Man slightly turned hi-res stock photography and images

Portrait of Lambert Hortense Montfort, Engraving on paper, Half-length portrait of an elderly man slightly turned to right. He wears a four-cornered hat and an overcoat which leaves visible the collars of his shirt and jacket., Netherlands, ca. 1550, Print Stock Photo

RM2DMC78N–Portrait of Lambert Hortense Montfort, Engraving on paper, Half-length portrait of an elderly man slightly turned to right. He wears a four-cornered hat and an overcoat which leaves visible the collars of his shirt and jacket., Netherlands, ca. 1550, Print

Portrait of an Old Man. Bust-length portrait of an old man slightly turned to left within an oval. He wears a turban-like headgear. Stock Photo

RM2BF1E5D–Portrait of an Old Man. Bust-length portrait of an old man slightly turned to left within an oval. He wears a turban-like headgear.

Portrait of an Old Man, Rembrandt Harmensz van Rijn, Dutch, 1606–1669, Etching on white paper, Bust-length portrait of an old man slightly turned to left within an oval. He wears a turban-like headgear., Netherlands, 1780–81, portraits, Print Stock Photo

RM2DM8A32–Portrait of an Old Man, Rembrandt Harmensz van Rijn, Dutch, 1606–1669, Etching on white paper, Bust-length portrait of an old man slightly turned to left within an oval. He wears a turban-like headgear., Netherlands, 1780–81, portraits, Print

Portrait of Lambert Hortense Montfort. Half-length portrait of an elderly man slightly turned to right. He wears a four-cornered hat and an overcoat which leaves visible the collars of his shirt and jacket. Stock Photo

RM2BF3CCF–Portrait of Lambert Hortense Montfort. Half-length portrait of an elderly man slightly turned to right. He wears a four-cornered hat and an overcoat which leaves visible the collars of his shirt and jacket.

Knaging, Pieter van den Berge, 1675 - 1737, A man slightly turned to the right, goes to that side. He bites the index finger of his hand., draughtsman: Pieter van den Berge, 1675 - 1737, paper, brush, h 139 mm × w 91 mm Stock Photo

RM2JBYHDD–Knaging, Pieter van den Berge, 1675 - 1737, A man slightly turned to the right, goes to that side. He bites the index finger of his hand., draughtsman: Pieter van den Berge, 1675 - 1737, paper, brush, h 139 mm × w 91 mm

Art inspired by Head of a young man, turned slightly to right, 1625–77, Etching; second state of two, Plate: 2 1/16 × 1 3/4 in. (5.2 × 4.4 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Head of a young man, turned slightly to right; shoulder length hair with, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW5R29–Art inspired by Head of a young man, turned slightly to right, 1625–77, Etching; second state of two, Plate: 2 1/16 × 1 3/4 in. (5.2 × 4.4 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607–1677 London), Head of a young man, turned slightly to right; shoulder length hair with, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

A balding man is shown half-length, frontally, and turned slightly to the left. His elbows are raised and his hands are clenched before him. Graphite on paper. Date: 1820-1830. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photo

RM2R6EPF3–A balding man is shown half-length, frontally, and turned slightly to the left. His elbows are raised and his hands are clenched before him. Graphite on paper. Date: 1820-1830. Museum: Cooper Hewitt, Smithsonian Design Museum.

Art inspired by Marble portrait head of an elderly man, Late Republic, 1st century B.C., Roman, Marble, Height: 11 in. (27.9 cm), Stone Sculpture, The head is turned toward its left and slightly raised, in an echo of late Hellenistic pathos. It particularly resembles the portrait of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW48D0–Art inspired by Marble portrait head of an elderly man, Late Republic, 1st century B.C., Roman, Marble, Height: 11 in. (27.9 cm), Stone Sculpture, The head is turned toward its left and slightly raised, in an echo of late Hellenistic pathos. It particularly resembles the portrait of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Oil painting on panel, An Unknown Old Bearded Man, attributed to Corneille de Lyon (The Hague 1500/10 ? Lyons 1575). Head and shoulders portrait of an elderly bearded man, turned slightly to the right, gazing at the spectator, wearing a black coat with ermine/lynx collar and flat black cap, green background. Corneille de Lyon - Unknown Man - Polesden Lacey Stock Photo

RMMMWNM8–Oil painting on panel, An Unknown Old Bearded Man, attributed to Corneille de Lyon (The Hague 1500/10 ? Lyons 1575). Head and shoulders portrait of an elderly bearded man, turned slightly to the right, gazing at the spectator, wearing a black coat with ermine/lynx collar and flat black cap, green background. Corneille de Lyon - Unknown Man - Polesden Lacey

Head of a young man, turned slightly to right, 1625-77. Stock Photo

RM2B7PR4C–Head of a young man, turned slightly to right, 1625-77.

The Father of the Jewish Bride. An old bearded man in frontal view, slightly turned to right. Stock Photo

RM2BF2YJY–The Father of the Jewish Bride. An old bearded man in frontal view, slightly turned to right.

A man and a woman standing side by side, their bodies slightly turned towards each other, displaying unity and connection Stock Photo

RF2WYW1FT–A man and a woman standing side by side, their bodies slightly turned towards each other, displaying unity and connection

Portrait of the Artists Father. Half-length portrait of a elderly man reading a note, turned slightly to the left. Stock Photo

RM2BF3FCG–Portrait of the Artists Father. Half-length portrait of a elderly man reading a note, turned slightly to the left.

Middle-aged man winking at the camera with a quiet friendly smile and head turned slightly to the side in a head and shoulders portrait on a white bac Stock Photo

RF2C6J1HP–Middle-aged man winking at the camera with a quiet friendly smile and head turned slightly to the side in a head and shoulders portrait on a white bac

An Old Mans Head. Research in ProgressBearded man gazing upward, slightly turned to the left. An Old Mans Head Stock Photo

RM2BCWCDX–An Old Mans Head. Research in ProgressBearded man gazing upward, slightly turned to the left. An Old Mans Head

Raphael - The head of a middle-aged man, turned slightly to left, 1895,0915.619. Stock Photo

RM2F5GR7T–Raphael - The head of a middle-aged man, turned slightly to left, 1895,0915.619.

Sketchbook Page Man with Beard. Portrait of man with beard. Recto: Sitter turned slightly to the right. Verso: Sitter facing frontally. Stock Photo

RM2BF482K–Sketchbook Page Man with Beard. Portrait of man with beard. Recto: Sitter turned slightly to the right. Verso: Sitter facing frontally.

