London line drawing, Jalesveva Jayamahe, p211 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-london-line-drawing-jalesveva-jayamahe-p211-163992869.html
RMKEPEG5–London line drawing, Jalesveva Jayamahe, p211
London Line drawing London illustration in line style on white background Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-line-drawing-london-illustration-in-line-style-on-white-background-image388448612.html
RF2DFYA4M–London Line drawing London illustration in line style on white background
London Visions - Drawing of London from 1920's. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-visions-drawing-of-london-from-1920s-83349510.html
RMERGW46–London Visions - Drawing of London from 1920's.
François Lelio Brancaccio, Anthonis van Dyck (Antwerp 1599 - 1641 London-Blackfriars), drawing, black chalk, accentuated with brush in gray; below a horizontal line in pen and brown by a later hand. Heavy soiling (traces of glue) on the lateral edges; brown soiled small tears on the lower edge and on the left. edge below; two arched cracks with raised light edges left. in the middle and right. next to the head., 23.6 x 18.6 cm, l.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/franois-lelio-brancaccio-anthonis-van-dyck-antwerp-1599-1641-london-blackfriars-drawing-black-chalk-accentuated-with-brush-in-gray-below-a-horizontal-line-in-pen-and-brown-by-a-later-hand-heavy-soiling-traces-of-glue-on-the-lateral-edges-brown-soiled-small-tears-on-the-lower-edge-and-on-the-left-edge-below-two-arched-cracks-with-raised-light-edges-left-in-the-middle-and-right-next-to-the-head-236-x-186-cm-ll-duke-albert-of-saxe-teschen-image573324597.html
RM2T8N5AD–François Lelio Brancaccio, Anthonis van Dyck (Antwerp 1599 - 1641 London-Blackfriars), drawing, black chalk, accentuated with brush in gray; below a horizontal line in pen and brown by a later hand. Heavy soiling (traces of glue) on the lateral edges; brown soiled small tears on the lower edge and on the left. edge below; two arched cracks with raised light edges left. in the middle and right. next to the head., 23.6 x 18.6 cm, l.l. Duke Albert of Saxe-Teschen
Church of St Mary Le Strand, London, in 1880s, line illustration by etcher, illustrator and painter Hanslip Fletcher, from 1895 The Studio an Illustr Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-church-of-st-mary-le-strand-london-in-1880s-line-illustration-by-etcher-174459411.html
RFM3R8N7–Church of St Mary Le Strand, London, in 1880s, line illustration by etcher, illustrator and painter Hanslip Fletcher, from 1895 The Studio an Illustr
London Cityscape Vector Sign. Line Art Illustration with Ribbon and Title. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-cityscape-vector-sign-line-art-illustration-with-ribbon-and-title-image346542135.html
RF2B3PA0R–London Cityscape Vector Sign. Line Art Illustration with Ribbon and Title.
The St Martin's Lane Academy, a precursor of the Royal Academy, was organised in 1735 by William Hogarth, from the circle of artists and designers who gathered at Slaughter's Coffee House at the upper end of St Martin's Lane, London. The artistic set that introduced the Rococo style to England was centred on 'Old Slaughter's' and the drawing-classes at the St. Martin's Lane Academy were inextricably linked in the dissemination of new artistic ideas in England during the reigns of George II and George III. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-st-martins-lane-academy-a-precursor-of-the-royal-academy-was-organised-in-1735-by-william-hogarth-from-the-circle-of-artists-and-designers-who-gathered-at-slaughters-coffee-house-at-the-upper-end-of-st-martins-lane-london-the-artistic-set-that-introduced-the-rococo-style-to-england-was-centred-on-old-slaughters-and-the-drawing-classes-at-the-st-martins-lane-academy-were-inextricably-linked-in-the-dissemination-of-new-artistic-ideas-in-england-during-the-reigns-of-george-ii-and-george-iii-image234952631.html
RMRJ70DB–The St Martin's Lane Academy, a precursor of the Royal Academy, was organised in 1735 by William Hogarth, from the circle of artists and designers who gathered at Slaughter's Coffee House at the upper end of St Martin's Lane, London. The artistic set that introduced the Rococo style to England was centred on 'Old Slaughter's' and the drawing-classes at the St. Martin's Lane Academy were inextricably linked in the dissemination of new artistic ideas in England during the reigns of George II and George III.
London cityscape line drawing vector. city scape sketch. sketch style landmark illustration. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-cityscape-line-drawing-vector-city-scape-sketch-sketch-style-landmark-illustration-image607758902.html
RF2X8NPK2–London cityscape line drawing vector. city scape sketch. sketch style landmark illustration.
A Punch Magazine Subscription Advert, 3 December 1924. Photograph from a line drawing originally printed in the Punch and London Charivari periodical in 1924. This is a good example of the skilful artists and the humour and satire of the time. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-punch-magazine-subscription-advert-3-december-1924-photograph-from-a-line-drawing-originally-printed-in-the-punch-and-london-charivari-periodical-in-1924-this-is-a-good-example-of-the-skilful-artists-and-the-humour-and-satire-of-the-time-image602514825.html
RM2X06WPH–A Punch Magazine Subscription Advert, 3 December 1924. Photograph from a line drawing originally printed in the Punch and London Charivari periodical in 1924. This is a good example of the skilful artists and the humour and satire of the time.
Pencil drawing of a lion from the Menagerie in the Tower of London Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pencil-drawing-of-a-lion-from-the-menagerie-in-the-tower-of-london-image588493619.html
RM2W5C5H7–Pencil drawing of a lion from the Menagerie in the Tower of London
Bloomsbury Street, Bloomsbury, London Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bloomsbury-street-bloomsbury-london-image598523436.html
RM2WNN2N0–Bloomsbury Street, Bloomsbury, London
Handel's Festival in the Crystal Palace, 1865. Messiah with lead singer Orchestra, choir and audience. Line drawing. Illustrated London News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-handels-festival-in-the-crystal-palace-1865-messiah-with-lead-singer-164127627.html
RMKF0JCY–Handel's Festival in the Crystal Palace, 1865. Messiah with lead singer Orchestra, choir and audience. Line drawing. Illustrated London News
London city skyline with famous buildings, tourism england landmarks outline vector illustration. Line london panorama building, skyline architecture city of london Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-city-skyline-with-famous-buildings-tourism-england-landmarks-outline-vector-illustration-line-london-panorama-building-skyline-architecture-city-of-london-image344423074.html
RF2B09R42–London city skyline with famous buildings, tourism england landmarks outline vector illustration. Line london panorama building, skyline architecture city of london
An early line drawing showing the old London Bridge, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-early-line-drawing-showing-the-old-london-bridge-uk-image155335503.html
RMK0M40F–An early line drawing showing the old London Bridge, UK
Sudan: 'The Slave Market at Khartoum'. Drawing by Godefroy Durand (1832 - 27 September 1896), 16 January 1892. A drawing from 'The Graphic', London. The accompanying text states: 'The chief slave market consists of a large stone building with a verandah. The slaves are generally brought out onto the verandah, where a group of regulars sit smoking their nargilehs and drinking coffee. The slaves are mostly girls from ten to sixteen years of age.' Drawn by Durand from a sketch by Father Oberwalder who, with two nuns, recently escaped from the Mahdists. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sudan-the-slave-market-at-khartoum-drawing-by-godefroy-durand-1832-27-september-1896-16-january-1892-a-drawing-from-the-graphic-london-the-accompanying-text-states-the-chief-slave-market-consists-of-a-large-stone-building-with-a-verandah-the-slaves-are-generally-brought-out-onto-the-verandah-where-a-group-of-regulars-sit-smoking-their-nargilehs-and-drinking-coffee-the-slaves-are-mostly-girls-from-ten-to-sixteen-years-of-age-drawn-by-durand-from-a-sketch-by-father-oberwalder-who-with-two-nuns-recently-escaped-from-the-mahdists-image344238181.html
RM2B01B8N–Sudan: 'The Slave Market at Khartoum'. Drawing by Godefroy Durand (1832 - 27 September 1896), 16 January 1892. A drawing from 'The Graphic', London. The accompanying text states: 'The chief slave market consists of a large stone building with a verandah. The slaves are generally brought out onto the verandah, where a group of regulars sit smoking their nargilehs and drinking coffee. The slaves are mostly girls from ten to sixteen years of age.' Drawn by Durand from a sketch by Father Oberwalder who, with two nuns, recently escaped from the Mahdists.
