Peace and Justice. Oil on Wood. Martin de Vos (c1532-1603) Flemish Mannerist painter. Allegorical painting showing two women embracing attended by putti. Right, Peace with Dove and Olive Branch, Left, Justice with Sword and Rose. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-peace-and-justice-oil-on-wood-martin-de-vos-c1532-1603-flemish-mannerist-57354705.html
RMD98ME9–Peace and Justice. Oil on Wood. Martin de Vos (c1532-1603) Flemish Mannerist painter. Allegorical painting showing two women embracing attended by putti. Right, Peace with Dove and Olive Branch, Left, Justice with Sword and Rose.
God creating the birds and the fishes 1600-1602 Martin de Vos 1532-1603 Dutch Netherlands Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/god-creating-the-birds-and-the-fishes-1600-1602-martin-de-vos-1532-image67198405.html
RMDW9471–God creating the birds and the fishes 1600-1602 Martin de Vos 1532-1603 Dutch Netherlands
The Marriage at Cana 1596-1597, Oil on panel by Martin de Vos (1532 - 1603), Flemish painter. The transformation of water into wine at the Marriage at Cana or Wedding at Cana is the first miracle attributed to Jesus in the Gospel of John. In the Gospel account, Jesus, his mother and his disciples are invited to a wedding, and when the wine runs out, Jesus delivers a sign of his glory by turning water into wine. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-marriage-at-cana-1596-1597-oil-on-panel-by-martin-de-vos-1532-1603-flemish-painter-the-transformation-of-water-into-wine-at-the-marriage-at-cana-or-wedding-at-cana-is-the-first-miracle-attributed-to-jesus-in-the-gospel-of-john-in-the-gospel-account-jesus-his-mother-and-his-disciples-are-invited-to-a-wedding-and-when-the-wine-runs-out-jesus-delivers-a-sign-of-his-glory-by-turning-water-into-wine-image235175905.html
RMRJH57D–The Marriage at Cana 1596-1597, Oil on panel by Martin de Vos (1532 - 1603), Flemish painter. The transformation of water into wine at the Marriage at Cana or Wedding at Cana is the first miracle attributed to Jesus in the Gospel of John. In the Gospel account, Jesus, his mother and his disciples are invited to a wedding, and when the wine runs out, Jesus delivers a sign of his glory by turning water into wine.
St Paul Bitten by a viper on the Island of Malta 1566 by Martin de Vos 1532-1603 Dutch The Netherlands Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-paul-bitten-by-a-viper-on-the-island-of-malta-1566-by-martin-de-vos-1532-1603-dutch-the-netherlands-image242589370.html
RMT2JW62–St Paul Bitten by a viper on the Island of Malta 1566 by Martin de Vos 1532-1603 Dutch The Netherlands
Peace and Justice' by Martin de Vos, 16th century. From the collection of the State Hermitage Museum, St. Petersburg, Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/peace-and-justice-by-martin-de-vos-16th-century-from-the-collection-of-the-state-hermitage-museum-st-petersburg-russia-image377038580.html
RM2CWBGFG–Peace and Justice' by Martin de Vos, 16th century. From the collection of the State Hermitage Museum, St. Petersburg, Russia.
St Michael Triumphing Over the Dragon, 1584, Jerome Wierix (Flemish, 1553-1619), after Martin de Vos (Flemish, 1532-1603), Flanders, Engraving in black on ivory laid paper, 291 × 202 mm (image/plate), 300 × 214 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-michael-triumphing-over-the-dragon-1584-jerome-wierix-flemish-1553-1619-after-martin-de-vos-flemish-1532-1603-flanders-engraving-in-black-on-ivory-laid-paper-291-202-mm-imageplate-300-214-mm-sheet-image328639465.html
RM2A2JPYN–St Michael Triumphing Over the Dragon, 1584, Jerome Wierix (Flemish, 1553-1619), after Martin de Vos (Flemish, 1532-1603), Flanders, Engraving in black on ivory laid paper, 291 × 202 mm (image/plate), 300 × 214 mm (sheet
Inspired by Four reliefs with the temperaments after prints by Marten de Vos, In Iron modelierte Bildwerk nach Martin de Vos 1534-1604., Europe, c. 1875 - c. 1900, paper, collotype, height 242 mm × width 189 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-four-reliefs-with-the-temperaments-after-prints-by-marten-de-vos-in-iron-modelierte-bildwerk-nach-martin-de-vos-1534-1604-europe-c-1875-c-1900-paper-collotype-height-242-mm-width-189-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459435116.html
RF2HKD250–Inspired by Four reliefs with the temperaments after prints by Marten de Vos, In Iron modelierte Bildwerk nach Martin de Vos 1534-1604., Europe, c. 1875 - c. 1900, paper, collotype, height 242 mm × width 189 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
'A Hermit', 1585-1586. Artist: Martin de Vos Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-hermit-1585-1586-artist-martin-de-vos-image60274561.html
RMDE1MPW–'A Hermit', 1585-1586. Artist: Martin de Vos
'Peace and Justice', 16th century. Artist: Martin de Vos Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/peace-and-justice-16th-century-artist-martin-de-vos-image262740760.html
RMW7CTEG–'Peace and Justice', 16th century. Artist: Martin de Vos
Martin de Vos / 'Earth'. XVI century. Oil on canvas. Museum: Museo del Prado, Madrid, España. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/martin-de-vos-earth-xvi-century-oil-on-canvas-museum-museo-del-prado-madrid-espaa-image623225935.html
RM2Y5XB13–Martin de Vos / 'Earth'. XVI century. Oil on canvas. Museum: Museo del Prado, Madrid, España.
Isaac presents Rebecca to Abraham 1563. Marten ( Martin) de Vos 1532 1603 Flemish Belgian Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-isaac-presents-rebecca-to-abraham-1563-marten-martin-de-vos-1532-1603-95736178.html
RMFFN4D6–Isaac presents Rebecca to Abraham 1563. Marten ( Martin) de Vos 1532 1603 Flemish Belgian Belgium
'Descent', oil on canvas by Martin de Vos. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/descent-oil-on-canvas-by-martin-de-vos-image212469484.html
RMP9JPYT–'Descent', oil on canvas by Martin de Vos.
Martin de Vos 058 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-martin-de-vos-058-1-142951379.html
RMJ8FYXB–Martin de Vos 058 1
. Español: La obra representa al arcángel San Miguel derrotando a Satanás, y es una copia de un grabado por Hieronymus Wierix a partir de Martín de Vos, procedente del monasterio de San Jerónimo de Valparaiso. St Michael Triumphing Over the Dragon. Ca. 1630-1635. Cristobal vela Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/espaol-la-obra-representa-al-arcngel-san-miguel-derrotando-a-satans-y-es-una-copia-de-un-grabado-por-hieronymus-wierix-a-partir-de-martn-de-vos-procedente-del-monasterio-de-san-jernimo-de-valparaiso-st-michael-triumphing-over-the-dragon-ca-1630-1635-cristobal-vela-image184964580.html
RMMMWT5T–. Español: La obra representa al arcángel San Miguel derrotando a Satanás, y es una copia de un grabado por Hieronymus Wierix a partir de Martín de Vos, procedente del monasterio de San Jerónimo de Valparaiso. St Michael Triumphing Over the Dragon. Ca. 1630-1635. Cristobal vela
Portrait of Maerten de Vos, Flemish painter of history paintings and portraits. Martin de Vos. Copperplate engraving after a portait by Aegidius Sadeler II from Antoine-Joseph Dezallier d’Argenville’s Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure l’Aine, Paris, 1762. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-maerten-de-vos-flemish-painter-of-history-paintings-and-portraits-martin-de-vos-copperplate-engraving-after-a-portait-by-aegidius-sadeler-ii-from-antoine-joseph-dezallier-dargenvilles-abrege-de-la-vie-des-plus-fameux-peintres-lives-of-the-most-famous-artists-de-bure-laine-paris-1762-image241707636.html
RMT16MFG–Portrait of Maerten de Vos, Flemish painter of history paintings and portraits. Martin de Vos. Copperplate engraving after a portait by Aegidius Sadeler II from Antoine-Joseph Dezallier d’Argenville’s Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure l’Aine, Paris, 1762.
. Mezzotintoradierung 'The Larder' (Die Vorratskammer), ca. 45 x 58 cm; nach Paul de Vos; Rich. Earlom sculpsit/ John Boydell excudit. Although the text says it is after a painting by Martin de Vos, it is clear that this is an error and should be Cornelis de Vos who was a still life painter making this type of work. by 1822. Richard Earlom (1743–1822) Alternative names Earlom; R. Earlom Description English mezzotint engraver Date of birth/death 14 May 1743 9 October 1822 Location of birth/death London London Work location London Authority control : Q2360939 VIAF: 5199206 ISNI: 000 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mezzotintoradierung-the-larder-die-vorratskammer-ca-45-x-58-cm-nach-paul-de-vos-rich-earlom-sculpsit-john-boydell-excudit-although-the-text-says-it-is-after-a-painting-by-martin-de-vos-it-is-clear-that-this-is-an-error-and-should-be-cornelis-de-vos-who-was-a-still-life-painter-making-this-type-of-work-by-1822-richard-earlom-17431822-alternative-names-earlom-r-earlom-description-english-mezzotint-engraver-date-of-birthdeath-14-may-1743-9-october-1822-location-of-birthdeath-london-london-work-location-london-authority-control-q2360939-viaf5199206-isni000-image185728971.html
RMMP4K5F–. Mezzotintoradierung 'The Larder' (Die Vorratskammer), ca. 45 x 58 cm; nach Paul de Vos; Rich. Earlom sculpsit/ John Boydell excudit. Although the text says it is after a painting by Martin de Vos, it is clear that this is an error and should be Cornelis de Vos who was a still life painter making this type of work. by 1822. Richard Earlom (1743–1822) Alternative names Earlom; R. Earlom Description English mezzotint engraver Date of birth/death 14 May 1743 9 October 1822 Location of birth/death London London Work location London Authority control : Q2360939 VIAF: 5199206 ISNI: 000
Martin de Vos 058-1-. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/martin-de-vos-058-1-image398140351.html
RM2E3MT27–Martin de Vos 058-1-.
The rejuvenation cure. Engraving by Crispin de Passe after Martin de Vos. Around 1600, , Kupferstich von Crispin de Passe nach Martin de Vos (cultural history book, 1909), Die Verjüngungskur. Kupferstich von Crispin de Passe nach Martin de Vos. Um 1600, La cure de rajeunissement. Gravure sur cuivre de Crispin de Passe d'après Martin de Vos. Vers 1600 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-rejuvenation-cure-engraving-by-crispin-de-passe-after-martin-de-vos-around-1600-kupferstich-von-crispin-de-passe-nach-martin-de-vos-cultural-history-book-1909-die-verjngungskur-kupferstich-von-crispin-de-passe-nach-martin-de-vos-um-1600-la-cure-de-rajeunissement-gravure-sur-cuivre-de-crispin-de-passe-daprs-martin-de-vos-vers-1600-image465200339.html
RM2J0RKNR–The rejuvenation cure. Engraving by Crispin de Passe after Martin de Vos. Around 1600, , Kupferstich von Crispin de Passe nach Martin de Vos (cultural history book, 1909), Die Verjüngungskur. Kupferstich von Crispin de Passe nach Martin de Vos. Um 1600, La cure de rajeunissement. Gravure sur cuivre de Crispin de Passe d'après Martin de Vos. Vers 1600
Rebecca and Eliezer. Unfinished picture embroidered in colored silks on a linen ground. Design suggested by a print by Gerard de Jode after Martin de Vos, 'Eliezer and Rebeka.' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rebecca-and-eliezer-unfinished-picture-embroidered-in-colored-silks-on-a-linen-ground-design-suggested-by-a-print-by-gerard-de-jode-after-martin-de-vos-eliezer-and-rebeka-image353472870.html
RM2BF2272–Rebecca and Eliezer. Unfinished picture embroidered in colored silks on a linen ground. Design suggested by a print by Gerard de Jode after Martin de Vos, 'Eliezer and Rebeka.'
