Bear Baiting. Marginal drawing from the Luttrell Psalter, c1340. The Luttrell Psalter (British Library, Add MS 42130) is an illuminated psalter commissioned by Sir Geoffrey Luttrell (1276-1345), Lord of the manor of Irnham in Lincolnshire, written and illustrated on parchment circa 1320-1340 in England by anonymous scribes and artists Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bear-baiting-marginal-drawing-from-the-luttrell-psalter-c1340-the-luttrell-psalter-british-library-add-ms-42130-is-an-illuminated-psalter-commissioned-by-sir-geoffrey-luttrell-1276-1345-lord-of-the-manor-of-irnham-in-lincolnshire-written-and-illustrated-on-parchment-circa-1320-1340-in-england-by-anonymous-scribes-and-artists-image482118464.html
RM2K0AB0G–Bear Baiting. Marginal drawing from the Luttrell Psalter, c1340. The Luttrell Psalter (British Library, Add MS 42130) is an illuminated psalter commissioned by Sir Geoffrey Luttrell (1276-1345), Lord of the manor of Irnham in Lincolnshire, written and illustrated on parchment circa 1320-1340 in England by anonymous scribes and artists
Folly Steps Down from the Pulpit, marginal drawing by Hans Holbein the Younger Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-folly-steps-down-from-the-pulpit-marginal-drawing-by-hans-holbein-132691200.html
RMHKTGYC–Folly Steps Down from the Pulpit, marginal drawing by Hans Holbein the Younger
. English: Folly Steps Down From the Pulpit, pen and ink marginal drawing in a copy of The Praise of Folly by Desiderius Erasmus. This is the last of 82 marginal drawings that include the first works of Holbein to survive intact. He and his brother, Ambrosius, drew them in the copy of The Praise of Folly owned by classical scholar Oswald Myconius, who planned to show the result to the author, his friend Erasmus. Most of the sketches, including this one, are by Hans Holbein, whose style and left-handed hatching identify him from Ambrosius. Here the figure of Folly steps down from the pulpit at Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-folly-steps-down-from-the-pulpit-pen-and-ink-marginal-drawing-in-a-copy-of-the-praise-of-folly-by-desiderius-erasmus-this-is-the-last-of-82-marginal-drawings-that-include-the-first-works-of-holbein-to-survive-intact-he-and-his-brother-ambrosius-drew-them-in-the-copy-of-the-praise-of-folly-owned-by-classical-scholar-oswald-myconius-who-planned-to-show-the-result-to-the-author-his-friend-erasmus-most-of-the-sketches-including-this-one-are-by-hans-holbein-whose-style-and-left-handed-hatching-identify-him-from-ambrosius-here-the-figure-of-folly-steps-down-from-the-pulpit-at-image184981516.html
RMMMXHPM–. English: Folly Steps Down From the Pulpit, pen and ink marginal drawing in a copy of The Praise of Folly by Desiderius Erasmus. This is the last of 82 marginal drawings that include the first works of Holbein to survive intact. He and his brother, Ambrosius, drew them in the copy of The Praise of Folly owned by classical scholar Oswald Myconius, who planned to show the result to the author, his friend Erasmus. Most of the sketches, including this one, are by Hans Holbein, whose style and left-handed hatching identify him from Ambrosius. Here the figure of Folly steps down from the pulpit at
Folly Steps Down from the Pulpit, marginal drawing by Hans Holbein the Younger. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/folly-steps-down-from-the-pulpit-marginal-drawing-by-hans-holbein-the-younger-image342860990.html
RM2AWPJKA–Folly Steps Down from the Pulpit, marginal drawing by Hans Holbein the Younger.
First page of Book III with historiated initial, Leaf from Boethius' treatise on philosophy. Folio 24 includes historiated initial 'I' depicting an elongated shape (the kneeling figure of Philosophy in her red robe). A marginal drawing at the top of the page is of a green dragon. Colours for intitial and borders include green, purple, blue, orange with burnished gold surrounds. The text begins 'Iam canticum illa finierat Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/first-page-of-book-iii-with-historiated-initial-leaf-from-boethius-treatise-on-philosophy-folio-24-includes-historiated-initial-i-depicting-an-elongated-shape-the-kneeling-figure-of-philosophy-in-her-red-robe-a-marginal-drawing-at-the-top-of-the-page-is-of-a-green-dragon-colours-for-intitial-and-borders-include-green-purple-blue-orange-with-burnished-gold-surrounds-the-text-begins-iam-canticum-illa-finierat-image573404409.html
RM2T8TR4W–First page of Book III with historiated initial, Leaf from Boethius' treatise on philosophy. Folio 24 includes historiated initial 'I' depicting an elongated shape (the kneeling figure of Philosophy in her red robe). A marginal drawing at the top of the page is of a green dragon. Colours for intitial and borders include green, purple, blue, orange with burnished gold surrounds. The text begins 'Iam canticum illa finierat
Marginal drawing of Matthew Paris on his death bed. Historia Anglorum. England (St Albans), 1250-1259. Source: Royal 14 C. VII, f.218v. Language: Latin. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marginal-drawing-of-matthew-paris-on-his-death-bed-historia-anglorum-england-st-albans-1250-1259-source-royal-14-c-vii-f218v-language-latin-image226857160.html
RMR526HC–Marginal drawing of Matthew Paris on his death bed. Historia Anglorum. England (St Albans), 1250-1259. Source: Royal 14 C. VII, f.218v. Language: Latin.
Head of a donkey, Nicolaes Pietersz. Berchem (Haarlem 1621/22 - 1683 Amsterdam), drawing, black chalk. Slightly soiled in the marginal areas. Trace of an oblique crease in the lower area., 14.3 x 15.5 cm, l.l. Duke Albert of Saxe-Teschen, numbered right. above: '16 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-a-donkey-nicolaes-pietersz-berchem-haarlem-162122-1683-amsterdam-drawing-black-chalk-slightly-soiled-in-the-marginal-areas-trace-of-an-oblique-crease-in-the-lower-area-143-x-155-cm-ll-duke-albert-of-saxe-teschen-numbered-right-above-16-image573327694.html
RM2T8N992–Head of a donkey, Nicolaes Pietersz. Berchem (Haarlem 1621/22 - 1683 Amsterdam), drawing, black chalk. Slightly soiled in the marginal areas. Trace of an oblique crease in the lower area., 14.3 x 15.5 cm, l.l. Duke Albert of Saxe-Teschen, numbered right. above: '16
Marginal illustration: forest landscape with a pair of figures under an oak tree by the pond, Hermann Baisch, Dresden 1846 - 1894 Karlsruhe, 19th century, drawing, pen in black, lights scratched out in places, over pencil traces; Boundaries of the illustration marked with a pencil line at the top and left; double black border line, 272 x 181 mm, l.l. in the picture: 'HBaisch.', pen in black, r.o. '.6', pen in black, l. under the inner influence: 'Zu Allotria v. Schwaben Mayer', Bleist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marginal-illustration-forest-landscape-with-a-pair-of-figures-under-an-oak-tree-by-the-pond-hermann-baisch-dresden-1846-1894-karlsruhe-19th-century-drawing-pen-in-black-lights-scratched-out-in-places-over-pencil-traces-boundaries-of-the-illustration-marked-with-a-pencil-line-at-the-top-and-left-double-black-border-line-272-x-181-mm-ll-in-the-picture-hbaisch-pen-in-black-ro-6-pen-in-black-l-under-the-inner-influence-zu-allotria-v-schwaben-mayer-bleist-image573256723.html
RM2T8J2PB–Marginal illustration: forest landscape with a pair of figures under an oak tree by the pond, Hermann Baisch, Dresden 1846 - 1894 Karlsruhe, 19th century, drawing, pen in black, lights scratched out in places, over pencil traces; Boundaries of the illustration marked with a pencil line at the top and left; double black border line, 272 x 181 mm, l.l. in the picture: 'HBaisch.', pen in black, r.o. '.6', pen in black, l. under the inner influence: 'Zu Allotria v. Schwaben Mayer', Bleist.
