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London 1600 Stock Photos and Images
The Old Palace of Westminster, near London, 1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-old-palace-of-westminster-near-london-1600-image501366503.htmlRM2M3K62F–The Old Palace of Westminster, near London, 1600
London from Southwark, c.1630. Old London Bridge is in the right foreground and St Paul's Cathedral in the distance. This painting shows the city before the Great Fire of 1666. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-london-from-southwark-c1630-old-london-bridge-is-in-the-right-foreground-103700350.htmlRMG0KXRX–London from Southwark, c.1630. Old London Bridge is in the right foreground and St Paul's Cathedral in the distance. This painting shows the city before the Great Fire of 1666.
Visit of Queen Elizabeth I to Blackfriars in London 1600. Hand-colored woodcut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/visit-of-queen-elizabeth-i-to-blackfriars-in-london-1600-hand-colored-image6549285.htmlRMA64WP6–Visit of Queen Elizabeth I to Blackfriars in London 1600. Hand-colored woodcut
1600 captivity of duke orleans in tower of london London City capital England English Britain British UK United Kingdom GB royal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1600-captivity-of-duke-orleans-in-tower-of-london-london-city-capital-15266402.htmlRFAMHAAY–1600 captivity of duke orleans in tower of london London City capital England English Britain British UK United Kingdom GB royal
Old London Bridge, London, England after a drawing dated c.1600. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-old-london-bridge-london-england-after-a-drawing-dated-c1600-29485791.htmlRMBKY5BY–Old London Bridge, London, England after a drawing dated c.1600.
Old London looking east from the Strand (or Strande) c. 1600. On the left is the entrance to Covent Garden. Facing the river Thames were many mansion houses built for the nobility in medieval times. One is Exeter House or Burghley House, with its four corner turrets, built in the 16th century by William Cecil (Lord Burghley). This is where the current Savoy Hotel now stands. Beyond is the City of London, old St. Paul's Cathedral with its original spire and the arches of London Bridge over the River Thames, with Southwark Cathedral on the right. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-old-london-looking-east-from-the-strand-or-strande-c-1600-on-the-left-175069947.htmlRMM4R3E3–Old London looking east from the Strand (or Strande) c. 1600. On the left is the entrance to Covent Garden. Facing the river Thames were many mansion houses built for the nobility in medieval times. One is Exeter House or Burghley House, with its four corner turrets, built in the 16th century by William Cecil (Lord Burghley). This is where the current Savoy Hotel now stands. Beyond is the City of London, old St. Paul's Cathedral with its original spire and the arches of London Bridge over the River Thames, with Southwark Cathedral on the right.
Old London Bridge around the year 1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-old-london-bridge-around-the-year-1600-113608419.htmlRMGGR8KF–Old London Bridge around the year 1600
map of London, England, United Kingdom, around 1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-map-of-london-england-united-kingdom-around-1600-52663986.htmlRMD1K1CJ–map of London, England, United Kingdom, around 1600
The Growth of London 1600-1746-1848-1873. Sketch map 1885 old antique Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-growth-of-london-1600-1746-1848-1873-sketch-map-1885-old-antique-176385508.htmlRFM6Y1EC–The Growth of London 1600-1746-1848-1873. Sketch map 1885 old antique
Forging a magnet. From William Gilbert 'De Magnete', London, 1600. Metal on the anvil is aligned North/South (Septentrio/Auster). Woodcut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-forging-a-magnet-from-william-gilbert-de-magnete-london-1600-metal-57309714.htmlRMD96K3E–Forging a magnet. From William Gilbert 'De Magnete', London, 1600. Metal on the anvil is aligned North/South (Septentrio/Auster). Woodcut
. English: View of Granada . 16th century. Joris Hoefnagel Alternative names Georg Hoefnagel, Georg Hoeffnagel, Joris Houfnagel, Georg Houfnaglius, Georg Hueffnagel, Georg Hufnagel, Joris Hufnagel, Georg Huffnagel, Joris Huffnagel Description Flemish painter, manuscript illuminator, draughtsman and printmaker Date of birth/death 1542 / 1542 9 September 1600 / 1601 Location of birth/death Antwerp Vienna Work period from 1561 until 1600 Work location Tours (1561), Poitiers (1561), Spain (1567), England (1569), London (between circa 1568 and circa 1570) Antwerp (1570–1576), Italy (15 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-view-of-granada-16th-century-joris-hoefnagel-alternative-names-georg-hoefnagel-georg-hoeffnagel-joris-houfnagel-georg-houfnaglius-georg-hueffnagel-georg-hufnagel-joris-hufnagel-georg-huffnagel-joris-huffnagel-description-flemish-painter-manuscript-illuminator-draughtsman-and-printmaker-date-of-birthdeath-1542-1542-9-september-1600-1601-location-of-birthdeath-antwerp-vienna-work-period-from-1561-until-1600-work-location-tours-1561-poitiers-1561-spain-1567-england-1569-london-between-circa-1568-and-circa-1570-antwerp-15701576-italy-15-image185690644.htmlRMMP2X8M–. English: View of Granada . 16th century. Joris Hoefnagel Alternative names Georg Hoefnagel, Georg Hoeffnagel, Joris Houfnagel, Georg Houfnaglius, Georg Hueffnagel, Georg Hufnagel, Joris Hufnagel, Georg Huffnagel, Joris Huffnagel Description Flemish painter, manuscript illuminator, draughtsman and printmaker Date of birth/death 1542 / 1542 9 September 1600 / 1601 Location of birth/death Antwerp Vienna Work period from 1561 until 1600 Work location Tours (1561), Poitiers (1561), Spain (1567), England (1569), London (between circa 1568 and circa 1570) Antwerp (1570–1576), Italy (15
London Detail 4 (1600). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-detail-4-1600-image396808087.htmlRM2E1G4NB–London Detail 4 (1600).
Procession of Queen Elizabeth I to Blackfriars, London, 16 June 1600, (1896).Artist: Marcus Gheeraerts, the Younger Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-procession-of-queen-elizabeth-i-to-blackfriars-london-16-june-1600-11061288.htmlRMA4JB4W–Procession of Queen Elizabeth I to Blackfriars, London, 16 June 1600, (1896).Artist: Marcus Gheeraerts, the Younger
An old map showing the growth of the city of London 1600-1900 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-old-map-showing-the-growth-of-the-city-of-london-1600-1900-image476521999.htmlRM2JK7CJR–An old map showing the growth of the city of London 1600-1900
Geffrye Museum exterior, Kingsland Road, London GB UK Collections of British furniture, textiles, paintings and decorative arts Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-geffrye-museum-exterior-kingsland-road-london-gb-uk-collections-of-21736569.htmlRMB7A561–Geffrye Museum exterior, Kingsland Road, London GB UK Collections of British furniture, textiles, paintings and decorative arts
Forging a magnet. From William Gilbert 'De Magnete', London, 1600. Metal on the anvil is aligned North/South (Septentrio/Auster). Woodcut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-forging-a-magnet-from-william-gilbert-de-magnete-london-1600-metal-135677357.htmlRMHTMHRW–Forging a magnet. From William Gilbert 'De Magnete', London, 1600. Metal on the anvil is aligned North/South (Septentrio/Auster). Woodcut
Sir William Ryder, haberdasher, Lord Mayor of London, 1600. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-william-ryder-haberdasher-lord-mayor-of-london-1600-image62874222.htmlRMDJ84KX–Sir William Ryder, haberdasher, Lord Mayor of London, 1600.
Sir William Ryder, haberdasher, Lord Mayor of London, 1600. From a unique print in the collection of Sir John St. Aubyn. Copperplate engraving from Richardson's 'Portraits illustrating Granger's Biographical History of England,' London, 1792–1812. Published by William Richardson, printseller, London. James Granger (1723–1776) was an English clergyman, biographer, and print collector. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-william-ryder-haberdasher-lord-mayor-of-london-1600-from-a-unique-print-in-the-collection-of-sir-john-st-aubyn-copperplate-engraving-from-richardsons-portraits-illustrating-grangers-biographical-history-of-england-london-17921812-published-by-william-richardson-printseller-london-james-granger-17231776-was-an-english-clergyman-biographer-and-print-collector-image210446799.htmlRMP6AK13–Sir William Ryder, haberdasher, Lord Mayor of London, 1600. From a unique print in the collection of Sir John St. Aubyn. Copperplate engraving from Richardson's 'Portraits illustrating Granger's Biographical History of England,' London, 1792–1812. Published by William Richardson, printseller, London. James Granger (1723–1776) was an English clergyman, biographer, and print collector.
