Metalcut Stock Photos and Images
German 15th Century, (artist), The Flagellation, 1470/1480, metalcut, hand-colored in red and yellow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/german-15th-century-artist-the-flagellation-14701480-metalcut-hand-colored-in-red-and-yellow-image386289266.htmlRM2DCCYW6–German 15th Century, (artist), The Flagellation, 1470/1480, metalcut, hand-colored in red and yellow
Art inspired by L'Amoureux, 15th century, Metalcut, sheet: 4 1/2 x 2 3/4 in. (11.5 x 7 cm), Prints, Anonymous, German, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-lamoureux-15th-century-metalcut-sheet-4-12-x-2-34-in-115-x-7-cm-prints-anonymous-german-15th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462977489.htmlRF2HW6CE9–Art inspired by L'Amoureux, 15th century, Metalcut, sheet: 4 1/2 x 2 3/4 in. (11.5 x 7 cm), Prints, Anonymous, German, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Saint Barbara. Dated: 1480 or after. Medium: metalcut. Museum: National Gallery of Art, Washington DC. Author: Workshop of Master of the Cologne Arms. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-barbara-dated-1480-or-after-medium-metalcut-museum-national-gallery-of-art-washington-dc-author-workshop-of-master-of-the-cologne-arms-image225672652.htmlRMR347NG–Saint Barbara. Dated: 1480 or after. Medium: metalcut. Museum: National Gallery of Art, Washington DC. Author: Workshop of Master of the Cologne Arms.
Art inspired by The Annunciation (Schr. 2183a), 15th century, Metalcut, sheet: 3 5/16 x 2 3/8 in. (8.4 x 6 cm), Prints, Anonymous, German, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-annunciation-schr-2183a-15th-century-metalcut-sheet-3-516-x-2-38-in-84-x-6-cm-prints-anonymous-german-15th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462977477.htmlRF2HW6CDW–Art inspired by The Annunciation (Schr. 2183a), 15th century, Metalcut, sheet: 3 5/16 x 2 3/8 in. (8.4 x 6 cm), Prints, Anonymous, German, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. British Museum reference 1915,0508.1 Detailed description English: St Oswald and St Notburga. Hand-colored metalcut print. Department: Prints and Drawings Deutsch: St. Oswald und St. Notburga. Schrotblatt Size 17.3 x 11.1 cm Location German XVc Mounted Roy . 1490s. Français : Maître au fond maillé Deutsch: Meister mit dem Maschenhintergrund 948 Oswald notburga Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/british-museum-reference-191505081-detailed-description-english-st-oswald-and-st-notburga-hand-colored-metalcut-print-department-prints-and-drawings-deutsch-st-oswald-und-st-notburga-schrotblatt-size-173-x-111-cm-location-german-xvc-mounted-roy-1490s-franais-matre-au-fond-maill-deutsch-meister-mit-dem-maschenhintergrund-948-oswald-notburga-image185497055.htmlRMMNP3AR–. British Museum reference 1915,0508.1 Detailed description English: St Oswald and St Notburga. Hand-colored metalcut print. Department: Prints and Drawings Deutsch: St. Oswald und St. Notburga. Schrotblatt Size 17.3 x 11.1 cm Location German XVc Mounted Roy . 1490s. Français : Maître au fond maillé Deutsch: Meister mit dem Maschenhintergrund 948 Oswald notburga
Art inspired by St. Martin, 15th century, Metalcut, sheet: 8 7/16 x 6 1/4 in. (21.5 x 15.8 cm), Prints, Anonymous, German, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-st-martin-15th-century-metalcut-sheet-8-716-x-6-14-in-215-x-158-cm-prints-anonymous-german-15th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462977473.htmlRF2HW6CDN–Art inspired by St. Martin, 15th century, Metalcut, sheet: 8 7/16 x 6 1/4 in. (21.5 x 15.8 cm), Prints, Anonymous, German, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence MET DP167208 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-with-twelve-engravings-of-the-passion-a-woodcut-of-christ-as-image155584492.htmlRMK13DH0–Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence MET DP167208
Art inspired by Christ Crowned with Thorns, ca. 1470–80, Metalcut with one star and several dot punches; hand-colored., 9-1/8 x 6-11/16 in. (trimmed), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-christ-crowned-with-thorns-ca-147080-metalcut-with-one-star-and-several-dot-punches-hand-colored-9-18-x-6-1116-in-trimmed-prints-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462801377.htmlRF2HTXBTH–Art inspired by Christ Crowned with Thorns, ca. 1470–80, Metalcut with one star and several dot punches; hand-colored., 9-1/8 x 6-11/16 in. (trimmed), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Anonymous Dutch - The Crucifixion, c. 1480 - metalcut, hand-colored Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anonymous-dutch-the-crucifixion-c-1480-metalcut-hand-colored-image486270919.htmlRF2K73FEF–Anonymous Dutch - The Crucifixion, c. 1480 - metalcut, hand-colored
Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-with-twelve-engravings-of-the-passion-a-woodcut-of-christ-as-the-man-of-sorrows-and-a-metalcut-of-st-jerome-in-penitence-image231475417.htmlRMRCGH75–Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence
Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence, late 15th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-with-twelve-engravings-of-the-passion-a-woodcut-of-christ-as-the-man-of-sorrows-and-a-metalcut-of-st-jerome-in-penitence-late-15th-century-image433077936.htmlRM2G4GB94–Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence, late 15th century.
