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Charles F. McKim, Stanford White, and Augustus Saint-Gaudens. Artist: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Dimensions: Diam. 6 in. (15.2 cm). Date: 1878. In summer 1878 Saint-Gaudens and the architects Stanford White (1853-1906) and Charles McKim (1847-1909) departed from Paris for an eleven-day 'busman's holiday' to central and southern France. Soon thereafter Saint-Gaudens fashioned this sketchy, lighthearted medallion as a souvenir for the trio, replete with reminders of the trip. White's leonine features appear at the top, with McKim's balding compac Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-f-mckim-stanford-white-and-augustus-saint-gaudens-artist-augustus-saint-gaudens-american-dublin-1848-1907-cornish-new-hampshire-dimensions-diam-6-in-152-cm-date-1878-in-summer-1878-saint-gaudens-and-the-architects-stanford-white-1853-1906-and-charles-mckim-1847-1909-departed-from-paris-for-an-eleven-day-busmans-holiday-to-central-and-southern-france-soon-thereafter-saint-gaudens-fashioned-this-sketchy-lighthearted-medallion-as-a-souvenir-for-the-trio-replete-with-reminders-of-the-trip-whites-leonine-features-appear-at-the-top-with-mckims-balding-compac-image212877003.htmlRMPA9AP3–Charles F. McKim, Stanford White, and Augustus Saint-Gaudens. Artist: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Dimensions: Diam. 6 in. (15.2 cm). Date: 1878. In summer 1878 Saint-Gaudens and the architects Stanford White (1853-1906) and Charles McKim (1847-1909) departed from Paris for an eleven-day 'busman's holiday' to central and southern France. Soon thereafter Saint-Gaudens fashioned this sketchy, lighthearted medallion as a souvenir for the trio, replete with reminders of the trip. White's leonine features appear at the top, with McKim's balding compac
Charles F. McKim, Stanford White, and Augustus Saint-Gaudens 1878 Augustus Saint-Gaudens American In summer 1878 Saint-Gaudens and the architects Stanford White (1853-1906) and Charles McKim (1847-1909) departed from Paris for an eleven-day holiday to central and southern France. Soon thereafter Saint-Gaudens fashioned this sketchy, lighthearted medallion as a souvenir for the trio, replete with reminders of the trip. White’s leonine features appear at the top, with McKim’s balding compacted head at the right and Saint-Gaudens’s angular profile at the left. Around the rough edge are shorthand Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-f-mckim-stanford-white-and-augustus-saint-gaudens-1878-augustus-saint-gaudens-american-in-summer-1878-saint-gaudens-and-the-architects-stanford-white-1853-1906-and-charles-mckim-1847-1909-departed-from-paris-for-an-eleven-day-holiday-to-central-and-southern-france-soon-thereafter-saint-gaudens-fashioned-this-sketchy-lighthearted-medallion-as-a-souvenir-for-the-trio-replete-with-reminders-of-the-trip-whites-leonine-features-appear-at-the-top-with-mckims-balding-compacted-head-at-the-right-and-saint-gaudenss-angular-profile-at-the-left-around-the-rough-edge-are-shorthand-image458441349.htmlRM2HHRPH9–Charles F. McKim, Stanford White, and Augustus Saint-Gaudens 1878 Augustus Saint-Gaudens American In summer 1878 Saint-Gaudens and the architects Stanford White (1853-1906) and Charles McKim (1847-1909) departed from Paris for an eleven-day holiday to central and southern France. Soon thereafter Saint-Gaudens fashioned this sketchy, lighthearted medallion as a souvenir for the trio, replete with reminders of the trip. White’s leonine features appear at the top, with McKim’s balding compacted head at the right and Saint-Gaudens’s angular profile at the left. Around the rough edge are shorthand