Demon, detail from the Final Judgement painting (1570) by Martin de Vos. Museum of Fine Arts, Seville, Spain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-demon-detail-from-the-final-judgement-painting-1570-by-martin-de-vos-104977062.html
RMG2P38P–Demon, detail from the Final Judgement painting (1570) by Martin de Vos. Museum of Fine Arts, Seville, Spain
Iosaphat after Martin de Vos Jan Sadeler (1500-1600). 'Iosaphat'. Burin, XVIIe siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/iosaphat-after-martin-de-vos-jan-sadeler-1500-1600-iosaphat-burin-xviie-sicle-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image350217154.html
RM2B9NNFE–Iosaphat after Martin de Vos Jan Sadeler (1500-1600). 'Iosaphat'. Burin, XVIIe siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
L'adoration des mages. Au dessus de la Sainte Famille et des Rois Mages, l'etoile du berger. Peinture de Maaerten de Vos (Martin de Vos, Marten de Vos) (1532-1603), art flamand 16e siecle. Musee des Beaux Arts de Valenciennes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ladoration-des-mages-au-dessus-de-la-sainte-famille-et-des-rois-mages-letoile-du-berger-peinture-de-maaerten-de-vos-martin-de-vos-marten-de-vos-1532-1603-art-flamand-16e-siecle-musee-des-beaux-arts-de-valenciennes-image559621490.html
RM2RECXWP–L'adoration des mages. Au dessus de la Sainte Famille et des Rois Mages, l'etoile du berger. Peinture de Maaerten de Vos (Martin de Vos, Marten de Vos) (1532-1603), art flamand 16e siecle. Musee des Beaux Arts de Valenciennes.
'Saint Paul Bitten by a Viper on the Island of Malta', 1566-1568, Martin de Vos, Musée du Louvre, Paris, France, Europe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-paul-bitten-by-a-viper-on-the-island-of-malta-1566-1568-martin-de-vos-muse-du-louvre-paris-france-europe-image602274233.html
RM2WYRXX1–'Saint Paul Bitten by a Viper on the Island of Malta', 1566-1568, Martin de Vos, Musée du Louvre, Paris, France, Europe
The Marriage at Cana' by Martin de Vos, 1596-1597. The painting shows Christ's first miracle. When the wine ran out at a wedding at which Jesus and his mother were guests, he changed the water into the finest wine - a perfect theme for the Tavern-Keepers' altar in the Antwerp Cathedral. Jesus and his mother stand out because of their simple, 'biblical' clothes. The guests are sure to include several senior members of the Tavern-Keepers' Guild. From the collection of the Vrouwekathedraal, Antwerp, Belgium. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-marriage-at-cana-by-martin-de-vos-1596-1597-the-painting-shows-christs-first-miracle-when-the-wine-ran-out-at-a-wedding-at-which-jesus-and-his-mother-were-guests-he-changed-the-water-into-the-finest-wine-a-perfect-theme-for-the-tavern-keepers-altar-in-the-antwerp-cathedral-jesus-and-his-mother-stand-out-because-of-their-simple-biblical-clothes-the-guests-are-sure-to-include-several-senior-members-of-the-tavern-keepers-guild-from-the-collection-of-the-vrouwekathedraal-antwerp-belgium-image377038530.html
RM2CWBGDP–The Marriage at Cana' by Martin de Vos, 1596-1597. The painting shows Christ's first miracle. When the wine ran out at a wedding at which Jesus and his mother were guests, he changed the water into the finest wine - a perfect theme for the Tavern-Keepers' altar in the Antwerp Cathedral. Jesus and his mother stand out because of their simple, 'biblical' clothes. The guests are sure to include several senior members of the Tavern-Keepers' Guild. From the collection of the Vrouwekathedraal, Antwerp, Belgium.
Du Jardin, Karel, Martin de Vos, (1000 - 2003), line etching, graphics, plate width 12.9 cm, plate height 16.8 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/du-jardin-karel-martin-de-vos-1000-2003-line-etching-graphics-plate-width-129-cm-plate-height-168-cm-image631145028.html
RM2YJR3WT–Du Jardin, Karel, Martin de Vos, (1000 - 2003), line etching, graphics, plate width 12.9 cm, plate height 16.8 cm
Art inspired by Four reliefs with the temperaments after prints by Marten de Vos, In Iron modelierte Bildwerk nach Martin de Vos 1534-1604., Europe, c. 1875 - c. 1900, cardboard, paper, collotype, height 242 mm × width 189 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-four-reliefs-with-the-temperaments-after-prints-by-marten-de-vos-in-iron-modelierte-bildwerk-nach-martin-de-vos-1534-1604-europe-c-1875-c-1900-cardboard-paper-collotype-height-242-mm-width-189-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459748959.html
RF2HKYADK–Art inspired by Four reliefs with the temperaments after prints by Marten de Vos, In Iron modelierte Bildwerk nach Martin de Vos 1534-1604., Europe, c. 1875 - c. 1900, cardboard, paper, collotype, height 242 mm × width 189 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Saint Paul bitten by a viper on the island of Malta, 1566, Maarten De Vos, Martin de VOS, Anvers 1532-1603, Musée du Louvre, Paris, France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-paul-bitten-by-a-viper-on-the-island-of-malta-1566-maarten-de-vos-martin-de-vos-anvers-1532-1603-muse-du-louvre-paris-france-image621630427.html
RM2Y39KXK–Saint Paul bitten by a viper on the island of Malta, 1566, Maarten De Vos, Martin de VOS, Anvers 1532-1603, Musée du Louvre, Paris, France
'The Marriage at Cana', 1596-1597. Artist: Martin de Vos Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-marriage-at-cana-1596-1597-artist-martin-de-vos-image262740721.html
RMW7CTD5–'The Marriage at Cana', 1596-1597. Artist: Martin de Vos
'Saint Paul Bitten by a Viper on the Island of Malta', 1566-1568, Martin de Vos, Musée du Louvre, Paris, France, Europe. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-paul-bitten-by-a-viper-on-the-island-of-malta-1566-1568-martin-de-vos-muse-du-louvre-paris-france-europe-image602346686.html
RM2WYY79J–'Saint Paul Bitten by a Viper on the Island of Malta', 1566-1568, Martin de Vos, Musée du Louvre, Paris, France, Europe.
Isaac presents Rebecca to Abraham 1563. Marten ( Martin) de Vos 1532 1603 Flemish Belgian Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-isaac-presents-rebecca-to-abraham-1563-marten-martin-de-vos-1532-1603-95736177.html
RMFFN4D5–Isaac presents Rebecca to Abraham 1563. Marten ( Martin) de Vos 1532 1603 Flemish Belgian Belgium
Joseph Fischer (Ausführende r Künstler in) Martin de Vos. Etching, feather after 1822 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joseph-fischer-ausfhrende-r-knstler-in-martin-de-vos-etching-feather-after-1822-image573008132.html
RM2T86NM4–Joseph Fischer (Ausführende r Künstler in) Martin de Vos. Etching, feather after 1822
Map of the world. Along the bottom of the map are finely engraved figures of a Christian knight assailed by Mundus, Peccatum, Caro, Diabolus and Mors ....This subject seems to be derived from an engraving by Jerome Wierix after Martin de Vos. The map is on Mercator's projection. . Typus totius Orbis Terrarum in quo & Christiani militis certamen super terram, in pietatis studiosi gratiam, graphicè designatur à Iud. Hondio caelatore. Amsterdam, [1596?]. Typus totius Orbis Terrarum in quo & Christiani militis ... . Source: Maps.188.k.1.(5). Language: Latin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-the-world-along-the-bottom-of-the-map-are-finely-engraved-figures-of-a-christian-knight-assailed-by-mundus-peccatum-caro-diabolus-and-mors-this-subject-seems-to-be-derived-from-an-engraving-by-jerome-wierix-after-martin-de-vos-the-map-is-on-mercators-projection-typus-totius-orbis-terrarum-in-quo-christiani-militis-certamen-super-terram-in-pietatis-studiosi-gratiam-graphic-designatur-iud-hondio-caelatore-amsterdam-1596-typus-totius-orbis-terrarum-in-quo-christiani-militis-source-maps188k15-language-latin-image226812219.html
RMR5058B–Map of the world. Along the bottom of the map are finely engraved figures of a Christian knight assailed by Mundus, Peccatum, Caro, Diabolus and Mors ....This subject seems to be derived from an engraving by Jerome Wierix after Martin de Vos. The map is on Mercator's projection. . Typus totius Orbis Terrarum in quo & Christiani militis certamen super terram, in pietatis studiosi gratiam, graphicè designatur à Iud. Hondio caelatore. Amsterdam, [1596?]. Typus totius Orbis Terrarum in quo & Christiani militis ... . Source: Maps.188.k.1.(5). Language: Latin.
LOC Director Neils De Vos attending a press conference during day ten of the 2017 IAAF World Championships at the London Stadium. PRESS ASSOCIATION Photo. Picture date: Sunday August 13, 2017. See PA story ATHLETICS World. Photo credit should read: Martin Rickett/PA Wire. RESTRICTIONS: Editorial use only. No transmission of sound or moving images and no video simulation. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/loc-director-neils-de-vos-attending-a-press-conference-during-day-image153615349.html
RMJWWNXD–LOC Director Neils De Vos attending a press conference during day ten of the 2017 IAAF World Championships at the London Stadium. PRESS ASSOCIATION Photo. Picture date: Sunday August 13, 2017. See PA story ATHLETICS World. Photo credit should read: Martin Rickett/PA Wire. RESTRICTIONS: Editorial use only. No transmission of sound or moving images and no video simulation.
Judah with the Head of Adonibezek, from Willem van Haecht, Tyrannorum proemia, 1578, 1578. After Maerten de Vos Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/judah-with-the-head-of-adonibezek-from-willem-van-haecht-tyrannorum-proemia-1578-1578-after-maerten-de-vos-image349005121.html
RM2B7PFGH–Judah with the Head of Adonibezek, from Willem van Haecht, Tyrannorum proemia, 1578, 1578. After Maerten de Vos
Dictionarium polygraphicum, or, The whole body of arts regularly digested ..: illustrated with fifty-six copper plates . .B ^ ^ ^jt of Antwerp, was advifed by Peter Paul Rubens to apply himfelf to engraving j he engraved the works of the faidKubens, as alfo thofe of Raphael and Vandyke. Martin De VOS, born in the year 15+0, fludied in Italy,lived at Antwerp, excelled in hiflory j died in the year l6o4>aged fixty-four, Zhnoyi VOUET, born in the year 1582, learned of his father.He lived at Venice, Rome, and Paris; excelled in hiftory andportraits; died in the year 1641, aged fifty-nine years. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dictionarium-polygraphicum-or-the-whole-body-of-arts-regularly-digested-illustrated-with-fifty-six-copper-plates-b-jt-of-antwerp-was-advifed-by-peter-paul-rubens-to-apply-himfelf-to-engraving-j-he-engraved-the-works-of-the-faidkubens-as-alfo-thofe-of-raphael-and-vandyke-martin-de-vos-born-in-the-year-150-fludied-in-italylived-at-antwerp-excelled-in-hiflory-j-died-in-the-year-l6o4gtaged-fixty-four-zhnoyi-vouet-born-in-the-year-1582-learned-of-his-fatherhe-lived-at-venice-rome-and-paris-excelled-in-hiftory-andportraits-died-in-the-year-1641-aged-fifty-nine-years-image339463973.html
RM2AM7WN9–Dictionarium polygraphicum, or, The whole body of arts regularly digested ..: illustrated with fifty-six copper plates . .B ^ ^ ^jt of Antwerp, was advifed by Peter Paul Rubens to apply himfelf to engraving j he engraved the works of the faidKubens, as alfo thofe of Raphael and Vandyke. Martin De VOS, born in the year 15+0, fludied in Italy,lived at Antwerp, excelled in hiflory j died in the year l6o4>aged fixty-four, Zhnoyi VOUET, born in the year 1582, learned of his father.He lived at Venice, Rome, and Paris; excelled in hiftory andportraits; died in the year 1641, aged fifty-nine years.