Handwriting text Human Capital. Business concept Intangible Collective Resources Competence Capital Education Gentleman Drawing Standing Pointing Finger In Blank Whiteboard. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/handwriting-text-human-capital-business-concept-intangible-collective-resources-competence-capital-education-gentleman-drawing-standing-pointing-finger-in-blank-whiteboard-image483603305.html
RF2K2P0XH–Handwriting text Human Capital. Business concept Intangible Collective Resources Competence Capital Education Gentleman Drawing Standing Pointing Finger In Blank Whiteboard.
Bad Groß Ullersdorf (North Moravia), Thesstal sanatorium, gymnasium, cut, Alfred Castelliz (Celje 1870 - 1940 Vienna), 1912, architectural drawing, paper, medium strong; Copy with entries and marginal sketches in pencil, 37.9 x 42.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bad-gro-ullersdorf-north-moravia-thesstal-sanatorium-gymnasium-cut-alfred-castelliz-celje-1870-1940-vienna-1912-architectural-drawing-paper-medium-strong-copy-with-entries-and-marginal-sketches-in-pencil-379-x-425-cm-image573331084.html
RM2T8NDJ4–Bad Groß Ullersdorf (North Moravia), Thesstal sanatorium, gymnasium, cut, Alfred Castelliz (Celje 1870 - 1940 Vienna), 1912, architectural drawing, paper, medium strong; Copy with entries and marginal sketches in pencil, 37.9 x 42.5 cm
Conceptual display Human Capital. Business showcase Intangible Collective Resources Competence Capital Education Hands Illustration Holding Drawing On Tablet Scree Showing Information. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/conceptual-display-human-capital-business-showcase-intangible-collective-resources-competence-capital-education-hands-illustration-holding-drawing-on-tablet-scree-showing-information-image483244351.html
RF2K25K2R–Conceptual display Human Capital. Business showcase Intangible Collective Resources Competence Capital Education Hands Illustration Holding Drawing On Tablet Scree Showing Information.
Map of Washington, D.C., and environs : with marginal numbers and measuring tape attachment for instantly locating points of interest within a radius of twenty miles from the Capitol 1887 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/map-of-washington-dc-and-environs-with-marginal-numbers-and-measuring-tape-attachment-for-instantly-locating-points-of-interest-within-a-radius-of-twenty-miles-from-the-capitol-1887-image343062205.html
RM2AX3R9H–Map of Washington, D.C., and environs : with marginal numbers and measuring tape attachment for instantly locating points of interest within a radius of twenty miles from the Capitol 1887
Handwriting text Financial Management. Business showcase efficient and effective way to Manage Money and Funds Man Drawing Holding Megaphone With Big Speech Bubble Showing Message. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/handwriting-text-financial-management-business-showcase-efficient-and-effective-way-to-manage-money-and-funds-man-drawing-holding-megaphone-with-big-speech-bubble-showing-message-image483417909.html
RF2K2DGD9–Handwriting text Financial Management. Business showcase efficient and effective way to Manage Money and Funds Man Drawing Holding Megaphone With Big Speech Bubble Showing Message.
Astropectenn Aurantiacus has adambulacral ossicles and marginal ossicles, vintage line drawing or engraving illustration. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/astropectenn-aurantiacus-has-adambulacral-ossicles-and-marginal-ossicles-vintage-line-drawing-or-engraving-illustration-image244634244.html
RFT601D8–Astropectenn Aurantiacus has adambulacral ossicles and marginal ossicles, vintage line drawing or engraving illustration.
Text sign showing Financial Management. Business idea efficient and effective way to Manage Money and Funds Employee Drawing Helping Each Other Building Light Bulb Jigsaw Puzzle. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/text-sign-showing-financial-management-business-idea-efficient-and-effective-way-to-manage-money-and-funds-employee-drawing-helping-each-other-building-light-bulb-jigsaw-puzzle-image483450498.html
RF2K2F216–Text sign showing Financial Management. Business idea efficient and effective way to Manage Money and Funds Employee Drawing Helping Each Other Building Light Bulb Jigsaw Puzzle.
This is an image of toothed leaf. This leaves have cuts with small, marginal teeth, vintage line drawing or engraving illustration. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/this-is-an-image-of-toothed-leaf-this-leaves-have-cuts-with-small-marginal-teeth-vintage-line-drawing-or-engraving-illustration-image244495177.html
RFT5NM2H–This is an image of toothed leaf. This leaves have cuts with small, marginal teeth, vintage line drawing or engraving illustration.
Travel by dog sled on the Sea of Okhotsk, Sea of Okhotsk is a marginal sea of the Pacific Ocean in East Asia, c. 1875 / Reise mit dem Hundeschlitten am Ochotskischen Meer, Ochotskische Meer ist ein Randmeer des Pazifischen Ozeans in Ostasien, um 1875, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/travel-by-dog-sled-on-the-sea-of-okhotsk-sea-of-okhotsk-is-a-marginal-sea-of-the-pacific-ocean-in-east-asia-c-1875-reise-mit-dem-hundeschlitten-am-ochotskischen-meer-ochotskische-meer-ist-ein-randmeer-des-pazifischen-ozeans-in-ostasien-um-1875-historisch-historical-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image396551970.html
RF2E14E2A–Travel by dog sled on the Sea of Okhotsk, Sea of Okhotsk is a marginal sea of the Pacific Ocean in East Asia, c. 1875 / Reise mit dem Hundeschlitten am Ochotskischen Meer, Ochotskische Meer ist ein Randmeer des Pazifischen Ozeans in Ostasien, um 1875, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,
A typical representation of the tentaculocyst and marginal lappets of Aurelia aurita, with the parts labelled, vintage line drawing or engraving illus Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-typical-representation-of-the-tentaculocyst-and-marginal-lappets-of-aurelia-aurita-with-the-parts-labelled-vintage-line-drawing-or-engraving-illus-image359328103.html
RF2BTGPJF–A typical representation of the tentaculocyst and marginal lappets of Aurelia aurita, with the parts labelled, vintage line drawing or engraving illus
Mr. Grant Allen's New Story “Michael's Crag.” With ... marginal illustrations in silhouette, etc Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mr-grant-allens-new-story-michaels-crag-with-marginal-illustrations-140822737.html
RMJ530RD–Mr. Grant Allen's New Story “Michael's Crag.” With ... marginal illustrations in silhouette, etc
A Scholar Treads on a Market Woman's Basket of Eggs, marginal drawing by Hans Holbein the Younger Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-scholar-treads-on-a-market-womans-basket-of-eggs-marginal-drawing-132595058.html
RMHKM69P–A Scholar Treads on a Market Woman's Basket of Eggs, marginal drawing by Hans Holbein the Younger
. English: A Scholar Treads on a Market Woman's Basket of Eggs, pen and ink marginal drawing in a copy of The Praise of Folly by Desiderius Erasmus. This is the third of 82 marginal drawings that include the first works of Holbein to survive intact. He and his brother, Ambrosius, drew them in the copy of The Praise of Folly owned by classical scholar Oswald Myconius, who planned to show the result to the author, his friend Erasmus. Most of the sketches, including this one, are by Hans Holbein, whose style and left-handed hatching identify him from Ambrosius. Here a scholar turns to look at a y Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-a-scholar-treads-on-a-market-womans-basket-of-eggs-pen-and-ink-marginal-drawing-in-a-copy-of-the-praise-of-folly-by-desiderius-erasmus-this-is-the-third-of-82-marginal-drawings-that-include-the-first-works-of-holbein-to-survive-intact-he-and-his-brother-ambrosius-drew-them-in-the-copy-of-the-praise-of-folly-owned-by-classical-scholar-oswald-myconius-who-planned-to-show-the-result-to-the-author-his-friend-erasmus-most-of-the-sketches-including-this-one-are-by-hans-holbein-whose-style-and-left-handed-hatching-identify-him-from-ambrosius-here-a-scholar-turns-to-look-at-a-y-image184996723.html
RMMMY95R–. English: A Scholar Treads on a Market Woman's Basket of Eggs, pen and ink marginal drawing in a copy of The Praise of Folly by Desiderius Erasmus. This is the third of 82 marginal drawings that include the first works of Holbein to survive intact. He and his brother, Ambrosius, drew them in the copy of The Praise of Folly owned by classical scholar Oswald Myconius, who planned to show the result to the author, his friend Erasmus. Most of the sketches, including this one, are by Hans Holbein, whose style and left-handed hatching identify him from Ambrosius. Here a scholar turns to look at a y
A Scholar Treads on a Market Woman's Basket of Eggs, marginal drawing by Hans Holbein the Younger. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-scholar-treads-on-a-market-womans-basket-of-eggs-marginal-drawing-by-hans-holbein-the-younger-image213033342.html
RMPAGE5J–A Scholar Treads on a Market Woman's Basket of Eggs, marginal drawing by Hans Holbein the Younger.
