Medium beginning to levitate assisted by gentle pressure from an index finger of each of five men. Levitation was part of the repertoire of the fraudulent medium Daniel Douglas in London in the 1860s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/medium-beginning-to-levitate-assisted-by-gentle-pressure-from-an-index-image68547792.html
RMDYEHBC–Medium beginning to levitate assisted by gentle pressure from an index finger of each of five men. Levitation was part of the repertoire of the fraudulent medium Daniel Douglas in London in the 1860s.
View of the Bell Tower at the Tower of London. This is a very early image taken in at the start of the 1860s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-bell-tower-at-the-tower-of-london-this-is-a-very-early-image-taken-in-at-the-start-of-the-1860s-image209776367.html
RMP583W3–View of the Bell Tower at the Tower of London. This is a very early image taken in at the start of the 1860s
N/A. Eggesford House, Devon, view from the south-east. Built between 1820 and 1830 by Hon. Newton Fellowes, using contractor Thomas Lee of Barnstaple. It was abandoned in 1911, and became delapidated. This photograph was taken for the Earl of Portsmouth on 25 Jan 1888 by H. Bedford Lemere & Co., according to the firm's daybook. Bedford Lemere & Co was established by Bedford Lemere (1839-1911) in London in the 1860s. The firm undertook commissions from architects, builders, owners, interior decorators and furnishers. Lemere's son Henry (Harry) Bedford Lemere (1865-1944) joined the firm in 1881 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-eggesford-house-devon-view-from-the-south-east-built-between-1820-and-1830-by-hon-newton-fellowes-using-contractor-thomas-lee-of-barnstaple-it-was-abandoned-in-1911-and-became-delapidated-this-photograph-was-taken-for-the-earl-of-portsmouth-on-25-jan-1888-by-h-bedford-lemere-co-according-to-the-firms-daybook-bedford-lemere-co-was-established-by-bedford-lemere-1839-1911-in-london-in-the-1860s-the-firm-undertook-commissions-from-architects-builders-owners-interior-decorators-and-furnishers-lemeres-son-henry-harry-bedford-lemere-1865-1944-joined-the-firm-in-1881-image210173100.html
RMP5X5X4–N/A. Eggesford House, Devon, view from the south-east. Built between 1820 and 1830 by Hon. Newton Fellowes, using contractor Thomas Lee of Barnstaple. It was abandoned in 1911, and became delapidated. This photograph was taken for the Earl of Portsmouth on 25 Jan 1888 by H. Bedford Lemere & Co., according to the firm's daybook. Bedford Lemere & Co was established by Bedford Lemere (1839-1911) in London in the 1860s. The firm undertook commissions from architects, builders, owners, interior decorators and furnishers. Lemere's son Henry (Harry) Bedford Lemere (1865-1944) joined the firm in 1881
International Exhibition in London, 1862 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-international-exhibition-in-london-1862-56682817.html
RMD863E9–International Exhibition in London, 1862
Gustave Doré, A Backstreet in London, drawing, 1868 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gustave-dor-a-backstreet-in-london-drawing-1868-image264550714.html
RMWAB93P–Gustave Doré, A Backstreet in London, drawing, 1868
Mother and child photographed in a London saloon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mother-and-child-photographed-in-a-london-saloon-image256557273.html
RMTWB5BN–Mother and child photographed in a London saloon
Unidentified man with moustache, in vignette-style, George Lavis (British, active London and Eastbourne, England 1860s), Rebecca Lavis (British, active London and Eastbourne, England 1860s), about 1865, Albumen silver print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unidentified-man-with-moustache-in-vignette-style-george-lavis-british-active-london-and-eastbourne-england-1860s-rebecca-lavis-british-active-london-and-eastbourne-england-1860s-about-1865-albumen-silver-print-image261289883.html
RMW52NWF–Unidentified man with moustache, in vignette-style, George Lavis (British, active London and Eastbourne, England 1860s), Rebecca Lavis (British, active London and Eastbourne, England 1860s), about 1865, Albumen silver print
Cartoon, Left in London! or, The End of the Season Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cartoon-left-in-london!-or-the-end-of-the-season-105359169.html
RMG3BEKD–Cartoon, Left in London! or, The End of the Season
Unloading tea ships in the British East India Company docks in London 1860s. Hand-colored woodcut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unloading-tea-ships-in-the-british-east-india-company-docks-in-london-image4497429.html
RMAEXT16–Unloading tea ships in the British East India Company docks in London 1860s. Hand-colored woodcut
A Coffee Stall in London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-coffee-stall-in-london-image504838903.html
RM2M99B4R–A Coffee Stall in London.
Victorian slums. Working class housing in Market Court, Kensington, London, 1860s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/victorian-slums-working-class-housing-in-market-court-kensington-london-1860s-image570812603.html
RM2T4JN8B–Victorian slums. Working class housing in Market Court, Kensington, London, 1860s
Bakery in the Cold Bath Fields Prison, London, 1860 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bakery-in-the-cold-bath-fields-prison-london-1860-105371700.html
RMG3C2K0–Bakery in the Cold Bath Fields Prison, London, 1860
Article about the war in Denmark inside the The Times newspaper London on Thursday March 24th 1864. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/article-about-the-war-in-denmark-inside-the-the-times-newspaper-london-on-thursday-march-24th-1864-image411747190.html
RM2EWTKMP–Article about the war in Denmark inside the The Times newspaper London on Thursday March 24th 1864.
New Amphitheatre in Holborn, London 1867 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-amphitheatre-in-holborn-london-1867-image501469312.html
RM2M3RW68–New Amphitheatre in Holborn, London 1867
A rat-catcher at work in the London sewers. Colourised version of : 10053982 Date: 1860s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-rat-catcher-at-work-in-the-london-sewers-colourised-version-of-10053982-date-1860s-image472808561.html
RM2JD6841–A rat-catcher at work in the London sewers. Colourised version of : 10053982 Date: 1860s
A scene in Bank, London, where victorian people are trying to get out of the rain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-scene-in-bank-london-where-victorian-people-are-trying-to-get-out-of-the-rain-image485661348.html
RM2K63P04–A scene in Bank, London, where victorian people are trying to get out of the rain.
Michael Faraday, one of the most influential scientists in history, in an 1860s seated portrait by W. Walker & Sons of London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/michael-faraday-one-of-the-most-influential-scientists-in-history-image67421650.html
RMDWK902–Michael Faraday, one of the most influential scientists in history, in an 1860s seated portrait by W. Walker & Sons of London.
Skating on the frozen lake in Regent's Park, London : one gentleman has slipped over on the ice and overs are trying to stay upright. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/skating-on-the-frozen-lake-in-regents-park-london-one-gentleman-has-slipped-over-on-the-ice-and-overs-are-trying-to-stay-upright-image560760313.html
RM2RG8RE1–Skating on the frozen lake in Regent's Park, London : one gentleman has slipped over on the ice and overs are trying to stay upright.
