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Matthäus ii Stock Photos and Images
Mounts by Matthäus Baur II, Standing cup with cover, German, Freising glass with Augsburg silver, 1695–1700, German, Freising glass with Augsburg silver, Gold-ruby glass, silver-gilt mounts, Overall: 6 5/8 × 3 3/8 × 3 1/2 in. (16.8 × 8.6 × 8.9 cm), Metalwork-Silver In Combination Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mounts-by-matthus-baur-ii-standing-cup-with-cover-german-freising-glass-with-augsburg-silver-16951700-german-freising-glass-with-augsburg-silver-gold-ruby-glass-silver-gilt-mounts-overall-6-58-3-38-3-12-in-168-86-89-cm-metalwork-silver-in-combination-image344637936.htmlRM2B0KH5M–Mounts by Matthäus Baur II, Standing cup with cover, German, Freising glass with Augsburg silver, 1695–1700, German, Freising glass with Augsburg silver, Gold-ruby glass, silver-gilt mounts, Overall: 6 5/8 × 3 3/8 × 3 1/2 in. (16.8 × 8.6 × 8.9 cm), Metalwork-Silver In Combination
Jakob II of the Fuggers of the Lily with his secretary, Matthaus Schwarz, in 1519. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jakob-ii-of-the-fuggers-of-the-lily-with-his-secretary-matthaus-schwarz-in-1519-image268824890.htmlRMWHA0TX–Jakob II of the Fuggers of the Lily with his secretary, Matthaus Schwarz, in 1519.
Gustavus Adolphus, Gustav II Adolf, (1594-1632, King of Sweden (1611-32), Portrait, Painting by Matthaus Merian, 1632 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-gustavus-adolphus-gustav-ii-adolf-1594-1632-king-of-sweden-1611-32-77556870.htmlRMEE50G6–Gustavus Adolphus, Gustav II Adolf, (1594-1632, King of Sweden (1611-32), Portrait, Painting by Matthaus Merian, 1632
Josias II. von Waldeck-Wildungen, 31.7.1636 - 16.7.1669, German mercenary leader, portrait, after copper engraving by Matthäus Merian, 17th century, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-josias-ii-von-waldeck-wildungen-3171636-1671669-german-mercenary-leader-47975033.htmlRMCP1CJ1–Josias II. von Waldeck-Wildungen, 31.7.1636 - 16.7.1669, German mercenary leader, portrait, after copper engraving by Matthäus Merian, 17th century, Artist's Copyright has not to be cleared
Leaf from a 1567 German language Bible, translated from the Greek and Hebrew by Martin Luther. Text shown is from the Old Testament book of II Kings. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/leaf-from-a-1567-german-language-bible-translated-from-the-greek-and-hebrew-by-martin-luther-text-shown-is-from-the-old-testament-book-of-ii-kings-image231960822.htmlRMRDAMB2–Leaf from a 1567 German language Bible, translated from the Greek and Hebrew by Martin Luther. Text shown is from the Old Testament book of II Kings.
Portrait of the King Gustav II Adolf of Sweden (1594-1632), 1631-1632. Creator: Merian, Matthäus, the Elder (1593-1650). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-king-gustav-ii-adolf-of-sweden-1594-1632-1631-1632-creator-merian-matthus-the-elder-1593-1650-image243215650.htmlRMT3KC16–Portrait of the King Gustav II Adolf of Sweden (1594-1632), 1631-1632. Creator: Merian, Matthäus, the Elder (1593-1650).
Portrait of the King Gustav II Adolf of Sweden (1594-1632). Museum: Skokloster Castle. Author: Merian, Matthäus, the Elder. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-king-gustav-ii-adolf-of-sweden-1594-1632-museum-skokloster-castle-author-merian-matthus-the-elder-image246910396.htmlRMT9KMMC–Portrait of the King Gustav II Adolf of Sweden (1594-1632). Museum: Skokloster Castle. Author: Merian, Matthäus, the Elder.
Matthaus Gundelach, German painter and draughtsman, 1566-1653. Court painter to Holy Roman Emperor Rudolf II in Prague Castle. Matthaeus Gundelach Hasso-Cassellan. Copperplate engraving by Georg Andreas Wolfgang after an illustration by Joachim von Sandrart from his L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/matthaus-gundelach-german-painter-and-draughtsman-1566-1653-court-painter-to-holy-roman-emperor-rudolf-ii-in-prague-castle-matthaeus-gundelach-hasso-cassellan-copperplate-engraving-by-georg-andreas-wolfgang-after-an-illustration-by-joachim-von-sandrart-from-his-lacademia-todesca-della-architectura-scultura-pittura-oder-teutsche-academie-der-edlen-bau-bild-und-mahlerey-kunste-german-academy-of-architecture-sculpture-and-painting-jacob-von-sandrart-nuremberg-1675-image549180516.htmlRM2PWD99T–Matthaus Gundelach, German painter and draughtsman, 1566-1653. Court painter to Holy Roman Emperor Rudolf II in Prague Castle. Matthaeus Gundelach Hasso-Cassellan. Copperplate engraving by Georg Andreas Wolfgang after an illustration by Joachim von Sandrart from his L’Academia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.
Germany: Copper engraving of Ferdinand II (1578-1637), 35th Holy Roman emperor, by Matthaus Merian the Elder (1593-1650), c. 1642. Ferdinand II (1578 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/germany-copper-engraving-of-ferdinand-ii-1578-1637-35th-holy-roman-emperor-by-matthaus-merian-the-elder-1593-1650-c-1642-ferdinand-ii-1578-image357257805.htmlRM2BN6DY9–Germany: Copper engraving of Ferdinand II (1578-1637), 35th Holy Roman emperor, by Matthaus Merian the Elder (1593-1650), c. 1642. Ferdinand II (1578
N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Oper 'Fedra incoronata' von J. C. Kerll, aufgeführt zum 'Churfürstlich Bayerischen Frewden-Fest' 1662 in München; Bühnenbild von Francesco Santurini II. Akt, I. Bild, Höhlen der Unterwelt . 1662. Melchior Küssel, Matthäus Küssel 138 Arolsen Klebeband 15 101 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-grafik-aus-dem-klebeband-nr-15-der-frstlich-waldeckschen-hofbibliothek-arolsen-oper-fedra-incoronata-von-j-c-kerll-aufgefhrt-zum-churfrstlich-bayerischen-frewden-fest-1662-in-mnchen-bhnenbild-von-francesco-santurini-ii-akt-i-bild-hhlen-der-unterwelt-1662-melchior-kssel-matthus-kssel-138-arolsen-klebeband-15-101-image210066791.htmlRMP5NA9B–N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Oper 'Fedra incoronata' von J. C. Kerll, aufgeführt zum 'Churfürstlich Bayerischen Frewden-Fest' 1662 in München; Bühnenbild von Francesco Santurini II. Akt, I. Bild, Höhlen der Unterwelt . 1662. Melchior Küssel, Matthäus Küssel 138 Arolsen Klebeband 15 101
Inspired by Benedikt Hopfer., Bartholomäus Kilian II, engraver (printmaker), 1685, Germany, engraving, Bartholomäus Kilian (1630–1696), was a German engraver and member of the Kilian family of engravers. He was born in Augsburg as the son of Wolfgang Kilian and besides being a pupil of his father, he, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-benedikt-hopfer-bartholomus-kilian-ii-engraver-printmaker-1685-germany-engraving-bartholomus-kilian-16301696-was-a-german-engraver-and-member-of-the-kilian-family-of-engravers-he-was-born-in-augsburg-as-the-son-of-wolfgang-kilian-and-besides-being-a-pupil-of-his-father-he-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459331780.htmlRF2HK8AAC–Inspired by Benedikt Hopfer., Bartholomäus Kilian II, engraver (printmaker), 1685, Germany, engraving, Bartholomäus Kilian (1630–1696), was a German engraver and member of the Kilian family of engravers. He was born in Augsburg as the son of Wolfgang Kilian and besides being a pupil of his father, he, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Friedrich John nach Matthäus Loder Sisyphus ubs G 0825 II. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/friedrich-john-nach-matthus-loder-sisyphus-ubs-g-0825-ii-image345064291.htmlRM2B1B10K–Friedrich John nach Matthäus Loder Sisyphus ubs G 0825 II.
Friedrich John nach Matthäus Loder Sisyphus ubs G 0825 II Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-friedrich-john-nach-matthus-loder-sisyphus-ubs-g-0825-ii-147548502.htmlRMJG1BHA–Friedrich John nach Matthäus Loder Sisyphus ubs G 0825 II
Karl Matthäus Rott Dauthage II Litho. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/karl-matthus-rott-dauthage-ii-litho-image384184730.htmlRM2D913F6–Karl Matthäus Rott Dauthage II Litho.
VESPRI SICILIANI , engraving by Matthaus Merian The Older , from Johann Ludwig Gottfried ' Historische Chronica ' ( Frankfurt am Main , 1630 ) - CARLO II d' Angiò - incisione - stampa - SYCILIAN VESPERS - sycilians - SICILIA - massacro - carneficina - massacre - carnage - slaughter - battaglia - battle - spada - spade - sword - swords - delitto - delitti - omicidio - omicide - omicidi - omicides - STORICHE ---- Archivio GBB Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vespri-siciliani-engraving-by-matthaus-merian-the-older-from-johann-ludwig-gottfried-historische-chronica-frankfurt-am-main-1630-carlo-ii-d-angi-incisione-stampa-sycilian-vespers-sycilians-sicilia-massacro-carneficina-massacre-carnage-slaughter-battaglia-battle-spada-spade-sword-swords-delitto-delitti-omicidio-omicide-omicidi-omicides-storiche-archivio-gbb-image384378640.htmlRM2D99XTG–VESPRI SICILIANI , engraving by Matthaus Merian The Older , from Johann Ludwig Gottfried ' Historische Chronica ' ( Frankfurt am Main , 1630 ) - CARLO II d' Angiò - incisione - stampa - SYCILIAN VESPERS - sycilians - SICILIA - massacro - carneficina - massacre - carnage - slaughter - battaglia - battle - spada - spade - sword - swords - delitto - delitti - omicidio - omicide - omicidi - omicides - STORICHE ---- Archivio GBB
Matthäus Merian (II) - Landgraf Friedrich von Hessen-Eschwege (Jagdschloss Grunewald). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/matthus-merian-ii-landgraf-friedrich-von-hessen-eschwege-jagdschloss-grunewald-image398777610.htmlRM2E4NTWE–Matthäus Merian (II) - Landgraf Friedrich von Hessen-Eschwege (Jagdschloss Grunewald).
Fuggerkontor, office of Jacob Fugger with his main-accountant Matthäus Schwarz Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fuggerkontor-office-of-jacob-fugger-with-his-main-accountant-matthus-schwarz-image611393532.htmlRM2XEKAK8–Fuggerkontor, office of Jacob Fugger with his main-accountant Matthäus Schwarz
Matthäus Greuter Balkondetail aus einem römischen Palazzo c1600 ubs G 0878 II. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/matthus-greuter-balkondetail-aus-einem-rmischen-palazzo-c1600-ubs-g-0878-ii-image398833431.htmlRM2E4TC33–Matthäus Greuter Balkondetail aus einem römischen Palazzo c1600 ubs G 0878 II.