P.R. - Port San Juan. San Juan Lighthouse Depot, Puerto Rico. Marginal wharf and bulkhead. Camera station at Point 'A', drawing 3124. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pr-port-san-juan-san-juan-lighthouse-depot-puerto-rico-marginal-wharf-and-bulkhead-camera-station-at-point-a-drawing-3124-image475507351.html
RM2JHH6DB–P.R. - Port San Juan. San Juan Lighthouse Depot, Puerto Rico. Marginal wharf and bulkhead. Camera station at Point 'A', drawing 3124.
Marginal drawing shows a monk hearing a nun's confession. Book of Hours. S. Netherlands (Liège); 1310-1320. Source: Stowe 17, f.191. Language: Latin. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marginal-drawing-shows-a-monk-hearing-a-nuns-confession-book-of-hours-s-netherlands-lige-1310-1320-source-stowe-17-f191-language-latin-image226996955.html
RMR58GX3–Marginal drawing shows a monk hearing a nun's confession. Book of Hours. S. Netherlands (Liège); 1310-1320. Source: Stowe 17, f.191. Language: Latin.
Marginal heights of the Seine basin near St. Germain (north of Paris), , (atlas, 1909), Randhöhen des Seinebeckens bei St. Germain (nördlich von Paris), Hauteurs marginales du bassin de la Seine près de St. Germain (au nord de Paris) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marginal-heights-of-the-seine-basin-near-st-germain-north-of-paris-atlas-1909-randhhen-des-seinebeckens-bei-st-germain-nrdlich-von-paris-hauteurs-marginales-du-bassin-de-la-seine-prs-de-st-germain-au-nord-de-paris-image463331196.html
RM2HWPFJM–Marginal heights of the Seine basin near St. Germain (north of Paris), , (atlas, 1909), Randhöhen des Seinebeckens bei St. Germain (nördlich von Paris), Hauteurs marginales du bassin de la Seine près de St. Germain (au nord de Paris)
Human heart anatomy. Vector illustration in cartoon style. Isolated on white background. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/human-heart-anatomy-vector-illustration-in-cartoon-style-isolated-on-white-background-image598347335.html
RF2WND23K–Human heart anatomy. Vector illustration in cartoon style. Isolated on white background.
Knee with hemophilic arthropathy with marginal joint erosion. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/knee-with-hemophilic-arthropathy-with-marginal-joint-erosion-image476924423.html
RF2JKWNY3–Knee with hemophilic arthropathy with marginal joint erosion.
The Adoration of the Shepherds, Hendrik van Balen (Antwerp 1573–1632 Antwerp), 1617, drawing, graphite pencil, brown and gray pen and brush, brown wash, opaque white (grey oxidized); cracked down. Slightly soiled due to abrasion in the marginal areas., 36.2 x 24.2 cm, l.l. Duke Albert of Saxe-Teschen Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-adoration-of-the-shepherds-hendrik-van-balen-antwerp-15731632-antwerp-1617-drawing-graphite-pencil-brown-and-gray-pen-and-brush-brown-wash-opaque-white-grey-oxidized-cracked-down-slightly-soiled-due-to-abrasion-in-the-marginal-areas-362-x-242-cm-ll-duke-albert-of-saxe-teschen-image573322442.html
RM2T8N2HE–The Adoration of the Shepherds, Hendrik van Balen (Antwerp 1573–1632 Antwerp), 1617, drawing, graphite pencil, brown and gray pen and brush, brown wash, opaque white (grey oxidized); cracked down. Slightly soiled due to abrasion in the marginal areas., 36.2 x 24.2 cm, l.l. Duke Albert of Saxe-Teschen
James Watt (1736-1819) was a Scottish inventor, mechanical engineer, and chemist who improved on Thomas Newcomen's 1712 Newcomen steam engine with his Watt steam engine in 1776, which was fundamental to the changes brought by the Industrial Revolution in both his native Great Britain and the rest of the world. His improvements to the steam engine 'converted it from a prime mover of marginal efficiency into the mechanical workhorse of the Industrial Revolution'. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/james-watt-1736-1819-was-a-scottish-inventor-mechanical-engineer-and-chemist-who-improved-on-thomas-newcomens-1712-newcomen-steam-engine-with-his-watt-steam-engine-in-1776-which-was-fundamental-to-the-changes-brought-by-the-industrial-revolution-in-both-his-native-great-britain-and-the-rest-of-the-world-his-improvements-to-the-steam-engine-converted-it-from-a-prime-mover-of-marginal-efficiency-into-the-mechanical-workhorse-of-the-industrial-revolution-image235305361.html
RMRJR2AW–James Watt (1736-1819) was a Scottish inventor, mechanical engineer, and chemist who improved on Thomas Newcomen's 1712 Newcomen steam engine with his Watt steam engine in 1776, which was fundamental to the changes brought by the Industrial Revolution in both his native Great Britain and the rest of the world. His improvements to the steam engine 'converted it from a prime mover of marginal efficiency into the mechanical workhorse of the Industrial Revolution'.
