–1609 original Elkington & Co. British This electrotype is after a late 16th–early 17th century original (1597–1609), at the time of reproduction in the treasury of the Kremlin, Moscow.. Horn 186637

A Venetian processional glaive (falcione), late 17th-early 18th century. With long flat knife-like head double-edged over the upper third of its length, formed with a pair of scalloped nodules at the base, pierced with two rosettes within the lower half, the back edge formed with a matching nodular projection towards the point and a pair of projecting crescentic stylised monsters issuant from a pierced rosette, faceted socket on a moulded short neck and extending to form short straps, and the head decorated with pricked and coarsely engraved baro, Additional-Rights-Clearance-Info-Not-Available Stock Photo

RMT8GBDC–A Venetian processional glaive (falcione), late 17th-early 18th century. With long flat knife-like head double-edged over the upper third of its length, formed with a pair of scalloped nodules at the base, pierced with two rosettes within the lower half, the back edge formed with a matching nodular projection towards the point and a pair of projecting crescentic stylised monsters issuant from a pierced rosette, faceted socket on a moulded short neck and extending to form short straps, and the head decorated with pricked and coarsely engraved baro, Additional-Rights-Clearance-Info-Not-Available

RMT5RNED–St Paul's Cathedral in the City of London, London England. 1980 St Paul's Cathedral, London, is an Anglican cathedral, the seat of the Bishop of London and the mother church of the Diocese of London. It sits on Ludgate Hill at the highest point of the City of London and is a Grade I listed building. Its dedication to Paul the Apostle dates back to the original church on this site, founded in AD 604. The present cathedral, dating from the late 17th century, was designed in the English Baroque style by Sir Christopher Wren. Its construction, completed in Wren's lifetime, was part of a major rebu

RMT8GBDD–A Venetian processional glaive (falcione), late 17th-early 18th century. With long flat knife-like head double-edged over the upper third of its length, formed with a pair of scalloped nodules at the base, pierced with two rosettes within the lower half, the back edge formed with a matching nodular projection towards the point and a pair of projecting crescentic stylised monsters issuant from a pierced rosette, faceted socket on a moulded short neck and extending to form short straps, and the head decorated with pricked and coarsely engraved baro, Additional-Rights-Clearance-Info-Not-Available

The originally late -medieval Gothic church of Persingen (St. Joriskapel) around the turn of the century, with - across the choir - the sacristy from the 17th century, which in 1903, after purchasing the church by the municipality of Ubbergen, at the first Restoration due to dilapidation was demolished. In 1996 the church was restored to its original state Stock Photo

RM2JFRX10–The originally late -medieval Gothic church of Persingen (St. Joriskapel) around the turn of the century, with - across the choir - the sacristy from the 17th century, which in 1903, after purchasing the church by the municipality of Ubbergen, at the first Restoration due to dilapidation was demolished. In 1996 the church was restored to its original state

A Sempach halberd,Switzerland,17th century Heavy,double-edged thrusting blade with a quadrangular reinforced point.Blade has a gently curved edge and a cross-shaped perforation.Strong grappling hook,stamped on one side with a fleur de lys mark.Polygonal socket with two long languets.Original octagonal hardwood shaft branded with marks for the City of Baden and the Zürich armoury inventory number.Length 230 cm.Although this halberd corresponds more to the late Gothic type,it can be shown that various Swiss armouries kept large numbers of these halberd,Additional-Rights-Clearences-Not Available Stock Photo

RMBRG6K7–A Sempach halberd,Switzerland,17th century Heavy,double-edged thrusting blade with a quadrangular reinforced point.Blade has a gently curved edge and a cross-shaped perforation.Strong grappling hook,stamped on one side with a fleur de lys mark.Polygonal socket with two long languets.Original octagonal hardwood shaft branded with marks for the City of Baden and the Zürich armoury inventory number.Length 230 cm.Although this halberd corresponds more to the late Gothic type,it can be shown that various Swiss armouries kept large numbers of these halberd,Additional-Rights-Clearences-Not Available

pirate vessels 17th century Battle ship Fleet sea Water Sailing Sail cannon guns blast flags deck mast Piracy is a warlike act c Stock Photo

