Quick filters:
Page 1 of 3
Louis c tiffany Stock Photos and Images
Louis Comfort Tiffany, vase model Y 4209, glass, glass production, paperweight technique, total: height: 14.80 cm; diameter: 8.90 cm, incised mark: L.C.T.; Y 4209 (model number), decorative objects, art nouveau Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/louis-comfort-tiffany-vase-model-y-4209-glass-glass-production-paperweight-technique-total-height-1480-cm-diameter-890-cm-incised-mark-lct-y-4209-model-number-decorative-objects-art-nouveau-image392063636.htmlRM2DNT14M–Louis Comfort Tiffany, vase model Y 4209, glass, glass production, paperweight technique, total: height: 14.80 cm; diameter: 8.90 cm, incised mark: L.C.T.; Y 4209 (model number), decorative objects, art nouveau
Photographic print of Louis C. Tiffany (1848-1933) American artist and designer who worked in the decorative arts and is best known for his work in stained glass. Dated 1908 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/photographic-print-of-louis-c-tiffany-1848-1933-american-artist-and-image69823405.htmlRME1GMD1–Photographic print of Louis C. Tiffany (1848-1933) American artist and designer who worked in the decorative arts and is best known for his work in stained glass. Dated 1908
The Art Work of Louis C. Tiffany (Book), Louis Comfort Tiffany, 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-art-work-of-louis-c-tiffany-book-louis-comfort-tiffany-1914-162433068.htmlRMKC7D10–The Art Work of Louis C. Tiffany (Book), Louis Comfort Tiffany, 1914
Fire place in the library of Louis C Tiffany, halftone Illustration from 1897 The Studio Magazine Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fire-place-in-the-library-of-louis-c-tiffany-halftone-illustration-94909233.htmlRMFEBDKD–Fire place in the library of Louis C Tiffany, halftone Illustration from 1897 The Studio Magazine
Art inspired by The Art Work of Louis C. Tiffany (Book), 1914, Leather paper, gilt metal, cardboard, with vellum and textblock, 12 3/4 x 10 1/4 x 2 7/8 in. (32.4 x 26 x 7.3 cm), Drawings, Louis Comfort Tiffany (American, New York 1848–1933 New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-art-work-of-louis-c-tiffany-book-1914-leather-paper-gilt-metal-cardboard-with-vellum-and-textblock-12-34-x-10-14-x-2-78-in-324-x-26-x-73-cm-drawings-louis-comfort-tiffany-american-new-york-18481933-new-york-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463048315.htmlRF2HW9JRR–Art inspired by The Art Work of Louis C. Tiffany (Book), 1914, Leather paper, gilt metal, cardboard, with vellum and textblock, 12 3/4 x 10 1/4 x 2 7/8 in. (32.4 x 26 x 7.3 cm), Drawings, Louis Comfort Tiffany (American, New York 1848–1933 New York, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
'A Corner in the studio of Mr. Louis C. Tiffany', 1897. Artist: Unknown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-corner-in-the-studio-of-mr-louis-c-tiffany-1897-artist-unknown-135245393.htmlRMHT0XTH–'A Corner in the studio of Mr. Louis C. Tiffany', 1897. Artist: Unknown.
Stained Glass - Hibiscus and Parrots 1920. Louis C. Tiffany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stained-glass-hibiscus-and-parrots-1920-louis-c-tiffany-image68545561.htmlRMDYEEFN–Stained Glass - Hibiscus and Parrots 1920. Louis C. Tiffany
Suggestion for Marble & Mosaic Floor. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: Other (Design): 19 1/4 x 11 13/16 in. (48.9 x 30 cm). Maker: Louis C. Tiffany Studios Corporation, 1932-ca. 1938. Date: ca. 1932-33. This drawing includes three suggestions for a marble and mosaic floor for the private room of Mrs. Genevieve M. Stevenson (ca. 1875-1941) in the Rosehill Community Mausoleum in Chicago. Tiffany was strongly inspired by Islamic decorative elements and symbolism in these designs. In Islamic art, paradise is depicted as a walle Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/suggestion-for-marble-mosaic-floor-artist-louis-comfort-tiffany-american-new-york-1848-1933-new-york-culture-american-dimensions-other-design-19-14-x-11-1316-in-489-x-30-cm-maker-louis-c-tiffany-studios-corporation-1932-ca-1938-date-ca-1932-33-this-drawing-includes-three-suggestions-for-a-marble-and-mosaic-floor-for-the-private-room-of-mrs-genevieve-m-stevenson-ca-1875-1941-in-the-rosehill-community-mausoleum-in-chicago-tiffany-was-strongly-inspired-by-islamic-decorative-elements-and-symbolism-in-these-designs-in-islamic-art-paradise-is-depicted-as-a-walle-image213261364.htmlRMPAXW18–Suggestion for Marble & Mosaic Floor. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: Other (Design): 19 1/4 x 11 13/16 in. (48.9 x 30 cm). Maker: Louis C. Tiffany Studios Corporation, 1932-ca. 1938. Date: ca. 1932-33. This drawing includes three suggestions for a marble and mosaic floor for the private room of Mrs. Genevieve M. Stevenson (ca. 1875-1941) in the Rosehill Community Mausoleum in Chicago. Tiffany was strongly inspired by Islamic decorative elements and symbolism in these designs. In Islamic art, paradise is depicted as a walle
'A Corner in the studio of Mr. Louis C. Tiffany', 1897. Artist: Unknown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-corner-in-the-studio-of-mr-louis-c-tiffany-1897-artist-unknown-image262784810.htmlRMW7ETKP–'A Corner in the studio of Mr. Louis C. Tiffany', 1897. Artist: Unknown.
Mrs. Louis C. Tiffany (23409037972) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-mrs-louis-c-tiffany-23409037972-169759794.htmlRMKT569P–Mrs. Louis C. Tiffany (23409037972)
English: Tiffany stained glass window in the Arlington Street Church, 351-355 Boylston Street, Boston, Massachusetts, USA. 8 July 2017, 13:59:02 2 16 Blessed are the Merciful, Estabrook Memorial Window, 1920, Louis C. Tiffany - Arlington Street Church - Boston, Massachusetts - DSC07036 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-tiffany-stained-glass-window-in-the-arlington-street-church-351-355-boylston-street-boston-massachusetts-usa-8-july-2017-135902-2-16-blessed-are-the-merciful-estabrook-memorial-window-1920-louis-c-tiffany-arlington-street-church-boston-massachusetts-dsc07036-image211364870.htmlRMP7TE1A–English: Tiffany stained glass window in the Arlington Street Church, 351-355 Boylston Street, Boston, Massachusetts, USA. 8 July 2017, 13:59:02 2 16 Blessed are the Merciful, Estabrook Memorial Window, 1920, Louis C. Tiffany - Arlington Street Church - Boston, Massachusetts - DSC07036
Metropolitan Museum of Art American Wing in New York. The loggia from Louis C Tiffany Laurelton Hall estate courtyard. New York City, USA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/metropolitan-museum-of-art-american-wing-in-new-york-the-loggia-from-louis-c-tiffany-laurelton-hall-estate-courtyard-new-york-city-usa-image575209563.htmlRM2TBR1JK–Metropolitan Museum of Art American Wing in New York. The loggia from Louis C Tiffany Laurelton Hall estate courtyard. New York City, USA
Louis C. Tiffany, head-and-shoulders portrait, facing front Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/louis-c-tiffany-head-and-shoulders-portrait-facing-front-image396822695.htmlRM2E1GRB3–Louis C. Tiffany, head-and-shoulders portrait, facing front
16 Blessed are the Merciful, Estabrook Memorial Window, 1920, Louis C Tiffany Arlington Street Church Boston, Massachusetts DSC07036 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/16-blessed-are-the-merciful-estabrook-memorial-window-1920-louis-c-image153184738.htmlRMJW64KE–16 Blessed are the Merciful, Estabrook Memorial Window, 1920, Louis C Tiffany Arlington Street Church Boston, Massachusetts DSC07036
Mrs. Louis C. Tiffany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mrs-louis-c-tiffany-image273439564.htmlRMWTT6XM–Mrs. Louis C. Tiffany
The peacock doors at the Palmer House in Chicago, designed by Louis C Tiffany on the Monroe street entrance. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-peacock-doors-at-the-palmer-house-in-chicago-designed-by-louis-113172064.htmlRMGG3C3C–The peacock doors at the Palmer House in Chicago, designed by Louis C Tiffany on the Monroe street entrance.
