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Maenads head Stock Photos and Images
Antefix in the shape of a maenad's head, 400 BC - 275 BC, Architecture, Roof Tile, Antefix, Painted, Fired, Modelled, Height 19.5 cm, Architecture, Etruscan (720 BC - 89 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/antefix-in-the-shape-of-a-maenads-head-400-bc-275-bc-architecture-roof-tile-antefix-painted-fired-modelled-height-195-cm-architecture-etruscan-720-bc-89-image573196573.htmlRM2T8FA25–Antefix in the shape of a maenad's head, 400 BC - 275 BC, Architecture, Roof Tile, Antefix, Painted, Fired, Modelled, Height 19.5 cm, Architecture, Etruscan (720 BC - 89
Terracotta rim fragment of a kylix (drinking cup) 520–500 B.C. Attributed to the Ambrosios Painter Exterior, part of frontal face of satyr; head of wreathed maenad with chiton; to the right of the maenad's head, part of an inscription, an H. Terracotta rim fragment of a kylix (drinking cup) 687030 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/terracotta-rim-fragment-of-a-kylix-drinking-cup-520500-bc-attributed-to-the-ambrosios-painter-exterior-part-of-frontal-face-of-satyr-head-of-wreathed-maenad-with-chiton-to-the-right-of-the-maenads-head-part-of-an-inscription-an-h-terracotta-rim-fragment-of-a-kylix-drinking-cup-687030-image458642158.htmlRM2HJ4XN2–Terracotta rim fragment of a kylix (drinking cup) 520–500 B.C. Attributed to the Ambrosios Painter Exterior, part of frontal face of satyr; head of wreathed maenad with chiton; to the right of the maenad's head, part of an inscription, an H. Terracotta rim fragment of a kylix (drinking cup) 687030
Art inspired by Maenad-head earrings, Ptolemaic Period, 1st century B.C., From Egypt, gold, a. As Worn: H. 2.5 × W. 2.9 cm (1 × 1 1/8 in.), Earrings with heads of maenads (Dionysus's female followers) are rare in Egypt but occur in the Levant and Cyprus. The form is late Hellenistic, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-maenad-head-earrings-ptolemaic-period-1st-century-bc-from-egypt-gold-a-as-worn-h-25-w-29-cm-1-1-18-in-earrings-with-heads-of-maenads-dionysuss-female-followers-are-rare-in-egypt-but-occur-in-the-levant-and-cyprus-the-form-is-late-hellenistic-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462852344.htmlRF2HW0MTT–Art inspired by Maenad-head earrings, Ptolemaic Period, 1st century B.C., From Egypt, gold, a. As Worn: H. 2.5 × W. 2.9 cm (1 × 1 1/8 in.), Earrings with heads of maenads (Dionysus's female followers) are rare in Egypt but occur in the Levant and Cyprus. The form is late Hellenistic, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Maenad-head earrings, Ptolemaic Period, 1st century B.C., From Egypt, gold, a. As Worn: H. 2.5 × W. 2.9 cm (1 × 1 1/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-maenad-head-earrings-ptolemaic-period-1st-century-bc-from-egypt-gold-162444494.htmlRMKC7YH2–Maenad-head earrings, Ptolemaic Period, 1st century B.C., From Egypt, gold, a. As Worn: H. 2.5 × W. 2.9 cm (1 × 1 1/8 in
Maenad-head earrings. Dimensions: a. As Worn: H. 2.5 × W. 2.9 cm (1 × 1 1/8 in.) b. As Worn: H. 2.4 × W. 2.7 cm (15/16 × 1 1/16 in.). Date: 1st century B.C.. Earrings with heads of maenads (Dionysus's female followers) are rare in Egypt but occur in the Levant and Cyprus. The form is late Hellenistic. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maenad-head-earrings-dimensions-a-as-worn-h-25-w-29-cm-1-1-18-in-b-as-worn-h-24-w-27-cm-1516-1-116-in-date-1st-century-bc-earrings-with-heads-of-maenads-dionysuss-female-followers-are-rare-in-egypt-but-occur-in-the-levant-and-cyprus-the-form-is-late-hellenistic-museum-metropolitan-museum-of-art-new-york-usa-image213501057.htmlRMPB9PNN–Maenad-head earrings. Dimensions: a. As Worn: H. 2.5 × W. 2.9 cm (1 × 1 1/8 in.) b. As Worn: H. 2.4 × W. 2.7 cm (15/16 × 1 1/16 in.). Date: 1st century B.C.. Earrings with heads of maenads (Dionysus's female followers) are rare in Egypt but occur in the Levant and Cyprus. The form is late Hellenistic. Museum: Metropolitan Museum of Art, New York, USA.
