Married woman france 17th century Stock Photos and Images

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Married woman france 17th century Stock Photos and Images

Portrait of a young woman ( Virginia Del Vezzo, or Vezzi, whom Vouet married in 1621.) 1620-1621 by Simon Vouet 1590-1649 17th Century, France - French Stock Photo

RMPYE9GJ–Portrait of a young woman ( Virginia Del Vezzo, or Vezzi, whom Vouet married in 1621.) 1620-1621 by Simon Vouet 1590-1649 17th Century, France - French

Henri IV, 13.12.1553 - 14.5.1610, King of France 27.2.1594 - 14.5.1610, full length, with his 2nd wife Maria die Medici, drawing after painting by Peter Paul Rubens, Stock Photo

RMBA7YK5–Henri IV, 13.12.1553 - 14.5.1610, King of France 27.2.1594 - 14.5.1610, full length, with his 2nd wife Maria die Medici, drawing after painting by Peter Paul Rubens,

Marguerite de Valois. Queen of France and of Navarre, 14 May 1553 – 27 March 1615. Married Henry IV of France. Stock Photo

RMERG9C3–Marguerite de Valois. Queen of France and of Navarre, 14 May 1553 – 27 March 1615. Married Henry IV of France.

Marie Leszczyńska or Marie Leczinska, born Maria Karolina Zofia Felicja Leszczyńska, 1703-1768, a queen consort of France, Stock Photo

RME59GT6–Marie Leszczyńska or Marie Leczinska, born Maria Karolina Zofia Felicja Leszczyńska, 1703-1768, a queen consort of France,

Study for Raising of Lazarus, c. 1677, François Verdier, French, 1651 - 1730, 12 3/8 x 10 in. (31.43 x 25.4 cm) (image, sheet), Red chalk heightened with white, France, 17th century, Verdier was a prize-winning student at the Royal Academy at Paris which resulted in his election as an academician in 1678. In 1685, he was married to a niece of Charles Le Brun (1619–90), first painter to King Louis XIV, director of the Royal Academy and the Gobelins tapestry factory, and, in effect, the dictator of French artistic life until his death. Verdier received from Le Brun major commissions Stock Photo

RM2T90RND–Study for Raising of Lazarus, c. 1677, François Verdier, French, 1651 - 1730, 12 3/8 x 10 in. (31.43 x 25.4 cm) (image, sheet), Red chalk heightened with white, France, 17th century, Verdier was a prize-winning student at the Royal Academy at Paris which resulted in his election as an academician in 1678. In 1685, he was married to a niece of Charles Le Brun (1619–90), first painter to King Louis XIV, director of the Royal Academy and the Gobelins tapestry factory, and, in effect, the dictator of French artistic life until his death. Verdier received from Le Brun major commissions

Mme de Louvois, Anne de Souvré (died 1715), Marquise de Courtanvaux, married 1662 to Marquis de Louvois, Probably 17th century. Stock Photo

RM2RRHP5X–Mme de Louvois, Anne de Souvré (died 1715), Marquise de Courtanvaux, married 1662 to Marquis de Louvois, Probably 17th century.

Beggar Couple, 17th century. Stock Photo

RM2G4GHCY–Beggar Couple, 17th century.

Beggar Couple, with Landscape in Background, 17th century. Stock Photo

RM2G4GHG3–Beggar Couple, with Landscape in Background, 17th century.

Portrait of Christine of France, Dowager Duchess and Regent of Savoy, 1640s. Christine Marie of France (1606-1663) was the daughter of Henry IV King of France and the sister of Louis XIII as well as Henrietta Maria, who became Queen of England. Christine married Victor Amadeus I, Duke of Savoy in 1619 (died 1637). Savoy was then a separate country with its capital at Turin (Torino, now part of Italy).Depicted in mourning attire, the widowed duchess wears the ropes of pearls along with a crucifix in diamonds or rock crystal with pearls that demonstrated the magnificence expected for formal port Stock Photo

RM2TBKXW3–Portrait of Christine of France, Dowager Duchess and Regent of Savoy, 1640s. Christine Marie of France (1606-1663) was the daughter of Henry IV King of France and the sister of Louis XIII as well as Henrietta Maria, who became Queen of England. Christine married Victor Amadeus I, Duke of Savoy in 1619 (died 1637). Savoy was then a separate country with its capital at Turin (Torino, now part of Italy).Depicted in mourning attire, the widowed duchess wears the ropes of pearls along with a crucifix in diamonds or rock crystal with pearls that demonstrated the magnificence expected for formal port