Map of Washington, D.C., and environs : with marginal numbers and measuring tape attachment for instantly locating points of interest within a radius of twenty miles from the Capitol 1887 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/map-of-washington-dc-and-environs-with-marginal-numbers-and-measuring-tape-attachment-for-instantly-locating-points-of-interest-within-a-radius-of-twenty-miles-from-the-capitol-1887-image343062192.html
RM2AX3R94–Map of Washington, D.C., and environs : with marginal numbers and measuring tape attachment for instantly locating points of interest within a radius of twenty miles from the Capitol 1887
A picture showing Asplenium Nidus. It is known by the common name bird's nest fern. The fern has entire marginal leaves. The veins are partially unite Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-picture-showing-asplenium-nidus-it-is-known-by-the-common-name-birds-nest-fern-the-fern-has-entire-marginal-leaves-the-veins-are-partially-unite-image244634814.html
RFT6025J–A picture showing Asplenium Nidus. It is known by the common name bird's nest fern. The fern has entire marginal leaves. The veins are partially unite
Map of Washington, D.C., and environs : with marginal numbers and measuring tape attachment for instantly locating points of interest within a radius of twenty miles from the Capitol 1887 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-map-of-washington-dc-and-environs-with-marginal-numbers-and-measuring-77825277.html
RMEEH6X5–Map of Washington, D.C., and environs : with marginal numbers and measuring tape attachment for instantly locating points of interest within a radius of twenty miles from the Capitol 1887
Student taking drawing a graph in economics class Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-student-taking-drawing-a-graph-in-economics-class-132640114.html
RFHKP7PX–Student taking drawing a graph in economics class
Text sign showing Financial Management, Word for efficient and effective way to Manage Money and Funds Ceiling Megaphone Drawing Giving Reaction Makin Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/text-sign-showing-financial-management-word-for-efficient-and-effective-way-to-manage-money-and-funds-ceiling-megaphone-drawing-giving-reaction-makin-image461045907.html
RF2HP2CN7–Text sign showing Financial Management, Word for efficient and effective way to Manage Money and Funds Ceiling Megaphone Drawing Giving Reaction Makin
Illustration of Anterior Coronary Arteries Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-of-anterior-coronary-arteries-135006568.html
RMHRJ274–Illustration of Anterior Coronary Arteries
One of the designated Translators into English of the 1611 'King James’ Bible', Dr George Abbot (1562-1633), who was consecrated Archbishop of Canterbury, also in 1611. Engraving by Michael Van der Gucht (1660-1725), with a marginal inscription lower left “from an Orig. Painting”. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/one-of-the-designated-translators-into-english-of-the-1611-king-james-bible-dr-george-abbot-1562-1633-who-was-consecrated-archbishop-of-canterbury-also-in-1611-engraving-by-michael-van-der-gucht-1660-1725-with-a-marginal-inscription-lower-left-from-an-orig-painting-image575870461.html
RF2TCW4J5–One of the designated Translators into English of the 1611 'King James’ Bible', Dr George Abbot (1562-1633), who was consecrated Archbishop of Canterbury, also in 1611. Engraving by Michael Van der Gucht (1660-1725), with a marginal inscription lower left “from an Orig. Painting”.
Image taken from page 180 of 'The Works of Robert Burns. With a series of authentic pictorial illustrations, marginal glossary, numerous notes, and appendixes; also the life of Burns, by J. G. Lockhart; and essays on the genius, character, and writings of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-180-of-the-works-of-robert-burns-with-a-series-140802774.html
RMJ523AE–Image taken from page 180 of 'The Works of Robert Burns. With a series of authentic pictorial illustrations, marginal glossary, numerous notes, and appendixes; also the life of Burns, by J. G. Lockhart; and essays on the genius, character, and writings of
Islamic - Text Page with Marginal Illumination - Walters W55512B - Full Page Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-islamic-text-page-with-marginal-illumination-walters-w55512b-full-132810276.html
RMHM20T4–Islamic - Text Page with Marginal Illumination - Walters W55512B - Full Page
. Stamp of the Kingdom of Italy; 1934; commemorative stamp to the '75º anniversario dell'invenzione della dinamo' ('75th anniversary of the invention of the dynamo'); framed drawing of a portrait of Antonio Pacinotti (the inventor) with marginal lateral inscription 'LXXV anniversario' (left) and 'invenzione dinamo' (right); postmarked in Venice (Italian 'Venezia'); 1934 Stamp: Michel: No. 489; Yvert & Tellier: No. 338; Scott: No. 323 Color: azure to blue Watermark: Italy No. 1 (corona) Nominal value: 1.25 Liore (?) Postage validity: from 23 May 1934 until 30 June 1935 Stamp picture size (print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stamp-of-the-kingdom-of-italy-1934-commemorative-stamp-to-the-75-anniversario-dellinvenzione-della-dinamo-75th-anniversary-of-the-invention-of-the-dynamo-framed-drawing-of-a-portrait-of-antonio-pacinotti-the-inventor-with-marginal-lateral-inscription-lxxv-anniversario-left-and-invenzione-dinamo-right-postmarked-in-venice-italian-venezia-1934-stamp-michel-no-489-yvert-tellier-no-338-scott-no-323-color-azure-to-blue-watermark-italy-no-1-corona-nominal-value-125-liore-postage-validity-from-23-may-1934-until-30-june-1935-stamp-picture-size-print-image208205541.html
RMP2MG85–. Stamp of the Kingdom of Italy; 1934; commemorative stamp to the '75º anniversario dell'invenzione della dinamo' ('75th anniversary of the invention of the dynamo'); framed drawing of a portrait of Antonio Pacinotti (the inventor) with marginal lateral inscription 'LXXV anniversario' (left) and 'invenzione dinamo' (right); postmarked in Venice (Italian 'Venezia'); 1934 Stamp: Michel: No. 489; Yvert & Tellier: No. 338; Scott: No. 323 Color: azure to blue Watermark: Italy No. 1 (corona) Nominal value: 1.25 Liore (?) Postage validity: from 23 May 1934 until 30 June 1935 Stamp picture size (print
Lord Burghley's Atlas - 'Printed map of Devon, dated 1575, with marginal notes by Lord Burghley relating to the defence of the county' . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lord-burghleys-atlas-printed-map-of-devon-dated-1575-with-marginal-notes-by-lord-burghley-relating-to-the-defence-of-the-county-image217071068.html
RMPH4CA4–Lord Burghley's Atlas - 'Printed map of Devon, dated 1575, with marginal notes by Lord Burghley relating to the defence of the county' .
P.R. - Port San Juan. San Juan Lighthouse Depot, Puerto Rico. Marginal wharf and bulkhead. Camera station at Point 'H', drawing 3124. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pr-port-san-juan-san-juan-lighthouse-depot-puerto-rico-marginal-wharf-and-bulkhead-camera-station-at-point-h-drawing-3124-image475507220.html
RM2JHH68M–P.R. - Port San Juan. San Juan Lighthouse Depot, Puerto Rico. Marginal wharf and bulkhead. Camera station at Point 'H', drawing 3124.
Text. Marginal drawing of a grotesque; a snail with a cat's head. Book of Hours. S. Netherlands (Liège); 1310-1320. Source: Stowe 17, f.185. Language: Latin. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/text-marginal-drawing-of-a-grotesque-a-snail-with-a-cats-head-book-of-hours-s-netherlands-lige-1310-1320-source-stowe-17-f185-language-latin-image227192374.html
RMR5HE5A–Text. Marginal drawing of a grotesque; a snail with a cat's head. Book of Hours. S. Netherlands (Liège); 1310-1320. Source: Stowe 17, f.185. Language: Latin.
