Life size oil painting Stock Photos and Images
Berlin Life Guard Hussars 1736, Oil on wood, picture size 53 x 40,5 cm, unsigned, undated. A group picture of three officers on horseback and two sergeants on foot. The central figure of the painting is Colonel von Wurmb, Chief of the Berlin Hussar Corps (from 1735). The Berlin Hussar Corps reached the status of Life Hussar Corps under his command. Next to him Lieutenant von Montagne. On the right side of the picture Wurmb's adjutant, Rittmeister Joachim von Zieten, who later became Chief of the Regiment. Regarding its composition, the picture is based, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-berlin-life-guard-hussars-1736-oil-on-wood-picture-size-53-x-405-cm-51503443.htmlRMCYP54K–Berlin Life Guard Hussars 1736, Oil on wood, picture size 53 x 40,5 cm, unsigned, undated. A group picture of three officers on horseback and two sergeants on foot. The central figure of the painting is Colonel von Wurmb, Chief of the Berlin Hussar Corps (from 1735). The Berlin Hussar Corps reached the status of Life Hussar Corps under his command. Next to him Lieutenant von Montagne. On the right side of the picture Wurmb's adjutant, Rittmeister Joachim von Zieten, who later became Chief of the Regiment. Regarding its composition, the picture is based, Artist's Copyright has not to be cleared
Life size oil painting of a Tiger by Jacques-Laurent Agasse circa 1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/life-size-oil-painting-of-a-tiger-by-jacques-laurent-agasse-circa-image916200.htmlRMADFAE8–Life size oil painting of a Tiger by Jacques-Laurent Agasse circa 1820
This painting by the Dutch master Rembrandt shows Hendrickie Stoffels, the artist's housekeeper. It is housed in the Louvre. It is life-size. and painted in oil on canvas,measuring 2 ft 4.5 in h x 1 ft 11.75 in w. The Dutch artist Rembrandt (1606-1669) (full name-Rembrandt Harmenszoon van Rijn) was a Dutch Golden Age painter, printmaker, and draughtsman and of the Dutch School of Amsterdam. An innovative and prolific master in three media, Rembrandt is generally considered one of the greatest visual artists in the history of art. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-painting-by-the-dutch-master-rembrandt-shows-hendrickie-stoffels-the-artists-housekeeper-it-is-housed-in-the-louvre-it-is-life-size-and-painted-in-oil-on-canvasmeasuring-2-ft-45-in-h-x-1-ft-1175-in-w-the-dutch-artist-rembrandt-1606-1669-full-name-rembrandt-harmenszoon-van-rijn-was-a-dutch-golden-age-painter-printmaker-and-draughtsman-and-of-the-dutch-school-of-amsterdam-an-innovative-and-prolific-master-in-three-media-rembrandt-is-generally-considered-one-of-the-greatest-visual-artists-in-the-history-of-art-image568243501.htmlRF2T0DMAN–This painting by the Dutch master Rembrandt shows Hendrickie Stoffels, the artist's housekeeper. It is housed in the Louvre. It is life-size. and painted in oil on canvas,measuring 2 ft 4.5 in h x 1 ft 11.75 in w. The Dutch artist Rembrandt (1606-1669) (full name-Rembrandt Harmenszoon van Rijn) was a Dutch Golden Age painter, printmaker, and draughtsman and of the Dutch School of Amsterdam. An innovative and prolific master in three media, Rembrandt is generally considered one of the greatest visual artists in the history of art.
Michiel de Ruyter as Lieutenant-Admiral Ferdinand Bol (1616-1680) oil on canvas, 1667. In 1667 Ferdinand Bol painted several life-size portraits of Michiel de Ruyter. These were hung in the headquarters of all five Dutch admiralties. This painting went to Middelburg, De Ruyter's hero status made him a powerful man. In the portrait he is richly dressed and holding his commander's baton. Around his neck he is wearing the Order of St Michael, awarded to him by the King of France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/michiel-de-ruyter-as-lieutenant-admiral-ferdinand-bol-1616-1680-oil-image68542729.htmlRMDYEAXH–Michiel de Ruyter as Lieutenant-Admiral Ferdinand Bol (1616-1680) oil on canvas, 1667. In 1667 Ferdinand Bol painted several life-size portraits of Michiel de Ruyter. These were hung in the headquarters of all five Dutch admiralties. This painting went to Middelburg, De Ruyter's hero status made him a powerful man. In the portrait he is richly dressed and holding his commander's baton. Around his neck he is wearing the Order of St Michael, awarded to him by the King of France.
CHRIST BLESSING, by Andrea Solario, 1490-1524, Italian Renaissance painting, oil on wood. This figure is painted slightly larger than life and rendered with deeply modeled volumetric forms. It must have made a startling presence as part of the decoration of a chapel or room in a church. (BSLOC 2017 16 51) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-christ-blessing-by-andrea-solario-1490-1524-italian-renaissance-painting-170559719.htmlRMKWDJJF–CHRIST BLESSING, by Andrea Solario, 1490-1524, Italian Renaissance painting, oil on wood. This figure is painted slightly larger than life and rendered with deeply modeled volumetric forms. It must have made a startling presence as part of the decoration of a chapel or room in a church. (BSLOC 2017 16 51)
Gilbert Stuart, George Washington, Lansdowne Portrait, 1796; oil on canvas, National Portrait Gallery, Washington DC, United States of America. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gilbert-stuart-george-washington-lansdowne-portrait-1796-oil-on-canvas-national-portrait-gallery-washington-dc-united-states-of-america-image570174836.htmlRF2T3HKR0–Gilbert Stuart, George Washington, Lansdowne Portrait, 1796; oil on canvas, National Portrait Gallery, Washington DC, United States of America.
Portrait of Charles IX, King of France from 1560 to 1574, Reduction of the life-size full-length portrait by. François Clouet, dated 1569 (Vienne, Kunsthistorisches Museum). Oil on panel, about 1570, Atelier de François CLOUET, Tours, 1505/1510 - Paris, 1572, Musée du Louvre, Paris, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-charles-ix-king-of-france-from-1560-to-1574-reduction-of-the-life-size-full-length-portrait-by-franois-clouet-dated-1569-vienne-kunsthistorisches-museum-oil-on-panel-about-1570-atelier-de-franois-clouet-tours-15051510-paris-1572-muse-du-louvre-paris-france-image623470628.htmlRM2Y69F44–Portrait of Charles IX, King of France from 1560 to 1574, Reduction of the life-size full-length portrait by. François Clouet, dated 1569 (Vienne, Kunsthistorisches Museum). Oil on panel, about 1570, Atelier de François CLOUET, Tours, 1505/1510 - Paris, 1572, Musée du Louvre, Paris, France.