Toulouse-Lautrec and Louis Comfort Tiffany. Stained glass entitled 'Au Nouveau Cirque, Papa Chrysanthème' (At the New Circus, Papa Chrysanthemum) by Henri de Toulouse-Lautrec (1864-1901), with stained glass by Louis Comfort Tiffany (1848-1933), c.1894 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-toulouse-lautrec-and-louis-comfort-tiffany-stained-glass-entitled-141558996.htmlRMJ68FXC–Toulouse-Lautrec and Louis Comfort Tiffany. Stained glass entitled 'Au Nouveau Cirque, Papa Chrysanthème' (At the New Circus, Papa Chrysanthemum) by Henri de Toulouse-Lautrec (1864-1901), with stained glass by Louis Comfort Tiffany (1848-1933), c.1894
American Art Glass exhibit Louis C.Tiffany and F. Carder. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-american-art-glass-exhibit-louis-ctiffany-and-f-carder-88960029.htmlRMF4MDBW–American Art Glass exhibit Louis C.Tiffany and F. Carder.
12 Rejoice and be Exceedingly Glad, Wigglesworth Memorial Window, 1922, Louis C. Tiffany - Arlington Street Church - Boston, Massachusetts Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/12-rejoice-and-be-exceedingly-glad-wigglesworth-memorial-window-1922-louis-c-tiffany-arlington-street-church-boston-massachusetts-image231374856.htmlRMRCC0YM–12 Rejoice and be Exceedingly Glad, Wigglesworth Memorial Window, 1922, Louis C. Tiffany - Arlington Street Church - Boston, Massachusetts
Mrs Louis C Tiffany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mrs-louis-c-tiffany-95169983.htmlRMFERA7Y–Mrs Louis C Tiffany
Louis C. Tiffany stained glass windows in the Wade Chapel at Lakeview Cemetery, Cleveland, Ohio Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/louis-c-tiffany-stained-glass-windows-in-the-wade-chapel-at-lakeview-cemetery-cleveland-ohio-image237895311.htmlRMRR11W3–Louis C. Tiffany stained glass windows in the Wade Chapel at Lakeview Cemetery, Cleveland, Ohio
Design for architectural detail, Louis C. Tiffany & Co., ca. 1883–85 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-architectural-detail-louis-c-tiffany-co-ca-188385-162419370.htmlRMKC6RFP–Design for architectural detail, Louis C. Tiffany & Co., ca. 1883–85
Residence of Mr. William C. Whitney; Residence of Mr. Louis Tiffany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-residence-of-mr-william-c-whitney-residence-of-mr-louis-tiffany-161375027.htmlRFKAF7DR–Residence of Mr. William C. Whitney; Residence of Mr. Louis Tiffany
Art inspired by Design for architectural detail, ca. 1883–85, Made in New York, United States, American, Watercolor and graphite on buff-colored wove paper mounted on light brown Bristol-type board, Overall: 10 7/16 x 14 1/4 in. (26.5 x 36.2 cm), Drawings, Louis C. Tiffany & Co. (1883–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-design-for-architectural-detail-ca-188385-made-in-new-york-united-states-american-watercolor-and-graphite-on-buff-colored-wove-paper-mounted-on-light-brown-bristol-type-board-overall-10-716-x-14-14-in-265-x-362-cm-drawings-louis-c-tiffany-co-1883-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463048123.htmlRF2HW9JGY–Art inspired by Design for architectural detail, ca. 1883–85, Made in New York, United States, American, Watercolor and graphite on buff-colored wove paper mounted on light brown Bristol-type board, Overall: 10 7/16 x 14 1/4 in. (26.5 x 36.2 cm), Drawings, Louis C. Tiffany & Co. (1883–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
'Fire-place in the library of Mr. Louis C. Tiffany', 1897. Artist: Unknown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fire-place-in-the-library-of-mr-louis-c-tiffany-1897-artist-unknown-135245392.htmlRMHT0XTG–'Fire-place in the library of Mr. Louis C. Tiffany', 1897. Artist: Unknown.
Tiffany Lamp. Dragonfly Table Lamp by Tiffany Studios, c.1904. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tiffany-lamp-dragonfly-table-lamp-by-tiffany-studios-c1904-image256575235.htmlRMTWC097–Tiffany Lamp. Dragonfly Table Lamp by Tiffany Studios, c.1904.
Mosaic Panel. Culture: American. Designer: Designed by Louis Comfort Tiffany (American, New York 1848-1933 New York). Dimensions: 35 1/8 x 22 x 2 in. (89.2 x 55.9 x 5.1 cm). Maker: Tiffany Glass Company (1885-92). Date: ca. 1890-91. This panel is the prototype for the repeated mosaic panels that served as the decorative frieze for the entrance hall of the house at 1 East Sixty-Sixth Street, completely designed by Louis C. Tiffany for his most important patrons, Louisine and Henry Osborne Havemeyer. The final panels varied from this prototype in its overall proportions, the introduction of gol Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mosaic-panel-culture-american-designer-designed-by-louis-comfort-tiffany-american-new-york-1848-1933-new-york-dimensions-35-18-x-22-x-2-in-892-x-559-x-51-cm-maker-tiffany-glass-company-1885-92-date-ca-1890-91-this-panel-is-the-prototype-for-the-repeated-mosaic-panels-that-served-as-the-decorative-frieze-for-the-entrance-hall-of-the-house-at-1-east-sixty-sixth-street-completely-designed-by-louis-c-tiffany-for-his-most-important-patrons-louisine-and-henry-osborne-havemeyer-the-final-panels-varied-from-this-prototype-in-its-overall-proportions-the-introduction-of-gol-image212849164.htmlRMPA837T–Mosaic Panel. Culture: American. Designer: Designed by Louis Comfort Tiffany (American, New York 1848-1933 New York). Dimensions: 35 1/8 x 22 x 2 in. (89.2 x 55.9 x 5.1 cm). Maker: Tiffany Glass Company (1885-92). Date: ca. 1890-91. This panel is the prototype for the repeated mosaic panels that served as the decorative frieze for the entrance hall of the house at 1 East Sixty-Sixth Street, completely designed by Louis C. Tiffany for his most important patrons, Louisine and Henry Osborne Havemeyer. The final panels varied from this prototype in its overall proportions, the introduction of gol
'Fire-place in the library of Mr. Louis C. Tiffany', 1897. Artist: Unknown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fire-place-in-the-library-of-mr-louis-c-tiffany-1897-artist-unknown-image262784806.htmlRMW7ETKJ–'Fire-place in the library of Mr. Louis C. Tiffany', 1897. Artist: Unknown.
The Metropolitan Museum of Art is a popular tourist attraction on Museum Mile, New York City, USA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-metropolitan-museum-of-art-is-a-popular-tourist-attraction-on-museum-mile-new-york-city-usa-image435554685.htmlRM2G8H6CD–The Metropolitan Museum of Art is a popular tourist attraction on Museum Mile, New York City, USA
English: Tiffany stained glass window in the Arlington Street Church, 351-355 Boylston Street, Boston, Massachusetts, USA. 8 July 2017, 13:52:17 2 12 Rejoice and be Exceedingly Glad, Wigglesworth Memorial Window, 1922, Louis C. Tiffany - Arlington Street Church - Boston, Massachusetts - DSC07010 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-tiffany-stained-glass-window-in-the-arlington-street-church-351-355-boylston-street-boston-massachusetts-usa-8-july-2017-135217-2-12-rejoice-and-be-exceedingly-glad-wigglesworth-memorial-window-1922-louis-c-tiffany-arlington-street-church-boston-massachusetts-dsc07010-image211364856.htmlRMP7TE0T–English: Tiffany stained glass window in the Arlington Street Church, 351-355 Boylston Street, Boston, Massachusetts, USA. 8 July 2017, 13:52:17 2 12 Rejoice and be Exceedingly Glad, Wigglesworth Memorial Window, 1922, Louis C. Tiffany - Arlington Street Church - Boston, Massachusetts - DSC07010
Squash Window with Pebbles Louis C. Tiffany American 1885–90 Louis Comfort Tiffany (1848–1933) was one of the most celebrated artists at the turn of the twentieth century. Throughout a career that spanned the 1870s through the 1920s, his work included painting and almost every decorative art medium. His travels abroad encouraged his interest in art from the Near and Far East, which informed his decorative work alongside those inspired by nature. Simultaneously, he embodied modernity, affording him wide-ranging acclaim. Tiffany is well known for his leaded-glass windows. This extraordinary wind Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/squash-window-with-pebbles-louis-c-tiffany-american-188590-louis-comfort-tiffany-18481933-was-one-of-the-most-celebrated-artists-at-the-turn-of-the-twentieth-century-throughout-a-career-that-spanned-the-1870s-through-the-1920s-his-work-included-painting-and-almost-every-decorative-art-medium-his-travels-abroad-encouraged-his-interest-in-art-from-the-near-and-far-east-which-informed-his-decorative-work-alongside-those-inspired-by-nature-simultaneously-he-embodied-modernity-affording-him-wide-ranging-acclaim-tiffany-is-well-known-for-his-leaded-glass-windows-this-extraordinary-wind-image569508663.htmlRM2T2FA33–Squash Window with Pebbles Louis C. Tiffany American 1885–90 Louis Comfort Tiffany (1848–1933) was one of the most celebrated artists at the turn of the twentieth century. Throughout a career that spanned the 1870s through the 1920s, his work included painting and almost every decorative art medium. His travels abroad encouraged his interest in art from the Near and Far East, which informed his decorative work alongside those inspired by nature. Simultaneously, he embodied modernity, affording him wide-ranging acclaim. Tiffany is well known for his leaded-glass windows. This extraordinary wind
Mr. and Mrs. Charles Lewis Tiffany in Louis C. Tiffany's Studio taken ca. 1890 by George Collins Cox (1851‚Äì1902). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mr-and-mrs-charles-lewis-tiffany-in-louis-c-tiffanys-studio-taken-ca-1890-by-george-collins-cox-18511902-image458814372.htmlRM2HJCPBG–Mr. and Mrs. Charles Lewis Tiffany in Louis C. Tiffany's Studio taken ca. 1890 by George Collins Cox (1851‚Äì1902).