Short run supply soft blue concept icon Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/short-run-supply-soft-blue-concept-icon-image598696112.html
RF2WP0Y00–Short run supply soft blue concept icon
wolf's bane, a marginal florets. b disc florets, c these in longitudinal section, Arnica montana, Schimper, Andreas Franz Wilhelm (botany book, 1900), Arnika, a Randblüte. b Scheibenblüte, c diese im Längsschnitt, Arnica des montagnes, a Fleur marginale. b Fleur discoïde, c Celle-ci en coupe longitudinale Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wolfs-bane-a-marginal-florets-b-disc-florets-c-these-in-longitudinal-section-arnica-montana-schimper-andreas-franz-wilhelm-botany-book-1900-arnika-a-randblte-b-scheibenblte-c-diese-im-lngsschnitt-arnica-des-montagnes-a-fleur-marginale-b-fleur-discode-c-celle-ci-en-coupe-longitudinale-image501793302.html
RM2M4AJDA–wolf's bane, a marginal florets. b disc florets, c these in longitudinal section, Arnica montana, Schimper, Andreas Franz Wilhelm (botany book, 1900), Arnika, a Randblüte. b Scheibenblüte, c diese im Längsschnitt, Arnica des montagnes, a Fleur marginale. b Fleur discoïde, c Celle-ci en coupe longitudinale
theatre / theater, opera, 'The Magic Flute', by Wolfgang Amadeus Mozart, libretto: Emanuel Schikanader, ARTIST'S COPYRIGHT HAS NOT TO BE CLEARED Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/theatre-theater-opera-the-magic-flute-by-wolfgang-amadeus-mozart-libretto-emanuel-schikanader-artists-copyright-has-not-to-be-cleared-image433015538.html
RM2G4DFMJ–theatre / theater, opera, 'The Magic Flute', by Wolfgang Amadeus Mozart, libretto: Emanuel Schikanader, ARTIST'S COPYRIGHT HAS NOT TO BE CLEARED
Knee with hemophilic arthropathy with marginal joint erosion. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/knee-with-hemophilic-arthropathy-with-marginal-joint-erosion-image476924527.html
RF2JKWP2R–Knee with hemophilic arthropathy with marginal joint erosion.
Head of a young woman (plaster model), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, black chalk, heightened with white chalk, on blue paper; brown soiling in the marginal areas; re. of the right eyes dirty with ink; oblique creases on the right. Edge; small tears on the left border, 27.3 x 21.3 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/head-of-a-young-woman-plaster-model-abraham-van-diepenbeeck-s-hertogenbosch-1596-1675-antwerp-drawing-black-chalk-heightened-with-white-chalk-on-blue-paper-brown-soiling-in-the-marginal-areas-re-of-the-right-eyes-dirty-with-ink-oblique-creases-on-the-right-edge-small-tears-on-the-left-border-273-x-213-cm-image573327022.html
RM2T8N8D2–Head of a young woman (plaster model), Abraham van Diepenbeeck (s' Hertogenbosch 1596 - 1675 Antwerp), drawing, black chalk, heightened with white chalk, on blue paper; brown soiling in the marginal areas; re. of the right eyes dirty with ink; oblique creases on the right. Edge; small tears on the left border, 27.3 x 21.3 cm
Art . The pupilmust bear in mind, when he is drawing this marginal line that, after the con-structive lines are erased, the space between the units will be twice the width of themargin allowed around each unit in the constructive plan. The constructive plan may be made with ruled lines, but the inner marginalline should be made freehand and very faint. Good results may be ol)tained when the above constructive plans are employedeither with units derived from flower forms or with units that are geometric incharacter, provided that care is taken to keep the margins in all the spaces uniformand in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-the-pupilmust-bear-in-mind-when-he-is-drawing-this-marginal-line-that-after-the-con-structive-lines-are-erased-the-space-between-the-units-will-be-twice-the-width-of-themargin-allowed-around-each-unit-in-the-constructive-plan-the-constructive-plan-may-be-made-with-ruled-lines-but-the-inner-marginalline-should-be-made-freehand-and-very-faint-good-results-may-be-oltained-when-the-above-constructive-plans-are-employedeither-with-units-derived-from-flower-forms-or-with-units-that-are-geometric-incharacter-provided-that-care-is-taken-to-keep-the-margins-in-all-the-spaces-uniformand-in-image342920856.html
RM2AWWB1C–Art . The pupilmust bear in mind, when he is drawing this marginal line that, after the con-structive lines are erased, the space between the units will be twice the width of themargin allowed around each unit in the constructive plan. The constructive plan may be made with ruled lines, but the inner marginalline should be made freehand and very faint. Good results may be ol)tained when the above constructive plans are employedeither with units derived from flower forms or with units that are geometric incharacter, provided that care is taken to keep the margins in all the spaces uniformand in
Anne Robert Jacques Turgot, Baron de l'Aulne, 1727-1781, a French economist and statesman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-anne-robert-jacques-turgot-baron-de-laulne-1727-1781-a-french-economist-114382962.html
RMGJ2GHP–Anne Robert Jacques Turgot, Baron de l'Aulne, 1727-1781, a French economist and statesman
Human heart Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/human-heart-image444477219.html
RF2GR3K6B–Human heart
Picture of abstract evil. Cyber demon in doodle sketch. Colorful image on white background. Picture can be used in greeting cards, posters, flyers, banners, Halloween decoration etc. Vector illustration. EPS10 Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/picture-of-abstract-evil-cyber-demon-in-doodle-sketch-colorful-image-on-white-background-picture-can-be-used-in-greeting-cards-posters-flyers-banners-halloween-decoration-etc-vector-illustration-eps10-image327642954.html
RF2A11BX2–Picture of abstract evil. Cyber demon in doodle sketch. Colorful image on white background. Picture can be used in greeting cards, posters, flyers, banners, Halloween decoration etc. Vector illustration. EPS10
A human heart Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-human-heart-image444680939.html
RF2GRCY23–A human heart
black vintage gas mask protection steampunk respirator. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/black-vintage-gas-mask-protection-steampunk-respirator-image352067505.html
RF2BCP1KD–black vintage gas mask protection steampunk respirator.
Illustration of Posterior Coronary Arteries Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-of-posterior-coronary-arteries-135006569.html
RMHRJ275–Illustration of Posterior Coronary Arteries
A human heart Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-human-heart-image446387190.html
RF2GX6KBJ–A human heart
Image taken from page 193 of 'The Works of Robert Burns. With a series of authentic pictorial illustrations, marginal glossary, numerous notes, and appendixes; also the life of Burns, by J. G. Lockhart; and essays on the genius, character, and writings of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-193-of-the-works-of-robert-burns-with-a-series-140804962.html
RMJ5264J–Image taken from page 193 of 'The Works of Robert Burns. With a series of authentic pictorial illustrations, marginal glossary, numerous notes, and appendixes; also the life of Burns, by J. G. Lockhart; and essays on the genius, character, and writings of
African - Text Page with Illuminated Marginal Medallion - Walters W56813B - Full Page Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-african-text-page-with-illuminated-marginal-medallion-walters-w56813b-132575255.html
RMHKK92F–African - Text Page with Illuminated Marginal Medallion - Walters W56813B - Full Page
Human heart Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/human-heart-image445472737.html
RF2GTN10H–Human heart
Image from page 82 of 'Mr. Grant Allen's New Story “Michael's Crag.” With . marginal illustrations in silhouette, etc' . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-from-page-82-of-mr-grant-allens-new-story-michaels-crag-with-marginal-illustrations-in-silhouette-etc-image217270616.html
RMPHDETT–Image from page 82 of 'Mr. Grant Allen's New Story “Michael's Crag.” With . marginal illustrations in silhouette, etc' .