Vintage 1702 America USA Map of eastern seaboard -New England and New York of the USA titled 'An Exact Mapp of New England and New York.' artwork by Cotton Mather (American minister and author, 1663-1728) 1702 New England --History --Colonial period, ca. 1600-1775. Printed for Thomas Parkhurst London 1702. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-1702-america-usa-map-of-eastern-seaboard-new-england-and-new-york-of-the-usa-titled-an-exact-mapp-of-new-england-and-new-york-artwork-by-cotton-mather-american-minister-and-author-1663-1728-1702-new-england-history-colonial-period-ca-1600-1775-printed-for-thomas-parkhurst-london-1702-image353754079.htmlRM2BFETX7–Vintage 1702 America USA Map of eastern seaboard -New England and New York of the USA titled 'An Exact Mapp of New England and New York.' artwork by Cotton Mather (American minister and author, 1663-1728) 1702 New England --History --Colonial period, ca. 1600-1775. Printed for Thomas Parkhurst London 1702.
Old Cheapside - City of London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-cheapside-city-of-london-image222876957.htmlRMPXGWR9–Old Cheapside - City of London
Old London Bridge by Claude de Jongh, 1630. London Bridge as it appeared in the early 17th century, before the Great Fire of 1666. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-old-london-bridge-by-claude-de-jongh-1630-london-bridge-as-it-appeared-137201256.htmlRMHY61GT–Old London Bridge by Claude de Jongh, 1630. London Bridge as it appeared in the early 17th century, before the Great Fire of 1666.
London Bridge c.1600. Buildings on the river Thames Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-london-bridge-c1600-buildings-on-the-river-thames-83349084.htmlRMERGTH0–London Bridge c.1600. Buildings on the river Thames
1600 st saint james palace before great fire formal garden City royal urban London Greater capital England English Britain Brit Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1600-st-saint-james-palace-before-great-fire-formal-garden-city-royal-15266704.htmlRFAMHB8H–1600 st saint james palace before great fire formal garden City royal urban London Greater capital England English Britain Brit
An engraving of Whitehall as it appeared before the Fire of 1691, scanned at high resolution from a book printed in 1867. Believed copyright free. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-an-engraving-of-whitehall-as-it-appeared-before-the-fire-of-1691-scanned-80727712.htmlRMEK9D0G–An engraving of Whitehall as it appeared before the Fire of 1691, scanned at high resolution from a book printed in 1867. Believed copyright free.
A visitor views 'View of Constantinople', from the Italian School, dated circa 1600 and valued at £100,000 to £150,000, seen alongside a bust of Alexander the Great, dated to the late 18th century and valued at £15,000 to £25,000, on show at Christie's saleroom in central London ahead of the auction house's forthcoming Classic Week sales. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-visitor-views-view-of-constantinople-from-the-italian-school-dated-circa-1600-and-valued-at-100000-to-150000-seen-alongside-a-bust-of-alexander-the-great-dated-to-the-late-18th-century-and-valued-at-15000-to-25000-on-show-at-christies-saleroom-in-central-london-ahead-of-the-auction-houses-forthcoming-classic-week-sales-image227004911.htmlRMR58Y27–A visitor views 'View of Constantinople', from the Italian School, dated circa 1600 and valued at £100,000 to £150,000, seen alongside a bust of Alexander the Great, dated to the late 18th century and valued at £15,000 to £25,000, on show at Christie's saleroom in central London ahead of the auction house's forthcoming Classic Week sales.
Two melons, Cognoscite lilia (series title), Two melons (Cucumis melo), numbered 53., print maker: Crispijn van de Passe (I), (attributed to), after drawing by: Crispijn van de Passe (I), (attributed to), publisher: Crispijn van de Passe (I), print maker: Cologne, after drawing by: Cologne, publisher: Cologne, publisher: London, 1600 - 1604, paper, engraving, height 127 mm × width 205 mm, height 172 mm × width 272 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-melons-cognoscite-lilia-series-title-two-melons-cucumis-melo-numbered-53-print-maker-crispijn-van-de-passe-i-attributed-to-after-drawing-by-crispijn-van-de-passe-i-attributed-to-publisher-crispijn-van-de-passe-i-print-maker-cologne-after-drawing-by-cologne-publisher-cologne-publisher-london-1600-1604-paper-engraving-height-127-mm-width-205-mm-height-172-mm-width-272-mm-image473341181.htmlRM2JE2FE5–Two melons, Cognoscite lilia (series title), Two melons (Cucumis melo), numbered 53., print maker: Crispijn van de Passe (I), (attributed to), after drawing by: Crispijn van de Passe (I), (attributed to), publisher: Crispijn van de Passe (I), print maker: Cologne, after drawing by: Cologne, publisher: Cologne, publisher: London, 1600 - 1604, paper, engraving, height 127 mm × width 205 mm, height 172 mm × width 272 mm
Historic drawing, Cheapside Street in London, England, around 1600, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-historic-drawing-cheapside-street-in-london-england-around-1600-52664101.htmlRMD1K1GN–Historic drawing, Cheapside Street in London, England, around 1600,
Sailing ships in Cold Harbour Thames Street London about 1600. Hand-colored woodcut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sailing-ships-in-cold-harbour-thames-street-london-about-1600-hand-image9632718.htmlRMAXJDGF–Sailing ships in Cold Harbour Thames Street London about 1600. Hand-colored woodcut
Diagram to illustrate the behaviour of a magnet at different positions around the north pole of the Earth (A). From William Gilbert 'De Magnete', London, 1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-diagram-to-illustrate-the-behaviour-of-a-magnet-at-different-positions-57309717.htmlRMD96K3H–Diagram to illustrate the behaviour of a magnet at different positions around the north pole of the Earth (A). From William Gilbert 'De Magnete', London, 1600
N/A. English: 'Britannia Provincia Romanorum,' engraved map by the English engraver William Rogers, made for insertion into folio 82 of William Camden's 'Britannia.' The map features a medallion of Britannia seated on a globe. Courtesy of the British Library, London. 1600. William Rogers (1545–1604) Alternative names William i Rogers Description British engraver Date of birth/death circa 1545 circa 1604 Work period between circa 1589 and circa 1604 Work location London Authority control : Q2580395 VIAF:36779094 ISNI:0000 0000 4888 3843 ULAN:500027008 LCCN:nr92010537 Oxford Dict.:24 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-britannia-provincia-romanorum-engraved-map-by-the-english-engraver-william-rogers-made-for-insertion-into-folio-82-of-william-camdens-britannia-the-map-features-a-medallion-of-britannia-seated-on-a-globe-courtesy-of-the-british-library-london-1600-william-rogers-15451604-alternative-names-william-i-rogers-description-british-engraver-date-of-birthdeath-circa-1545-circa-1604-work-period-between-circa-1589-and-circa-1604-work-location-london-authority-control-q2580395-viaf36779094-isni0000-0000-4888-3843-ulan500027008-lccnnr92010537-oxford-dict24-image210116040.htmlRMP5RH48–N/A. English: 'Britannia Provincia Romanorum,' engraved map by the English engraver William Rogers, made for insertion into folio 82 of William Camden's 'Britannia.' The map features a medallion of Britannia seated on a globe. Courtesy of the British Library, London. 1600. William Rogers (1545–1604) Alternative names William i Rogers Description British engraver Date of birth/death circa 1545 circa 1604 Work period between circa 1589 and circa 1604 Work location London Authority control : Q2580395 VIAF:36779094 ISNI:0000 0000 4888 3843 ULAN:500027008 LCCN:nr92010537 Oxford Dict.:24
London Detail 1 (1600). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-detail-1-1600-image396808066.htmlRM2E1G4MJ–London Detail 1 (1600).
craft / handcraft, smithy, forging a permanent magnet, coloured woodcut, 'De Magnete' by William Gilbert, printed by Peter Short, London, 1600, private collection, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-craft-handcraft-smithy-forging-a-permanent-magnet-coloured-woodcut-18839086.htmlRMB2J5CE–craft / handcraft, smithy, forging a permanent magnet, coloured woodcut, 'De Magnete' by William Gilbert, printed by Peter Short, London, 1600, private collection, ,
Plate 12: London to Buckingham/Banbury, c1675. By John Ogilby (1600-1676). 17th century road strip map from John Ogilby's 'Britannia' atlas, c1675. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-12-london-to-buckinghambanbury-c1675-by-john-ogilby-1600-1676-17th-century-road-strip-map-from-john-ogilbysbritannia-atlas-c1675-image484791776.htmlRM2K4M4T0–Plate 12: London to Buckingham/Banbury, c1675. By John Ogilby (1600-1676). 17th century road strip map from John Ogilby's 'Britannia' atlas, c1675.
