Mahogany tables Black & White Stock Photos
. English: Fleuron from book: A catalogue of all the genuine rich houshold furniture, plate, linen, And other valuable effects; Together with his large Live and Dead Stock, Horses, Carriages, Waggons, Carts, Hay, Corn, Wines, &c. of Anthony Keck, Esq; Late of Great Tew, in the County of Oxford, deceased; consisting of Four Post and other Bedsteads, fine Goose Feather Beds and Bedding; Mahogany Tables, Bureaus and Chairs; Pier, Sconce, and Chimney Glasses, and good Kitchen Furniture; Which, by Order of the Executrix, will be Sold by Auction, By Mess. Webster and Willoughby, On the premises, On Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-fleuron-from-book-a-catalogue-of-all-the-genuine-rich-houshold-furniture-plate-linen-and-other-valuable-effects-together-with-his-large-live-and-dead-stock-horses-carriages-waggons-carts-hay-corn-wines-c-of-anthony-keck-esq-late-of-great-tew-in-the-county-of-oxford-deceased-consisting-of-four-post-and-other-bedsteads-fine-goose-feather-beds-and-bedding-mahogany-tables-bureaus-and-chairs-pier-sconce-and-chimney-glasses-and-good-kitchen-furniture-which-by-order-of-the-executrix-will-be-sold-by-auction-by-mess-webster-and-willoughby-on-the-premises-on-image206581335.htmlRMP02GGR–. English: Fleuron from book: A catalogue of all the genuine rich houshold furniture, plate, linen, And other valuable effects; Together with his large Live and Dead Stock, Horses, Carriages, Waggons, Carts, Hay, Corn, Wines, &c. of Anthony Keck, Esq; Late of Great Tew, in the County of Oxford, deceased; consisting of Four Post and other Bedsteads, fine Goose Feather Beds and Bedding; Mahogany Tables, Bureaus and Chairs; Pier, Sconce, and Chimney Glasses, and good Kitchen Furniture; Which, by Order of the Executrix, will be Sold by Auction, By Mess. Webster and Willoughby, On the premises, On
Card Table. Culture: American. Dimensions: 28 3/4 x 36 3/8 x 35 7/8 in. (73 x 92.4 x 91.1 cm). Maker: Probably Henry Connelly (1770-1826). Date: 1815-20. The attribution of this card table is based on its similarity to a pair of tables Henry Connelly made for the prominent Philadelphia banker and philanthropist Stephen Girard in 1817. All are distinguished by their elegant proportions, shimmering mahogany surfaces, and fine carving. Dolphins--popular French-inspired motifs in both New York and Philadelphia furniture during the early decades of the nineteenth century--here grace a lyre-shaped Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/card-table-culture-american-dimensions-28-34-x-36-38-x-35-78-in-73-x-924-x-911-cm-maker-probably-henry-connelly-1770-1826-date-1815-20-the-attribution-of-this-card-table-is-based-on-its-similarity-to-a-pair-of-tables-henry-connelly-made-for-the-prominent-philadelphia-banker-and-philanthropist-stephen-girard-in-1817-all-are-distinguished-by-their-elegant-proportions-shimmering-mahogany-surfaces-and-fine-carving-dolphins-popular-french-inspired-motifs-in-both-new-york-and-philadelphia-furniture-during-the-early-decades-of-the-nineteenth-century-here-grace-a-lyre-shaped-image213111698.htmlRMPAM242–Card Table. Culture: American. Dimensions: 28 3/4 x 36 3/8 x 35 7/8 in. (73 x 92.4 x 91.1 cm). Maker: Probably Henry Connelly (1770-1826). Date: 1815-20. The attribution of this card table is based on its similarity to a pair of tables Henry Connelly made for the prominent Philadelphia banker and philanthropist Stephen Girard in 1817. All are distinguished by their elegant proportions, shimmering mahogany surfaces, and fine carving. Dolphins--popular French-inspired motifs in both New York and Philadelphia furniture during the early decades of the nineteenth century--here grace a lyre-shaped
Card and backgammon table 1760–90 American The upper playing surface of this rare tripletop gaming table is inlaid with patterns of backgammon and chess boards; the lower one is lined with baize for playing cards. Otherwise, the table is characteristic of a small group of New York card tables with bold serpentine fronts.. Card and backgammon table. American. 1760–90. Mahogany, mahogany veneer, rosewood and satinwood inlays, beech, tulip poplar. Made in New York, New York, United States Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/card-and-backgammon-table-176090-american-the-upper-playing-surface-of-this-rare-tripletop-gaming-table-is-inlaid-with-patterns-of-backgammon-and-chess-boards-the-lower-one-is-lined-with-baize-for-playing-cards-otherwise-the-table-is-characteristic-of-a-small-group-of-new-york-card-tables-with-bold-serpentine-fronts-card-and-backgammon-table-american-176090-mahogany-mahogany-veneer-rosewood-and-satinwood-inlays-beech-tulip-poplar-made-in-new-york-new-york-united-states-image458439100.htmlRM2HHRKN0–Card and backgammon table 1760–90 American The upper playing surface of this rare tripletop gaming table is inlaid with patterns of backgammon and chess boards; the lower one is lined with baize for playing cards. Otherwise, the table is characteristic of a small group of New York card tables with bold serpentine fronts.. Card and backgammon table. American. 1760–90. Mahogany, mahogany veneer, rosewood and satinwood inlays, beech, tulip poplar. Made in New York, New York, United States