Michael Faraday FRS (1791–1867), one of the most influential scientists in history, in an 1860s seated portrait by W. Walker & Sons of London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/michael-faraday-frs-17911867-one-of-the-most-influential-scientists-in-history-in-an-1860s-seated-portrait-by-w-walker-sons-of-london-image473455326.html
RM2JE7N2P–Michael Faraday FRS (1791–1867), one of the most influential scientists in history, in an 1860s seated portrait by W. Walker & Sons of London.
RATCATCHER IN SEWER 1860s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ratcatcher-in-sewer-1860s-105359091.html
RMG3BEGK–RATCATCHER IN SEWER 1860s
London Cigarette Card Company card 1924 depicting: William Henry 'Bully' Hayes (1827 or 1829 – 1877); notorious American-born ship's captain who engaged in kidnapping slaves in the 1860s and 1870s and whose arrival on any Pacific Island would cause islanders to hide in fear of being kidnapped and shipped off to be a labourer on some distant plantation Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-london-cigarette-card-company-card-1924-depicting-william-henry-bully-162596079.html
RMKCETXR–London Cigarette Card Company card 1924 depicting: William Henry 'Bully' Hayes (1827 or 1829 – 1877); notorious American-born ship's captain who engaged in kidnapping slaves in the 1860s and 1870s and whose arrival on any Pacific Island would cause islanders to hide in fear of being kidnapped and shipped off to be a labourer on some distant plantation
Building underground railway in London, 1865 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/building-underground-railway-in-london-1865-image155018008.html
RMK05K1C–Building underground railway in London, 1865
Art inspired by Carriage on Street in Residential Neighborhood, London, 1860s, Albumen silver print from glass negative, Photographs, Unknown (British, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-carriage-on-street-in-residential-neighborhood-london-1860s-albumen-silver-print-from-glass-negative-photographs-unknown-british-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462938186.html
RF2HW4JAJ–Art inspired by Carriage on Street in Residential Neighborhood, London, 1860s, Albumen silver print from glass negative, Photographs, Unknown (British, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Baths and washhouses in Golden Lane, London 1865 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baths-and-washhouses-in-golden-lane-london-1865-image222877977.html
RMPXGY3N–Baths and washhouses in Golden Lane, London 1865
London Cigarette Card Company card 1924 depicting: William Henry 'Bully' Hayes (1827 or 1829 – 1877); notorious American-born ship's captain who engaged in kidnapping slaves in the 1860s and 1870s and whose arrival on any Pacific Island would cause islanders to hide in fear of being kidnapped and shipped off to be a labourer on some distant plantation Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-cigarette-card-company-card-1924-depicting-william-henry-bully-hayes-1827-or-1829-1877-notorious-american-born-ships-captain-who-engaged-in-kidnapping-slaves-in-the-1860s-and-1870s-and-whose-arrival-on-any-pacific-island-would-cause-islanders-to-hide-in-fear-of-being-kidnapped-and-shipped-off-to-be-a-labourer-on-some-distant-plantation-image642219573.html
RM2S8RHH9–London Cigarette Card Company card 1924 depicting: William Henry 'Bully' Hayes (1827 or 1829 – 1877); notorious American-born ship's captain who engaged in kidnapping slaves in the 1860s and 1870s and whose arrival on any Pacific Island would cause islanders to hide in fear of being kidnapped and shipped off to be a labourer on some distant plantation
A rat-catcher at work in the London sewers. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-rat-catcher-at-work-in-the-london-sewers-image504886855.html
RM2M9BG9B–A rat-catcher at work in the London sewers.
Map of North India, Philip Henry Egerton (British, active 1860s), London, England, 1864, Albumen silver print, 21.2 × 26.6 cm (8 3/8 × 10 1/2 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-north-india-philip-henry-egerton-british-active-1860s-london-england-1864-albumen-silver-print-212-266-cm-8-38-10-12-in-image261301496.html
RMW538M8–Map of North India, Philip Henry Egerton (British, active 1860s), London, England, 1864, Albumen silver print, 21.2 × 26.6 cm (8 3/8 × 10 1/2 in
Hungerford railway and footbridge crossing the River Thames in Central London. Date: 1860 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hungerford-railway-and-footbridge-crossing-the-river-thames-in-central-london-date-1860-image341384521.html
RM2ARBBC9–Hungerford railway and footbridge crossing the River Thames in Central London. Date: 1860
Charles Dickens (1812-1870) as he appeared during his American lecture tour, in Boston in the 1860's. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-charles-dickens-1812-1870-as-he-appeared-during-his-american-lecture-50015096.html
RMCWAANC–Charles Dickens (1812-1870) as he appeared during his American lecture tour, in Boston in the 1860's.
'Left In London! or, The End of The Season' Cartoon contrasting slum life with the seasonal migration of the upper classes. Date: 1869 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-left-in-london!-or-the-end-of-the-season-cartoon-contrasting-slum-105322523.html
RMG39RXK–'Left In London! or, The End of The Season' Cartoon contrasting slum life with the seasonal migration of the upper classes. Date: 1869
Ladbroke Grove, 1860 photograph of the road in the newly developed suburb of West London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ladbroke-grove-1860-photograph-of-the-road-in-the-newly-developed-31302311.html
RMBPWXBK–Ladbroke Grove, 1860 photograph of the road in the newly developed suburb of West London
London Parcels Delivery Company, head office in the Rolls-building, Fetter-lane, London. The yard with uproar of bustle and activity, lie waiting for their turn of duty. Date: 1862 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/london-parcels-delivery-company-head-office-in-the-rolls-building-fetter-lane-london-the-yard-with-uproar-of-bustle-and-activity-lie-waiting-for-their-turn-of-duty-date-1862-image341385486.html
RM2ARBCJP–London Parcels Delivery Company, head office in the Rolls-building, Fetter-lane, London. The yard with uproar of bustle and activity, lie waiting for their turn of duty. Date: 1862
Costume of a Mexican gentleman, 1860s. In hat, embroidered jacket and flared trousers, shirt and cravatte, large shawl over his shoulder. Lithograph from Thomas Hailes Lacy's Male Costumes, Historical, National and Dramatic in 200 Plates, London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/costume-of-a-mexican-gentleman-1860s-in-hat-embroidered-jacket-and-flared-trousers-shirt-and-cravatte-large-shawl-over-his-shoulder-lithograph-from-thomas-hailes-lacys-male-costumes-historical-national-and-dramatic-in-200-plates-london-1865-lacy-1809-1873-was-a-british-actor-playwright-theatrical-manager-and-publisher-image592730403.html
RM2WC95JY–Costume of a Mexican gentleman, 1860s. In hat, embroidered jacket and flared trousers, shirt and cravatte, large shawl over his shoulder. Lithograph from Thomas Hailes Lacy's Male Costumes, Historical, National and Dramatic in 200 Plates, London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.