digital drawing of London Bridge on river Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/digital-drawing-of-london-bridge-on-river-image187367812.html
RFMTR9FG–digital drawing of London Bridge on river
Westminster Abbey in London Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-westminster-abbey-in-london-81249324.html
RMEM569G–Westminster Abbey in London
line drawing of 15th century sleeves from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/line-drawing-of-15th-century-sleeves-from-the-book-english-costume-by-dion-clayton-calthrop-1878-1937-publication-date-1907-publisher-london-a-c-black-image508607904.html
RF2MFD2G0–line drawing of 15th century sleeves from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black
London River Thames schematic, communication plan, drawing, illustration with all bridges in color Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-river-thames-schematic-communication-plan-drawing-illustration-34350813.html
RFBYTPPN–London River Thames schematic, communication plan, drawing, illustration with all bridges in color
Single continuous line drawing of Sacramento city skyline US. Famous city skyscraper landscape. World travel postcard home decor wall art poster print Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/single-continuous-line-drawing-of-sacramento-city-skyline-us-famous-city-skyscraper-landscape-world-travel-postcard-home-decor-wall-art-poster-print-image479846210.html
RF2JTJTMJ–Single continuous line drawing of Sacramento city skyline US. Famous city skyscraper landscape. World travel postcard home decor wall art poster print
London Transport map graphic poster vector drawing and text: bus, tube, river , form of crossword interacted, white background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-transport-map-graphic-poster-vector-drawing-and-text-bus-tube-31660189.html
RMBRE6W1–London Transport map graphic poster vector drawing and text: bus, tube, river , form of crossword interacted, white background
Colonel Becley, Royalist? soldier in the era of King Charles I (English Civil War). Stipple engraved head on line engraved body. From a drawing by John Bullfinch in the Royal collection. Copperplate engraving from Samuel Woodburns Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martins Lane, London, 1816. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/colonel-becley-royalist-soldier-in-the-era-of-king-charles-i-english-civil-war-stipple-engraved-head-on-line-engraved-body-from-a-drawing-by-john-bullfinch-in-the-royal-collection-copperplate-engraving-from-samuel-woodburns-gallery-of-rare-portraits-consisting-of-original-plates-george-jones-102-st-martins-lane-london-1816-image571832093.html
RM2T695JN–Colonel Becley, Royalist? soldier in the era of King Charles I (English Civil War). Stipple engraved head on line engraved body. From a drawing by John Bullfinch in the Royal collection. Copperplate engraving from Samuel Woodburns Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martins Lane, London, 1816.
H.M.S. Agamemnon laying the Atlantic telegraph cable in 1858. A whale crosses the line., Warship HMS Agamemnon laying the transatlantic cable 1858, Signed: R. M. Bryson, lith., from a drawing by R. Dudley; Day & Son, Limited, Lith, Fig. 5, according to p. 30, Dudley, Robert (ill.); Bryson, R. M. (lith.); Day & Co (lith.), 1866, William Howard Russell; Robert Dudley: The atlantic telegraph. Dedicated by special permission to His Royal Highness Albert Edward Prince of Wales. London: Day and son Limited, [1866 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hms-agamemnon-laying-the-atlantic-telegraph-cable-in-1858-a-whale-crosses-the-line-warship-hms-agamemnon-laying-the-transatlantic-cable-1858-signed-r-m-bryson-lith-from-a-drawing-by-r-dudley-day-son-limited-lith-fig-5-according-to-p-30-dudley-robert-ill-bryson-r-m-lith-day-co-lith-1866-william-howard-russell-robert-dudley-the-atlantic-telegraph-dedicated-by-special-permission-to-his-royal-highness-albert-edward-prince-of-wales-london-day-and-son-limited-1866-image328760071.html
RM2A2T8R3–H.M.S. Agamemnon laying the Atlantic telegraph cable in 1858. A whale crosses the line., Warship HMS Agamemnon laying the transatlantic cable 1858, Signed: R. M. Bryson, lith., from a drawing by R. Dudley; Day & Son, Limited, Lith, Fig. 5, according to p. 30, Dudley, Robert (ill.); Bryson, R. M. (lith.); Day & Co (lith.), 1866, William Howard Russell; Robert Dudley: The atlantic telegraph. Dedicated by special permission to His Royal Highness Albert Edward Prince of Wales. London: Day and son Limited, [1866
London, Gresham’s College, Barnard’s Inn, The Hall, pen and ink drawing by Charles George Harper , line illustration reproduced by swelled gelatine pr Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-greshams-college-barnards-inn-the-hall-pen-and-ink-drawing-by-charles-george-harper-line-illustration-reproduced-by-swelled-gelatine-pr-image401697587.html
RF2E9EWAB–London, Gresham’s College, Barnard’s Inn, The Hall, pen and ink drawing by Charles George Harper , line illustration reproduced by swelled gelatine pr
London Hand-Drawn Urban Vector Sign. Black Line Art Illustration with Ribbon and Title. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-hand-drawn-urban-vector-sign-black-line-art-illustration-with-ribbon-and-title-image346567133.html
RF2B3RDWH–London Hand-Drawn Urban Vector Sign. Black Line Art Illustration with Ribbon and Title.
A riotous scene in the street beside Temple Bar, the western boundary of the City of London, with the mob hanging and burning representations of members of the Rump Parliament from a 1726 etching and engraving by William Hogarth Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-riotous-scene-in-the-street-beside-temple-bar-the-western-boundary-of-the-city-of-london-with-the-mob-hanging-and-burning-representations-of-members-of-the-rump-parliament-from-a-1726-etching-and-engraving-by-william-hogarth-image234415354.html
RMRHAF4X–A riotous scene in the street beside Temple Bar, the western boundary of the City of London, with the mob hanging and burning representations of members of the Rump Parliament from a 1726 etching and engraving by William Hogarth
London cityscape line drawing vector. city scape sketch. sketch style landmark illustration. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-cityscape-line-drawing-vector-city-scape-sketch-sketch-style-landmark-illustration-image607758922.html
RF2X8NPKP–London cityscape line drawing vector. city scape sketch. sketch style landmark illustration.