Volendam, Netherlands. 01st Mar, 2024. VOLENDAM, NETHERLANDS - MARCH 1: Milan de Haan of FC Volendam receives a yelow card from referee Martijn Vos during the Dutch Eredivisie match between FC Volendam and NEC Nijmegen at Kras Stadion on March 1, 2024 in Volendam, Netherlands. (Photo by Broer van den Boom/Orange Pictures) Credit: Orange Pics BV/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/volendam-netherlands-01st-mar-2024-volendam-netherlands-march-1-milan-de-haan-of-fc-volendam-receives-a-yelow-card-from-referee-martijn-vos-during-the-dutch-eredivisie-match-between-fc-volendam-and-nec-nijmegen-at-kras-stadion-on-march-1-2024-in-volendam-netherlands-photo-by-broer-van-den-boomorange-pictures-credit-orange-pics-bvalamy-live-news-image598314838.html
RM2WNBGK2–Volendam, Netherlands. 01st Mar, 2024. VOLENDAM, NETHERLANDS - MARCH 1: Milan de Haan of FC Volendam receives a yelow card from referee Martijn Vos during the Dutch Eredivisie match between FC Volendam and NEC Nijmegen at Kras Stadion on March 1, 2024 in Volendam, Netherlands. (Photo by Broer van den Boom/Orange Pictures) Credit: Orange Pics BV/Alamy Live News
(Top L-R) Stephen Buyl, Karim Essikal, Formose Mendy, Ghislain Gimbert, Marvin Baudry, Jesper Jorgensen, Chuks Aneke, Christophe Lepoint, Joel Sami, Bruno Godeau, (Center L-R) Martin Balcaen (teammanager), Roger Putman (attendant), Ronny Verriest (assistant coach), Eddy Van den Berge (assistant coach), Louis Bostyn, Karel D'Haene, Sammy Bossut, Mbaye Leye, Kenny Steppe, Gianny De Vos (goalkeeper coach), Bram De Winne (physical coach), Rony Van Der Beken (material man), (First row L-R) Charni Ekangamene, Sebastiaan Brebels, Alessandro Cordaro, Bryan Verboom, Francky Dury (head coach), Steve De Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/top-l-r-stephen-buyl-karim-essikal-formose-mendy-ghislain-gimbert-marvin-baudry-jesper-jorgensen-chuks-aneke-christophe-lepoint-joel-sami-bruno-godeau-center-l-r-martin-balcaen-teammanager-roger-putman-attendant-ronny-verriest-assistant-coach-eddy-van-den-berge-assistant-coach-louis-bostyn-karel-dhaene-sammy-bossut-mbaye-leye-kenny-steppe-gianny-de-vos-goalkeeper-coach-bram-de-winne-physical-coach-rony-van-der-beken-material-man-first-row-l-r-charni-ekangamene-sebastiaan-brebels-alessandro-cordaro-bryan-verboom-francky-dury-head-coach-steve-de-image500318189.html
RM2M1YCXN–(Top L-R) Stephen Buyl, Karim Essikal, Formose Mendy, Ghislain Gimbert, Marvin Baudry, Jesper Jorgensen, Chuks Aneke, Christophe Lepoint, Joel Sami, Bruno Godeau, (Center L-R) Martin Balcaen (teammanager), Roger Putman (attendant), Ronny Verriest (assistant coach), Eddy Van den Berge (assistant coach), Louis Bostyn, Karel D'Haene, Sammy Bossut, Mbaye Leye, Kenny Steppe, Gianny De Vos (goalkeeper coach), Bram De Winne (physical coach), Rony Van Der Beken (material man), (First row L-R) Charni Ekangamene, Sebastiaan Brebels, Alessandro Cordaro, Bryan Verboom, Francky Dury (head coach), Steve De
74 Vos Remon (ndl), Konrad Martin (aut), Onslow-Cole Tom (gbr), Mcleod Callum (gbr), Ram Racing, Mercedes-AMG GT3, action during the 2020 24 Hours of Spa, 3rd round of the GT World Challenge Europe Endurance Cup and of the International GT Challenge from October 22 to 25, 2020 on the Circuit de Spa-Francorchamps, in Stavelot, Belgium - Photo Thomas Fenetre / DPPI Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/74-vos-remon-ndl-konrad-martin-aut-onslow-cole-tom-gbr-mcleod-callum-gbr-ram-racing-mercedes-amg-gt3-action-during-the-2020-24-hours-of-spa-3rd-round-of-the-gt-world-challenge-europe-endurance-cup-and-of-the-international-gt-challenge-from-october-22-to-25-2020-on-the-circuit-de-spa-francorchamps-in-stavelot-belgium-photo-thomas-fenetre-dppi-image412427534.html
RM2EXYKEP–74 Vos Remon (ndl), Konrad Martin (aut), Onslow-Cole Tom (gbr), Mcleod Callum (gbr), Ram Racing, Mercedes-AMG GT3, action during the 2020 24 Hours of Spa, 3rd round of the GT World Challenge Europe Endurance Cup and of the International GT Challenge from October 22 to 25, 2020 on the Circuit de Spa-Francorchamps, in Stavelot, Belgium - Photo Thomas Fenetre / DPPI
Demon, detail from the Final Judgement painting (1570) by Martin de Vos. Museum of Fine Arts, Seville, Spain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-demon-detail-from-the-final-judgement-painting-1570-by-martin-de-vos-104977061.html
RMG2P38N–Demon, detail from the Final Judgement painting (1570) by Martin de Vos. Museum of Fine Arts, Seville, Spain
Guidone after Martin de Vos Jan Sadeler (1500-1600). 'Guidone'. Burin, XVIIe siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/guidone-after-martin-de-vos-jan-sadeler-1500-1600-guidone-burin-xviie-sicle-muse-des-beaux-arts-de-la-ville-de-paris-petit-palaiss-image350217146.html
RM2B9NNF6–Guidone after Martin de Vos Jan Sadeler (1500-1600). 'Guidone'. Burin, XVIIe siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.s.
Augustine of Hippo - Saint Augustin (Augustin d'Hippone, 354-430) Peinture de Maaerten de Vos (Martin de Vos, Marten de Vos) (1532-1603), huile sur bois, 1570, partie du retable du couvent de Saint Augustin, a Seville - Musee des Beaux Arts de Seville, Espagne Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/augustine-of-hippo-saint-augustin-augustin-dhippone-354-430-peinture-de-maaerten-de-vos-martin-de-vos-marten-de-vos-1532-1603-huile-sur-bois-1570-partie-du-retable-du-couvent-de-saint-augustin-a-seville-musee-des-beaux-arts-de-seville-espagne-image559619269.html
RM2RECT2D–Augustine of Hippo - Saint Augustin (Augustin d'Hippone, 354-430) Peinture de Maaerten de Vos (Martin de Vos, Marten de Vos) (1532-1603), huile sur bois, 1570, partie du retable du couvent de Saint Augustin, a Seville - Musee des Beaux Arts de Seville, Espagne
Wall Painting Depicting the Renaissance Humour Choleric, Little Castle, Bolsover Castle, Derbyshire, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wall-painting-depicting-the-renaissance-humour-choleric-little-castle-49846949.html
RMCW2M85–Wall Painting Depicting the Renaissance Humour Choleric, Little Castle, Bolsover Castle, Derbyshire, UK
Augustine of Hippo - Saint Augustin (Augustin d'Hippone, 354-430) Peinture de Maaerten de Vos (Martin de Vos, Marten de Vos) (1532-1603), huile sur b Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/augustine-of-hippo-saint-augustin-augustin-dhippone-354-430-peinture-de-maaerten-de-vos-martin-de-vos-marten-de-vos-1532-1603-huile-sur-b-image338557089.html
RM2AJPH0H–Augustine of Hippo - Saint Augustin (Augustin d'Hippone, 354-430) Peinture de Maaerten de Vos (Martin de Vos, Marten de Vos) (1532-1603), huile sur b
Four reliefs with the temperaments after prints by Marten de Vos, In Iron modelierte Bildwerk nach Martin de Vos 1534-1604. (title on object), anonymous, Europe, c. 1875 - c. 1900, cardboard, paper, collotype, height 242 mm × width 189 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/four-reliefs-with-the-temperaments-after-prints-by-marten-de-vos-in-iron-modelierte-bildwerk-nach-martin-de-vos-1534-1604-title-on-object-anonymous-europe-c-1875-c-1900-cardboard-paper-collotype-height-242-mm-width-189-mm-image454385289.html
RM2HB7121–Four reliefs with the temperaments after prints by Marten de Vos, In Iron modelierte Bildwerk nach Martin de Vos 1534-1604. (title on object), anonymous, Europe, c. 1875 - c. 1900, cardboard, paper, collotype, height 242 mm × width 189 mm
St Michael Triumphing Over the Dragon, 1584, Jerome Wierix (Flemish, 1553-1619), after Martin de Vos (Flemish, 1532-1603), Flanders, Engraving in black on ivory laid paper, 291 × 202 mm (image/plate), 300 × 214 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-michael-triumphing-over-the-dragon-1584-jerome-wierix-flemish-1553-1619-after-martin-de-vos-flemish-1532-1603-flanders-engraving-in-black-on-ivory-laid-paper-291-202-mm-imageplate-300-214-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349708912.html
RF2B8XH80–St Michael Triumphing Over the Dragon, 1584, Jerome Wierix (Flemish, 1553-1619), after Martin de Vos (Flemish, 1532-1603), Flanders, Engraving in black on ivory laid paper, 291 × 202 mm (image/plate), 300 × 214 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
PVRO ASTV AND LABORE. MARTINVS DE VOS BELGA ANTVERPIANVS PICTOR SOLERTISS AETATIS SVÆ LX. AD M.VVLPIVM IN EIVS IMAGINE Hinc Pictura tibi, hinc cedit Tritonia laurum Illa manum VVLPI, hæc suspicit ingenium. Romæ. Jos. Heinz Inven:. G: Sadler Sculp. MARTIN DE VOS. Engraved by Jean Sadeler Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pvro-astv-and-labore-martinvs-de-vos-belga-antverpianvs-pictor-solertiss-aetatis-sv-lx-ad-mvvlpivm-in-eivs-imagine-hinc-pictura-tibi-hinc-cedit-tritonia-laurum-illa-manum-vvlpi-hc-suspicit-ingenium-rom-jos-heinz-inven-g-sadler-sculp-martin-de-vos-engraved-by-jean-sadeler-image573180552.html
RM2T8EHJ0–PVRO ASTV AND LABORE. MARTINVS DE VOS BELGA ANTVERPIANVS PICTOR SOLERTISS AETATIS SVÆ LX. AD M.VVLPIVM IN EIVS IMAGINE Hinc Pictura tibi, hinc cedit Tritonia laurum Illa manum VVLPI, hæc suspicit ingenium. Romæ. Jos. Heinz Inven:. G: Sadler Sculp. MARTIN DE VOS. Engraved by Jean Sadeler
Portrait of a Thirty-Three-Year-Old Man, 1565, Attribué à Martin de VOS, Maarten De Vos, Anvers (Belgique), 1532 - 1603, Musée du Louvre, Paris, Franc Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-thirty-three-year-old-man-1565-attribu-martin-de-vos-maarten-de-vos-anvers-belgique-1532-1603-muse-du-louvre-paris-franc-image621630428.html
RM2Y39KXM–Portrait of a Thirty-Three-Year-Old Man, 1565, Attribué à Martin de VOS, Maarten De Vos, Anvers (Belgique), 1532 - 1603, Musée du Louvre, Paris, Franc
Saint Paul bitten by a viper on the island of Malta, 1566, Maarten De Vos, Martin de VOS, Anvers 1532-1603, Musée du Louvre, Paris, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-paul-bitten-by-a-viper-on-the-island-of-malta-1566-maarten-de-vos-martin-de-vos-anvers-1532-1603-muse-du-louvre-paris-france-image623472343.html
RM2Y69H9B–Saint Paul bitten by a viper on the island of Malta, 1566, Maarten De Vos, Martin de VOS, Anvers 1532-1603, Musée du Louvre, Paris, France.