Sewing classes in Berner Street, East London 1868 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sewing-classes-in-berner-street-east-london-1868-image235043561.html
RMRJB4CW–Sewing classes in Berner Street, East London 1868
St Pancras Station, London. Trainshed, by William Barlow for Midland Railway in the 1860s. With Gothic clock tower of the Midland Grand Hotel. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-st-pancras-station-london-trainshed-by-william-barlow-for-midland-140448874.html
RMJ4DYY6–St Pancras Station, London. Trainshed, by William Barlow for Midland Railway in the 1860s. With Gothic clock tower of the Midland Grand Hotel.
Holborn Valley Viaduct in London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/holborn-valley-viaduct-in-london-image485662761.html
RM2K63RPH–Holborn Valley Viaduct in London.
St Pancras Station, London. The trainshed, designed by William Barlow for the Midland Railway in the 1860s. Looking north towards gable end. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-st-pancras-station-london-the-trainshed-designed-by-william-barlow-140538917.html
RMJ4J2R1–St Pancras Station, London. The trainshed, designed by William Barlow for the Midland Railway in the 1860s. Looking north towards gable end.
Piccadilly : originally named Egremont House after its first owner. In the 1860s it will be the residence of Lord Palmerston. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piccadilly-originally-named-egremont-house-after-its-first-owner-in-the-1860s-it-will-be-the-residence-of-lord-palmerston-image560864968.html
RM2RGDGYM–Piccadilly : originally named Egremont House after its first owner. In the 1860s it will be the residence of Lord Palmerston.
Michael Faraday FRS (1791–1867), one of the most influential scientists in history, in an 1860s seated portrait by W. Walker & Sons of London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/michael-faraday-frs-17911867-one-of-the-most-influential-scientists-in-history-in-an-1860s-seated-portrait-by-w-walker-sons-of-london-image473455327.html
RM2JE7N2R–Michael Faraday FRS (1791–1867), one of the most influential scientists in history, in an 1860s seated portrait by W. Walker & Sons of London.
Children at the Stage Door seeking engagement in the Drury Lane Theatre pantomime, London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/children-at-the-stage-door-seeking-engagement-in-the-drury-lane-theatre-pantomime-london-image504894688.html
RM2M9BX94–Children at the Stage Door seeking engagement in the Drury Lane Theatre pantomime, London.
George MacDonald (1824-1905), Scottish author, poet, and pastor, in an 1860s portrait by London photographer William Jeffrey. MacDonald inspired many writers including J.R.R. Tolkien, C.S. Lewis, G.K. Chesterton, and W.H. Auden. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-macdonald-1824-1905-scottish-author-poet-and-pastor-in-an-1860s-portrait-by-london-photographer-william-jeffrey-macdonald-inspired-many-writers-including-jrr-tolkien-cs-lewis-gk-chesterton-and-wh-auden-image537792825.html
RM2P6XG6H–George MacDonald (1824-1905), Scottish author, poet, and pastor, in an 1860s portrait by London photographer William Jeffrey. MacDonald inspired many writers including J.R.R. Tolkien, C.S. Lewis, G.K. Chesterton, and W.H. Auden.
The interior of Holborn Theatre, London, soon after it was opened in October 1866. Able to seat 1,500, the theatre was built by Mr. Simpson, and the architects were Messrs Finch, Hill and Pararie. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-interior-of-holborn-theatre-london-soon-after-it-was-opened-in-october-1866-able-to-seat-1500-the-theatre-was-built-by-mr-simpson-and-the-architects-were-messrs-finch-hill-and-pararie-image560868868.html
RM2RGDNY0–The interior of Holborn Theatre, London, soon after it was opened in October 1866. Able to seat 1,500, the theatre was built by Mr. Simpson, and the architects were Messrs Finch, Hill and Pararie.
South front of Midland Grand Hotel at St Pancras Station, London. Designed by George Gilbert Scott, in the 1860s, in Victorian neo-Gothic style. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-south-front-of-midland-grand-hotel-at-st-pancras-station-london-designed-140538956.html
RMJ4J2TC–South front of Midland Grand Hotel at St Pancras Station, London. Designed by George Gilbert Scott, in the 1860s, in Victorian neo-Gothic style.
Music cover, The Dark Girl Dress'd in Blue, sung by Kate Harley, and written and sung by Harry Clifton at the London Music Halls. With the International Exhibition of 1862 in the background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/music-cover-the-dark-girl-dressd-in-blue-sung-by-kate-harley-and-written-and-sung-by-harry-clifton-at-the-london-music-halls-with-the-international-exhibition-of-1862-in-the-background-image504847822.html
RM2M99PFA–Music cover, The Dark Girl Dress'd in Blue, sung by Kate Harley, and written and sung by Harry Clifton at the London Music Halls. With the International Exhibition of 1862 in the background.
Charles Dickens (1812-1870) as he appeared during his American lecture tour, in Boston in the 1860's. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-charles-dickens-1812-1870-as-he-appeared-during-his-american-lecture-32376985.html
RMBTJW4W–Charles Dickens (1812-1870) as he appeared during his American lecture tour, in Boston in the 1860's.
Mersey Ironworks, Liverpool: Exterior View, P. Barry (British, active 1860s), London, England, 1863, Albumen silver print, 10.3 × 16.7 cm (4 1/16 × 6 9/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mersey-ironworks-liverpool-exterior-view-p-barry-british-active-1860s-london-england-1863-albumen-silver-print-103-167-cm-4-116-6-916-in-image261299662.html
RMW536AP–Mersey Ironworks, Liverpool: Exterior View, P. Barry (British, active 1860s), London, England, 1863, Albumen silver print, 10.3 × 16.7 cm (4 1/16 × 6 9/16 in
Cartoon, The Ancient Mariner in the City -- a satirical comment on the difficulties financiers in the City of London were facing at the time, in a parody of Coleridge's long narrative poem: Money, money, everywhere, But not a groat to spend. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cartoon-the-ancient-mariner-in-the-city-a-satirical-comment-on-the-difficulties-financiers-in-the-city-of-london-were-facing-at-the-time-in-a-parody-of-coleridges-long-narrative-poem-money-money-everywhere-but-not-a-groat-to-spend-image366493678.html
RM2C876BX–Cartoon, The Ancient Mariner in the City -- a satirical comment on the difficulties financiers in the City of London were facing at the time, in a parody of Coleridge's long narrative poem: Money, money, everywhere, But not a groat to spend.
Receiving House of the Royal Humane Society, Hyde Park, London. Black and White Illustration from from the 'Old England' published by James Sangster in 1860. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/receiving-house-of-the-royal-humane-society-hyde-park-london-black-and-white-illustration-from-from-the-old-england-published-by-james-sangster-in-1860-image569312686.html
RM2T26C3X–Receiving House of the Royal Humane Society, Hyde Park, London. Black and White Illustration from from the 'Old England' published by James Sangster in 1860.