The Prodigal’s Return, unattributed, 1 October 1924, referring to the expected return to Government of Winston Churchill. Photograph from a line drawing originally printed in the Punch and London Charivari periodical in 1924. This is a good example of the skilful artists and the humour and satire of the time. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-prodigals-return-unattributed-1-october-1924-referring-to-the-expected-return-to-government-of-winston-churchill-photograph-from-a-line-drawing-originally-printed-in-the-punch-and-london-charivari-periodical-in-1924-this-is-a-good-example-of-the-skilful-artists-and-the-humour-and-satire-of-the-time-image602514989.html
RM2X06X0D–The Prodigal’s Return, unattributed, 1 October 1924, referring to the expected return to Government of Winston Churchill. Photograph from a line drawing originally printed in the Punch and London Charivari periodical in 1924. This is a good example of the skilful artists and the humour and satire of the time.
transport / transportation, public transport, underground, London, junction if two tubes, Leicester Square station, drawing, circa 1905, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-transport-transportation-public-transport-underground-london-junction-20726694.html
RMB5M532–transport / transportation, public transport, underground, London, junction if two tubes, Leicester Square station, drawing, circa 1905,
London One line drawing London illustration in line style on white background Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-one-line-drawing-london-illustration-in-line-style-on-white-background-image387502648.html
RF2DEC7G8–London One line drawing London illustration in line style on white background
Handel's Festival in the Crystal Palace, 1865. Messiah with lead singer Orchestra, choir and audience. Line drawing. Illustrated London News. Colourised version. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-handels-festival-in-the-crystal-palace-1865-messiah-with-lead-singer-163612830.html
RMKE55RA–Handel's Festival in the Crystal Palace, 1865. Messiah with lead singer Orchestra, choir and audience. Line drawing. Illustrated London News. Colourised version.
AN ARTIST'S DRAWING OF THE WEDDING GOWN DESIGNED BY BRUCE ROBBINS TO BE WORN BY SERENA STANHOPE AT HER WEDDING TO VISCOUNT LINLEY. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-an-artists-drawing-of-the-wedding-gown-designed-by-bruce-robbins-to-110842613.html
RMGC98TN–AN ARTIST'S DRAWING OF THE WEDDING GOWN DESIGNED BY BRUCE ROBBINS TO BE WORN BY SERENA STANHOPE AT HER WEDDING TO VISCOUNT LINLEY.
Colonel Becley, Royalist? soldier in the era of King Charles I (English Civil War). Stipple engraved head on line engraved body. From a drawing by John Bullfinch in the Royal collection. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/colonel-becley-royalist-soldier-in-the-era-of-king-charles-i-english-civil-war-stipple-engraved-head-on-line-engraved-body-from-a-drawing-by-john-bullfinch-in-the-royal-collection-copperplate-engraving-from-samuel-woodburns-gallery-of-rare-portraits-consisting-of-original-plates-george-jones-102-st-martins-lane-london-1816-image475840160.html
RM2JJ4AYC–Colonel Becley, Royalist? soldier in the era of King Charles I (English Civil War). Stipple engraved head on line engraved body. From a drawing by John Bullfinch in the Royal collection. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816.
Stunned Local children stand by a police line the day after the IRA detonated a powerful truck bomb in South Quay, London Docklands on 9 Feb 1996, the killing two & causing £150 million worth of damage. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stunned-local-children-stand-by-a-police-line-the-day-after-the-ira-detonated-a-powerful-truck-bomb-in-south-quay-london-docklands-on-9-feb-1996-the-killing-two-causing-150-million-worth-of-damage-image350087800.html
RM2B9FTFM–Stunned Local children stand by a police line the day after the IRA detonated a powerful truck bomb in South Quay, London Docklands on 9 Feb 1996, the killing two & causing £150 million worth of damage.
Map of the Shore Line Rail Road route between New York and Boston, showing its rail road and steamboat connection with New York, New Haven, New London, Stonington, Providence, Newport, and Boston.1860 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/map-of-the-shore-line-rail-road-route-between-new-york-and-boston-image68576580.html
RMDYFX3G–Map of the Shore Line Rail Road route between New York and Boston, showing its rail road and steamboat connection with New York, New Haven, New London, Stonington, Providence, Newport, and Boston.1860
Arthur Conan Doyle, A Study in Scarlet, London; Artist: George Hutchinson 1886 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-arthur-conan-doyle-a-study-in-scarlet-london-artist-george-hutchinson-84970066.html
RMEX6M56–Arthur Conan Doyle, A Study in Scarlet, London; Artist: George Hutchinson 1886
line drawing of 15th century headdress from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/line-drawing-of-15th-century-headdress-from-the-book-english-costume-by-dion-clayton-calthrop-1878-1937-publication-date-1907-publisher-london-a-c-black-image508607912.html
RF2MFD2G8–line drawing of 15th century headdress from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black
Grunge building line of town. Hand drawn urban vector cityscape set on chalkboard illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grunge-building-line-of-town-hand-drawn-urban-vector-cityscape-set-on-chalkboard-illustration-image354459725.html
RF2BGK0YW–Grunge building line of town. Hand drawn urban vector cityscape set on chalkboard illustration
Child drawing of Dr. Who cycling up the Shard building and impressions after visiting in London England UK KATHY DEWITT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-child-drawing-of-dr-who-cycling-up-the-shard-building-and-impressions-55556927.html
RMD6ARBY–Child drawing of Dr. Who cycling up the Shard building and impressions after visiting in London England UK KATHY DEWITT
Image taken from page 40 of 'The London and Birmingham Railway, with the home and country scenes on each side of the line ... By T. Roscoe, ... assisted in the historical details by P. Lecount ... With a map, etc 0084 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-40-of-the-london-and-birmingham-railway-with-73516506.html
RME7GY1E–Image taken from page 40 of 'The London and Birmingham Railway, with the home and country scenes on each side of the line ... By T. Roscoe, ... assisted in the historical details by P. Lecount ... With a map, etc 0084
Ideal Pastoral Life. Artist: Edward Calvert (British, Appledore, Devon 1799-1833 Hackney (London)). Dimensions: image: 1 11/16 x 3 in. (4.3 x 7.6 cm) sheet: 2 11/16 x 5 1/4 in. (6.8 x 13.4 cm). Date: 1829. Calvert, the oldest member of the Ancients, was arguably its finest printmaker. His masterful control of line, strong articulation of light and shade, and bold sense of design lend his tiny lithographs surprising power, drawing the viewer into the intricate worlds that they describe. Calvert's approach to lithography was unusual and may have been inspired by Blake's method of relief etchin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ideal-pastoral-life-artist-edward-calvert-british-appledore-devon-1799-1833-hackney-london-dimensions-image-1-1116-x-3-in-43-x-76-cm-sheet-2-1116-x-5-14-in-68-x-134-cm-date-1829-calvert-the-oldest-member-of-the-ancients-was-arguably-its-finest-printmaker-his-masterful-control-of-line-strong-articulation-of-light-and-shade-and-bold-sense-of-design-lend-his-tiny-lithographs-surprising-power-drawing-the-viewer-into-the-intricate-worlds-that-they-describe-calverts-approach-to-lithography-was-unusual-and-may-have-been-inspired-by-blakes-method-of-relief-etchin-image213299232.html