Portobello Beach, Edinburgh, Scotland, UK. 28th July 2019. After a very dreich day with heavy rain showers and mist the evening turned out sunny but slightly windy encouraging one Kitesurfer and a family with an orange octopus kite while others take a stroll on the sand. Credit: Arch White/Alamy Live News Stock Photo

RMW5E184–Portobello Beach, Edinburgh, Scotland, UK. 28th July 2019. After a very dreich day with heavy rain showers and mist the evening turned out sunny but slightly windy encouraging one Kitesurfer and a family with an orange octopus kite while others take a stroll on the sand. Credit: Arch White/Alamy Live News

Study for Scientific Group. Man seated facing slightly left, his head turned to the right. His left ankle on the right knee. Stock Photo

RM2BF3FW1–Study for Scientific Group. Man seated facing slightly left, his head turned to the right. His left ankle on the right knee.

Portrait, shoulders up, of Walter Wheeler Cook, visiting professor of jurisprudence at Johns Hopkins University, slightly turned with stern face, Baltimore, Maryland, 1928. Stock Photo

RMK30D39–Portrait, shoulders up, of Walter Wheeler Cook, visiting professor of jurisprudence at Johns Hopkins University, slightly turned with stern face, Baltimore, Maryland, 1928.

RM2BF3K6B–Caricature. A head of a man shown in profile turned toward the right. Verso: The slipper is shown twice from slightly different angels.

Head of a young man, turned slightly to right 1957 by Wenceslaus Hollar Stock Photo

RM2TBD1N6–Head of a young man, turned slightly to right 1957 by Wenceslaus Hollar

Portrait of a Young Man. Head of a young man seen from the right, turned slightly to the front, wearing a large brimmed hat on the back of his head. Stock Photo

RM2BF3HAT–Portrait of a Young Man. Head of a young man seen from the right, turned slightly to the front, wearing a large brimmed hat on the back of his head.

Panels from an organ case in the church of Saint Vitus in Naarden, Panel with a Knight Supporting an Escutcheon, from the Organ case in St Vitus's Church, Naarden, Bearded man, slightly turned to the left with the head in the opposite direction. The armored right hand holds the stick of a (battered) weapon, the left a belt with a shield. Over a jerk tube a fur lined palm skirt with a wide collar and with split sleeves, a dagger on a belt and a kind of Jew's hat on the head. The man stands in an alcove on a half octagon, against which highs and below vault, which changes into two short window Stock Photo

RMW55RM2–Panels from an organ case in the church of Saint Vitus in Naarden, Panel with a Knight Supporting an Escutcheon, from the Organ case in St Vitus's Church, Naarden, Bearded man, slightly turned to the left with the head in the opposite direction. The armored right hand holds the stick of a (battered) weapon, the left a belt with a shield. Over a jerk tube a fur lined palm skirt with a wide collar and with split sleeves, a dagger on a belt and a kind of Jew's hat on the head. The man stands in an alcove on a half octagon, against which highs and below vault, which changes into two short window

Portrait of Frans Snyders. Portrait of a man, facing frontally, the head turned slightly to the left, looking out at the spectator. Both hands are visible, resting on the back of a chair. Stock Photo

RM2BF3EH1–Portrait of Frans Snyders. Portrait of a man, facing frontally, the head turned slightly to the left, looking out at the spectator. Both hands are visible, resting on the back of a chair.

Head of a young man, turned slightly to right, Wenceslaus Hollar, 1625–77 Stock Photo

RMKCA9XY–Head of a young man, turned slightly to right, Wenceslaus Hollar, 1625–77

Marble portrait head of an elderly man. Culture: Roman. Dimensions: Height: 11 in. (27.9 cm). Date: 1st century B.C.. The head is turned toward its left and slightly raised, in an echo of late Hellenistic pathos. It particularly resembles the portrait of the deified Caesar, especially the serene, later version of that work, which must have been created after the rule of Augustus was established, thus after 27 B.C. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB3JPB–Marble portrait head of an elderly man. Culture: Roman. Dimensions: Height: 11 in. (27.9 cm). Date: 1st century B.C.. The head is turned toward its left and slightly raised, in an echo of late Hellenistic pathos. It particularly resembles the portrait of the deified Caesar, especially the serene, later version of that work, which must have been created after the rule of Augustus was established, thus after 27 B.C. Museum: Metropolitan Museum of Art, New York, USA.

Half-length portrait of a man, Graphite on paper, A balding man is shown half-length, frontally, and turned slightly to the left. His elbows are raised and his hands are clenched before him., Germany, 1820–1830, Drawing Stock Photo

RM2DMA2TH–Half-length portrait of a man, Graphite on paper, A balding man is shown half-length, frontally, and turned slightly to the left. His elbows are raised and his hands are clenched before him., Germany, 1820–1830, Drawing

Oil painting on panel, King James V, King of Scotland (1512? 1542), aged 25 by Corneille de Lyon (The Hague 1500/10 ? Lyons 1575), reputedly, before cradling inscribed on the back: Le Roi, age 25, circa 1537. A head-and-shoulders portrait of a bearded young man, turned slightly to the left, gazing to the left, wearing a black doublet decorated with gold aglets, and a gold chain and pendant medallion, the Order of St Michel, he has a black hat adorned with a white feather against a green background. Corneille de Lyon - King James V of Scotland - Polesden Lacey Stock Photo

RMMMWNKH–Oil painting on panel, King James V, King of Scotland (1512? 1542), aged 25 by Corneille de Lyon (The Hague 1500/10 ? Lyons 1575), reputedly, before cradling inscribed on the back: Le Roi, age 25, circa 1537. A head-and-shoulders portrait of a bearded young man, turned slightly to the left, gazing to the left, wearing a black doublet decorated with gold aglets, and a gold chain and pendant medallion, the Order of St Michel, he has a black hat adorned with a white feather against a green background. Corneille de Lyon - King James V of Scotland - Polesden Lacey

Study for 'Scientific Group', Daniel Huntington, American, 1816–1906, Graphite on lined white laid paper, Man seated facing slightly left, his head turned to the right. His left ankle on the right knee., London, United Kingdom, USA, 1858, figures, Drawing Stock Photo

RM2DMPTRN–Study for 'Scientific Group', Daniel Huntington, American, 1816–1906, Graphite on lined white laid paper, Man seated facing slightly left, his head turned to the right. His left ankle on the right knee., London, United Kingdom, USA, 1858, figures, Drawing

Head of a man in shadow turned slightly to the left, from the series of 'Large Oriental Heads', ca. 1645-1650. Stock Photo

RM2B7PDHT–Head of a man in shadow turned slightly to the left, from the series of 'Large Oriental Heads', ca. 1645-1650.