![Marble Vase, the Chantrey Pedestal, Ariosto's Inkstand, Addison's Writing-Table, and Washington's Coffee-Pot, from the Rogers Collection, 1856. '...the Chantrey Pedestal...is of mahogany, and was carved by Chantrey, in 1803...[it] was purchased...for 10 guineas. The upper part is carved in Greek pattern. Upon the Pedestal is a Marble Vase and Cover, of elegant form, the surface covered with flowers and foliage in relief, and the handles double snakes...[it] sold for 40 guineas. In the same group is Washington's Coffee-cup, of plain white Sevres porcelain, with gold line ornamentation. It was r Stock Photo](https://c8.alamy.com/comp/2R4DHN8/marble-vase-the-chantrey-pedestal-ariostos-inkstand-addisons-writing-table-and-washingtons-coffee-pot-from-the-rogers-collection-1856-the-chantrey-pedestalis-of-mahogany-and-was-carved-by-chantrey-in-1803-it-was-purchasedfor-10-guineas-the-upper-part-is-carved-in-greek-pattern-upon-the-pedestal-is-a-marble-vase-and-cover-of-elegant-form-the-surface-covered-with-flowers-and-foliage-in-relief-and-the-handles-double-snakes-it-sold-for-40-guineas-in-the-same-group-is-washingtons-coffee-cup-of-plain-white-sevres-porcelain-with-gold-line-ornamentation-it-was-r-2R4DHN8.jpg "Marble Vase, the Chantrey Pedestal, Ariosto's Inkstand, Addison's Writing-Table, and Washington's Coffee-Pot, from the Rogers Collection, 1856. '...the Chantrey Pedestal...is of mahogany, and was carved by Chantrey, in 1803...[it] was purchased...for 10 guineas. The upper part is carved in Greek pattern. Upon the Pedestal is a Marble Vase and Cover, of elegant form, the surface covered with flowers and foliage in relief, and the handles double snakes...[it] sold for 40 guineas. In the same group is Washington's Coffee-cup, of plain white Sevres porcelain, with gold line ornamentation. It was r Stock Photo")
Marble Vase, the Chantrey Pedestal, Ariosto's Inkstand, Addison's Writing-Table, and Washington's Coffee-Pot, from the Rogers Collection, 1856. '...the Chantrey Pedestal...is of mahogany, and was carved by Chantrey, in 1803...[it] was purchased...for 10 guineas. The upper part is carved in Greek pattern. Upon the Pedestal is a Marble Vase and Cover, of elegant form, the surface covered with flowers and foliage in relief, and the handles double snakes...[it] sold for 40 guineas. In the same group is Washington's Coffee-cup, of plain white Sevres porcelain, with gold line ornamentation. It was r Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-vase-the-chantrey-pedestal-ariostos-inkstand-addisons-writing-table-and-washingtons-coffee-pot-from-the-rogers-collection-1856-the-chantrey-pedestalis-of-mahogany-and-was-carved-by-chantrey-in-1803-it-was-purchasedfor-10-guineas-the-upper-part-is-carved-in-greek-pattern-upon-the-pedestal-is-a-marble-vase-and-cover-of-elegant-form-the-surface-covered-with-flowers-and-foliage-in-relief-and-the-handles-double-snakes-it-sold-for-40-guineas-in-the-same-group-is-washingtons-coffee-cup-of-plain-white-sevres-porcelain-with-gold-line-ornamentation-it-was-r-image553489700.htmlRM2R4DHN8–Marble Vase, the Chantrey Pedestal, Ariosto's Inkstand, Addison's Writing-Table, and Washington's Coffee-Pot, from the Rogers Collection, 1856. '...the Chantrey Pedestal...is of mahogany, and was carved by Chantrey, in 1803...[it] was purchased...for 10 guineas. The upper part is carved in Greek pattern. Upon the Pedestal is a Marble Vase and Cover, of elegant form, the surface covered with flowers and foliage in relief, and the handles double snakes...[it] sold for 40 guineas. In the same group is Washington's Coffee-cup, of plain white Sevres porcelain, with gold line ornamentation. It was r
Our homes, and how to beautify them . woodwork there is, apart from thepanelling, is a deep, rich mahogany. The note here is extreme refinement.Everything is delicate, and the Sheraton satinwood chairs and tables harmoniseexactly with the chaste elegance of the fixed decoration. Blue should be thecolour-note, as it shows up the satinwood almost better than any other colour.But the blue must be carefully chosen, graduating from the deep royal shadein the carpet to the pale, almost cerulean tone of the fillings. The (Georgianroom shown in Plate XXVI., is panelled in white, the furniture being of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/our-homes-and-how-to-beautify-them-woodwork-there-is-apart-from-thepanelling-is-a-deep-rich-mahogany-the-note-here-is-extreme-refinementeverything-is-delicate-and-the-sheraton-satinwood-chairs-and-tables-harmoniseexactly-with-the-chaste-elegance-of-the-fixed-decoration-blue-should-be-thecolour-note-as-it-shows-up-the-satinwood-almost-better-than-any-other-colourbut-the-blue-must-be-carefully-chosen-graduating-from-the-deep-royal-shadein-the-carpet-to-the-pale-almost-cerulean-tone-of-the-fillings-the-georgianroom-shown-in-plate-xxvi-is-panelled-in-white-the-furniture-being-of-image338481323.htmlRM2AJK4AK–Our homes, and how to beautify them . woodwork there is, apart from thepanelling, is a deep, rich mahogany. The note here is extreme refinement.Everything is delicate, and the Sheraton satinwood chairs and tables harmoniseexactly with the chaste elegance of the fixed decoration. Blue should be thecolour-note, as it shows up the satinwood almost better than any other colour.But the blue must be carefully chosen, graduating from the deep royal shadein the carpet to the pale, almost cerulean tone of the fillings. The (Georgianroom shown in Plate XXVI., is panelled in white, the furniture being of
. English: Fleuron from book: A catalogue of the particulars of the dwelling house, coach-house, and stables for four horses, with another House, Ware-House, and Court-Yard adjoining, near Old Bethlem, of Sir Joseph Eyles, Deceas'd. Likewise, all the houshold and other furniture; consisting of Damask and other Beds, Window-Curtains, and Hangings; Pier, Chimney, and Glass Sconces; India, Rose-Wood and Mahogany Cabinets, Screens, Chests, Tables, and Chairs; rich Brussels Tapestry; Persia, and other Carpets; great Choice of the old fine Japan China, and particularly, a most exquit site Set of fin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-fleuron-from-book-a-catalogue-of-the-particulars-of-the-dwelling-house-coach-house-and-stables-for-four-horses-with-another-house-ware-house-and-court-yard-adjoining-near-old-bethlem-of-sir-joseph-eyles-deceasd-likewise-all-the-houshold-and-other-furniture-consisting-of-damask-and-other-beds-window-curtains-and-hangings-pier-chimney-and-glass-sconces-india-rose-wood-and-mahogany-cabinets-screens-chests-tables-and-chairs-rich-brussels-tapestry-persia-and-other-carpets-great-choice-of-the-old-fine-japan-china-and-particularly-a-most-exquit-site-set-of-fin-image206582250.htmlRMP02HNE–. English: Fleuron from book: A catalogue of the particulars of the dwelling house, coach-house, and stables for four horses, with another House, Ware-House, and Court-Yard adjoining, near Old Bethlem, of Sir Joseph Eyles, Deceas'd. Likewise, all the houshold and other furniture; consisting of Damask and other Beds, Window-Curtains, and Hangings; Pier, Chimney, and Glass Sconces; India, Rose-Wood and Mahogany Cabinets, Screens, Chests, Tables, and Chairs; rich Brussels Tapestry; Persia, and other Carpets; great Choice of the old fine Japan China, and particularly, a most exquit site Set of fin