Laban brother of Rebecca picks Eliezer at the fountain. 1563 Marten ( Martin) de Vos 1532 1603 Flemish Belgian Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-laban-brother-of-rebecca-picks-eliezer-at-the-fountain-1563-marten-95736189.html
RMFFN4DH–Laban brother of Rebecca picks Eliezer at the fountain. 1563 Marten ( Martin) de Vos 1532 1603 Flemish Belgian Belgium
Sadeler; Aegidius, Martin de Vos, (1000 - 2003), copper engraving, graphics, leaf width 22.7 cm, leaf height 29 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sadeler-aegidius-martin-de-vos-1000-2003-copper-engraving-graphics-leaf-width-227-cm-leaf-height-29-cm-image631149376.html
RM2YJR9D4–Sadeler; Aegidius, Martin de Vos, (1000 - 2003), copper engraving, graphics, leaf width 22.7 cm, leaf height 29 cm
Aegidius Sadeler d. J. (Engraver) Portrait Martin de Vos. Copper engraving print Mitte 16.-Mitte 17. Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aegidius-sadeler-d-j-engraver-portrait-martin-de-vos-copper-engraving-print-mitte-16-mitte-17-century-image573008150.html
RM2T86NMP–Aegidius Sadeler d. J. (Engraver) Portrait Martin de Vos. Copper engraving print Mitte 16.-Mitte 17. Century
Rebecca and Eliezer, Medium: linen, silk Technique: embroidered, Unfinished picture embroidered in colored silks on a linen ground. Design suggested by a print by Gerard de Jode after Martin de Vos, 'Eliezer and Rebeka.', England, 17th century, embroidery & stitching, Embroidered picture, Embroidered picture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rebecca-and-eliezer-medium-linen-silk-technique-embroidered-unfinished-picture-embroidered-in-colored-silks-on-a-linen-ground-design-suggested-by-a-print-by-gerard-de-jode-after-martin-de-vos-eliezer-and-rebeka-england-17th-century-embroidery-stitching-embroidered-picture-embroidered-picture-image391095410.html
RM2DM7X56–Rebecca and Eliezer, Medium: linen, silk Technique: embroidered, Unfinished picture embroidered in colored silks on a linen ground. Design suggested by a print by Gerard de Jode after Martin de Vos, 'Eliezer and Rebeka.', England, 17th century, embroidery & stitching, Embroidered picture, Embroidered picture
LOC Director Neils De Vos attending a press conference during day ten of the 2017 IAAF World Championships at the London Stadium. PRESS ASSOCIATION Photo. Picture date: Sunday August 13, 2017. See PA story Athletics World. Photo credit should read: Martin Rickett/PA Wire. RESTRICTIONS: Editorial use only. No transmission of sound or moving images and no video simulation. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/loc-director-neils-de-vos-attending-a-press-conference-during-day-image153615280.html
RMJWWNT0–LOC Director Neils De Vos attending a press conference during day ten of the 2017 IAAF World Championships at the London Stadium. PRESS ASSOCIATION Photo. Picture date: Sunday August 13, 2017. See PA story Athletics World. Photo credit should read: Martin Rickett/PA Wire. RESTRICTIONS: Editorial use only. No transmission of sound or moving images and no video simulation.
Embroidered picture, Medium: silk and metal wrapped silk on linen Technique: tent, couching, padded couching, stem and knotting on plain weave linen canvas. Counted stitches., Abraham and the three angels showing the angels announcing to Abraham that Sarah will bear a son in her old age, while Sarah laughs derisively from the doorway of the tent. Source for Abraham and the angels: Engraving by Gerard de Jode (1521-1591) after Martin de Vos (1531-1603). Thesarus sacrarum historiae vereris testament: Antwerp 1585. A rockery, pool with fishes, dog, stag, birds, sun and distant castle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/embroidered-picture-medium-silk-and-metal-wrapped-silk-on-linen-technique-tent-couching-padded-couching-stem-and-knotting-on-plain-weave-linen-canvas-counted-stitches-abraham-and-the-three-angels-showing-the-angels-announcing-to-abraham-that-sarah-will-bear-a-son-in-her-old-age-while-sarah-laughs-derisively-from-the-doorway-of-the-tent-source-for-abraham-and-the-angels-engraving-by-gerard-de-jode-1521-1591-after-martin-de-vos-1531-1603-thesarus-sacrarum-historiae-vereris-testament-antwerp-1585-a-rockery-pool-with-fishes-dog-stag-birds-sun-and-distant-castle-image391328021.html
RM2DMJETN–Embroidered picture, Medium: silk and metal wrapped silk on linen Technique: tent, couching, padded couching, stem and knotting on plain weave linen canvas. Counted stitches., Abraham and the three angels showing the angels announcing to Abraham that Sarah will bear a son in her old age, while Sarah laughs derisively from the doorway of the tent. Source for Abraham and the angels: Engraving by Gerard de Jode (1521-1591) after Martin de Vos (1531-1603). Thesarus sacrarum historiae vereris testament: Antwerp 1585. A rockery, pool with fishes, dog, stag, birds, sun and distant castle
Alms-giving: a woman with pearl headdress and halo hands bread to two male beggars, one bearded and the other a child, a portal showing a maidservant in a domestic interior beyond, from the series 'Christian Virtues' after Maerten de Vos, 1589. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alms-giving-a-woman-with-pearl-headdress-and-halo-hands-bread-to-two-male-beggars-one-bearded-and-the-other-a-child-a-portal-showing-a-maidservant-in-a-domestic-interior-beyond-from-the-series-christian-virtues-after-maerten-de-vos-1589-image349008153.html
RM2B7PKCW–Alms-giving: a woman with pearl headdress and halo hands bread to two male beggars, one bearded and the other a child, a portal showing a maidservant in a domestic interior beyond, from the series 'Christian Virtues' after Maerten de Vos, 1589.
Coenr. Waumans Sculp. 103 IEAN SADELER, Very excellent engraver, native of Brussels in Brabant in the year 1550. He was first damascened in iron, but having a higher spirit, he was addicted to engraving, where the art gave him the greatest softness and subtlety of the chisel: which he acquired by Soij, even by his great diligence, testifies to the pieces he made for Martin de Vos, and several others. in 1588 he went to live in Frankfurt, and from there to Munich in Bavaria, where the Duke luj made a present of a golden oak with a medal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coenr-waumans-sculp-103-iean-sadeler-very-excellent-engraver-native-of-brussels-in-brabant-in-the-year-1550-he-was-first-damascened-in-iron-but-having-a-higher-spirit-he-was-addicted-to-engraving-where-the-art-gave-him-the-greatest-softness-and-subtlety-of-the-chisel-which-he-acquired-by-soij-even-by-his-great-diligence-testifies-to-the-pieces-he-made-for-martin-de-vos-and-several-others-in-1588-he-went-to-live-in-frankfurt-and-from-there-to-munich-in-bavaria-where-the-duke-luj-made-a-present-of-a-golden-oak-with-a-medal-image573205769.html
RM2T8FNPH–Coenr. Waumans Sculp. 103 IEAN SADELER, Very excellent engraver, native of Brussels in Brabant in the year 1550. He was first damascened in iron, but having a higher spirit, he was addicted to engraving, where the art gave him the greatest softness and subtlety of the chisel: which he acquired by Soij, even by his great diligence, testifies to the pieces he made for Martin de Vos, and several others. in 1588 he went to live in Frankfurt, and from there to Munich in Bavaria, where the Duke luj made a present of a golden oak with a medal
Saint Francois d'Assise (1181-1226). Peinture de Martin (Maarten) de Vos (1532-1604), huile sur bois, 1570, partie du retable du couvent de Saint Augustin, a Seville. Musee des Beaux Arts de Seville, Espagne. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-francois-dassise-1181-1226-peinture-de-martin-maarten-de-vos-1532-1604-huile-sur-bois-1570-partie-du-retable-du-couvent-de-saint-augustin-a-seville-musee-des-beaux-arts-de-seville-espagne-image559619271.html
RM2RECT2F–Saint Francois d'Assise (1181-1226). Peinture de Martin (Maarten) de Vos (1532-1604), huile sur bois, 1570, partie du retable du couvent de Saint Augustin, a Seville. Musee des Beaux Arts de Seville, Espagne.