Design for Majolica Pitcher, Black chalk, pen and black-brown ink, brush and sepia, blue wash on paper, At left, handle in shape of bird's head, foliated. Scrolls and a mask form the foot. Satyrs, maenads, and children make up the body. Young Bacchus, leaning on shoulder, raises a shell with his left hand., Italy, 18th century, ceramics, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-majolica-pitcher-black-chalk-pen-and-black-brown-ink-brush-and-sepia-blue-wash-on-paper-at-left-handle-in-shape-of-birds-head-foliated-scrolls-and-a-mask-form-the-foot-satyrs-maenads-and-children-make-up-the-body-young-bacchus-leaning-on-shoulder-raises-a-shell-with-his-left-hand-italy-18th-century-ceramics-drawing-image391225028.htmlRM2DMDREC–Design for Majolica Pitcher, Black chalk, pen and black-brown ink, brush and sepia, blue wash on paper, At left, handle in shape of bird's head, foliated. Scrolls and a mask form the foot. Satyrs, maenads, and children make up the body. Young Bacchus, leaning on shoulder, raises a shell with his left hand., Italy, 18th century, ceramics, Drawing
A Bacchanalian Revel. Maenads resting in a wood at the edge of a mountain lake. At far right, a woman dances holding a tambourine over her head. A satyr reclines at left. A putto flies overhead. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-bacchanalian-revel-maenads-resting-in-a-wood-at-the-edge-of-a-mountain-lake-at-far-right-a-woman-dances-holding-a-tambourine-over-her-head-a-satyr-reclines-at-left-a-putto-flies-overhead-image353494644.htmlRM2BF320M–A Bacchanalian Revel. Maenads resting in a wood at the edge of a mountain lake. At far right, a woman dances holding a tambourine over her head. A satyr reclines at left. A putto flies overhead.
A Bacchanalian Revel, Henri Antoine de Favanne, French, born England, 1668 - 1752, Pen and brown ink, charcoal, brush and gray wash on laid paper, Maenads resting in a wood at the edge of a mountain lake. At far right, a woman dances holding a tambourine over her head. A satyr reclines at left. A putto flies overhead., France, ca. 1746, Drawing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-bacchanalian-revel-henri-antoine-de-favanne-french-born-england-1668-1752-pen-and-brown-ink-charcoal-brush-and-gray-wash-on-laid-paper-maenads-resting-in-a-wood-at-the-edge-of-a-mountain-lake-at-far-right-a-woman-dances-holding-a-tambourine-over-her-head-a-satyr-reclines-at-left-a-putto-flies-overhead-france-ca-1746-drawing-image391669576.htmlRM2DN62F4–A Bacchanalian Revel, Henri Antoine de Favanne, French, born England, 1668 - 1752, Pen and brown ink, charcoal, brush and gray wash on laid paper, Maenads resting in a wood at the edge of a mountain lake. At far right, a woman dances holding a tambourine over her head. A satyr reclines at left. A putto flies overhead., France, ca. 1746, Drawing
Design for Majolica Pitcher. At left, handle in shape of bird's head, foliated. Scrolls and a mask form the foot. Satyrs, maenads, and children make up the body. Young Bacchus, leaning on shoulder, raises a shell with his left hand. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-majolica-pitcher-at-left-handle-in-shape-of-birds-head-foliated-scrolls-and-a-mask-form-the-foot-satyrs-maenads-and-children-make-up-the-body-young-bacchus-leaning-on-shoulder-raises-a-shell-with-his-left-hand-image353462542.htmlRM2BF1H26–Design for Majolica Pitcher. At left, handle in shape of bird's head, foliated. Scrolls and a mask form the foot. Satyrs, maenads, and children make up the body. Young Bacchus, leaning on shoulder, raises a shell with his left hand.