Rudolf Wimmer (1849 - 1915), a portrait of Kaiser Wilhelm II, dated 1888 Oil on mahogany, old parqueting. Large-format three-quarter painting in life size. The Kaiser in uniform with medal decoration, slightly turned to the left, his hands resting on the back of the chair. Signed on the lower left 'Rud. Wimmer 1888'. No frame, 116 x 86 cm. Beautiful, expressive portrait of the young Kaiser in the Year of Three Kaisers, 1888. people, 19th century, Prussian, Prussia, German, Germany, militaria, military, object, objects, stills, clipping, clippings, cut out, cut-, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rudolf-wimmer-1849-1915-a-portrait-of-kaiser-wilhelm-ii-dated-1888-31664290.htmlRMBREC3E–Rudolf Wimmer (1849 - 1915), a portrait of Kaiser Wilhelm II, dated 1888 Oil on mahogany, old parqueting. Large-format three-quarter painting in life size. The Kaiser in uniform with medal decoration, slightly turned to the left, his hands resting on the back of the chair. Signed on the lower left 'Rud. Wimmer 1888'. No frame, 116 x 86 cm. Beautiful, expressive portrait of the young Kaiser in the Year of Three Kaisers, 1888. people, 19th century, Prussian, Prussia, German, Germany, militaria, military, object, objects, stills, clipping, clippings, cut out, cut-,
Roses, Vincent Van Gogh Painting, 1890 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roses-vincent-van-gogh-painting-1890-image547098067.htmlRM2PP2D4K–Roses, Vincent Van Gogh Painting, 1890
A half portrait of an officer, of the Hussar Regiment No. 2, before 1743. Oil on canvas, picture size 58 x 74 cm, previously probably in an oval frame, unsigned, undated. On the back later labelled 'Hans Joachim von Zieten Königl. preuß. Major' and 'I. Krügel accad pinx 1737'. In an old, simple gilt frame. The picture at hand is one of the earliest portraits of a member of the Life Hussar Regiment and can be dated between 1735 and 1743. The picture is published in 'Altpreußische Offiziersporträts, Studien aus dem Nachlass Hans Bleckwenn', B.R. Kroener, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-half-portrait-of-an-officer-of-the-hussar-regiment-no-2-before-1743-51503441.htmlRMCYP54H–A half portrait of an officer, of the Hussar Regiment No. 2, before 1743. Oil on canvas, picture size 58 x 74 cm, previously probably in an oval frame, unsigned, undated. On the back later labelled 'Hans Joachim von Zieten Königl. preuß. Major' and 'I. Krügel accad pinx 1737'. In an old, simple gilt frame. The picture at hand is one of the earliest portraits of a member of the Life Hussar Regiment and can be dated between 1735 and 1743. The picture is published in 'Altpreußische Offiziersporträts, Studien aus dem Nachlass Hans Bleckwenn', B.R. Kroener, Artist's Copyright has not to be cleared
CHRIST BLESSING, by Andrea Solario, 1490-1524, Italian Renaissance painting, oil on wood. This figure is painted slightly larger than life and rendered with deeply modeled volumetric forms. It must have made a startling presence as part of the decoration of a chapel or room in a church. (BSLOC 2017 16 51) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-christ-blessing-by-andrea-solario-1490-1524-italian-renaissance-painting-170561033.htmlRMKWDM9D–CHRIST BLESSING, by Andrea Solario, 1490-1524, Italian Renaissance painting, oil on wood. This figure is painted slightly larger than life and rendered with deeply modeled volumetric forms. It must have made a startling presence as part of the decoration of a chapel or room in a church. (BSLOC 2017 16 51)
Mary Stuart (1542 - 1587) with courtiers, 19th century. Oil on canvas. The Queen of Scotland and two courtiers in a dimly lit architectural setting. Coloured, gilt trim frame. In some areas restored, slightly dark, frame bumped. Size of the picture 63 x 52 cm, framed 89 x 75 cm. Mary Stuart was crowned queen six days after her birth. Her turbulent life story and her execution on 8th February 1587 make her one of best-known Scottish monarchs alongside Macbeth. fine arts, people, 19th century, fine arts, art, painting, paintings, object, objects, stills, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mary-stuart-1542-1587-with-courtiers-19th-century-oil-on-canvas-the-19830196.htmlRMB479H8–Mary Stuart (1542 - 1587) with courtiers, 19th century. Oil on canvas. The Queen of Scotland and two courtiers in a dimly lit architectural setting. Coloured, gilt trim frame. In some areas restored, slightly dark, frame bumped. Size of the picture 63 x 52 cm, framed 89 x 75 cm. Mary Stuart was crowned queen six days after her birth. Her turbulent life story and her execution on 8th February 1587 make her one of best-known Scottish monarchs alongside Macbeth. fine arts, people, 19th century, fine arts, art, painting, paintings, object, objects, stills, Artist's Copyright has not to be cleared
Portraits of a Grizzly Bear and Mouse, Life Size, 1846-1848. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portraits-of-a-grizzly-bear-and-mouse-life-size-1846-1848-image418819659.htmlRM2F9ATMY–Portraits of a Grizzly Bear and Mouse, Life Size, 1846-1848.
A hunting still life, 19th century. Oil on canvas. A dead hare amidst other brought down game and hunting gear, in the background generic architecture and forest scenery. On a stretcher. Size 94 x 113 cm. Decorative painting in the style of the Old Masters. fine arts, 19th century, hunt, hunts, hunting, utensil, piece of equipment, utensils, trophies, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, painting, paintings, fine arts, art, picture, pictures, illustrations, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-hunting-still-life-19th-century-oil-on-canvas-a-dead-hare-amidst-31700088.htmlRMBRG1P0–A hunting still life, 19th century. Oil on canvas. A dead hare amidst other brought down game and hunting gear, in the background generic architecture and forest scenery. On a stretcher. Size 94 x 113 cm. Decorative painting in the style of the Old Masters. fine arts, 19th century, hunt, hunts, hunting, utensil, piece of equipment, utensils, trophies, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, painting, paintings, fine arts, art, picture, pictures, illustrations, Additional-Rights-Clearance-Info-Not-Available
Life-Size Black Bass by Winslow Homer. Original from The Smithsonian Institution. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/life-size-black-bass-by-winslow-homer-original-from-the-smithsonian-institution-image553073267.htmlRF2R3PJGK–Life-Size Black Bass by Winslow Homer. Original from The Smithsonian Institution.