Demon, detail from the Final Judgement painting (1570) by Martin de Vos. Museum of Fine Arts, Seville, Spain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-demon-detail-from-the-final-judgement-painting-1570-by-martin-de-vos-104977063.html
RMG2P38R–Demon, detail from the Final Judgement painting (1570) by Martin de Vos. Museum of Fine Arts, Seville, Spain
Theodorus after Martin de Vos Jan Sadeler (1550-1600). 'Theodorus' d'après Martin de Vos. Burin, XVIIsiècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/theodorus-after-martin-de-vos-jan-sadeler-1550-1600-theodorus-daprs-martin-de-vos-burin-xviisicle-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349612341.html
RM2B8P631–Theodorus after Martin de Vos Jan Sadeler (1550-1600). 'Theodorus' d'après Martin de Vos. Burin, XVIIsiècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Gazette des beaux-arts . s et les gravures qui sontde la raccolla Correr, je ne manquerai point de discourir plus au longsur les Tiepolo, les Longhi et les Guardi; mais aujourdhui mon cercle estla peinture, et je ne saurais aller ailleurs. La seconde division des tableaux du Musée comprend les œuvres étran-gères aux maîtres italiens; mais lensemble na point de quoi évoquerlenthousiasme. Il ny a rien de très-bien, et il y a beaucoup de médiocre;un Martin de Vos, un Gérard Terburg, un Francesco Franck, un LucasKranack, un Enrico Van Blés, forment le livre dor de cette partie de lacollection. Léc Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gazette-des-beaux-arts-s-et-les-gravures-qui-sontde-la-raccolla-correr-je-ne-manquerai-point-de-discourir-plus-au-longsur-les-tiepolo-les-longhi-et-les-guardi-mais-aujourdhui-mon-cercle-estla-peinture-et-je-ne-saurais-aller-ailleurs-la-seconde-division-des-tableaux-du-muse-comprend-les-uvres-tran-gres-aux-matres-italiens-mais-lensemble-na-point-de-quoi-voquerlenthousiasme-il-ny-a-rien-de-trs-bien-et-il-y-a-beaucoup-de-mdiocreun-martin-de-vos-un-grard-terburg-un-francesco-franck-un-lucaskranack-un-enrico-van-bls-forment-le-livre-dor-de-cette-partie-de-lacollection-lc-image343372597.html
RM2AXHY71–Gazette des beaux-arts . s et les gravures qui sontde la raccolla Correr, je ne manquerai point de discourir plus au longsur les Tiepolo, les Longhi et les Guardi; mais aujourdhui mon cercle estla peinture, et je ne saurais aller ailleurs. La seconde division des tableaux du Musée comprend les œuvres étran-gères aux maîtres italiens; mais lensemble na point de quoi évoquerlenthousiasme. Il ny a rien de très-bien, et il y a beaucoup de médiocre;un Martin de Vos, un Gérard Terburg, un Francesco Franck, un LucasKranack, un Enrico Van Blés, forment le livre dor de cette partie de lacollection. Léc
Saint Francois d'Assise (1181-1226). Peinture de Martin (Maarten) de Vos (1532-1604), huile sur bois, 1570, partie du retable du couvent de Saint Augu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-francois-dassise-1181-1226-peinture-de-martin-maarten-de-vos-1532-1604-huile-sur-bois-1570-partie-du-retable-du-couvent-de-saint-augu-image338557094.html
RM2AJPH0P–Saint Francois d'Assise (1181-1226). Peinture de Martin (Maarten) de Vos (1532-1604), huile sur bois, 1570, partie du retable du couvent de Saint Augu
(Top L-R) Stephen Buyl, Karim Essikal, Formose Mendy, Ghislain Gimbert, Marvin Baudry, Jesper Jorgensen, Chuks Aneke, Christophe Lepoint, Joel Sami, Bruno Godeau, (Center L-R) Martin Balcaen (teammanager), Roger Putman (attendant), Ronny Verriest (assistant coach), Eddy Van den Berge (assistant coach), Louis Bostyn, Karel D'Haene, Sammy Bossut, Mbaye Leye, Kenny Steppe, Gianny De Vos (goalkeeper coach), Bram De Winne (physical coach), Rony Van Der Beken (material man), (First row L-R) Charni Ekangamene, Sebastiaan Brebels, Alessandro Cordaro, Bryan Verboom, Francky Dury (head coach), Steve De Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/top-l-r-stephen-buyl-karim-essikal-formose-mendy-ghislain-gimbert-marvin-baudry-jesper-jorgensen-chuks-aneke-christophe-lepoint-joel-sami-bruno-godeau-center-l-r-martin-balcaen-teammanager-roger-putman-attendant-ronny-verriest-assistant-coach-eddy-van-den-berge-assistant-coach-louis-bostyn-karel-dhaene-sammy-bossut-mbaye-leye-kenny-steppe-gianny-de-vos-goalkeeper-coach-bram-de-winne-physical-coach-rony-van-der-beken-material-man-first-row-l-r-charni-ekangamene-sebastiaan-brebels-alessandro-cordaro-bryan-verboom-francky-dury-head-coach-steve-de-image500318170.html
RM2M1YCX2–(Top L-R) Stephen Buyl, Karim Essikal, Formose Mendy, Ghislain Gimbert, Marvin Baudry, Jesper Jorgensen, Chuks Aneke, Christophe Lepoint, Joel Sami, Bruno Godeau, (Center L-R) Martin Balcaen (teammanager), Roger Putman (attendant), Ronny Verriest (assistant coach), Eddy Van den Berge (assistant coach), Louis Bostyn, Karel D'Haene, Sammy Bossut, Mbaye Leye, Kenny Steppe, Gianny De Vos (goalkeeper coach), Bram De Winne (physical coach), Rony Van Der Beken (material man), (First row L-R) Charni Ekangamene, Sebastiaan Brebels, Alessandro Cordaro, Bryan Verboom, Francky Dury (head coach), Steve De
74 Vos Remon (ndl), Konrad Martin (aut), Onslow-Cole Tom (gbr), Mcleod Callum (gbr), Ram Racing, Mercedes-AMG GT3, action during the 2020 24 Hours of Spa, 3rd round of the GT World Challenge Europe Endurance Cup and of the International GT Challenge from October 22 to 25, 2020 on the Circuit de Spa-Francorchamps, in Stavelot, Belgium - Photo Florent Gooden / DPPI Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/74-vos-remon-ndl-konrad-martin-aut-onslow-cole-tom-gbr-mcleod-callum-gbr-ram-racing-mercedes-amg-gt3-action-during-the-2020-24-hours-of-spa-3rd-round-of-the-gt-world-challenge-europe-endurance-cup-and-of-the-international-gt-challenge-from-october-22-to-25-2020-on-the-circuit-de-spa-francorchamps-in-stavelot-belgium-photo-florent-gooden-dppi-image412427475.html
RM2EXYKCK–74 Vos Remon (ndl), Konrad Martin (aut), Onslow-Cole Tom (gbr), Mcleod Callum (gbr), Ram Racing, Mercedes-AMG GT3, action during the 2020 24 Hours of Spa, 3rd round of the GT World Challenge Europe Endurance Cup and of the International GT Challenge from October 22 to 25, 2020 on the Circuit de Spa-Francorchamps, in Stavelot, Belgium - Photo Florent Gooden / DPPI
'Archbishop Grindal', c1580, (19th century?). Portrait of English cleric Edmund Grindal (1519-1583) at the age of 61. Grindal successively held the posts of Bishop of London, Archbishop of York and Archbishop of Canterbury during the reign of Elizabeth I. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/archbishop-grindal-c1580-19th-century-portrait-of-english-cleric-edmund-grindal-1519-1583-at-the-age-of-61-grindal-successively-held-the-posts-of-bishop-of-london-archbishop-of-york-and-archbishop-of-canterbury-during-the-reign-of-elizabeth-i-image274145526.html
RMWX0BBJ–'Archbishop Grindal', c1580, (19th century?). Portrait of English cleric Edmund Grindal (1519-1583) at the age of 61. Grindal successively held the posts of Bishop of London, Archbishop of York and Archbishop of Canterbury during the reign of Elizabeth I.
Image taken from page 347 of 'Anvers à travers les âges' Image taken from page 347 of 'Anvers à travers les Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-347-of-anvers-a-travers-les-ages-image-taken-127737383.html
RMHBPX9B–Image taken from page 347 of 'Anvers à travers les âges' Image taken from page 347 of 'Anvers à travers les
Portrait of a Thirty-Three-Year-Old Man, 1565, Attribué à Martin de VOS, Maarten De Vos, Anvers (Belgique), 1532 - 1603, Musée du Louvre, Paris, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-thirty-three-year-old-man-1565-attribu-martin-de-vos-maarten-de-vos-anvers-belgique-1532-1603-muse-du-louvre-paris-france-image623470884.html
RM2Y69FD8–Portrait of a Thirty-Three-Year-Old Man, 1565, Attribué à Martin de VOS, Maarten De Vos, Anvers (Belgique), 1532 - 1603, Musée du Louvre, Paris, France.
Rebecca's brother Laban in this Eliezer Bethuel father of Rebekah and Laban. 1563. Marten ( Martin) de Vos 1532 1603 Flemish Belgian Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rebeccas-brother-laban-in-this-eliezer-bethuel-father-of-rebekah-and-95736182.html
RMFFN4DA–Rebecca's brother Laban in this Eliezer Bethuel father of Rebekah and Laban. 1563. Marten ( Martin) de Vos 1532 1603 Flemish Belgian Belgium
Saint James the hermit beating himself with a stone as he contemplates a skeleton in a tomb. Engraving by G. Piccini after Martin de Vos. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-james-the-hermit-beating-himself-with-a-stone-as-he-contemplates-a-skeleton-in-a-tomb-engraving-by-g-piccini-after-martin-de-vos-image450074389.html
RM2H46JD9–Saint James the hermit beating himself with a stone as he contemplates a skeleton in a tomb. Engraving by G. Piccini after Martin de Vos.
Chief Executive of UK Athletics Neils De Vos attending a press conference during day ten of the 2017 IAAF World Championships at the London Stadium. PRESS ASSOCIATION Photo. Picture date: Sunday August 13, 2017. See PA story Athletics World. Photo credit should read: Martin Rickett/PA Wire. RESTRICTIONS: Editorial use only. No transmission of sound or moving images and no video simulation. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chief-executive-of-uk-athletics-neils-de-vos-attending-a-press-conference-image153615161.html
RMJWWNKN–Chief Executive of UK Athletics Neils De Vos attending a press conference during day ten of the 2017 IAAF World Championships at the London Stadium. PRESS ASSOCIATION Photo. Picture date: Sunday August 13, 2017. See PA story Athletics World. Photo credit should read: Martin Rickett/PA Wire. RESTRICTIONS: Editorial use only. No transmission of sound or moving images and no video simulation.
Atlanta Racing Hippomenes, n.d. Possibly after Marten de Vos, François Boitard or Philibert Benoît Delarue. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/atlanta-racing-hippomenes-nd-possibly-after-marten-de-vos-franxe7ois-boitard-or-philibert-benoxeet-delarue-image491535842.html
RM2KFKAYE–Atlanta Racing Hippomenes, n.d. Possibly after Marten de Vos, François Boitard or Philibert Benoît Delarue.