On Henry II Duke of Lorraine in church Friedrich Brentel, dit Brentel le père (1580-1651) et Matthaüs Merian (le vieux) (1593-1650). Marche d'Henri II duc de Lorraine à l'église. Eau-forte. 1611. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/on-henry-ii-duke-of-lorraine-in-church-friedrich-brentel-dit-brentel-le-pre-1580-1651-et-matthas-merian-le-vieux-1593-1650-marche-dhenri-ii-duc-de-lorraine-lglise-eau-forte-1611-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349527650.htmlRM2B8JA2A–On Henry II Duke of Lorraine in church Friedrich Brentel, dit Brentel le père (1580-1651) et Matthaüs Merian (le vieux) (1593-1650). Marche d'Henri II duc de Lorraine à l'église. Eau-forte. 1611. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Portrait of Kurt Christoph von Königsmarck, print maker: Matthäus Merian (II), 1631 - 1687, paper, engraving, height 269 mm, width 186 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-kurt-christoph-von-knigsmarck-print-maker-matthus-merian-ii-1631-1687-paper-engraving-height-269-mm-width-186-mm-print-image599517774.htmlRM2WRAB12–Portrait of Kurt Christoph von Königsmarck, print maker: Matthäus Merian (II), 1631 - 1687, paper, engraving, height 269 mm, width 186 mm, print
Niemcy, Drezno, 1969-10. PóŸnobarokowy pa³ac Zwinger, wzniesiony w latach 1711-1720 przez Matthausa Daniela Poppelmanna i Balthasara Permosena z polecenia Augusta II Mocnego, króla Polski i elektora Bawarii. Nz. tablica upamiêtniaj¹ca rozminowywanie terenu pa³acu po wkroczeniu Armii Czerwonej. mb PAP/Stanis³aw D¹browiecki Dok³adny dzieñ wydarzenia nieustalony. Germany, Drezden, Oct. 1969. Late Baroque Zwinger Palace built between 1711 and 1720 by Matthaus Daniel Poppelmann and Balthasar Permosen at the order of Augustus II called the Strong, King of Poland and elector of Saxony. Pictu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/niemcy-drezno-1969-10-pnobarokowy-paac-zwinger-wzniesiony-w-latach-1711-1720-przez-matthausa-daniela-poppelmanna-i-balthasara-permosena-z-polecenia-augusta-ii-mocnego-krla-polski-i-elektora-bawarii-nz-tablica-upamitniajca-rozminowywanie-terenu-paacu-po-wkroczeniu-armii-czerwonej-mb-papstanisaw-dbrowiecki-dokadny-dzie-wydarzenia-nieustalony-germany-drezden-oct-1969-late-baroque-zwinger-palace-built-between-1711-and-1720-by-matthaus-daniel-poppelmann-and-balthasar-permosen-at-the-order-of-augustus-ii-called-the-strong-king-of-poland-and-elector-of-saxony-pictu-image453871041.htmlRM2HABH41–Niemcy, Drezno, 1969-10. PóŸnobarokowy pa³ac Zwinger, wzniesiony w latach 1711-1720 przez Matthausa Daniela Poppelmanna i Balthasara Permosena z polecenia Augusta II Mocnego, króla Polski i elektora Bawarii. Nz. tablica upamiêtniaj¹ca rozminowywanie terenu pa³acu po wkroczeniu Armii Czerwonej. mb PAP/Stanis³aw D¹browiecki Dok³adny dzieñ wydarzenia nieustalony. Germany, Drezden, Oct. 1969. Late Baroque Zwinger Palace built between 1711 and 1720 by Matthaus Daniel Poppelmann and Balthasar Permosen at the order of Augustus II called the Strong, King of Poland and elector of Saxony. Pictu
Liliana Matthäus (M) ist am Freitag (26.11.2010) bei 'The Dome 56' im ISS Dome in Düsseldorf zu Gast. Die Show wird am 4. Dezember 2010 ab 17.00 Uhr bei RTL II zu sehen sein. Foto: Rolf Vennenbernd dpa/lnw Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-liliana-matthus-m-ist-am-freitag-26112010-bei-the-dome-56-im-iss-dome-54650230.htmlRMD4WEWX–Liliana Matthäus (M) ist am Freitag (26.11.2010) bei 'The Dome 56' im ISS Dome in Düsseldorf zu Gast. Die Show wird am 4. Dezember 2010 ab 17.00 Uhr bei RTL II zu sehen sein. Foto: Rolf Vennenbernd dpa/lnw
Matthäus Merian der Ältere (Engraver) Rider portrait Gustav II. Adolf. etching 1608-1650 , 1608/1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/matthus-merian-der-ltere-engraver-rider-portrait-gustav-ii-adolf-etching-1608-1650-16081650-image572863752.htmlRM2T805FM–Matthäus Merian der Ältere (Engraver) Rider portrait Gustav II. Adolf. etching 1608-1650 , 1608/1650
Europa, Spanien , Segovia, Österreich, Isabella Clara Eugenia , Erzherzogin von Österreich, Kupferstich um 1650 bei Matthäus Merian , aus dem Theatrum Europaeum . / Europe, Austria, Isabella Clara Eugenia , Archduchess of Austria, copperplate engraving around 1650 by Matthäus Merian , from the Theatrum Europaeum . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/europa-spanien-segovia-sterreich-isabella-clara-eugenia-erzherzogin-von-sterreich-kupferstich-um-1650-bei-matthus-merian-aus-dem-theatrum-europaeum-europe-austria-isabella-clara-eugenia-archduchess-of-austria-copperplate-engraving-around-1650-by-matthus-merian-from-the-theatrum-europaeum-image570506990.htmlRM2T44RDJ–Europa, Spanien , Segovia, Österreich, Isabella Clara Eugenia , Erzherzogin von Österreich, Kupferstich um 1650 bei Matthäus Merian , aus dem Theatrum Europaeum . / Europe, Austria, Isabella Clara Eugenia , Archduchess of Austria, copperplate engraving around 1650 by Matthäus Merian , from the Theatrum Europaeum .
Portrait of the King Gustav II Adolf of Sweden (1594-1632), 1631-1632. Creator: Merian, Matthäus, the Elder (1593-1650). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-the-king-gustav-ii-adolf-of-sweden-1594-1632-1631-1632-creator-merian-matthus-the-elder-1593-1650-image248913204.htmlRMTCXY98–Portrait of the King Gustav II Adolf of Sweden (1594-1632), 1631-1632. Creator: Merian, Matthäus, the Elder (1593-1650).
City Key Handover by the Munich mayor to King Gustav II Adolf of Sweden, 1632. Museum: PRIVATE COLLECTION. Author: Merian, Matthäus, the Elder. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/city-key-handover-by-the-munich-mayor-to-king-gustav-ii-adolf-of-sweden-1632-museum-private-collection-author-merian-matthus-the-elder-image227237204.htmlRMR5KFAC–City Key Handover by the Munich mayor to King Gustav II Adolf of Sweden, 1632. Museum: PRIVATE COLLECTION. Author: Merian, Matthäus, the Elder.
Das Leben und die Werke der Brüder Matthäus und Paul Brill . a. Florenz, Offizien: WALDLICHTUNG, dat. 1624 b. Amsterdam, Reichsmuseum, Prentekabinett: RUINEN DES PALATIN, bez. Roma 1624 c. London, brit. Museum: TIVOLI, nach 1620 ,-. r. **s ::>^ii^^.iÄil^S^ uiiAafaA;iaui:^iri^^. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/das-leben-und-die-werke-der-brder-matthus-und-paul-brill-a-florenz-offizien-waldlichtung-dat-1624-b-amsterdam-reichsmuseum-prentekabinett-ruinen-des-palatin-bez-roma-1624-c-london-brit-museum-tivoli-nach-1620-r-s-gtiiiils-uiiaafaaiauiiri-image338166957.htmlRM2AJ4RB9–Das Leben und die Werke der Brüder Matthäus und Paul Brill . a. Florenz, Offizien: WALDLICHTUNG, dat. 1624 b. Amsterdam, Reichsmuseum, Prentekabinett: RUINEN DES PALATIN, bez. Roma 1624 c. London, brit. Museum: TIVOLI, nach 1620 ,-. r. **s ::>^ii^^.iÄil^S^ uiiAafaA;iaui:^iri^^.
Ferdinand II (1578-1637) was the son of Charles II, Archduke of Austria, and grandson of Emperor Ferdinand I. Ferdinand was part of a Catholic faction opposed to his cousin, Emperor Matthias, who was more tolerant to Protestantism. He became King of Bohemia in 1617, King of Hungary in 1618, and became Holy Roman Emperor in 1619 after his cousin's death. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ferdinand-ii-1578-1637-was-the-son-of-charles-ii-archduke-of-austria-and-grandson-of-emperor-ferdinand-i-ferdinand-was-part-of-a-catholic-faction-opposed-to-his-cousin-emperor-matthias-who-was-more-tolerant-to-protestantism-he-became-king-of-bohemia-in-1617-king-of-hungary-in-1618-and-became-holy-roman-emperor-in-1619-after-his-cousins-death-image344282316.htmlRM2B03BH0–Ferdinand II (1578-1637) was the son of Charles II, Archduke of Austria, and grandson of Emperor Ferdinand I. Ferdinand was part of a Catholic faction opposed to his cousin, Emperor Matthias, who was more tolerant to Protestantism. He became King of Bohemia in 1617, King of Hungary in 1618, and became Holy Roman Emperor in 1619 after his cousin's death.