Head of an Elderly Bearded Man, Black chalk on blue-grey paper, Head of an elderly bearded man with long wavy hair. His head is turned slightly to the left, and his gaze is directed downward. His portrait is on octagonal-shaped paper., Italy, 1800–20, figures, Drawing Stock Photo

RM2DMCA89–Head of an Elderly Bearded Man, Black chalk on blue-grey paper, Head of an elderly bearded man with long wavy hair. His head is turned slightly to the left, and his gaze is directed downward. His portrait is on octagonal-shaped paper., Italy, 1800–20, figures, Drawing

Bust portrait of a man with his hair tied back turned slightly to the left. Title: Governer Samuel Hammond. . 1804. Stock Photo

RMMAKPH5–Bust portrait of a man with his hair tied back turned slightly to the left. Title: Governer Samuel Hammond. . 1804.

Korendragers- and-dumpingers guild of Amsterdam, guild token of David Lantman, Brass medal. Front: Man with a slight load on the head, slightly turned to the left, on background: light boat. Reverse: inscription, Amsterdam, David Lantman, anonymous, 1802, brass (alloy), engraving, d 3 cm × w 6.91 Stock Photo

RMW57ANP–Korendragers- and-dumpingers guild of Amsterdam, guild token of David Lantman, Brass medal. Front: Man with a slight load on the head, slightly turned to the left, on background: light boat. Reverse: inscription, Amsterdam, David Lantman, anonymous, 1802, brass (alloy), engraving, d 3 cm × w 6.91

Bust portrait of a bearded man wearing a suit turned slightly to the left. 'Hughes of Pettis' (written below the image on the album page). Hughes was a delegate from Pettis County (16th senatorial district) to the Missouri State Convention held at the Mercantile Library in St. Louis from January 6 to 11, 1865. Title: Benjamin F. Hughes . circa 1865. Outley's (St. Louis) Stock Photo

RMMAKNFE–Bust portrait of a bearded man wearing a suit turned slightly to the left. 'Hughes of Pettis' (written below the image on the album page). Hughes was a delegate from Pettis County (16th senatorial district) to the Missouri State Convention held at the Mercantile Library in St. Louis from January 6 to 11, 1865. Title: Benjamin F. Hughes . circa 1865. Outley's (St. Louis)

Wurzburg, Germany. September 10 2021: At the start of a trial for attempted murder in the Würzburg Regional Court, presiding judge Michael Schaller enters the hearing room. A 22-year-old man is alleged to have engaged in a car race with an opponent on 1 December 2019. In the process, he hit a deaf pedestrian who was crossing the road with her dog when the light turned green and was slightly injured. In the opinion of the public prosecutor's office, the defendant had thereby accepted the death of the 44-year-old woman. Credit: dpa picture alliance/Alamy Live News Stock Photo

RM2GJHJH3–Wurzburg, Germany. September 10 2021: At the start of a trial for attempted murder in the Würzburg Regional Court, presiding judge Michael Schaller enters the hearing room. A 22-year-old man is alleged to have engaged in a car race with an opponent on 1 December 2019. In the process, he hit a deaf pedestrian who was crossing the road with her dog when the light turned green and was slightly injured. In the opinion of the public prosecutor's office, the defendant had thereby accepted the death of the 44-year-old woman. Credit: dpa picture alliance/Alamy Live News

RFA4W8H9–Retarded Man

RM2YEYP5A–MICHELANGELO di Lodovico Buonarroti Simoni (b. 1475, Caprese, d. 1564, Roma) Salmon - Boaz - Obed (detail) 1511-12 Fresco Cappella Sistina, Vatican The serenity and sweetness of the woman, seen frontally and slightly turned toward the center of the lunette, contrasts sharply - also due to the dominant colours - with the old man depicted in profile on the right. He is sitting with his right arm placed on the seat, perhaps because he is restraining himself. Hunched up, his lips parted, his long beard jutting out in front of him, he glares angrily at the staff he is holding in his outstretched

RF2B9AA45–Panels from an organ case in the church of Saint Vitus in Naarden, Panel with a Knight Supporting an Escutcheon, from the Organ case in St Vitus's Church, Naarden, Bearded man, slightly turned to the left with the head in the opposite direction. The armored right hand holds the stick of a (battered) weapon, the left a belt with a shield. Over a jerk tube a fur lined palm skirt with a wide collar and with split sleeves, a dagger on a belt and a kind of Jew's hat on the head. The man stands in an alcove on a half octagon, against which highs and below vault, which changes into two short window t

Surprised Middle-Aged Caucasian Man Holding Dark Eyeglasses Frame on White Background - Shocked Expression - Head turned Slightly Stock Photo

RF2W98M9J–Surprised Middle-Aged Caucasian Man Holding Dark Eyeglasses Frame on White Background - Shocked Expression - Head turned Slightly

Head of a man in shadow turned slightly to the left, from 'Large Oriental Heads' 1917 by Giovanni Benedetto Castiglione (Il Grechetto) Stock Photo

RM2TBJ7G5–Head of a man in shadow turned slightly to the left, from 'Large Oriental Heads' 1917 by Giovanni Benedetto Castiglione (Il Grechetto)

Nicolas Lagneau Portrait of a bearded old man, en face, slightly turned left. Stone chalk, coal, wiped, reddish and pastel Stock Photo

RM2T7J6R5–Nicolas Lagneau Portrait of a bearded old man, en face, slightly turned left. Stone chalk, coal, wiped, reddish and pastel

Head of a young man turned slightly to the right Tito, Santi di 1536 - 1602 Drawing Central Italian drawings: schools of Florence, Siena, the Marches and Umbria. Italian Drawings in the Department of Prints and Drawings, Statens Museum for Kunst, Chris Fischer, nr. 34, p.83, afb. p.83, k2002-001, 2001 Head of a young man turned slightly to the right Stock Photo

RM2XHXAN1–Head of a young man turned slightly to the right Tito, Santi di 1536 - 1602 Drawing Central Italian drawings: schools of Florence, Siena, the Marches and Umbria. Italian Drawings in the Department of Prints and Drawings, Statens Museum for Kunst, Chris Fischer, nr. 34, p.83, afb. p.83, k2002-001, 2001 Head of a young man turned slightly to the right

Portrait of Hugo Latimer. Bust length portrait, in frontal view of an elderly man wearing ecclesiastic hat and coat. In an oval frame, turned slightly toward right. Stock Photo

RM2BF3EGK–Portrait of Hugo Latimer. Bust length portrait, in frontal view of an elderly man wearing ecclesiastic hat and coat. In an oval frame, turned slightly toward right.

Head of a young man, turned slightly to the right. Hollar, Wenceslaus (1607-1677), graphic artist, Hogenberg, Abraham (fl. 1608-1659), publisher Stock Photo

RM2JWGE61–Head of a young man, turned slightly to the right. Hollar, Wenceslaus (1607-1677), graphic artist, Hogenberg, Abraham (fl. 1608-1659), publisher

Study of Samuel F B Morse for Scientific Group. Man sitting in a chair turned slightly to the left. His right arm up and pointing, his left hand on his knee. Stock Photo

RM2BF3FTE–Study of Samuel F B Morse for Scientific Group. Man sitting in a chair turned slightly to the left. His right arm up and pointing, his left hand on his knee.