The Basket Woman, Covent Garden Market, by Hablot K Browne (Phiz) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-basket-woman-covent-garden-market-by-hablot-k-browne-phiz-image504899440.html
RM2M9C4AT–The Basket Woman, Covent Garden Market, by Hablot K Browne (Phiz)
Patient playing the violin in the male dormitory, Broadmoor Criminal Lunatic Asylum, London, 1860s. Hand-colored woodcut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-patient-playing-the-violin-in-the-male-dormitory-broadmoor-criminal-59249020.html
RMDCB0MC–Patient playing the violin in the male dormitory, Broadmoor Criminal Lunatic Asylum, London, 1860s. Hand-colored woodcut
Bottling and capsuling in Bovril Manufactory, London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bottling-and-capsuling-in-bovril-manufactory-london-image485663101.html
RM2K63T6N–Bottling and capsuling in Bovril Manufactory, London.
Military uniform of a Zouave, French Army, 1860s. In chechia cap, short jacket, baggy trousers or serouel, gaiters, armed with musket and bayonet. French regiment of Algerian, Berber and French troops. Lithograph from Thomas Hailes Lacy's Male Costumes, Historical, National and Dramatic in 200 Plates, London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/military-uniform-of-a-zouave-french-army-1860s-in-chechia-cap-short-jacket-baggy-trousers-or-serouel-gaiters-armed-with-musket-and-bayonet-french-regiment-of-algerian-berber-and-french-troops-lithograph-from-thomas-hailes-lacys-male-costumes-historical-national-and-dramatic-in-200-plates-london-1865-lacy-1809-1873-was-a-british-actor-playwright-theatrical-manager-and-publisher-image592730404.html
RM2WC95K0–Military uniform of a Zouave, French Army, 1860s. In chechia cap, short jacket, baggy trousers or serouel, gaiters, armed with musket and bayonet. French regiment of Algerian, Berber and French troops. Lithograph from Thomas Hailes Lacy's Male Costumes, Historical, National and Dramatic in 200 Plates, London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.
Underground railway construction in progress for the Metropolitan line, London, at Thames Embankment. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/underground-railway-construction-in-progress-for-the-metropolitan-line-london-at-thames-embankment-image341386672.html
RM2ARBE54–Underground railway construction in progress for the Metropolitan line, London, at Thames Embankment.
Still Life with Flowers and Fruit, by Henri Fantin-Latour, 1866, French impressionist oil painting. Fantin-Latour used a light gray background and luminous color in the realist still life commissioned by Michael Spartali of London (BSLOC 2017 3 148) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-still-life-with-flowers-and-fruit-by-henri-fantin-latour-1866-french-170543905.html
RMKWCXDN–Still Life with Flowers and Fruit, by Henri Fantin-Latour, 1866, French impressionist oil painting. Fantin-Latour used a light gray background and luminous color in the realist still life commissioned by Michael Spartali of London (BSLOC 2017 3 148)
View inside the Turkish Baths in Jermyn Street, London, showing the Meshlakh, or cooling room. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-inside-the-turkish-baths-in-jermyn-street-london-showing-the-meshlakh-or-cooling-room-image485681371.html
RM2K64KF7–View inside the Turkish Baths in Jermyn Street, London, showing the Meshlakh, or cooling room.
[ 1860s Japan - Port of Kobe ] — Engraving from the Illustrated London News showing the port of Hyogo, the future city of Kobe, in 1868. 19th century vintage newspaper engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1860s-japan-port-of-kobe-engraving-from-the-illustrated-london-news-showing-the-port-of-hyogo-the-future-city-of-kobe-in-1868-19th-century-vintage-newspaper-engraving-image356362426.html
RM2BKNKWE–[ 1860s Japan - Port of Kobe ] — Engraving from the Illustrated London News showing the port of Hyogo, the future city of Kobe, in 1868. 19th century vintage newspaper engraving.
Antique c1845 engraving, Port of London. The Port of London is that part of the River Thames in England lying between Teddington Lock and the defined boundary with the North Sea and including any associated docks. SOURCE: ORIGINAL ENGRAVING Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-c1845-engraving-port-of-london-the-port-of-london-is-that-part-of-the-river-thames-in-england-lying-between-teddington-lock-and-the-defined-boundary-with-the-north-sea-and-including-any-associated-docks-source-original-engraving-image385491801.html
RM2DB4JM9–Antique c1845 engraving, Port of London. The Port of London is that part of the River Thames in England lying between Teddington Lock and the defined boundary with the North Sea and including any associated docks. SOURCE: ORIGINAL ENGRAVING
An old engraving of the Post Office underground pneumatic tube railway under London, England, UK in the 1860s. It is from a book of the 1890s on discoveries and inventions during the 1800s. The London Pneumatic Despatch Company (also known as the London Pneumatic Dispatch Company) was formed in 1859, to design, build and operate an underground railway ‘tube’ using air pressure and vacuum to carry of mail, parcels and light freight. The system was used between 1863 and 1874 between Euston railway station and the North West District Post Office in Eversholt Street. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-old-engraving-of-the-post-office-underground-pneumatic-tube-railway-under-london-england-uk-in-the-1860s-it-is-from-a-book-of-the-1890s-on-discoveries-and-inventions-during-the-1800s-the-london-pneumatic-despatch-company-also-known-as-the-london-pneumatic-dispatch-company-was-formed-in-1859-to-design-build-and-operate-an-underground-railway-tube-using-air-pressure-and-vacuum-to-carry-of-mail-parcels-and-light-freight-the-system-was-used-between-1863-and-1874-between-euston-railway-station-and-the-north-west-district-post-office-in-eversholt-street-image454530957.html
RM2HBDJTD–An old engraving of the Post Office underground pneumatic tube railway under London, England, UK in the 1860s. It is from a book of the 1890s on discoveries and inventions during the 1800s. The London Pneumatic Despatch Company (also known as the London Pneumatic Dispatch Company) was formed in 1859, to design, build and operate an underground railway ‘tube’ using air pressure and vacuum to carry of mail, parcels and light freight. The system was used between 1863 and 1874 between Euston railway station and the North West District Post Office in Eversholt Street.