Art inspired by Bell-shaped salt, T. S., London (ca. 1600–1601), 1600/1601, British, London, Silver gilt, H. 8 in. (20.3 cm), Metalwork-Silver, T. S., London (ca. 1600–1601), This bell salt was so named from the overall bell-like profile of the object as well as of each of the two, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-bell-shaped-salt-t-s-london-ca-16001601-16001601-british-london-silver-gilt-h-8-in-203-cm-metalwork-silver-t-s-london-ca-16001601-this-bell-salt-was-so-named-from-the-overall-bell-like-profile-of-the-object-as-well-as-of-each-of-the-two-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462775673.htmlRF2HTW72H–Art inspired by Bell-shaped salt, T. S., London (ca. 1600–1601), 1600/1601, British, London, Silver gilt, H. 8 in. (20.3 cm), Metalwork-Silver, T. S., London (ca. 1600–1601), This bell salt was so named from the overall bell-like profile of the object as well as of each of the two, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Forging a magnet. From William Gilbert 'De Magnete', London, 1600. Metal on the anvil is aligned North/South (Septentrio/Auster). Woodcut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-forging-a-magnet-from-william-gilbert-de-magnete-london-1600-metal-135679084.htmlRMHTMM1G–Forging a magnet. From William Gilbert 'De Magnete', London, 1600. Metal on the anvil is aligned North/South (Septentrio/Auster). Woodcut
LONDON about 1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-about-1600-image365945033.htmlRM2C7A6HD–LONDON about 1600
England, London, Portrait of Queen Elizabeth I (1533-1603) by an unknown artist dated about 1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/england-london-portrait-of-queen-elizabeth-i-1533-1603-by-an-unknown-artist-dated-about-1600-image575239516.htmlRM2TBTBTC–England, London, Portrait of Queen Elizabeth I (1533-1603) by an unknown artist dated about 1600
Revolt in London against Charles I, 1600 - 1649, and Bishop William Laud, 1573 - 1645. To the right, Laud is confronted by armed citizens. Laud was appointed Archbishop of Canterbury by King Charles I. Both were Anglican High Church supporters. Both men, king and bishop, were accused of treason and executed. After a work in the style of Caspar Luyken. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/revolt-in-london-against-charles-i-1600-1649-and-bishop-william-laud-1573-1645-to-the-right-laud-is-confronted-by-armed-citizens-laud-was-appointed-archbishop-of-canterbury-by-king-charles-i-both-were-anglican-high-church-supporters-both-men-king-and-bishop-were-accused-of-treason-and-executed-after-a-work-in-the-style-of-caspar-luyken-image484150114.htmlRM2K3JXBE–Revolt in London against Charles I, 1600 - 1649, and Bishop William Laud, 1573 - 1645. To the right, Laud is confronted by armed citizens. Laud was appointed Archbishop of Canterbury by King Charles I. Both were Anglican High Church supporters. Both men, king and bishop, were accused of treason and executed. After a work in the style of Caspar Luyken.
Old London Bridge, 1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-london-bridge-1600-image501366476.htmlRM2M3K61G–Old London Bridge, 1600
![Title page of 'The most excellent Historie of the Merchant of Venice'. The most excellent Historie of the Merchant of Venice. With the extreame crueltie of Shylocke the Iewe towards the sayd Merchant, in cutting a iust pound of his flesh: and the obtayning of Portia by the choyse of three chests. As it hath beene diuers times acted by the Lord Chamberlaine his Seruants. Written by William Shakespeare. Printed by I. R[oberts], for Thomas Heyes: London, 1600. Source: C.12.g.32, title page. Language: English. Stock Photo](https://c8.alamy.com/comp/R5500A/title-page-of-the-most-excellent-historie-of-the-merchant-of-venice-the-most-excellent-historie-of-the-merchant-of-venice-with-the-extreame-crueltie-of-shylocke-the-iewe-towards-the-sayd-merchant-in-cutting-a-iust-pound-of-his-flesh-and-the-obtayning-of-portia-by-the-choyse-of-three-chests-as-it-hath-beene-diuers-times-acted-by-the-lord-chamberlaine-his-seruants-written-by-william-shakespeare-printed-by-i-r-oberts-for-thomas-heyes-london-1600-source-c12g32-title-page-language-english-R5500A.jpg "Title page of 'The most excellent Historie of the Merchant of Venice'. The most excellent Historie of the Merchant of Venice. With the extreame crueltie of Shylocke the Iewe towards the sayd Merchant, in cutting a iust pound of his flesh: and the obtayning of Portia by the choyse of three chests. As it hath beene diuers times acted by the Lord Chamberlaine his Seruants. Written by William Shakespeare. Printed by I. R[oberts], for Thomas Heyes: London, 1600. Source: C.12.g.32, title page. Language: English. Stock Photo")
Title page of 'The most excellent Historie of the Merchant of Venice'. The most excellent Historie of the Merchant of Venice. With the extreame crueltie of Shylocke the Iewe towards the sayd Merchant, in cutting a iust pound of his flesh: and the obtayning of Portia by the choyse of three chests. As it hath beene diuers times acted by the Lord Chamberlaine his Seruants. Written by William Shakespeare. Printed by I. R[oberts], for Thomas Heyes: London, 1600. Source: C.12.g.32, title page. Language: English. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-page-of-the-most-excellent-historie-of-the-merchant-of-venice-the-most-excellent-historie-of-the-merchant-of-venice-with-the-extreame-crueltie-of-shylocke-the-iewe-towards-the-sayd-merchant-in-cutting-a-iust-pound-of-his-flesh-and-the-obtayning-of-portia-by-the-choyse-of-three-chests-as-it-hath-beene-diuers-times-acted-by-the-lord-chamberlaine-his-seruants-written-by-william-shakespeare-printed-by-i-r-oberts-for-thomas-heyes-london-1600-source-c12g32-title-page-language-english-image226917834.htmlRMR5500A–Title page of 'The most excellent Historie of the Merchant of Venice'. The most excellent Historie of the Merchant of Venice. With the extreame crueltie of Shylocke the Iewe towards the sayd Merchant, in cutting a iust pound of his flesh: and the obtayning of Portia by the choyse of three chests. As it hath beene diuers times acted by the Lord Chamberlaine his Seruants. Written by William Shakespeare. Printed by I. R[oberts], for Thomas Heyes: London, 1600. Source: C.12.g.32, title page. Language: English.
The Fortune Theatre, Barbican, London built by Philip Henslowe and William Alleyn in 1599-1600, on the east side of Golden Lane. Cost £1,320 and opened May 1601. Burnt 19 December 1621, rebuilt 1624. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-fortune-theatre-barbican-london-built-by-philip-henslowe-and-william-83357568.htmlRMERH7C0–The Fortune Theatre, Barbican, London built by Philip Henslowe and William Alleyn in 1599-1600, on the east side of Golden Lane. Cost £1,320 and opened May 1601. Burnt 19 December 1621, rebuilt 1624.