THE PROUD FATHER Leonine pride is expressed in the features of ' Billy ' , the lion at Chessington Zoo , Surrey , as he keeps guard over his two cubs . Margaret and Elizabeth , which are now nine weeks old . The cubs seem to know they are quite safe while father is looking after them . July 14 1949 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-proud-father-leonine-pride-is-expressed-in-the-features-of-billy-the-lion-at-chessington-zoo-surrey-as-he-keeps-guard-over-his-two-cubs-margaret-and-elizabeth-which-are-now-nine-weeks-old-the-cubs-seem-to-know-they-are-quite-safe-while-father-is-looking-after-them-july-14-1949-image623892722.htmlRM2Y70NEX–THE PROUD FATHER Leonine pride is expressed in the features of ' Billy ' , the lion at Chessington Zoo , Surrey , as he keeps guard over his two cubs . Margaret and Elizabeth , which are now nine weeks old . The cubs seem to know they are quite safe while father is looking after them . July 14 1949
Section of a Coping Rail, 1st century. The bells are intended to evoke the sounds that once accompanied the sacred space as much as visual ornamentation. A lion and a leonine figure with a human face bound enthusiastically as part of a parade of creatures who circle the monument in the proscribed clockwise direction. The exaggerated linear outlining of their features and the flatness of their bodies are stylistic features of relief sculpture from this period. The motif in the center has vegetal fronds symmetrically springing from a lotus rosette in the form of an auspicious symbol called shriv Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/section-of-a-coping-rail-1st-century-the-bells-are-intended-to-evoke-the-sounds-that-once-accompanied-the-sacred-space-as-much-as-visual-ornamentation-a-lion-and-a-leonine-figure-with-a-human-face-bound-enthusiastically-as-part-of-a-parade-of-creatures-who-circle-the-monument-in-the-proscribed-clockwise-direction-the-exaggerated-linear-outlining-of-their-features-and-the-flatness-of-their-bodies-are-stylistic-features-of-relief-sculpture-from-this-period-the-motif-in-the-center-has-vegetal-fronds-symmetrically-springing-from-a-lotus-rosette-in-the-form-of-an-auspicious-symbol-called-shriv-image330117394.htmlRM2A5242X–Section of a Coping Rail, 1st century. The bells are intended to evoke the sounds that once accompanied the sacred space as much as visual ornamentation. A lion and a leonine figure with a human face bound enthusiastically as part of a parade of creatures who circle the monument in the proscribed clockwise direction. The exaggerated linear outlining of their features and the flatness of their bodies are stylistic features of relief sculpture from this period. The motif in the center has vegetal fronds symmetrically springing from a lotus rosette in the form of an auspicious symbol called shriv
Leonine city (Civitas Leonina), Città metropolitana di Roma Capitale, IT, Italy, Lazio, N 41 54' 12'', N 12 27' 42'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leonine-city-civitas-leonina-citt-metropolitana-di-roma-capitale-it-italy-lazio-n-41-54-12-n-12-27-42-map-cartascapes-map-published-in-2024-explore-cartascapes-a-map-revealing-earths-diverse-landscapes-cultures-and-ecosystems-journey-through-time-and-space-discovering-the-interconnectedness-of-our-planets-past-present-and-future-image614520412.htmlRM2XKNR1G–Leonine city (Civitas Leonina), Città metropolitana di Roma Capitale, IT, Italy, Lazio, N 41 54' 12'', N 12 27' 42'', map, Cartascapes Map published in 2024. Explore Cartascapes, a map revealing Earth's diverse landscapes, cultures, and ecosystems. Journey through time and space, discovering the interconnectedness of our planet's past, present, and future.