Daily Life - Kings Bench Prison - London.. Pubished 1st December 1808 at R. Ackerman's Repository of Arts, 101 Strand, London.. The King's Bench Prison was a prison situated in the Southwark area of London from medieval times, until its final closure in 1880. It took its name from the King's Bench court of law , where cases of defamation, bankruptcy and other misdemeanours were heard. The prison was often used as a debtor's prison until the practice was abolished in the 1860s. In 1842, it was renamed the Queen's Prison, and later became the Southwark Convict Prison.. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/daily-life-kings-bench-prison-london-pubished-1st-december-1808-at-r-ackermans-repository-of-arts-101-strand-london-the-kings-bench-prison-was-a-prison-situated-in-the-southwark-area-of-london-from-medieval-times-until-its-final-closure-in-1880-it-took-its-name-from-the-kings-bench-court-of-law-where-cases-of-defamation-bankruptcy-and-other-misdemeanours-were-heard-the-prison-was-often-used-as-a-debtors-prison-until-the-practice-was-abolished-in-the-1860s-in-1842-it-was-renamed-the-queens-prison-and-later-became-the-southwark-convict-prison-image268853013.html
RMWHB8N9–Daily Life - Kings Bench Prison - London.. Pubished 1st December 1808 at R. Ackerman's Repository of Arts, 101 Strand, London.. The King's Bench Prison was a prison situated in the Southwark area of London from medieval times, until its final closure in 1880. It took its name from the King's Bench court of law , where cases of defamation, bankruptcy and other misdemeanours were heard. The prison was often used as a debtor's prison until the practice was abolished in the 1860s. In 1842, it was renamed the Queen's Prison, and later became the Southwark Convict Prison..
George MacDonald (1824-1905), Scottish author, poet, and pastor, in an 1860s portrait by London photographer William Jeffrey. MacDonald inspired many writers including J.R.R. Tolkien, C.S. Lewis, G.K. Chesterton, and W.H. Auden. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-macdonald-1824-1905-scottish-author-poet-and-pastor-in-an-1860s-portrait-by-london-photographer-william-jeffrey-macdonald-inspired-many-writers-including-jrr-tolkien-cs-lewis-gk-chesterton-and-wh-auden-image537792841.html
RM2P6XG75–George MacDonald (1824-1905), Scottish author, poet, and pastor, in an 1860s portrait by London photographer William Jeffrey. MacDonald inspired many writers including J.R.R. Tolkien, C.S. Lewis, G.K. Chesterton, and W.H. Auden.
A view of Belgrave Square, London, 1864. By Richard Doyle (1824-1883). Taken from Doyle's 'Bird's-eye Views of Society'. Doyle’s Bird’s-Eye Views of Society appeared in serial form in The Cornhill Magazine between April 1861 and October 1862. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-of-belgrave-square-london-1864-by-richard-doyle1824-1883-taken-from-doyles-birds-eye-views-of-society-doyles-birds-eye-views-of-society-appeared-in-serial-form-in-the-cornhill-magazine-between-april-1861-and-october-1862-image490597959.html
RM2KE4JKK–A view of Belgrave Square, London, 1864. By Richard Doyle (1824-1883). Taken from Doyle's 'Bird's-eye Views of Society'. Doyle’s Bird’s-Eye Views of Society appeared in serial form in The Cornhill Magazine between April 1861 and October 1862.
Hard Frost in the Streets of London 1865 engraving of a Victorian Winter scene in a very cold January Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hard-frost-in-the-streets-of-london-1865-engraving-of-a-victorian-22661642.html
RMB8T94A–Hard Frost in the Streets of London 1865 engraving of a Victorian Winter scene in a very cold January
The Hardy Tree, St Pancras Old Church, London Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-hardy-tree-st-pancras-old-church-london-115204361.html
RMGKC09D–The Hardy Tree, St Pancras Old Church, London
Moses Montefiore (1784-1885) Italian-born English philanthropist and campaigner for Jewish rights. Here in 1860's with girls of the Isle of Thanet Orphanage, Kent, watched by Mrs Tait, wife of the Archbishop of Canterbury. From 'The Quiver' (London, 1883) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-moses-montefiore-1784-1885-italian-born-english-philanthropist-and-57288784.html
RMD95MC0–Moses Montefiore (1784-1885) Italian-born English philanthropist and campaigner for Jewish rights. Here in 1860's with girls of the Isle of Thanet Orphanage, Kent, watched by Mrs Tait, wife of the Archbishop of Canterbury. From 'The Quiver' (London, 1883)
Mersey Ironworks: Armour-plate Mill., P. Barry (British, active 1860s), London, England, 1863, Albumen silver print, 15.6 × 20.1 cm (6 1/8 × 7 15/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mersey-ironworks-armour-plate-mill-p-barry-british-active-1860s-london-england-1863-albumen-silver-print-156-201-cm-6-18-7-1516-in-image261299659.html
RMW536AK–Mersey Ironworks: Armour-plate Mill., P. Barry (British, active 1860s), London, England, 1863, Albumen silver print, 15.6 × 20.1 cm (6 1/8 × 7 15/16 in
Original Victorian CDV Carte de Visite ( visiting card or CDV) of fine elegant, beautiful lady in gorgeous dress with a train in two pieces - a skirt and a paletot (or jacket. Her hair is dressed in a chignon bun and small hat with feathers. From the studio of William Bartholomew, Egham, Surrey, U.K. circa 1868, 1869. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/original-victorian-cdv-carte-de-visite-visiting-card-or-cdv-of-fine-elegant-beautiful-lady-in-gorgeous-dress-with-a-train-in-two-pieces-a-skirt-and-a-paletot-or-jacket-her-hair-is-dressed-in-a-chignon-bun-and-small-hat-with-feathers-from-the-studio-of-william-bartholomew-egham-surrey-uk-circa-1868-1869-image596375437.html
RM2WJ76XN–Original Victorian CDV Carte de Visite ( visiting card or CDV) of fine elegant, beautiful lady in gorgeous dress with a train in two pieces - a skirt and a paletot (or jacket. Her hair is dressed in a chignon bun and small hat with feathers. From the studio of William Bartholomew, Egham, Surrey, U.K. circa 1868, 1869.
Antique c1860 engraving, “May Meeting” in Exeter Hall. Exeter Hall was a hall on the north side of the Strand, London, England. SOURCE: ORIGINAL ENGRAVING Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-c1860-engraving-may-meeting-in-exeter-hall-exeter-hall-was-a-hall-on-the-north-side-of-the-strand-london-england-source-original-engraving-image395490296.html
RM2DYC3WC–Antique c1860 engraving, “May Meeting” in Exeter Hall. Exeter Hall was a hall on the north side of the Strand, London, England. SOURCE: ORIGINAL ENGRAVING
Private schools advertising for students in of The Times newspaper London on Thursday March 24th 1864. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/private-schools-advertising-for-students-in-of-the-times-newspaper-london-on-thursday-march-24th-1864-image411747290.html
RM2EWTKTA–Private schools advertising for students in of The Times newspaper London on Thursday March 24th 1864.