Nicolas Lagneau Portrait of an older man with a full beard and lined collar, en face, slightly turned to the right. Coal and stone chalk, wiped, with a reddish and pastel 1600-1650 , 1600/1650 Stock Photo

RM2T7J6PM–Nicolas Lagneau Portrait of an older man with a full beard and lined collar, en face, slightly turned to the right. Coal and stone chalk, wiped, with a reddish and pastel 1600-1650 , 1600/1650

Head of an Elderly Bearded Man. Head of an elderly bearded man with long wavy hair. His head is turned slightly to the left, and his gaze is directed downward. His portrait is on octagonal-shaped paper. Stock Photo

RM2BF4DJR–Head of an Elderly Bearded Man. Head of an elderly bearded man with long wavy hair. His head is turned slightly to the left, and his gaze is directed downward. His portrait is on octagonal-shaped paper.

Portrait of bearded man. George Kendall Warren, photographer (American, 1834 - 1884) 1865 Portrait of an unidentified man with a full beard and sideburns. He is wearing a large bow tie and is facing forward, his head turned slightly to the right. Stock Photo

RM2WT11HE–Portrait of bearded man. George Kendall Warren, photographer (American, 1834 - 1884) 1865 Portrait of an unidentified man with a full beard and sideburns. He is wearing a large bow tie and is facing forward, his head turned slightly to the right.

Study for Portrait of Charles J Martin. Man seated in an armchair by a table, his body turned slightly to the left and his left hand gripping the arm of a chair. Verso: A similar pose. Stock Photo

RM2BF3FTM–Study for Portrait of Charles J Martin. Man seated in an armchair by a table, his body turned slightly to the left and his left hand gripping the arm of a chair. Verso: A similar pose.

Laffabalhie, Director du Conservatoire, 1861-1869. Additional Info: Portrait of a man with bushy sideburns sitting at an angle with his head slightly turned to look at the camera. Stock Photo

RM2YX4TW4–Laffabalhie, Director du Conservatoire, 1861-1869. Additional Info: Portrait of a man with bushy sideburns sitting at an angle with his head slightly turned to look at the camera.

Old Man Weeping after a drawing by Guercino. Saint Peter with a towel held to his eye with his right hand, the lower end in his left hand, resting on a table. He faces front, turned slightly to the left. Stock Photo

RM2BF33HX–Old Man Weeping after a drawing by Guercino. Saint Peter with a towel held to his eye with his right hand, the lower end in his left hand, resting on a table. He faces front, turned slightly to the left.

Bust of a man, On the fleshy head slightly turned to the left a helmet-shaped headpiece to which a Gouda pipe is attached. He is dressed in a jerkin with buttons, above which a floppy, pleated collar, on the shoulder peckballs. The cloak runs obliquely down from his right shoulder to the right, a roll of tobacco extends between the jacket and the pipe. The headgear has linear decorations and is largely sanded., Pieter Xaveri (attributed to), Leiden, c. 1675, bronze (metal), h 25 cm × w 14.4 cm Stock Photo

RMW54W6C–Bust of a man, On the fleshy head slightly turned to the left a helmet-shaped headpiece to which a Gouda pipe is attached. He is dressed in a jerkin with buttons, above which a floppy, pleated collar, on the shoulder peckballs. The cloak runs obliquely down from his right shoulder to the right, a roll of tobacco extends between the jacket and the pipe. The headgear has linear decorations and is largely sanded., Pieter Xaveri (attributed to), Leiden, c. 1675, bronze (metal), h 25 cm × w 14.4 cm

Bust portrait of a bearded man wearing a suit, turned slightly to the right. 'Yours, R. L. Childress.' (written below image). Two cent stamp on reverse side of image. Childress was a delegate from Webster County (19th senatorial district) to the Missouri State Convention held at the Mercantile Library in St. Louis from January 6 to 11, 1865. Title: R. L. Childress. . circa 1865. Pittman and Wolfrom, St. Louis Stock Photo

RMMAKNGT–Bust portrait of a bearded man wearing a suit, turned slightly to the right. 'Yours, R. L. Childress.' (written below image). Two cent stamp on reverse side of image. Childress was a delegate from Webster County (19th senatorial district) to the Missouri State Convention held at the Mercantile Library in St. Louis from January 6 to 11, 1865. Title: R. L. Childress. . circa 1865. Pittman and Wolfrom, St. Louis

American Officer Spanish American War. Research in ProgressFull length figure of a man, in uniform, standing and facing the spectator, turned slightly toward the left. He holds a sword in his right hand. American Officer Spanish American War Stock Photo

RM2BCW203–American Officer Spanish American War. Research in ProgressFull length figure of a man, in uniform, standing and facing the spectator, turned slightly toward the left. He holds a sword in his right hand. American Officer Spanish American War

Formal bust portrait of T. D. Kimbaw wearing glasses, a suit, and a patterned tie, with his head turned slightly to the right. Note on the back reads: 'Capn 'G' Co. 51 Man. Vol. Infty. Capn and Major 'A' Co. 2 Man. Heavy Arty.' 'Genelli' and '923 Olive St. ST. LOUIS, MO.' (printed below image). Title: T. D. Kimbaw (Union veteran). . circa 1892. Genelli, St. Louis Stock Photo

RMMAN32B–Formal bust portrait of T. D. Kimbaw wearing glasses, a suit, and a patterned tie, with his head turned slightly to the right. Note on the back reads: 'Capn 'G' Co. 51 Man. Vol. Infty. Capn and Major 'A' Co. 2 Man. Heavy Arty.' 'Genelli' and '923 Olive St. ST. LOUIS, MO.' (printed below image). Title: T. D. Kimbaw (Union veteran). . circa 1892. Genelli, St. Louis

Portrait of Justus Sustermans from Icones Principum Virorum. Portrait of a man, facing the spectator, the figure turned slightly to the left. His hands are visible, the left one resting on his hip. Inscription below: 'IVSTVS SVTTERMAN S ANTVERPIENSIS PICTOR MAGNI DVCIS FLORENTINI.' At lower left: 'Ant. Stock Photo

RM2BF3EHA–Portrait of Justus Sustermans from Icones Principum Virorum. Portrait of a man, facing the spectator, the figure turned slightly to the left. His hands are visible, the left one resting on his hip. Inscription below: 'IVSTVS SVTTERMAN S ANTVERPIENSIS PICTOR MAGNI DVCIS FLORENTINI.' At lower left: 'Ant.