12 Rejoice and be Exceedingly Glad, Wigglesworth Memorial Window, 1922, Louis C Tiffany Arlington Street Church Boston, Massachusetts DSC07010 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/12-rejoice-and-be-exceedingly-glad-wigglesworth-memorial-window-1922-image153184729.htmlRMJW64K5–12 Rejoice and be Exceedingly Glad, Wigglesworth Memorial Window, 1922, Louis C Tiffany Arlington Street Church Boston, Massachusetts DSC07010
Louis C. Tiffany, head-and-shoulders portrait, facing front Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/louis-c-tiffany-head-and-shoulders-portrait-facing-front-image272137056.htmlRMWPMWGG–Louis C. Tiffany, head-and-shoulders portrait, facing front
Curtain Designed by Ida F. Clark Associated Artists American 1883–85 This fabric featuring scallop shells interlaced with seaweed is among the few patterns produced by textile designer Candace Wheeler’s firm, Associated Artists, that can be attributed to a specific artist. Ida F. Clark began her career as an embroiderer for Wheeler’s earlier partnership with Louis C. Tiffany but soon became one of the chief designers at Associated Artists. According to the press, she created 'the more conventional designing done by the house.' Clark reused the motif seen here, which was printed on both cotton Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/curtain-designed-by-ida-f-clark-associated-artists-american-188385-this-fabric-featuring-scallop-shells-interlaced-with-seaweed-is-among-the-few-patterns-produced-by-textile-designer-candace-wheelers-firm-associated-artists-that-can-be-attributed-to-a-specific-artist-ida-f-clark-began-her-career-as-an-embroiderer-for-wheelers-earlier-partnership-with-louis-c-tiffany-but-soon-became-one-of-the-chief-designers-at-associated-artists-according-to-the-press-she-created-the-more-conventional-designing-done-by-the-house-clark-reused-the-motif-seen-here-which-was-printed-on-both-cotton-image569496825.htmlRM2T2ER09–Curtain Designed by Ida F. Clark Associated Artists American 1883–85 This fabric featuring scallop shells interlaced with seaweed is among the few patterns produced by textile designer Candace Wheeler’s firm, Associated Artists, that can be attributed to a specific artist. Ida F. Clark began her career as an embroiderer for Wheeler’s earlier partnership with Louis C. Tiffany but soon became one of the chief designers at Associated Artists. According to the press, she created 'the more conventional designing done by the house.' Clark reused the motif seen here, which was printed on both cotton
Houston Museum of Fine Arts collection, A Wooded Landscape in Three Panels by Louis Comfort Tiffany, c 1905 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-houston-museum-of-fine-arts-collection-a-wooded-landscape-in-three-20643930.htmlRMB5GBF6–Houston Museum of Fine Arts collection, A Wooded Landscape in Three Panels by Louis Comfort Tiffany, c 1905
A Wooded Landscape in Three Panels, c. 1905. Artist: Tiffany, Louis Comfort (1848-1933) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-wooded-landscape-in-three-panels-c-1905-artist-tiffany-louis-comfort-image60244161.htmlRMDE0A15–A Wooded Landscape in Three Panels, c. 1905. Artist: Tiffany, Louis Comfort (1848-1933)
16 Blessed are the Merciful, Estabrook Memorial Window, 1920, Louis C. Tiffany - Arlington Street Church - Boston, Massachusetts - DSC07036. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/16-blessed-are-the-merciful-estabrook-memorial-window-1920-louis-c-tiffany-arlington-street-church-boston-massachusetts-dsc07036-image209381812.htmlRMP4J4HT–16 Blessed are the Merciful, Estabrook Memorial Window, 1920, Louis C. Tiffany - Arlington Street Church - Boston, Massachusetts - DSC07036.
Table (part of a set) - c. Date: 1885; Designed by Louis Comfort Tiffany; American; 1848-1933; Made by J. Matthew Meier and Ernest Hagen; American; 1830-1913 and 1822-1889; New York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/table-part-of-a-set-c-date-1885-designed-by-louis-comfort-tiffany-american-1848-1933-made-by-j-matthew-meier-and-ernest-hagen-american-1830-1913-and-1822-1889-new-york-image381538997.htmlRM2D4MGTN–Table (part of a set) - c. Date: 1885; Designed by Louis Comfort Tiffany; American; 1848-1933; Made by J. Matthew Meier and Ernest Hagen; American; 1830-1913 and 1822-1889; New York
Louis C. Tiffany stained glass windows in the Wade Chapel at Lakeview Cemetery, Cleveland, Ohio Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/louis-c-tiffany-stained-glass-windows-in-the-wade-chapel-at-lakeview-cemetery-cleveland-ohio-image237895312.htmlRMRR11W4–Louis C. Tiffany stained glass windows in the Wade Chapel at Lakeview Cemetery, Cleveland, Ohio
Suggestion for Marble & Mosaic Floor, Louis C. Tiffany Studios Corporation, 1932-ca. 1938, ca. 1932–33 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-suggestion-for-marble-mosaic-floor-louis-c-tiffany-studios-corporation-162403483.htmlRMKC638B–Suggestion for Marble & Mosaic Floor, Louis C. Tiffany Studios Corporation, 1932-ca. 1938, ca. 1932–33
Signature of Louis Comfort Tiffany, c 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-signature-of-louis-comfort-tiffany-c-1880-137433425.htmlRMHYGHMH–Signature of Louis Comfort Tiffany, c 1880
Mrs. Louis C. Tiffany, Photo shows Mrs. Charles Lewis Tiffany, née Katrina Brandes Ely (1875-1927), carrying a flag in suffrage parade, New York City, Oct. 27, 1917., 1917 Oct. 27, Glass negatives, 1 negative: glass Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mrs-louis-c-tiffany-photo-shows-mrs-charles-lewis-tiffany-ne-katrina-brandes-ely-1875-1927-carrying-a-flag-in-suffrage-parade-new-york-city-oct-27-1917-1917-oct-27-glass-negatives-1-negative-glass-image599559707.htmlRM2WRC8EK–Mrs. Louis C. Tiffany, Photo shows Mrs. Charles Lewis Tiffany, née Katrina Brandes Ely (1875-1927), carrying a flag in suffrage parade, New York City, Oct. 27, 1917., 1917 Oct. 27, Glass negatives, 1 negative: glass
Art inspired by Suggestion for Marble & Mosaic Floor, ca. 1932–33, Made in New York, United States, American, Watercolor, gouache, and graphite on off-white wove paper, Other (Design): 19 1/4 x 11 13/16 in. (48.9 x 30 cm), Drawings, Louis C. Tiffany Studios Corporation, 1932-ca. 1938, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-suggestion-for-marble-mosaic-floor-ca-193233-made-in-new-york-united-states-american-watercolor-gouache-and-graphite-on-off-white-wove-paper-other-design-19-14-x-11-1316-in-489-x-30-cm-drawings-louis-c-tiffany-studios-corporation-1932-ca-1938-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463047520.htmlRF2HW9HRC–Art inspired by Suggestion for Marble & Mosaic Floor, ca. 1932–33, Made in New York, United States, American, Watercolor, gouache, and graphite on off-white wove paper, Other (Design): 19 1/4 x 11 13/16 in. (48.9 x 30 cm), Drawings, Louis C. Tiffany Studios Corporation, 1932-ca. 1938, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Louis Comfort Tiffany, Vase Model E 1895, Acquired by S. Bing, Galerie L'Art Nouveau, at the World Exhibition 1900 in Paris, glass, thread inlay, Total: Height: 26,50 cm; Diameter: 11,20 cm, signed and inscribed: on the bottom: in diamond engraving sign.: Louis C. Tiffany; L. C. T.; model number: E 1895, decorative objects, art nouveau Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/louis-comfort-tiffany-vase-model-e-1895-acquired-by-s-bing-galerie-lart-nouveau-at-the-world-exhibition-1900-in-paris-glass-thread-inlay-total-height-2650-cm-diameter-1120-cm-signed-and-inscribed-on-the-bottom-in-diamond-engraving-sign-louis-c-tiffany-l-c-t-model-number-e-1895-decorative-objects-art-nouveau-image392059862.htmlRM2DNRT9X–Louis Comfort Tiffany, Vase Model E 1895, Acquired by S. Bing, Galerie L'Art Nouveau, at the World Exhibition 1900 in Paris, glass, thread inlay, Total: Height: 26,50 cm; Diameter: 11,20 cm, signed and inscribed: on the bottom: in diamond engraving sign.: Louis C. Tiffany; L. C. T.; model number: E 1895, decorative objects, art nouveau