Close-up of a set of three antique measuring cans with tole painted designs, Bucks County, Pennsylvania, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/close-up-of-a-set-of-three-antique-measuring-cans-with-tole-painted-designs-bucks-county-pennsylvania-usa-image544206153.htmlRM2PHAME1–Close-up of a set of three antique measuring cans with tole painted designs, Bucks County, Pennsylvania, USA
Spanish Warhorse, Jacques de Gheyn (II), 1603 painting A white Spanish battle stallion, captured by Louis Günther van Nassau on Archduke Albertus van Austria during the Battle of Nieuwpoort in 1600 and donated to Prince Maurits. The horse is led by a stable and is almost shown life -size. canvas. oil paint (paint) horse. groom. trophy battle, war Nieuwpoort (Belgium) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spanish-warhorse-jacques-de-gheyn-ii-1603-painting-a-white-spanish-battle-stallion-captured-by-louis-gnther-van-nassau-on-archduke-albertus-van-austria-during-the-battle-of-nieuwpoort-in-1600-and-donated-to-prince-maurits-the-horse-is-led-by-a-stable-and-is-almost-shown-life-size-canvas-oil-paint-paint-horse-groom-trophy-battle-war-nieuwpoort-belgium-image595610569.htmlRM2WH0BA1–Spanish Warhorse, Jacques de Gheyn (II), 1603 painting A white Spanish battle stallion, captured by Louis Günther van Nassau on Archduke Albertus van Austria during the Battle of Nieuwpoort in 1600 and donated to Prince Maurits. The horse is led by a stable and is almost shown life -size. canvas. oil paint (paint) horse. groom. trophy battle, war Nieuwpoort (Belgium)
Painting 'Dogon Couple' by contemporary African-American artist Kehinde Wiley is on display. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-dogon-couple-by-contemporary-african-american-artist-kehinde-wiley-is-on-display-image209103957.htmlRMP45E6D–Painting 'Dogon Couple' by contemporary African-American artist Kehinde Wiley is on display.
Sculpture and renaissance art in gallery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sculpture-and-renaissance-art-in-gallery-136919056.htmlRMHXN5J8–Sculpture and renaissance art in gallery.
Warren Hastings (1732-1818), Governor-General of Fort William, Bengal, 1774-85. Served in India 1750-85. Governor-General of Fort William, Bengal, 1774-85. A full-length, life-size portrait. The costume is plain, consisting of a white cravat, dark double-breasted coat with gold buttons, black silk breeches, white stockings, and shoes with gold buckles. (Larkins collection). July 1795. Oil painting. 94 by 58 ins (240 by 147.5 cms). Source: Foster 1. Author: ROMNEY, GEORGE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/warren-hastings-1732-1818-governor-general-of-fort-william-bengal-1774-85-served-in-india-1750-85-governor-general-of-fort-william-bengal-1774-85-a-full-length-life-size-portrait-the-costume-is-plain-consisting-of-a-white-cravat-dark-double-breasted-coat-with-gold-buttons-black-silk-breeches-white-stockings-and-shoes-with-gold-buckles-larkins-collection-july-1795-oil-painting-94-by-58-ins-240-by-1475-cms-source-foster-1-author-romney-george-image231690715.htmlRMRCXBTB–Warren Hastings (1732-1818), Governor-General of Fort William, Bengal, 1774-85. Served in India 1750-85. Governor-General of Fort William, Bengal, 1774-85. A full-length, life-size portrait. The costume is plain, consisting of a white cravat, dark double-breasted coat with gold buttons, black silk breeches, white stockings, and shoes with gold buckles. (Larkins collection). July 1795. Oil painting. 94 by 58 ins (240 by 147.5 cms). Source: Foster 1. Author: ROMNEY, GEORGE.
Winslow Homer Life Size Black Bass Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-winslow-homer-life-size-black-bass-137387655.htmlRMHYEF9Y–Winslow Homer Life Size Black Bass
POTTER, Paulus (b. 1625, Enkhuizen, d. 1654, Amsterdam) Young Bull 1647 Oil on canvas, 236 x 339 cm Mauritshuis, The Hague In the work of Paulus Potter views of nature and animals are seen for their own sake, and not as a backdrop for human action. Potter can paint equally well the bright sunlight and the cool air, but his real fame lies with his penetrating portraits of animals. His best-known work is the life-size Young Bull, an unusual heroization of a single animal, a counterpart to the monumental trend of Ruisdael and Cuyp. Although at first blush it appears to be a portrait o Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/potter-paulus-b-1625-enkhuizen-d-1654-amsterdam-young-bull-1647-oil-on-canvas-236-x-339-cm-mauritshuis-the-hague-in-the-work-of-paulus-potter-views-of-nature-and-animals-are-seen-for-their-own-sake-and-not-as-a-backdrop-for-human-action-potter-can-paint-equally-well-the-bright-sunlight-and-the-cool-air-but-his-real-fame-lies-with-his-penetrating-portraits-of-animals-his-best-known-work-is-the-life-size-young-bull-an-unusual-heroization-of-a-single-animal-a-counterpart-to-the-monumental-trend-of-ruisdael-and-cuyp-although-at-first-blush-it-appears-to-be-a-portrait-o-image624391287.htmlRM2Y7RDCR–POTTER, Paulus (b. 1625, Enkhuizen, d. 1654, Amsterdam) Young Bull 1647 Oil on canvas, 236 x 339 cm Mauritshuis, The Hague In the work of Paulus Potter views of nature and animals are seen for their own sake, and not as a backdrop for human action. Potter can paint equally well the bright sunlight and the cool air, but his real fame lies with his penetrating portraits of animals. His best-known work is the life-size Young Bull, an unusual heroization of a single animal, a counterpart to the monumental trend of Ruisdael and Cuyp. Although at first blush it appears to be a portrait o