Card and backgammon table. Culture: American. Dimensions: 28 5/8 x 35 x 33 5/8 in. (72.7 x 88.9 x 85.4 cm). Date: 1760-90. The upper playing surface of this rare tripletop gaming table is inlaid with patterns of backgammon and chess boards; the lower one is lined with baize for playing cards. Otherwise, the table is characteristic of a small group of New York card tables with bold serpentine fronts. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/card-and-backgammon-table-culture-american-dimensions-28-58-x-35-x-33-58-in-727-x-889-x-854-cm-date-1760-90-the-upper-playing-surface-of-this-rare-tripletop-gaming-table-is-inlaid-with-patterns-of-backgammon-and-chess-boards-the-lower-one-is-lined-with-baize-for-playing-cards-otherwise-the-table-is-characteristic-of-a-small-group-of-new-york-card-tables-with-bold-serpentine-fronts-museum-metropolitan-museum-of-art-new-york-usa-image212936839.htmlRMPAC333–Card and backgammon table. Culture: American. Dimensions: 28 5/8 x 35 x 33 5/8 in. (72.7 x 88.9 x 85.4 cm). Date: 1760-90. The upper playing surface of this rare tripletop gaming table is inlaid with patterns of backgammon and chess boards; the lower one is lined with baize for playing cards. Otherwise, the table is characteristic of a small group of New York card tables with bold serpentine fronts. Museum: Metropolitan Museum of Art, New York, USA.
Card Table 1815–20 Probably Henry Connelly The attribution of this card table is based on its similarity to a pair of tables Henry Connelly made for the prominent Philadelphia banker and philanthropist Stephen Girard in 1817. All are distinguished by their elegant proportions, shimmering mahogany surfaces, and fine carving. Dolphins--popular French-inspired motifs in both New York and Philadelphia furniture during the early decades of the nineteenth century--here grace a lyre-shaped central support. Although lyre motifs are common features in furniture designs during this period, it is rare to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/card-table-181520-probably-henry-connelly-the-attribution-of-this-card-table-is-based-on-its-similarity-to-a-pair-of-tables-henry-connelly-made-for-the-prominent-philadelphia-banker-and-philanthropist-stephen-girard-in-1817-all-are-distinguished-by-their-elegant-proportions-shimmering-mahogany-surfaces-and-fine-carving-dolphins-popular-french-inspired-motifs-in-both-new-york-and-philadelphia-furniture-during-the-early-decades-of-the-nineteenth-century-here-grace-a-lyre-shaped-central-support-although-lyre-motifs-are-common-features-in-furniture-designs-during-this-period-it-is-rare-to-image458437816.htmlRM2HHRJ34–Card Table 1815–20 Probably Henry Connelly The attribution of this card table is based on its similarity to a pair of tables Henry Connelly made for the prominent Philadelphia banker and philanthropist Stephen Girard in 1817. All are distinguished by their elegant proportions, shimmering mahogany surfaces, and fine carving. Dolphins--popular French-inspired motifs in both New York and Philadelphia furniture during the early decades of the nineteenth century--here grace a lyre-shaped central support. Although lyre motifs are common features in furniture designs during this period, it is rare to
Work Table 1810–20 Attributed to the Workshop of Duncan Phyfe Scottish Perhaps unique in design, this is one of two known work tables of this type. The best features of New York Classical style are seen in its shape and decoration. The workings of its interior are equally elaborate. The lid, hinged from the front, springs up upon release of a hidden catch to reveal a plain panel with a mirror on the reverse.. Work Table. American. 1810–20. Mahogany veneer, mahogany, gilt-brass ornament, white pine, yellow poplar. Made in New York, New York, United States Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/work-table-181020-attributed-to-the-workshop-of-duncan-phyfe-scottish-perhaps-unique-in-design-this-is-one-of-two-known-work-tables-of-this-type-the-best-features-of-new-york-classical-style-are-seen-in-its-shape-and-decoration-the-workings-of-its-interior-are-equally-elaborate-the-lid-hinged-from-the-front-springs-up-upon-release-of-a-hidden-catch-to-reveal-a-plain-panel-with-a-mirror-on-the-reverse-work-table-american-181020-mahogany-veneer-mahogany-gilt-brass-ornament-white-pine-yellow-poplar-made-in-new-york-new-york-united-states-image458120336.htmlRM2HH954G–Work Table 1810–20 Attributed to the Workshop of Duncan Phyfe Scottish Perhaps unique in design, this is one of two known work tables of this type. The best features of New York Classical style are seen in its shape and decoration. The workings of its interior are equally elaborate. The lid, hinged from the front, springs up upon release of a hidden catch to reveal a plain panel with a mirror on the reverse.. Work Table. American. 1810–20. Mahogany veneer, mahogany, gilt-brass ornament, white pine, yellow poplar. Made in New York, New York, United States
White House furnishings and furniture, including silverware, chairs, tables, etc.. White House furnishings and furniture. Round mahogany table with three legs, gilt brass mounts, and a marble top. West Sitting Hall, White House, Washington, D.C. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/white-house-furnishings-and-furniture-including-silverware-chairs-tables-etc-white-house-furnishings-and-furniture-round-mahogany-table-with-three-legs-gilt-brass-mounts-and-a-marble-top-west-sitting-hall-white-house-washington-dc-image402927032.htmlRM2EBEWF4–White House furnishings and furniture, including silverware, chairs, tables, etc.. White House furnishings and furniture. Round mahogany table with three legs, gilt brass mounts, and a marble top. West Sitting Hall, White House, Washington, D.C.