P.R. - Port San Juan. San Juan Lighthouse Depot, Puerto Rico. Marginal wharf and bulkhead. Part of finished sheet pile capping at 'H', drawing 3124. Camera station #3. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pr-port-san-juan-san-juan-lighthouse-depot-puerto-rico-marginal-wharf-and-bulkhead-part-of-finished-sheet-pile-capping-at-h-drawing-3124-camera-station-3-image475507308.html
RM2JHH6BT–P.R. - Port San Juan. San Juan Lighthouse Depot, Puerto Rico. Marginal wharf and bulkhead. Part of finished sheet pile capping at 'H', drawing 3124. Camera station #3.
Detail of a marginal drawing of the marriage of Henry III and Eleanor of Provence. Historia Anglorum, Chronica majora, Part III; Continuation of Chronica maiora. 1250-1259. Source: Royal 14 C. VII, f.124v. Language: Latin. Author: PARIS, MATTHEW. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/detail-of-a-marginal-drawing-of-the-marriage-of-henry-iii-and-eleanor-of-provence-historia-anglorum-chronica-majora-part-iii-continuation-of-chronica-maiora-1250-1259-source-royal-14-c-vii-f124v-language-latin-author-paris-matthew-image227078817.html
RMR5C99N–Detail of a marginal drawing of the marriage of Henry III and Eleanor of Provence. Historia Anglorum, Chronica majora, Part III; Continuation of Chronica maiora. 1250-1259. Source: Royal 14 C. VII, f.124v. Language: Latin. Author: PARIS, MATTHEW.
man's hand holding felt-tip Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mans-hand-holding-felt-tip-74352689.html
RFE8Y1H5–man's hand holding felt-tip
Process of Arteriosclerosis Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/process-of-arteriosclerosis-image444798548.html
RF2GRJ92C–Process of Arteriosclerosis
Healthy knee with hemophilic arthropathy with marginal joint erosion. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/healthy-knee-with-hemophilic-arthropathy-with-marginal-joint-erosion-image476924491.html
RF2JKWP1F–Healthy knee with hemophilic arthropathy with marginal joint erosion.
Mule rider and other shepherds crossing a ford with their cattle, Nicolaes Pietersz. Berchem (Haarlem 1621/22 - 1683 Amsterdam), drawing, red chalk. in the left brownish soiling in the upper corner and in the marginal areas. Small damage on the left. margin., 17.9 x 13.9 cm, l.l. Duke Albert of Saxe-Teschen; r.b. Unknown collector's mark C Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mule-rider-and-other-shepherds-crossing-a-ford-with-their-cattle-nicolaes-pietersz-berchem-haarlem-162122-1683-amsterdam-drawing-red-chalk-in-the-left-brownish-soiling-in-the-upper-corner-and-in-the-marginal-areas-small-damage-on-the-left-margin-179-x-139-cm-ll-duke-albert-of-saxe-teschen-rb-unknown-collectors-mark-c-image573327686.html
RM2T8N98P–Mule rider and other shepherds crossing a ford with their cattle, Nicolaes Pietersz. Berchem (Haarlem 1621/22 - 1683 Amsterdam), drawing, red chalk. in the left brownish soiling in the upper corner and in the marginal areas. Small damage on the left. margin., 17.9 x 13.9 cm, l.l. Duke Albert of Saxe-Teschen; r.b. Unknown collector's mark C
Architectural drawing : a textbook that combines the parctical instructions and examples that the student needs, with the suggestive programs, supplementary problems, etc, required by the teacher, written by an architect of wide experience who has also taught the subject for years at Teachers' College, Columbia University, and Mechanics' Institute, New York . the centre of paper bydiagonal lines. Draw Centre line perpendicular.Draw a line l-0 below the top marginal line andparallel with it: Measure off 3-0 each way fromcentre line and draw a perpendicular line at each ex-tremity : Space off th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/architectural-drawing-a-textbook-that-combines-the-parctical-instructions-and-examples-that-the-student-needs-with-the-suggestive-programs-supplementary-problems-etc-required-by-the-teacher-written-by-an-architect-of-wide-experience-who-has-also-taught-the-subject-for-years-at-teachers-college-columbia-university-and-mechanics-institute-new-york-the-centre-of-paper-bydiagonal-lines-draw-centre-line-perpendiculardraw-a-line-l-0-below-the-top-marginal-line-andparallel-with-it-measure-off-3-0-each-way-fromcentre-line-and-draw-a-perpendicular-line-at-each-ex-tremity-space-off-th-image338092272.html
RM2AJ1C40–Architectural drawing : a textbook that combines the parctical instructions and examples that the student needs, with the suggestive programs, supplementary problems, etc, required by the teacher, written by an architect of wide experience who has also taught the subject for years at Teachers' College, Columbia University, and Mechanics' Institute, New York . the centre of paper bydiagonal lines. Draw Centre line perpendicular.Draw a line l-0 below the top marginal line andparallel with it: Measure off 3-0 each way fromcentre line and draw a perpendicular line at each ex-tremity : Space off th
JOHANN BAPTIST SCHOLL D. J., The poem of the stork with marginal drawings, sheet, 570 x 420 mm, pen in black and red over pencil, watercolored, border line in pencil on all sides, on cream-colored primed vellum paper, The poem of the stork with marginal drawings, JOHANN BAPTIST SCHOLL D. J., 19TH CENTURY, DRAWING, pen in black and red over pencil, watercolored, border line on all sides in pencil, on cream-colored primed vellum paper, INK?, INK?, WATERCOLOR, GRAPHITE-CLAY MIXTURE, VELVET PAPER, PEN DRAWING, WATERCOLOR, BRUSH DRAWING, PENCIL DRAWING, PRIMER, GERMAN, ARTWORK FOR AN ILLUSTRATION Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johann-baptist-scholl-d-j-the-poem-of-the-stork-with-marginal-drawings-sheet-570-x-420-mm-pen-in-black-and-red-over-pencil-watercolored-border-line-in-pencil-on-all-sides-on-cream-colored-primed-vellum-paper-the-poem-of-the-stork-with-marginal-drawings-johann-baptist-scholl-d-j-19th-century-drawing-pen-in-black-and-red-over-pencil-watercolored-border-line-on-all-sides-in-pencil-on-cream-colored-primed-vellum-paper-ink-ink-watercolor-graphite-clay-mixture-velvet-paper-pen-drawing-watercolor-brush-drawing-pencil-drawing-primer-german-artwork-for-an-illustration-image573247356.html
RM2T8HJRT–JOHANN BAPTIST SCHOLL D. J., The poem of the stork with marginal drawings, sheet, 570 x 420 mm, pen in black and red over pencil, watercolored, border line in pencil on all sides, on cream-colored primed vellum paper, The poem of the stork with marginal drawings, JOHANN BAPTIST SCHOLL D. J., 19TH CENTURY, DRAWING, pen in black and red over pencil, watercolored, border line on all sides in pencil, on cream-colored primed vellum paper, INK?, INK?, WATERCOLOR, GRAPHITE-CLAY MIXTURE, VELVET PAPER, PEN DRAWING, WATERCOLOR, BRUSH DRAWING, PENCIL DRAWING, PRIMER, GERMAN, ARTWORK FOR AN ILLUSTRATION
Draft for a marginal illustration with the motif of a dance of angels on clouds above the landscape near Rothenburg ob der Tauber and the final piece of a knight resting on the slain dragon, Hans Thoma, Bernau 1839 - 1924 Karlsruhe, 1891, drawing, pen in black, over pencil, on cardboard, laminated?, 347 x 290 mm, l.l. in the frame: '18 HTh 91', r. and erased lettering; inscribed in the knight's portrait: 'En.e.', in fracture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/draft-for-a-marginal-illustration-with-the-motif-of-a-dance-of-angels-on-clouds-above-the-landscape-near-rothenburg-ob-der-tauber-and-the-final-piece-of-a-knight-resting-on-the-slain-dragon-hans-thoma-bernau-1839-1924-karlsruhe-1891-drawing-pen-in-black-over-pencil-on-cardboard-laminated-347-x-290-mm-ll-in-the-frame-18-hth-91-r-and-erased-lettering-inscribed-in-the-knights-portrait-ene-in-fracture-image573250543.html
RM2T8HPWK–Draft for a marginal illustration with the motif of a dance of angels on clouds above the landscape near Rothenburg ob der Tauber and the final piece of a knight resting on the slain dragon, Hans Thoma, Bernau 1839 - 1924 Karlsruhe, 1891, drawing, pen in black, over pencil, on cardboard, laminated?, 347 x 290 mm, l.l. in the frame: '18 HTh 91', r. and erased lettering; inscribed in the knight's portrait: 'En.e.', in fracture