Oil painting, still life. Large big size 57x40sm 300dpi, suitable for printing on canvas with acrylic for interior decoration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-oil-painting-still-life-large-big-size-57x40sm-300dpi-suitable-for-125623432.htmlRMH8AHY4–Oil painting, still life. Large big size 57x40sm 300dpi, suitable for printing on canvas with acrylic for interior decoration
. The mirage . 301 mirage:. WHAT DO YOU MEAN; TASTE? Tim Sellar—Dont mind if I smokeold dear? Vera—Oh Timmie, you know I hatethe very taste of tobacco. SCANDALOUSLizz—Do you love your teacher?Fizz^—I tried to but she got mad. THE EARMARKS OF AN ARTISTWillie—Does Olga play by ear?Charlie—Fll tell the world, look at these teeth prints on my right one. Beware The Smearage takes a great delightin presenting here this wonderful life-size oil painting of Mister Ted Proudthe photo editor, and official collectorof scandalous pictures. He is hereshown chatting with one of the manyfamily skeletons which Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-mirage-301-mirage-what-do-you-mean-taste-tim-sellardont-mind-if-i-smokeold-dear-veraoh-timmie-you-know-i-hatethe-very-taste-of-tobacco-scandalouslizzdo-you-love-your-teacherfizzi-tried-to-but-she-got-mad-the-earmarks-of-an-artistwilliedoes-olga-play-by-earcharliefll-tell-the-world-look-at-these-teeth-prints-on-my-right-one-beware-the-smearage-takes-a-great-delightin-presenting-here-this-wonderful-life-size-oil-painting-of-mister-ted-proudthe-photo-editor-and-official-collectorof-scandalous-pictures-he-is-hereshown-chatting-with-one-of-the-manyfamily-skeletons-which-image370175170.htmlRM2CE6X5P–. The mirage . 301 mirage:. WHAT DO YOU MEAN; TASTE? Tim Sellar—Dont mind if I smokeold dear? Vera—Oh Timmie, you know I hatethe very taste of tobacco. SCANDALOUSLizz—Do you love your teacher?Fizz^—I tried to but she got mad. THE EARMARKS OF AN ARTISTWillie—Does Olga play by ear?Charlie—Fll tell the world, look at these teeth prints on my right one. Beware The Smearage takes a great delightin presenting here this wonderful life-size oil painting of Mister Ted Proudthe photo editor, and official collectorof scandalous pictures. He is hereshown chatting with one of the manyfamily skeletons which
Portrait of Henri II, King of France from 1547 to 1559, Reduction of the life-size full-length portrait by François Clouet, dated 1559 (Florence, Uffi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-henri-ii-king-of-france-from-1547-to-1559-reduction-of-the-life-size-full-length-portrait-by-franois-clouet-dated-1559-florence-uffi-image621630221.htmlRM2Y39KK9–Portrait of Henri II, King of France from 1547 to 1559, Reduction of the life-size full-length portrait by François Clouet, dated 1559 (Florence, Uffi
Portrait of Henri II, King of France from 1547 to 1559, Reduction of the life-size full-length portrait by. François Clouet, dated 1559 (Florence, Uffizi Museum). Oil on panel, after 1559, Atelier de François CLOUET, Tours, 1505/1510 - Paris, 1572, Musée du Louvre, Paris, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-henri-ii-king-of-france-from-1547-to-1559-reduction-of-the-life-size-full-length-portrait-by-franois-clouet-dated-1559-florence-uffizi-museum-oil-on-panel-after-1559-atelier-de-franois-clouet-tours-15051510-paris-1572-muse-du-louvre-paris-france-image623470653.htmlRM2Y69F51–Portrait of Henri II, King of France from 1547 to 1559, Reduction of the life-size full-length portrait by. François Clouet, dated 1559 (Florence, Uffizi Museum). Oil on panel, after 1559, Atelier de François CLOUET, Tours, 1505/1510 - Paris, 1572, Musée du Louvre, Paris, France.
Whistlejacket by George Stubbs High Quality Image Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/whistlejacket-by-george-stubbs-high-quality-image-image526553833.htmlRF2NGJGP1–Whistlejacket by George Stubbs High Quality Image
The Bedroom in Arles, Vincent Van Gogh, 1888. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-bedroom-in-arles-vincent-van-gogh-1888-image530586620.htmlRM2NR68J4–The Bedroom in Arles, Vincent Van Gogh, 1888.
Three antique bottles of golden color, different size, one sparked, shot through the oil glass, which makes it look like a picture, on black backgroun Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-three-antique-bottles-of-golden-color-different-size-one-sparked-shot-140545343.htmlRFJ4JB0F–Three antique bottles of golden color, different size, one sparked, shot through the oil glass, which makes it look like a picture, on black backgroun
Closeup of different size paintbrushes, artist tools on white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-closeup-of-different-size-paintbrushes-artist-tools-on-white-background-82234391.htmlRMENP2PF–Closeup of different size paintbrushes, artist tools on white background
Autumn still life with different pumpkins Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-autumn-still-life-with-different-pumpkins-80134958.htmlRFEJACXP–Autumn still life with different pumpkins
Manchester met metropolitan art degree show 2006 England UK United Kingdom GB Great Britain EU European Union Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/manchester-met-metropolitan-art-degree-show-2006-england-uk-united-image7708735.htmlRMADTGM0–Manchester met metropolitan art degree show 2006 England UK United Kingdom GB Great Britain EU European Union Europe
Descent from the Cross. Detail of the Virgin. Painted by Rogier Van der Weyden, 1443. Museo del Prado, Madrid Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/descent-from-the-cross-detail-of-the-virgin-painted-by-rogier-van-der-weyden-1443-museo-del-prado-madrid-image448370717.htmlRM2H1D1BW–Descent from the Cross. Detail of the Virgin. Painted by Rogier Van der Weyden, 1443. Museo del Prado, Madrid
Still Life with a Tall Beer Glass, 1647. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/still-life-with-a-tall-beer-glass-1647-image556250603.htmlRM2R8YB8Y–Still Life with a Tall Beer Glass, 1647.