N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Oper 'Fedra incoronata' von J. C. Kerll, aufgeführt zum 'Churfürstlich Bayerischen Frewden-Fest' 1662 in München; Bühnenbild von Francesco Santurini Prolog, II. Bild, Der Himmel mit Göttern . 1662. Melchior Küssel, Matthäus Küssel 138 Arolsen Klebeband 15 119 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-grafik-aus-dem-klebeband-nr-15-der-frstlich-waldeckschen-hofbibliothek-arolsen-oper-fedra-incoronata-von-j-c-kerll-aufgefhrt-zum-churfrstlich-bayerischen-frewden-fest-1662-in-mnchen-bhnenbild-von-francesco-santurini-prolog-ii-bild-der-himmel-mit-gttern-1662-melchior-kssel-matthus-kssel-138-arolsen-klebeband-15-119-image210066816.htmlRMP5NAA8–N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Oper 'Fedra incoronata' von J. C. Kerll, aufgeführt zum 'Churfürstlich Bayerischen Frewden-Fest' 1662 in München; Bühnenbild von Francesco Santurini Prolog, II. Bild, Der Himmel mit Göttern . 1662. Melchior Küssel, Matthäus Küssel 138 Arolsen Klebeband 15 119
Art inspired by Benedikt Hopfer., Bartholomäus Kilian II, engraver (printmaker), 1685, Germany, engraving, Bartholomäus Kilian (1630–1696), was a German engraver and member of the Kilian family of engravers. He was born in Augsburg as the son of Wolfgang Kilian and besides being a pupil, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-benedikt-hopfer-bartholomus-kilian-ii-engraver-printmaker-1685-germany-engraving-bartholomus-kilian-16301696-was-a-german-engraver-and-member-of-the-kilian-family-of-engravers-he-was-born-in-augsburg-as-the-son-of-wolfgang-kilian-and-besides-being-a-pupil-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459673987.htmlRF2HKRXT3–Art inspired by Benedikt Hopfer., Bartholomäus Kilian II, engraver (printmaker), 1685, Germany, engraving, Bartholomäus Kilian (1630–1696), was a German engraver and member of the Kilian family of engravers. He was born in Augsburg as the son of Wolfgang Kilian and besides being a pupil, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Matthäus Greuter Balkondetail aus einem römischen Palazzo c1600 ubs G 0878 II Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-matthus-greuter-balkondetail-aus-einem-rmischen-palazzo-c1600-ubs-147717868.htmlRMJG93J4–Matthäus Greuter Balkondetail aus einem römischen Palazzo c1600 ubs G 0878 II
Mark the Evangelist, Matthew the Apostle, Seeon Evangeliary or Evangeliary of Henry II, 973 – 1024, Holy Roman Emperor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mark-the-evangelist-matthew-the-apostle-seeon-evangeliary-or-evangeliary-of-henry-ii-973-1024-holy-roman-emperor-image559238221.htmlRM2RDRE1H–Mark the Evangelist, Matthew the Apostle, Seeon Evangeliary or Evangeliary of Henry II, 973 – 1024, Holy Roman Emperor
On Henry II Duke of Lorraine in church Friedrich Brentel, dit Brentel le père (1580-1651) et Matthaüs Merian (le vieux) (1593-1650). Marche d'Henri II duc de Lorraine à l'église. Eau-forte. 1611. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/on-henry-ii-duke-of-lorraine-in-church-friedrich-brentel-dit-brentel-le-pre-1580-1651-et-matthas-merian-le-vieux-1593-1650-marche-dhenri-ii-duc-de-lorraine-lglise-eau-forte-1611-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349527677.htmlRM2B8JA39–On Henry II Duke of Lorraine in church Friedrich Brentel, dit Brentel le père (1580-1651) et Matthaüs Merian (le vieux) (1593-1650). Marche d'Henri II duc de Lorraine à l'église. Eau-forte. 1611. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Portrait of Josias Duke of Waldeck, print maker: Matthäus Merian (II), 1631 - 1669, paper, engraving, height 266 mm × width 190 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-josias-duke-of-waldeck-print-maker-matthus-merian-ii-1631-1669-paper-engraving-height-266-mm-width-190-mm-print-image599517780.htmlRM2WRAB18–Portrait of Josias Duke of Waldeck, print maker: Matthäus Merian (II), 1631 - 1669, paper, engraving, height 266 mm × width 190 mm, print
Niemcy, Drezno, 1969-10. PóŸnobarokowy pa³ac Zwinger, wznisiony w latach 1711 - 1720, przez Matthausa Daniela Poppelmanna i Balthasara Permosena, z polecenia Augusta II Mocnego, króla Polski i elektora Saksonii. Nz. dziedziniec pa³acu, po prawej Wallpavillon. mb PAP/Stanis³aw D¹browiecki Dok³adny dzieñ wydarzenia nieustalony. Germany, Dresden, Oct. 1969. Late Baroque Zwinger Palace built in 1711-1720 by Matthaus Daniel Poppelmann and Balthasar Permosen for August II the Strong, the king of Poland and elector of Saxony. Pictured: the Palace's yard, left Wallpavillon. mb PAP/Stanis Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/niemcy-drezno-1969-10-pnobarokowy-paac-zwinger-wznisiony-w-latach-1711-1720-przez-matthausa-daniela-poppelmanna-i-balthasara-permosena-z-polecenia-augusta-ii-mocnego-krla-polski-i-elektora-saksonii-nz-dziedziniec-paacu-po-prawej-wallpavillon-mb-papstanisaw-dbrowiecki-dokadny-dzie-wydarzenia-nieustalony-germany-dresden-oct-1969-late-baroque-zwinger-palace-built-in-1711-1720-by-matthaus-daniel-poppelmann-and-balthasar-permosen-for-august-ii-the-strong-the-king-of-poland-and-elector-of-saxony-pictured-the-palaces-yard-left-wallpavillon-mb-papstanis-image453869815.htmlRM2HABFG7–Niemcy, Drezno, 1969-10. PóŸnobarokowy pa³ac Zwinger, wznisiony w latach 1711 - 1720, przez Matthausa Daniela Poppelmanna i Balthasara Permosena, z polecenia Augusta II Mocnego, króla Polski i elektora Saksonii. Nz. dziedziniec pa³acu, po prawej Wallpavillon. mb PAP/Stanis³aw D¹browiecki Dok³adny dzieñ wydarzenia nieustalony. Germany, Dresden, Oct. 1969. Late Baroque Zwinger Palace built in 1711-1720 by Matthaus Daniel Poppelmann and Balthasar Permosen for August II the Strong, the king of Poland and elector of Saxony. Pictured: the Palace's yard, left Wallpavillon. mb PAP/Stanis
PortraT van Zacharias Stenglin, Matthäus Merian (II), 1631 - 1687 print paper etching historical persons. armorial bearing, heraldry Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrat-van-zacharias-stenglin-matthus-merian-ii-1631-1687-print-paper-etching-historical-persons-armorial-bearing-heraldry-image593680942.htmlRM2WDTE2P–PortraT van Zacharias Stenglin, Matthäus Merian (II), 1631 - 1687 print paper etching historical persons. armorial bearing, heraldry
City Key Handover by the Munich mayor to King Gustav II Adolf of Sweden, 1632, 1632-1636. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/city-key-handover-by-the-munich-mayor-to-king-gustav-ii-adolf-of-sweden-1632-1632-1636-image228940488.htmlRMR8D3X0–City Key Handover by the Munich mayor to King Gustav II Adolf of Sweden, 1632, 1632-1636.
Teapot. Matthäus Baur II; German, active 1681-1728. Date: 1695-1705. Dimensions: H. 14.5 cm (5 11/16 in.). Silver-gilt, cast, embossed, and chased and enamels on copper. Origin: Augsburg. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/teapot-matthus-baur-ii-german-active-1681-1728-date-1695-1705-dimensions-h-145-cm-5-1116-in-silver-gilt-cast-embossed-and-chased-and-enamels-on-copper-origin-augsburg-museum-the-chicago-art-institute-image239910619.htmlRMRX8TCB–Teapot. Matthäus Baur II; German, active 1681-1728. Date: 1695-1705. Dimensions: H. 14.5 cm (5 11/16 in.). Silver-gilt, cast, embossed, and chased and enamels on copper. Origin: Augsburg. Museum: The Chicago Art Institute.
Beaker early 18th century Matthäus Baur II. Beaker. German, Augsburg. early 18th century. Silver, parcel-gilt. Metalwork-Silver Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beaker-early-18th-century-matthus-baur-ii-beaker-german-augsburg-early-18th-century-silver-parcel-gilt-metalwork-silver-image458446797.htmlRM2HHT1FW–Beaker early 18th century Matthäus Baur II. Beaker. German, Augsburg. early 18th century. Silver, parcel-gilt. Metalwork-Silver
Saint Elizabeth of Hungary, c. 1515. Saint Elizabeth was born in 1207, the daughter of Andreas II, King of Hungary; her crown alludes to her royal birth. Many legends about her generosity and work on behalf of the poor were circulated in the Middle Ages, among them the subject of this sculpture: food she was carrying to the poor was miraculously changed to roses to avoid discovery by her husband. Much of the original paint and gilding is preserved on this sculpture except the face, which had been stripped and repainted in heavy oils prior to its acquisition by the museum. This modern paint has Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saint-elizabeth-of-hungary-c-1515-saint-elizabeth-was-born-in-1207-the-daughter-of-andreas-ii-king-of-hungary-her-crown-alludes-to-her-royal-birth-many-legends-about-her-generosity-and-work-on-behalf-of-the-poor-were-circulated-in-the-middle-ages-among-them-the-subject-of-this-sculpture-food-she-was-carrying-to-the-poor-was-miraculously-changed-to-roses-to-avoid-discovery-by-her-husband-much-of-the-original-paint-and-gilding-is-preserved-on-this-sculpture-except-the-face-which-had-been-stripped-and-repainted-in-heavy-oils-prior-to-its-acquisition-by-the-museum-this-modern-paint-has-image330116305.htmlRM2A522M1–Saint Elizabeth of Hungary, c. 1515. Saint Elizabeth was born in 1207, the daughter of Andreas II, King of Hungary; her crown alludes to her royal birth. Many legends about her generosity and work on behalf of the poor were circulated in the Middle Ages, among them the subject of this sculpture: food she was carrying to the poor was miraculously changed to roses to avoid discovery by her husband. Much of the original paint and gilding is preserved on this sculpture except the face, which had been stripped and repainted in heavy oils prior to its acquisition by the museum. This modern paint has
N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Oper 'Fedra incoronata' von J. C. Kerll, aufgeführt zum 'Churfürstlich Bayerischen Frewden-Fest' 1662 in München; Bühnenbild von Francesco Santurini II. Akt, V. Bild, Palast im Himmel . 1662. Melchior Küssel, Matthäus Küssel 138 Arolsen Klebeband 15 103 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-grafik-aus-dem-klebeband-nr-15-der-frstlich-waldeckschen-hofbibliothek-arolsen-oper-fedra-incoronata-von-j-c-kerll-aufgefhrt-zum-churfrstlich-bayerischen-frewden-fest-1662-in-mnchen-bhnenbild-von-francesco-santurini-ii-akt-v-bild-palast-im-himmel-1662-melchior-kssel-matthus-kssel-138-arolsen-klebeband-15-103-image210066796.htmlRMP5NA9G–N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Oper 'Fedra incoronata' von J. C. Kerll, aufgeführt zum 'Churfürstlich Bayerischen Frewden-Fest' 1662 in München; Bühnenbild von Francesco Santurini II. Akt, V. Bild, Palast im Himmel . 1662. Melchior Küssel, Matthäus Küssel 138 Arolsen Klebeband 15 103
Portrait van Matthäus Schmoll, Jakob von Sandrart, After Georg Christoph Emmart (II), 1655 print paper engraving historical persons. theologian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-van-matthus-schmoll-jakob-von-sandrart-after-georg-christoph-emmart-ii-1655-print-paper-engraving-historical-persons-theologian-image592842474.htmlRM2WCE8HE–Portrait van Matthäus Schmoll, Jakob von Sandrart, After Georg Christoph Emmart (II), 1655 print paper engraving historical persons. theologian
Das Leben und die Werke der Brüder Matthäus und Paul Brill . a. Florenz, Offizien: WALDLICHTUNG, dat. 1624 b. Amsterdam, Reichsmuseum, Prentekabinett: RUINEN DES PALATIN, bez. Roma 1624 c. London, brit. Museum: TIVOLI, nach 1620 ,-. r. **s ::>^ii^^.iÄil^S^ uiiAafaA;iaui:^iri^^ Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/das-leben-und-die-werke-der-brder-matthus-und-paul-brill-a-florenz-offizien-waldlichtung-dat-1624-b-amsterdam-reichsmuseum-prentekabinett-ruinen-des-palatin-bez-roma-1624-c-london-brit-museum-tivoli-nach-1620-r-s-gtiiiils-uiiaafaaiauiiri-image338167222.htmlRM2AJ4RMP–Das Leben und die Werke der Brüder Matthäus und Paul Brill . a. Florenz, Offizien: WALDLICHTUNG, dat. 1624 b. Amsterdam, Reichsmuseum, Prentekabinett: RUINEN DES PALATIN, bez. Roma 1624 c. London, brit. Museum: TIVOLI, nach 1620 ,-. r. **s ::>^ii^^.iÄil^S^ uiiAafaA;iaui:^iri^^