Andiron. Culture: American. Designer: Designed by Louis Comfort Tiffany (American, New York 1848-1933 New York). Dimensions: 25 x 15 x 35 in. (63.5 x 38.1 x 88.9 cm). Maker: Tiffany Glass and Decorating Company (American, 1892-1902). Date: 1894. In 1894, Emily Johnston de Forest and her husband, Robert W. de Forest, who served as president of The Metropolitan Museum of Art from 1913 to 1931, renovated their New York residence at Seven Washington Square and commissioned Louis C. Tiffany to decorate the interior of the library addition. Tiffany was a close friend and distant relative of de Fore Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andiron-culture-american-designer-designed-by-louis-comfort-tiffany-american-new-york-1848-1933-new-york-dimensions-25-x-15-x-35-in-635-x-381-x-889-cm-maker-tiffany-glass-and-decorating-company-american-1892-1902-date-1894-in-1894-emily-johnston-de-forest-and-her-husband-robert-w-de-forest-who-served-as-president-of-the-metropolitan-museum-of-art-from-1913-to-1931-renovated-their-new-york-residence-at-seven-washington-square-and-commissioned-louis-c-tiffany-to-decorate-the-interior-of-the-library-addition-tiffany-was-a-close-friend-and-distant-relative-of-de-fore-image212912341.htmlRMPAAYT5–Andiron. Culture: American. Designer: Designed by Louis Comfort Tiffany (American, New York 1848-1933 New York). Dimensions: 25 x 15 x 35 in. (63.5 x 38.1 x 88.9 cm). Maker: Tiffany Glass and Decorating Company (American, 1892-1902). Date: 1894. In 1894, Emily Johnston de Forest and her husband, Robert W. de Forest, who served as president of The Metropolitan Museum of Art from 1913 to 1931, renovated their New York residence at Seven Washington Square and commissioned Louis C. Tiffany to decorate the interior of the library addition. Tiffany was a close friend and distant relative of de Fore
Study for 'The Mermaid Window,' A.H. Barney Residence, New York, NY, Elihu Vedder, American, 1836 – 1923, Ashbel Holmes Barney, American, 1816 - 1886, Louis C. Tiffany & Co., American, active 1881–1883, Pastel crayon, brush and wash on wove paper, Narrow flanking panel for central composition. Pearl rocaille escutcheon swings from branch of under water plant, with fish swimming about. Large conch shell at bottom., New York, USA, 1882, architecture, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-for-the-mermaid-window-ah-barney-residence-new-york-ny-elihu-vedder-american-1836-1923-ashbel-holmes-barney-american-1816-1886-louis-c-tiffany-co-american-active-18811883-pastel-crayon-brush-and-wash-on-wove-paper-narrow-flanking-panel-for-central-composition-pearl-rocaille-escutcheon-swings-from-branch-of-under-water-plant-with-fish-swimming-about-large-conch-shell-at-bottom-new-york-usa-1882-architecture-drawing-image391224604.htmlRM2DMDPY8–Study for 'The Mermaid Window,' A.H. Barney Residence, New York, NY, Elihu Vedder, American, 1836 – 1923, Ashbel Holmes Barney, American, 1816 - 1886, Louis C. Tiffany & Co., American, active 1881–1883, Pastel crayon, brush and wash on wove paper, Narrow flanking panel for central composition. Pearl rocaille escutcheon swings from branch of under water plant, with fish swimming about. Large conch shell at bottom., New York, USA, 1882, architecture, Drawing
Inspired by Tumbler, Louis Comfort Tiffany, American, 1848–1933, Tiffany Studios, Corona, New York, 1900–1938, c.1895–1900, Favrile glass, Made in Corona, New York, United States, North and Central America, Glassware, 4 x 2 3/8 in. (10.2 x 6 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-tumbler-louis-comfort-tiffany-american-18481933-tiffany-studios-corona-new-york-19001938-c18951900-favrile-glass-made-in-corona-new-york-united-states-north-and-central-america-glassware-4-x-2-38-in-102-x-6-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459285779.htmlRF2HK67KF–Inspired by Tumbler, Louis Comfort Tiffany, American, 1848–1933, Tiffany Studios, Corona, New York, 1900–1938, c.1895–1900, Favrile glass, Made in Corona, New York, United States, North and Central America, Glassware, 4 x 2 3/8 in. (10.2 x 6 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
English: Tiffany stained glass window in the Arlington Street Church, 351-355 Boylston Street, Boston, Massachusetts, USA. 8 July 2017, 13:52:36 2 12 Rejoice and be Exceedingly Glad, Wigglesworth Memorial Window, 1922, Louis C. Tiffany, detail - Arlington Street Church - Boston, Massachusetts - DSC07012 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-tiffany-stained-glass-window-in-the-arlington-street-church-351-355-boylston-street-boston-massachusetts-usa-8-july-2017-135236-2-12-rejoice-and-be-exceedingly-glad-wigglesworth-memorial-window-1922-louis-c-tiffany-detail-arlington-street-church-boston-massachusetts-dsc07012-image211364859.htmlRMP7TE0Y–English: Tiffany stained glass window in the Arlington Street Church, 351-355 Boylston Street, Boston, Massachusetts, USA. 8 July 2017, 13:52:36 2 12 Rejoice and be Exceedingly Glad, Wigglesworth Memorial Window, 1922, Louis C. Tiffany, detail - Arlington Street Church - Boston, Massachusetts - DSC07012
Study for 'The Mermaid Window,' A.H. Barney Residence, New York, NY, Elihu Vedder, American, 1836 – 1923, Ashbel Holmes Barney, American, 1816 - 1886, Louis C. Tiffany & Co., American, active 1881–1883, Pastel crayon, brush and wash on wove paper, Central panel. Mermaid sits in underwater scene with head bowed, and looks into a seashell. Seaweed curves above in arched top as two fish swim above the mermaid., New York, New York, USA, 1882, architecture, interiors, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-for-the-mermaid-window-ah-barney-residence-new-york-ny-elihu-vedder-american-1836-1923-ashbel-holmes-barney-american-1816-1886-louis-c-tiffany-co-american-active-18811883-pastel-crayon-brush-and-wash-on-wove-paper-central-panel-mermaid-sits-in-underwater-scene-with-head-bowed-and-looks-into-a-seashell-seaweed-curves-above-in-arched-top-as-two-fish-swim-above-the-mermaid-new-york-new-york-usa-1882-architecture-interiors-drawing-image391403586.htmlRM2DMNY7E–Study for 'The Mermaid Window,' A.H. Barney Residence, New York, NY, Elihu Vedder, American, 1836 – 1923, Ashbel Holmes Barney, American, 1816 - 1886, Louis C. Tiffany & Co., American, active 1881–1883, Pastel crayon, brush and wash on wove paper, Central panel. Mermaid sits in underwater scene with head bowed, and looks into a seashell. Seaweed curves above in arched top as two fish swim above the mermaid., New York, New York, USA, 1882, architecture, interiors, Drawing
The Metropolitan Museum of Art is a popular tourist attraction on Museum Mile, New York City, USA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-metropolitan-museum-of-art-is-a-popular-tourist-attraction-on-museum-mile-new-york-city-usa-image435554686.htmlRM2G8H6CE–The Metropolitan Museum of Art is a popular tourist attraction on Museum Mile, New York City, USA
12 Rejoice and be Exceedingly Glad, Wigglesworth Memorial Window, 1922, Louis C Tiffany, detail Arlington Street Church Boston, Massachusetts DSC07012 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/12-rejoice-and-be-exceedingly-glad-wigglesworth-memorial-window-1922-image153184730.htmlRMJW64K6–12 Rejoice and be Exceedingly Glad, Wigglesworth Memorial Window, 1922, Louis C Tiffany, detail Arlington Street Church Boston, Massachusetts DSC07012
A Dream / Charles C. Curran. Michaelmas daisies / F.D. Millet. Brother and sister / Abbott H. Thayer. Variations in flesh-color and green--the balcony / James McNeill Whistler. Pottery market at Nuremberg / Louis C. Tiffany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-dream-charles-c-curran-michaelmas-daisies-fd-millet-brother-and-sister-abbott-h-thayer-variations-in-flesh-color-and-green-the-balcony-james-mcneill-whistler-pottery-market-at-nuremberg-louis-c-tiffany-image264461218.htmlRMWA76YE–A Dream / Charles C. Curran. Michaelmas daisies / F.D. Millet. Brother and sister / Abbott H. Thayer. Variations in flesh-color and green--the balcony / James McNeill Whistler. Pottery market at Nuremberg / Louis C. Tiffany