Close-up of a set of three antique measuring cans with tole painted designs, Bucks County, Pennsylvania, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/close-up-of-a-set-of-three-antique-measuring-cans-with-tole-painted-designs-bucks-county-pennsylvania-usa-image544206059.htmlRM2PHAMAK–Close-up of a set of three antique measuring cans with tole painted designs, Bucks County, Pennsylvania, USA
Autumn still life with different shaped and colored pumpkins Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-autumn-still-life-with-different-shaped-and-colored-pumpkins-74259500.htmlRFE8PPN0–Autumn still life with different shaped and colored pumpkins
Painting 'Dogon Couple' by contemporary African-American artist Kehinde Wiley is on display. Man relaxing in chair with painting in background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-dogon-couple-by-contemporary-african-american-artist-kehinde-wiley-is-on-display-man-relaxing-in-chair-with-painting-in-background-image209103941.htmlRMP45E5W–Painting 'Dogon Couple' by contemporary African-American artist Kehinde Wiley is on display. Man relaxing in chair with painting in background.
POTTER, Paulus (b. 1625, Enkhuizen, d. 1654, Amsterdam) Diederik Tulp 1653 Oil on canvas Collection Six, Amsterdam Potter worked for the court in The Hague, in nearby Delft, and in 1652 he settled in Amsterdam. According to Houbraken Nicolaes Tulp persuaded him to move to the metropolis where the famous doctor became his mentor. If true, once again Tulp showed he had an eye for young talent. Two decades earlier he had asked the twenty-six-year-old Rembrandt to paint the Anatomy Lesson which established Rembrandt's reputation in the city. In 1653 Potter painted a life-size equestrian p Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/potter-paulus-b-1625-enkhuizen-d-1654-amsterdam-diederik-tulp-1653-oil-on-canvas-collection-six-amsterdam-potter-worked-for-the-court-in-the-hague-in-nearby-delft-and-in-1652-he-settled-in-amsterdam-according-to-houbraken-nicolaes-tulp-persuaded-him-to-move-to-the-metropolis-where-the-famous-doctor-became-his-mentor-if-true-once-again-tulp-showed-he-had-an-eye-for-young-talent-two-decades-earlier-he-had-asked-the-twenty-six-year-old-rembrandt-to-paint-the-anatomy-lesson-which-established-rembrandts-reputation-in-the-city-in-1653-potter-painted-a-life-size-equestrian-p-image624391145.htmlRM2Y7RD7N–POTTER, Paulus (b. 1625, Enkhuizen, d. 1654, Amsterdam) Diederik Tulp 1653 Oil on canvas Collection Six, Amsterdam Potter worked for the court in The Hague, in nearby Delft, and in 1652 he settled in Amsterdam. According to Houbraken Nicolaes Tulp persuaded him to move to the metropolis where the famous doctor became his mentor. If true, once again Tulp showed he had an eye for young talent. Two decades earlier he had asked the twenty-six-year-old Rembrandt to paint the Anatomy Lesson which established Rembrandt's reputation in the city. In 1653 Potter painted a life-size equestrian p
A new history of painting in Italy : from the II to the XVI century . o. 88. S. John in the Desert; No. 90. A Child with an orb (both wood, oil)are very different from works of our master. No. 81. Holy Family, a laterepetition of No. 438, at the Louvre (antea). See also Ince (postea). London. Stafford House.—No. 46. Wood, oil, life-size. Virgin, Child, andBaptist; taken from an original of Del Sarto, by Salviati, Nanaccio, or someother disciple of that class, masterly enough in handling, but of ruddy tone. London. Baring Collection.—The Virgin, seated with the Child on herlap, patting His chin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-new-history-of-painting-in-italy-from-the-ii-to-the-xvi-century-o-88-s-john-in-the-desert-no-90-a-child-with-an-orb-both-wood-oilare-very-different-from-works-of-our-master-no-81-holy-family-a-laterepetition-of-no-438-at-the-louvre-antea-see-also-ince-postea-london-stafford-houseno-46-wood-oil-life-size-virgin-child-andbaptist-taken-from-an-original-of-del-sarto-by-salviati-nanaccio-or-someother-disciple-of-that-class-masterly-enough-in-handling-but-of-ruddy-tone-london-baring-collectionthe-virgin-seated-with-the-child-on-herlap-patting-his-chin-image338149952.htmlRM2AJ41M0–A new history of painting in Italy : from the II to the XVI century . o. 88. S. John in the Desert; No. 90. A Child with an orb (both wood, oil)are very different from works of our master. No. 81. Holy Family, a laterepetition of No. 438, at the Louvre (antea). See also Ince (postea). London. Stafford House.—No. 46. Wood, oil, life-size. Virgin, Child, andBaptist; taken from an original of Del Sarto, by Salviati, Nanaccio, or someother disciple of that class, masterly enough in handling, but of ruddy tone. London. Baring Collection.—The Virgin, seated with the Child on herlap, patting His chin
Portrait of Charles IX, King of France from 1560 to 1574, Reduction of the life-size full-length portrait by François Clouet, dated 1569 (Vienne, Kuns Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-charles-ix-king-of-france-from-1560-to-1574-reduction-of-the-life-size-full-length-portrait-by-franois-clouet-dated-1569-vienne-kuns-image621630223.htmlRM2Y39KKB–Portrait of Charles IX, King of France from 1560 to 1574, Reduction of the life-size full-length portrait by François Clouet, dated 1569 (Vienne, Kuns
Portraits of a Grizzly Bear and Mouse, Life Size. oil on canvas. Date: 1846-1848. Museum: Smithsonian American Art Museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portraits-of-a-grizzly-bear-and-mouse-life-size-oil-on-canvas-date-1846-1848-museum-smithsonian-american-art-museum-image554799559.htmlRM2R6H8DY–Portraits of a Grizzly Bear and Mouse, Life Size. oil on canvas. Date: 1846-1848. Museum: Smithsonian American Art Museum.
Café Terrace at Night, Vincent Van Gogh. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/caf-terrace-at-night-vincent-van-gogh-image534176172.htmlRM2P11R4C–Café Terrace at Night, Vincent Van Gogh.
Autumn still life with different pumpkins Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-autumn-still-life-with-different-pumpkins-80134959.htmlRFEJACXR–Autumn still life with different pumpkins
Manchester met metropolitan art degree show 2006 England UK United Kingdom GB Great Britain EU European Union Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/manchester-met-metropolitan-art-degree-show-2006-england-uk-united-image7708732.htmlRMADTGKD–Manchester met metropolitan art degree show 2006 England UK United Kingdom GB Great Britain EU European Union Europe
Italianate Landscape with Pines, 1795. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italianate-landscape-with-pines-1795-image556242786.htmlRM2R8Y19P–Italianate Landscape with Pines, 1795.