An old engraving of the interior of old St Paul’s Cathedral, City of London, England, UK in c.1600. It is from a Victorian history book of c.1900. The nave aisle (‘Paul's walk’), with a Norman triforium and vaulted ceiling, became a busy social hub and business centre. Old St Paul's Cathedral was built from 1087 to 1314. At its completion in the mid-14th century, the cathedral was one of the longest churches in the world. The cathedral was devastated in the Great Fire of London of 1666. It was demolished, and the present cathedral was built on the site. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-old-engraving-of-the-interior-of-old-st-pauls-cathedral-city-of-london-england-uk-in-c1600-it-is-from-a-victorian-history-book-of-c1900-the-nave-aisle-pauls-walk-with-a-norman-triforium-and-vaulted-ceiling-became-a-busy-social-hub-and-business-centre-old-st-pauls-cathedral-was-built-from-1087-to-1314-at-its-completion-in-the-mid-14th-century-the-cathedral-was-one-of-the-longest-churches-in-the-world-the-cathedral-was-devastated-in-the-great-fire-of-london-of-1666-it-was-demolished-and-the-present-cathedral-was-built-on-the-site-image625198128.htmlRM2Y946GG–An old engraving of the interior of old St Paul’s Cathedral, City of London, England, UK in c.1600. It is from a Victorian history book of c.1900. The nave aisle (‘Paul's walk’), with a Norman triforium and vaulted ceiling, became a busy social hub and business centre. Old St Paul's Cathedral was built from 1087 to 1314. At its completion in the mid-14th century, the cathedral was one of the longest churches in the world. The cathedral was devastated in the Great Fire of London of 1666. It was demolished, and the present cathedral was built on the site.
The Interior of Old St. Paul's Cathedral - East Window from the Choir scanned at high resolution from a book printed in 1867. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-interior-of-old-st-pauls-cathedral-east-window-from-the-choir-79478944.htmlRMEH8G5M–The Interior of Old St. Paul's Cathedral - East Window from the Choir scanned at high resolution from a book printed in 1867.
TV actress Nicolette McKenzie with the Austin Maestro MG 1600, when the seven-car range had its press launch at the World Trade Centre. The Maestro is the first European built volume car with a 'voice' - Miss McKenzie's. It talks through a larynx in its dashboard computer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tv-actress-nicolette-mckenzie-with-the-austin-maestro-mg-1600-when-110415142.htmlRMGBHRHX–TV actress Nicolette McKenzie with the Austin Maestro MG 1600, when the seven-car range had its press launch at the World Trade Centre. The Maestro is the first European built volume car with a 'voice' - Miss McKenzie's. It talks through a larynx in its dashboard computer.
Two melons, Cognoscite lilia (series title), Two melons (Cucumis melo), numbered 53., print maker: Crispijn van de Passe (I), (attributed to), after drawing by: Crispijn van de Passe (I), (attributed to), publisher: Crispijn van de Passe (I), print maker: Cologne, after drawing by: Cologne, publisher: Cologne, publisher: London, 1600 - 1604, paper, engraving, height 127 mm × width 205 mm, height 172 mm × width 272 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-melons-cognoscite-lilia-series-title-two-melons-cucumis-melo-numbered-53-print-maker-crispijn-van-de-passe-i-attributed-to-after-drawing-by-crispijn-van-de-passe-i-attributed-to-publisher-crispijn-van-de-passe-i-print-maker-cologne-after-drawing-by-cologne-publisher-cologne-publisher-london-1600-1604-paper-engraving-height-127-mm-width-205-mm-height-172-mm-width-272-mm-image473310242.htmlRM2JE1416–Two melons, Cognoscite lilia (series title), Two melons (Cucumis melo), numbered 53., print maker: Crispijn van de Passe (I), (attributed to), after drawing by: Crispijn van de Passe (I), (attributed to), publisher: Crispijn van de Passe (I), print maker: Cologne, after drawing by: Cologne, publisher: Cologne, publisher: London, 1600 - 1604, paper, engraving, height 127 mm × width 205 mm, height 172 mm × width 272 mm
Eliza Triumphans 1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eliza-triumphans-1600-image184221452.htmlRMMKM09G–Eliza Triumphans 1600
Room on the first floor of Sir Paul Pindar's house, Bishopsgate Street, 1810. Wood panel walls, stone chimney piece and plaster ceiling and cornices. Internal specimen of the Tudor Decorated style, latter part of the reign of Elizabeth, 1600. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1810. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/room-on-the-first-floor-of-sir-paul-pindars-house-bishopsgate-street-1810-wood-panel-walls-stone-chimney-piece-and-plaster-ceiling-and-cornices-internal-specimen-of-the-tudor-decorated-style-latter-part-of-the-reign-of-elizabeth-1600-copperplate-engraving-drawn-and-etched-by-john-thomas-smith-from-his-topography-of-london-1810-image332004042.htmlRM2A842F6–Room on the first floor of Sir Paul Pindar's house, Bishopsgate Street, 1810. Wood panel walls, stone chimney piece and plaster ceiling and cornices. Internal specimen of the Tudor Decorated style, latter part of the reign of Elizabeth, 1600. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1810.
A terrella or globe-shaped magnet with lumps of iron to represent mountains and showing the north-seeking property of a magnetic needle. From William Gilbert 'De Magnete', London, 1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-terrella-or-globe-shaped-magnet-with-lumps-of-iron-to-represent-57309718.htmlRMD96K3J–A terrella or globe-shaped magnet with lumps of iron to represent mountains and showing the north-seeking property of a magnetic needle. From William Gilbert 'De Magnete', London, 1600
Ancient map of London. Antique panorama of London from Southwark, 1600. Norden, John, 1548-1625? Artist. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-map-of-london-antique-panorama-of-london-from-southwark-1600-norden-john-1548-1625-artist-image612029090.htmlRM2XFM99P–Ancient map of London. Antique panorama of London from Southwark, 1600. Norden, John, 1548-1625? Artist.
London (1600). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-1600-image396807935.htmlRM2E1G4FY–London (1600).
geography / travel, Great Britain, London, theatres, Globe Theatre, exterior view, circa 1600, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-geography-travel-great-britain-london-theatres-globe-theatre-exterior-19375552.htmlRMB3EHM0–geography / travel, Great Britain, London, theatres, Globe Theatre, exterior view, circa 1600,
The Southwark End of Old London Bridge, 1616. A detail from the Visscher panorama. By Claes Janszoon Visscher (1587-1652). The complete panorama shows an imagined view of London in around 1600. The engraving was first published in Amsterdam in 1616, with the title 'Londinum Florentissima Britanniae Urbs Toto Orbe Celeberrimum Emporiumque'. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-southwark-end-of-old-london-bridge-1616-a-detail-from-the-visscher-panorama-by-claes-janszoon-visscher-1587-1652-the-complete-panorama-shows-an-imagined-view-of-london-in-around-1600-the-engraving-was-first-published-in-amsterdam-in-1616-with-the-title-londinum-florentissima-britanniae-urbs-toto-orbe-celeberrimum-emporiumque-image474502950.htmlRM2JFYD9X–The Southwark End of Old London Bridge, 1616. A detail from the Visscher panorama. By Claes Janszoon Visscher (1587-1652). The complete panorama shows an imagined view of London in around 1600. The engraving was first published in Amsterdam in 1616, with the title 'Londinum Florentissima Britanniae Urbs Toto Orbe Celeberrimum Emporiumque'.