. English: Fleuron from book: A catalogue of the particulars of the dwelling house, coach-house, and stables for four horses, with another House, Ware-House, and Court-Yard adjoining, near Old Bethlem, of Sir Joseph Eyles, Deceas'd. Likewise, all the houshold and other furniture; consisting of Damask and other Beds, Window-Curtains, and Hangings; Pier, Chimney, and Glass Sconces; India, Rose-Wood and Mahogany Cabinets, Screens, Chests, Tables, and Chairs; rich Brussels Tapestry; Persia, and other Carpets; great Choice of the old fine Japan China, and particularly, a most exquit site Set of fin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-fleuron-from-book-a-catalogue-of-the-particulars-of-the-dwelling-house-coach-house-and-stables-for-four-horses-with-another-house-ware-house-and-court-yard-adjoining-near-old-bethlem-of-sir-joseph-eyles-deceasd-likewise-all-the-houshold-and-other-furniture-consisting-of-damask-and-other-beds-window-curtains-and-hangings-pier-chimney-and-glass-sconces-india-rose-wood-and-mahogany-cabinets-screens-chests-tables-and-chairs-rich-brussels-tapestry-persia-and-other-carpets-great-choice-of-the-old-fine-japan-china-and-particularly-a-most-exquit-site-set-of-fin-image206582242.htmlRMP02HN6–. English: Fleuron from book: A catalogue of the particulars of the dwelling house, coach-house, and stables for four horses, with another House, Ware-House, and Court-Yard adjoining, near Old Bethlem, of Sir Joseph Eyles, Deceas'd. Likewise, all the houshold and other furniture; consisting of Damask and other Beds, Window-Curtains, and Hangings; Pier, Chimney, and Glass Sconces; India, Rose-Wood and Mahogany Cabinets, Screens, Chests, Tables, and Chairs; rich Brussels Tapestry; Persia, and other Carpets; great Choice of the old fine Japan China, and particularly, a most exquit site Set of fin
Card Table. Culture: American. Dimensions: 28 1/2 x 36 x 33 in. (72.4 x 91.4 x 83.8 cm). Date: 1800-1810. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/card-table-culture-american-dimensions-28-12-x-36-x-33-in-724-x-914-x-838-cm-date-1800-1810-museum-metropolitan-museum-of-art-new-york-usa-image213326778.htmlRMPB1TDE–Card Table. Culture: American. Dimensions: 28 1/2 x 36 x 33 in. (72.4 x 91.4 x 83.8 cm). Date: 1800-1810. Museum: Metropolitan Museum of Art, New York, USA.
. English: Fleuron from book: A catalogue of the particulars of the dwelling house, coach-house, and stables for four horses, with another House, Ware-House, and Court-Yard adjoining, near Old Bethlem, of Sir Joseph Eyles, Deceas'd. Likewise, all the houshold and other furniture; consisting of Damask and other Beds, Window-Curtains, and Hangings; Pier, Chimney, and Glass Sconces; India, Rose-Wood and Mahogany Cabinets, Screens, Chests, Tables, and Chairs; rich Brussels Tapestry; Persia, and other Carpets; great Choice of the old fine Japan China, and particularly, a most exquit site Set of fin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-fleuron-from-book-a-catalogue-of-the-particulars-of-the-dwelling-house-coach-house-and-stables-for-four-horses-with-another-house-ware-house-and-court-yard-adjoining-near-old-bethlem-of-sir-joseph-eyles-deceasd-likewise-all-the-houshold-and-other-furniture-consisting-of-damask-and-other-beds-window-curtains-and-hangings-pier-chimney-and-glass-sconces-india-rose-wood-and-mahogany-cabinets-screens-chests-tables-and-chairs-rich-brussels-tapestry-persia-and-other-carpets-great-choice-of-the-old-fine-japan-china-and-particularly-a-most-exquit-site-set-of-fin-image206582245.htmlRMP02HN9–. English: Fleuron from book: A catalogue of the particulars of the dwelling house, coach-house, and stables for four horses, with another House, Ware-House, and Court-Yard adjoining, near Old Bethlem, of Sir Joseph Eyles, Deceas'd. Likewise, all the houshold and other furniture; consisting of Damask and other Beds, Window-Curtains, and Hangings; Pier, Chimney, and Glass Sconces; India, Rose-Wood and Mahogany Cabinets, Screens, Chests, Tables, and Chairs; rich Brussels Tapestry; Persia, and other Carpets; great Choice of the old fine Japan China, and particularly, a most exquit site Set of fin
Drop-leaf Dining Table. Culture: American. Dimensions: 27 1/4 x 33 3/4 x 34 in. (69.2 x 85.7 x 86.4 cm). Date: 1760-90. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drop-leaf-dining-table-culture-american-dimensions-27-14-x-33-34-x-34-in-692-x-857-x-864-cm-date-1760-90-museum-metropolitan-museum-of-art-new-york-usa-image213112547.htmlRMPAM36B–Drop-leaf Dining Table. Culture: American. Dimensions: 27 1/4 x 33 3/4 x 34 in. (69.2 x 85.7 x 86.4 cm). Date: 1760-90. Museum: Metropolitan Museum of Art, New York, USA.