Close-up of a set of three antique measuring cans with tole painted designs, Bucks County, Pennsylvania, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/close-up-of-a-set-of-three-antique-measuring-cans-with-tole-painted-designs-bucks-county-pennsylvania-usa-image544206159.htmlRM2PHAME7–Close-up of a set of three antique measuring cans with tole painted designs, Bucks County, Pennsylvania, USA
Autumn still life with different shaped and colored pumpkins Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-autumn-still-life-with-different-shaped-and-colored-pumpkins-74259499.htmlRFE8PPMY–Autumn still life with different shaped and colored pumpkins
Painting 'Dogon Couple' by contemporary African-American artist Kehinde Wiley is on display. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-dogon-couple-by-contemporary-african-american-artist-kehinde-wiley-is-on-display-image209103982.htmlRMP45E7A–Painting 'Dogon Couple' by contemporary African-American artist Kehinde Wiley is on display.
![A new history of painting in Italy : from the II to the XVI century . 3 Florence, Academy of Arts [No. 68]. The Virgin in prayer, in clouds sur-rounded by a flaming glory and four angels. Below, the kneeling SS. Catherine,Bernard, the Cardinal Giovanni Gualberto, and George. This picture is gaudy,owing to abrasion and restoring. Wood, oil, figures life-size. Distance, a landscape. 4 Pitti [No. 345]. Round, wood, oil. The Virgin caresses the Child, who holdsa book and turns towards the young Baptist holding the Cross. The colour is verysmoothly enamelled, with rubbed glazes in the shadows, and Stock Photo](https://c8.alamy.com/comp/2AJ43RG/a-new-history-of-painting-in-italy-from-the-ii-to-the-xvi-century-3-florence-academy-of-arts-no-68-the-virgin-in-prayer-in-clouds-sur-rounded-by-a-flaming-glory-and-four-angels-below-the-kneeling-ss-catherinebernard-the-cardinal-giovanni-gualberto-and-george-this-picture-is-gaudyowing-to-abrasion-and-restoring-wood-oil-figures-life-size-distance-a-landscape-4-pitti-no-345-round-wood-oil-the-virgin-caresses-the-child-who-holdsa-book-and-turns-towards-the-young-baptist-holding-the-cross-the-colour-is-verysmoothly-enamelled-with-rubbed-glazes-in-the-shadows-and-2AJ43RG.jpg "A new history of painting in Italy : from the II to the XVI century . 3 Florence, Academy of Arts [No. 68]. The Virgin in prayer, in clouds sur-rounded by a flaming glory and four angels. Below, the kneeling SS. Catherine,Bernard, the Cardinal Giovanni Gualberto, and George. This picture is gaudy,owing to abrasion and restoring. Wood, oil, figures life-size. Distance, a landscape. 4 Pitti [No. 345]. Round, wood, oil. The Virgin caresses the Child, who holdsa book and turns towards the young Baptist holding the Cross. The colour is verysmoothly enamelled, with rubbed glazes in the shadows, and Stock Photo")
A new history of painting in Italy : from the II to the XVI century . 3 Florence, Academy of Arts [No. 68]. The Virgin in prayer, in clouds sur-rounded by a flaming glory and four angels. Below, the kneeling SS. Catherine,Bernard, the Cardinal Giovanni Gualberto, and George. This picture is gaudy,owing to abrasion and restoring. Wood, oil, figures life-size. Distance, a landscape. 4 Pitti [No. 345]. Round, wood, oil. The Virgin caresses the Child, who holdsa book and turns towards the young Baptist holding the Cross. The colour is verysmoothly enamelled, with rubbed glazes in the shadows, and Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-new-history-of-painting-in-italy-from-the-ii-to-the-xvi-century-3-florence-academy-of-arts-no-68-the-virgin-in-prayer-in-clouds-sur-rounded-by-a-flaming-glory-and-four-angels-below-the-kneeling-ss-catherinebernard-the-cardinal-giovanni-gualberto-and-george-this-picture-is-gaudyowing-to-abrasion-and-restoring-wood-oil-figures-life-size-distance-a-landscape-4-pitti-no-345-round-wood-oil-the-virgin-caresses-the-child-who-holdsa-book-and-turns-towards-the-young-baptist-holding-the-cross-the-colour-is-verysmoothly-enamelled-with-rubbed-glazes-in-the-shadows-and-image338151620.htmlRM2AJ43RG–A new history of painting in Italy : from the II to the XVI century . 3 Florence, Academy of Arts [No. 68]. The Virgin in prayer, in clouds sur-rounded by a flaming glory and four angels. Below, the kneeling SS. Catherine,Bernard, the Cardinal Giovanni Gualberto, and George. This picture is gaudy,owing to abrasion and restoring. Wood, oil, figures life-size. Distance, a landscape. 4 Pitti [No. 345]. Round, wood, oil. The Virgin caresses the Child, who holdsa book and turns towards the young Baptist holding the Cross. The colour is verysmoothly enamelled, with rubbed glazes in the shadows, and
Diego Pignatelli d'Aragona (1687-1750) and an Enslaved African Servant. Artist: Francesco Solimena (Italian, Canale di Serino 1657-1747 Barra). Dimensions: 23 1/4 x 18 1/4 in. (59.1 x 46.4 cm). Date: probably 1731 or 1732. This oil sketch would have been shown to the sitter, Diego Pignatelli, Duke of Terranova, for approval before work was begun on the finished portrait, which is life-size. The duke wears the robes and collar of the order of the Golden Fleece, conferred on him in 1731 by the Hapsburg Emperor Charles VI. Pignatelli was a prince of the Holy Roman Empire and remained faithful to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diego-pignatelli-daragona-1687-1750-and-an-enslaved-african-servant-artist-francesco-solimena-italian-canale-di-serino-1657-1747-barra-dimensions-23-14-x-18-14-in-591-x-464-cm-date-probably-1731-or-1732-this-oil-sketch-would-have-been-shown-to-the-sitter-diego-pignatelli-duke-of-terranova-for-approval-before-work-was-begun-on-the-finished-portrait-which-is-life-size-the-duke-wears-the-robes-and-collar-of-the-order-of-the-golden-fleece-conferred-on-him-in-1731-by-the-hapsburg-emperor-charles-vi-pignatelli-was-a-prince-of-the-holy-roman-empire-and-remained-faithful-to-image213317208.htmlRMPB1C7M–Diego Pignatelli d'Aragona (1687-1750) and an Enslaved African Servant. Artist: Francesco Solimena (Italian, Canale di Serino 1657-1747 Barra). Dimensions: 23 1/4 x 18 1/4 in. (59.1 x 46.4 cm). Date: probably 1731 or 1732. This oil sketch would have been shown to the sitter, Diego Pignatelli, Duke of Terranova, for approval before work was begun on the finished portrait, which is life-size. The duke wears the robes and collar of the order of the Golden Fleece, conferred on him in 1731 by the Hapsburg Emperor Charles VI. Pignatelli was a prince of the Holy Roman Empire and remained faithful to
Autumn still life with different pumpkins Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-autumn-still-life-with-different-pumpkins-80134953.htmlRFEJACXH–Autumn still life with different pumpkins
Manchester met metropolitan art degree show 2006 England UK United Kingdom GB Great Britain EU European Union Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/manchester-met-metropolitan-art-degree-show-2006-england-uk-united-image7708728.htmlRMADTGK9–Manchester met metropolitan art degree show 2006 England UK United Kingdom GB Great Britain EU European Union Europe
Still Life: Wood Tankard and Metal Pitcher, 1880. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/still-life-wood-tankard-and-metal-pitcher-1880-image444278551.htmlRM2GPPHR3–Still Life: Wood Tankard and Metal Pitcher, 1880.