Design for a Centerpiece, Pietro Belli, Italian, 1780–1828, Pen and brown ink, brush and gray and pale yellow watercolor over graphite on light green paper, Design for a centerpiece, positioned at the center of the sheet. The base is in the form of a truncated column upon which stand two female figures dressed in classical attire (maenads) holding aloft floral wreaths and garlands. They are shown in profile. The bowl rests on a quiver with arrows, which is positioned between the female figures. On either side of the base is a griffin carrying a bowl on its head., Rome, Italy, early 19th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-centerpiece-pietro-belli-italian-17801828-pen-and-brown-ink-brush-and-gray-and-pale-yellow-watercolor-over-graphite-on-light-green-paper-design-for-a-centerpiece-positioned-at-the-center-of-the-sheet-the-base-is-in-the-form-of-a-truncated-column-upon-which-stand-two-female-figures-dressed-in-classical-attire-maenads-holding-aloft-floral-wreaths-and-garlands-they-are-shown-in-profile-the-bowl-rests-on-a-quiver-with-arrows-which-is-positioned-between-the-female-figures-on-either-side-of-the-base-is-a-griffin-carrying-a-bowl-on-its-head-rome-italy-early-19th-image391266347.htmlRM2DMFM63–Design for a Centerpiece, Pietro Belli, Italian, 1780–1828, Pen and brown ink, brush and gray and pale yellow watercolor over graphite on light green paper, Design for a centerpiece, positioned at the center of the sheet. The base is in the form of a truncated column upon which stand two female figures dressed in classical attire (maenads) holding aloft floral wreaths and garlands. They are shown in profile. The bowl rests on a quiver with arrows, which is positioned between the female figures. On either side of the base is a griffin carrying a bowl on its head., Rome, Italy, early 19th
The Rites of Dionysus sculpture of a rabbit head by the artist Tim Shaw in the Eden Project Mediterranean biome Cornwall Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-rites-of-dionysus-sculpture-of-a-rabbit-head-by-the-artist-tim-shaw-in-the-eden-project-mediterranean-biome-cornwall-image328466289.htmlRM2A2AX2W–The Rites of Dionysus sculpture of a rabbit head by the artist Tim Shaw in the Eden Project Mediterranean biome Cornwall
Art inspired by Terracotta guttus (flask with handle and vertical spout), Late Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 3 3/4 in. (9.6 cm), Vases, On the top, frontal head of a maenad. The small boss on the maenad's forehead is a lock of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-terracotta-guttus-flask-with-handle-and-vertical-spout-late-classical-4th-century-bc-greek-south-italian-campanian-terracotta-black-glaze-h-3-34-in-96-cm-vases-on-the-top-frontal-head-of-a-maenad-the-small-boss-on-the-maenads-forehead-is-a-lock-of-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462933184.htmlRF2HW4C00–Art inspired by Terracotta guttus (flask with handle and vertical spout), Late Classical, 4th century B.C., Greek, South Italian, Campanian, Terracotta; black-glaze, H. 3 3/4 in. (9.6 cm), Vases, On the top, frontal head of a maenad. The small boss on the maenad's forehead is a lock of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Fragment of a vessel, clay, quickly turned, painted (pottery), alternately fired, clay, Total: Height: 4.4 cm; Width: 6.9 cm; Depth: 0.5 cm, pottery, satyr, fauns, silene, flute, Strict style, The only flat vaulted fragment probably originally belonged to a larger vessel, possibly a crater or an amphora Preserved is the head of a satyr who plays a double flute (Greek: diaulos). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-of-a-vessel-clay-quickly-turned-painted-pottery-alternately-fired-clay-total-height-44-cm-width-69-cm-depth-05-cm-pottery-satyr-fauns-silene-flute-strict-style-the-only-flat-vaulted-fragment-probably-originally-belonged-to-a-larger-vessel-possibly-a-crater-or-an-amphora-preserved-is-the-head-of-a-satyr-who-plays-a-double-flute-greek-diaulos-image392067011.htmlRM2DNT5D7–Fragment of a vessel, clay, quickly turned, painted (pottery), alternately fired, clay, Total: Height: 4.4 cm; Width: 6.9 cm; Depth: 0.5 cm, pottery, satyr, fauns, silene, flute, Strict style, The only flat vaulted fragment probably originally belonged to a larger vessel, possibly a crater or an amphora Preserved is the head of a satyr who plays a double flute (Greek: diaulos).