Bust portrait of a bearded man with curly hair wearing a suit and turned slightly to the left. 'Holdsworth of Monroe' (written on reverse side of image). 'Holdsworth of Monroe' (written below image on album page). Holdsworth was a delegate from Monroe County (4th senatorial district) to the Missouri State Convention held at the Mercantile Library in St. Louis from January 6 to 11, 1865. Title: John H. Holdsworth. . circa 1865. Outley's (St. Louis) Stock Photo

RMMAKNN3–Bust portrait of a bearded man with curly hair wearing a suit and turned slightly to the left. 'Holdsworth of Monroe' (written on reverse side of image). 'Holdsworth of Monroe' (written below image on album page). Holdsworth was a delegate from Monroe County (4th senatorial district) to the Missouri State Convention held at the Mercantile Library in St. Louis from January 6 to 11, 1865. Title: John H. Holdsworth. . circa 1865. Outley's (St. Louis)

Portrait of a man. Jakob Höflinger, photographer (Swiss, 1819 - 1898) about 1853–1860 A portrait of a man sitting in a chair and turned slightly to his side. He is leaning against one armrest. He is holding a cane with his other hand. Stock Photo

RM2WT1FMR–Portrait of a man. Jakob Höflinger, photographer (Swiss, 1819 - 1898) about 1853–1860 A portrait of a man sitting in a chair and turned slightly to his side. He is leaning against one armrest. He is holding a cane with his other hand.

Bust portrait of a bearded man in a suit with head turned slightly to the left, surrounded by a printed frame. 'GENERAL JOHN A. DIX.' (printed below image). 'General Dix, born in Boscawen, N. H., July 24th, 1789; died in New York city, April 21st, 1879. His early education was received at Salisbury, Phillips Exeter Academy, and the College of Montreal. In December, 1812, he was appointed cadet, and going to Baltimore, aided his father, Major Timothy Dix, of the Fourteenth United States Infantry, and also studied at St. Mary's College. He was made ensign in 1813, and accompanied his regiment, t Stock Photo

RMMAKR6X–Bust portrait of a bearded man in a suit with head turned slightly to the left, surrounded by a printed frame. 'GENERAL JOHN A. DIX.' (printed below image). 'General Dix, born in Boscawen, N. H., July 24th, 1789; died in New York city, April 21st, 1879. His early education was received at Salisbury, Phillips Exeter Academy, and the College of Montreal. In December, 1812, he was appointed cadet, and going to Baltimore, aided his father, Major Timothy Dix, of the Fourteenth United States Infantry, and also studied at St. Mary's College. He was made ensign in 1813, and accompanied his regiment, t

Head of a man in shadow turned slightly to the left, from 'Large Oriental Heads' 1947 by Giovanni Benedetto Castiglione (Il Grechetto) Stock Photo

RM2TBJ7G9–Head of a man in shadow turned slightly to the left, from 'Large Oriental Heads' 1947 by Giovanni Benedetto Castiglione (Il Grechetto)

Head of a young man, turned slightly to right 1635–36 Wenceslaus Hollar Bohemian Head of a young man, turned slightly to right;shoulder length hair with forehead fringe; moustache. Head of a young man, turned slightly to right 361742 Stock Photo

RM2HHC7DD–Head of a young man, turned slightly to right 1635–36 Wenceslaus Hollar Bohemian Head of a young man, turned slightly to right;shoulder length hair with forehead fringe; moustache. Head of a young man, turned slightly to right 361742

Portrait of a Mandarin / WA. Portrait of a man, seated half-length slightly turned to right, wearing black-brimmed cap with red top, moustache and his hair plaited and holding a fan with his left hand. Signed with initials at bottom left and pasted on mount with washlines. . [A collection of eighty views, maps, portraits and drawings illustrative of the Embassy sent to China under George, Earl of Macartney, in 1793; drawn chiefly by William Alexander, some by Sir John Barrow, Bart., some by Sir Henry Woodbine Parish, and one by William Gomm. Many of them are engraved in Sir George Staunton' Stock Photo

RMRCY9NT–Portrait of a Mandarin / WA. Portrait of a man, seated half-length slightly turned to right, wearing black-brimmed cap with red top, moustache and his hair plaited and holding a fan with his left hand. Signed with initials at bottom left and pasted on mount with washlines. . [A collection of eighty views, maps, portraits and drawings illustrative of the Embassy sent to China under George, Earl of Macartney, in 1793; drawn chiefly by William Alexander, some by Sir John Barrow, Bart., some by Sir Henry Woodbine Parish, and one by William Gomm. Many of them are engraved in Sir George Staunton'

Alfred T. Schauffler. George Kendall Warren, photographer (American, 1834 - 1884) 1865 Portrait of a young clean-shaven man. He is turned slightly to face the right. (Recto, mount) lower center, black ink: 'Yours Truly,/Alfred T. Schauffler/Constantinople/Turkey.'; Stock Photo

RM2WT12KA–Alfred T. Schauffler. George Kendall Warren, photographer (American, 1834 - 1884) 1865 Portrait of a young clean-shaven man. He is turned slightly to face the right. (Recto, mount) lower center, black ink: 'Yours Truly,/Alfred T. Schauffler/Constantinople/Turkey.';

RM2XHYHAN–Bust of a young man with pointed hat made of leather, holding a staff in his left hand, extended over the parapet; shown in 3/4 profile from the man's left side, with the head turned slightly away from the viewer Lorck, Melchior 1526 - 1583 Woodcut, Print Melchior Lorck, Erik Fischer, The Turkish Publication no. 115, C 46095, 2009. Hollstein's German engravings, etchings and woodcuts 1400-1700 (vol. XXII), Johann Leipolt to Melchior Lorch, Robert Zijlma, vol. XXII, nr. 59, 46482, 1978 Bust of a young man with pointed hat made of leather, holding a staff in his left hand, extended over the para

Recto/Front: The Ascension - Study for a Kneeling Apostle, 1844. [Verso/Back: Head of a Child, 1844]. Ford Madox Brown. Recto: A bearded man, full length, kneeling with his hands raised in prayer... [Verso: Head of a child, turned slightly to the right.] Stock Photo

RM2R0CXWC–Recto/Front: The Ascension - Study for a Kneeling Apostle, 1844. [Verso/Back: Head of a Child, 1844]. Ford Madox Brown. Recto: A bearded man, full length, kneeling with his hands raised in prayer... [Verso: Head of a child, turned slightly to the right.]