View of Frascati and surroundings Greuter, Matthäus 1564 - 1638 Engraving, Print The New Hollstein German engravings, etchings and woodcuts 1400-1700, The Greuter Family, part I-IV, Jörg Diefenbacher, 246, C 61916:1-4, 2008. Hollstein's German engravings, etchings and woodcuts 1400-1700 (vol. XII), Conrad Grale to Johann Georg Guttwein, Tilman Falk, 67 II, 50559, 1983 View of Frascati and surroundings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-frascati-and-surroundings-greuter-matthus-1564-1638-engraving-print-the-new-hollstein-german-engravings-etchings-and-woodcuts-1400-1700-the-greuter-family-part-i-iv-jrg-diefenbacher-246-c-619161-4-2008-hollsteins-german-engravings-etchings-and-woodcuts-1400-1700-vol-xii-conrad-grale-to-johann-georg-guttwein-tilman-falk-67-ii-50559-1983-view-of-frascati-and-surroundings-image613560228.htmlRM2XJ6298–View of Frascati and surroundings Greuter, Matthäus 1564 - 1638 Engraving, Print The New Hollstein German engravings, etchings and woodcuts 1400-1700, The Greuter Family, part I-IV, Jörg Diefenbacher, 246, C 61916:1-4, 2008. Hollstein's German engravings, etchings and woodcuts 1400-1700 (vol. XII), Conrad Grale to Johann Georg Guttwein, Tilman Falk, 67 II, 50559, 1983 View of Frascati and surroundings
On Henry II Duke of Lorraine in church Friedrich Brentel, dit Brentel le père (1580-1651) et Matthaüs Merian (le vieux) (1593-1650). Marche d'Henri II duc de Lorraine à l'église. Eau-forte. 1611. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/on-henry-ii-duke-of-lorraine-in-church-friedrich-brentel-dit-brentel-le-pre-1580-1651-et-matthas-merian-le-vieux-1593-1650-marche-dhenri-ii-duc-de-lorraine-lglise-eau-forte-1611-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349527682.htmlRM2B8JA3E–On Henry II Duke of Lorraine in church Friedrich Brentel, dit Brentel le père (1580-1651) et Matthaüs Merian (le vieux) (1593-1650). Marche d'Henri II duc de Lorraine à l'église. Eau-forte. 1611. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Portrait of Johann Philipp von Schönborn, print maker: Matthäus Merian (II), 1631 - 1681, paper, engraving, height 289 mm × width 192 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-johann-philipp-von-schnborn-print-maker-matthus-merian-ii-1631-1681-paper-engraving-height-289-mm-width-192-mm-print-image599517762.htmlRM2WRAB0J–Portrait of Johann Philipp von Schönborn, print maker: Matthäus Merian (II), 1631 - 1681, paper, engraving, height 289 mm × width 192 mm, print
Niemcy, Drezno, 1969-10. PóŸnobarokowy pa³ac Zwinger, wznisiony w latach 1711-1720, przez Matthausa Daniela Poppelmanna i Balthasara Permosena, z polecenia Augusta II Mocnego, króla Polski i elektora Saksonii. Nz. Brama Królewska (Kronentor). mb PAP/Stanis³aw D¹browiecki Dok³adny dzieñ wydarzenia nieustalony. Germany, Dresden, Oct. 1969. Late Baroque Zwinger Palace built in 1711-1720 by Matthaus Daniel Poppelmann and Balthasar Permosen for King of Poland and Elector of Saxony Augustus II the Strong. Pictured: Royal Entrance (Kronentor). mb PAP/Stanislaw Dabrowiecki Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/niemcy-drezno-1969-10-pnobarokowy-paac-zwinger-wznisiony-w-latach-1711-1720-przez-matthausa-daniela-poppelmanna-i-balthasara-permosena-z-polecenia-augusta-ii-mocnego-krla-polski-i-elektora-saksonii-nz-brama-krlewska-kronentor-mb-papstanisaw-dbrowiecki-dokadny-dzie-wydarzenia-nieustalony-germany-dresden-oct-1969-late-baroque-zwinger-palace-built-in-1711-1720-by-matthaus-daniel-poppelmann-and-balthasar-permosen-for-king-of-poland-and-elector-of-saxony-augustus-ii-the-strong-pictured-royal-entrance-kronentor-mb-papstanislaw-dabrowiecki-image453869835.htmlRM2HABFGY–Niemcy, Drezno, 1969-10. PóŸnobarokowy pa³ac Zwinger, wznisiony w latach 1711-1720, przez Matthausa Daniela Poppelmanna i Balthasara Permosena, z polecenia Augusta II Mocnego, króla Polski i elektora Saksonii. Nz. Brama Królewska (Kronentor). mb PAP/Stanis³aw D¹browiecki Dok³adny dzieñ wydarzenia nieustalony. Germany, Dresden, Oct. 1969. Late Baroque Zwinger Palace built in 1711-1720 by Matthaus Daniel Poppelmann and Balthasar Permosen for King of Poland and Elector of Saxony Augustus II the Strong. Pictured: Royal Entrance (Kronentor). mb PAP/Stanislaw Dabrowiecki
Portrait of Johann Baptist Rentz, print maker: Andreas Matthäus Wolfgang, after painting by: Isaac Fisches (II), Germany, 1703, paper, engraving, height 300 mm × width 195 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-johann-baptist-rentz-print-maker-andreas-matthus-wolfgang-after-painting-by-isaac-fisches-ii-germany-1703-paper-engraving-height-300-mm-width-195-mm-print-image599456471.htmlRM2WR7GRK–Portrait of Johann Baptist Rentz, print maker: Andreas Matthäus Wolfgang, after painting by: Isaac Fisches (II), Germany, 1703, paper, engraving, height 300 mm × width 195 mm, print
Tea Bowl and Saucer. Matthäus Baur II; German, active 1681-1728. Date: 1695-1705. Dimensions: Tea bowl: H. 5.4 cm (2 1/8 in.); saucer: diam. 14.5 cm (5 11/16 in.). Silver-gilt, cast, embossed, and chased and enamels on copper. Origin: Augsburg. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tea-bowl-and-saucer-matthus-baur-ii-german-active-1681-1728-date-1695-1705-dimensions-tea-bowl-h-54-cm-2-18-in-saucer-diam-145-cm-5-1116-in-silver-gilt-cast-embossed-and-chased-and-enamels-on-copper-origin-augsburg-museum-the-chicago-art-institute-image239933373.htmlRMRX9WD1–Tea Bowl and Saucer. Matthäus Baur II; German, active 1681-1728. Date: 1695-1705. Dimensions: Tea bowl: H. 5.4 cm (2 1/8 in.); saucer: diam. 14.5 cm (5 11/16 in.). Silver-gilt, cast, embossed, and chased and enamels on copper. Origin: Augsburg. Museum: The Chicago Art Institute.
Gustav II Adolf, 1594-1632, King of Sweden, c19th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gustav-ii-adolf-1594-1632-king-of-sweden-c19th-century-image565259593.htmlRM2RRHPAH–Gustav II Adolf, 1594-1632, King of Sweden, c19th century.
N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Oper 'Fedra incoronata' von J. C. Kerll, aufgeführt zum 'Churfürstlich Bayerischen Frewden-Fest' 1662 in München; Bühnenbild von Francesco Santurini II. Akt, III. Bild, Insel der Sirenen . 1662. Melchior Küssel, Matthäus Küssel 138 Arolsen Klebeband 15 099 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-grafik-aus-dem-klebeband-nr-15-der-frstlich-waldeckschen-hofbibliothek-arolsen-oper-fedra-incoronata-von-j-c-kerll-aufgefhrt-zum-churfrstlich-bayerischen-frewden-fest-1662-in-mnchen-bhnenbild-von-francesco-santurini-ii-akt-iii-bild-insel-der-sirenen-1662-melchior-kssel-matthus-kssel-138-arolsen-klebeband-15-099-image210066786.htmlRMP5NA96–N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Oper 'Fedra incoronata' von J. C. Kerll, aufgeführt zum 'Churfürstlich Bayerischen Frewden-Fest' 1662 in München; Bühnenbild von Francesco Santurini II. Akt, III. Bild, Insel der Sirenen . 1662. Melchior Küssel, Matthäus Küssel 138 Arolsen Klebeband 15 099
Portrait van Johann Philipp von Schönborn, Matthäus Merian (II), 1631 - 1681 print paper engraving historical persons. armorial bearing, heraldry Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-van-johann-philipp-von-schnborn-matthus-merian-ii-1631-1681-print-paper-engraving-historical-persons-armorial-bearing-heraldry-image593809415.htmlRM2WE29Y3–Portrait van Johann Philipp von Schönborn, Matthäus Merian (II), 1631 - 1681 print paper engraving historical persons. armorial bearing, heraldry
View of Frascati and surroundings Greuter, Matthäus 1564 - 1638 Engraving, Print The New Hollstein German engravings, etchings and woodcuts 1400-1700, The Greuter Family, part I-IV, Jörg Diefenbacher, 246, C 61916:1-4, 2008. Hollstein's German engravings, etchings and woodcuts 1400-1700 (vol. XII), Conrad Grale to Johann Georg Guttwein, Tilman Falk, 67 II, 50559, 1983 View of Frascati and surroundings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-frascati-and-surroundings-greuter-matthus-1564-1638-engraving-print-the-new-hollstein-german-engravings-etchings-and-woodcuts-1400-1700-the-greuter-family-part-i-iv-jrg-diefenbacher-246-c-619161-4-2008-hollsteins-german-engravings-etchings-and-woodcuts-1400-1700-vol-xii-conrad-grale-to-johann-georg-guttwein-tilman-falk-67-ii-50559-1983-view-of-frascati-and-surroundings-image613551390.htmlRM2XJ5K1J–View of Frascati and surroundings Greuter, Matthäus 1564 - 1638 Engraving, Print The New Hollstein German engravings, etchings and woodcuts 1400-1700, The Greuter Family, part I-IV, Jörg Diefenbacher, 246, C 61916:1-4, 2008. Hollstein's German engravings, etchings and woodcuts 1400-1700 (vol. XII), Conrad Grale to Johann Georg Guttwein, Tilman Falk, 67 II, 50559, 1983 View of Frascati and surroundings
On Henry II Duke of Lorraine in church Friedrich Brentel, dit Brentel le père (1580-1651) et Matthaüs Merian (le vieux) (1593-1650). Marche d'Henri II duc de Lorraine à l'église. Eau-forte. 1611. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/on-henry-ii-duke-of-lorraine-in-church-friedrich-brentel-dit-brentel-le-pre-1580-1651-et-matthas-merian-le-vieux-1593-1650-marche-dhenri-ii-duc-de-lorraine-lglise-eau-forte-1611-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349527680.htmlRM2B8JA3C–On Henry II Duke of Lorraine in church Friedrich Brentel, dit Brentel le père (1580-1651) et Matthaüs Merian (le vieux) (1593-1650). Marche d'Henri II duc de Lorraine à l'église. Eau-forte. 1611. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Niemcy, Drezno, 1969-10. PóŸnobarokowy pa³ac Zwinger, wznisiony w latach 1711-1720, przez Matthausa Daniela Poppelmanna i Balthasara Permosena, z polecenia Augusta II Mocnego, króla Polski i elektora Saksonii. Nz. Brama Królewska (Kronentor). mb PAP/Stanis³aw D¹browiecki Dok³adny dzieñ wydarzenia nieustalony. Germany, Dresden, Oct. 1969. Late Baroque Zwinger Palace built in 1711-1720 by Matthaus Daniel Poppelmann and Balthasar Permosen for King of Poland and Elector of Saxony Augustus II the Strong. Pictured: Royal Entrance (Kronentor). mb PAP/Stanislaw Dabrowiecki Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/niemcy-drezno-1969-10-pnobarokowy-paac-zwinger-wznisiony-w-latach-1711-1720-przez-matthausa-daniela-poppelmanna-i-balthasara-permosena-z-polecenia-augusta-ii-mocnego-krla-polski-i-elektora-saksonii-nz-brama-krlewska-kronentor-mb-papstanisaw-dbrowiecki-dokadny-dzie-wydarzenia-nieustalony-germany-dresden-oct-1969-late-baroque-zwinger-palace-built-in-1711-1720-by-matthaus-daniel-poppelmann-and-balthasar-permosen-for-king-of-poland-and-elector-of-saxony-augustus-ii-the-strong-pictured-royal-entrance-kronentor-mb-papstanislaw-dabrowiecki-image453869833.htmlRM2HABFGW–Niemcy, Drezno, 1969-10. PóŸnobarokowy pa³ac Zwinger, wznisiony w latach 1711-1720, przez Matthausa Daniela Poppelmanna i Balthasara Permosena, z polecenia Augusta II Mocnego, króla Polski i elektora Saksonii. Nz. Brama Królewska (Kronentor). mb PAP/Stanis³aw D¹browiecki Dok³adny dzieñ wydarzenia nieustalony. Germany, Dresden, Oct. 1969. Late Baroque Zwinger Palace built in 1711-1720 by Matthaus Daniel Poppelmann and Balthasar Permosen for King of Poland and Elector of Saxony Augustus II the Strong. Pictured: Royal Entrance (Kronentor). mb PAP/Stanislaw Dabrowiecki
Portrait of Johann Ehinger II, print maker: Andreas Matthäus Wolfgang, after painting by: Johann Christoph Beischlag, Gabriel Spitzel, Augsburg, 1696, paper, engraving, height 298 mm × width 198 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-johann-ehinger-ii-print-maker-andreas-matthus-wolfgang-after-painting-by-johann-christoph-beischlag-gabriel-spitzel-augsburg-1696-paper-engraving-height-298-mm-width-198-mm-print-image599456479.htmlRM2WR7GRY–Portrait of Johann Ehinger II, print maker: Andreas Matthäus Wolfgang, after painting by: Johann Christoph Beischlag, Gabriel Spitzel, Augsburg, 1696, paper, engraving, height 298 mm × width 198 mm, print
Tea Bowl and Saucer. Matthäus Baur II; German, active 1681-1728. Date: 1695-1705. Dimensions: Tea bowl: H. 5.4 cm (2 1/8 in.); saucer: diam. 14.5 cm (5 11/16 in.). Silver-gilt, cast, embossed, and chased and enamels on copper. Origin: Augsburg. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tea-bowl-and-saucer-matthus-baur-ii-german-active-1681-1728-date-1695-1705-dimensions-tea-bowl-h-54-cm-2-18-in-saucer-diam-145-cm-5-1116-in-silver-gilt-cast-embossed-and-chased-and-enamels-on-copper-origin-augsburg-museum-the-chicago-art-institute-image239977934.htmlRMRXBX8E–Tea Bowl and Saucer. Matthäus Baur II; German, active 1681-1728. Date: 1695-1705. Dimensions: Tea bowl: H. 5.4 cm (2 1/8 in.); saucer: diam. 14.5 cm (5 11/16 in.). Silver-gilt, cast, embossed, and chased and enamels on copper. Origin: Augsburg. Museum: The Chicago Art Institute.