Abstract metal cut art background. 3D metalcut layers texture 10 eps Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abstract-metal-cut-art-background-3d-metalcut-layers-texture-10-eps-image238751429.htmlRFRTC1TN–Abstract metal cut art background. 3D metalcut layers texture 10 eps
Adoration of the Magi. 1425–1450. Germany. Metalcut on paper (dotted manner) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adoration-of-the-magi-14251450-germany-metalcut-on-paper-dotted-manner-image337925979.htmlRM2AHNT0Y–Adoration of the Magi. 1425–1450. Germany. Metalcut on paper (dotted manner)
Perm, Russia – March 06, 2020: woman metal artist at work in workshop using metalcut saw Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/perm-russia-march-06-2020-woman-metal-artist-at-work-in-workshop-using-metalcut-saw-image348201720.htmlRF2B6DXRM–Perm, Russia – March 06, 2020: woman metal artist at work in workshop using metalcut saw
Three images of the Virgin of Luschari appearing to shepherds; above a monastery with a text pertaining to death. Coloured metalcut and letterpress. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/three-images-of-the-virgin-of-luschari-appearing-to-shepherds-above-a-monastery-with-a-text-pertaining-to-death-coloured-metalcut-and-letterpress-image450036893.htmlRM2H44XJ5–Three images of the Virgin of Luschari appearing to shepherds; above a monastery with a text pertaining to death. Coloured metalcut and letterpress.
'Elisha Kirkall, The Boasting Traveler, metalcut, overall: 5.5 x 7.2 cm (2 3/16 x 2 13/16 in.), Gift of Jacob Kainen, 2002.98.136' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elisha-kirkall-the-boasting-traveler-metalcut-overall-55-x-72-cm-2-316-x-2-1316-in-gift-of-jacob-kainen-200298136-image559748232.htmlRM2REJMG8–'Elisha Kirkall, The Boasting Traveler, metalcut, overall: 5.5 x 7.2 cm (2 3/16 x 2 13/16 in.), Gift of Jacob Kainen, 2002.98.136'
Christ's Entry into Jerusalem 15th century Anonymous, German, 15th century German. Christ's Entry into Jerusalem. Anonymous, German, 15th century. 15th century. Metalcut, hand-colored in green, yellow and red. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christs-entry-into-jerusalem-15th-century-anonymous-german-15th-century-german-christs-entry-into-jerusalem-anonymous-german-15th-century-15th-century-metalcut-hand-colored-in-green-yellow-and-red-prints-image458002285.htmlRM2HH3PGD–Christ's Entry into Jerusalem 15th century Anonymous, German, 15th century German. Christ's Entry into Jerusalem. Anonymous, German, 15th century. 15th century. Metalcut, hand-colored in green, yellow and red. Prints
. Appleton's dictionary of machines, mechanics, engine-work, and engineering. to the stock, in a manner similar to d, and has as much room atx and x as is necessary to allow that part of the cutting-die which, when the stock is turned in the op-posite direction would drag, to recede out of the thread so as to clear the thread and particlea of metalcut out during the operation, by which arrangement the cutting-die will preserve its keen edge. Sup-pose the operation of screwing to have been commenced at the bottom of a pin, and the stock arrivedat the top ; the handle or screw / will require to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/appletons-dictionary-of-machines-mechanics-engine-work-and-engineering-to-the-stock-in-a-manner-similar-to-d-and-has-as-much-room-atx-and-x-as-is-necessary-to-allow-that-part-of-the-cutting-die-which-when-the-stock-is-turned-in-the-op-posite-direction-would-drag-to-recede-out-of-the-thread-so-as-to-clear-the-thread-and-particlea-of-metalcut-out-during-the-operation-by-which-arrangement-the-cutting-die-will-preserve-its-keen-edge-sup-pose-the-operation-of-screwing-to-have-been-commenced-at-the-bottom-of-a-pin-and-the-stock-arrivedat-the-top-the-handle-or-screw-will-require-to-image337007143.htmlRM2AG801B–. Appleton's dictionary of machines, mechanics, engine-work, and engineering. to the stock, in a manner similar to d, and has as much room atx and x as is necessary to allow that part of the cutting-die which, when the stock is turned in the op-posite direction would drag, to recede out of the thread so as to clear the thread and particlea of metalcut out during the operation, by which arrangement the cutting-die will preserve its keen edge. Sup-pose the operation of screwing to have been commenced at the bottom of a pin, and the stock arrivedat the top ; the handle or screw / will require to
The Virgin and Child on the Crescent 15th century Anonymous, Netherlandish, 15th century Netherlandish. The Virgin and Child on the Crescent. Anonymous, Netherlandish, 15th century. 15th century. Metalcut, hand-colored in green, red and yellow. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-virgin-and-child-on-the-crescent-15th-century-anonymous-netherlandish-15th-century-netherlandish-the-virgin-and-child-on-the-crescent-anonymous-netherlandish-15th-century-15th-century-metalcut-hand-colored-in-green-red-and-yellow-prints-image457781023.htmlRM2HGNMA7–The Virgin and Child on the Crescent 15th century Anonymous, Netherlandish, 15th century Netherlandish. The Virgin and Child on the Crescent. Anonymous, Netherlandish, 15th century. 15th century. Metalcut, hand-colored in green, red and yellow. Prints