RMPB0H9M–Ideal Pastoral Life. Artist: Edward Calvert (British, Appledore, Devon 1799-1833 Hackney (London)). Dimensions: image: 1 11/16 x 3 in. (4.3 x 7.6 cm) sheet: 2 11/16 x 5 1/4 in. (6.8 x 13.4 cm). Date: 1829. Calvert, the oldest member of the Ancients, was arguably its finest printmaker. His masterful control of line, strong articulation of light and shade, and bold sense of design lend his tiny lithographs surprising power, drawing the viewer into the intricate worlds that they describe. Calvert's approach to lithography was unusual and may have been inspired by Blake's method of relief etchin
Merchant Taylors' School and St. Paul's School, Print made by Benjamin Cole, 1697–1783, British, after unknown artist, 1756, Line engraving and etching on moderately thick, slightly textured, beige laid paper, Sheet: 15 9/16 x 9 5/8 inches (39.5 x 24.4 cm) and Image: 14 x 9 3/16 inches (35.5 x 23.3 cm), architectural subject, architecture, buildings, doors, elevation (drawing), facade, illustration, railings, schools, sculpture, site plan, statue, urns, vases, windows, Barnes, England, Greater London, Merchant Taylors' School, Northwood, St. Paul's School, London, United Kingdom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/merchant-taylors-school-and-st-pauls-school-print-made-by-benjamin-cole-16971783-british-after-unknown-artist-1756-line-engraving-and-etching-on-moderately-thick-slightly-textured-beige-laid-paper-sheet-15-916-x-9-58-inches-395-x-244-cm-and-image-14-x-9-316-inches-355-x-233-cm-architectural-subject-architecture-buildings-doors-elevation-drawing-facade-illustration-railings-schools-sculpture-site-plan-statue-urns-vases-windows-barnes-england-greater-london-merchant-taylors-school-northwood-st-pauls-school-london-united-kingdom-image389762177.html
RM2DJ35HN–Merchant Taylors' School and St. Paul's School, Print made by Benjamin Cole, 1697–1783, British, after unknown artist, 1756, Line engraving and etching on moderately thick, slightly textured, beige laid paper, Sheet: 15 9/16 x 9 5/8 inches (39.5 x 24.4 cm) and Image: 14 x 9 3/16 inches (35.5 x 23.3 cm), architectural subject, architecture, buildings, doors, elevation (drawing), facade, illustration, railings, schools, sculpture, site plan, statue, urns, vases, windows, Barnes, England, Greater London, Merchant Taylors' School, Northwood, St. Paul's School, London, United Kingdom
The Household of Sir Thomas More, line illustration by Herbert Tailton and John Jellicoe, from 1896 The Studio an Illustrated Magazine of Fine and App Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-household-of-sir-thomas-more-line-illustration-by-herbert-tailton-and-john-jellicoe-from-1896-the-studio-an-illustrated-magazine-of-fine-and-app-image385791416.html
RF2DBJ8TT–The Household of Sir Thomas More, line illustration by Herbert Tailton and John Jellicoe, from 1896 The Studio an Illustrated Magazine of Fine and App
London Cityscape Vector Sign. Line Art Illustration with Ribbon and Title. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-cityscape-vector-sign-line-art-illustration-with-ribbon-and-title-image346540074.html
RF2B3P7B6–London Cityscape Vector Sign. Line Art Illustration with Ribbon and Title.
St Martin-in-the-Fields is an English Anglican church at the north-east corner of Trafalgar Square in the City of Westminster, London. It is dedicated to Saint Martin of Tours. The present building was constructed in a Neoclassical design by James Gibbs in 1722–1726 following a 1710 survey that found that the walls and roof were in a state of decay. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/st-martin-in-the-fields-is-an-english-anglican-church-at-the-north-east-corner-of-trafalgar-square-in-the-city-of-westminster-london-it-is-dedicated-to-saint-martin-of-tours-the-present-building-was-constructed-in-a-neoclassical-design-by-james-gibbs-in-17221726-following-a-1710-survey-that-found-that-the-walls-and-roof-were-in-a-state-of-decay-image233487157.html
RMRFT771–St Martin-in-the-Fields is an English Anglican church at the north-east corner of Trafalgar Square in the City of Westminster, London. It is dedicated to Saint Martin of Tours. The present building was constructed in a Neoclassical design by James Gibbs in 1722–1726 following a 1710 survey that found that the walls and roof were in a state of decay.
London cityscape line drawing vector. city scape sketch. sketch style landmark illustration. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-cityscape-line-drawing-vector-city-scape-sketch-sketch-style-landmark-illustration-image607758927.html
RF2X8NPKY–London cityscape line drawing vector. city scape sketch. sketch style landmark illustration.
The Season’s Greetings, unattributed, 24 December 1924, showing the ghost of Charles Dickens with a Christmas robin. Photograph from a line drawing originally printed in the Punch and London Charivari periodical in 1924. This is a good example of the skilful artists and the humour and satire of the time. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-seasons-greetings-unattributed-24-december-1924-showing-the-ghost-of-charles-dickens-with-a-christmas-robin-photograph-from-a-line-drawing-originally-printed-in-the-punch-and-london-charivari-periodical-in-1924-this-is-a-good-example-of-the-skilful-artists-and-the-humour-and-satire-of-the-time-image602514905.html
RM2X06WWD–The Season’s Greetings, unattributed, 24 December 1924, showing the ghost of Charles Dickens with a Christmas robin. Photograph from a line drawing originally printed in the Punch and London Charivari periodical in 1924. This is a good example of the skilful artists and the humour and satire of the time.
Somerset House London from a line drawing by S.Wale 1776. Artist: Wale Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/somerset-house-london-from-a-line-drawing-by-swale-1776-artist-wale-image262777887.html
RMW7EFTF–Somerset House London from a line drawing by S.Wale 1776. Artist: Wale
Architectural drawing of London building facades (vector) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-architectural-drawing-of-london-building-facades-vector-34299671.html
RFBYPDG7–Architectural drawing of London building facades (vector)
Handel's Festival in the Crystal Palace, 1865. Messiah with lead singer Orchestra, choir and audience. Line drawing. Illustrated London News German-English composer, 23 February 1685 - 14 April 1759. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/handels-festival-in-the-crystal-palace-1865-messiah-with-lead-singer-image155402194.html
RMK0R52A–Handel's Festival in the Crystal Palace, 1865. Messiah with lead singer Orchestra, choir and audience. Line drawing. Illustrated London News German-English composer, 23 February 1685 - 14 April 1759.
london cityscape line vector. sketch style british landmark illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-cityscape-line-vector-sketch-style-british-landmark-illustration-image556447688.html
RF2R98AKM–london cityscape line vector. sketch style british landmark illustration
River Thames in London. Ink and watercolor on paper. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/river-thames-in-london-ink-and-watercolor-on-paper-image488583654.html
RF2KATWC6–River Thames in London. Ink and watercolor on paper.