Portrait of Don Emanuel Desvalls, n.d. Spanish soldier. 'Don Emanuele dell'illustre Famiglia Desvalls nato in Barcellona l'anno 1674 incominciò a militare come Capitano l'anno 1694, regnando Carlo II in Espagna: fu promosso al grado di Colonello da Carlo III l'anno 1707, e fatto Comandante di Cardona d'Ivizza: quindi l'anno 1734, dichiarato in Vienna General Maggiore dall'Imperatorre Carlo VI, fu mandato Comandante in Gaeta. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-don-emanuel-desvalls-nd-spanish-soldier-don-emanuele-dellillustre-famiglia-desvalls-nato-in-barcellona-lanno-1674-incomincixf2-a-militare-come-capitano-lanno-1694-regnando-carlo-ii-in-espagna-fu-promosso-al-grado-di-colonello-da-carlo-iii-lanno-1707-e-fatto-comandante-di-cardona-divizza-quindi-lanno-1734-dichiarato-in-vienna-general-maggiore-dallimperatorre-carlo-vi-fu-mandato-comandante-in-gaeta-image491537886.htmlRM2KFKDGE–Portrait of Don Emanuel Desvalls, n.d. Spanish soldier. 'Don Emanuele dell'illustre Famiglia Desvalls nato in Barcellona l'anno 1674 incominciò a militare come Capitano l'anno 1694, regnando Carlo II in Espagna: fu promosso al grado di Colonello da Carlo III l'anno 1707, e fatto Comandante di Cardona d'Ivizza: quindi l'anno 1734, dichiarato in Vienna General Maggiore dall'Imperatorre Carlo VI, fu mandato Comandante in Gaeta.
Battle near Liegnitz (Wahlstatt) on 9th April 1241 (The Mongols under Orda defeat the Polish-German knights' army under Duke Henry II. of Silesia).-'Great defeat of the Christians, which they suffered from the Tatars'.-Copper engraving b.Matthäus Merian t.Eld. From: J.L.Gottfried, Historische Chronica, 1630, p.583; later coloured. 206 Bitwa pod Legnicą Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/battle-near-liegnitz-wahlstatt-on-9th-april-1241-the-mongols-under-orda-defeat-the-polish-german-knights-army-under-duke-henry-ii-of-silesia-great-defeat-of-the-christians-which-they-suffered-from-the-tatars-copper-engraving-bmatthus-merian-teld-from-jlgottfried-historische-chronica-1630-p583-later-coloured-206-bitwa-pod-legnic-image210081274.htmlRMP5P0PJ–Battle near Liegnitz (Wahlstatt) on 9th April 1241 (The Mongols under Orda defeat the Polish-German knights' army under Duke Henry II. of Silesia).-'Great defeat of the Christians, which they suffered from the Tatars'.-Copper engraving b.Matthäus Merian t.Eld. From: J.L.Gottfried, Historische Chronica, 1630, p.583; later coloured. 206 Bitwa pod Legnicą
Portrait van Keizer Rudolf II, Matthäus Merian (I) (Possibly), 1603 - 1650 print paper engraving / etching historical persons. garland, wreath Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-van-keizer-rudolf-ii-matthus-merian-i-possibly-1603-1650-print-paper-engraving-etching-historical-persons-garland-wreath-image592754018.htmlRM2WCA7PA–Portrait van Keizer Rudolf II, Matthäus Merian (I) (Possibly), 1603 - 1650 print paper engraving / etching historical persons. garland, wreath
Contrafacter of Frankfurt am Main with passage of the Swedes under Gustav Adolf on 17th November 163 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/contrafacter-of-frankfurt-am-main-with-passage-of-the-swedes-under-gustav-adolf-on-17th-november-163-image228940494.htmlRMR8D3X6–Contrafacter of Frankfurt am Main with passage of the Swedes under Gustav Adolf on 17th November 163
View of Frascati and surroundings Greuter, Matthäus 1564 - 1638 Engraving, Print The New Hollstein German engravings, etchings and woodcuts 1400-1700, The Greuter Family, part I-IV, Jörg Diefenbacher, 246, plate I, C 61916:1-4, 2008. Hollstein's German engravings, etchings and woodcuts 1400-1700 (vol. XII), Conrad Grale to Johann Georg Guttwein, Tilman Falk, 67 II, 50559, 1983 View of Frascati and surroundings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-frascati-and-surroundings-greuter-matthus-1564-1638-engraving-print-the-new-hollstein-german-engravings-etchings-and-woodcuts-1400-1700-the-greuter-family-part-i-iv-jrg-diefenbacher-246-plate-i-c-619161-4-2008-hollsteins-german-engravings-etchings-and-woodcuts-1400-1700-vol-xii-conrad-grale-to-johann-georg-guttwein-tilman-falk-67-ii-50559-1983-view-of-frascati-and-surroundings-image613544718.htmlRM2XJ5AFA–View of Frascati and surroundings Greuter, Matthäus 1564 - 1638 Engraving, Print The New Hollstein German engravings, etchings and woodcuts 1400-1700, The Greuter Family, part I-IV, Jörg Diefenbacher, 246, plate I, C 61916:1-4, 2008. Hollstein's German engravings, etchings and woodcuts 1400-1700 (vol. XII), Conrad Grale to Johann Georg Guttwein, Tilman Falk, 67 II, 50559, 1983 View of Frascati and surroundings
Entering the city of Nancy Henry II, Duke of Lorraine, 20 April 1610 Friedrich Brentel, dit Brentel le père (1580-1651) et Matthaüs Merian (le vieux) (1593-1650). Entrée dans la ville de Nancy d'Henri II, duc de Lorraine, le 20 avril 1610. Eau-forte. 1611. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/entering-the-city-of-nancy-henry-ii-duke-of-lorraine-20-april-1610-friedrich-brentel-dit-brentel-le-pre-1580-1651-et-matthas-merian-le-vieux-1593-1650-entre-dans-la-ville-de-nancy-dhenri-ii-duc-de-lorraine-le-20-avril-1610-eau-forte-1611-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349527558.htmlRM2B8J9Y2–Entering the city of Nancy Henry II, Duke of Lorraine, 20 April 1610 Friedrich Brentel, dit Brentel le père (1580-1651) et Matthaüs Merian (le vieux) (1593-1650). Entrée dans la ville de Nancy d'Henri II, duc de Lorraine, le 20 avril 1610. Eau-forte. 1611. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Niemcy, Drezno, 1969-10. PóŸnobarokowy pa³ac Zwinger, wzniesiony w latach 1711-1720 przez Matthausa Daniela Poeppelmanna i Balthasara Permosena, z polecenia Augusta II Mocnego, króla Polski i elektora Bawarii. Nz. detal dekoracji fasady pa³acu. mb PAP/Stanis³aw D¹browiecki Dok³adny dzieñ wydarzenia nieustalony. Germany, Dresden, 1969-10. Late Baroque Zwinger Palace, built between 1711 and 1720 by Matthaus Daniel Poeppelmann and Balthasar Permosen, on the recommendation of Augustus II the Strong (Mocny), King of Poland and Elector of Bavaria. Pictured: elements of the decoration of the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/niemcy-drezno-1969-10-pnobarokowy-paac-zwinger-wzniesiony-w-latach-1711-1720-przez-matthausa-daniela-poeppelmanna-i-balthasara-permosena-z-polecenia-augusta-ii-mocnego-krla-polski-i-elektora-bawarii-nz-detal-dekoracji-fasady-paacu-mb-papstanisaw-dbrowiecki-dokadny-dzie-wydarzenia-nieustalony-germany-dresden-1969-10-late-baroque-zwinger-palace-built-between-1711-and-1720-by-matthaus-daniel-poeppelmann-and-balthasar-permosen-on-the-recommendation-of-augustus-ii-the-strong-mocny-king-of-poland-and-elector-of-bavaria-pictured-elements-of-the-decoration-of-the-image453869899.htmlRM2HABFK7–Niemcy, Drezno, 1969-10. PóŸnobarokowy pa³ac Zwinger, wzniesiony w latach 1711-1720 przez Matthausa Daniela Poeppelmanna i Balthasara Permosena, z polecenia Augusta II Mocnego, króla Polski i elektora Bawarii. Nz. detal dekoracji fasady pa³acu. mb PAP/Stanis³aw D¹browiecki Dok³adny dzieñ wydarzenia nieustalony. Germany, Dresden, 1969-10. Late Baroque Zwinger Palace, built between 1711 and 1720 by Matthaus Daniel Poeppelmann and Balthasar Permosen, on the recommendation of Augustus II the Strong (Mocny), King of Poland and Elector of Bavaria. Pictured: elements of the decoration of the
Portrait of Balthasar III Schnurbein von Meitingen, print maker: Andreas Matthäus Wolfgang, after painting by: Isaac Fisches (II), Augsburg, 1702, paper, engraving, height 454 mm × width 337 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-balthasar-iii-schnurbein-von-meitingen-print-maker-andreas-matthus-wolfgang-after-painting-by-isaac-fisches-ii-augsburg-1702-paper-engraving-height-454-mm-width-337-mm-print-image599465208.htmlRM2WR7YYM–Portrait of Balthasar III Schnurbein von Meitingen, print maker: Andreas Matthäus Wolfgang, after painting by: Isaac Fisches (II), Augsburg, 1702, paper, engraving, height 454 mm × width 337 mm, print
Wedding table in Florence on the occasion of the marriage of Cosimo II de' Medici to Archduchess Maria Magdalena, 1608, Matthäus Greuter, Strasbourg 1564 - 1638 Rome, print, copperplate engraving, sheet: 20.5 x 26.8 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wedding-table-in-florence-on-the-occasion-of-the-marriage-of-cosimo-ii-de-medici-to-archduchess-maria-magdalena-1608-matthus-greuter-strasbourg-1564-1638-rome-print-copperplate-engraving-sheet-205-x-268-cm-image573295775.htmlRM2T8KTH3–Wedding table in Florence on the occasion of the marriage of Cosimo II de' Medici to Archduchess Maria Magdalena, 1608, Matthäus Greuter, Strasbourg 1564 - 1638 Rome, print, copperplate engraving, sheet: 20.5 x 26.8 cm
Portrait of Christoph von Rad, print maker: Andreas Matthäus Wolfgang, after own design by: Andreas Matthäus Wolfgang, after painting by: Isaac Fisches (II), Augsburg, 1687 - 1737, paper, engraving, height 430 mm × width 313 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-christoph-von-rad-print-maker-andreas-matthus-wolfgang-after-own-design-by-andreas-matthus-wolfgang-after-painting-by-isaac-fisches-ii-augsburg-1687-1737-paper-engraving-height-430-mm-width-313-mm-print-image599454431.htmlRM2WR7E6R–Portrait of Christoph von Rad, print maker: Andreas Matthäus Wolfgang, after own design by: Andreas Matthäus Wolfgang, after painting by: Isaac Fisches (II), Augsburg, 1687 - 1737, paper, engraving, height 430 mm × width 313 mm, print
Matthaus Gundelach, German painter and draughtsman, 1566-1653. Court painter to Holy Roman Emperor Rudolf II in Prague Castle. Matthaeus Gundelach Hasso-Cassellan. Copperplate engraving by Georg Andreas Wolfgang after an illustration by Joachim von Sandrart from his LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/matthaus-gundelach-german-painter-and-draughtsman-1566-1653-court-painter-to-holy-roman-emperor-rudolf-ii-in-prague-castle-matthaeus-gundelach-hasso-cassellan-copperplate-engraving-by-georg-andreas-wolfgang-after-an-illustration-by-joachim-von-sandrart-from-his-lacademia-todesca-della-architectura-scultura-pittura-oder-teutsche-academie-der-edlen-bau-bild-und-mahlerey-kunste-german-academy-of-architecture-sculpture-and-painting-jacob-von-sandrart-nuremberg-1675-image571917523.htmlRM2T6D2HR–Matthaus Gundelach, German painter and draughtsman, 1566-1653. Court painter to Holy Roman Emperor Rudolf II in Prague Castle. Matthaeus Gundelach Hasso-Cassellan. Copperplate engraving by Georg Andreas Wolfgang after an illustration by Joachim von Sandrart from his LAcademia Todesca, della Architectura, Scultura & Pittura, oder Teutsche Academie, der Edlen Bau- Bild- und Mahlerey-Kunste, German Academy of Architecture, Sculpture and Painting, Jacob von Sandrart, Nuremberg, 1675.