Art inspired by Bes rattle, Third Intermediate Period, Dynasty 22–25, ca. 945–664 BC, Faience, H. 21.6 cm (8 1/2 in.); W. 8.6 cm (3 3/8 in.); Th. 1.7 cm (11/16 in.), This Bes-image represents the beneficent Egyptian domestic god with his typical leonine face, dwarf body, and tail, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-bes-rattle-third-intermediate-period-dynasty-2225-ca-945664-bc-faience-h-216-cm-8-12-in-w-86-cm-3-38-in-th-17-cm-1116-in-this-bes-image-represents-the-beneficent-egyptian-domestic-god-with-his-typical-leonine-face-dwarf-body-and-tail-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462866034.htmlRF2HW1A9P–Art inspired by Bes rattle, Third Intermediate Period, Dynasty 22–25, ca. 945–664 BC, Faience, H. 21.6 cm (8 1/2 in.); W. 8.6 cm (3 3/8 in.); Th. 1.7 cm (11/16 in.), This Bes-image represents the beneficent Egyptian domestic god with his typical leonine face, dwarf body, and tail, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Beyond the Pir Panjal; life among the mountains and valleys of Kashmir . rm affects fingers and toes, which dropoff, and it appears to correspond more closely with theleprosy mentioned in the Bible than the other form. Thesecond form, the so-called tubercular leprosy, is far moredisfiguring. The body is covered with lumps, and, as theseare very numerous on the face, the patients features aredistorted and sometimes look quite leonine. In many, theeyes are attacked and incurable blindness follows only toooften. Advanced cases are turned out of their homesand people refuse to eat with them, so th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beyond-the-pir-panjal-life-among-the-mountains-and-valleys-of-kashmir-rm-affects-fingers-and-toes-which-dropoff-and-it-appears-to-correspond-more-closely-with-theleprosy-mentioned-in-the-bible-than-the-other-form-thesecond-form-the-so-called-tubercular-leprosy-is-far-moredisfiguring-the-body-is-covered-with-lumps-and-as-theseare-very-numerous-on-the-face-the-patients-features-aredistorted-and-sometimes-look-quite-leonine-in-many-theeyes-are-attacked-and-incurable-blindness-follows-only-toooften-advanced-cases-are-turned-out-of-their-homesand-people-refuse-to-eat-with-them-so-th-image340200989.htmlRM2ANDDR9–Beyond the Pir Panjal; life among the mountains and valleys of Kashmir . rm affects fingers and toes, which dropoff, and it appears to correspond more closely with theleprosy mentioned in the Bible than the other form. Thesecond form, the so-called tubercular leprosy, is far moredisfiguring. The body is covered with lumps, and, as theseare very numerous on the face, the patients features aredistorted and sometimes look quite leonine. In many, theeyes are attacked and incurable blindness follows only toooften. Advanced cases are turned out of their homesand people refuse to eat with them, so th
Bes rattle, Third Intermediate Period, Dynasty 22–25, ca. 945–664 BC, Faience, H. 21.6 cm (8 1/2 in.); W. 8.6 cm (3 3/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-bes-rattle-third-intermediate-period-dynasty-2225-ca-945664-bc-faience-162436362.htmlRMKC7H6J–Bes rattle, Third Intermediate Period, Dynasty 22–25, ca. 945–664 BC, Faience, H. 21.6 cm (8 1/2 in.); W. 8.6 cm (3 3/8 in
A large male Gelada Baboon on the Northern Escarpment in the Simien Mountains, Northern Ethiopia, Africa. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-large-male-gelada-baboon-on-the-northern-escarpment-in-the-simien-41309337.htmlRMCB5PDD–A large male Gelada Baboon on the Northern Escarpment in the Simien Mountains, Northern Ethiopia, Africa.