British flag sketch black and white hatching. United Kingdom drawing. Vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/british-flag-sketch-black-and-white-hatching-united-kingdom-drawing-vector-illustration-image433320685.html
RF2G4YCXN–British flag sketch black and white hatching. United Kingdom drawing. Vector illustration
The Coral Necklace, 1871. Closely associated with the Pre-Raphaelite Brotherhood, Sandys was a friend of Dante Gabriel Rossetti and played an active role in the bohemian artistic, literary, and theatrical circles of the day in London. This is a portrait of Mary Emma Jones, the artist’s favorite model, mistress, and mother of his nine children. An extraordinarily skilled draftsman, here he worked in tone rather than line, delicately drawing in chalk on a rough textured sheet and leaving the low points of the paper untouched to produce a stippled, hazy effect. While Jones’s face is Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-coral-necklace-1871-closely-associated-with-the-pre-raphaelite-brotherhood-sandys-was-a-friend-of-dante-gabriel-rossetti-and-played-an-active-role-in-the-bohemian-artistic-literary-and-theatrical-circles-of-the-day-in-london-this-is-a-portrait-of-mary-emma-jones-the-artistx2019s-favorite-model-mistress-and-mother-of-his-nine-children-an-extraordinarily-skilled-draftsman-here-he-worked-in-tone-rather-than-line-delicately-drawing-in-chalk-on-a-rough-textured-sheet-and-leaving-the-low-points-of-the-paper-untouched-to-produce-a-stippled-hazy-effect-while-jonesx2019s-face-is-image330125622.html
RM2A52EGP–The Coral Necklace, 1871. Closely associated with the Pre-Raphaelite Brotherhood, Sandys was a friend of Dante Gabriel Rossetti and played an active role in the bohemian artistic, literary, and theatrical circles of the day in London. This is a portrait of Mary Emma Jones, the artist’s favorite model, mistress, and mother of his nine children. An extraordinarily skilled draftsman, here he worked in tone rather than line, delicately drawing in chalk on a rough textured sheet and leaving the low points of the paper untouched to produce a stippled, hazy effect. While Jones’s face is
Light London Scape Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-light-london-scape-94710057.html
RFFE2BJ1–Light London Scape
line drawing of 15th century coats and hats from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/line-drawing-of-15th-century-coats-and-hats-from-the-book-english-costume-by-dion-clayton-calthrop-1878-1937-publication-date-1907-publisher-london-a-c-black-image508607804.html
RF2MFD2CC–line drawing of 15th century coats and hats from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black
Victorian Britain. - - The London Coffee Stall. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/victorian-britain-the-london-coffee-stall-image355274895.html
RM2BJ04N3–Victorian Britain. - - The London Coffee Stall.
England vector logo design template. London or bridge icon. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-england-vector-logo-design-template-london-or-bridge-icon-79533944.html
RFEHB2A0–England vector logo design template. London or bridge icon.
Image taken from page 139 of 'The London and Birmingham Railway, with the home and country scenes on each side of the line ... By T. Roscoe, ... assisted in the historical details by P. Lecount ... With a map, et 0070 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-139-of-the-london-and-birmingham-railway-with-73514652.html
RME7GTK8–Image taken from page 139 of 'The London and Birmingham Railway, with the home and country scenes on each side of the line ... By T. Roscoe, ... assisted in the historical details by P. Lecount ... With a map, et 0070
The Story of Elizabeth (titlepage design). Artist: After Frederick Walker (British, London 1840-1875 Perthshire, Scotland). Dimensions: Image: 5 3/8 × 3 7/16 in. (13.7 × 8.8 cm) Sheet: 12 1/2 × 10 1/16 in. (31.8 × 25.5 cm). Date: ca. 1867. This photograph records Walker's drawing on a woodblock for the title-page of 'The Story of Elizabeth,' later engraved by Swain and published in 1867. A visible horizontal joint-line reflects the fact that wood engravings are printed from small pieces of boxwood, cut across the grain, then bolted together. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-story-of-elizabeth-titlepage-design-artist-after-frederick-walker-british-london-1840-1875-perthshire-scotland-dimensions-image-5-38-3-716-in-137-88-cm-sheet-12-12-10-116-in-318-255-cm-date-ca-1867-this-photograph-records-walkers-drawing-on-a-woodblock-for-the-title-page-of-the-story-of-elizabeth-later-engraved-by-swain-and-published-in-1867-a-visible-horizontal-joint-line-reflects-the-fact-that-wood-engravings-are-printed-from-small-pieces-of-boxwood-cut-across-the-grain-then-bolted-together-museum-metropolitan-museum-of-art-new-york-usa-image213261541.html
RMPAXW7H–The Story of Elizabeth (titlepage design). Artist: After Frederick Walker (British, London 1840-1875 Perthshire, Scotland). Dimensions: Image: 5 3/8 × 3 7/16 in. (13.7 × 8.8 cm) Sheet: 12 1/2 × 10 1/16 in. (31.8 × 25.5 cm). Date: ca. 1867. This photograph records Walker's drawing on a woodblock for the title-page of 'The Story of Elizabeth,' later engraved by Swain and published in 1867. A visible horizontal joint-line reflects the fact that wood engravings are printed from small pieces of boxwood, cut across the grain, then bolted together. Museum: Metropolitan Museum of Art, New York, USA.
Allegory of the Peace of London, 1801, Algemeene Vreede. Oct. 1801, Allegory on the provisional peace reached in London between France and the coalition on October 1, 1801. On the altar of peace, the French and British Virgins shake hands with a palm branch. On the altar the names 'Bonaparte, George, Frederik'. Peace floats in the clouds. The oval scene surrounded by coats of arms, at the top the Prussian eagle. Weapon trophies at the bottom. On the pedestal a six-line verse., print, print maker: Govert Kitsen, (mentioned on object), after drawing by: Cornelis Groeneveld, (mentioned on object Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/allegory-of-the-peace-of-london-1801-algemeene-vreede-oct-1801-allegory-on-the-provisional-peace-reached-in-london-between-france-and-the-coalition-on-october-1-1801-on-the-altar-of-peace-the-french-and-british-virgins-shake-hands-with-a-palm-branch-on-the-altar-the-names-bonaparte-george-frederik-peace-floats-in-the-clouds-the-oval-scene-surrounded-by-coats-of-arms-at-the-top-the-prussian-eagle-weapon-trophies-at-the-bottom-on-the-pedestal-a-six-line-verse-print-print-maker-govert-kitsen-mentioned-on-object-after-drawing-by-cornelis-groeneveld-mentioned-on-object-image606618683.html
RM2X6WT8Y–Allegory of the Peace of London, 1801, Algemeene Vreede. Oct. 1801, Allegory on the provisional peace reached in London between France and the coalition on October 1, 1801. On the altar of peace, the French and British Virgins shake hands with a palm branch. On the altar the names 'Bonaparte, George, Frederik'. Peace floats in the clouds. The oval scene surrounded by coats of arms, at the top the Prussian eagle. Weapon trophies at the bottom. On the pedestal a six-line verse., print, print maker: Govert Kitsen, (mentioned on object), after drawing by: Cornelis Groeneveld, (mentioned on object
Royal Exchange London at turn of century, line illustration from lithograph by Oskar Laske from 1913 Studio Magazine Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-royal-exchange-london-at-turn-of-century-line-illustration-from-lithograph-126921479.html
RMHADNHY–Royal Exchange London at turn of century, line illustration from lithograph by Oskar Laske from 1913 Studio Magazine
United Kingdom Hand-Drawn Urban Vector Sign. Black Line Art Illustration with Ribbon and Title. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/united-kingdom-hand-drawn-urban-vector-sign-black-line-art-illustration-with-ribbon-and-title-image346569379.html
RF2B3RGNR–United Kingdom Hand-Drawn Urban Vector Sign. Black Line Art Illustration with Ribbon and Title.
The London Bridge – Greenwich Railway Viaduct carried the former London and Greenwich Railway line. With 851 semi-circular arches and 27 skew arches or road bridges it is the longest run of arches in Britain and one of the oldest railway viaducts in the world, and the earliest example of an entirely elevated railway line. It was built between 1834 and 1836. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-london-bridge-greenwich-railway-viaduct-carried-the-former-london-and-greenwich-railway-line-with-851-semi-circular-arches-and-27-skew-arches-or-road-bridges-it-is-the-longest-run-of-arches-in-britain-and-one-of-the-oldest-railway-viaducts-in-the-world-and-the-earliest-example-of-an-entirely-elevated-railway-line-it-was-built-between-1834-and-1836-image235305614.html
RMRJR2KX–The London Bridge – Greenwich Railway Viaduct carried the former London and Greenwich Railway line. With 851 semi-circular arches and 27 skew arches or road bridges it is the longest run of arches in Britain and one of the oldest railway viaducts in the world, and the earliest example of an entirely elevated railway line. It was built between 1834 and 1836.
