Main determinant Stock Photos and Images
Visitor in front of the painting La clef des champs (The Key to the Fields, 1936) by Belgian surrealist artist Rene Magritte displayed at his retrospective exhibition in the Centre Pompidou in Paris, France. The painting Le souvenir determinant (1942) by Rene Magritte is seen at the left. The exhibition entitled 'Rene Magritte. The Treachery of Images' runs till 23 January 2017. After that the reformulated version of the exhibition will be presented at the Schirn Kunsthalle in Frankfurt am Main, Germany, from 10 February to 5 June 2017. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-visitor-in-front-of-the-painting-la-clef-des-champs-the-key-to-the-131166340.htmlRMHHB404–Visitor in front of the painting La clef des champs (The Key to the Fields, 1936) by Belgian surrealist artist Rene Magritte displayed at his retrospective exhibition in the Centre Pompidou in Paris, France. The painting Le souvenir determinant (1942) by Rene Magritte is seen at the left. The exhibition entitled 'Rene Magritte. The Treachery of Images' runs till 23 January 2017. After that the reformulated version of the exhibition will be presented at the Schirn Kunsthalle in Frankfurt am Main, Germany, from 10 February to 5 June 2017.
Kui Xing (God of Literature), 16th century, 25 x 7 x 5 in. (63.5 x 17.78 x 12.7 cm) (approximate), Bronze with traces of gilding, China, 16th century, Originating as a Daoist deity associated with the constellation Ursa Major, Kui Xing (also called Wen Chang and Wen Di) is worshipped in the third and eighth months as the God of Literature and patron saint of scholars. The surly-looking divinity is represented holding a brush in his right hand while standing on the head of a large fish becoming a dragon. The transformation of a carp into a dragon was a synonym for the literary success Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kui-xing-god-of-literature-16th-century-25-x-7-x-5-in-635-x-1778-x-127-cm-approximate-bronze-with-traces-of-gilding-china-16th-century-originating-as-a-daoist-deity-associated-with-the-constellation-ursa-major-kui-xing-also-called-wen-chang-and-wen-di-is-worshipped-in-the-third-and-eighth-months-as-the-god-of-literature-and-patron-saint-of-scholars-the-surly-looking-divinity-is-represented-holding-a-brush-in-his-right-hand-while-standing-on-the-head-of-a-large-fish-becoming-a-dragon-the-transformation-of-a-carp-into-a-dragon-was-a-synonym-for-the-literary-success-image573507991.htmlRM2T91F87–Kui Xing (God of Literature), 16th century, 25 x 7 x 5 in. (63.5 x 17.78 x 12.7 cm) (approximate), Bronze with traces of gilding, China, 16th century, Originating as a Daoist deity associated with the constellation Ursa Major, Kui Xing (also called Wen Chang and Wen Di) is worshipped in the third and eighth months as the God of Literature and patron saint of scholars. The surly-looking divinity is represented holding a brush in his right hand while standing on the head of a large fish becoming a dragon. The transformation of a carp into a dragon was a synonym for the literary success
Herculanum et Pompéi, recueil général des peintures, bronzes, mosaïques, etc., découverts jusqu'à ce jour, et reproduits d'apreès Le antichita di Ercolano, Il Museo borbonico, et tous les ouvrages analogues . A. à1 H . V te. p. 23 5C- ,.X DEUXIÈME SÉRIE. 61 En se déterminant pour cette scène de Térence , ilfaudrait accepter comme un fait désormais incontestableque les personnages jeunes de la comédie romaine neportaient point de masque. Les deux vieillards assis aux deux côtés de la scène,demi-nus, mais les jambes et le dos enveloppés dans ungrand manteau blanc et tenant à la main chacun unebr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/herculanum-et-pompi-recueil-gnral-des-peintures-bronzes-mosaques-etc-dcouverts-jusqu-ce-jour-et-reproduits-dapres-le-antichita-di-ercolano-il-museo-borbonico-et-tous-les-ouvrages-analogues-a-1-h-v-te-p-23-5c-x-deuxime-srie-61-en-se-dterminant-pour-cette-scne-de-trence-ilfaudrait-accepter-comme-un-fait-dsormais-incontestableque-les-personnages-jeunes-de-la-comdie-romaine-neportaient-point-de-masque-les-deux-vieillards-assis-aux-deux-cts-de-la-scnedemi-nus-mais-les-jambes-et-le-dos-envelopps-dans-ungrand-manteau-blanc-et-tenant-la-main-chacun-unebr-image338386236.htmlRM2AJER2M–Herculanum et Pompéi, recueil général des peintures, bronzes, mosaïques, etc., découverts jusqu'à ce jour, et reproduits d'apreès Le antichita di Ercolano, Il Museo borbonico, et tous les ouvrages analogues . A. à1 H . V te. p. 23 5C- ,.X DEUXIÈME SÉRIE. 61 En se déterminant pour cette scène de Térence , ilfaudrait accepter comme un fait désormais incontestableque les personnages jeunes de la comédie romaine neportaient point de masque. Les deux vieillards assis aux deux côtés de la scène,demi-nus, mais les jambes et le dos enveloppés dans ungrand manteau blanc et tenant à la main chacun unebr