. English: Fleuron from book: A catalogue of the houshold furniture of Mrs. Masters, deceas'd; At her late House at Brook, near Wingham: Consisting of Yellow Crimson Silk, Damask, and other Furniture; Mahogany and other Chairs; magnificent Glasses in Plate of large Sizes; Marble and other Tables; a large Kitchen Range, with other Houshold and Kitchen Furniture. The whole to be view'd on Thursday and Friday the 7th and 8th Days of February, and to the Time of Sale; which will begin each Day at at eleven O'Clock. 32 A catalogue of the houshold furniture of Mrs Fleuron T013002-1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-fleuron-from-book-a-catalogue-of-the-houshold-furniture-of-mrs-masters-deceasd-at-her-late-house-at-brook-near-wingham-consisting-of-yellow-crimson-silk-damask-and-other-furniture-mahogany-and-other-chairs-magnificent-glasses-in-plate-of-large-sizes-marble-and-other-tables-a-large-kitchen-range-with-other-houshold-and-kitchen-furniture-the-whole-to-be-viewd-on-thursday-and-friday-the-7th-and-8th-days-of-february-and-to-the-time-of-sale-which-will-begin-each-day-at-at-eleven-oclock-32-a-catalogue-of-the-houshold-furniture-of-mrs-fleuron-t013002-1-image206581951.htmlRMP02HAR–. English: Fleuron from book: A catalogue of the houshold furniture of Mrs. Masters, deceas'd; At her late House at Brook, near Wingham: Consisting of Yellow Crimson Silk, Damask, and other Furniture; Mahogany and other Chairs; magnificent Glasses in Plate of large Sizes; Marble and other Tables; a large Kitchen Range, with other Houshold and Kitchen Furniture. The whole to be view'd on Thursday and Friday the 7th and 8th Days of February, and to the Time of Sale; which will begin each Day at at eleven O'Clock. 32 A catalogue of the houshold furniture of Mrs Fleuron T013002-1
Card Table. Culture: American. Dimensions: Dimensions unavailable. Maker: Attributed to Michael Allison (1773-1855). Date: 1810-20. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/card-table-culture-american-dimensions-dimensions-unavailable-maker-attributed-to-michael-allison-1773-1855-date-1810-20-museum-metropolitan-museum-of-art-new-york-usa-image213327586.htmlRMPB1WEA–Card Table. Culture: American. Dimensions: Dimensions unavailable. Maker: Attributed to Michael Allison (1773-1855). Date: 1810-20. Museum: Metropolitan Museum of Art, New York, USA.
. English: Fleuron from book: A catalogue of the particulars of the dwelling house, coach-house, and stables for four horses, with another House, Ware-House, and Court-Yard adjoining, near Old Bethlem, of Sir Joseph Eyles, Deceas'd. Likewise, all the houshold and other furniture; consisting of Damask and other Beds, Window-Curtains, and Hangings; Pier, Chimney, and Glass Sconces; India, Rose-Wood and Mahogany Cabinets, Screens, Chests, Tables, and Chairs; rich Brussels Tapestry; Persia, and other Carpets; great Choice of the old fine Japan China, and particularly, a most exquit site Set of fin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-fleuron-from-book-a-catalogue-of-the-particulars-of-the-dwelling-house-coach-house-and-stables-for-four-horses-with-another-house-ware-house-and-court-yard-adjoining-near-old-bethlem-of-sir-joseph-eyles-deceasd-likewise-all-the-houshold-and-other-furniture-consisting-of-damask-and-other-beds-window-curtains-and-hangings-pier-chimney-and-glass-sconces-india-rose-wood-and-mahogany-cabinets-screens-chests-tables-and-chairs-rich-brussels-tapestry-persia-and-other-carpets-great-choice-of-the-old-fine-japan-china-and-particularly-a-most-exquit-site-set-of-fin-image206582248.htmlRMP02HNC–. English: Fleuron from book: A catalogue of the particulars of the dwelling house, coach-house, and stables for four horses, with another House, Ware-House, and Court-Yard adjoining, near Old Bethlem, of Sir Joseph Eyles, Deceas'd. Likewise, all the houshold and other furniture; consisting of Damask and other Beds, Window-Curtains, and Hangings; Pier, Chimney, and Glass Sconces; India, Rose-Wood and Mahogany Cabinets, Screens, Chests, Tables, and Chairs; rich Brussels Tapestry; Persia, and other Carpets; great Choice of the old fine Japan China, and particularly, a most exquit site Set of fin
Drop-leaf Table. Culture: American. Dimensions: 25 1/2 x 28 3/4 x 28 3/4 in. (64.8 x 73 x 73 cm). Date: 1725-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drop-leaf-table-culture-american-dimensions-25-12-x-28-34-x-28-34-in-648-x-73-x-73-cm-date-1725-50-museum-metropolitan-museum-of-art-new-york-usa-image213184152.htmlRMPARAFM–Drop-leaf Table. Culture: American. Dimensions: 25 1/2 x 28 3/4 x 28 3/4 in. (64.8 x 73 x 73 cm). Date: 1725-50. Museum: Metropolitan Museum of Art, New York, USA.