Bes on a column holding a knife. Dimensions: H. 9.7 cm (3 13/16 in.); W. 2.5 cm (1 in.); D. 1.5 cm (9/16 in.). Date: 664-30 B.C.. Although often named simply Bes, this unusual figure is properly termed a Bes-image because it serves to represent a number of different deities who were protective gods, often with a close association to the protection of women and children during and after childbirth. The Bes-image has a mixture of attributes, displaying a dwarf's body but also incorporating leonine features, such as a lion's mane and tail. The Bes-image normally wears a feathered crown, which is Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bes-on-a-column-holding-a-knife-dimensions-h-97-cm-3-1316-in-w-25-cm-1-in-d-15-cm-916-in-date-664-30-bc-although-often-named-simply-bes-this-unusual-figure-is-properly-termed-a-bes-image-because-it-serves-to-represent-a-number-of-different-deities-who-were-protective-gods-often-with-a-close-association-to-the-protection-of-women-and-children-during-and-after-childbirth-the-bes-image-has-a-mixture-of-attributes-displaying-a-dwarfs-body-but-also-incorporating-leonine-features-such-as-a-lions-mane-and-tail-the-bes-image-normally-wears-a-feathered-crown-which-is-image213248751.htmlRMPAX8XR–Bes on a column holding a knife. Dimensions: H. 9.7 cm (3 13/16 in.); W. 2.5 cm (1 in.); D. 1.5 cm (9/16 in.). Date: 664-30 B.C.. Although often named simply Bes, this unusual figure is properly termed a Bes-image because it serves to represent a number of different deities who were protective gods, often with a close association to the protection of women and children during and after childbirth. The Bes-image has a mixture of attributes, displaying a dwarf's body but also incorporating leonine features, such as a lion's mane and tail. The Bes-image normally wears a feathered crown, which is
Bes on a column holding a knife 664–30 B.C. Late Period–Ptolemaic Period Although often named simply Bes, this unusual figure is properly termed a Bes-image because it serves to represent a number of different deities who were protective gods, often with a close association to the protection of women and children during and after childbirth. The Bes-image has a mixture of attributes, displaying a dwarf’s body but also incorporating leonine features, such as a lion’s mane and tail. The Bes-image normally wears a feathered crown, which is broken on this figure. Here 'Bes' stands on a papyrus col Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bes-on-a-column-holding-a-knife-66430-bc-late-periodptolemaic-period-although-often-named-simply-bes-this-unusual-figure-is-properly-termed-a-bes-image-because-it-serves-to-represent-a-number-of-different-deities-who-were-protective-gods-often-with-a-close-association-to-the-protection-of-women-and-children-during-and-after-childbirth-the-bes-image-has-a-mixture-of-attributes-displaying-a-dwarfs-body-but-also-incorporating-leonine-features-such-as-a-lions-mane-and-tail-the-bes-image-normally-wears-a-feathered-crown-which-is-broken-on-this-figure-here-bes-stands-on-a-papyrus-col-image458468919.htmlRM2HHW1NY–Bes on a column holding a knife 664–30 B.C. Late Period–Ptolemaic Period Although often named simply Bes, this unusual figure is properly termed a Bes-image because it serves to represent a number of different deities who were protective gods, often with a close association to the protection of women and children during and after childbirth. The Bes-image has a mixture of attributes, displaying a dwarf’s body but also incorporating leonine features, such as a lion’s mane and tail. The Bes-image normally wears a feathered crown, which is broken on this figure. Here 'Bes' stands on a papyrus col
Head of a Man, 325-275 B.C. Additional Info: The male head features a full and rounded face with distinctive features: a hint of a double chin, small sunken eyes set close together, a short, compressed nose, and downturned, fleshy lips. The face is framed by a dense thatch of short, vibrant curls held by a band. The leonine hair recalls portraits of Alexander the Great or the mythical figure Meleager. The head could be either a portrait or a well-characterized type attested in a number of heads of banqueters from the Early Hellenistic period. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-of-a-man-325-275-bc-additional-info-the-male-head-features-a-full-and-rounded-face-with-distinctive-features-a-hint-of-a-double-chin-small-sunken-eyes-set-close-together-a-short-compressed-nose-and-downturned-fleshy-lips-the-face-is-framed-by-a-dense-thatch-of-short-vibrant-curls-held-by-a-band-the-leonine-hair-recalls-portraits-of-alexander-the-great-or-the-mythical-figure-meleager-the-head-could-be-either-a-portrait-or-a-well-characterized-type-attested-in-a-number-of-heads-of-banqueters-from-the-early-hellenistic-period-image635658932.htmlRM2YX4NCM–Head of a Man, 325-275 B.C. Additional Info: The male head features a full and rounded face with distinctive features: a hint of a double chin, small sunken eyes set close together, a short, compressed nose, and downturned, fleshy lips. The face is framed by a dense thatch of short, vibrant curls held by a band. The leonine hair recalls portraits of Alexander the Great or the mythical figure Meleager. The head could be either a portrait or a well-characterized type attested in a number of heads of banqueters from the Early Hellenistic period.