Furious Maenad. Attic kylix by Brygos Painter dated from circa 490-480 BC on display in the Staatliche Antikensammlungen (Bavarian State Collection of Antiques) in Munich, Bavaria, Germany. Maenad is depicted in the tondo holding a thyrsus and shaking a panther in the air, while a whistling snake is rolled up over her head like a diadem. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-furious-maenad-attic-kylix-by-brygos-painter-dated-from-circa-490-135597188.htmlRMHTGYGM–Furious Maenad. Attic kylix by Brygos Painter dated from circa 490-480 BC on display in the Staatliche Antikensammlungen (Bavarian State Collection of Antiques) in Munich, Bavaria, Germany. Maenad is depicted in the tondo holding a thyrsus and shaking a panther in the air, while a whistling snake is rolled up over her head like a diadem.
Bacchus and Ariadne with Autumn and Victories and Three Roundels with Putti, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, traces of graphite on cream laid paper, Three roundels, each containing flying putto with respectively, arrow, sword, shield. On second row, at left, Ariadne and Dionysus sit between two maenads. Third maenad kneels and offers something from bucket. At right rests herm of Pan, while in front rests goat suckling satyr child. Below, candelabra connected by festoon; winged genius kneels. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bacchus-and-ariadne-with-autumn-and-victories-and-three-roundels-with-putti-felice-giani-italian-17581823-pen-and-brown-ink-brush-and-brown-wash-traces-of-graphite-on-cream-laid-paper-three-roundels-each-containing-flying-putto-with-respectively-arrow-sword-shield-on-second-row-at-left-ariadne-and-dionysus-sit-between-two-maenads-third-maenad-kneels-and-offers-something-from-bucket-at-right-rests-herm-of-pan-while-in-front-rests-goat-suckling-satyr-child-below-candelabra-connected-by-festoon-winged-genius-kneels-image391381162.htmlRM2DMMXJJ–Bacchus and Ariadne with Autumn and Victories and Three Roundels with Putti, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, traces of graphite on cream laid paper, Three roundels, each containing flying putto with respectively, arrow, sword, shield. On second row, at left, Ariadne and Dionysus sit between two maenads. Third maenad kneels and offers something from bucket. At right rests herm of Pan, while in front rests goat suckling satyr child. Below, candelabra connected by festoon; winged genius kneels.
Art inspired by Marble female herm, Early Imperial, 1st century A.D., Roman, Marble, H. 11 1/2 in. (29.2 cm), Stone Sculpture, Herms are rectangular stone shafts terminating in a head. They originated as markers surmounted with an image of the god Hermes, but by the Roman period they, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-marble-female-herm-early-imperial-1st-century-ad-roman-marble-h-11-12-in-292-cm-stone-sculpture-herms-are-rectangular-stone-shafts-terminating-in-a-head-they-originated-as-markers-surmounted-with-an-image-of-the-god-hermes-but-by-the-roman-period-they-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462789548.htmlRF2HTWTP4–Art inspired by Marble female herm, Early Imperial, 1st century A.D., Roman, Marble, H. 11 1/2 in. (29.2 cm), Stone Sculpture, Herms are rectangular stone shafts terminating in a head. They originated as markers surmounted with an image of the god Hermes, but by the Roman period they, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Classical portrait of a Baccante or Maenad in Greek mythology Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-classical-portrait-of-a-baccante-or-maenad-in-greek-mythology-37228316.htmlRMC4FW2M–Classical portrait of a Baccante or Maenad in Greek mythology
. Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use. net). 9. Head, in profile. Modern, French, by the sculptor Cain ofParis, (Raguenet). 10. Head, by Lienard, Modern, French. 11. Head, by Prof. Volz, of Carlsruhe. The Lion Head, Goat Head, &c. (Plates 49, 50.) The Tiger (Felis tigris) and the Panther (Felis pardus) aresometimes found in antique works. Amorini, Bacchantes, and Maenads,gambol about on them or drive in carriages drawn by these crea-tures; and decorate themselves and their utensils with the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/handbook-of-ornament-a-grammar-of-art-industrial-and-architectural-designing-in-all-its-branches-for-practical-as-well-as-theoretical-use-net-9-head-in-profile-modern-french-by-the-sculptor-cain-ofparis-raguenet-10-head-by-lienard-modern-french-11-head-by-prof-volz-of-carlsruhe-the-lion-head-goat-head-c-plates-49-50-the-tiger-felis-tigris-and-the-panther-felis-pardus-aresometimes-found-in-antique-works-amorini-bacchantes-and-maenadsgambol-about-on-them-or-drive-in-carriages-drawn-by-these-crea-tures-and-decorate-themselves-and-their-utensils-with-the-image336949756.htmlRM2AG5ART–. Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use. net). 9. Head, in profile. Modern, French, by the sculptor Cain ofParis, (Raguenet). 10. Head, by Lienard, Modern, French. 11. Head, by Prof. Volz, of Carlsruhe. The Lion Head, Goat Head, &c. (Plates 49, 50.) The Tiger (Felis tigris) and the Panther (Felis pardus) aresometimes found in antique works. Amorini, Bacchantes, and Maenads,gambol about on them or drive in carriages drawn by these crea-tures; and decorate themselves and their utensils with the
Marble female herm, Early Imperial, 1st century A.D., Roman, Marble, H. 11 1/2 in. (29.2 cm), Stone Sculpture, Herms are Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-marble-female-herm-early-imperial-1st-century-ad-roman-marble-h-11-162423179.htmlRMKC70BR–Marble female herm, Early Imperial, 1st century A.D., Roman, Marble, H. 11 1/2 in. (29.2 cm), Stone Sculpture, Herms are
Maenad-head earrings 1st century B.C. Ptolemaic Period Earrings with heads of maenads (Dionysus's female followers) are rare in Egypt but occur in the Levant and Cyprus. The form is late Hellenistic.. Maenad-head earrings 547945 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/maenad-head-earrings-1st-century-bc-ptolemaic-period-earrings-with-heads-of-maenads-dionysuss-female-followers-are-rare-in-egypt-but-occur-in-the-levant-and-cyprus-the-form-is-late-hellenistic-maenad-head-earrings-547945-image458533042.htmlRM2HHYYG2–Maenad-head earrings 1st century B.C. Ptolemaic Period Earrings with heads of maenads (Dionysus's female followers) are rare in Egypt but occur in the Levant and Cyprus. The form is late Hellenistic.. Maenad-head earrings 547945
Marble female herm Roman 1st century CE Herms are rectangular stone shafts terminating in a head. They originated as markers surmounted with an image of the god Hermes, but by the Roman period they were no longer restricted in subject. Private villas were filled with herms showing the heads of satyrs, maenads, young athletes, or philosopher portraits. This decorative female herm would have made an appropriate garden decoration. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marble-female-herm-roman-1st-century-ce-herms-are-rectangular-stone-shafts-terminating-in-a-head-they-originated-as-markers-surmounted-with-an-image-of-the-god-hermes-but-by-the-roman-period-they-were-no-longer-restricted-in-subject-private-villas-were-filled-with-herms-showing-the-heads-of-satyrs-maenads-young-athletes-or-philosopher-portraits-this-decorative-female-herm-would-have-made-an-appropriate-garden-decoration-image569500516.htmlRM2T2EYM4–Marble female herm Roman 1st century CE Herms are rectangular stone shafts terminating in a head. They originated as markers surmounted with an image of the god Hermes, but by the Roman period they were no longer restricted in subject. Private villas were filled with herms showing the heads of satyrs, maenads, young athletes, or philosopher portraits. This decorative female herm would have made an appropriate garden decoration.