Side Chair (part of a set), c. 1885, Designed by Louis Comfort Tiffany, American, 1848–1933, Made by J. Matthew Meier and Ernest Hagen, American, 1830–1913 and 1822–1889, New York, New York, Painted maple, with vinyl, 101.6 × 43.2 × 48.2 cm (40 × 17 × 19 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/side-chair-part-of-a-set-c-1885-designed-by-louis-comfort-tiffany-american-18481933-made-by-j-matthew-meier-and-ernest-hagen-american-18301913-and-18221889-new-york-new-york-painted-maple-with-vinyl-1016-432-482-cm-40-17-19-in-image328651916.htmlRM2A2KATC–Side Chair (part of a set), c. 1885, Designed by Louis Comfort Tiffany, American, 1848–1933, Made by J. Matthew Meier and Ernest Hagen, American, 1830–1913 and 1822–1889, New York, New York, Painted maple, with vinyl, 101.6 × 43.2 × 48.2 cm (40 × 17 × 19 in
Vase Designed by Louis C. Tiffany American Tiffany Glass and Decorating Company American ca. 1900 This large-scale, baluster-shaped, golden iridescent vase with a lily-pad design was displayed in Tiffany's award-winning exhibit at the Paris Exposition Universelle of 1900. His participation in this fair was a triumph, gaining him international renown and clientele. Critics raved about his art glass in particular. The size, shape, color, and texture of the vase, which was later owned by Tiffany's sister, make it a remarkable example of Tiffany's best work. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vase-designed-by-louis-c-tiffany-american-tiffany-glass-and-decorating-company-american-ca-1900-this-large-scale-baluster-shaped-golden-iridescent-vase-with-a-lily-pad-design-was-displayed-in-tiffanys-award-winning-exhibit-at-the-paris-exposition-universelle-of-1900-his-participation-in-this-fair-was-a-triumph-gaining-him-international-renown-and-clientele-critics-raved-about-his-art-glass-in-particular-the-size-shape-color-and-texture-of-the-vase-which-was-later-owned-by-tiffanys-sister-make-it-a-remarkable-example-of-tiffanys-best-work-image569498406.htmlRM2T2EW0P–Vase Designed by Louis C. Tiffany American Tiffany Glass and Decorating Company American ca. 1900 This large-scale, baluster-shaped, golden iridescent vase with a lily-pad design was displayed in Tiffany's award-winning exhibit at the Paris Exposition Universelle of 1900. His participation in this fair was a triumph, gaining him international renown and clientele. Critics raved about his art glass in particular. The size, shape, color, and texture of the vase, which was later owned by Tiffany's sister, make it a remarkable example of Tiffany's best work.
Mr. and Mrs. Charles E. Tiffany in Louis C. Tiffany's Studio, ca. 1890. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mr-and-mrs-charles-e-tiffany-in-louis-c-tiffanys-studio-ca-1890-image368403078.htmlRM2CBA5TP–Mr. and Mrs. Charles E. Tiffany in Louis C. Tiffany's Studio, ca. 1890.
12 Rejoice and be Exceedingly Glad, Wigglesworth Memorial Window, 1922, Louis C. Tiffany - Arlington Street Church - Boston, Massachusetts - DSC07010. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/12-rejoice-and-be-exceedingly-glad-wigglesworth-memorial-window-1922-louis-c-tiffany-arlington-street-church-boston-massachusetts-dsc07010-image209233404.htmlRMP4BB9G–12 Rejoice and be Exceedingly Glad, Wigglesworth Memorial Window, 1922, Louis C. Tiffany - Arlington Street Church - Boston, Massachusetts - DSC07010.
Armchair (part of a set) - c. Date: 1885; Designed by Louis Comfort Tiffany; American; 1848-1933; Made by J. Matthew Meier and Ernest Hagen; American; 1830-1913 and 1822-1889; New York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/armchair-part-of-a-set-c-date-1885-designed-by-louis-comfort-tiffany-american-1848-1933-made-by-j-matthew-meier-and-ernest-hagen-american-1830-1913-and-1822-1889-new-york-image381539126.htmlRM2D4MH1A–Armchair (part of a set) - c. Date: 1885; Designed by Louis Comfort Tiffany; American; 1848-1933; Made by J. Matthew Meier and Ernest Hagen; American; 1830-1913 and 1822-1889; New York
English: Signature of Louis Comfort Tiffany, c 1880 . circa 1880 211 Signature of Louis Comfort Tiffany, c 1880 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-signature-of-louis-comfort-tiffany-c-1880-circa-1880-211-signature-of-louis-comfort-tiffany-c-1880-image210968741.htmlRMP76CNW–English: Signature of Louis Comfort Tiffany, c 1880 . circa 1880 211 Signature of Louis Comfort Tiffany, c 1880
Vintage Tiffany Studios Lamp. Peacock Table Lamp, c 1902. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-tiffany-studios-lamp-peacock-table-lamp-c-1902-image598479837.htmlRM2WNK33W–Vintage Tiffany Studios Lamp. Peacock Table Lamp, c 1902.
N/A. N/A 384 Vase, Louis Comfort Tiffany, Tiffany Furnaces, c. 1905-1919, earthenware - Dallas Museum of Art - DSC05185 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-na-384-vase-louis-comfort-tiffany-tiffany-furnaces-c-1905-1919-earthenware-dallas-museum-of-art-dsc05185-image211344398.htmlRMP7RFX6–N/A. N/A 384 Vase, Louis Comfort Tiffany, Tiffany Furnaces, c. 1905-1919, earthenware - Dallas Museum of Art - DSC05185
Vintage Tiffany Studios Lamp. Spider and Web Table Lamp, c 1910s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-tiffany-studios-lamp-spider-and-web-table-lamp-c-1910s-image598447980.htmlRM2WNHJE4–Vintage Tiffany Studios Lamp. Spider and Web Table Lamp, c 1910s
913 Letter signed Tiffany (P. Dexter Tiffany) to his wife Mrs. H.K. Tiffany, care of C. Gibson, St. Louis, (May 6, 1849) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/913-letter-signed-tiffany-p-dexter-tiffany-to-his-wife-mrs-hk-tiffany-care-of-c-gibson-st-louis-may-6-1849-image213496620.htmlRMPB9H38–913 Letter signed Tiffany (P. Dexter Tiffany) to his wife Mrs. H.K. Tiffany, care of C. Gibson, St. Louis, (May 6, 1849)
Vintage Tiffany Studios Lamp. Pond Lily Table Lamp, Art Nouveau lamp with multiple green shades in shape of flowers. c.1902-1910 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-tiffany-studios-lamp-pond-lily-table-lamp-art-nouveau-lamp-with-multiple-green-shades-in-shape-of-flowers-c1902-1910-image598479835.htmlRM2WNK33R–Vintage Tiffany Studios Lamp. Pond Lily Table Lamp, Art Nouveau lamp with multiple green shades in shape of flowers. c.1902-1910
Design drawing. Artist: Peter Carl Fabergé (1846-1920). Culture: Russian. Dimensions: 10 1/8 × 7 3/4 in. (25.7 × 19.7 cm). Date: 1899-1904. This design drawing and its accompanying silver-gilt and glass vase (2014.698.2) is one of a very few examples that represent the collaboration between Louis C. Tiffany and Tiffany & Co. in New York, Edouard Colonna in Paris, and the workshops of Fabergé in St. Petersburg, Russia. This beautifully rendered watercolor depicting a blue vase and silver-gilt mounts in the form of snakes, bears the signature of Carl Fabergé. Tiffany glass with Fabergé mounts a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-drawing-artist-peter-carl-faberg-1846-1920-culture-russian-dimensions-10-18-7-34-in-257-197-cm-date-1899-1904-this-design-drawing-and-its-accompanying-silver-gilt-and-glass-vase-20146982-is-one-of-a-very-few-examples-that-represent-the-collaboration-between-louis-c-tiffany-and-tiffany-co-in-new-york-edouard-colonna-in-paris-and-the-workshops-of-faberg-in-st-petersburg-russia-this-beautifully-rendered-watercolor-depicting-a-blue-vase-and-silver-gilt-mounts-in-the-form-of-snakes-bears-the-signature-of-carl-faberg-tiffany-glass-with-faberg-mounts-a-image213324626.htmlRMPB1NMJ–Design drawing. Artist: Peter Carl Fabergé (1846-1920). Culture: Russian. Dimensions: 10 1/8 × 7 3/4 in. (25.7 × 19.7 cm). Date: 1899-1904. This design drawing and its accompanying silver-gilt and glass vase (2014.698.2) is one of a very few examples that represent the collaboration between Louis C. Tiffany and Tiffany & Co. in New York, Edouard Colonna in Paris, and the workshops of Fabergé in St. Petersburg, Russia. This beautifully rendered watercolor depicting a blue vase and silver-gilt mounts in the form of snakes, bears the signature of Carl Fabergé. Tiffany glass with Fabergé mounts a
Henri de Toulouse-Lautrec, Louis Comfort Tiffany, Au Nouveau Cirque, Papa Chrysanthème, c.1894, stained glass, 120 x 85 cm, Musée d'Orsay, Paris Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henri-de-toulouse-lautrec-louis-comfort-tiffany-au-nouveau-cirque-papa-chrysanthme-c1894-stained-glass-120-x-85-cm-muse-dorsay-paris-image184853699.htmlRMMMMPNR–Henri de Toulouse-Lautrec, Louis Comfort Tiffany, Au Nouveau Cirque, Papa Chrysanthème, c.1894, stained glass, 120 x 85 cm, Musée d'Orsay, Paris