Heart organ Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/heart-organ-image444573780.html
RF2GR82B0–Heart organ
Hut at the edge of the forest with shepherds and cattle, Anthony Jansz. van der Croos (Alkmaar ? 1606/07 - 1662/63 The Hague), 1641, drawing, graphite pencil, gray wash, on parchment; top and right light marginal stripes., 24.4 x 35.2 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hut-at-the-edge-of-the-forest-with-shepherds-and-cattle-anthony-jansz-van-der-croos-alkmaar-160607-166263-the-hague-1641-drawing-graphite-pencil-gray-wash-on-parchment-top-and-right-light-marginal-stripes-244-x-352-cm-image573324719.html
RM2T8N5ER–Hut at the edge of the forest with shepherds and cattle, Anthony Jansz. van der Croos (Alkmaar ? 1606/07 - 1662/63 The Hague), 1641, drawing, graphite pencil, gray wash, on parchment; top and right light marginal stripes., 24.4 x 35.2 cm
Illustration of Coronary Arteries Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-of-coronary-arteries-135006886.html
RMHRJ2JE–Illustration of Coronary Arteries
Anatomy of the human heart Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anatomy-of-the-human-heart-image446419566.html
RF2GX84KX–Anatomy of the human heart
Image taken from page 156 of 'The Works of Robert Burns. With a series of authentic pictorial illustrations, marginal glossary, numerous notes, and appendixes; also the life of Burns, by J. G. Lockhart; and essays on the genius, character, and writings of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-156-of-the-works-of-robert-burns-with-a-series-140880083.html
RMJ55HYF–Image taken from page 156 of 'The Works of Robert Burns. With a series of authentic pictorial illustrations, marginal glossary, numerous notes, and appendixes; also the life of Burns, by J. G. Lockhart; and essays on the genius, character, and writings of
Islamic - Illuminated Headpiece with Arabesque Design and Marginal Medallion at Left - Walters W5551A - Full Page Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-islamic-illuminated-headpiece-with-arabesque-design-and-marginal-medallion-132813722.html
RMHM2576–Islamic - Illuminated Headpiece with Arabesque Design and Marginal Medallion at Left - Walters W5551A - Full Page
Interior and Anterior Anatomy of the heart Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/interior-and-anterior-anatomy-of-the-heart-image446340085.html
RF2GX4F99–Interior and Anterior Anatomy of the heart
Image from page 118 of 'Mr. Grant Allen's New Story “Michael's Crag.” With . marginal illustrations in silhouette, etc' . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-from-page-118-of-mr-grant-allens-new-story-michaels-crag-with-marginal-illustrations-in-silhouette-etc-image217004347.html
RMPH1B77–Image from page 118 of 'Mr. Grant Allen's New Story “Michael's Crag.” With . marginal illustrations in silhouette, etc' .
P.R. - Port San Juan. San Juan Lighthouse Depot, Puerto Rico. Marginal wharf and bulkhead. Sheet piles cut off ready for capping. Taken from Camera Station #1, drawing 3124. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pr-port-san-juan-san-juan-lighthouse-depot-puerto-rico-marginal-wharf-and-bulkhead-sheet-piles-cut-off-ready-for-capping-taken-from-camera-station-1-drawing-3124-image475507134.html
RM2JHH65J–P.R. - Port San Juan. San Juan Lighthouse Depot, Puerto Rico. Marginal wharf and bulkhead. Sheet piles cut off ready for capping. Taken from Camera Station #1, drawing 3124.
Marginal drawing showing St. Edmund of Abingdon bringing about the reconciliation of Gilbert Mareschall and King Henry III. Historia Anglorum. England (St Albans), 1250-1259. Source: Royal 14 C. VII, f.122v. Language: Latin. Author: PARIS, MATTHEW. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marginal-drawing-showing-st-edmund-of-abingdon-bringing-about-the-reconciliation-of-gilbert-mareschall-and-king-henry-iii-historia-anglorum-england-st-albans-1250-1259-source-royal-14-c-vii-f122v-language-latin-author-paris-matthew-image226972799.html
RMR57E3B–Marginal drawing showing St. Edmund of Abingdon bringing about the reconciliation of Gilbert Mareschall and King Henry III. Historia Anglorum. England (St Albans), 1250-1259. Source: Royal 14 C. VII, f.122v. Language: Latin. Author: PARIS, MATTHEW.
Human heart Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/human-heart-image445989290.html
RF2GWGFTX–Human heart
man's hand holding felt-tip Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mans-hand-holding-felt-tip-74353288.html
RFE8Y2AG–man's hand holding felt-tip
Turtle in cartoon style isolated on white background Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/turtle-in-cartoon-style-isolated-on-white-background-image446382787.html
RF2GX6DPB–Turtle in cartoon style isolated on white background
Healthy knee with hemophilic arthropathy with marginal joint erosion. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/healthy-knee-with-hemophilic-arthropathy-with-marginal-joint-erosion-image476924505.html
RF2JKWP21–Healthy knee with hemophilic arthropathy with marginal joint erosion.
Human heart. Flat design style illustration. image Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-human-heart-flat-design-style-illustration-image-163140794.html
The Journal of experimental zoology . 16 Fig. 16. Drawing showing three perradial canals and rhopaha in a given octomere, p.Fig. 17. Sketch showing two octomeres a, a, with extremely simple canal systems. The positionsof the rhopalia are adradial. numerary rhopalium may develop at unusual points, as has beendescribed in the paper just cited. It is not at all improbable,therefore, that in cases of injury the marginal portion of theumbrella involved may be more or less modified during the processof regeneration, and that marginal organs may appear in some-what unusual places. It is not improbabl Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-journal-of-experimental-zoology-16-fig-16-drawing-showing-three-perradial-canals-and-rhopaha-in-a-given-octomere-pfig-17-sketch-showing-two-octomeres-a-a-with-extremely-simple-canal-systems-the-positionsof-the-rhopalia-are-adradial-numerary-rhopalium-may-develop-at-unusual-points-as-has-beendescribed-in-the-paper-just-cited-it-is-not-at-all-improbabletherefore-that-in-cases-of-injury-the-marginal-portion-of-theumbrella-involved-may-be-more-or-less-modified-during-the-processof-regeneration-and-that-marginal-organs-may-appear-in-some-what-unusual-places-it-is-not-improbabl-image340217947.html
RM2ANE7CY–The Journal of experimental zoology . 16 Fig. 16. Drawing showing three perradial canals and rhopaha in a given octomere, p.Fig. 17. Sketch showing two octomeres a, a, with extremely simple canal systems. The positionsof the rhopalia are adradial. numerary rhopalium may develop at unusual points, as has beendescribed in the paper just cited. It is not at all improbable,therefore, that in cases of injury the marginal portion of theumbrella involved may be more or less modified during the processof regeneration, and that marginal organs may appear in some-what unusual places. It is not improbabl
Anne Robert Jacques Turgot, Baron de l'Aulne, 1727-1781, a French economist and statesman Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-anne-robert-jacques-turgot-baron-de-laulne-1727-1781-a-french-economist-167196532.html
RMKM0CTM–Anne Robert Jacques Turgot, Baron de l'Aulne, 1727-1781, a French economist and statesman
Short run supply multi color concept icon Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/short-run-supply-multi-color-concept-icon-image598842790.html
RF2WP7J2E–Short run supply multi color concept icon
The human heart with a syringe. Flat design style illustration. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-human-heart-with-a-syringe-flat-design-style-illustration-163142858.html
RFKDBPAJ–The human heart with a syringe. Flat design style illustration.