Antique c1850 engraving, scenery in Richmond Park. Richmond Park, in the London Borough of Richmond upon Thames, was created by Charles I in the 17th century as a deer park. SOURCE: ORIGINAL ENGRAVING Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-c1850-engraving-scenery-in-richmond-park-richmond-park-in-the-london-borough-of-richmond-upon-thames-was-created-by-charles-i-in-the-17th-century-as-a-deer-park-source-original-engraving-image385198149.html
RM2DAK84N–Antique c1850 engraving, scenery in Richmond Park. Richmond Park, in the London Borough of Richmond upon Thames, was created by Charles I in the 17th century as a deer park. SOURCE: ORIGINAL ENGRAVING
Poor children given food at Royal Victoria Yard, Deptford London. The distress among the poor people of East London continues aggravated by the cold weather and increased unemployment. More than 5000 poor children have been given free dinners with collected funds from those still in work at the yard. - 9 March 1867 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/poor-children-given-food-at-royal-victoria-yard-deptford-london-the-distress-among-the-poor-people-of-east-london-continues-aggravated-by-the-cold-weather-and-increased-unemployment-more-than-5000-poor-children-have-been-given-free-dinners-with-collected-funds-from-those-still-in-work-at-the-yard-9-march-1867-image355278243.html
RM2BJ090K–Poor children given food at Royal Victoria Yard, Deptford London. The distress among the poor people of East London continues aggravated by the cold weather and increased unemployment. More than 5000 poor children have been given free dinners with collected funds from those still in work at the yard. - 9 March 1867
Antique c1860 engraving, The Nave of the Great Exhibition, looking west. The Crystal Palace was a cast-iron and plate-glass structure built in Hyde Park, London, to house the Great Exhibition of 1851. SOURCE: ORIGINAL STEEL ENGRAVING. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-c1860-engraving-the-nave-of-the-great-exhibition-looking-west-image156682769.html
RMK2WED5–Antique c1860 engraving, The Nave of the Great Exhibition, looking west. The Crystal Palace was a cast-iron and plate-glass structure built in Hyde Park, London, to house the Great Exhibition of 1851. SOURCE: ORIGINAL STEEL ENGRAVING.
Alexander Crum Ewing Head of the Collectors Department at Bonhams auctioneers in London examines an English Card in the form of a small box from the 1860s estimated value ¿80-¿100 which will be included in the sale of valentine cards on 5 February Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-crum-ewing-head-of-the-collectors-department-at-bonhams-auctioneers-in-london-examines-an-english-card-in-the-form-of-a-small-box-from-the-1860s-estimated-value-80-100-which-will-be-included-in-the-sale-of-valentine-cards-on-5-february-image417006778.html
RM2F6C8B6–Alexander Crum Ewing Head of the Collectors Department at Bonhams auctioneers in London examines an English Card in the form of a small box from the 1860s estimated value ¿80-¿100 which will be included in the sale of valentine cards on 5 February
A soup kitchen serving food to the poor in Spitalfields, London, England in the 1860's. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-soup-kitchen-serving-food-to-the-poor-in-spitalfields-london-england-38107478.html
RMC5YXDA–A soup kitchen serving food to the poor in Spitalfields, London, England in the 1860's.
Interior view of the Turkish Baths in Jermyn Street, London, showing the Hararah, or hot chamber. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/interior-view-of-the-turkish-baths-in-jermyn-street-london-showing-the-hararah-or-hot-chamber-image485681390.html
RM2K64KFX–Interior view of the Turkish Baths in Jermyn Street, London, showing the Hararah, or hot chamber.
[ 1860s Japan - Port of Kobe ] — Engraving from the Illustrated London News showing the port of Hyogo, the future city of Kobe, in 1868. 19th century vintage newspaper engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1860s-japan-port-of-kobe-engraving-from-the-illustrated-london-news-showing-the-port-of-hyogo-the-future-city-of-kobe-in-1868-19th-century-vintage-newspaper-engraving-image356362480.html
RM2BKNKYC–[ 1860s Japan - Port of Kobe ] — Engraving from the Illustrated London News showing the port of Hyogo, the future city of Kobe, in 1868. 19th century vintage newspaper engraving.
Banquet in Farringdon Street Station at the opening of the Metropolitan underground, London, on 9 January 1863. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/banquet-in-farringdon-street-station-at-the-opening-of-the-metropolitan-underground-london-on-9-january-1863-image560770285.html
RM2RG9865–Banquet in Farringdon Street Station at the opening of the Metropolitan underground, London, on 9 January 1863.
[ 1860s Japan - Battle of Shimonoseki ] — Engraving from the Illustrated London News showing the second Battle of Shimonoseki (September 5–6, 1864). Original caption: “The War in Japan: The Naval brigade and marines storming the stockade at Simonosaki, September 6th.” 19th century vintage newspaper engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1860s-japan-battle-of-shimonoseki-engraving-from-the-illustrated-london-news-showing-the-second-battle-of-shimonoseki-september-56-1864-original-caption-the-war-in-japan-the-naval-brigade-and-marines-storming-the-stockade-at-simonosaki-september-6th-19th-century-vintage-newspaper-engraving-image356362282.html
RM2BKNKMA–[ 1860s Japan - Battle of Shimonoseki ] — Engraving from the Illustrated London News showing the second Battle of Shimonoseki (September 5–6, 1864). Original caption: “The War in Japan: The Naval brigade and marines storming the stockade at Simonosaki, September 6th.” 19th century vintage newspaper engraving.
Construction work in progress on the world's first underground railway near King's Cross, Central London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/construction-work-in-progress-on-the-worlds-first-underground-railway-near-kings-cross-central-london-image485681294.html
RM2K64KCE–Construction work in progress on the world's first underground railway near King's Cross, Central London.
George MacDonald (1824-1905), Scottish author, poet, and pastor, in an 1860s portrait by London photographer William Jeffrey. MacDonald inspired many writers including J.R.R. Tolkien, C.S. Lewis, G.K. Chesterton, and W.H. Auden. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/george-macdonald-1824-1905-scottish-author-poet-and-pastor-in-an-1860s-portrait-by-london-photographer-william-jeffrey-macdonald-inspired-many-writers-including-jrr-tolkien-cs-lewis-gk-chesterton-and-wh-auden-image537792740.html
RM2P6XG3G–George MacDonald (1824-1905), Scottish author, poet, and pastor, in an 1860s portrait by London photographer William Jeffrey. MacDonald inspired many writers including J.R.R. Tolkien, C.S. Lewis, G.K. Chesterton, and W.H. Auden.
Underground railway construction, earth-hoisting machine, drawn by horses, operating in Euston Road, London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/underground-railway-construction-earth-hoisting-machine-drawn-by-horses-operating-in-euston-road-london-image560770233.html
RM2RG9849–Underground railway construction, earth-hoisting machine, drawn by horses, operating in Euston Road, London.
Sir Richard Owen KCB FRMS FRS (1804-1892) in an 1860s portrait. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-sir-richard-owen-kcb-frms-frs-1804-1892-in-an-1860s-portrait-169935182.html
RMKTD61J–Sir Richard Owen KCB FRMS FRS (1804-1892) in an 1860s portrait.