N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Oper 'Fedra incoronata' von J. C. Kerll, aufgeführt zum 'Churfürstlich Bayerischen Frewden-Fest' 1662 in München; Bühnenbild von Francesco Santurini II. Akt, II. Bild, Durchgang mit Bildern im königlichen Palast . 1662. Melchior Küssel, Matthäus Küssel 138 Arolsen Klebeband 15 097 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-grafik-aus-dem-klebeband-nr-15-der-frstlich-waldeckschen-hofbibliothek-arolsen-oper-fedra-incoronata-von-j-c-kerll-aufgefhrt-zum-churfrstlich-bayerischen-frewden-fest-1662-in-mnchen-bhnenbild-von-francesco-santurini-ii-akt-ii-bild-durchgang-mit-bildern-im-kniglichen-palast-1662-melchior-kssel-matthus-kssel-138-arolsen-klebeband-15-097-image210066789.htmlRMP5NA99–N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Oper 'Fedra incoronata' von J. C. Kerll, aufgeführt zum 'Churfürstlich Bayerischen Frewden-Fest' 1662 in München; Bühnenbild von Francesco Santurini II. Akt, II. Bild, Durchgang mit Bildern im königlichen Palast . 1662. Melchior Küssel, Matthäus Küssel 138 Arolsen Klebeband 15 097
PortraT van Georg Thomas Gutthädzer, Matthäus Merian (II), 1664 - 1687 print paper engraving historical persons. portrait, self-portrait of artist Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrat-van-georg-thomas-gutthdzer-matthus-merian-ii-1664-1687-print-paper-engraving-historical-persons-portrait-self-portrait-of-artist-image592793555.htmlRM2WCC26B–PortraT van Georg Thomas Gutthädzer, Matthäus Merian (II), 1664 - 1687 print paper engraving historical persons. portrait, self-portrait of artist
Meeting near Rain by the River Lech on 5 April 1632. Gustaphus Adolphus forces to cross the Lech, 16 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/meeting-near-rain-by-the-river-lech-on-5-april-1632-gustaphus-adolphus-forces-to-cross-the-lech-16-image228940465.htmlRMR8D3W5–Meeting near Rain by the River Lech on 5 April 1632. Gustaphus Adolphus forces to cross the Lech, 16
S. Maria in Cosmedien and the Vestate Temple in Rome Ubekendt KKS , Nieulandt d.Y., Willem van 1582 - 1635 Drawing Das Leben und die Werk der Brüder Matthäus und Paul Brill, Anton Mayer, p. 40, 2609, 1910. Les marques de collections de dessins & d'estampes: marques estampillées et écrites de collections particulières et publiques, Frits Lugt, Nr. 1763, 7027, 1921-1956. Paul Bril: the drawings, Louisa Wood Ruby, p. 124 ( Jvf. arkkatalog: 'Possibly Wm. Van Nieulandt II'), k1999-243, 1999. Drawn to warmth: 17th-century Dutch artists in Italy, Peter Schatborn, p. 40 og 203. nr. 10, k2002-030, 2001 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/s-maria-in-cosmedien-and-the-vestate-temple-in-rome-ubekendt-kks-nieulandt-dy-willem-van-1582-1635-drawing-das-leben-und-die-werk-der-brder-matthus-und-paul-brill-anton-mayer-p-40-2609-1910-les-marques-de-collections-de-dessins-destampes-marques-estampilles-et-crites-de-collections-particulires-et-publiques-frits-lugt-nr-1763-7027-1921-1956-paul-bril-the-drawings-louisa-wood-ruby-p-124-jvf-arkkatalog-possibly-wm-van-nieulandt-ii-k1999-243-1999-drawn-to-warmth-17th-century-dutch-artists-in-italy-peter-schatborn-p-40-og-203-nr-10-k2002-030-2001-image613435473.htmlRM2XJ0B5N–S. Maria in Cosmedien and the Vestate Temple in Rome Ubekendt KKS , Nieulandt d.Y., Willem van 1582 - 1635 Drawing Das Leben und die Werk der Brüder Matthäus und Paul Brill, Anton Mayer, p. 40, 2609, 1910. Les marques de collections de dessins & d'estampes: marques estampillées et écrites de collections particulières et publiques, Frits Lugt, Nr. 1763, 7027, 1921-1956. Paul Bril: the drawings, Louisa Wood Ruby, p. 124 ( Jvf. arkkatalog: 'Possibly Wm. Van Nieulandt II'), k1999-243, 1999. Drawn to warmth: 17th-century Dutch artists in Italy, Peter Schatborn, p. 40 og 203. nr. 10, k2002-030, 2001
Teapot, Augsburg, c. 1700. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/teapot-augsburg-c-1700-image451394723.htmlRM2H6APG3–Teapot, Augsburg, c. 1700.
Entering the city of Nancy Henry II, Duke of Lorraine, 20 April 1610 Friedrich Brentel, dit Brentel le père (1580-1651) et Matthaüs Merian (le vieux) (1593-1650). Entrée dans la ville de Nancy d'Henri II, duc de Lorraine, le 20 avril 1610. Eau-forte. 1611. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/entering-the-city-of-nancy-henry-ii-duke-of-lorraine-20-april-1610-friedrich-brentel-dit-brentel-le-pre-1580-1651-et-matthas-merian-le-vieux-1593-1650-entre-dans-la-ville-de-nancy-dhenri-ii-duc-de-lorraine-le-20-avril-1610-eau-forte-1611-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349527663.htmlRM2B8JA2R–Entering the city of Nancy Henry II, Duke of Lorraine, 20 April 1610 Friedrich Brentel, dit Brentel le père (1580-1651) et Matthaüs Merian (le vieux) (1593-1650). Entrée dans la ville de Nancy d'Henri II, duc de Lorraine, le 20 avril 1610. Eau-forte. 1611. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Niemcy, Drezno, 1969-10. PóŸnobarokowy pa³ac Zwinger, wzniesiony w latach 1711-1720 przez Matthausa Daniela Poeppelmanna i Balthasara Permosena, z polecenia Augusta II Mocnego, króla Polski i elektora Bawarii. Nz. detal dekoracji fasady pa³acu. mb PAP/Stanis³aw D¹browiecki Dok³adny dzieñ wydarzenia nieustalony. Germany, Dresden, 1969-10. Late Baroque Zwinger Palace, built between 1711 and 1720 by Matthaus Daniel Poeppelmann and Balthasar Permosen, on the recommendation of Augustus II the Strong (Mocny), King of Poland and Elector of Bavaria. Pictured: elements of the decoration of the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/niemcy-drezno-1969-10-pnobarokowy-paac-zwinger-wzniesiony-w-latach-1711-1720-przez-matthausa-daniela-poeppelmanna-i-balthasara-permosena-z-polecenia-augusta-ii-mocnego-krla-polski-i-elektora-bawarii-nz-detal-dekoracji-fasady-paacu-mb-papstanisaw-dbrowiecki-dokadny-dzie-wydarzenia-nieustalony-germany-dresden-1969-10-late-baroque-zwinger-palace-built-between-1711-and-1720-by-matthaus-daniel-poeppelmann-and-balthasar-permosen-on-the-recommendation-of-augustus-ii-the-strong-mocny-king-of-poland-and-elector-of-bavaria-pictured-elements-of-the-decoration-of-the-image453869929.htmlRM2HABFM9–Niemcy, Drezno, 1969-10. PóŸnobarokowy pa³ac Zwinger, wzniesiony w latach 1711-1720 przez Matthausa Daniela Poeppelmanna i Balthasara Permosena, z polecenia Augusta II Mocnego, króla Polski i elektora Bawarii. Nz. detal dekoracji fasady pa³acu. mb PAP/Stanis³aw D¹browiecki Dok³adny dzieñ wydarzenia nieustalony. Germany, Dresden, 1969-10. Late Baroque Zwinger Palace, built between 1711 and 1720 by Matthaus Daniel Poeppelmann and Balthasar Permosen, on the recommendation of Augustus II the Strong (Mocny), King of Poland and Elector of Bavaria. Pictured: elements of the decoration of the
Portrait of Ferdinand Talientschger, print maker: Johann Carl von Thill, after drawing by: Matthäus Merian (II), Georg Philipp Harsdörfer, print maker: Germany, after drawing by: Rome, 1644, paper, etching, height 260 mm × width 170 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-ferdinand-talientschger-print-maker-johann-carl-von-thill-after-drawing-by-matthus-merian-ii-georg-philipp-harsdrfer-print-maker-germany-after-drawing-by-rome-1644-paper-etching-height-260-mm-width-170-mm-print-image599454421.htmlRM2WR7E6D–Portrait of Ferdinand Talientschger, print maker: Johann Carl von Thill, after drawing by: Matthäus Merian (II), Georg Philipp Harsdörfer, print maker: Germany, after drawing by: Rome, 1644, paper, etching, height 260 mm × width 170 mm, print
Contrafacter of Frankfurt am Main with passage of the Swedes under Gustav Adolf on 17th November 1631. Museum: PRIVATE COLLECTION. Author: Merian, Matthäus, the Elder. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/contrafacter-of-frankfurt-am-main-with-passage-of-the-swedes-under-gustav-adolf-on-17th-november-1631-museum-private-collection-author-merian-matthus-the-elder-image227203414.htmlRMR5J07J–Contrafacter of Frankfurt am Main with passage of the Swedes under Gustav Adolf on 17th November 1631. Museum: PRIVATE COLLECTION. Author: Merian, Matthäus, the Elder.