Art inspired by Crossbow, ca. 1600–1625, possibly London, probably British, possibly London, Steel, wood (Indian rosewood), staghorn, mother-of-pearl, L. 27 3/4 in. (70.5 cm); W. 18 3/8 in. (46.6 cm); Wt. 8 lb. 9 oz. (3,890 g), Archery Equipment-Crossbows, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-crossbow-ca-16001625-possibly-london-probably-british-possibly-london-steel-wood-indian-rosewood-staghorn-mother-of-pearl-l-27-34-in-705-cm-w-18-38-in-466-cm-wt-8-lb-9-oz-3890-g-archery-equipment-crossbows-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462755856.htmlRF2HTT9PT–Art inspired by Crossbow, ca. 1600–1625, possibly London, probably British, possibly London, Steel, wood (Indian rosewood), staghorn, mother-of-pearl, L. 27 3/4 in. (70.5 cm); W. 18 3/8 in. (46.6 cm); Wt. 8 lb. 9 oz. (3,890 g), Archery Equipment-Crossbows, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Diagram to illustrate the behaviour of a magnet at different positions around the north pole of the Earth (A). From William Gilbert 'De Magnete', London, 1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/diagram-to-illustrate-the-behaviour-of-a-magnet-at-different-positions-around-the-north-pole-of-the-earth-a-from-william-gilbert-de-magnete-london-1600-image483534593.htmlRM2K2JW8H–Diagram to illustrate the behaviour of a magnet at different positions around the north pole of the Earth (A). From William Gilbert 'De Magnete', London, 1600
A commemorative wall plaque celebrating a nine day morris dance by Elizabethan actor and clown William Kemp from London to Norwich in 1600. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-commemorative-wall-plaque-celebrating-a-nine-day-morris-dance-by-elizabethan-actor-and-clown-william-kemp-from-london-to-norwich-in-1600-image260915932.htmlRMW4DMX4–A commemorative wall plaque celebrating a nine day morris dance by Elizabethan actor and clown William Kemp from London to Norwich in 1600.
England, London, South Kensington, Science Museum, Exhibit of Historical Globes showing the Earth and Heavens dated 1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/england-london-south-kensington-science-museum-exhibit-of-historical-globes-showing-the-earth-and-heavens-dated-1600-image474714011.htmlRM2JG92FR–England, London, South Kensington, Science Museum, Exhibit of Historical Globes showing the Earth and Heavens dated 1600
London, UK. 9th October 2013. National Portrait Gallery, Elizabeth I & Her People Supported by The Weiss Gallery, Press Preview. A revelatory new exhibition from 10 Oct 2013 to 5 Jan 2014 explores for the first time the achievements of the Elizabethan period through portraits of the queen, nobility and rising middle classes. Credit: Malcolm Park editorial/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-uk-9th-october-2013-national-portrait-gallery-elizabeth-i-her-image61401837.htmlRMDFW2JN–London, UK. 9th October 2013. National Portrait Gallery, Elizabeth I & Her People Supported by The Weiss Gallery, Press Preview. A revelatory new exhibition from 10 Oct 2013 to 5 Jan 2014 explores for the first time the achievements of the Elizabethan period through portraits of the queen, nobility and rising middle classes. Credit: Malcolm Park editorial/Alamy Live News
Map of the City of London by John Ogilby 1676. Ogilby (also Ogelby, Oglivie - 1600–1676) was a Scottish translator, impresario and cartographer. Best known for publishing the first British road atlas, he was also a successful translator, noted for publishing his work in handsome illustrated editions. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-the-city-of-london-by-john-ogilby-1676-ogilby-also-ogelby-oglivie-16001676-was-a-scottish-translator-impresario-and-cartographer-best-known-for-publishing-the-first-british-road-atlas-he-was-also-a-successful-translator-noted-for-publishing-his-work-in-handsome-illustrated-editions-image504853332.htmlRM2M9A1G4–Map of the City of London by John Ogilby 1676. Ogilby (also Ogelby, Oglivie - 1600–1676) was a Scottish translator, impresario and cartographer. Best known for publishing the first British road atlas, he was also a successful translator, noted for publishing his work in handsome illustrated editions.
The East India company, established 1600, Mayfair, London, England. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-east-india-company-established-1600-mayfair-london-england-image623930509.htmlRM2Y72DMD–The East India company, established 1600, Mayfair, London, England.
The Fortune Theatre, Barbican, London built by Philip Henslowe and William Alleyn in 1599-1600, on the east side of Golden Lane. Cost £1,320 and opened May 1601. Burnt 19 December 1621, rebuilt 1624. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-fortune-theatre-barbican-london-built-by-philip-henslowe-and-william-83358403.htmlRMERH8DR–The Fortune Theatre, Barbican, London built by Philip Henslowe and William Alleyn in 1599-1600, on the east side of Golden Lane. Cost £1,320 and opened May 1601. Burnt 19 December 1621, rebuilt 1624.
An old engraving of Pauls Cross, St Paul’s Cathedral, City of London, England, UK c.1600. It is from a Victorian history book of c.1900. Paul's Cross was a preaching cross and open-air pulpit in St Paul's Churchyard, the grounds of Old St Paul's Cathedral. It was the most important public pulpit in the Tudor and Stuart eras, and many of the most important statements on the political and religious changes brought by the Reformation were made public from here. The pulpit stood in ‘the Cross yard’. It was destroyed c.1640. The old cathedral was destroyed in the Great Fire of London in 1666. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-old-engraving-of-pauls-cross-st-pauls-cathedral-city-of-london-england-uk-c1600-it-is-from-a-victorian-history-book-of-c1900-pauls-cross-was-a-preaching-cross-and-open-air-pulpit-in-st-pauls-churchyard-the-grounds-of-old-st-pauls-cathedral-it-was-the-most-important-public-pulpit-in-the-tudor-and-stuart-eras-and-many-of-the-most-important-statements-on-the-political-and-religious-changes-brought-by-the-reformation-were-made-public-from-here-the-pulpit-stood-in-the-cross-yard-it-was-destroyed-c1640-the-old-cathedral-was-destroyed-in-the-great-fire-of-london-in-1666-image625197782.htmlRM2Y94646–An old engraving of Pauls Cross, St Paul’s Cathedral, City of London, England, UK c.1600. It is from a Victorian history book of c.1900. Paul's Cross was a preaching cross and open-air pulpit in St Paul's Churchyard, the grounds of Old St Paul's Cathedral. It was the most important public pulpit in the Tudor and Stuart eras, and many of the most important statements on the political and religious changes brought by the Reformation were made public from here. The pulpit stood in ‘the Cross yard’. It was destroyed c.1640. The old cathedral was destroyed in the Great Fire of London in 1666.
An engraving of Old St. Paul's Cathedral scanned at high resolution from a book printed in 1867. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-an-engraving-of-old-st-pauls-cathedral-scanned-at-high-resolution-79478941.htmlRMEH8G5H–An engraving of Old St. Paul's Cathedral scanned at high resolution from a book printed in 1867.
The Fortune Playhouse, founded about 1600, was a historic theatre in London. It was located between Whitecross Street and the modern Golden Lane, just outside the City of London and was contemporary with Shakespeare's Globe, The Swan and others. Parliament ordered all theatres closed in 1642, and the Fortune entered a slow but irreversible decline. In 1649, soldiers pulled down the stage and the gallery seats. By the Restoration, it had partially collapsed, and was sold as scrap. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-fortune-playhouse-founded-about-1600-was-a-historic-theatre-in-london-it-was-located-between-whitecross-street-and-the-modern-golden-lane-just-outside-the-city-of-london-and-was-contemporary-with-shakespeares-globe-the-swan-and-others-parliament-ordered-all-theatres-closed-in-1642-and-the-fortune-entered-a-slow-but-irreversible-decline-in-1649-soldiers-pulled-down-the-stage-and-the-gallery-seats-by-the-restoration-it-had-partially-collapsed-and-was-sold-as-scrap-image222664851.htmlRMPX7783–The Fortune Playhouse, founded about 1600, was a historic theatre in London. It was located between Whitecross Street and the modern Golden Lane, just outside the City of London and was contemporary with Shakespeare's Globe, The Swan and others. Parliament ordered all theatres closed in 1642, and the Fortune entered a slow but irreversible decline. In 1649, soldiers pulled down the stage and the gallery seats. By the Restoration, it had partially collapsed, and was sold as scrap.