Crispijn de Passe (the Elder) (1564 - 1637), execution Marten de Vos (1532 - 1603), after, Venus and Mars are surprised by Vulcan, illustration from Ovid's 'Metamorphoses', origin of the print: 1602 - 1604, copperplate engraving, sheet size: 8.2 x 13.0 cm, top center monogrammed 'CPV'; bottom center inscribed 'Martin de Voss inventor; bottom inscribed 'C Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crispijn-de-passe-the-elder-1564-1637-execution-marten-de-vos-1532-1603-after-venus-and-mars-are-surprised-by-vulcan-illustration-from-ovids-metamorphoses-origin-of-the-print-1602-1604-copperplate-engraving-sheet-size-82-x-130-cm-top-center-monogrammed-cpv-bottom-center-inscribed-martin-de-voss-inventor-bottom-inscribed-c-image573213801.html
RM2T8G41D–Crispijn de Passe (the Elder) (1564 - 1637), execution Marten de Vos (1532 - 1603), after, Venus and Mars are surprised by Vulcan, illustration from Ovid's 'Metamorphoses', origin of the print: 1602 - 1604, copperplate engraving, sheet size: 8.2 x 13.0 cm, top center monogrammed 'CPV'; bottom center inscribed 'Martin de Voss inventor; bottom inscribed 'C
Geroldus after Martin de Vos Jan Sadeler (1550-1600). 'Geroldus' d'après Martin de Vos'. Burin, XVIIe siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/geroldus-after-martin-de-vos-jan-sadeler-1550-1600-geroldus-daprs-martin-de-vos-burin-xviie-sicle-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349612365.html
RM2B8P63W–Geroldus after Martin de Vos Jan Sadeler (1550-1600). 'Geroldus' d'après Martin de Vos'. Burin, XVIIe siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
. Engraving and etching : a handbook for the use of students and print collectors . Fig. 65. Hcndrick Goltzius : Portraitof Niquet (detail). 144 ENGRAVING IN THE LOW COUNTRIES to an excess of eccentricity. Sometimes these platesare engraved after Martin de Vos, Primaticcio, Strada,and others ; sometimes they are his own composition. Itis only the technical execution, the bravura with which hecuts the copper cleanly, strongly, and with the greatest conceivable ease, thatgives their lastingvalue to these platesby Goltzius. Goltzius supplied in-spiration to a numberof artists, who werepartly his Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-and-etching-a-handbook-for-the-use-of-students-and-print-collectors-fig-65-hcndrick-goltzius-portraitof-niquet-detail-144-engraving-in-the-low-countries-to-an-excess-of-eccentricity-sometimes-these-platesare-engraved-after-martin-de-vos-primaticcio-stradaand-others-sometimes-they-are-his-own-composition-itis-only-the-technical-execution-the-bravura-with-which-hecuts-the-copper-cleanly-strongly-and-with-the-greatest-conceivable-ease-thatgives-their-lastingvalue-to-these-platesby-goltzius-goltzius-supplied-in-spiration-to-a-numberof-artists-who-werepartly-his-image369706182.html
RM2CDDG06–. Engraving and etching : a handbook for the use of students and print collectors . Fig. 65. Hcndrick Goltzius : Portraitof Niquet (detail). 144 ENGRAVING IN THE LOW COUNTRIES to an excess of eccentricity. Sometimes these platesare engraved after Martin de Vos, Primaticcio, Strada,and others ; sometimes they are his own composition. Itis only the technical execution, the bravura with which hecuts the copper cleanly, strongly, and with the greatest conceivable ease, thatgives their lastingvalue to these platesby Goltzius. Goltzius supplied in-spiration to a numberof artists, who werepartly his
(Top L-R) Stephen Buyl, Karim Essikal, Formose Mendy, Ghislain Gimbert, Marvin Baudry, Jesper Jorgensen, Chuks Aneke, Christophe Lepoint, Joel Sami, Bruno Godeau, (Center L-R) Martin Balcaen (teammanager), Roger Putman (attendant), Ronny Verriest (assistant coach), Eddy Van den Berge (assistant coach), Louis Bostyn, Karel D'Haene, Sammy Bossut, Mbaye Leye, Kenny Steppe, Gianny De Vos (goalkeeper coach), Bram De Winne (physical coach), Rony Van Der Beken (material man), (First row L-R) Charni Ekangamene, Sebastiaan Brebels, Alessandro Cordaro, Bryan Verboom, Francky Dury (head coach), Steve De Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/top-l-r-stephen-buyl-karim-essikal-formose-mendy-ghislain-gimbert-marvin-baudry-jesper-jorgensen-chuks-aneke-christophe-lepoint-joel-sami-bruno-godeau-center-l-r-martin-balcaen-teammanager-roger-putman-attendant-ronny-verriest-assistant-coach-eddy-van-den-berge-assistant-coach-louis-bostyn-karel-dhaene-sammy-bossut-mbaye-leye-kenny-steppe-gianny-de-vos-goalkeeper-coach-bram-de-winne-physical-coach-rony-van-der-beken-material-man-first-row-l-r-charni-ekangamene-sebastiaan-brebels-alessandro-cordaro-bryan-verboom-francky-dury-head-coach-steve-de-image500318215.html
RM2M1YCYK–(Top L-R) Stephen Buyl, Karim Essikal, Formose Mendy, Ghislain Gimbert, Marvin Baudry, Jesper Jorgensen, Chuks Aneke, Christophe Lepoint, Joel Sami, Bruno Godeau, (Center L-R) Martin Balcaen (teammanager), Roger Putman (attendant), Ronny Verriest (assistant coach), Eddy Van den Berge (assistant coach), Louis Bostyn, Karel D'Haene, Sammy Bossut, Mbaye Leye, Kenny Steppe, Gianny De Vos (goalkeeper coach), Bram De Winne (physical coach), Rony Van Der Beken (material man), (First row L-R) Charni Ekangamene, Sebastiaan Brebels, Alessandro Cordaro, Bryan Verboom, Francky Dury (head coach), Steve De
Martín de Vos (h.1532-1603). Pintor flamenco. Descendimiento. Real Academia de Bellas Artes de San Fernando. Madrid. España. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/martn-de-vos-h1532-1603-pintor-flamenco-descendimiento-real-academia-de-bellas-artes-de-san-fernando-madrid-espaa-image259032941.html
RMW1BY4D–Martín de Vos (h.1532-1603). Pintor flamenco. Descendimiento. Real Academia de Bellas Artes de San Fernando. Madrid. España.
Rebecca's brother Laban in this Eliezer Bethuel father of Rebekah and Laban. 1563. Marten ( Martin) de Vos 1532 1603 Flemish Belgian Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rebeccas-brother-laban-in-this-eliezer-bethuel-father-of-rebekah-and-95736185.html
RMFFN4DD–Rebecca's brother Laban in this Eliezer Bethuel father of Rebekah and Laban. 1563. Marten ( Martin) de Vos 1532 1603 Flemish Belgian Belgium
A woman with a key and four books standing in front of a tower with an open loggia in which a man is teaching children; representing Grammar. Engraving after Martin de Vos. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-woman-with-a-key-and-four-books-standing-in-front-of-a-tower-with-an-open-loggia-in-which-a-man-is-teaching-children-representing-grammar-engraving-after-martin-de-vos-image450003359.html
RM2H43BTF–A woman with a key and four books standing in front of a tower with an open loggia in which a man is teaching children; representing Grammar. Engraving after Martin de Vos.
Return of Jephthah third quarter 17th century British This Old Testament scene was probably drawn by a local artist for the young lady of rank who worked it with unusual skill and delicacy. As was frequent, he composed the picture from a variety of sources. The graceful figures of the daughter and her attendant are seen in other embroidered pictures of the period and must have come originally from an engraving, such as the scenes from the life of David by Martin de Vos and Johann Sadler, which provided the group of Roman warriors used here to represent the elders of Gilead.. Return of Jephthah Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/return-of-jephthah-third-quarter-17th-century-british-this-old-testament-scene-was-probably-drawn-by-a-local-artist-for-the-young-lady-of-rank-who-worked-it-with-unusual-skill-and-delicacy-as-was-frequent-he-composed-the-picture-from-a-variety-of-sources-the-graceful-figures-of-the-daughter-and-her-attendant-are-seen-in-other-embroidered-pictures-of-the-period-and-must-have-come-originally-from-an-engraving-such-as-the-scenes-from-the-life-of-david-by-martin-de-vos-and-johann-sadler-which-provided-the-group-of-roman-warriors-used-here-to-represent-the-elders-of-gilead-return-of-jephthah-image457898767.html
RM2HGY2FB–Return of Jephthah third quarter 17th century British This Old Testament scene was probably drawn by a local artist for the young lady of rank who worked it with unusual skill and delicacy. As was frequent, he composed the picture from a variety of sources. The graceful figures of the daughter and her attendant are seen in other embroidered pictures of the period and must have come originally from an engraving, such as the scenes from the life of David by Martin de Vos and Johann Sadler, which provided the group of Roman warriors used here to represent the elders of Gilead.. Return of Jephthah
Antwerp delivered in 1577 : a passage from the history of the troubles in the Netherlands : illustrated with facsimiles of designs by Martin de Vos, Frans Hogenberg and others, 1878 The book by William Stirling Maxwell entitled: Antwerp Delivered in 1577: A Passage from the History of the Troubles in the Netherlands: Illustrated with Facsimiles of Designs by Martin de Vos, Frans Hogenberg and Others. Reproductions in photolithography or lithography to many prints about Antwerp in the year 1577 and a letter from Don Juan to Margaretha van Parma. Text with red decorated initials and ornaments. B Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antwerp-delivered-in-1577-a-passage-from-the-history-of-the-troubles-in-the-netherlands-illustrated-with-facsimiles-of-designs-by-martin-de-vos-frans-hogenberg-and-others-1878-the-book-by-william-stirling-maxwell-entitled-antwerp-delivered-in-1577-a-passage-from-the-history-of-the-troubles-in-the-netherlands-illustrated-with-facsimiles-of-designs-by-martin-de-vos-frans-hogenberg-and-others-reproductions-in-photolithography-or-lithography-to-many-prints-about-antwerp-in-the-year-1577-and-a-letter-from-don-juan-to-margaretha-van-parma-text-with-red-decorated-initials-and-ornaments-b-image583130862.html
RM2TTKWA6–Antwerp delivered in 1577 : a passage from the history of the troubles in the Netherlands : illustrated with facsimiles of designs by Martin de Vos, Frans Hogenberg and others, 1878 The book by William Stirling Maxwell entitled: Antwerp Delivered in 1577: A Passage from the History of the Troubles in the Netherlands: Illustrated with Facsimiles of Designs by Martin de Vos, Frans Hogenberg and Others. Reproductions in photolithography or lithography to many prints about Antwerp in the year 1577 and a letter from Don Juan to Margaretha van Parma. Text with red decorated initials and ornaments. B
Allegorical representation with Martin Luther, Romeyn de Hooghe, 1703, Allegorical representation with Martin Luther. Bust of Martin Luther with text below. Beneath busts of Adolphus Visscher and Henricus Vos, also with text. On reverse page letterpress text., print maker: Romeyn de Hooghe, (mentioned on object), Romeyn de Hooghe, (mentioned on object), Roelof Norel, (mentioned on object), Netherlands, 1703, paper, etching, engraving, h 332 mm × w 189 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegorical-representation-with-martin-luther-romeyn-de-hooghe-1703-allegorical-representation-with-martin-luther-bust-of-martin-luther-with-text-below-beneath-busts-of-adolphus-visscher-and-henricus-vos-also-with-text-on-reverse-page-letterpress-text-print-maker-romeyn-de-hooghe-mentioned-on-object-romeyn-de-hooghe-mentioned-on-object-roelof-norel-mentioned-on-object-netherlands-1703-paper-etching-engraving-h-332-mm-w-189-mm-image473384251.html
RM2JE4ECB–Allegorical representation with Martin Luther, Romeyn de Hooghe, 1703, Allegorical representation with Martin Luther. Bust of Martin Luther with text below. Beneath busts of Adolphus Visscher and Henricus Vos, also with text. On reverse page letterpress text., print maker: Romeyn de Hooghe, (mentioned on object), Romeyn de Hooghe, (mentioned on object), Roelof Norel, (mentioned on object), Netherlands, 1703, paper, etching, engraving, h 332 mm × w 189 mm
Arachne Being Turned into a Spider by Minerva, n.d. Possibly after Marten de Vos, François Boitard or Philibert Benoît Delarue. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arachne-being-turned-into-a-spider-by-minerva-nd-possibly-after-marten-de-vos-franxe7ois-boitard-or-philibert-benoxeet-delarue-image491535858.html
RM2KFKB02–Arachne Being Turned into a Spider by Minerva, n.d. Possibly after Marten de Vos, François Boitard or Philibert Benoît Delarue.