Marble female herm. Culture: Roman. Dimensions: H. 11 1/2 in. (29.2 cm). Date: 1st century A.D.. Herms are rectangular stone shafts terminating in a head. They originated as markers surmounted with an image of the god Hermes, but by the Roman period they were no longer restricted in subject. Private villas were filled with herms showing the heads of satyrs, maenads, young athletes, or philosopher portraits. This decorative female herm would have made an appropriate garden decoration. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marble-female-herm-culture-roman-dimensions-h-11-12-in-292-cm-date-1st-century-ad-herms-are-rectangular-stone-shafts-terminating-in-a-head-they-originated-as-markers-surmounted-with-an-image-of-the-god-hermes-but-by-the-roman-period-they-were-no-longer-restricted-in-subject-private-villas-were-filled-with-herms-showing-the-heads-of-satyrs-maenads-young-athletes-or-philosopher-portraits-this-decorative-female-herm-would-have-made-an-appropriate-garden-decoration-museum-metropolitan-museum-of-art-new-york-usa-image212870843.htmlRMPA92X3–Marble female herm. Culture: Roman. Dimensions: H. 11 1/2 in. (29.2 cm). Date: 1st century A.D.. Herms are rectangular stone shafts terminating in a head. They originated as markers surmounted with an image of the god Hermes, but by the Roman period they were no longer restricted in subject. Private villas were filled with herms showing the heads of satyrs, maenads, young athletes, or philosopher portraits. This decorative female herm would have made an appropriate garden decoration. Museum: Metropolitan Museum of Art, New York, USA.
Terracotta fragments of a column-krater (deep bowl) 500–480 B.C. Etruscan The largest fragment is from the rim, neck, and shoulder of the krater; on the top of the rim, pendant lotus buds; the neck is black glazed; on the shoulder, a band of tongues, below, in the panel on the obverse, at the left, part of the head of a satyr to right?; head and neck of a draped woman to left; part of the head and arm of a second woman to left (maenads); the panel border is comprised of ivy; a second fragment is from the rim, neck, and shoulder of the krater; on the top of the rim, pendant lotus buds; on the o Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/terracotta-fragments-of-a-column-krater-deep-bowl-500480-bc-etruscan-the-largest-fragment-is-from-the-rim-neck-and-shoulder-of-the-krater-on-the-top-of-the-rim-pendant-lotus-buds-the-neck-is-black-glazed-on-the-shoulder-a-band-of-tongues-below-in-the-panel-on-the-obverse-at-the-left-part-of-the-head-of-a-satyr-to-right-head-and-neck-of-a-draped-woman-to-left-part-of-the-head-and-arm-of-a-second-woman-to-left-maenads-the-panel-border-is-comprised-of-ivy-a-second-fragment-is-from-the-rim-neck-and-shoulder-of-the-krater-on-the-top-of-the-rim-pendant-lotus-buds-on-the-o-image457915061.htmlRM2HGYR99–Terracotta fragments of a column-krater (deep bowl) 500–480 B.C. Etruscan The largest fragment is from the rim, neck, and shoulder of the krater; on the top of the rim, pendant lotus buds; the neck is black glazed; on the shoulder, a band of tongues, below, in the panel on the obverse, at the left, part of the head of a satyr to right?; head and neck of a draped woman to left; part of the head and arm of a second woman to left (maenads); the panel border is comprised of ivy; a second fragment is from the rim, neck, and shoulder of the krater; on the top of the rim, pendant lotus buds; on the o
Terracotta guttus (flask with handle and vertical spout) 4th century B.C. Greek, South Italian, Campanian On the top, frontal head of a maenadThe small boss on the maenad's forehead is a lock of hair, tied into a knot. This convention, known especially from representations of youths, became applied to other subjects in the late Classical period.. Terracotta guttus (flask with handle and vertical spout) 254402 Greek, South Italian, Campanian, Terracotta guttus (flask with handle and vertical spout), 4th century B.C., Terracotta, H. 3 3/4 in. (9.6 cm). The Metropolitan Museum of Art, New York. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/terracotta-guttus-flask-with-handle-and-vertical-spout-4th-century-bc-greek-south-italian-campanian-on-the-top-frontal-head-of-a-maenadthe-small-boss-on-the-maenads-forehead-is-a-lock-of-hair-tied-into-a-knot-this-convention-known-especially-from-representations-of-youths-became-applied-to-other-subjects-in-the-late-classical-period-terracotta-guttus-flask-with-handle-and-vertical-spout-254402-greek-south-italian-campanian-terracotta-guttus-flask-with-handle-and-vertical-spout-4th-century-bc-terracotta-h-3-34-in-96-cm-the-metropolitan-museum-of-art-new-york-image458552029.htmlRM2HJ0RP5–Terracotta guttus (flask with handle and vertical spout) 4th century B.C. Greek, South Italian, Campanian On the top, frontal head of a maenadThe small boss on the maenad's forehead is a lock of hair, tied into a knot. This convention, known especially from representations of youths, became applied to other subjects in the late Classical period.. Terracotta guttus (flask with handle and vertical spout) 254402 Greek, South Italian, Campanian, Terracotta guttus (flask with handle and vertical spout), 4th century B.C., Terracotta, H. 3 3/4 in. (9.6 cm). The Metropolitan Museum of Art, New York.