Inspired by Vase, Louis Comfort Tiffany, American, 1848–1933, Tiffany Studios, Corona, New York, 1900–1938, c.1896–1900, Favrile glass, Made in Corona, New York, United States, North and Central America, Containers, glassware, 9 1/4 x 2 7/8 in. (23.5 x 7.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-vase-louis-comfort-tiffany-american-18481933-tiffany-studios-corona-new-york-19001938-c18961900-favrile-glass-made-in-corona-new-york-united-states-north-and-central-america-containers-glassware-9-14-x-2-78-in-235-x-73-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459285783.htmlRF2HK67KK–Inspired by Vase, Louis Comfort Tiffany, American, 1848–1933, Tiffany Studios, Corona, New York, 1900–1938, c.1896–1900, Favrile glass, Made in Corona, New York, United States, North and Central America, Containers, glassware, 9 1/4 x 2 7/8 in. (23.5 x 7.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
English: Arabian Subject by Louis Comfort Tiffany, watercolor and gouache on paper, 38.7 by 25.7 cm, c 1880 . circa 1880 1 'Arabian Subject' by Louis Comfort Tiffany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-arabian-subject-by-louis-comfort-tiffany-watercolor-and-gouache-on-paper-387-by-257-cm-c-1880-circa-1880-1-arabian-subject-by-louis-comfort-tiffany-image210940134.htmlRMP75486–English: Arabian Subject by Louis Comfort Tiffany, watercolor and gouache on paper, 38.7 by 25.7 cm, c 1880 . circa 1880 1 'Arabian Subject' by Louis Comfort Tiffany
Art inspired by Mr. and Mrs. Charles E. Tiffany in Louis C. Tiffany's Studio, ca. 1890, Platinum print (?), 18.8 x 23.6 cm (7 3/8 x 9 5/16 in. ), Photographs, George Collins Cox (American, 1851–1902, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-mr-and-mrs-charles-e-tiffany-in-louis-c-tiffanys-studio-ca-1890-platinum-print-188-x-236-cm-7-38-x-9-516-in-photographs-george-collins-cox-american-18511902-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462937971.htmlRF2HW4J2Y–Art inspired by Mr. and Mrs. Charles E. Tiffany in Louis C. Tiffany's Studio, ca. 1890, Platinum print (?), 18.8 x 23.6 cm (7 3/8 x 9 5/16 in. ), Photographs, George Collins Cox (American, 1851–1902, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
901 Letter from Hugh White, Tiffany Studios, 347 to 355 Madison Avenue, Corner Forty-Fifth Street, New York, to Hon. David R. Francis, c-o Francis Bros., St. Louis, Mo., July 31, 1913 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/901-letter-from-hugh-white-tiffany-studios-347-to-355-madison-avenue-corner-forty-fifth-street-new-york-to-hon-david-r-francis-c-o-francis-bros-st-louis-mo-july-31-1913-image213430360.htmlRMPB6GGT–901 Letter from Hugh White, Tiffany Studios, 347 to 355 Madison Avenue, Corner Forty-Fifth Street, New York, to Hon. David R. Francis, c-o Francis Bros., St. Louis, Mo., July 31, 1913
13 Blessed are ye when Men Shall Revile You and Persecute You, Osgood Memorial Window, November 30, 1930, Louis C Tiffany Arlington Street Church Boston, Massachusetts DSC07016 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/13-blessed-are-ye-when-men-shall-revile-you-and-persecute-you-osgood-image153184731.htmlRMJW64K7–13 Blessed are ye when Men Shall Revile You and Persecute You, Osgood Memorial Window, November 30, 1930, Louis C Tiffany Arlington Street Church Boston, Massachusetts DSC07016
Inspired by Lotus, Pagoda Lamp, Louis Comfort Tiffany, American, 1848–1933, Tiffany Studios, Corona, New York, 1900–1938, c.1900–1905, Bronze and leaded Favrile glass, Made in Corona, New York, United States, North and Central America, Glassware, lighting, 31 1/2 in. x 26 1/8 in. (80 x 66.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-lotus-pagoda-lamp-louis-comfort-tiffany-american-18481933-tiffany-studios-corona-new-york-19001938-c19001905-bronze-and-leaded-favrile-glass-made-in-corona-new-york-united-states-north-and-central-america-glassware-lighting-31-12-in-x-26-18-in-80-x-664-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459285097.htmlRF2HK66R5–Inspired by Lotus, Pagoda Lamp, Louis Comfort Tiffany, American, 1848–1933, Tiffany Studios, Corona, New York, 1900–1938, c.1900–1905, Bronze and leaded Favrile glass, Made in Corona, New York, United States, North and Central America, Glassware, lighting, 31 1/2 in. x 26 1/8 in. (80 x 66.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Side Chair (part of a set), c. 1885, Designed by Louis Comfort Tiffany, American, 1848–1933, Made by J. Matthew Meier and Ernest Hagen, American, 1830–1913 and 1822–1889, New York, New York, Painted maple, and vinyl, 101.6 × 43.2 × 48.2 cm (40 × 17 × 19 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/side-chair-part-of-a-set-c-1885-designed-by-louis-comfort-tiffany-american-18481933-made-by-j-matthew-meier-and-ernest-hagen-american-18301913-and-18221889-new-york-new-york-painted-maple-and-vinyl-1016-432-482-cm-40-17-19-in-image328651915.htmlRM2A2KATB–Side Chair (part of a set), c. 1885, Designed by Louis Comfort Tiffany, American, 1848–1933, Made by J. Matthew Meier and Ernest Hagen, American, 1830–1913 and 1822–1889, New York, New York, Painted maple, and vinyl, 101.6 × 43.2 × 48.2 cm (40 × 17 × 19 in
Vase Designed by Louis C. Tiffany American Tiffany Glass and Decorating Company American 1893–94 This object forms part of a group of over forty given to the Museum in 1896 by Louisine and Henry Osborne Havemeyer (96.17.9–.56). The gift was the first American glass to enter the Museum's collection. Most likely prompted by Louis Comfort Tiffany, the Havemeyers presented their collection of Tiffany Favrile glass to the Museum only three years after Tiffany started making decorative blown-glass vessels. The shapes, colors, and finishes of Tiffany's vases and plaques were inspired by the natural w Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vase-designed-by-louis-c-tiffany-american-tiffany-glass-and-decorating-company-american-189394-this-object-forms-part-of-a-group-of-over-forty-given-to-the-museum-in-1896-by-louisine-and-henry-osborne-havemeyer-9617956-the-gift-was-the-first-american-glass-to-enter-the-museums-collection-most-likely-prompted-by-louis-comfort-tiffany-the-havemeyers-presented-their-collection-of-tiffany-favrile-glass-to-the-museum-only-three-years-after-tiffany-started-making-decorative-blown-glass-vessels-the-shapes-colors-and-finishes-of-tiffanys-vases-and-plaques-were-inspired-by-the-natural-w-image569498712.htmlRM2T2EWBM–Vase Designed by Louis C. Tiffany American Tiffany Glass and Decorating Company American 1893–94 This object forms part of a group of over forty given to the Museum in 1896 by Louisine and Henry Osborne Havemeyer (96.17.9–.56). The gift was the first American glass to enter the Museum's collection. Most likely prompted by Louis Comfort Tiffany, the Havemeyers presented their collection of Tiffany Favrile glass to the Museum only three years after Tiffany started making decorative blown-glass vessels. The shapes, colors, and finishes of Tiffany's vases and plaques were inspired by the natural w
Calendar, Designer: Designed by Louis C. Tiffany (American, New York 1848–1933 New York), Maker: Tiffany Studios (1902–32), ca. 1910, American, Made in New York, New York, United States, Medium: Bronze Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-calendar-designer-designed-by-louis-c-tiffany-american-new-york-18481933-168197685.htmlRMKNJ1T5–Calendar, Designer: Designed by Louis C. Tiffany (American, New York 1848–1933 New York), Maker: Tiffany Studios (1902–32), ca. 1910, American, Made in New York, New York, United States, Medium: Bronze
12 Rejoice and be Exceedingly Glad, Wigglesworth Memorial Window, 1922, Louis C. Tiffany, detail - Arlington Street Church - Boston, Massachusetts - DSC07012. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/12-rejoice-and-be-exceedingly-glad-wigglesworth-memorial-window-1922-louis-c-tiffany-detail-arlington-street-church-boston-massachusetts-dsc07012-image209233423.htmlRMP4BBA7–12 Rejoice and be Exceedingly Glad, Wigglesworth Memorial Window, 1922, Louis C. Tiffany, detail - Arlington Street Church - Boston, Massachusetts - DSC07012.