Autumn still life with different shaped and colored pumpkins Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-autumn-still-life-with-different-shaped-and-colored-pumpkins-74259496.htmlRFE8PPMT–Autumn still life with different shaped and colored pumpkins
The Brooklyn city and Kings county record: . OF THE INDUSTRY OF AtL, NATIONS. Tlie flttentioTi of the public is called to his new style of Miniature, Cabinet, and Life-size PLotographs, or Daguerreotypes on paper, combining the truthfulness of tlie Daguer-reotype with the beauty of the finest Miniature and Oil Painting. Persons having smalland inferior Daguerreotypes can have them copied to any desired size, and colored tonature. Those residing at a distance, by forwarding such pictures, with a description of thecomplexion, color of the e}es and hair, or send a lock of the hair, can depend on Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-brooklyn-city-and-kings-county-record-of-the-industry-of-atl-nations-tlie-flttentioti-of-the-public-is-called-to-his-new-style-of-miniature-cabinet-and-life-size-plotographs-or-daguerreotypes-on-paper-combining-the-truthfulness-of-tlie-daguer-reotype-with-the-beauty-of-the-finest-miniature-and-oil-painting-persons-having-smalland-inferior-daguerreotypes-can-have-them-copied-to-any-desired-size-and-colored-tonature-those-residing-at-a-distance-by-forwarding-such-pictures-with-a-description-of-thecomplexion-color-of-the-ees-and-hair-or-send-a-lock-of-the-hair-can-depend-on-image343297183.htmlRM2AXEF1K–The Brooklyn city and Kings county record: . OF THE INDUSTRY OF AtL, NATIONS. Tlie flttentioTi of the public is called to his new style of Miniature, Cabinet, and Life-size PLotographs, or Daguerreotypes on paper, combining the truthfulness of tlie Daguer-reotype with the beauty of the finest Miniature and Oil Painting. Persons having smalland inferior Daguerreotypes can have them copied to any desired size, and colored tonature. Those residing at a distance, by forwarding such pictures, with a description of thecomplexion, color of the e}es and hair, or send a lock of the hair, can depend on
Water Spaniel. Date/Period: 1769. Painting. Oil on canvas. Height: 902 mm (35.51 in); Width: 1,168 mm (45.98 in). Author: George Stubbs. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/water-spaniel-dateperiod-1769-painting-oil-on-canvas-height-902-mm-3551-in-width-1168-mm-4598-in-author-george-stubbs-image233250213.htmlRMRFDD0N–Water Spaniel. Date/Period: 1769. Painting. Oil on canvas. Height: 902 mm (35.51 in); Width: 1,168 mm (45.98 in). Author: George Stubbs.
Autumn still life with different pumpkins Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-autumn-still-life-with-different-pumpkins-80134956.htmlRFEJACXM–Autumn still life with different pumpkins
Autumn Still-Life with Pumpkins Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-autumn-still-life-with-pumpkins-57011421.htmlRFD8N2J5–Autumn Still-Life with Pumpkins
Yardley Church and School, 1900. Yardley is now a district of the city of Birmingham. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yardley-church-and-school-1900-yardley-is-now-a-district-of-the-city-of-birmingham-image415181218.htmlRM2F3D3TJ–Yardley Church and School, 1900. Yardley is now a district of the city of Birmingham.