The death of Orpheus; Metamorphoses from Ovid. The maenads of Ciconia kill Orpheus after he lost Eurydice. On the right in the background Apollo with the head of Orpheus. In the margin a four-line caption, in two columns, in Latin. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-death-of-orpheus-metamorphoses-from-ovid-the-maenads-of-ciconia-kill-orpheus-after-he-lost-eurydice-on-the-right-in-the-background-apollo-with-the-head-of-orpheus-in-the-margin-a-four-line-caption-in-two-columns-in-latin-image431643809.htmlRM2G27229–The death of Orpheus; Metamorphoses from Ovid. The maenads of Ciconia kill Orpheus after he lost Eurydice. On the right in the background Apollo with the head of Orpheus. In the margin a four-line caption, in two columns, in Latin.
Terracotta guttus (flask with handle and vertical spout). Culture: Greek, South Italian, Campanian. Dimensions: H. 3 3/4 in. (9.6 cm). Date: 4th century B.C.. On the top, frontal head of a maenad The small boss on the maenad's forehead is a lock of hair, tied into a knot. This convention, known especially from representations of youths, became applied to other subjects in the late Classical period. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/terracotta-guttus-flask-with-handle-and-vertical-spout-culture-greek-south-italian-campanian-dimensions-h-3-34-in-96-cm-date-4th-century-bc-on-the-top-frontal-head-of-a-maenad-the-small-boss-on-the-maenads-forehead-is-a-lock-of-hair-tied-into-a-knot-this-convention-known-especially-from-representations-of-youths-became-applied-to-other-subjects-in-the-late-classical-period-museum-metropolitan-museum-of-art-new-york-usa-image212873821.htmlRMPA96MD–Terracotta guttus (flask with handle and vertical spout). Culture: Greek, South Italian, Campanian. Dimensions: H. 3 3/4 in. (9.6 cm). Date: 4th century B.C.. On the top, frontal head of a maenad The small boss on the maenad's forehead is a lock of hair, tied into a knot. This convention, known especially from representations of youths, became applied to other subjects in the late Classical period. Museum: Metropolitan Museum of Art, New York, USA.
Top: Golden diadem depicting God Dionysus and the panther, in the center, surrounded by Dionysian scenes with satyrs and maenads. Greece, 300 BC. At the bottom, gold diadem depicting a kneeling man with a bow, in the central part. Archaic Period. 400-500 BC. Museum of Mediterranean and Near Eastern Antiquities. Stockholm. Sweden. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/top-golden-diadem-depicting-god-dionysus-and-the-panther-in-the-center-surrounded-by-dionysian-scenes-with-satyrs-and-maenads-greece-300-bc-at-the-bottom-gold-diadem-depicting-a-kneeling-man-with-a-bow-in-the-central-part-archaic-period-400-500-bc-museum-of-mediterranean-and-near-eastern-antiquities-stockholm-sweden-image231215414.htmlRMRC4NHA–Top: Golden diadem depicting God Dionysus and the panther, in the center, surrounded by Dionysian scenes with satyrs and maenads. Greece, 300 BC. At the bottom, gold diadem depicting a kneeling man with a bow, in the central part. Archaic Period. 400-500 BC. Museum of Mediterranean and Near Eastern Antiquities. Stockholm. Sweden.
Search Results for Maenads head Stock Photos and Images (27)
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