Portrait of Johann Ehinger II, print, print maker: Andreas Matthäus Wolfgang, (mentioned on object), after painting by: Johann Christoph Beischlag, (mentioned on object), Gabriel Spitzel, (mentioned on object), Augsburg, 1696, paper, engraving, height, 298 mm × width, 198 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-johann-ehinger-ii-print-print-maker-andreas-matthus-wolfgang-mentioned-on-object-after-painting-by-johann-christoph-beischlag-mentioned-on-object-gabriel-spitzel-mentioned-on-object-augsburg-1696-paper-engraving-height-298-mm-width-198-mm-image606639178.htmlRM2X6XPCX–Portrait of Johann Ehinger II, print, print maker: Andreas Matthäus Wolfgang, (mentioned on object), after painting by: Johann Christoph Beischlag, (mentioned on object), Gabriel Spitzel, (mentioned on object), Augsburg, 1696, paper, engraving, height, 298 mm × width, 198 mm
N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Oper 'Fedra incoronata' von J. C. Kerll, aufgeführt zum 'Churfürstlich Bayerischen Frewden-Fest' 1662 in München; Bühnenbild von Francesco Santurini II. Akt, VI. Bild, In der Rotunde des königlichen Palasts . 1662. Melchior Küssel, Matthäus Küssel 138 Arolsen Klebeband 15 121 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-grafik-aus-dem-klebeband-nr-15-der-frstlich-waldeckschen-hofbibliothek-arolsen-oper-fedra-incoronata-von-j-c-kerll-aufgefhrt-zum-churfrstlich-bayerischen-frewden-fest-1662-in-mnchen-bhnenbild-von-francesco-santurini-ii-akt-vi-bild-in-der-rotunde-des-kniglichen-palasts-1662-melchior-kssel-matthus-kssel-138-arolsen-klebeband-15-121-image210066824.htmlRMP5NAAG–N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Oper 'Fedra incoronata' von J. C. Kerll, aufgeführt zum 'Churfürstlich Bayerischen Frewden-Fest' 1662 in München; Bühnenbild von Francesco Santurini II. Akt, VI. Bild, In der Rotunde des königlichen Palasts . 1662. Melchior Küssel, Matthäus Küssel 138 Arolsen Klebeband 15 121
Portrait van Johann Baptist Rentz, Andreas Matthäus Wolfgang, After Isaac Fischen (II), 1703 print Germany paper engraving historical persons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-van-johann-baptist-rentz-andreas-matthus-wolfgang-after-isaac-fischen-ii-1703-print-germany-paper-engraving-historical-persons-image592878237.htmlRM2WCFX6N–Portrait van Johann Baptist Rentz, Andreas Matthäus Wolfgang, After Isaac Fischen (II), 1703 print Germany paper engraving historical persons
Tea Bowl and Saucer, Augsburg, c. 1700. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tea-bowl-and-saucer-augsburg-c-1700-image451394719.htmlRM2H6APFY–Tea Bowl and Saucer, Augsburg, c. 1700.
Entering the city of Nancy Henry II, Duke of Lorraine, 20 April 1610 Friedrich Brentel, dit Brentel le père (1580-1651) et Matthaüs Merian (le vieux) (1593-1650). Entrée dans la ville de Nancy d'Henri II, duc de Lorraine, le 20 avril 1610. Eau-forte. 1611. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/entering-the-city-of-nancy-henry-ii-duke-of-lorraine-20-april-1610-friedrich-brentel-dit-brentel-le-pre-1580-1651-et-matthas-merian-le-vieux-1593-1650-entre-dans-la-ville-de-nancy-dhenri-ii-duc-de-lorraine-le-20-avril-1610-eau-forte-1611-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349527671.htmlRM2B8JA33–Entering the city of Nancy Henry II, Duke of Lorraine, 20 April 1610 Friedrich Brentel, dit Brentel le père (1580-1651) et Matthaüs Merian (le vieux) (1593-1650). Entrée dans la ville de Nancy d'Henri II, duc de Lorraine, le 20 avril 1610. Eau-forte. 1611. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Niemcy, Drezno, 1969-10. PóŸnobarokowy pa³ac Zwinger, wzniesiony w latach 1711-1720 przez Matthausa Daniela Poppelmanna i Balthasara Permosena z polecenia Augusta II Mocnego, króla Polski i elektora Bawarii. Nz. rosyjski napis z 1945 r. informuj¹cy o rozminowaniu terenu muzeum. mb PAP/Stanis³aw D¹browiecki Dok³adny dzieñ wydarzenia nieustalony. Germany, Drezden, Oct. 1969. Late Baroque Zwinger Palace built between 1711 and 1720 by Matthaus Daniel Poppelmann and Balthasar Permosen at the order of Augustus II called the Strong, King of Poland and elector of Saxony. Pictured: a Soviet in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/niemcy-drezno-1969-10-pnobarokowy-paac-zwinger-wzniesiony-w-latach-1711-1720-przez-matthausa-daniela-poppelmanna-i-balthasara-permosena-z-polecenia-augusta-ii-mocnego-krla-polski-i-elektora-bawarii-nz-rosyjski-napis-z-1945-r-informujcy-o-rozminowaniu-terenu-muzeum-mb-papstanisaw-dbrowiecki-dokadny-dzie-wydarzenia-nieustalony-germany-drezden-oct-1969-late-baroque-zwinger-palace-built-between-1711-and-1720-by-matthaus-daniel-poppelmann-and-balthasar-permosen-at-the-order-of-augustus-ii-called-the-strong-king-of-poland-and-elector-of-saxony-pictured-a-soviet-in-image453871102.htmlRM2HABH66–Niemcy, Drezno, 1969-10. PóŸnobarokowy pa³ac Zwinger, wzniesiony w latach 1711-1720 przez Matthausa Daniela Poppelmanna i Balthasara Permosena z polecenia Augusta II Mocnego, króla Polski i elektora Bawarii. Nz. rosyjski napis z 1945 r. informuj¹cy o rozminowaniu terenu muzeum. mb PAP/Stanis³aw D¹browiecki Dok³adny dzieñ wydarzenia nieustalony. Germany, Drezden, Oct. 1969. Late Baroque Zwinger Palace built between 1711 and 1720 by Matthaus Daniel Poppelmann and Balthasar Permosen at the order of Augustus II called the Strong, King of Poland and elector of Saxony. Pictured: a Soviet in
Meeting near Rain by the River Lech on 5 April 1632. Gustaphus Adolphus forces to cross the Lech. Museum: PRIVATE COLLECTION. Author: Merian, Matthäus, the Elder. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/meeting-near-rain-by-the-river-lech-on-5-april-1632-gustaphus-adolphus-forces-to-cross-the-lech-museum-private-collection-author-merian-matthus-the-elder-image227204025.htmlRMR5J11D–Meeting near Rain by the River Lech on 5 April 1632. Gustaphus Adolphus forces to cross the Lech. Museum: PRIVATE COLLECTION. Author: Merian, Matthäus, the Elder.
Portrait of Matthäus Friedrich Degmair, numbered at the top right of the text: XIII., print maker: Gabriel Bodenehr (II), publisher: Gabriel Bodenehr (II), Augsburg, 1718 - 1781, paper, height 230 mm × width 200 mm × height 47 mm × width 200 mm, print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-matthus-friedrich-degmair-numbered-at-the-top-right-of-the-text-xiii-print-maker-gabriel-bodenehr-ii-publisher-gabriel-bodenehr-ii-augsburg-1718-1781-paper-height-230-mm-width-200-mm-height-47-mm-width-200-mm-print-image599519521.htmlRM2WRAD7D–Portrait of Matthäus Friedrich Degmair, numbered at the top right of the text: XIII., print maker: Gabriel Bodenehr (II), publisher: Gabriel Bodenehr (II), Augsburg, 1718 - 1781, paper, height 230 mm × width 200 mm × height 47 mm × width 200 mm, print
N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Oper 'Fedra incoronata' von J. C. Kerll, aufgeführt zum 'Churfürstlich Bayerischen Frewden-Fest' 1662 in München; Bühnenbild von Francesco Santurini I. Akt, II. Bild, Ariadne in römischer Kleidung vor ihrem Zelt . 1662. Melchior Küssel, Matthäus Küssel 138 Arolsen Klebeband 15 125 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-grafik-aus-dem-klebeband-nr-15-der-frstlich-waldeckschen-hofbibliothek-arolsen-oper-fedra-incoronata-von-j-c-kerll-aufgefhrt-zum-churfrstlich-bayerischen-frewden-fest-1662-in-mnchen-bhnenbild-von-francesco-santurini-i-akt-ii-bild-ariadne-in-rmischer-kleidung-vor-ihrem-zelt-1662-melchior-kssel-matthus-kssel-138-arolsen-klebeband-15-125-image210066817.htmlRMP5NAA9–N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Oper 'Fedra incoronata' von J. C. Kerll, aufgeführt zum 'Churfürstlich Bayerischen Frewden-Fest' 1662 in München; Bühnenbild von Francesco Santurini I. Akt, II. Bild, Ariadne in römischer Kleidung vor ihrem Zelt . 1662. Melchior Küssel, Matthäus Küssel 138 Arolsen Klebeband 15 125
Portrait van Matthäus Schmoll, Jakob von Sandrart, After Georg Christoph Emmart (II), 1655 print paper engraving theologian. historical persons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-van-matthus-schmoll-jakob-von-sandrart-after-georg-christoph-emmart-ii-1655-print-paper-engraving-theologian-historical-persons-image593746818.htmlRM2WDYE3E–Portrait van Matthäus Schmoll, Jakob von Sandrart, After Georg Christoph Emmart (II), 1655 print paper engraving theologian. historical persons
Tea Bowl and Saucer, Augsburg, c. 1700. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tea-bowl-and-saucer-augsburg-c-1700-image451394749.htmlRM2H6APH1–Tea Bowl and Saucer, Augsburg, c. 1700.