Scarab with Quadruped ca. 1186–945 B.C. New Kingdom – Third Intermediate Period The underside of this scarab shows a quadruped marching to the right, with a solar symbol above its back. While the animal’s features are not clear enough to identify it with certainty, the long upward curled tail and prominent ears make it most likely to be a lion. This interpretation is supported by the fact that, in ancient Egypt, lions and leonine deities were often associated with the power of the sun (the god Re), who is here referred to in the sun disk placed at the top.. Scarab with Quadruped 545254 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scarab-with-quadruped-ca-1186945-bc-new-kingdom-third-intermediate-period-the-underside-of-this-scarab-shows-a-quadruped-marching-to-the-right-with-a-solar-symbol-above-its-back-while-the-animals-features-are-not-clear-enough-to-identify-it-with-certainty-the-long-upward-curled-tail-and-prominent-ears-make-it-most-likely-to-be-a-lion-this-interpretation-is-supported-by-the-fact-that-in-ancient-egypt-lions-and-leonine-deities-were-often-associated-with-the-power-of-the-sun-the-god-re-who-is-here-referred-to-in-the-sun-disk-placed-at-the-top-scarab-with-quadruped-545254-image458522584.htmlRM2HHYE6G–Scarab with Quadruped ca. 1186–945 B.C. New Kingdom – Third Intermediate Period The underside of this scarab shows a quadruped marching to the right, with a solar symbol above its back. While the animal’s features are not clear enough to identify it with certainty, the long upward curled tail and prominent ears make it most likely to be a lion. This interpretation is supported by the fact that, in ancient Egypt, lions and leonine deities were often associated with the power of the sun (the god Re), who is here referred to in the sun disk placed at the top.. Scarab with Quadruped 545254
Bes rattle ca. 945–664 BC Third Intermediate Period This Bes-image represents the beneficent Egyptian domestic god with his typical leonine face, dwarf body, and tail. Holes at the top of his feather crown and in his ears held rattling elements. The god extends a dom nut to a baby in his arms with Bes-like features. Monkeys are seated around his legs and alongside his crown. Behind his feathers is the incised figure of a bound oryx. The Bes-image is part of a repertoire of figures created in a distinctive spotted faience from dynasty 22 into dynasty 26. The center of production was the eastern Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bes-rattle-ca-945664-bc-third-intermediate-period-this-bes-image-represents-the-beneficent-egyptian-domestic-god-with-his-typical-leonine-face-dwarf-body-and-tail-holes-at-the-top-of-his-feather-crown-and-in-his-ears-held-rattling-elements-the-god-extends-a-dom-nut-to-a-baby-in-his-arms-with-bes-like-features-monkeys-are-seated-around-his-legs-and-alongside-his-crown-behind-his-feathers-is-the-incised-figure-of-a-bound-oryx-the-bes-image-is-part-of-a-repertoire-of-figures-created-in-a-distinctive-spotted-faience-from-dynasty-22-into-dynasty-26-the-center-of-production-was-the-eastern-image458515761.htmlRM2HHY5EW–Bes rattle ca. 945–664 BC Third Intermediate Period This Bes-image represents the beneficent Egyptian domestic god with his typical leonine face, dwarf body, and tail. Holes at the top of his feather crown and in his ears held rattling elements. The god extends a dom nut to a baby in his arms with Bes-like features. Monkeys are seated around his legs and alongside his crown. Behind his feathers is the incised figure of a bound oryx. The Bes-image is part of a repertoire of figures created in a distinctive spotted faience from dynasty 22 into dynasty 26. The center of production was the eastern