Autumn still life with different shaped and colored pumpkins Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-autumn-still-life-with-different-shaped-and-colored-pumpkins-74259498.htmlRFE8PPMX–Autumn still life with different shaped and colored pumpkins
Autumn place setting. Thanksgiving dinner. Fall season fruit, pumpkins, plates, wine and candles. Thanksgiving dinner Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-autumn-place-setting-thanksgiving-dinner-fall-season-fruit-pumpkins-74260201.htmlRFE8PRJ1–Autumn place setting. Thanksgiving dinner. Fall season fruit, pumpkins, plates, wine and candles. Thanksgiving dinner
. A history of painting in north Italy; Venice, Padua, Vicenza, Verona, Ferrara, Millan, Friuli, Brescia, from the fourteenth to the sixteenth century . nfrini collection,No. 220, fig. half the size of life;wood, oil, on a cartello to the left:Marcus Baxaiti, distance a land-scape with 4 sky spotted by re-touching. In the same spirit, originallj^the same composition reversed inthe Harrach Gallery at Vienna;wood, oil, signed: Marchus Ba-saiti p, but completely repainted. ^ Castelfranco, wood, oil, figuresone-third of life-size, signed onthe screen at the base: Baxaiti p.; distance landscape, re Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-history-of-painting-in-north-italy-venice-padua-vicenza-verona-ferrara-millan-friuli-brescia-from-the-fourteenth-to-the-sixteenth-century-nfrini-collectionno-220-fig-half-the-size-of-lifewood-oil-on-a-cartello-to-the-leftmarcus-baxaiti-distance-a-land-scape-with-4-sky-spotted-by-re-touching-in-the-same-spirit-originalljthe-same-composition-reversed-inthe-harrach-gallery-at-viennawood-oil-signed-marchus-ba-saiti-p-but-completely-repainted-castelfranco-wood-oil-figuresone-third-of-life-size-signed-onthe-screen-at-the-base-baxaiti-p-distance-landscape-re-image371623767.htmlRM2CGGWWB–. A history of painting in north Italy; Venice, Padua, Vicenza, Verona, Ferrara, Millan, Friuli, Brescia, from the fourteenth to the sixteenth century . nfrini collection,No. 220, fig. half the size of life;wood, oil, on a cartello to the left:Marcus Baxaiti, distance a land-scape with 4 sky spotted by re-touching. In the same spirit, originallj^the same composition reversed inthe Harrach Gallery at Vienna;wood, oil, signed: Marchus Ba-saiti p, but completely repainted. ^ Castelfranco, wood, oil, figuresone-third of life-size, signed onthe screen at the base: Baxaiti p.; distance landscape, re
Still life,1862, by Gaieta Benavent i Rocamora (1834-1910). Catalan painter. Oil on canvas. Size: 34,5 x 50 cm. Diocesan Museum of Barcelona. Catalonia, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/still-life1862-by-gaieta-benavent-i-rocamora-1834-1910-catalan-painter-oil-on-canvas-size-345-x-50-cm-diocesan-museum-of-barcelona-catalonia-spain-image211160815.htmlRMP7F5NK–Still life,1862, by Gaieta Benavent i Rocamora (1834-1910). Catalan painter. Oil on canvas. Size: 34,5 x 50 cm. Diocesan Museum of Barcelona. Catalonia, Spain.
Ivory-billed Woodpeckers. Artist: Joseph Bartholomew Kidd (1808-1889); After John James Audubon (American (born Haiti), Les Cayes (Saint-Domingue) 1785-1851 New York). Dimensions: 39 1/4 x 26 1/4 in. (99.7 x 66.7 cm). Date: ca. 1830-31. Last seen in 1944 and thought to be extinct, the ivory-billed woodpecker has recently been sighted several times in a national wildlife refuge in Arkansas. Here depicted life-size, the ivory-bill is the largest of its genus in North America; Audubon referred to it as 'this great chieftain of the woodpecker tribe,' and it was also dubbed 'the Lord God bird,' fo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ivory-billed-woodpeckers-artist-joseph-bartholomew-kidd-1808-1889-after-john-james-audubon-american-born-haiti-les-cayes-saint-domingue-1785-1851-new-york-dimensions-39-14-x-26-14-in-997-x-667-cm-date-ca-1830-31-last-seen-in-1944-and-thought-to-be-extinct-the-ivory-billed-woodpecker-has-recently-been-sighted-several-times-in-a-national-wildlife-refuge-in-arkansas-here-depicted-life-size-the-ivory-bill-is-the-largest-of-its-genus-in-north-america-audubon-referred-to-it-as-this-great-chieftain-of-the-woodpecker-tribe-and-it-was-also-dubbed-the-lord-god-bird-fo-image212916265.htmlRMPAB4T9–Ivory-billed Woodpeckers. Artist: Joseph Bartholomew Kidd (1808-1889); After John James Audubon (American (born Haiti), Les Cayes (Saint-Domingue) 1785-1851 New York). Dimensions: 39 1/4 x 26 1/4 in. (99.7 x 66.7 cm). Date: ca. 1830-31. Last seen in 1944 and thought to be extinct, the ivory-billed woodpecker has recently been sighted several times in a national wildlife refuge in Arkansas. Here depicted life-size, the ivory-bill is the largest of its genus in North America; Audubon referred to it as 'this great chieftain of the woodpecker tribe,' and it was also dubbed 'the Lord God bird,' fo
Two Young Peasant Women. Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). Dimensions: 35 1/4 x 45 7/8 in. (89.5 x 116.5 cm). Date: 1891-92. By virtue of their size, placement, and quiet dignity, these youthful laborers dominate the landscape setting--an open field near Pissarro's house at Éragny. Sympathetic to anarchist ideals, the artist wanted to preserve the values of agrarian society that were being threatened by the rapid industrialization of France. He began this picture in summer 1891 and completed it in mid-January 1892, a month before the opening of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-young-peasant-women-artist-camille-pissarro-french-charlotte-amalie-saint-thomas-1830-1903-paris-dimensions-35-14-x-45-78-in-895-x-1165-cm-date-1891-92-by-virtue-of-their-size-placement-and-quiet-dignity-these-youthful-laborers-dominate-the-landscape-setting-an-open-field-near-pissarros-house-at-ragny-sympathetic-to-anarchist-ideals-the-artist-wanted-to-preserve-the-values-of-agrarian-society-that-were-being-threatened-by-the-rapid-industrialization-of-france-he-began-this-picture-in-summer-1891-and-completed-it-in-mid-january-1892-a-month-before-the-opening-of-image212912434.htmlRMPAAYYE–Two Young Peasant Women. Artist: Camille Pissarro (French, Charlotte Amalie, Saint Thomas 1830-1903 Paris). Dimensions: 35 1/4 x 45 7/8 in. (89.5 x 116.5 cm). Date: 1891-92. By virtue of their size, placement, and quiet dignity, these youthful laborers dominate the landscape setting--an open field near Pissarro's house at Éragny. Sympathetic to anarchist ideals, the artist wanted to preserve the values of agrarian society that were being threatened by the rapid industrialization of France. He began this picture in summer 1891 and completed it in mid-January 1892, a month before the opening of
A Giant Radish. Dating: 1626. Place: Northern Netherlands. Measurements: h 53.5 cm × w 87.5 cm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-giant-radish-dating-1626-place-northern-netherlands-measurements-h-535-cm-w-875-cm-museum-rijksmuseum-amsterdam-image232863064.htmlRMRERR60–A Giant Radish. Dating: 1626. Place: Northern Netherlands. Measurements: h 53.5 cm × w 87.5 cm. Museum: Rijksmuseum, Amsterdam.