Candlestick, Designer: Designed by Louis C. Tiffany (American, New York 1848–1933 New York), Maker: Tiffany Studios, (1902-32), Candlestick, ca. 1902-10, American, Made in New York, New York, United States, Medium: Bronze, glass Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-candlestick-designer-designed-by-louis-c-tiffany-american-new-york-168198107.htmlRMKNJ2B7–Candlestick, Designer: Designed by Louis C. Tiffany (American, New York 1848–1933 New York), Maker: Tiffany Studios, (1902-32), Candlestick, ca. 1902-10, American, Made in New York, New York, United States, Medium: Bronze, glass
Side Chair (part of a set) - c. Date: 1885; Designed by Louis Comfort Tiffany; American; 1848-1933; Made by J. Matthew Meier and Ernest Hagen; American; 1830-1913 and 1822-1889; New York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/side-chair-part-of-a-set-c-date-1885-designed-by-louis-comfort-tiffany-american-1848-1933-made-by-j-matthew-meier-and-ernest-hagen-american-1830-1913-and-1822-1889-new-york-image381539114.htmlRM2D4MH0X–Side Chair (part of a set) - c. Date: 1885; Designed by Louis Comfort Tiffany; American; 1848-1933; Made by J. Matthew Meier and Ernest Hagen; American; 1830-1913 and 1822-1889; New York
Andiron, Designer: Designed by Louis C. Tiffany (American, New York 1848–1933 New York), Maker: Tiffany Glass and Decorating Company (American, 1892–1902), 1894, American, Made in New York, New York, United States, Medium: Bronze, glass, iron Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-andiron-designer-designed-by-louis-c-tiffany-american-new-york-18481933-168197699.htmlRMKNJ1TK–Andiron, Designer: Designed by Louis C. Tiffany (American, New York 1848–1933 New York), Maker: Tiffany Glass and Decorating Company (American, 1892–1902), 1894, American, Made in New York, New York, United States, Medium: Bronze, glass, iron
Side Chair (part of a set), c. 1885. Designed by Louis Comfort Tiffany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/side-chair-part-of-a-set-c-1885-designed-by-louis-comfort-tiffany-image451398971.htmlRM2H6AYYR–Side Chair (part of a set), c. 1885. Designed by Louis Comfort Tiffany.
Covered Box, Designer: Designed by Louis C. Tiffany (American, New York 1848–1933 New York), Maker: Tiffany Studios (1902–32), ca. 1905-20, American, Made in Queens, New York, New York, United States, Medium: Bronze, glass Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-covered-box-designer-designed-by-louis-c-tiffany-american-new-york-168197686.htmlRMKNJ1T6–Covered Box, Designer: Designed by Louis C. Tiffany (American, New York 1848–1933 New York), Maker: Tiffany Studios (1902–32), ca. 1905-20, American, Made in Queens, New York, New York, United States, Medium: Bronze, glass
901 Letter from Hugh White, Tiffany Studios, 347 to 355 Madison Avenue, Corner Forty-Fifth Street, New York, to Mr. David R. Francis c-o Francis Bros., St. Louis, Mo., May 24, 1913 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/901-letter-from-hugh-white-tiffany-studios-347-to-355-madison-avenue-corner-forty-fifth-street-new-york-to-mr-david-r-francis-c-o-francis-bros-st-louis-mo-may-24-1913-image213430351.htmlRMPB6GGF–901 Letter from Hugh White, Tiffany Studios, 347 to 355 Madison Avenue, Corner Forty-Fifth Street, New York, to Mr. David R. Francis c-o Francis Bros., St. Louis, Mo., May 24, 1913
Dish, Designer: Designed by Louis C. Tiffany (American, New York 1848–1933 New York), Maker: Tiffany Glass and Decorating Company (American, 1892–1902), American, Made in New York, New York, United States, 1898-1902, Medium: Enamel on Copper Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-dish-designer-designed-by-louis-c-tiffany-american-new-york-18481933-168198279.htmlRMKNJ2HB–Dish, Designer: Designed by Louis C. Tiffany (American, New York 1848–1933 New York), Maker: Tiffany Glass and Decorating Company (American, 1892–1902), American, Made in New York, New York, United States, 1898-1902, Medium: Enamel on Copper
Design for architectural detail. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: Overall: 10 7/16 x 14 1/4 in. (26.5 x 36.2 cm). Maker: Louis C. Tiffany & Co. (1883-1885). Date: ca. 1883-85. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-architectural-detail-artist-louis-comfort-tiffany-american-new-york-1848-1933-new-york-culture-american-dimensions-overall-10-716-x-14-14-in-265-x-362-cm-maker-louis-c-tiffany-co-1883-1885-date-ca-1883-85-museum-metropolitan-museum-of-art-new-york-usa-image213111948.htmlRMPAM2D0–Design for architectural detail. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: Overall: 10 7/16 x 14 1/4 in. (26.5 x 36.2 cm). Maker: Louis C. Tiffany & Co. (1883-1885). Date: ca. 1883-85. Museum: Metropolitan Museum of Art, New York, USA.