. English: Fleuron from book: A catalogue of the particulars of the dwelling house, coach-house, and stables for four horses, with another House, Ware-House, and Court-Yard adjoining, near Old Bethlem, of Sir Joseph Eyles, Deceas'd. Likewise, all the houshold and other furniture; consisting of Damask and other Beds, Window-Curtains, and Hangings; Pier, Chimney, and Glass Sconces; India, Rose-Wood and Mahogany Cabinets, Screens, Chests, Tables, and Chairs; rich Brussels Tapestry; Persia, and other Carpets; great Choice of the old fine Japan China, and particularly, a most exquit site Set of fin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-fleuron-from-book-a-catalogue-of-the-particulars-of-the-dwelling-house-coach-house-and-stables-for-four-horses-with-another-house-ware-house-and-court-yard-adjoining-near-old-bethlem-of-sir-joseph-eyles-deceasd-likewise-all-the-houshold-and-other-furniture-consisting-of-damask-and-other-beds-window-curtains-and-hangings-pier-chimney-and-glass-sconces-india-rose-wood-and-mahogany-cabinets-screens-chests-tables-and-chairs-rich-brussels-tapestry-persia-and-other-carpets-great-choice-of-the-old-fine-japan-china-and-particularly-a-most-exquit-site-set-of-fin-image206582243.htmlRMP02HN7–. English: Fleuron from book: A catalogue of the particulars of the dwelling house, coach-house, and stables for four horses, with another House, Ware-House, and Court-Yard adjoining, near Old Bethlem, of Sir Joseph Eyles, Deceas'd. Likewise, all the houshold and other furniture; consisting of Damask and other Beds, Window-Curtains, and Hangings; Pier, Chimney, and Glass Sconces; India, Rose-Wood and Mahogany Cabinets, Screens, Chests, Tables, and Chairs; rich Brussels Tapestry; Persia, and other Carpets; great Choice of the old fine Japan China, and particularly, a most exquit site Set of fin
Tea Table. Culture: American. Dimensions: 28 1/4 x 35 1/2 x 26 in. (71.8 x 90.2 x 66 cm). Date: 1760-90. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tea-table-culture-american-dimensions-28-14-x-35-12-x-26-in-718-x-902-x-66-cm-date-1760-90-museum-metropolitan-museum-of-art-new-york-usa-image213299857.htmlRMPB0J41–Tea Table. Culture: American. Dimensions: 28 1/4 x 35 1/2 x 26 in. (71.8 x 90.2 x 66 cm). Date: 1760-90. Museum: Metropolitan Museum of Art, New York, USA.
Card Table. Culture: American. Dimensions: 28 1/2 x 36 in. (72.4 x 91.4 cm). Date: 1810-20. At the time when this card table was acquired from the collection of Louis Guerineau Myers, one of the great early connoisseurs and collectors of American furniture, it was attributed to the shop of Duncan Phyfe. The table bore that association for many years due to its elegant design and superb workmanship. Without documentation or any history of family ownership, however, it is difficult to justify assigning the table to the Phyfe shop. Recent scholarship has shown that as many as 300 cabinetmakers w Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/card-table-culture-american-dimensions-28-12-x-36-in-724-x-914-cm-date-1810-20-at-the-time-when-this-card-table-was-acquired-from-the-collection-of-louis-guerineau-myers-one-of-the-great-early-connoisseurs-and-collectors-of-american-furniture-it-was-attributed-to-the-shop-of-duncan-phyfe-the-table-bore-that-association-for-many-years-due-to-its-elegant-design-and-superb-workmanship-without-documentation-or-any-history-of-family-ownership-however-it-is-difficult-to-justify-assigning-the-table-to-the-phyfe-shop-recent-scholarship-has-shown-that-as-many-as-300-cabinetmakers-w-image213112030.htmlRMPAM2FX–Card Table. Culture: American. Dimensions: 28 1/2 x 36 in. (72.4 x 91.4 cm). Date: 1810-20. At the time when this card table was acquired from the collection of Louis Guerineau Myers, one of the great early connoisseurs and collectors of American furniture, it was attributed to the shop of Duncan Phyfe. The table bore that association for many years due to its elegant design and superb workmanship. Without documentation or any history of family ownership, however, it is difficult to justify assigning the table to the Phyfe shop. Recent scholarship has shown that as many as 300 cabinetmakers w
Writing Table. Culture: American. Dimensions: 56 x 31 x 21 3/4 in. (142.2 x 78.7 x 55.2 cm). Date: 1795-1805. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/writing-table-culture-american-dimensions-56-x-31-x-21-34-in-1422-x-787-x-552-cm-date-1795-1805-museum-metropolitan-museum-of-art-new-york-usa-image212869432.htmlRMPA913M–Writing Table. Culture: American. Dimensions: 56 x 31 x 21 3/4 in. (142.2 x 78.7 x 55.2 cm). Date: 1795-1805. Museum: Metropolitan Museum of Art, New York, USA.