N/A. English: SHEPHERD, Thomas Hosmer, 1793-1864 : [CLEMENTS LANE - ST. CLEMENT EASTCHEAP] ST. CLEMENT'S CHURCH, CLEMENT'S LANE. [London : Jones & Co., 1831]. Llooking south down Clements Lane, with St Clement's church to the left. Engraved by James Charles Armytage (1802-1897) from an original drawing (now in the Museum of London) by Thomas Hosmer Shepherd, the master recorder of 19th-century London. First appeared in Shepherd's part-work series 'London and its Environs in the Nineteenth Century' (London 1829-1832). Steel line engraving on paper. Later hand colour. . 1831. engraving by Jam Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-shepherd-thomas-hosmer-1793-1864-clements-lane-st-clement-eastcheap-st-clements-church-clements-lane-london-jones-co-1831-llooking-south-down-clements-lane-with-st-clements-church-to-the-left-engraved-by-james-charles-armytage-1802-1897-from-an-original-drawing-now-in-the-museum-of-london-by-thomas-hosmer-shepherd-the-master-recorder-of-19th-century-london-first-appeared-in-shepherds-part-work-series-london-and-its-environs-in-the-nineteenth-century-london-1829-1832-steel-line-engraving-on-paper-later-hand-colour-1831-engraving-by-jam-image209970809.html
RMP5GYWD–N/A. English: SHEPHERD, Thomas Hosmer, 1793-1864 : [CLEMENTS LANE - ST. CLEMENT EASTCHEAP] ST. CLEMENT'S CHURCH, CLEMENT'S LANE. [London : Jones & Co., 1831]. Llooking south down Clements Lane, with St Clement's church to the left. Engraved by James Charles Armytage (1802-1897) from an original drawing (now in the Museum of London) by Thomas Hosmer Shepherd, the master recorder of 19th-century London. First appeared in Shepherd's part-work series 'London and its Environs in the Nineteenth Century' (London 1829-1832). Steel line engraving on paper. Later hand colour. . 1831. engraving by Jam
Business is Business by Bernard Partridge, 10 December 1924, showing the new Anglo-Russian-German ballet. Photograph from a line drawing originally printed in the Punch and London Charivari periodical in 1924. This is a good example of the skilful artists and the humour and satire of the time. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/business-is-business-by-bernard-partridge-10-december-1924-showing-the-new-anglo-russian-german-ballet-photograph-from-a-line-drawing-originally-printed-in-the-punch-and-london-charivari-periodical-in-1924-this-is-a-good-example-of-the-skilful-artists-and-the-humour-and-satire-of-the-time-image602514832.html
RM2X06WPT–Business is Business by Bernard Partridge, 10 December 1924, showing the new Anglo-Russian-German ballet. Photograph from a line drawing originally printed in the Punch and London Charivari periodical in 1924. This is a good example of the skilful artists and the humour and satire of the time.
Line London bridges, skylines and sights seamless pattern. Vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/line-london-bridges-skylines-and-sights-seamless-pattern-vector-illustration-image354265087.html
RF2BGA4MF–Line London bridges, skylines and sights seamless pattern. Vector illustration
Map of London in England on white background. single region map highlighted by black colour on England administrative map. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/map-of-london-in-england-on-white-background-single-region-map-highlighted-by-black-colour-on-england-administrative-map-image567518354.html
RF2RY8KCJ–Map of London in England on white background. single region map highlighted by black colour on England administrative map.
Signed pen-and-ink sketch by Mendelssohn of Birmingham (reproduction). From letter, written in London and dated 2nd October 1840. Felix Mendelssohn, a German composer of the Romantic period, was also a skilled artist in pencil, watercolour and pen-and-ink. FM, 3 February 1809 - 4 November 1847. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-signed-pen-and-ink-sketch-by-mendelssohn-of-birmingham-reproduction-164127173.html
RMKF0HTN–Signed pen-and-ink sketch by Mendelssohn of Birmingham (reproduction). From letter, written in London and dated 2nd October 1840. Felix Mendelssohn, a German composer of the Romantic period, was also a skilled artist in pencil, watercolour and pen-and-ink. FM, 3 February 1809 - 4 November 1847.
City silhouette london in pen line style drawing with brown lines on beige background Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/city-silhouette-london-in-pen-line-style-drawing-with-brown-lines-on-beige-background-image430123733.html
RF2FYNR5W–City silhouette london in pen line style drawing with brown lines on beige background
Henry VIII in Parliament, 16th century. King Henry VIII (1491-1547). King Henry VIII is seen here in Parliament. From a contemporary English line engraving. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henry-viii-in-parliament-16th-century-king-henry-viii-1491-1547-king-henry-viii-is-seen-here-in-parliament-from-a-contemporary-english-line-engraving-image261851504.html
RMW60A7C–Henry VIII in Parliament, 16th century. King Henry VIII (1491-1547). King Henry VIII is seen here in Parliament. From a contemporary English line engraving.
A line drawing of Rolling Stones' frontman Mick Jagger. Date: 1966 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-line-drawing-of-rolling-stones-frontman-mick-jagger-date-1966-image501456849.html
RM2M3R995–A line drawing of Rolling Stones' frontman Mick Jagger. Date: 1966
London Victoria Station, London, England, Europe, c. 1895, by Marcus, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-victoria-station-london-england-europe-c-1895-by-marcus-78664278.html
RMEFYD2E–London Victoria Station, London, England, Europe, c. 1895, by Marcus,
London New York buildings Empire State Chrysler Building World Trade Center city landscape cityscape street.Vector close-up beautiful black line outl Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-new-york-buildings-empire-state-chrysler-building-world-trade-145273281.html
RFJC9NFD–London New York buildings Empire State Chrysler Building World Trade Center city landscape cityscape street.Vector close-up beautiful black line outl
line drawing of women's dresses from the 15th century from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/line-drawing-of-womens-dresses-from-the-15th-century-from-the-book-english-costume-by-dion-clayton-calthrop-1878-1937-publication-date-1907-publisher-london-a-c-black-image508608013.html
RF2MFD2KW–line drawing of women's dresses from the 15th century from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black
London city one line drawing Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-london-city-one-line-drawing-160474971.html
RFK927CY–London city one line drawing
Big Ben vector logo design template. England or London icon. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-big-ben-vector-logo-design-template-england-or-london-icon-79476136.html
RFEH8CHC–Big Ben vector logo design template. England or London icon.
Image taken from page 23 of 'The London and Birmingham Railway, with the home and country scenes on each side of the line ... By T. Roscoe, ... assisted in the historical details by P. Lecount ... With a map, etc 0071 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-23-of-the-london-and-birmingham-railway-with-73515860.html
RME7GX6C–Image taken from page 23 of 'The London and Birmingham Railway, with the home and country scenes on each side of the line ... By T. Roscoe, ... assisted in the historical details by P. Lecount ... With a map, etc 0071
One single line drawing London city skyline. Historical skyscraper and landscape in world. Best destination holiday vacation home wall decor concept. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/one-single-line-drawing-london-city-skyline-historical-skyscraper-and-landscape-in-world-best-destination-holiday-vacation-home-wall-decor-concept-image605613072.html
RF2X581J8–One single line drawing London city skyline. Historical skyscraper and landscape in world. Best destination holiday vacation home wall decor concept.