Handwriting text Human Capital. Business concept Intangible Collective Resources Competence Capital Education Gentleman Drawing Standing Pointing Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/handwriting-text-human-capital-business-concept-intangible-collective-resources-competence-capital-education-gentleman-drawing-standing-pointing-image468673214.html
RF2J6DWD2–Handwriting text Human Capital. Business concept Intangible Collective Resources Competence Capital Education Gentleman Drawing Standing Pointing
Rider in front of the obstacle, Paul Klee (Münchenbuchsee 1879 - 1940 Muralto), 1921, 216, drawing, pen and ink on paper on cardboard, 13.5 x 14 cm, bottom left '1921. 216. Riders in front of the obstacle' (on the box with marginal strips Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rider-in-front-of-the-obstacle-paul-klee-mnchenbuchsee-1879-1940-muralto-1921-216-drawing-pen-and-ink-on-paper-on-cardboard-135-x-14-cm-bottom-left-1921-216-riders-in-front-of-the-obstacle-on-the-box-with-marginal-strips-image573314813.html
RM2T8MMW1–Rider in front of the obstacle, Paul Klee (Münchenbuchsee 1879 - 1940 Muralto), 1921, 216, drawing, pen and ink on paper on cardboard, 13.5 x 14 cm, bottom left '1921. 216. Riders in front of the obstacle' (on the box with marginal strips
Illustration of Coronary Arteries Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-illustration-of-coronary-arteries-135006567.html
RMHRJ273–Illustration of Coronary Arteries
Image taken from page 200 of 'The Works of Robert Burns. With a series of authentic pictorial illustrations, marginal glossary, numerous notes, and appendixes; also the life of Burns, by J. G. Lockhart; and essays on the genius, character, and writings of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-200-of-the-works-of-robert-burns-with-a-series-140806316.html
RMJ527W0–Image taken from page 200 of 'The Works of Robert Burns. With a series of authentic pictorial illustrations, marginal glossary, numerous notes, and appendixes; also the life of Burns, by J. G. Lockhart; and essays on the genius, character, and writings of
Image taken from page 118 of 'Mr. Grant Allen's New Story “Michael's Crag.” With ... marginal illustrations in silhouette, etc' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-taken-from-page-118-of-mr-grant-allens-new-story-michaels-crag-image65003237.html
RMDNN485–Image taken from page 118 of 'Mr. Grant Allen's New Story “Michael's Crag.” With ... marginal illustrations in silhouette, etc'
Image from page 134 of 'Mr. Grant Allen's New Story “Michael's Crag.” With . marginal illustrations in silhouette, etc' . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-from-page-134-of-mr-grant-allens-new-story-michaels-crag-with-marginal-illustrations-in-silhouette-etc-image217045181.html
RMPH379H–Image from page 134 of 'Mr. Grant Allen's New Story “Michael's Crag.” With . marginal illustrations in silhouette, etc' .
P.R. - Port San Juan. San Juan Lighthouse Depot, Puerto Rico. Marginal wharf and bulkhead. Pile driver at midway between 'E' and 'F' , drawing 3124, driving 30 foot concrete sheet piles. Same pile as shown in #1. Camera station #2. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pr-port-san-juan-san-juan-lighthouse-depot-puerto-rico-marginal-wharf-and-bulkhead-pile-driver-at-midway-between-e-and-f-drawing-3124-driving-30-foot-concrete-sheet-piles-same-pile-as-shown-in-1-camera-station-2-image475507303.html
RM2JHH6BK–P.R. - Port San Juan. San Juan Lighthouse Depot, Puerto Rico. Marginal wharf and bulkhead. Pile driver at midway between 'E' and 'F' , drawing 3124, driving 30 foot concrete sheet piles. Same pile as shown in #1. Camera station #2.
Marginal drawing of King Henry III sailing across the English Channel to Brittany, with part of the accompanying text in the author's own hand. Historia Anglorum. England (St Albans), 1250-1259. Source: Royal 14 C. VII, f.116v. Language: Latin. Author: PARIS, MATTHEW. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marginal-drawing-of-king-henry-iii-sailing-across-the-english-channel-to-brittany-with-part-of-the-accompanying-text-in-the-authors-own-hand-historia-anglorum-england-st-albans-1250-1259-source-royal-14-c-vii-f116v-language-latin-author-paris-matthew-image226945566.html
RMR567AP–Marginal drawing of King Henry III sailing across the English Channel to Brittany, with part of the accompanying text in the author's own hand. Historia Anglorum. England (St Albans), 1250-1259. Source: Royal 14 C. VII, f.116v. Language: Latin. Author: PARIS, MATTHEW.
Shepherdess 1827–47 J. J. Grandville Although the precise published illustration for which this drawing is preparatory has not yet been identified, this sheet gives tremendous insight into the working process of one of the preeminent illustrators of the nineteenth century. The marginal annotations convey Grandville's instructions to the artisan who would have transferred the drawing to a wood block to prepare a wood engraving. For instance, he notes the two sheep and the ground should be lower and the birds should be in smaller proportion.. Shepherdess. J. J. Grandville (French, Nancy 1803–184 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shepherdess-182747-j-j-grandville-although-the-precise-published-illustration-for-which-this-drawing-is-preparatory-has-not-yet-been-identified-this-sheet-gives-tremendous-insight-into-the-working-process-of-one-of-the-preeminent-illustrators-of-the-nineteenth-century-the-marginal-annotations-convey-grandvilles-instructions-to-the-artisan-who-would-have-transferred-the-drawing-to-a-wood-block-to-prepare-a-wood-engraving-for-instance-he-notes-the-two-sheep-and-the-ground-should-be-lower-and-the-birds-should-be-in-smaller-proportion-shepherdess-j-j-grandville-french-nancy-1803184-image457991372.html
RM2HH38JM–Shepherdess 1827–47 J. J. Grandville Although the precise published illustration for which this drawing is preparatory has not yet been identified, this sheet gives tremendous insight into the working process of one of the preeminent illustrators of the nineteenth century. The marginal annotations convey Grandville's instructions to the artisan who would have transferred the drawing to a wood block to prepare a wood engraving. For instance, he notes the two sheep and the ground should be lower and the birds should be in smaller proportion.. Shepherdess. J. J. Grandville (French, Nancy 1803–184
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