Design for church interior with Noli Me Tangere window, Artist: Louis C. Tiffany (American, New York 1848–1933 New York), Maker: Tiffany Glass and Decorating Company (American, 1892–1902), ca. 1890-1900, American, Made in New York, United States, Medium: Watercolor, gouache, photograph, collage, pen and colored inks, graphite Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-design-for-church-interior-with-noli-me-tangere-window-artist-louis-168198203.htmlRMKNJ2EK–Design for church interior with Noli Me Tangere window, Artist: Louis C. Tiffany (American, New York 1848–1933 New York), Maker: Tiffany Glass and Decorating Company (American, 1892–1902), ca. 1890-1900, American, Made in New York, United States, Medium: Watercolor, gouache, photograph, collage, pen and colored inks, graphite
English: Exhibit in the Montreal Museum of Fine Arts - Montreal, Quebec, Canada. 28 September 2016, 12:07:54 317 Pond Lily table lamp, Louis Comfort Tiffany, made by Tiffany Studios, New York, c. 1902, bronze, blown glass - Montreal Museum of Fine Arts - Montreal, Canada - DSC09114 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-exhibit-in-the-montreal-museum-of-fine-arts-montreal-quebec-canada-28-september-2016-120754-317-pond-lily-table-lamp-louis-comfort-tiffany-made-by-tiffany-studios-new-york-c-1902-bronze-blown-glass-montreal-museum-of-fine-arts-montreal-canada-dsc09114-image211340731.htmlRMP7RB77–English: Exhibit in the Montreal Museum of Fine Arts - Montreal, Quebec, Canada. 28 September 2016, 12:07:54 317 Pond Lily table lamp, Louis Comfort Tiffany, made by Tiffany Studios, New York, c. 1902, bronze, blown glass - Montreal Museum of Fine Arts - Montreal, Canada - DSC09114
Louis Comfort Tiffany c. 1908 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-louis-comfort-tiffany-c-1908-140188694.htmlRMJ42432–Louis Comfort Tiffany c. 1908
'Landscape with a Greek Temple' by Louis Comfort Tiffany, c. 1900, Cleveland Museum of Art Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-landscape-with-a-greek-temple-by-louis-comfort-tiffany-c-1900-cleveland-114787120.htmlRMGJN040–'Landscape with a Greek Temple' by Louis Comfort Tiffany, c. 1900, Cleveland Museum of Art
An original L C Tiffany stained glass window in the dining hall at Flagler college The old Ponce de leon hotel St Augustine Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-an-original-l-c-tiffany-stained-glass-window-in-the-dining-hall-at-12103112.htmlRMA8H3RN–An original L C Tiffany stained glass window in the dining hall at Flagler college The old Ponce de leon hotel St Augustine
The craftsman . Enamel Jar By Louis C. Tiffany. t^ i5 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-craftsman-enamel-jar-by-louis-c-tiffany-t-i5-image338296625.htmlRM2AJAMP9–The craftsman . Enamel Jar By Louis C. Tiffany. t^ i5
Inspired by Vase, Louis Comfort Tiffany, American, 1848–1933, Tiffany Glass and Decorating Company, New York, New York, 1892–1900, c.1895–96, Glass and bronze, Made in Corona, New York, United States, North and Central America, Containers, glassware, 23 1/8 x 9 1/4 in. (58.7 x 23.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-vase-louis-comfort-tiffany-american-18481933-tiffany-glass-and-decorating-company-new-york-new-york-18921900-c189596-glass-and-bronze-made-in-corona-new-york-united-states-north-and-central-america-containers-glassware-23-18-x-9-14-in-587-x-235-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459278780.htmlRF2HK5XNG–Inspired by Vase, Louis Comfort Tiffany, American, 1848–1933, Tiffany Glass and Decorating Company, New York, New York, 1892–1900, c.1895–96, Glass and bronze, Made in Corona, New York, United States, North and Central America, Containers, glassware, 23 1/8 x 9 1/4 in. (58.7 x 23.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Tumbler, Louis Comfort Tiffany, American, 1848–1933, Tiffany Studios, Corona, New York, 1900–1938, c.1895–1900, Favrile glass, Made in Corona, New York, United States, North and Central America, Glassware, 4 x 2 3/8 in. (10.2 x 6 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tumbler-louis-comfort-tiffany-american-18481933-tiffany-studios-corona-new-york-19001938-c18951900-favrile-glass-made-in-corona-new-york-united-states-north-and-central-america-glassware-4-x-2-38-in-102-x-6-cm-image454294292.htmlRM2HB2W04–Tumbler, Louis Comfort Tiffany, American, 1848–1933, Tiffany Studios, Corona, New York, 1900–1938, c.1895–1900, Favrile glass, Made in Corona, New York, United States, North and Central America, Glassware, 4 x 2 3/8 in. (10.2 x 6 cm
Curtain Designed by Ida F. Clark Associated Artists American ca. 1883–85 This fabric featuring scallop shells interlaced with seaweed is among the few patterns produced by textile designer Candace Wheeler’s firm, Associated Artists, that can be attributed to a specific artist. Ida F. Clark began her career as an embroiderer for Wheeler’s earlier partnership with Louis C. Tiffany but soon became one of the chief designers at Associated Artists. According to the press, she created 'the more conventional designing done by the house.' Clark reused the motif seen here, which was printed on both cot Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/curtain-designed-by-ida-f-clark-associated-artists-american-ca-188385-this-fabric-featuring-scallop-shells-interlaced-with-seaweed-is-among-the-few-patterns-produced-by-textile-designer-candace-wheelers-firm-associated-artists-that-can-be-attributed-to-a-specific-artist-ida-f-clark-began-her-career-as-an-embroiderer-for-wheelers-earlier-partnership-with-louis-c-tiffany-but-soon-became-one-of-the-chief-designers-at-associated-artists-according-to-the-press-she-created-the-more-conventional-designing-done-by-the-house-clark-reused-the-motif-seen-here-which-was-printed-on-both-cot-image569496826.htmlRM2T2ER0A–Curtain Designed by Ida F. Clark Associated Artists American ca. 1883–85 This fabric featuring scallop shells interlaced with seaweed is among the few patterns produced by textile designer Candace Wheeler’s firm, Associated Artists, that can be attributed to a specific artist. Ida F. Clark began her career as an embroiderer for Wheeler’s earlier partnership with Louis C. Tiffany but soon became one of the chief designers at Associated Artists. According to the press, she created 'the more conventional designing done by the house.' Clark reused the motif seen here, which was printed on both cot
Macy's Tiffany glass favrile ceiling mosaic dome on State Street at Christmas, Chicago, Illinois Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-macys-tiffany-glass-favrile-ceiling-mosaic-dome-on-state-street-at-89507093.htmlRMF5HB5W–Macy's Tiffany glass favrile ceiling mosaic dome on State Street at Christmas, Chicago, Illinois
13 Blessed are ye when Men Shall Revile You and Persecute You, Osgood Memorial Window, November 30, 1930, Louis C. Tiffany - Arlington Street Church - Boston, Massachusetts - DSC07016. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/13-blessed-are-ye-when-men-shall-revile-you-and-persecute-you-osgood-memorial-window-november-30-1930-louis-c-tiffany-arlington-street-church-boston-massachusetts-dsc07016-image209250447.htmlRMP4C527–13 Blessed are ye when Men Shall Revile You and Persecute You, Osgood Memorial Window, November 30, 1930, Louis C. Tiffany - Arlington Street Church - Boston, Massachusetts - DSC07016.
C.D. Peacock, the oldest jewelry store in Chicago since 1837, golden clock designed by Louis Comfort Tiffany on the corner of State Street and Monroe Street. Business premises in the Palmer House from 1927. Opened in 1927, the store was co-designed by Miles Lanier Colean, the 'father of urban renewal'. The peacock clock hangs on the Palmer House Hotel on the corner of State Street and Monroe Street on the site where the grand Juvellier house HD Peacock stood in Chicago, Illinois, United States Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cd-peacock-the-oldest-jewelry-store-in-chicago-since-1837-golden-clock-designed-by-louis-comfort-tiffany-on-the-corner-of-state-street-and-monroe-street-business-premises-in-the-palmer-house-from-1927-opened-in-1927-the-store-was-co-designed-by-miles-lanier-colean-the-father-of-urban-renewal-the-peacock-clock-hangs-on-the-palmer-house-hotel-on-the-corner-of-state-street-and-monroe-street-on-the-site-where-the-grand-juvellier-house-hd-peacock-stood-in-chicago-illinois-united-states-image572301153.htmlRF2T72FXW–C.D. Peacock, the oldest jewelry store in Chicago since 1837, golden clock designed by Louis Comfort Tiffany on the corner of State Street and Monroe Street. Business premises in the Palmer House from 1927. Opened in 1927, the store was co-designed by Miles Lanier Colean, the 'father of urban renewal'. The peacock clock hangs on the Palmer House Hotel on the corner of State Street and Monroe Street on the site where the grand Juvellier house HD Peacock stood in Chicago, Illinois, United States
Side Chair (part of a set) - c. Date: 1885; Designed by Louis Comfort Tiffany; American; 1848-1933; Made by J. Matthew Meier and Ernest Hagen; American; 1830-1913 and 1822-1889; New York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/side-chair-part-of-a-set-c-date-1885-designed-by-louis-comfort-tiffany-american-1848-1933-made-by-j-matthew-meier-and-ernest-hagen-american-1830-1913-and-1822-1889-new-york-image381539109.htmlRM2D4MH0N–Side Chair (part of a set) - c. Date: 1885; Designed by Louis Comfort Tiffany; American; 1848-1933; Made by J. Matthew Meier and Ernest Hagen; American; 1830-1913 and 1822-1889; New York
Favrile vase, signed Louis Comfort Tiffany, Tiffany Studios, c. 1900-1919, blown iridescent glass Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/favrile-vase-signed-louis-comfort-tiffany-tiffany-studios-c-1900-1919-blown-iridescent-glass-image329610989.htmlRM2A47251–Favrile vase, signed Louis Comfort Tiffany, Tiffany Studios, c. 1900-1919, blown iridescent glass
Armchair (part of a set), c. 1885. Designed by Louis Comfort Tiffany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/armchair-part-of-a-set-c-1885-designed-by-louis-comfort-tiffany-image451399003.htmlRM2H6B00Y–Armchair (part of a set), c. 1885. Designed by Louis Comfort Tiffany.
Jack-in-the-pulpit vase, Louis Comfort Tiffany, made by Tiffany Studios, New York, c. 1909-1910, blown glass Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jack-in-the-pulpit-vase-louis-comfort-tiffany-made-by-tiffany-studios-new-york-c-1909-1910-blown-glass-image367319723.htmlRM2C9GT1F–Jack-in-the-pulpit vase, Louis Comfort Tiffany, made by Tiffany Studios, New York, c. 1909-1910, blown glass
Search Results for Louis c tiffany Stock Photos and Images (238)
Page 1 of 3