Theater with stage decor: The Street of London, The Street of London (title on object), Stage sets of the new Amsterdam Theater, 1787-1794 (series title), Theater performance in the new Amsterdam Theater with the backstage decor The Street of London, with stage from Beverly. The decor was printed from a separate plate within a new passe-partout with the hall, side boxes, pillars with statues and the facade of the stage. In the caption a six-line verse. Part of the series of fourteen stage sets of the new Amsterdam Theater, 1787-1794., print, print maker: Cornelis Brouwer, (mentioned on object Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/theater-with-stage-decor-the-street-of-london-the-street-of-london-title-on-object-stage-sets-of-the-new-amsterdam-theater-1787-1794-series-title-theater-performance-in-the-new-amsterdam-theater-with-the-backstage-decor-the-street-of-london-with-stage-from-beverly-the-decor-was-printed-from-a-separate-plate-within-a-new-passe-partout-with-the-hall-side-boxes-pillars-with-statues-and-the-facade-of-the-stage-in-the-caption-a-six-line-verse-part-of-the-series-of-fourteen-stage-sets-of-the-new-amsterdam-theater-1787-1794-print-print-maker-cornelis-brouwer-mentioned-on-object-image606633246.html
RM2X6XEW2–Theater with stage decor: The Street of London, The Street of London (title on object), Stage sets of the new Amsterdam Theater, 1787-1794 (series title), Theater performance in the new Amsterdam Theater with the backstage decor The Street of London, with stage from Beverly. The decor was printed from a separate plate within a new passe-partout with the hall, side boxes, pillars with statues and the facade of the stage. In the caption a six-line verse. Part of the series of fourteen stage sets of the new Amsterdam Theater, 1787-1794., print, print maker: Cornelis Brouwer, (mentioned on object
The Studio show card competition winning design by Avava, Fred Appleyard of Kensington, London, line illustration from 1896 The Studio an Illustrated Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-studio-show-card-competition-winning-design-by-avava-fred-appleyard-of-kensington-london-line-illustration-from-1896-the-studio-an-illustrated-image385791490.html
RF2DBJ8YE–The Studio show card competition winning design by Avava, Fred Appleyard of Kensington, London, line illustration from 1896 The Studio an Illustrated
London Bus Black and White Sketch. Line Art drawing by hand. Travel design, architecture icon for greeting card, vector background. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-bus-black-and-white-sketch-line-art-drawing-by-hand-travel-175531316.html
RFM5G3YG–London Bus Black and White Sketch. Line Art drawing by hand. Travel design, architecture icon for greeting card, vector background.
Uncompleted design for a new station quasi-Italianate building with a picturesque campanile at London Bridge were drawn up, designed jointly by Lewis Cubitt, John Urpeth Rastrick and Henry Roberts. The main line station is the oldest railway station in London and one of the oldest in the world having opened in 1836. Opened by the London and Greenwich Railway as a local service, it subsequently served the London and Croydon Railway, the London and Brighton Railway and the South Eastern Railway, thus becoming an important London terminus. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/uncompleted-design-for-a-new-station-quasi-italianate-building-with-a-picturesque-campanile-at-london-bridge-were-drawn-up-designed-jointly-by-lewis-cubitt-john-urpeth-rastrick-and-henry-roberts-the-main-line-station-is-the-oldest-railway-station-in-london-and-one-of-the-oldest-in-the-world-having-opened-in-1836-opened-by-the-london-and-greenwich-railway-as-a-local-service-it-subsequently-served-the-london-and-croydon-railway-the-london-and-brighton-railway-and-the-south-eastern-railway-thus-becoming-an-important-london-terminus-image235305524.html
RMRJR2GM–Uncompleted design for a new station quasi-Italianate building with a picturesque campanile at London Bridge were drawn up, designed jointly by Lewis Cubitt, John Urpeth Rastrick and Henry Roberts. The main line station is the oldest railway station in London and one of the oldest in the world having opened in 1836. Opened by the London and Greenwich Railway as a local service, it subsequently served the London and Croydon Railway, the London and Brighton Railway and the South Eastern Railway, thus becoming an important London terminus.
Stamp of Portugal; 1926; definitive stamp of the issue 'Ceres - 1st London issue'; new values and colors after the military coup in Portugal, 1926, printed in London (printery 'Thomas De La Rue & Company, Limited') according to the former design template; stamp drawing without signature line; stamp postmarked in 1928 Stamp: Michel: No. 412; Yvert et Tellier: No. 420; AFA: No. 414 Color: black on normal paper Watermark: none Nominal value: 15 C. (Centavos) Postage validity: from 2 December 1926 until 30 September 1945 Stamp picture size (printed area): 17.5 x 25.0 mm (no names line) . 2 Decembe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stamp-of-portugal-1926-definitive-stamp-of-the-issue-ceres-1st-london-issue-new-values-and-colors-after-the-military-coup-in-portugal-1926-printed-in-london-printery-thomas-de-la-rue-company-limited-according-to-the-former-design-template-stamp-drawing-without-signature-line-stamp-postmarked-in-1928-stamp-michel-no-412-yvert-et-tellier-no-420-afa-no-414-color-black-on-normal-paper-watermark-none-nominal-value-15-c-centavos-postage-validity-from-2-december-1926-until-30-september-1945-stamp-picture-size-printed-area-175-x-250-mm-no-names-line-2-decembe-image211453561.html
RMP80F4W–Stamp of Portugal; 1926; definitive stamp of the issue 'Ceres - 1st London issue'; new values and colors after the military coup in Portugal, 1926, printed in London (printery 'Thomas De La Rue & Company, Limited') according to the former design template; stamp drawing without signature line; stamp postmarked in 1928 Stamp: Michel: No. 412; Yvert et Tellier: No. 420; AFA: No. 414 Color: black on normal paper Watermark: none Nominal value: 15 C. (Centavos) Postage validity: from 2 December 1926 until 30 September 1945 Stamp picture size (printed area): 17.5 x 25.0 mm (no names line) . 2 Decembe
Safety First by Leonard Raven Hill, 13 August 1924, referring to German requests for bank loans. Photograph from a line drawing originally printed in the Punch and London Charivari periodical in 1924. This is a good example of the skilful artists and the humour and satire of the time. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/safety-first-by-leonard-raven-hill-13-august-1924-referring-to-german-requests-for-bank-loans-photograph-from-a-line-drawing-originally-printed-in-the-punch-and-london-charivari-periodical-in-1924-this-is-a-good-example-of-the-skilful-artists-and-the-humour-and-satire-of-the-time-image602514586.html
RM2X06WE2–Safety First by Leonard Raven Hill, 13 August 1924, referring to German requests for bank loans. Photograph from a line drawing originally printed in the Punch and London Charivari periodical in 1924. This is a good example of the skilful artists and the humour and satire of the time.
Vintage print entitled Old London by English artist Frederick Griggs. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-print-entitled-old-london-by-english-artist-frederick-griggs-image395793220.html
RF2DYWX84–Vintage print entitled Old London by English artist Frederick Griggs.