RF2B9BGFB–Korendragers- and-dumpingers guild of Amsterdam, guild token of David Lantman, Brass medal. Front: Man with a slight load on the head, slightly turned to the left, on background: light boat. Reverse: inscription, Amsterdam, David Lantman, anonymous, 1802, brass (alloy), engraving, d 3 cm × w 6.91 gr, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Head of a man in shadow turned slightly to the left, from the series of 'Large Oriental Heads' ca. 1645–1650 Giovanni Benedetto Castiglione (Il Grechetto) Italian. Head of a man in shadow turned slightly to the left, from the series of 'Large Oriental Heads' 393504 Stock Photo

RM2HJ1BCD–Head of a man in shadow turned slightly to the left, from the series of 'Large Oriental Heads' ca. 1645–1650 Giovanni Benedetto Castiglione (Il Grechetto) Italian. Head of a man in shadow turned slightly to the left, from the series of 'Large Oriental Heads' 393504

'The Mayor of Casterbridge, by Thomas Hardy. Henchard turned slightly, and saw that the comer was Jopp, his old foreman', 1886. From "The Graphic. An Illustrated Weekly Newspaper Volume 33. January to June, 1886". Stock Photo

RM2K03WN3–'The Mayor of Casterbridge, by Thomas Hardy. Henchard turned slightly, and saw that the comer was Jopp, his old foreman', 1886. From "The Graphic. An Illustrated Weekly Newspaper Volume 33. January to June, 1886".

Portrait of a Man, perhaps Periander, 1st-2nd century A.D. Additional Info: Head of a bearded man from a statue or bust. He has curly hair, brushed forward in ringlets that frame his forehead. There are deep drill holes in the curls of his hair and beard. His lips are pressed together and his nose turned up slightly, the tip of which is missing. His forehead has some lines of age. The eyes have deeply drilled pupils and incised irises. The ears have deep drill holes (perhaps non-ancient) that may have been used to affix a wreath or crown. Perhaps a portrait of Periander (Greek Tyrant of Corin Stock Photo

RM2YBD0WX–Portrait of a Man, perhaps Periander, 1st-2nd century A.D. Additional Info: Head of a bearded man from a statue or bust. He has curly hair, brushed forward in ringlets that frame his forehead. There are deep drill holes in the curls of his hair and beard. His lips are pressed together and his nose turned up slightly, the tip of which is missing. His forehead has some lines of age. The eyes have deeply drilled pupils and incised irises. The ears have deep drill holes (perhaps non-ancient) that may have been used to affix a wreath or crown. Perhaps a portrait of Periander (Greek Tyrant of Corin

Portrait of a man of European appearance, slightly turned his head to the left Stock Photo

RF2BE8XA2–Portrait of a man of European appearance, slightly turned his head to the left

Bust of an unknown man, The head with mustache and imperial is turned slightly to the left, the right hand is loosely in front of the chest, the left, diagonally below it, the cloak holds up. He wears a calot on the wavy hair and is dressed in a jerkin, closed by a long row of buttons. Two fields under the flat collar. A large cloak hanging from the shoulders covers both arms and is turned to the left at the waist. The image, which ends below the waist, is connected to a rectangular base that is rejuvenating upwards., Bartholomeus Eggers (school of), Netherlands, c. 1650 - c. 1699, marble Stock Photo

RMW55H1E–Bust of an unknown man, The head with mustache and imperial is turned slightly to the left, the right hand is loosely in front of the chest, the left, diagonally below it, the cloak holds up. He wears a calot on the wavy hair and is dressed in a jerkin, closed by a long row of buttons. Two fields under the flat collar. A large cloak hanging from the shoulders covers both arms and is turned to the left at the waist. The image, which ends below the waist, is connected to a rectangular base that is rejuvenating upwards., Bartholomeus Eggers (school of), Netherlands, c. 1650 - c. 1699, marble

RF2DB99EK–Portrait of a man of European appearance, slightly turned his head to the left

. Leonardo da Vinci, artist, thinker and man of science. sh. Thepainting is firm rather than fused, but the firmness is fat andluscious. Leonardo has worked a miracle, and painted a portraitwhile creating a type. The admirably modelled head combines certaindefects—a turned-up nose, slightly atrophied—with beauties thatdisarm criticism ; a tender, almost voluptuous mouth, a long veiled 1 According to the CtcetOfie (Burckhardt), this is a portrait of the young Gian GaleazzoSforza, II Moros nephew, the lawful ruler of Milan. But besides the fact that theapparent age of the sitter does not agree w Stock Photo

RM2AG09Y0–. Leonardo da Vinci, artist, thinker and man of science. sh. Thepainting is firm rather than fused, but the firmness is fat andluscious. Leonardo has worked a miracle, and painted a portraitwhile creating a type. The admirably modelled head combines certaindefects—a turned-up nose, slightly atrophied—with beauties thatdisarm criticism ; a tender, almost voluptuous mouth, a long veiled 1 According to the CtcetOfie (Burckhardt), this is a portrait of the young Gian GaleazzoSforza, II Moros nephew, the lawful ruler of Milan. But besides the fact that theapparent age of the sitter does not agree w

Portrait of Frans Francken from Icones Principum Virorum. Portrait of a man, his head turned slightly to the right, looking out at the spectator. His left hand appears from behind the folds of his cloak. Inscription below: FRANCISCUS FRANCK ANTWERPIAE PICTOR...' At lower left: 'Ant. van Dyck fecit aqua forti.' Stock Photo

RM2BF3EHG–Portrait of Frans Francken from Icones Principum Virorum. Portrait of a man, his head turned slightly to the right, looking out at the spectator. His left hand appears from behind the folds of his cloak. Inscription below: FRANCISCUS FRANCK ANTWERPIAE PICTOR...' At lower left: 'Ant. van Dyck fecit aqua forti.'

A Reproach Un Rimprovero. An old couple in half-length. Man in foreground, left, looking straight to right. He wears a nightcap, holds a s tick in his left hand, gesticulates with his right hand. Woman at right, turned slightly to right, head to left, and is looking at the man. Stock Photo

RM2BF33J2–A Reproach Un Rimprovero. An old couple in half-length. Man in foreground, left, looking straight to right. He wears a nightcap, holds a s tick in his left hand, gesticulates with his right hand. Woman at right, turned slightly to right, head to left, and is looking at the man.

Portrait of Jean de Rieux Marshal de France 13421417. Portrait depicted as a part of a monument. The portrait depicts in half-length a young man in armor. His body is turned slightly to the right, he is looking forward. The portrait in an oval frame is hung above a chest (altar?) upon which are heaped arms. Stock Photo

RM2BF3CE4–Portrait of Jean de Rieux Marshal de France 13421417. Portrait depicted as a part of a monument. The portrait depicts in half-length a young man in armor. His body is turned slightly to the right, he is looking forward. The portrait in an oval frame is hung above a chest (altar?) upon which are heaped arms.