RMB7P3XT–pirate vessels 17th century Battle ship Fleet sea Water Sailing Sail cannon guns blast flags deck mast Piracy is a warlike act c

Copy of The Relief of Vienna, September 12, 1683 19th century After an original by Johan Ignaz Bendl. Copy of The Relief of Vienna, September 12, 1683. After an original by Johan Ignaz Bendl (late 17th century–died ca. 1730). American. 19th century. Medals and Plaquettes-Reproductions Stock Photo

RM2HH425B–Copy of The Relief of Vienna, September 12, 1683 19th century After an original by Johan Ignaz Bendl. Copy of The Relief of Vienna, September 12, 1683. After an original by Johan Ignaz Bendl (late 17th century–died ca. 1730). American. 19th century. Medals and Plaquettes-Reproductions

English House of the 17th century Stock Photo

RMDRMB4Y–English House of the 17th century

Collar late 17th century Spanish As it was customary to refashion fine laces, early lace pieces in their original form are fairly rare. That the lace pattern fills the whole space and conforms to the shape of the piece indicates this collar is in its original form. The ties are later replacements for the original ones.. Collar 156386 Stock Photo

RM2HJ186A–Collar late 17th century Spanish As it was customary to refashion fine laces, early lace pieces in their original form are fairly rare. That the lace pattern fills the whole space and conforms to the shape of the piece indicates this collar is in its original form. The ties are later replacements for the original ones.. Collar 156386

. English: This non-original binding from Walters manuscript W.632 probably dates to the late 11th century AH/AD 17th or12th century AH/AD 18th. The binding is red leather with central panels on the boards and the flap filled with gold-brocaded Safavid silk. Binding from Collection of Poems (Divan). late 11th century AH/AD 17th-12th century AH/AD 18th century. Anonymous - Binding from Collection of Poems (Divan) - Walters W632binding - Top Exterior Closed Stock Photo

RMMMPHYB–. English: This non-original binding from Walters manuscript W.632 probably dates to the late 11th century AH/AD 17th or12th century AH/AD 18th. The binding is red leather with central panels on the boards and the flap filled with gold-brocaded Safavid silk. Binding from Collection of Poems (Divan). late 11th century AH/AD 17th-12th century AH/AD 18th century. Anonymous - Binding from Collection of Poems (Divan) - Walters W632binding - Top Exterior Closed

Tittenhanger Tyttenhanger House 17th-century country mansion near St Albans, Hertfordshire. Sir Thomas. Pope residence 1540 Stock Photo

RFDRFBEN–Tittenhanger Tyttenhanger House 17th-century country mansion near St Albans, Hertfordshire. Sir Thomas. Pope residence 1540

Landscape late 16th, early 17th century follower of Gillis van Coninxloo In its unfinished state, this pen and gouache landscape has an almost ghost-like appearance. This is partly due to the strong contrast of the colors on the brown paper. Originally, however, the sheet would have had a very different appearance: the edges of the drawing show that the paper actually was blue, but has discolored due to the exposure to sunlight. In its original state, the gouaches therefore would not have stood out as much, and the drawing would have been more legible and appealing. The anonymous author of thi Stock Photo

RM2HH9073–Landscape late 16th, early 17th century follower of Gillis van Coninxloo In its unfinished state, this pen and gouache landscape has an almost ghost-like appearance. This is partly due to the strong contrast of the colors on the brown paper. Originally, however, the sheet would have had a very different appearance: the edges of the drawing show that the paper actually was blue, but has discolored due to the exposure to sunlight. In its original state, the gouaches therefore would not have stood out as much, and the drawing would have been more legible and appealing. The anonymous author of thi

Netherlanders of Rank 17th century Stock Photo

RFDJ6TMF–Netherlanders of Rank 17th century

Late 17th century original Stock Photos and Images

Late 17th century original Stock Photos and Images

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