Construction work in progress on the world's first underground railway near King's Cross, Central London. Date: 1861 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-construction-work-in-progress-on-the-worlds-first-underground-railway-105252741.html
RMG36JXD–Construction work in progress on the world's first underground railway near King's Cross, Central London. Date: 1861
A Thaw in the Streets of London 1865 engraving of Cheapside in Victorian London in a February scene Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-thaw-in-the-streets-of-london-1865-engraving-of-cheapside-in-victorian-22661657.html
RMB8T94W–A Thaw in the Streets of London 1865 engraving of Cheapside in Victorian London in a February scene
Mersey Ironworks, Liverpool: Exterior View, P. Barry (British, active 1860s), London, England, 1863, Albumen silver print, 10.3 × 16.8 cm (4 1/16 × 6 5/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mersey-ironworks-liverpool-exterior-view-p-barry-british-active-1860s-london-england-1863-albumen-silver-print-103-168-cm-4-116-6-58-in-image261299664.html
RMW536AT–Mersey Ironworks, Liverpool: Exterior View, P. Barry (British, active 1860s), London, England, 1863, Albumen silver print, 10.3 × 16.8 cm (4 1/16 × 6 5/8 in
View of the interior of the new military chapel in Woolwich, London. Sadly the church was hit by a V-1 flying bomb in 1944 and largely destroyed by fire. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-interior-of-the-new-military-chapel-in-woolwich-london-sadly-the-church-was-hit-by-a-v-1-flying-bomb-in-1944-and-largely-destroyed-by-fire-image485662998.html
RM2K63T32–View of the interior of the new military chapel in Woolwich, London. Sadly the church was hit by a V-1 flying bomb in 1944 and largely destroyed by fire.
(William) Wilkie Collins (1824-1889), English novelist. Author of sensation novels of mystery and suspense including 'The Woman in White' (1860) and 'The Moonstone' (1868). From 'Men of Mark' by Thompson Cooper (London, c1880). Woodbury type after photograph by Lock & Whitfield (active 1860s-1880s), English photographers. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-wilkie-collins-1824-1889-english-novelist-author-of-sensation-57286905.html
RMD95J0W–(William) Wilkie Collins (1824-1889), English novelist. Author of sensation novels of mystery and suspense including 'The Woman in White' (1860) and 'The Moonstone' (1868). From 'Men of Mark' by Thompson Cooper (London, c1880). Woodbury type after photograph by Lock & Whitfield (active 1860s-1880s), English photographers.
Adverts for the private sale of horses in The Times newspaper London on Thursday March 24th 1864. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adverts-for-the-private-sale-of-horses-in-the-times-newspaper-london-on-thursday-march-24th-1864-image411747314.html
RM2EWTKW6–Adverts for the private sale of horses in The Times newspaper London on Thursday March 24th 1864.
Art inspired by Pensarn Beach, 1860s, Albumen silver print, Image: 12.6 × 19.9 cm (4 15/16 × 7 13/16 in.), Photographs, Francis Bedford (British, London 1816–1894 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-pensarn-beach-1860s-albumen-silver-print-image-126-199-cm-4-1516-7-1316-in-photographs-francis-bedford-british-london-18161894-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462793013.html
RF2HTX15W–Art inspired by Pensarn Beach, 1860s, Albumen silver print, Image: 12.6 × 19.9 cm (4 15/16 × 7 13/16 in.), Photographs, Francis Bedford (British, London 1816–1894 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
[Carriage on Street in Residential Neighborhood, London]. Artist: Unknown (British). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carriage-on-street-in-residential-neighborhood-london-artist-unknown-british-date-1860s-museum-metropolitan-museum-of-art-new-york-usa-image213108617.html
RMPAKX61–[Carriage on Street in Residential Neighborhood, London]. Artist: Unknown (British). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA.
Antique c1860 engraving, General Post Office in London, England. The General Post Office in St. Martin's Le Grand (later known as GPO East) was the main post office for London between 1829 and 1910. SOURCE: ORIGINAL ENGRAVING Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-c1860-engraving-general-post-office-in-london-england-the-general-post-office-in-st-martins-le-grand-later-known-as-gpo-east-was-the-main-post-office-for-london-between-1829-and-1910-source-original-engraving-image385515102.html
RM2DB5MCE–Antique c1860 engraving, General Post Office in London, England. The General Post Office in St. Martin's Le Grand (later known as GPO East) was the main post office for London between 1829 and 1910. SOURCE: ORIGINAL ENGRAVING
Cannon Street station, showing original Wren style towers constructed in the 1860s, with a view of the modern City of London behind it. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cannon-street-station-showing-original-wren-style-towers-constructed-in-the-1860s-with-a-view-of-the-modern-city-of-london-behind-it-image368449641.html
RF2CBC97N–Cannon Street station, showing original Wren style towers constructed in the 1860s, with a view of the modern City of London behind it.
Antique c1851 steel engraving of The Crystal Palace for the Grand International Exhibition of 1851 in Hyde Park, London. The Crystal Palace was a cast-iron and plate-glass building originally erected in Hyde Park, London, England, to house the Great Exhibition of 1851. More than 14,000 exhibitors from around the world gathered in the Palace's 990,000 square feet (92,000 m2) of exhibition space to display examples of the latest technology developed in the Industrial Revolution. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-antique-c1851-steel-engraving-of-the-crystal-palace-for-the-grand-82937573.html
RMEPX3M5–Antique c1851 steel engraving of The Crystal Palace for the Grand International Exhibition of 1851 in Hyde Park, London. The Crystal Palace was a cast-iron and plate-glass building originally erected in Hyde Park, London, England, to house the Great Exhibition of 1851. More than 14,000 exhibitors from around the world gathered in the Palace's 990,000 square feet (92,000 m2) of exhibition space to display examples of the latest technology developed in the Industrial Revolution.