RM2TBJ7GH–Head of a man in shadow turned slightly to the left, from 'Large Oriental Heads' 1947 by Giovanni Benedetto Castiglione (Il Grechetto)

The Right Hon Gustavus Lord Viscount Boyne C. Research in ProgressA full-length portrait of a young man in landscape. He is standing in foreground slightly turned towards left. He rests his right hand on a sculptured stone. In his left he holds his hat and cane. In further background hills and trees. Stock Photo

RM2BTN9GH–The Right Hon Gustavus Lord Viscount Boyne C. Research in ProgressA full-length portrait of a young man in landscape. He is standing in foreground slightly turned towards left. He rests his right hand on a sculptured stone. In his left he holds his hat and cane. In further background hills and trees.

Richard Southwell Bourke, Sixth Earl of Mayo (1822-72), Viceroy of India (1869-72). A full length portrait, the figure seated in a red chair, slightly turned to the left but facing forward. His right hand is on his knee and he holds a letter in his left. He wears a black suit, the background is dark and the carpet red-patterned. A despatch box and a letter lie on a table beside him. 1873. Oil painting. 74 by 50 ins (178 by 127 cms). Source: Foster 178. Author: ANON. Stock Photo

RMRCBRT2–Richard Southwell Bourke, Sixth Earl of Mayo (1822-72), Viceroy of India (1869-72). A full length portrait, the figure seated in a red chair, slightly turned to the left but facing forward. His right hand is on his knee and he holds a letter in his left. He wears a black suit, the background is dark and the carpet red-patterned. A despatch box and a letter lie on a table beside him. 1873. Oil painting. 74 by 50 ins (178 by 127 cms). Source: Foster 178. Author: ANON.

Head of a young man, turned slightly to right MET DP823790 361742 Stock Photo

RMKP47C2–Head of a young man, turned slightly to right MET DP823790 361742

RF2B9A524–Bust of an unknown man, The head with mustache and imperial is turned slightly to the left, the right hand is loosely in front of the chest, the left, diagonally below it, the cloak holds up. He wears a calot on the wavy hair and is dressed in a jerkin, closed by a long row of buttons. Two fields under the flat collar. A large cloak hanging from the shoulders covers both arms and is turned to the left at the waist. The image, which ends below the waist, is connected to a rectangular base that is rejuvenating upwards., Bartholomeus Eggers (school of), Netherlands, c. 1650 - c. 1699, marble (roc

RM2HHFPM5–Head of a man in shadow turned slightly to the left, from the series of 'Large Oriental Heads' ca. 1645–1650 Giovanni Benedetto Castiglione (Il Grechetto) Italian. Head of a man in shadow turned slightly to the left, from the series of 'Large Oriental Heads' 393492

RM2G4GT6D–Carte-de-visite of John W. Menard, the first black man ever elected to the United States House of Representatives. Menard's body is turned nearly in profile with his left side foremost, but his head is turned only one quarter and he looks slightly off frame. His hair is parted at his left side and smooth down on the top, but curly on the sides. He has a mustache. Menard wears a dark colored jacket, white shirt, and dark bowtie. The bottom portion of the image is purposefully faded in the popular style of the time. There is a double-lined border printed in gold ink surrounding the outside edges

RM2HH72AD–Head of a man in shadow turned slightly to the left, from the series of 'Large Oriental Heads' ca. 1645–1650 Giovanni Benedetto Castiglione (Il Grechetto) Italian. Head of a man in shadow turned slightly to the left, from the series of 'Large Oriental Heads' 393503

Portrait of Pieter Spiering Portrait of Pieter Spiering (? -1652), The man is depicted frontally, the head turned to the right. His eyebrows are slightly frowned. He has a large mustache and wavy hair that falls to the shoulders. He wears a fur-lined cloak over his tube with split sleeves. The flat collar is laid over the mantle. On profiled, pivoted pedestal., François Dieussart, c. 1645 - c. 1650, marble (rock), h 89.0 cm × w 65.0 cm × d 32.0 cm w 22.0 cm × d 22.5 cm Stock Photo

RMW552EY–Portrait of Pieter Spiering Portrait of Pieter Spiering (? -1652), The man is depicted frontally, the head turned to the right. His eyebrows are slightly frowned. He has a large mustache and wavy hair that falls to the shoulders. He wears a fur-lined cloak over his tube with split sleeves. The flat collar is laid over the mantle. On profiled, pivoted pedestal., François Dieussart, c. 1645 - c. 1650, marble (rock), h 89.0 cm × w 65.0 cm × d 32.0 cm w 22.0 cm × d 22.5 cm

Arthur-Joseph Guéniot (1866-1951). Portrait of bearded man, face slightly turned to the left. Graphite pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century Stock Photo

RM2WJX9E7–Arthur-Joseph Guéniot (1866-1951). Portrait of bearded man, face slightly turned to the left. Graphite pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Portrait of a sad man of European appearance, slightly turned his head to the right Stock Photo

RF2BE8XA6–Portrait of a sad man of European appearance, slightly turned his head to the right

(2). Verso/Back: Head of a Child, 1844. [Recto/Front: The Ascension - Study for a Kneeling Apostle, 1844]. Ford Madox Brown. Verso: Head of a child, turned slightly to the right.. [Recto: A bearded man, full length, kneeling with his hands raised in prayer.] . Stock Photo

RM2R0D0WP–(2). Verso/Back: Head of a Child, 1844. [Recto/Front: The Ascension - Study for a Kneeling Apostle, 1844]. Ford Madox Brown. Verso: Head of a child, turned slightly to the right.. [Recto: A bearded man, full length, kneeling with his hands raised in prayer.] .

RF2DB99EB–Portrait of a sad man of European appearance, slightly turned his head to the right

Watson Willard Torrey. George Kendall Warren, photographer (American, 1834 - 1884) 1865 Portrait of a man wearing a patterned bow tie. He is facing forward, his head turned slightly to the right. (Recto, mount) lower center, black ink: 'Very Truly Yours,/Watson W. Torrey./Groton/Mass.'; Stock Photo

RM2WT11WC–Watson Willard Torrey. George Kendall Warren, photographer (American, 1834 - 1884) 1865 Portrait of a man wearing a patterned bow tie. He is facing forward, his head turned slightly to the right. (Recto, mount) lower center, black ink: 'Very Truly Yours,/Watson W. Torrey./Groton/Mass.';

Boone County Recorder . O. And I wish to bo your friend, hocontinued, and to have this morningsfolly forgotten, If possible. Granted also. And to prove it, comoout Into the grounds with mo. I havesomething to tell you. They went out under tho full moon. -You ought to know why I can not beyours, for suoh an unexpected honor asyour love deserves some reward, shesaid. I will tell you. Long beforo Iknew you I loved and was engaged. Her companion started slightly at herwords. c To-day that man is an abandoned in-ebriate, wholly lost and ruined; but—she turned her face toward him, hereyes swimming i Stock Photo