Entering the city of Nancy Henry II, Duke of Lorraine, 20 April 1610 Friedrich Brentel, dit Brentel le père (1580-1651) et Matthaüs Merian (le vieux) (1593-1650). Entrée dans la ville de Nancy d'Henri II, duc de Lorraine, le 20 avril 1610. Eau-forte. 1611. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/entering-the-city-of-nancy-henry-ii-duke-of-lorraine-20-april-1610-friedrich-brentel-dit-brentel-le-pre-1580-1651-et-matthas-merian-le-vieux-1593-1650-entre-dans-la-ville-de-nancy-dhenri-ii-duc-de-lorraine-le-20-avril-1610-eau-forte-1611-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349527598.htmlRM2B8JA0E–Entering the city of Nancy Henry II, Duke of Lorraine, 20 April 1610 Friedrich Brentel, dit Brentel le père (1580-1651) et Matthaüs Merian (le vieux) (1593-1650). Entrée dans la ville de Nancy d'Henri II, duc de Lorraine, le 20 avril 1610. Eau-forte. 1611. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Niemcy, Drezno, 1969-10. PóŸnobarokowy pa³ac Zwinger, wznisiony w latach 1711 - 1720, przez Matthausa Daniela Poppelmanna i Balthasara Permosena, z polecenia Augusta II Mocnego, króla Polski i elektora Saksonii. Nz. dziedziniec pa³acu, po lewej Brama Królewska (Kronentor), za ni¹ po lewej gmach teatru Schauspielhaus. mb PAP/Stanis³aw D¹browiecki Dok³adny dzieñ wydarzenia nieustalony. Germany, Dresden, Oct. 1969. Late Baroque Zwinger Palace built in 1711-1720 by Matthaus Daniel Poppelmann and Balthasar Permosen for August II the Strong, the king of Poland and elector of Saxony. Pictur Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/niemcy-drezno-1969-10-pnobarokowy-paac-zwinger-wznisiony-w-latach-1711-1720-przez-matthausa-daniela-poppelmanna-i-balthasara-permosena-z-polecenia-augusta-ii-mocnego-krla-polski-i-elektora-saksonii-nz-dziedziniec-paacu-po-lewej-brama-krlewska-kronentor-za-ni-po-lewej-gmach-teatru-schauspielhaus-mb-papstanisaw-dbrowiecki-dokadny-dzie-wydarzenia-nieustalony-germany-dresden-oct-1969-late-baroque-zwinger-palace-built-in-1711-1720-by-matthaus-daniel-poppelmann-and-balthasar-permosen-for-august-ii-the-strong-the-king-of-poland-and-elector-of-saxony-pictur-image453869798.htmlRM2HABFFJ–Niemcy, Drezno, 1969-10. PóŸnobarokowy pa³ac Zwinger, wznisiony w latach 1711 - 1720, przez Matthausa Daniela Poppelmanna i Balthasara Permosena, z polecenia Augusta II Mocnego, króla Polski i elektora Saksonii. Nz. dziedziniec pa³acu, po lewej Brama Królewska (Kronentor), za ni¹ po lewej gmach teatru Schauspielhaus. mb PAP/Stanis³aw D¹browiecki Dok³adny dzieñ wydarzenia nieustalony. Germany, Dresden, Oct. 1969. Late Baroque Zwinger Palace built in 1711-1720 by Matthaus Daniel Poppelmann and Balthasar Permosen for August II the Strong, the king of Poland and elector of Saxony. Pictur
Portrait of Ferdinand Talientschger, print, print maker: Johann Carl von Thill, (mentioned on object), after drawing by: Matthäus Merian (II), (mentioned on object), Georg Philipp Harsdörfer, (mentioned on object), print maker: Germany, after drawing by: Rome, 1644, paper, etching, height, 260 mm × width, 170 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-ferdinand-talientschger-print-print-maker-johann-carl-von-thill-mentioned-on-object-after-drawing-by-matthus-merian-ii-mentioned-on-object-georg-philipp-harsdrfer-mentioned-on-object-print-maker-germany-after-drawing-by-rome-1644-paper-etching-height-260-mm-width-170-mm-image606638399.htmlRM2X6XND3–Portrait of Ferdinand Talientschger, print, print maker: Johann Carl von Thill, (mentioned on object), after drawing by: Matthäus Merian (II), (mentioned on object), Georg Philipp Harsdörfer, (mentioned on object), print maker: Germany, after drawing by: Rome, 1644, paper, etching, height, 260 mm × width, 170 mm
N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Feuerwerksdrama Medea vendicativa von Pietro Baolo Bissari mit Musik von Johann Kaspar Kerll, aufgeführt zum 'Churfürstlich Bayerischen Frewden-Fest' auf einer schwimmenden Bühne unter freiem Himmel an einem Nebenarm der Isar; Bühnenbild von Francesco Santurini II. Bild . 1662. Caspar Amort, Melchior Küssel, Matthäus Küssel 138 Arolsen Klebeband 15 115 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-grafik-aus-dem-klebeband-nr-15-der-frstlich-waldeckschen-hofbibliothek-arolsen-feuerwerksdrama-medea-vendicativa-von-pietro-baolo-bissari-mit-musik-von-johann-kaspar-kerll-aufgefhrt-zum-churfrstlich-bayerischen-frewden-fest-auf-einer-schwimmenden-bhne-unter-freiem-himmel-an-einem-nebenarm-der-isar-bhnenbild-von-francesco-santurini-ii-bild-1662-caspar-amort-melchior-kssel-matthus-kssel-138-arolsen-klebeband-15-115-image210066811.htmlRMP5NAA3–N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Feuerwerksdrama Medea vendicativa von Pietro Baolo Bissari mit Musik von Johann Kaspar Kerll, aufgeführt zum 'Churfürstlich Bayerischen Frewden-Fest' auf einer schwimmenden Bühne unter freiem Himmel an einem Nebenarm der Isar; Bühnenbild von Francesco Santurini II. Bild . 1662. Caspar Amort, Melchior Küssel, Matthäus Küssel 138 Arolsen Klebeband 15 115
PortraT van Johann Ehinger II, Andreas Matthäus Wolfgang, after Johann Christoph Beichlag, 1696 print Augsburg paper engraving historical persons Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrat-van-johann-ehinger-ii-andreas-matthus-wolfgang-after-johann-christoph-beichlag-1696-print-augsburg-paper-engraving-historical-persons-image592877446.htmlRM2WCFW6E–PortraT van Johann Ehinger II, Andreas Matthäus Wolfgang, after Johann Christoph Beichlag, 1696 print Augsburg paper engraving historical persons
OLYMPUS DIGITAL CAMERA 759 Karl Matthäus Rott Dauthage II Litho Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/olympus-digital-camera-759-karl-matthus-rott-dauthage-ii-litho-image185864823.htmlRMMPATDB–OLYMPUS DIGITAL CAMERA 759 Karl Matthäus Rott Dauthage II Litho
885 Matthäus Merian (II) - Landgraf Friedrich von Hessen-Eschwege (Jagdschloss Grunewald) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/885-matthus-merian-ii-landgraf-friedrich-von-hessen-eschwege-jagdschloss-grunewald-image185769324.htmlRMMP6EJM–885 Matthäus Merian (II) - Landgraf Friedrich von Hessen-Eschwege (Jagdschloss Grunewald)
Portrait of Christian Guillaume Ernest Dietricy, 1765. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-christian-guillaume-ernest-dietricy-1765-image575147699.htmlRM2TBM6N7–Portrait of Christian Guillaume Ernest Dietricy, 1765.
. Deutsch: Juliusbanner der Stadt Rapperswil (1512) Eidgenössische Soldkrieger des Papstes Julius II. hatten im sogenannten «Grossen Pavierfeldzug» 1512 einen schnellen Sieg über die in der Lombardei eingebrochenen Franzosen errungen. Die mitbeteiligte Mannschaft aus Rapperswil erhielt laut Urkunde vom 24. Juni 1512 von Kardinal de:Matthäus Schiner ein Banner mit 'verbessertem' Stadtwappen: Goldene statt rote Rosenbutzen und im Eckquartier Darstellung der Taufe Christi durch Johannes (den Täufer) mit Bezug auf das Johannes-Patrozinium der Pfarrkirche Rapperswil. Der stark geschädigte, 1895 ers Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deutsch-juliusbanner-der-stadt-rapperswil-1512-eidgenssische-soldkrieger-des-papstes-julius-ii-hatten-im-sogenannten-grossen-pavierfeldzug-1512-einen-schnellen-sieg-ber-die-in-der-lombardei-eingebrochenen-franzosen-errungen-die-mitbeteiligte-mannschaft-aus-rapperswil-erhielt-laut-urkunde-vom-24-juni-1512-von-kardinal-dematthus-schiner-ein-banner-mit-verbessertem-stadtwappen-goldene-statt-rote-rosenbutzen-und-im-eckquartier-darstellung-der-taufe-christi-durch-johannes-den-tufer-mit-bezug-auf-das-johannes-patrozinium-der-pfarrkirche-rapperswil-der-stark-geschdigte-1895-ers-image188075530.htmlRMMWYG76–. Deutsch: Juliusbanner der Stadt Rapperswil (1512) Eidgenössische Soldkrieger des Papstes Julius II. hatten im sogenannten «Grossen Pavierfeldzug» 1512 einen schnellen Sieg über die in der Lombardei eingebrochenen Franzosen errungen. Die mitbeteiligte Mannschaft aus Rapperswil erhielt laut Urkunde vom 24. Juni 1512 von Kardinal de:Matthäus Schiner ein Banner mit 'verbessertem' Stadtwappen: Goldene statt rote Rosenbutzen und im Eckquartier Darstellung der Taufe Christi durch Johannes (den Täufer) mit Bezug auf das Johannes-Patrozinium der Pfarrkirche Rapperswil. Der stark geschädigte, 1895 ers
Entering the city of Nancy Henry II, Duke of Lorraine, 20 April 1610 Friedrich Brentel, dit Brentel le père (1580-1651) et Matthaüs Merian (le vieux) (1593-1650). Entrée dans la ville de Nancy d'Henri II, duc de Lorraine, le 20 avril 1610. Eau-forte. 1611. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/entering-the-city-of-nancy-henry-ii-duke-of-lorraine-20-april-1610-friedrich-brentel-dit-brentel-le-pre-1580-1651-et-matthas-merian-le-vieux-1593-1650-entre-dans-la-ville-de-nancy-dhenri-ii-duc-de-lorraine-le-20-avril-1610-eau-forte-1611-muse-des-beaux-arts-de-la-ville-de-paris-petit-palais-image349527661.htmlRM2B8JA2N–Entering the city of Nancy Henry II, Duke of Lorraine, 20 April 1610 Friedrich Brentel, dit Brentel le père (1580-1651) et Matthaüs Merian (le vieux) (1593-1650). Entrée dans la ville de Nancy d'Henri II, duc de Lorraine, le 20 avril 1610. Eau-forte. 1611. Musée des Beaux-Arts de la Ville de Paris, Petit Palais.
Niemcy, Drezno, 1969-10. PóŸnobarokowy pa³ac Zwinger, wzniesiony w latach 1711-1720, przez Matthausa Daniela Poppelmanna i Balthasara Permosena, z polecenia Augusta II Mocnego, króla Polski i elektora Saksonii. Nz. balustrada tarasu, w g³êbi Postplatz. mb PAP/Stanis³aw D¹browiecki Dok³adny dzieñ wydarzenia nieustalony. Germany, Dresden, Oct. 1969. Late Baroque Zwinger Palace built in 1711-1720 by Matthaus Daniel Poppelmann and Balthasar Permosen for King of Poland and Elector of Saxony Augustus II the Strong. Pictured: a ballustrade, in the back Postplatz. mb PAP/Stanislaw Dabrowiec Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/niemcy-drezno-1969-10-pnobarokowy-paac-zwinger-wzniesiony-w-latach-1711-1720-przez-matthausa-daniela-poppelmanna-i-balthasara-permosena-z-polecenia-augusta-ii-mocnego-krla-polski-i-elektora-saksonii-nz-balustrada-tarasu-w-gbi-postplatz-mb-papstanisaw-dbrowiecki-dokadny-dzie-wydarzenia-nieustalony-germany-dresden-oct-1969-late-baroque-zwinger-palace-built-in-1711-1720-by-matthaus-daniel-poppelmann-and-balthasar-permosen-for-king-of-poland-and-elector-of-saxony-augustus-ii-the-strong-pictured-a-ballustrade-in-the-back-postplatz-mb-papstanislaw-dabrowiec-image453869898.htmlRM2HABFK6–Niemcy, Drezno, 1969-10. PóŸnobarokowy pa³ac Zwinger, wzniesiony w latach 1711-1720, przez Matthausa Daniela Poppelmanna i Balthasara Permosena, z polecenia Augusta II Mocnego, króla Polski i elektora Saksonii. Nz. balustrada tarasu, w g³êbi Postplatz. mb PAP/Stanis³aw D¹browiecki Dok³adny dzieñ wydarzenia nieustalony. Germany, Dresden, Oct. 1969. Late Baroque Zwinger Palace built in 1711-1720 by Matthaus Daniel Poppelmann and Balthasar Permosen for King of Poland and Elector of Saxony Augustus II the Strong. Pictured: a ballustrade, in the back Postplatz. mb PAP/Stanislaw Dabrowiec
Portrait of Christian Lange, Andreas Frölich, after Matthäus Merian (II), after Matthäus Merian (I), 1655 - 1671, print maker: Andreas Frölich, (mentioned on object), intermediary draughtsman: Matthäus Merian (II), (mentioned on object), intermediary draughtsman: Matthäus Merian (I), (mentioned on object), 1655 - 1671, paper, engraving, h 246 mm × w 159 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-christian-lange-andreas-frlich-after-matthus-merian-ii-after-matthus-merian-i-1655-1671-print-maker-andreas-frlich-mentioned-on-object-intermediary-draughtsman-matthus-merian-ii-mentioned-on-object-intermediary-draughtsman-matthus-merian-i-mentioned-on-object-1655-1671-paper-engraving-h-246-mm-w-159-mm-image473378679.htmlRM2JE479B–Portrait of Christian Lange, Andreas Frölich, after Matthäus Merian (II), after Matthäus Merian (I), 1655 - 1671, print maker: Andreas Frölich, (mentioned on object), intermediary draughtsman: Matthäus Merian (II), (mentioned on object), intermediary draughtsman: Matthäus Merian (I), (mentioned on object), 1655 - 1671, paper, engraving, h 246 mm × w 159 mm
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