Hazel and rose, Cognoscite lilia (series title), Hazel (Corylus avellana) and rose, numbered 70 and 71., print maker: Crispijn van de Passe (I), (attributed to), after drawing by: Crispijn van de Passe (I), (attributed to), publisher: Crispijn van de Passe (I), print maker: Cologne, after drawing by: Cologne, publisher: Cologne, publisher: London, 1600 - 1604, paper, engraving, height 127 mm × width 205 mm, height 172 mm × width 272 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hazel-and-rose-cognoscite-lilia-series-title-hazel-corylus-avellana-and-rose-numbered-70-and-71-print-maker-crispijn-van-de-passe-i-attributed-to-after-drawing-by-crispijn-van-de-passe-i-attributed-to-publisher-crispijn-van-de-passe-i-print-maker-cologne-after-drawing-by-cologne-publisher-cologne-publisher-london-1600-1604-paper-engraving-height-127-mm-width-205-mm-height-172-mm-width-272-mm-image473266461.htmlRM2JDY45H–Hazel and rose, Cognoscite lilia (series title), Hazel (Corylus avellana) and rose, numbered 70 and 71., print maker: Crispijn van de Passe (I), (attributed to), after drawing by: Crispijn van de Passe (I), (attributed to), publisher: Crispijn van de Passe (I), print maker: Cologne, after drawing by: Cologne, publisher: Cologne, publisher: London, 1600 - 1604, paper, engraving, height 127 mm × width 205 mm, height 172 mm × width 272 mm
The 1912 caption for this image reads: Theatre where Shakespeare saw his plays. a performance in Globe Theatre in Southwark where Shakespeare himself acted.' William Shakespeare (died 1616) was an English playwright, poet and actor, widely regarded as the greatest writer in the English language and the world's greatest dramatist. He is often called England's national poet and the 'Bard of Avon'. The Globe Theatre was a theatre in London associated with William Shakespeare. It was built in 1599 by Shakespeare's playing company, the Lord Chamberlain's Men The theatre was destroyed by fire in 161 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-1912-caption-for-this-image-reads-theatre-where-shakespeare-saw-his-plays-a-performance-in-globe-theatre-in-southwark-where-shakespeare-himself-acted-william-shakespeare-died-1616-was-an-english-playwright-poet-and-actor-widely-regarded-as-the-greatest-writer-in-the-english-language-and-the-worlds-greatest-dramatist-he-is-often-called-englands-national-poet-and-the-bard-of-avon-the-globe-theatre-was-a-theatre-in-london-associated-with-william-shakespeare-it-was-built-in-1599-by-shakespeares-playing-company-the-lord-chamberlains-men-the-theatre-was-destroyed-by-fire-in-161-image463830922.htmlRF2HXH922–The 1912 caption for this image reads: Theatre where Shakespeare saw his plays. a performance in Globe Theatre in Southwark where Shakespeare himself acted.' William Shakespeare (died 1616) was an English playwright, poet and actor, widely regarded as the greatest writer in the English language and the world's greatest dramatist. He is often called England's national poet and the 'Bard of Avon'. The Globe Theatre was a theatre in London associated with William Shakespeare. It was built in 1599 by Shakespeare's playing company, the Lord Chamberlain's Men The theatre was destroyed by fire in 161
Lizzy Erskin, makes a final inspection of over 1600 tents at the London Soccer Dome in Greenwich before the arrival of hundreds of tech fans from around the world for the kick off of Campus Party an ambitious week long technology festival staged by Telefonica at the O2 Arena. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lizzy-erskin-makes-a-final-inspection-of-over-1600-tents-at-the-london-107231556.htmlRMG6CPXC–Lizzy Erskin, makes a final inspection of over 1600 tents at the London Soccer Dome in Greenwich before the arrival of hundreds of tech fans from around the world for the kick off of Campus Party an ambitious week long technology festival staged by Telefonica at the O2 Arena.
A magnetized needle pushed through a ball of cork, and floating submerged in a goblet of water, shows dip and the direction of the magnetic pole. From William Gilbert 'De Magnete', London 1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-magnetized-needle-pushed-through-a-ball-of-cork-and-floating-submerged-57309715.htmlRMD96K3F–A magnetized needle pushed through a ball of cork, and floating submerged in a goblet of water, shows dip and the direction of the magnetic pole. From William Gilbert 'De Magnete', London 1600
KEMPS NINE DAIES WONDER published in 1600 recording how William Kemp Morris danced from Norwich to London - see Description Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-kemps-nine-daies-wonder-published-in-1600-recording-how-william-kemp-16754478.htmlRMAX7F5K–KEMPS NINE DAIES WONDER published in 1600 recording how William Kemp Morris danced from Norwich to London - see Description
King Charles I statue bust Banqueting House London - King Charles I (1600-1649) was executed on 30 January 1649 in front of Banqueting House Whitehall Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-charles-i-statue-bust-banqueting-house-london-king-charles-i-1600-1649-was-executed-on-30-january-1649-in-front-of-banqueting-house-whitehall-image570936963.htmlRF2T4TBWR–King Charles I statue bust Banqueting House London - King Charles I (1600-1649) was executed on 30 January 1649 in front of Banqueting House Whitehall
Charles I (1600-1649) King of England, 1824. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-i-1600-1649-king-of-england-1824-artist-unknown-image262738223.htmlRMW7CN7Y–Charles I (1600-1649) King of England, 1824. Artist: Unknown
Embargoed to 1600 Friday July 3. Faryl Smith with Classical Award at the O2 Silver Clef Awards at the Hilton Hotel in central London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/embargoed-to-1600-friday-july-3-faryl-smith-with-classical-award-at-the-o2-silver-clef-awards-at-the-hilton-hotel-in-central-london-image454665283.htmlRM2HBKP5R–Embargoed to 1600 Friday July 3. Faryl Smith with Classical Award at the O2 Silver Clef Awards at the Hilton Hotel in central London.
Art inspired by Cross Hilt Sword, 1600–1625, London; Solingen, hilt, British, London; blade, German, Solingen, Iron, silver, wood, copper alloy, steel, gold, L. 39 1/4 in. (99.7 cm); L. of blade 30 1/4 in. (76.8 cm); W. 8 3/4 in. (22.2 cm); Wt. 2 lb. 6.5 oz (1093 g), Swords, This sword, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-cross-hilt-sword-16001625-london-solingen-hilt-british-london-blade-german-solingen-iron-silver-wood-copper-alloy-steel-gold-l-39-14-in-997-cm-l-of-blade-30-14-in-768-cm-w-8-34-in-222-cm-wt-2-lb-65-oz-1093-g-swords-this-sword-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462756418.htmlRF2HTTAEX–Art inspired by Cross Hilt Sword, 1600–1625, London; Solingen, hilt, British, London; blade, German, Solingen, Iron, silver, wood, copper alloy, steel, gold, L. 39 1/4 in. (99.7 cm); L. of blade 30 1/4 in. (76.8 cm); W. 8 3/4 in. (22.2 cm); Wt. 2 lb. 6.5 oz (1093 g), Swords, This sword, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A magnetized needle pushed through a ball of cork, and floating submerged in a goblet of water, shows dip and the direction of the magnetic pole. From William Gilbert 'De Magnete', London 1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-magnetized-needle-pushed-through-a-ball-of-cork-and-floating-submerged-in-a-goblet-of-water-shows-dip-and-the-direction-of-the-magnetic-pole-from-william-gilbert-de-magnete-london-1600-image483534623.htmlRM2K2JW9K–A magnetized needle pushed through a ball of cork, and floating submerged in a goblet of water, shows dip and the direction of the magnetic pole. From William Gilbert 'De Magnete', London 1600
Model: MGA 1600 Year: 1959 Force: Lancashire County Constabulary at the 2013 New Years day Parade in London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-model-mga-1600-year-1959-force-lancashire-county-constabulary-at-the-53169056.htmlRMD2E1JT–Model: MGA 1600 Year: 1959 Force: Lancashire County Constabulary at the 2013 New Years day Parade in London.