RM2AKJAGB–Boone County Recorder . O. And I wish to bo your friend, hocontinued, and to have this morningsfolly forgotten, If possible. Granted also. And to prove it, comoout Into the grounds with mo. I havesomething to tell you. They went out under tho full moon. -You ought to know why I can not beyours, for suoh an unexpected honor asyour love deserves some reward, shesaid. I will tell you. Long beforo Iknew you I loved and was engaged. Her companion started slightly at herwords. c To-day that man is an abandoned in-ebriate, wholly lost and ruined; but—she turned her face toward him, hereyes swimming i

The main young man, turned slightly to the right; Hollar, Wenceslaus (1607-1677), Hogenberg, Abraham (Fl. 1608-1659); 1636 (1636-00-00-1636-00-00);Rehdigerana (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, 17th century (costume.), Travels, Men's portraits Stock Photo

RM2WP1GEG–The main young man, turned slightly to the right; Hollar, Wenceslaus (1607-1677), Hogenberg, Abraham (Fl. 1608-1659); 1636 (1636-00-00-1636-00-00);Rehdigerana (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, 17th century (costume.), Travels, Men's portraits

Laffabalhie, Director du Conservatoire. Nadar [Gaspard Félix Tournachon], photographer (French, 1820 - 1910) 1861–1869 Portrait of a man with bushy sideburns sitting at an angle with his head slightly turned to look at the camera. (Recto, print) handwritten in the negative: '16 ' (Verso, mount) handwritten in pencil: 'Laffabalhie / Dir du Conservatoire' Stock Photo

RM2WT1B95–Laffabalhie, Director du Conservatoire. Nadar [Gaspard Félix Tournachon], photographer (French, 1820 - 1910) 1861–1869 Portrait of a man with bushy sideburns sitting at an angle with his head slightly turned to look at the camera. (Recto, print) handwritten in the negative: '16 ' (Verso, mount) handwritten in pencil: 'Laffabalhie / Dir du Conservatoire'

Captain Benjamin Sydenham (1777-1828), c.1810 A half-length portrait, the body slightly turned to the left, the face looking at the spectator. Sydenham wears a black coat, cream waistcoat and white stock. A red curtain is draped behind him and in the distance is a landscape. He served in the Madras Engineers 1796-1808, returning to England on leave in 1801 with his mother after the death of his father. He was a protÃ©gÃ© of Sir Arthur Wellesley and went back to England with him in 1808. He became involved in politics and was sent on a mission to Wellesley in Spain in 1809. He held the post of Stock Photo

RMRCY2KM–Captain Benjamin Sydenham (1777-1828), c.1810 A half-length portrait, the body slightly turned to the left, the face looking at the spectator. Sydenham wears a black coat, cream waistcoat and white stock. A red curtain is draped behind him and in the distance is a landscape. He served in the Madras Engineers 1796-1808, returning to England on leave in 1801 with his mother after the death of his father. He was a protÃ©gÃ© of Sir Arthur Wellesley and went back to England with him in 1808. He became involved in politics and was sent on a mission to Wellesley in Spain in 1809. He held the post of

RMKNW8A2–Head of a young man, turned slightly to right MET DP823790 361742

Bust of a Man Hendrik de Keyser (1565 - 1621) Bust of a man, The head, slightly turned to the right, shows a beard and toggle, fairly short hair and a somewhat fleshy nose. Over a piece of clothing that appears at the neck, he wears a jerky that is closed with buttons and has an upright collar with notches. Beneath the shoulder flaps with transversely arranged trimmings thereon, the band-shaped boundary of the bust commences, which changes partly directly and partly with a curl into a mascaron. At the rear on the top edge in the still unbaked clay, upside down, engraved ANO 1606, Historical pe Stock Photo

RF2B9AMH5–Bust of a Man Hendrik de Keyser (1565 - 1621) Bust of a man, The head, slightly turned to the right, shows a beard and toggle, fairly short hair and a somewhat fleshy nose. Over a piece of clothing that appears at the neck, he wears a jerky that is closed with buttons and has an upright collar with notches. Beneath the shoulder flaps with transversely arranged trimmings thereon, the band-shaped boundary of the bust commences, which changes partly directly and partly with a curl into a mascaron. At the rear on the top edge in the still unbaked clay, upside down, engraved ANO 1606, Historical pe

A brownish photograph printed on textured paper of Nelson Jordan. Jordan is seated in a three-quarter portrait with his body turned slightly left, but facing the camera. He wears a dark-colored three-piece suit, a dark tie, a pocket watch, and has a beard and mustache. His name is handwritten in graphite on the verso. Stock Photo

RM2G4GTC7–A brownish photograph printed on textured paper of Nelson Jordan. Jordan is seated in a three-quarter portrait with his body turned slightly left, but facing the camera. He wears a dark-colored three-piece suit, a dark tie, a pocket watch, and has a beard and mustache. His name is handwritten in graphite on the verso.

RMW56B2E–Bust of a Man Hendrik de Keyser (1565 - 1621) Bust of a man, The head, slightly turned to the right, shows a beard and toggle, fairly short hair and a somewhat fleshy nose. Over a piece of clothing that appears at the neck, he wears a jerky that is closed with buttons and has an upright collar with notches. Beneath the shoulder flaps with transversely arranged trimmings thereon, the band-shaped boundary of the bust commences, which changes partly directly and partly with a curl into a mascaron. At the rear on the top edge in the still unbaked clay, upside down, engraved ANO 1606, Historical

A handbook of figure skating arranged for use on the ice; with over six hundred diagrams and illustrations . 2. Carry the unemployed leg slightly bent at the knee,behind the employed, the toe turned out, back, and down. 3. Whenever it is necessary to swing the unemployedleg forward, bring it back to its normal position as soon as. The Reverse Q^s,Nos. 41, 42, and43, are in the Ger-man schedule, notin the Austrian. 41 42 43 4. Avoid all jerky movement, and let the hands followthe motion of the body naturally, without swinging. 5. Practice each figure only in the prescribed eight} aimat equal si Stock Photo

RM2AKJWFG–A handbook of figure skating arranged for use on the ice; with over six hundred diagrams and illustrations . 2. Carry the unemployed leg slightly bent at the knee,behind the employed, the toe turned out, back, and down. 3. Whenever it is necessary to swing the unemployedleg forward, bring it back to its normal position as soon as. The Reverse Q^s,Nos. 41, 42, and43, are in the Ger-man schedule, notin the Austrian. 41 42 43 4. Avoid all jerky movement, and let the hands followthe motion of the body naturally, without swinging. 5. Practice each figure only in the prescribed eight} aimat equal si

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