Drop-leaf Dining Table. Culture: American. Dimensions: 28 x 15 7/8 x 48 in. (71.1 x 40.3 x 121.9 cm). Date: 1760-90. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drop-leaf-dining-table-culture-american-dimensions-28-x-15-78-x-48-in-711-x-403-x-1219-cm-date-1760-90-museum-metropolitan-museum-of-art-new-york-usa-image212934665.htmlRMPAC09D–Drop-leaf Dining Table. Culture: American. Dimensions: 28 x 15 7/8 x 48 in. (71.1 x 40.3 x 121.9 cm). Date: 1760-90. Museum: Metropolitan Museum of Art, New York, USA.
Card Table. Culture: American. Dimensions: 28 1/4 x 35 5/8 in. (71.8 x 90.5 cm). Maker: Attributed to Anthony G. Quervelle (1789-1856). Date: 1825-30. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/card-table-culture-american-dimensions-28-14-x-35-58-in-718-x-905-cm-maker-attributed-to-anthony-g-quervelle-1789-1856-date-1825-30-museum-metropolitan-museum-of-art-new-york-usa-image213167649.htmlRMPAPHE9–Card Table. Culture: American. Dimensions: 28 1/4 x 35 5/8 in. (71.8 x 90.5 cm). Maker: Attributed to Anthony G. Quervelle (1789-1856). Date: 1825-30. Museum: Metropolitan Museum of Art, New York, USA.
Sideboard Table. Culture: American. Dimensions: 81 1/2 x 66 1/4 x 27 in. (207 x 168.3 x 68.6 cm). Date: 1877-80. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sideboard-table-culture-american-dimensions-81-12-x-66-14-x-27-in-207-x-1683-x-686-cm-date-1877-80-museum-metropolitan-museum-of-art-new-york-usa-image212897148.htmlRMPAA8DG–Sideboard Table. Culture: American. Dimensions: 81 1/2 x 66 1/4 x 27 in. (207 x 168.3 x 68.6 cm). Date: 1877-80. Museum: Metropolitan Museum of Art, New York, USA.
Card Table. Culture: American. Dimensions: 28 1/4 x 34 x 35 3/4 in. (71.8 x 86.4 x 90.8 cm). Date: ca. 1800. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/card-table-culture-american-dimensions-28-14-x-34-x-35-34-in-718-x-864-x-908-cm-date-ca-1800-museum-metropolitan-museum-of-art-new-york-usa-image213154341.htmlRMPAP0F1–Card Table. Culture: American. Dimensions: 28 1/4 x 34 x 35 3/4 in. (71.8 x 86.4 x 90.8 cm). Date: ca. 1800. Museum: Metropolitan Museum of Art, New York, USA.
Card Table. Culture: American. Dimensions: 28 1/2 x 35 3/4 in. (72.4 x 90.8 cm). Date: 1800-1810. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/card-table-culture-american-dimensions-28-12-x-35-34-in-724-x-908-cm-date-1800-1810-museum-metropolitan-museum-of-art-new-york-usa-image212774328.htmlRMPA4KR4–Card Table. Culture: American. Dimensions: 28 1/2 x 35 3/4 in. (72.4 x 90.8 cm). Date: 1800-1810. Museum: Metropolitan Museum of Art, New York, USA.
Drop-leaf Dining Table. Culture: American. Dimensions: 27 1/4 x 39 x 35 1/2 in. (69.2 x 99.1 x 90.2 cm). Date: 1740-90. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drop-leaf-dining-table-culture-american-dimensions-27-14-x-39-x-35-12-in-692-x-991-x-902-cm-date-1740-90-museum-metropolitan-museum-of-art-new-york-usa-image212883914.htmlRMPA9KGX–Drop-leaf Dining Table. Culture: American. Dimensions: 27 1/4 x 39 x 35 1/2 in. (69.2 x 99.1 x 90.2 cm). Date: 1740-90. Museum: Metropolitan Museum of Art, New York, USA.
Tilt-top Tea Table. Culture: American. Dimensions: 27 1/2 x 19 x 14 1/2 in. (69.9 x 48.3 x 36.8 cm). Date: ca. 1800. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tilt-top-tea-table-culture-american-dimensions-27-12-x-19-x-14-12-in-699-x-483-x-368-cm-date-ca-1800-museum-metropolitan-museum-of-art-new-york-usa-image213146324.htmlRMPANJ8M–Tilt-top Tea Table. Culture: American. Dimensions: 27 1/2 x 19 x 14 1/2 in. (69.9 x 48.3 x 36.8 cm). Date: ca. 1800. Museum: Metropolitan Museum of Art, New York, USA.
Card Table. Culture: American. Dimensions: 30 x 35 in. (76.2 x 88.9 cm). Date: 1790-1805. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/card-table-culture-american-dimensions-30-x-35-in-762-x-889-cm-date-1790-1805-museum-metropolitan-museum-of-art-new-york-usa-image212857172.htmlRMPA8DDT–Card Table. Culture: American. Dimensions: 30 x 35 in. (76.2 x 88.9 cm). Date: 1790-1805. Museum: Metropolitan Museum of Art, New York, USA.
Dressing Table. Culture: American. Dimensions: 29 3/4 x 35 1/4 x 20 3/4 in. (75.6 x 89.5 x 52.7 cm). Date: 1730-50. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dressing-table-culture-american-dimensions-29-34-x-35-14-x-20-34-in-756-x-895-x-527-cm-date-1730-50-museum-metropolitan-museum-of-art-new-york-usa-image213324810.htmlRMPB1NY6–Dressing Table. Culture: American. Dimensions: 29 3/4 x 35 1/4 x 20 3/4 in. (75.6 x 89.5 x 52.7 cm). Date: 1730-50. Museum: Metropolitan Museum of Art, New York, USA.