Flamingo line art painted and described by Charles Whymper from the book ' Egyptian birds ' for the most part seen in the Nile valley Publication date 1909 Publisher London, A. and C. Black Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flamingo-line-art-painted-and-described-by-charles-whymper-from-the-book-egyptian-birds-for-the-most-part-seen-in-the-nile-valley-publication-date-1909-publisher-london-a-and-c-black-image491924266.html
RF2KG92BP–Flamingo line art painted and described by Charles Whymper from the book ' Egyptian birds ' for the most part seen in the Nile valley Publication date 1909 Publisher London, A. and C. Black
Georg Friedrich Handel German-English composer, 23 February 1685- 14 April 1759. Director of London Opera. Line drawing. Wig. Score. postcard Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-georg-friedrich-handel-german-english-composer-23-february-1685-14-163031064.html
RMKD6KP0–Georg Friedrich Handel German-English composer, 23 February 1685- 14 April 1759. Director of London Opera. Line drawing. Wig. Score. postcard
City silhouette london in pen line style drawing with black lines on white background Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/city-silhouette-london-in-pen-line-style-drawing-with-black-lines-on-white-background-image430124132.html
RF2FYNRM4–City silhouette london in pen line style drawing with black lines on white background
Sleep Escaping from the Wrath of Jupiter - 'But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd' (Pope's Iliad, Book 14, line 293). Artist: John Flaxman (British, York 1755-1826 London). Dimensions: Sheet: 11 x 8 5/16 in. (27.9 x 21.1 cm). Date: 1793. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sleep-escaping-from-the-wrath-of-jupiter-but-gentle-night-to-whom-i-fled-for-aid-the-friend-of-earth-and-heaven-her-wings-displayd-popes-iliad-book-14-line-293-artist-john-flaxman-british-york-1755-1826-london-dimensions-sheet-11-x-8-516-in-279-x-211-cm-date-1793-museum-metropolitan-museum-of-art-new-york-usa-image233251173.html
RMRFDE71–Sleep Escaping from the Wrath of Jupiter - 'But gentle Night to whom I fled for Aid (the Friend of Earth and Heaven), Her Wings Display'd' (Pope's Iliad, Book 14, line 293). Artist: John Flaxman (British, York 1755-1826 London). Dimensions: Sheet: 11 x 8 5/16 in. (27.9 x 21.1 cm). Date: 1793. Museum: Metropolitan Museum of Art, New York, USA.
An old engraving of the large pipes in the underground service tunnels, sewers or subways below London, England, UK in the late 1800s. It is from a Victorian mechanical engineering book of the 1880s. Large tunnels like this would include pipes for gas, water supply and sewerage – and later sometimes the electrical supply. Here large iron pipes are used to carry water and effluent in the brick-lined, paved, semi-circular ‘streets’. Inspections were carried out as leaks were common. Note the rails in the bottom image – materials and tools for repairs could be hauled in small ‘railway’ trucks. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-old-engraving-of-the-large-pipes-in-the-underground-service-tunnels-sewers-or-subways-below-london-england-uk-in-the-late-1800s-it-is-from-a-victorian-mechanical-engineering-book-of-the-1880s-large-tunnels-like-this-would-include-pipes-for-gas-water-supply-and-sewerage-and-later-sometimes-the-electrical-supply-here-large-iron-pipes-are-used-to-carry-water-and-effluent-in-the-brick-lined-paved-semi-circular-streets-inspections-were-carried-out-as-leaks-were-common-note-the-rails-in-the-bottom-image-materials-and-tools-for-repairs-could-be-hauled-in-small-railway-trucks-image559321856.html
RM2RDY8MG–An old engraving of the large pipes in the underground service tunnels, sewers or subways below London, England, UK in the late 1800s. It is from a Victorian mechanical engineering book of the 1880s. Large tunnels like this would include pipes for gas, water supply and sewerage – and later sometimes the electrical supply. Here large iron pipes are used to carry water and effluent in the brick-lined, paved, semi-circular ‘streets’. Inspections were carried out as leaks were common. Note the rails in the bottom image – materials and tools for repairs could be hauled in small ‘railway’ trucks.
The Thames Tunnel underwater beneath River in London passengers pedestrian use crossed under, 1825 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-thames-tunnel-underwater-beneath-river-in-london-passengers-pedestrian-92845903.html
RMFB1DW3–The Thames Tunnel underwater beneath River in London passengers pedestrian use crossed under, 1825
London New York building Empire State Chrysler Building city landscape taxi cars car street people silhouette vector closeup beautiful black line outl Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-new-york-building-empire-state-chrysler-building-city-landscape-145273285.html
RFJC9NFH–London New York building Empire State Chrysler Building city landscape taxi cars car street people silhouette vector closeup beautiful black line outl
Line drawing of Men's costumes in the 15th Century from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/line-drawing-of-mens-costumes-in-the-15th-century-from-the-book-english-costume-by-dion-clayton-calthrop-1878-1937-publication-date-1907-publisher-london-a-c-black-image508607331.html
RF2MFD1RF–Line drawing of Men's costumes in the 15th Century from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black
Framed downtown streets network printout map of LONDON, UNITED KINGDOM Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/framed-downtown-streets-network-printout-map-of-london-united-kingdom-image482288211.html
RF2K0J3EY–Framed downtown streets network printout map of LONDON, UNITED KINGDOM
London city bus. Vintage sketch vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-london-city-bus-vintage-sketch-vector-illustration-129015942.html
RFHDW546–London city bus. Vintage sketch vector illustration
Image taken from page 48 of 'The London and Birmingham Railway, with the home and country scenes on each side of the line ... By T. Roscoe, ... assisted in the historical details by P. Lecount ... With a map, etc 0067 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-48-of-the-london-and-birmingham-railway-with-73516984.html
RME7GYJG–Image taken from page 48 of 'The London and Birmingham Railway, with the home and country scenes on each side of the line ... By T. Roscoe, ... assisted in the historical details by P. Lecount ... With a map, etc 0067
One single line drawing London city skyline. Historical skyscraper and landscape in world. Best destination holiday vacation home wall decor concept. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/one-single-line-drawing-london-city-skyline-historical-skyscraper-and-landscape-in-world-best-destination-holiday-vacation-home-wall-decor-concept-image605210495.html
RF2X4HM4F–One single line drawing London city skyline. Historical skyscraper and landscape in world. Best destination holiday vacation home wall decor concept.
Design for a Sedan Chair, Pen and black ink; brush and red, green yellow and gray watercolor over graphite on heavy, textured cream laid paperboard, Three-quarter view of a sedan chair diminutively decorated with cartouches containing bird and cupid, and circular medallions with chain-like swags. Tassels hang at corners of roof line and an urn draped with swags crowns the roof., London, England, ca. 1775, transportation, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-sedan-chair-pen-and-black-ink-brush-and-red-green-yellow-and-gray-watercolor-over-graphite-on-heavy-textured-cream-laid-paperboard-three-quarter-view-of-a-sedan-chair-diminutively-decorated-with-cartouches-containing-bird-and-cupid-and-circular-medallions-with-chain-like-swags-tassels-hang-at-corners-of-roof-line-and-an-urn-draped-with-swags-crowns-the-roof-london-england-ca-1775-transportation-drawing-image391226038.html
RM2DMDTPE–Design for a Sedan Chair, Pen and black ink; brush and red, green yellow and gray watercolor over graphite on heavy, textured cream laid paperboard, Three-quarter view of a sedan chair diminutively decorated with cartouches containing bird and cupid, and circular medallions with chain-like swags. Tassels hang at corners of roof line and an urn draped with swags crowns the roof., London, England, ca. 1775, transportation, Drawing
The Studio show card competition second prize winning design by Arte, Arthur B Barrett of Tufnel Park, London, line illustration from 1896 The Studio Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-studio-show-card-competition-second-prize-winning-design-by-arte-arthur-b-barrett-of-tufnel-park-london-line-illustration-from-1896-the-studio-image385791492.html
RF2DBJ8YG–The Studio show card competition second prize winning design by Arte, Arthur B Barrett of Tufnel Park, London, line illustration from 1896 The Studio
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