Antwerp Delivered in 1577: a passage from the history of the troubles in The Netherlands: Illustrated with facsimiles of designs by Martin de Vos, Frans Hogenberg and Others. The book of William Stirling Maxwell entitled: Antwerp Delivered in 1577: A Passage From The History of the Troubles in The Netherlands: Illustrated with facsimiles of designs by Martin de Vos, Frans Hogenberg and Others. Reproductions in photolithography or lithography to many prints about Antwerp in the year 1577 and a letter from Don Juan to Margaretha van Parma. Text with red decorated initials and ornaments. Tied in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antwerp-delivered-in-1577-a-passage-from-the-history-of-the-troubles-in-the-netherlands-illustrated-with-facsimiles-of-designs-by-martin-de-vos-frans-hogenberg-and-others-the-book-of-william-stirling-maxwell-entitled-antwerp-delivered-in-1577-a-passage-from-the-history-of-the-troubles-in-the-netherlands-illustrated-with-facsimiles-of-designs-by-martin-de-vos-frans-hogenberg-and-others-reproductions-in-photolithography-or-lithography-to-many-prints-about-antwerp-in-the-year-1577-and-a-letter-from-don-juan-to-margaretha-van-parma-text-with-red-decorated-initials-and-ornaments-tied-in-image430905235.html
RM2G11C0K–Antwerp Delivered in 1577: a passage from the history of the troubles in The Netherlands: Illustrated with facsimiles of designs by Martin de Vos, Frans Hogenberg and Others. The book of William Stirling Maxwell entitled: Antwerp Delivered in 1577: A Passage From The History of the Troubles in The Netherlands: Illustrated with facsimiles of designs by Martin de Vos, Frans Hogenberg and Others. Reproductions in photolithography or lithography to many prints about Antwerp in the year 1577 and a letter from Don Juan to Margaretha van Parma. Text with red decorated initials and ornaments. Tied in
Fulford d'apres Martin de Vos Jan Sadeler (1550-1600). 'Fulgentius' d'après Martin de Vos. Burin. XVIIe siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fulford-dapres-martin-de-vos-jan-sadeler-1550-1600-fulgentius-daprs-martin-de-vos-burin-xviie-sicle-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349612349.html
RM2B8P639–Fulford d'apres Martin de Vos Jan Sadeler (1550-1600). 'Fulgentius' d'après Martin de Vos. Burin. XVIIe siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Holy Patrucus of Néris as a recluse, Raphaël Sadeler (I), After Maerten de Vos, 1598 print The Holy Patrucus of Néris, a recluse from France, prays for a chapel dedicated to the H. Martinus van Tours. In the background a forest with a crane. Venice paper engraving anchorite, hermit. male saints (with NAME). Martin(us), bishop of Tours; possible attributes: beggar, goose. church (exterior) - QQ - small church, chapel. forest, wood. shore-birds and wading-birds Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/holy-patrucus-of-nris-as-a-recluse-raphal-sadeler-i-after-maerten-de-vos-1598-print-the-holy-patrucus-of-nris-a-recluse-from-france-prays-for-a-chapel-dedicated-to-the-h-martinus-van-tours-in-the-background-a-forest-with-a-crane-venice-paper-engraving-anchorite-hermit-male-saints-with-name-martinus-bishop-of-tours-possible-attributes-beggar-goose-church-exterior-qq-small-church-chapel-forest-wood-shore-birds-and-wading-birds-image595203325.html
RM2WG9RWH–Holy Patrucus of Néris as a recluse, Raphaël Sadeler (I), After Maerten de Vos, 1598 print The Holy Patrucus of Néris, a recluse from France, prays for a chapel dedicated to the H. Martinus van Tours. In the background a forest with a crane. Venice paper engraving anchorite, hermit. male saints (with NAME). Martin(us), bishop of Tours; possible attributes: beggar, goose. church (exterior) - QQ - small church, chapel. forest, wood. shore-birds and wading-birds
(Top L-R) Stephen Buyl, Karim Essikal, Formose Mendy, Ghislain Gimbert, Marvin Baudry, Jesper Jorgensen, Chuks Aneke, Christophe Lepoint, Joel Sami, Bruno Godeau, (Center L-R) Martin Balcaen (teammanager), Roger Putman (attendant), Ronny Verriest (assistant coach), Eddy Van den Berge (assistant coach), Louis Bostyn, Karel D'Haene, Sammy Bossut, Mbaye Leye, Kenny Steppe, Gianny De Vos (goalkeeper coach), Bram De Winne (physical coach), Rony Van Der Beken (material man), (First row L-R) Charni Ekangamene, Sebastiaan Brebels, Alessandro Cordaro, Bryan Verboom, Francky Dury (head coach), Steve De Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/top-l-r-stephen-buyl-karim-essikal-formose-mendy-ghislain-gimbert-marvin-baudry-jesper-jorgensen-chuks-aneke-christophe-lepoint-joel-sami-bruno-godeau-center-l-r-martin-balcaen-teammanager-roger-putman-attendant-ronny-verriest-assistant-coach-eddy-van-den-berge-assistant-coach-louis-bostyn-karel-dhaene-sammy-bossut-mbaye-leye-kenny-steppe-gianny-de-vos-goalkeeper-coach-bram-de-winne-physical-coach-rony-van-der-beken-material-man-first-row-l-r-charni-ekangamene-sebastiaan-brebels-alessandro-cordaro-bryan-verboom-francky-dury-head-coach-steve-de-image500318231.html
RM2M1YD07–(Top L-R) Stephen Buyl, Karim Essikal, Formose Mendy, Ghislain Gimbert, Marvin Baudry, Jesper Jorgensen, Chuks Aneke, Christophe Lepoint, Joel Sami, Bruno Godeau, (Center L-R) Martin Balcaen (teammanager), Roger Putman (attendant), Ronny Verriest (assistant coach), Eddy Van den Berge (assistant coach), Louis Bostyn, Karel D'Haene, Sammy Bossut, Mbaye Leye, Kenny Steppe, Gianny De Vos (goalkeeper coach), Bram De Winne (physical coach), Rony Van Der Beken (material man), (First row L-R) Charni Ekangamene, Sebastiaan Brebels, Alessandro Cordaro, Bryan Verboom, Francky Dury (head coach), Steve De
Portrait of Maerten de Vos, Flemish painter of history paintings and portraits. Martin de Vos. Copperplate engraving after a portait by Aegidius Sadeler II from Antoine-Joseph Dezallier dArgenvilles Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure lAine, Paris, 1762. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-maerten-de-vos-flemish-painter-of-history-paintings-and-portraits-martin-de-vos-copperplate-engraving-after-a-portait-by-aegidius-sadeler-ii-from-antoine-joseph-dezallier-dargenvilles-abrege-de-la-vie-des-plus-fameux-peintres-lives-of-the-most-famous-artists-de-bure-laine-paris-1762-image359065285.html
RM2BT4RC5–Portrait of Maerten de Vos, Flemish painter of history paintings and portraits. Martin de Vos. Copperplate engraving after a portait by Aegidius Sadeler II from Antoine-Joseph Dezallier dArgenvilles Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure lAine, Paris, 1762.
Abraham charged his servant Eliezer to find a wife for his son Isaac. 1563 Flemish Belgian Belgium ( Abraham asked his servant Eliezer to bring him a Jewish wife, his family, for his son Isaac. Abraham applies the command of Deuteronomy 7-3 'You point contrasters marriage with these people. ) 1603 Martin de Vos 1532 - 1603 Flemish Belgian Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-abraham-charged-his-servant-eliezer-to-find-a-wife-for-his-son-isaac-95736199.html
RMFFN4DY–Abraham charged his servant Eliezer to find a wife for his son Isaac. 1563 Flemish Belgian Belgium ( Abraham asked his servant Eliezer to bring him a Jewish wife, his family, for his son Isaac. Abraham applies the command of Deuteronomy 7-3 'You point contrasters marriage with these people. ) 1603 Martin de Vos 1532 - 1603 Flemish Belgian Belgium
Saint Patroclus of Néris as a hermit, The virtuous life of hermits (series title), Trophaeum vitae solitariae (series title), Saint Patroclus of Néris, a hermit from France, prays in front of a chapel dedicated to Saint Martin of Tours. In the background a forest with a crane., print, print maker: Raphaël Sadeler (I), (mentioned on object), after drawing by: Maerten de Vos, (mentioned on object), publisher: Johann Sadeler (I), Venice, 1598, paper, engraving, width, 207 mm × height, 165 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-patroclus-of-nris-as-a-hermit-the-virtuous-life-of-hermits-series-title-trophaeum-vitae-solitariae-series-title-saint-patroclus-of-nris-a-hermit-from-france-prays-in-front-of-a-chapel-dedicated-to-saint-martin-of-tours-in-the-background-a-forest-with-a-crane-print-print-maker-raphal-sadeler-i-mentioned-on-object-after-drawing-by-maerten-de-vos-mentioned-on-object-publisher-johann-sadeler-i-venice-1598-paper-engraving-width-207-mm-height-165-mm-image606610832.html
RM2X6WE8G–Saint Patroclus of Néris as a hermit, The virtuous life of hermits (series title), Trophaeum vitae solitariae (series title), Saint Patroclus of Néris, a hermit from France, prays in front of a chapel dedicated to Saint Martin of Tours. In the background a forest with a crane., print, print maker: Raphaël Sadeler (I), (mentioned on object), after drawing by: Maerten de Vos, (mentioned on object), publisher: Johann Sadeler (I), Venice, 1598, paper, engraving, width, 207 mm × height, 165 mm
Triptolemus, n.d. Possibly after Marten de Vos, François Boitard or Philibert Benoît Delarue. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/triptolemus-nd-possibly-after-marten-de-vos-franxe7ois-boitard-or-philibert-benoxeet-delarue-image491535849.html
RM2KFKAYN–Triptolemus, n.d. Possibly after Marten de Vos, François Boitard or Philibert Benoît Delarue.