England, London, South Kensington, Science Museum, Exhibit of Historical Globes showing the Earth and Heavens dated 1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/england-london-south-kensington-science-museum-exhibit-of-historical-globes-showing-the-earth-and-heavens-dated-1600-image474714086.htmlRM2JG92JE–England, London, South Kensington, Science Museum, Exhibit of Historical Globes showing the Earth and Heavens dated 1600
Lid of ivory dyptich dial , circa 1600 . possibly by Paulus Reinman of Nuremberg . The British Museum , London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lid-of-ivory-dyptich-dial-circa-1600-possibly-by-paulus-reinman-of-nuremberg-the-british-museum-london-image268854377.htmlRMWHBAE1–Lid of ivory dyptich dial , circa 1600 . possibly by Paulus Reinman of Nuremberg . The British Museum , London
THE TOWER, CIRCA 1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-tower-circa-1600-105289844.htmlRMG38A7G–THE TOWER, CIRCA 1600
WEST INDIES: 1600-1660: Caribbean, Colonial Era, sketch map, 1942 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-west-indies-1600-1660-caribbean-colonial-era-sketch-map-1942-103813425.htmlRFG0W329–WEST INDIES: 1600-1660: Caribbean, Colonial Era, sketch map, 1942
Equine statue of King Charles I (1600-1649), the oldest statue on Trafalgar Square, London. Carved in 1638 by Hubert Le Sueur. Public monument on disp Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/equine-statue-of-king-charles-i-1600-1649-the-oldest-statue-on-trafalgar-square-london-carved-in-1638-by-hubert-le-sueur-public-monument-on-disp-image362859108.htmlRF2C29JDT–Equine statue of King Charles I (1600-1649), the oldest statue on Trafalgar Square, London. Carved in 1638 by Hubert Le Sueur. Public monument on disp
Old engraving showing the first St Paul's Cathedral c. 1600. St Paul's was the medieval cathedral of the City of London that, until 1666, stood on the site of the present cathedral. Built from 1087 to 1314, it had one of the tallest spires. In 1561 the spire had caught fire and fell through the roof of the nave - it was never replaced (as this illustration shows) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-old-engraving-showing-the-first-st-pauls-cathedral-c-1600-st-pauls-165352237.htmlRMKH0CD1–Old engraving showing the first St Paul's Cathedral c. 1600. St Paul's was the medieval cathedral of the City of London that, until 1666, stood on the site of the present cathedral. Built from 1087 to 1314, it had one of the tallest spires. In 1561 the spire had caught fire and fell through the roof of the nave - it was never replaced (as this illustration shows)
England,London,Kensington,Victoria and Albert Museum aka V&A,Painted Oak Panels depicting Adam and Eve and Joshua date 1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-englandlondonkensingtonvictoria-and-albert-museum-aka-vapainted-oak-111566571.htmlRMGDE88B–England,London,Kensington,Victoria and Albert Museum aka V&A,Painted Oak Panels depicting Adam and Eve and Joshua date 1600
Portrait of a Water Carrier. Water was provided to individual households by carriers, commonly called 'cobs,' whose business it was to deliver water from the river or conduits to customers. Some water carriers went about the streets carrying a large tankard on their shoulders, others would carry two 3-gallon wooden tubs hanging from a shoulder-yoke. London's water carriers were organized into a guild or union. About the year 1600, a petition was presented to the House of Commons by the water-tankard bearers of London in which it is stated that they and their families numbered 4,000 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-water-carrier-water-was-provided-to-individual-households-by-carriers-commonly-called-cobs-whose-business-it-was-to-deliver-water-from-the-river-or-conduits-to-customers-some-water-carriers-went-about-the-streets-carrying-a-large-tankard-on-their-shoulders-others-would-carry-two-3-gallon-wooden-tubs-hanging-from-a-shoulder-yoke-londons-water-carriers-were-organized-into-a-guild-or-union-about-the-year-1600-a-petition-was-presented-to-the-house-of-commons-by-the-water-tankard-bearers-of-london-in-which-it-is-stated-that-they-and-their-families-numbered-4000-image218556998.htmlRMPKG3K2–Portrait of a Water Carrier. Water was provided to individual households by carriers, commonly called 'cobs,' whose business it was to deliver water from the river or conduits to customers. Some water carriers went about the streets carrying a large tankard on their shoulders, others would carry two 3-gallon wooden tubs hanging from a shoulder-yoke. London's water carriers were organized into a guild or union. About the year 1600, a petition was presented to the House of Commons by the water-tankard bearers of London in which it is stated that they and their families numbered 4,000
Hazel and rose, Cognoscite lilia (series title), Hazel (Corylus avellana) and rose, numbered 70 and 71., print maker: Crispijn van de Passe (I), (attributed to), after drawing by: Crispijn van de Passe (I), (attributed to), publisher: Crispijn van de Passe (I), print maker: Cologne, after drawing by: Cologne, publisher: Cologne, publisher: London, 1600 - 1604, paper, engraving, height 127 mm × width 205 mm, height 172 mm × width 272 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hazel-and-rose-cognoscite-lilia-series-title-hazel-corylus-avellana-and-rose-numbered-70-and-71-print-maker-crispijn-van-de-passe-i-attributed-to-after-drawing-by-crispijn-van-de-passe-i-attributed-to-publisher-crispijn-van-de-passe-i-print-maker-cologne-after-drawing-by-cologne-publisher-cologne-publisher-london-1600-1604-paper-engraving-height-127-mm-width-205-mm-height-172-mm-width-272-mm-image473310280.htmlRM2JE142G–Hazel and rose, Cognoscite lilia (series title), Hazel (Corylus avellana) and rose, numbered 70 and 71., print maker: Crispijn van de Passe (I), (attributed to), after drawing by: Crispijn van de Passe (I), (attributed to), publisher: Crispijn van de Passe (I), print maker: Cologne, after drawing by: Cologne, publisher: Cologne, publisher: London, 1600 - 1604, paper, engraving, height 127 mm × width 205 mm, height 172 mm × width 272 mm
A small stained glass window (circa 1600) showing Christ as the Man of Sorrows - Victoria and Albert Museum in central London in the United Kingdom. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-small-stained-glass-window-circa-1600-showing-christ-as-the-man-of-sorrows-victoria-and-albert-museum-in-central-london-in-the-united-kingdom-image344510661.htmlRM2B0DPT5–A small stained glass window (circa 1600) showing Christ as the Man of Sorrows - Victoria and Albert Museum in central London in the United Kingdom.
Embargoed to 1600 Tuesday November 21 Mayor of London Sadiq Khan signs a shovel after attending a ground-breaking ceremony for the Google Campus at Kings Cross in north London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-embargoed-to-1600-tuesday-november-21-mayor-of-london-sadiq-khan-signs-166078037.htmlRMKJ5E6D–Embargoed to 1600 Tuesday November 21 Mayor of London Sadiq Khan signs a shovel after attending a ground-breaking ceremony for the Google Campus at Kings Cross in north London.
Illustration showing Gilbert’s diagram showing the behaviour of a magnetic needle and the difference between true and magnetic north. Here a cylindrical lodestone represents the field of the Earth. CD is the equator. From William Gilbert De Magnetet London, 1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-showing-gilberts-diagram-showing-the-behaviour-of-a-magnetic-needle-and-the-difference-between-true-and-magnetic-north-here-a-cylindrical-lodestone-represents-the-field-of-the-earth-cd-is-the-equator-from-william-gilbert-de-magnetet-london-1600-image235260099.htmlRMRJN0JB–Illustration showing Gilbert’s diagram showing the behaviour of a magnetic needle and the difference between true and magnetic north. Here a cylindrical lodestone represents the field of the Earth. CD is the equator. From William Gilbert De Magnetet London, 1600
William Kemp dancing the Morris, 1600. The frontispiece from Kemps Nine Daies Wonder Performed in a Daunce From London to Norwich. William Kempe (d1603), commonly referred to as Will Kemp, English actor and dancer specialising in comic roles. Best known for having been one of the original players in early dramas by William Shakespeare. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-kemp-dancing-the-morris-1600-the-frontispiece-from-kemps-nine-daies-wonder-performed-in-a-daunce-from-london-to-norwich-william-kempe-d1603-commonly-referred-to-as-will-kemp-english-actor-and-dancer-specialising-in-comic-roles-best-known-for-having-been-one-of-the-original-players-in-early-dramas-by-william-shakespeare-image261851803.htmlRMW60AJ3–William Kemp dancing the Morris, 1600. The frontispiece from Kemps Nine Daies Wonder Performed in a Daunce From London to Norwich. William Kempe (d1603), commonly referred to as Will Kemp, English actor and dancer specialising in comic roles. Best known for having been one of the original players in early dramas by William Shakespeare.