Dressing Table. Culture: American. Dimensions: 30 5/8 x 35 7/8 x 20 5/8 in. (77.8 x 91.1 x 52.4 cm). Date: 1755-90. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dressing-table-culture-american-dimensions-30-58-x-35-78-x-20-58-in-778-x-911-x-524-cm-date-1755-90-museum-metropolitan-museum-of-art-new-york-usa-image212935816.htmlRMPAC1PG–Dressing Table. Culture: American. Dimensions: 30 5/8 x 35 7/8 x 20 5/8 in. (77.8 x 91.1 x 52.4 cm). Date: 1755-90. Museum: Metropolitan Museum of Art, New York, USA.
Card Table. Culture: American. Dimensions: 27 7/8 x 34 3/8 x 33 1/4 in. (70.8 cm x 87.3 cm x 84.5 cm). Date: 1760-90. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/card-table-culture-american-dimensions-27-78-x-34-38-x-33-14-in-708-cm-x-873-cm-x-845-cm-date-1760-90-museum-metropolitan-museum-of-art-new-york-usa-image213322107.htmlRMPB1JEK–Card Table. Culture: American. Dimensions: 27 7/8 x 34 3/8 x 33 1/4 in. (70.8 cm x 87.3 cm x 84.5 cm). Date: 1760-90. Museum: Metropolitan Museum of Art, New York, USA.
Pembroke Table. Culture: American. Dimensions: 28 5/8 x 45 5/8 x 35 1/4 in. (72.7 x 115.9 x 89.5 cm). Maker: Attributed to the Workshop of Duncan Phyfe (1770-1854). Date: 1810-20. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pembroke-table-culture-american-dimensions-28-58-x-45-58-x-35-14-in-727-x-1159-x-895-cm-maker-attributed-to-the-workshop-of-duncan-phyfe-1770-1854-date-1810-20-museum-metropolitan-museum-of-art-new-york-usa-image213321481.htmlRMPB1HM9–Pembroke Table. Culture: American. Dimensions: 28 5/8 x 45 5/8 x 35 1/4 in. (72.7 x 115.9 x 89.5 cm). Maker: Attributed to the Workshop of Duncan Phyfe (1770-1854). Date: 1810-20. Museum: Metropolitan Museum of Art, New York, USA.
Card table. Culture: American. Dimensions: 30 x 35 1/4 x 17 1/2 in. (76.2 x 89.5 x 44.5 cm). Maker: Charles-Honoré Lannuier (France 1779-1819 New York). Date: 1805-12. The latest styles in European furniture arrived in colonial and Federal America by three principal means: pattern books of engraved furniture designs, imported high-style objects, and skilled immigrant craftsmen. This exquisite table, a nearly pure rendition of French Consulate (1799-1804) design, was made in New York by one of the most important of these immigrant craftsmen, Charles-Honoré Lannuier. Trained as a cabinetmaker i Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/card-table-culture-american-dimensions-30-x-35-14-x-17-12-in-762-x-895-x-445-cm-maker-charles-honor-lannuier-france-1779-1819-new-york-date-1805-12-the-latest-styles-in-european-furniture-arrived-in-colonial-and-federal-america-by-three-principal-means-pattern-books-of-engraved-furniture-designs-imported-high-style-objects-and-skilled-immigrant-craftsmen-this-exquisite-table-a-nearly-pure-rendition-of-french-consulate-1799-1804-design-was-made-in-new-york-by-one-of-the-most-important-of-these-immigrant-craftsmen-charles-honor-lannuier-trained-as-a-cabinetmaker-i-image213251587.htmlRMPAXCG3–Card table. Culture: American. Dimensions: 30 x 35 1/4 x 17 1/2 in. (76.2 x 89.5 x 44.5 cm). Maker: Charles-Honoré Lannuier (France 1779-1819 New York). Date: 1805-12. The latest styles in European furniture arrived in colonial and Federal America by three principal means: pattern books of engraved furniture designs, imported high-style objects, and skilled immigrant craftsmen. This exquisite table, a nearly pure rendition of French Consulate (1799-1804) design, was made in New York by one of the most important of these immigrant craftsmen, Charles-Honoré Lannuier. Trained as a cabinetmaker i
Pembroke table. Culture: American. Dimensions: 28 x 38 1/4 x 32 in. (71.1 x 97.2 x 81.3 cm). Date: 1795-1805. This small table features two drop leaves and a drawer. It was ideal for small, informal meals or for taking tea. In his 'Cabinet Dictionary' (London, 1803), Thomas Sheraton describes a Pembroke table as 'a kind of breakfast table, from the name of the lady who first gave orders for one of them, and who probably gave the first idea of such a table to the workmen.'. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pembroke-table-culture-american-dimensions-28-x-38-14-x-32-in-711-x-972-x-813-cm-date-1795-1805-this-small-table-features-two-drop-leaves-and-a-drawer-it-was-ideal-for-small-informal-meals-or-for-taking-tea-in-his-cabinet-dictionary-london-1803-thomas-sheraton-describes-a-pembroke-table-as-a-kind-of-breakfast-table-from-the-name-of-the-lady-who-first-gave-orders-for-one-of-them-and-who-probably-gave-the-first-idea-of-such-a-table-to-the-workmen-museum-metropolitan-museum-of-art-new-york-usa-image213112422.htmlRMPAM31X–Pembroke table. Culture: American. Dimensions: 28 x 38 1/4 x 32 in. (71.1 x 97.2 x 81.3 cm). Date: 1795-1805. This small table features two drop leaves and a drawer. It was ideal for small, informal meals or for taking tea. In his 'Cabinet Dictionary' (London, 1803), Thomas Sheraton describes a Pembroke table as 'a kind of breakfast table, from the name of the lady who first gave orders for one of them, and who probably gave the first idea of such a table to the workmen.'. Museum: Metropolitan Museum of Art, New York, USA.