Henricus after Martin de Vos Jan Sadeler (1550-1600). 'Henricus' d'après Martin de Vos. Burin. XVIIe siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palai Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henricus-after-martin-de-vos-jan-sadeler-1550-1600-henricus-daprs-martin-de-vos-burin-xviie-sicle-muse-des-beaux-arts-de-la-ville-de-paris-petit-palai-image349612489.html
RM2B8P689–Henricus after Martin de Vos Jan Sadeler (1550-1600). 'Henricus' d'après Martin de Vos. Burin. XVIIe siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palai
Holy Patrucus of Néris as a recluse, Raphaël Sadeler (I), After Maerten de Vos, 1598 print The Holy Patrucus of Néris, a recluse from France, prays for a chapel dedicated to the H. Martinus van Tours. In the background a forest with a crane. Venice paper engraving anchorite, hermit. male saints (with NAME). Martin(us), bishop of Tours; possible attributes: beggar, goose. church (exterior) - QQ - small church, chapel. forest, wood. shore-birds and wading-birds Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/holy-patrucus-of-nris-as-a-recluse-raphal-sadeler-i-after-maerten-de-vos-1598-print-the-holy-patrucus-of-nris-a-recluse-from-france-prays-for-a-chapel-dedicated-to-the-h-martinus-van-tours-in-the-background-a-forest-with-a-crane-venice-paper-engraving-anchorite-hermit-male-saints-with-name-martinus-bishop-of-tours-possible-attributes-beggar-goose-church-exterior-qq-small-church-chapel-forest-wood-shore-birds-and-wading-birds-image594865817.html
RM2WFPDBN–Holy Patrucus of Néris as a recluse, Raphaël Sadeler (I), After Maerten de Vos, 1598 print The Holy Patrucus of Néris, a recluse from France, prays for a chapel dedicated to the H. Martinus van Tours. In the background a forest with a crane. Venice paper engraving anchorite, hermit. male saints (with NAME). Martin(us), bishop of Tours; possible attributes: beggar, goose. church (exterior) - QQ - small church, chapel. forest, wood. shore-birds and wading-birds
. Le quincaillier (Juillet-Decembre 1907). s de Malaga, Vin Tonique. Ces Vins se vendent en bouteilles ouen futs de differentes contenances; leursqualites et leurs prix sont varies. Demandez des prix a la maison La-porte, Martin et Cie, Ltee, vous y trouve-rez votre compte. Eau Crystal Spring.—Emboutoillee a Usource seulement par The Libertyi Crystal Spring Co. il Libertville. HI.. BvTJ.Cest maintenant le temps de vous approvisionner pour lhiver. Bnvoyez VOS COTOmaniles :i present, a L. Chaput, Filfl Cie, agents (listrihuteuis, .Montreal. LE PRIX COUKANT 91 LES CELEBRESMARQUES DE FARINE u » LA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-quincaillier-juillet-decembre-1907-s-de-malaga-vin-tonique-ces-vins-se-vendent-en-bouteilles-ouen-futs-de-differentes-contenances-leursqualites-et-leurs-prix-sont-varies-demandez-des-prix-a-la-maison-la-porte-martin-et-cie-ltee-vous-y-trouve-rez-votre-compte-eau-crystal-springemboutoillee-a-usource-seulement-par-the-libertyi-crystal-spring-co-il-libertville-hi-bvtjcest-maintenant-le-temps-de-vous-approvisionner-pour-lhiver-bnvoyez-vos-cotomaniles-i-present-a-l-chaput-filfl-cie-agents-listrihuteuis-montreal-le-prix-coukant-91-les-celebresmarques-de-farine-u-la-image336820977.html
RM2AFYEGH–. Le quincaillier (Juillet-Decembre 1907). s de Malaga, Vin Tonique. Ces Vins se vendent en bouteilles ouen futs de differentes contenances; leursqualites et leurs prix sont varies. Demandez des prix a la maison La-porte, Martin et Cie, Ltee, vous y trouve-rez votre compte. Eau Crystal Spring.—Emboutoillee a Usource seulement par The Libertyi Crystal Spring Co. il Libertville. HI.. BvTJ.Cest maintenant le temps de vous approvisionner pour lhiver. Bnvoyez VOS COTOmaniles :i present, a L. Chaput, Filfl Cie, agents (listrihuteuis, .Montreal. LE PRIX COUKANT 91 LES CELEBRESMARQUES DE FARINE u » LA
(Top L-R) Stephen Buyl, Karim Essikal, Formose Mendy, Ghislain Gimbert, Marvin Baudry, Jesper Jorgensen, Chuks Aneke, Christophe Lepoint, Joel Sami, Bruno Godeau, (Center L-R) Martin Balcaen (teammanager), Roger Putman (attendant), Ronny Verriest (assistant coach), Eddy Van den Berge (assistant coach), Louis Bostyn, Karel D'Haene, Sammy Bossut, Mbaye Leye, Kenny Steppe, Gianny De Vos (goalkeeper coach), Bram De Winne (physical coach), Rony Van Der Beken (material man), (First row L-R) Charni Ekangamene, Sebastiaan Brebels, Alessandro Cordaro, Bryan Verboom, Francky Dury (head coach), Steve De Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/top-l-r-stephen-buyl-karim-essikal-formose-mendy-ghislain-gimbert-marvin-baudry-jesper-jorgensen-chuks-aneke-christophe-lepoint-joel-sami-bruno-godeau-center-l-r-martin-balcaen-teammanager-roger-putman-attendant-ronny-verriest-assistant-coach-eddy-van-den-berge-assistant-coach-louis-bostyn-karel-dhaene-sammy-bossut-mbaye-leye-kenny-steppe-gianny-de-vos-goalkeeper-coach-bram-de-winne-physical-coach-rony-van-der-beken-material-man-first-row-l-r-charni-ekangamene-sebastiaan-brebels-alessandro-cordaro-bryan-verboom-francky-dury-head-coach-steve-de-image500318157.html
RM2M1YCWH–(Top L-R) Stephen Buyl, Karim Essikal, Formose Mendy, Ghislain Gimbert, Marvin Baudry, Jesper Jorgensen, Chuks Aneke, Christophe Lepoint, Joel Sami, Bruno Godeau, (Center L-R) Martin Balcaen (teammanager), Roger Putman (attendant), Ronny Verriest (assistant coach), Eddy Van den Berge (assistant coach), Louis Bostyn, Karel D'Haene, Sammy Bossut, Mbaye Leye, Kenny Steppe, Gianny De Vos (goalkeeper coach), Bram De Winne (physical coach), Rony Van Der Beken (material man), (First row L-R) Charni Ekangamene, Sebastiaan Brebels, Alessandro Cordaro, Bryan Verboom, Francky Dury (head coach), Steve De
St Michael Triumphing Over the Dragon. Jerome Wierix (Flemish, 1553-1619); after Martin de Vos (Flemish, 1532-1603). Date: 1584. Dimensions: 291 × 202 mm (image/plate); 300 × 214 mm (sheet). Engraving in black on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-michael-triumphing-over-the-dragon-jerome-wierix-flemish-1553-1619-after-martin-de-vos-flemish-1532-1603-date-1584-dimensions-291-202-mm-imageplate-300-214-mm-sheet-engraving-in-black-on-ivory-laid-paper-origin-flanders-museum-the-chicago-art-institute-image239739122.html
RMRX11KE–St Michael Triumphing Over the Dragon. Jerome Wierix (Flemish, 1553-1619); after Martin de Vos (Flemish, 1532-1603). Date: 1584. Dimensions: 291 × 202 mm (image/plate); 300 × 214 mm (sheet). Engraving in black on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute.
Abraham charged his servant Eliezer to find a wife for his son Isaac. 1563 Flemish Belgian Belgium ( Abraham asked his servant Eliezer to bring him a Jewish wife, his family, for his son Isaac. Abraham applies the command of Deuteronomy 7-3 'You point contrasters marriage with these people. ) 1603 Martin de Vos 1532 - 1603 Flemish Belgian Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-abraham-charged-his-servant-eliezer-to-find-a-wife-for-his-son-isaac-95736201.html
RMFFN4E1–Abraham charged his servant Eliezer to find a wife for his son Isaac. 1563 Flemish Belgian Belgium ( Abraham asked his servant Eliezer to bring him a Jewish wife, his family, for his son Isaac. Abraham applies the command of Deuteronomy 7-3 'You point contrasters marriage with these people. ) 1603 Martin de Vos 1532 - 1603 Flemish Belgian Belgium
Dido and Aeneas Embracing before Gates of Carthage, n.d. Possibly after Marten de Vos, François Boitard or Philibert Benoît Delarue. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dido-and-aeneas-embracing-before-gates-of-carthage-nd-possibly-after-marten-de-vos-franxe7ois-boitard-or-philibert-benoxeet-delarue-image491535838.html
RM2KFKAYA–Dido and Aeneas Embracing before Gates of Carthage, n.d. Possibly after Marten de Vos, François Boitard or Philibert Benoît Delarue.
Ioannes after Martin de Vos Jan Sadeler (1550-1600). 'Ioannes' d'après Martin de Vos. Burin. XVIIe siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ioannes-after-martin-de-vos-jan-sadeler-1550-1600-ioannes-daprs-martin-de-vos-burin-xviie-sicle-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349612331.html
RM2B8P62K–Ioannes after Martin de Vos Jan Sadeler (1550-1600). 'Ioannes' d'après Martin de Vos. Burin. XVIIe siècle. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
. Le quincaillier (Juillet-Decembre 1905). CO.Sherry Sec Excellent cordial. FRUITS! FRUITS! FRUITS! Noubliez pas eeei pour les fetes. Raisins Valence; Raisins Muscatel; Raisins Malag^a. Le plus beau choix de raisins de table qui soit en vente k Montreal. Visitez notre e^tablissement ou voyez nos voya-geurs. Donnez vos commandos sans crainte ; nos prix sont les plus bas du marched. Laporte, Martin & Cie, Limitee. PR I l/l E ^ ^^^ d^cembre au ler Janvier prochain, nous offrirons en prime avec chaque caisse de Cognac RichardV. O., V.S. 0., ou V. S. O. P., un crayon automatique repr6sentant une f Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-quincaillier-juillet-decembre-1905-cosherry-sec-excellent-cordial-fruits!-fruits!-fruits!-noubliez-pas-eeei-pour-les-fetes-raisins-valence-raisins-muscatel-raisins-malaga-le-plus-beau-choix-de-raisins-de-table-qui-soit-en-vente-k-montreal-visitez-notre-etablissement-ou-voyez-nos-voya-geurs-donnez-vos-commandos-sans-crainte-nos-prix-sont-les-plus-bas-du-marched-laporte-martin-cie-limitee-pr-i-ll-e-dcembre-au-ler-janvier-prochain-nous-offrirons-en-prime-avec-chaque-caisse-de-cognac-richardv-o-vs-0-ou-v-s-o-p-un-crayon-automatique-repr6sentant-une-f-image336953501.html
RM2AG5FHH–. Le quincaillier (Juillet-Decembre 1905). CO.Sherry Sec Excellent cordial. FRUITS! FRUITS! FRUITS! Noubliez pas eeei pour les fetes. Raisins Valence; Raisins Muscatel; Raisins Malag^a. Le plus beau choix de raisins de table qui soit en vente k Montreal. Visitez notre e^tablissement ou voyez nos voya-geurs. Donnez vos commandos sans crainte ; nos prix sont les plus bas du marched. Laporte, Martin & Cie, Limitee. PR I l/l E ^ ^^^ d^cembre au ler Janvier prochain, nous offrirons en prime avec chaque caisse de Cognac RichardV. O., V.S. 0., ou V. S. O. P., un crayon automatique repr6sentant une f
(Top L-R) Stephen Buyl, Karim Essikal, Formose Mendy, Ghislain Gimbert, Marvin Baudry, Jesper Jorgensen, Chuks Aneke, Christophe Lepoint, Joel Sami, Bruno Godeau, (Center L-R) Martin Balcaen (teammanager), Roger Putman (attendant), Ronny Verriest (assistant coach), Eddy Van den Berge (assistant coach), Louis Bostyn, Karel D'Haene, Sammy Bossut, Mbaye Leye, Kenny Steppe, Gianny De Vos (goalkeeper coach), Bram De Winne (physical coach), Rony Van Der Beken (material man), (First row L-R) Charni Ekangamene, Sebastiaan Brebels, Alessandro Cordaro, Bryan Verboom, Francky Dury (head coach), Steve De Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/top-l-r-stephen-buyl-karim-essikal-formose-mendy-ghislain-gimbert-marvin-baudry-jesper-jorgensen-chuks-aneke-christophe-lepoint-joel-sami-bruno-godeau-center-l-r-martin-balcaen-teammanager-roger-putman-attendant-ronny-verriest-assistant-coach-eddy-van-den-berge-assistant-coach-louis-bostyn-karel-dhaene-sammy-bossut-mbaye-leye-kenny-steppe-gianny-de-vos-goalkeeper-coach-bram-de-winne-physical-coach-rony-van-der-beken-material-man-first-row-l-r-charni-ekangamene-sebastiaan-brebels-alessandro-cordaro-bryan-verboom-francky-dury-head-coach-steve-de-image500318247.html
RM2M1YD0R–(Top L-R) Stephen Buyl, Karim Essikal, Formose Mendy, Ghislain Gimbert, Marvin Baudry, Jesper Jorgensen, Chuks Aneke, Christophe Lepoint, Joel Sami, Bruno Godeau, (Center L-R) Martin Balcaen (teammanager), Roger Putman (attendant), Ronny Verriest (assistant coach), Eddy Van den Berge (assistant coach), Louis Bostyn, Karel D'Haene, Sammy Bossut, Mbaye Leye, Kenny Steppe, Gianny De Vos (goalkeeper coach), Bram De Winne (physical coach), Rony Van Der Beken (material man), (First row L-R) Charni Ekangamene, Sebastiaan Brebels, Alessandro Cordaro, Bryan Verboom, Francky Dury (head coach), Steve De
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