King Charles I statue bust Banqueting House London - King Charles I (1600-1649) was executed on 30 January 1649 in front of Banqueting House Whitehall Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-charles-i-statue-bust-banqueting-house-london-king-charles-i-1600-1649-was-executed-on-30-january-1649-in-front-of-banqueting-house-whitehall-image264298653.htmlRFW9YRHH–King Charles I statue bust Banqueting House London - King Charles I (1600-1649) was executed on 30 January 1649 in front of Banqueting House Whitehall
Street trader selling fish and bread; Engraving by Marcellus Laroon or Lauron from the 'Cryes and Habits of the City of London' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-street-trader-selling-fish-and-bread-engraving-by-marcellus-laroon-33410183.htmlRMBX9Y0R–Street trader selling fish and bread; Engraving by Marcellus Laroon or Lauron from the 'Cryes and Habits of the City of London'
Embargoed to 1600 Friday July 3. Faryl Smith with the Classical award at the O2 Silver Clef Awards at the Hilton Hotel in London, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/embargoed-to-1600-friday-july-3-faryl-smith-with-the-classical-award-at-the-o2-silver-clef-awards-at-the-hilton-hotel-in-london-uk-image454665245.htmlRM2HBKP4D–Embargoed to 1600 Friday July 3. Faryl Smith with the Classical award at the O2 Silver Clef Awards at the Hilton Hotel in London, UK
Art inspired by Mary I, Queen of England, 1600–1627, Engraving, sheet: 7 5/8 x 4 1/2 in. (19.4 x 11.4 cm), Prints, Francis Delaram (British, 1589/90–1627 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-mary-i-queen-of-england-16001627-engraving-sheet-7-58-x-4-12-in-194-x-114-cm-prints-francis-delaram-british-1589901627-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462997037.htmlRF2HW79CD–Art inspired by Mary I, Queen of England, 1600–1627, Engraving, sheet: 7 5/8 x 4 1/2 in. (19.4 x 11.4 cm), Prints, Francis Delaram (British, 1589/90–1627 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Magnetic needles on a terrella will point towards the north pole, A. other needles will do likewise, even though the surface of the terrella is uneven, as at O. From William Gilbert 'De Magnete', London, 1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/magnetic-needles-on-a-terrella-will-point-towards-the-north-pole-a-other-needles-will-do-likewise-even-though-the-surface-of-the-terrella-is-uneven-as-at-o-from-william-gilbert-de-magnete-london-1600-image483534628.htmlRM2K2JW9T–Magnetic needles on a terrella will point towards the north pole, A. other needles will do likewise, even though the surface of the terrella is uneven, as at O. From William Gilbert 'De Magnete', London, 1600
English Cassiobury Park turret clock by Leonard Tenant built around AD 1600-1620 at the British Museum, London, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-cassiobury-park-turret-clock-by-leonard-tenant-built-around-ad-1600-1620-at-the-british-museum-london-uk-image510015572.htmlRM2MHN61T–English Cassiobury Park turret clock by Leonard Tenant built around AD 1600-1620 at the British Museum, London, UK
England, London, South Kensington, Science Museum, Exhibit of an Italian Simple Theodolite to measure angles when surveying land dated 1600-1630 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/england-london-south-kensington-science-museum-exhibit-of-an-italian-simple-theodolite-to-measure-angles-when-surveying-land-dated-1600-1630-image474714016.htmlRM2JG92G0–England, London, South Kensington, Science Museum, Exhibit of an Italian Simple Theodolite to measure angles when surveying land dated 1600-1630
A lady masquer, c.1600-5. Costume design by Inigo Jones. Reproduced by permission of the Trustees of the Chatsworth Settlement. Photography by courtesy of the Victoria and Albert Museum, London.. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-lady-masquer-c1600-5-costume-design-by-inigo-jones-reproduced-by-permission-of-the-trustees-of-the-chatsworth-settlement-photography-by-courtesy-of-the-victoria-and-albert-museum-london-image268847265.htmlRMWHB1C1–A lady masquer, c.1600-5. Costume design by Inigo Jones. Reproduced by permission of the Trustees of the Chatsworth Settlement. Photography by courtesy of the Victoria and Albert Museum, London..
LONDON/QUEEN'S NURSERY Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-londonqueens-nursery-105320086.htmlRMG39MRJ–LONDON/QUEEN'S NURSERY
FRANCE 1600-1790: Louis XIV acquisition. < 1789 divisions, 1902 antique map Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-france-1600-1790-louis-xiv-acquisition-1789-divisions-1902-antique-94080713.htmlRFFD1MWD–FRANCE 1600-1790: Louis XIV acquisition. < 1789 divisions, 1902 antique map
Bonhams, London, UK. 1st July 2019. Works by Brueghel, Constable and de Ribera on display in the Old Masters sales preview, to be sold on 3 July 2019. Image: Prague School, c. 1600, Venus in the Forge of Vulcan. Estimate £6,000-8,000. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bonhams-london-uk-1st-july-2019-works-by-brueghel-constable-and-de-ribera-on-display-in-the-old-masters-sales-preview-to-be-sold-on-3-july-2019-image-prague-school-c-1600-venus-in-the-forge-of-vulcan-estimate-6000-8000-credit-malcolm-parkalamy-live-news-image258958700.htmlRMW18GD0–Bonhams, London, UK. 1st July 2019. Works by Brueghel, Constable and de Ribera on display in the Old Masters sales preview, to be sold on 3 July 2019. Image: Prague School, c. 1600, Venus in the Forge of Vulcan. Estimate £6,000-8,000. Credit: Malcolm Park/Alamy Live News.
An old engraving with a view from the River Thames showing the Palace yard stairs giving access to the river at the Palace of Westminster, Westminster, London, England, UK c. 1600. Barges are seen in the foreground. The Palace was the main residence of the English monarchs before they relocated to Whitehall Palace. Henry VIII moved the royal residence in 1530 after the old royal apartments at the Palace of Westminster were destroyed by fire. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-old-engraving-with-a-view-from-the-river-thames-showing-the-palace-yard-stairs-giving-access-to-the-river-at-the-palace-of-westminster-westminster-london-england-uk-c-1600-barges-are-seen-in-the-foreground-the-palace-was-the-main-residence-of-the-english-monarchs-before-they-relocated-to-whitehall-palace-henry-viii-moved-the-royal-residence-in-1530-after-the-old-royal-apartments-at-the-palace-of-westminster-were-destroyed-by-fire-image631739249.htmlRM2YKP5T1–An old engraving with a view from the River Thames showing the Palace yard stairs giving access to the river at the Palace of Westminster, Westminster, London, England, UK c. 1600. Barges are seen in the foreground. The Palace was the main residence of the English monarchs before they relocated to Whitehall Palace. Henry VIII moved the royal residence in 1530 after the old royal apartments at the Palace of Westminster were destroyed by fire.
Samuel Pepys (1633-1709) English Member of Parliament who is remembered for the private diary he started in 1660 providing accounts of key events at the time such as the Great Plague (and the Great Fire of London in 1666. Oil painting by John Hayls (1600-1679) completed in 1666 and mentioned in Pepys’ diary. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/samuel-pepys-1633-1709-english-member-of-parliament-who-is-remembered-for-the-private-diary-he-started-in-1660-providing-accounts-of-key-events-at-the-time-such-as-the-great-plague-and-the-great-fire-of-london-in-1666-oil-painting-by-john-hayls-1600-1679-completed-in-1666-and-mentioned-in-pepys-diary-image328745583.htmlRM2A2RJ9K–Samuel Pepys (1633-1709) English Member of Parliament who is remembered for the private diary he started in 1660 providing accounts of key events at the time such as the Great Plague (and the Great Fire of London in 1666. Oil painting by John Hayls (1600-1679) completed in 1666 and mentioned in Pepys’ diary.