N/A. English: Photograph of the Alms Houses at Lonar, Buldana District, Maharashtra from the Allardyce Collection: Album of views and portraits in Berar and Hyderabad, taken by Robert Gill in the 1860s. 1860s. Robert Gill (1804–1875) Alternative names Robert, Captain Gill; Robert, Major Gill Description British photographer, drawer, military personnel and antiquarian British antiquarian, painter and photographer Date of birth/death 26 September 1804 10 April 1875 Location of birth/death London Borough of Hackney Bhusawal Authority control : Q7344773 VIAF:282828403 ISNI:0000 0001 06 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-photograph-of-the-alms-houses-at-lonar-buldana-district-maharashtra-from-the-allardyce-collection-album-of-views-and-portraits-in-berar-and-hyderabad-taken-by-robert-gill-in-the-1860s-1860s-robert-gill-18041875-alternative-names-robert-captain-gill-robert-major-gill-description-british-photographer-drawer-military-personnel-and-antiquarian-british-antiquarian-painter-and-photographer-date-of-birthdeath-26-september-1804-10-april-1875-location-of-birthdeath-london-borough-of-hackney-bhusawal-authority-control-q7344773-viaf282828403-isni0000-0001-06-image210027978.html
RMP5KGR6–N/A. English: Photograph of the Alms Houses at Lonar, Buldana District, Maharashtra from the Allardyce Collection: Album of views and portraits in Berar and Hyderabad, taken by Robert Gill in the 1860s. 1860s. Robert Gill (1804–1875) Alternative names Robert, Captain Gill; Robert, Major Gill Description British photographer, drawer, military personnel and antiquarian British antiquarian, painter and photographer Date of birth/death 26 September 1804 10 April 1875 Location of birth/death London Borough of Hackney Bhusawal Authority control : Q7344773 VIAF:282828403 ISNI:0000 0001 06
Antique c1860 carte de visite, Therese Tietjens. Thérèse Johanne Alexandra Tietjens (1831-1877) was a German-born leading opera and oratorio soprano. She made her career chiefly in London during the 1860s and 1870s. SOURCE: ORIGINAL CDV Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-antique-c1860-carte-de-visite-therese-tietjens-thrse-johanne-alexandra-177612660.html
RMM8XXN8–Antique c1860 carte de visite, Therese Tietjens. Thérèse Johanne Alexandra Tietjens (1831-1877) was a German-born leading opera and oratorio soprano. She made her career chiefly in London during the 1860s and 1870s. SOURCE: ORIGINAL CDV
Crystal Palace Sydenham From the book ' London and its environs : a practical guide to the metropolis and its vicinity, illustrated by maps, plans and views ' by Adam and Charles Black Published in Edinburgh by A. & C. Black 1862 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crystal-palace-sydenham-from-the-book-london-and-its-environs-a-practical-guide-to-the-metropolis-and-its-vicinity-illustrated-by-maps-plans-and-views-by-adam-and-charles-black-published-in-edinburgh-by-a-c-black-1862-image437231916.html
RM2GB9HNG–Crystal Palace Sydenham From the book ' London and its environs : a practical guide to the metropolis and its vicinity, illustrated by maps, plans and views ' by Adam and Charles Black Published in Edinburgh by A. & C. Black 1862
[ 1860s Japan - Battle of Shimonoseki ] — Engraving from the Illustrated London News showing the second Battle of Shimonoseki (September 5–6, 1864). Original caption: 'Action of Sept. 5, in the strait of Simonosaki. The red batterry opening fire on the corvettes, Sept. 6.' 19th century vintage newspaper engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1860s-japan-battle-of-shimonoseki-engraving-from-the-illustrated-london-news-showing-the-second-battle-of-shimonoseki-september-56-1864-original-caption-action-of-sept-5-in-the-strait-of-simonosaki-the-red-batterry-opening-fire-on-the-corvettes-sept-6-19th-century-vintage-newspaper-engraving-image356362832.html
RM2BKNMC0–[ 1860s Japan - Battle of Shimonoseki ] — Engraving from the Illustrated London News showing the second Battle of Shimonoseki (September 5–6, 1864). Original caption: 'Action of Sept. 5, in the strait of Simonosaki. The red batterry opening fire on the corvettes, Sept. 6.' 19th century vintage newspaper engraving.
A Victorian (1863) wash drawing showing Mr G Morris, one time bellringer at St James Church, Clerkenwell, London who played all bells solely with his hands and feet in the 1860's. George Morris, was a celebrated bell ringer, playing on eight bells at once on his own ,using the first on his right thumb, the second on his left thumb, 3rd on his left elbow, 4th with left hand, 5th with left foot, 6th with right hand, 7th with his right elbow, and 8th with his right foot. He later became steeple keeper of St Martin-in-the-Fields. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-victorian-1863-wash-drawing-showing-mr-g-morris-one-time-bellringer-at-st-james-church-clerkenwell-london-who-played-all-bells-solely-with-his-hands-and-feet-in-the-1860s-george-morris-was-a-celebrated-bell-ringer-playing-on-eight-bells-at-once-on-his-own-using-the-first-on-his-right-thumb-the-second-on-his-left-thumb-3rd-on-his-left-elbow-4th-with-left-hand-5th-with-left-foot-6th-with-right-hand-7th-with-his-right-elbow-and-8th-with-his-right-foot-he-later-became-steeple-keeper-of-st-martin-in-the-fields-image355814102.html
RM2BJTMEE–A Victorian (1863) wash drawing showing Mr G Morris, one time bellringer at St James Church, Clerkenwell, London who played all bells solely with his hands and feet in the 1860's. George Morris, was a celebrated bell ringer, playing on eight bells at once on his own ,using the first on his right thumb, the second on his left thumb, 3rd on his left elbow, 4th with left hand, 5th with left foot, 6th with right hand, 7th with his right elbow, and 8th with his right foot. He later became steeple keeper of St Martin-in-the-Fields.
[ 1860s Japan - Japanese Execution ] — Engraving from the Illustrated London News showing the execution of Seiji Shimizu on December 28, 1864. Original caption: 'Execution of the Murderers of the British officers in Japan.' Shimizu was the leader of the samurai who had cut down the British officers Major George Walter Baldwin and Lieutenant Robert Nichols Bird on November 22, 1864 Baldwin and Bird near Wakamiya Oji, Kamakura, Kanagawa Prefecture. 19th century vintage newspaper engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1860s-japan-japanese-execution-engraving-from-the-illustrated-london-news-showing-the-execution-of-seiji-shimizu-on-december-28-1864-original-caption-execution-of-the-murderers-of-the-british-officers-in-japan-shimizu-was-the-leader-of-the-samurai-who-had-cut-down-the-british-officers-major-george-walter-baldwin-and-lieutenant-robert-nichols-bird-on-november-22-1864-baldwin-and-bird-near-wakamiya-oji-kamakura-kanagawa-prefecture-19th-century-vintage-newspaper-engraving-image356362730.html
RM2BKNM8A–[ 1860s Japan - Japanese Execution ] — Engraving from the Illustrated London News showing the execution of Seiji Shimizu on December 28, 1864. Original caption: 'Execution of the Murderers of the British officers in Japan.' Shimizu was the leader of the samurai who had cut down the British officers Major George Walter Baldwin and Lieutenant Robert Nichols Bird on November 22, 1864 Baldwin and Bird near Wakamiya Oji, Kamakura, Kanagawa Prefecture. 19th century vintage newspaper engraving.
Entrance to the cylinder residential building Gasholders in Kings Cross, London, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/entrance-to-the-cylinder-residential-building-gasholders-in-kings-cross-london-uk-image359305541.html
RM2BTFNTN–Entrance to the cylinder residential building Gasholders in Kings Cross, London, UK
Sir Richard Owen KCB FRMS FRS (1804-1892) in an 1860s portrait. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-sir-richard-owen-kcb-frms-frs-1804-1892-in-an-1860s-portrait-169935181.html
RMKTD61H–Sir Richard Owen KCB FRMS FRS (1804-1892) in an 1860s portrait.