German 15th Century, (artist), Christ and the Woman of Samaria, c. 1470, metalcut, hand-colored in gray and rose Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/german-15th-century-artist-christ-and-the-woman-of-samaria-c-1470-metalcut-hand-colored-in-gray-and-rose-image386360155.htmlRM2DCG68Y–German 15th Century, (artist), Christ and the Woman of Samaria, c. 1470, metalcut, hand-colored in gray and rose
The Virgin and Child on the Crescent Anonymous, Netherlandish, 15th century Netherlandish 15th century View more. The Virgin and Child on the Crescent. Anonymous, Netherlandish, 15th century. 15th century. Metalcut, hand-colored in green, red and yellow. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-virgin-and-child-on-the-crescent-anonymous-netherlandish-15th-century-netherlandish-15th-century-view-more-the-virgin-and-child-on-the-crescent-anonymous-netherlandish-15th-century-15th-century-metalcut-hand-colored-in-green-red-and-yellow-prints-image569504027.htmlRM2T2F45F–The Virgin and Child on the Crescent Anonymous, Netherlandish, 15th century Netherlandish 15th century View more. The Virgin and Child on the Crescent. Anonymous, Netherlandish, 15th century. 15th century. Metalcut, hand-colored in green, red and yellow. Prints
Saint Roche. Dated: 1480 or after. Medium: metalcut. Museum: National Gallery of Art, Washington DC. Author: Workshop of Master of the Cologne Arms. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-roche-dated-1480-or-after-medium-metalcut-museum-national-gallery-of-art-washington-dc-author-workshop-of-master-of-the-cologne-arms-image225640668.htmlRMR32PY8–Saint Roche. Dated: 1480 or after. Medium: metalcut. Museum: National Gallery of Art, Washington DC. Author: Workshop of Master of the Cologne Arms.
Saint John the Baptist and Saint John the Evangelist 15th century Master with the Cologne Arms German. Saint John the Baptist and Saint John the Evangelist. Master with the Cologne Arms (German, late 15th century) (?). 15th century. Metalcut; first state. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-john-the-baptist-and-saint-john-the-evangelist-15th-century-master-with-the-cologne-arms-german-saint-john-the-baptist-and-saint-john-the-evangelist-master-with-the-cologne-arms-german-late-15th-century-15th-century-metalcut-first-state-prints-image458083571.htmlRM2HH7E7F–Saint John the Baptist and Saint John the Evangelist 15th century Master with the Cologne Arms German. Saint John the Baptist and Saint John the Evangelist. Master with the Cologne Arms (German, late 15th century) (?). 15th century. Metalcut; first state. Prints
. English: Tabula Cebetis B. Woodcut, Kunstmuseum Basel. The Tabula Cebetis was a panel at a sanctuary of Chronos, explained in a dialogue attributed to Cebes, a student of Socrates. The panel set out the path living people must follow to achieve true character, interpreted here as beatitude (Christian Rümelin, in Müller et al, p. 491). The original metalcut, called Cebes Tablet A, was the source for three variants, including this one, in which Holbein himself was probably not directly involved. 1521. After Hans Holbein the Younger. Woodcut by Hans Herman after metalcut by Jacob Faber. 1157 Ta Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-tabula-cebetis-b-woodcut-kunstmuseum-basel-the-tabula-cebetis-was-a-panel-at-a-sanctuary-of-chronos-explained-in-a-dialogue-attributed-to-cebes-a-student-of-socrates-the-panel-set-out-the-path-living-people-must-follow-to-achieve-true-character-interpreted-here-as-beatitude-christian-rmelin-in-mller-et-al-p-491-the-original-metalcut-called-cebes-tablet-a-was-the-source-for-three-variants-including-this-one-in-which-holbein-himself-was-probably-not-directly-involved-1521-after-hans-holbein-the-younger-woodcut-by-hans-herman-after-metalcut-by-jacob-faber-1157-ta-image185596453.htmlRMMNXJ4N–. English: Tabula Cebetis B. Woodcut, Kunstmuseum Basel. The Tabula Cebetis was a panel at a sanctuary of Chronos, explained in a dialogue attributed to Cebes, a student of Socrates. The panel set out the path living people must follow to achieve true character, interpreted here as beatitude (Christian Rümelin, in Müller et al, p. 491). The original metalcut, called Cebes Tablet A, was the source for three variants, including this one, in which Holbein himself was probably not directly involved. 1521. After Hans Holbein the Younger. Woodcut by Hans Herman after metalcut by Jacob Faber. 1157 Ta
Covered Goblet, Pear shaped bidy on shaft og twisted tree-trunk with bear treed by dog n.d. Jonas Silber. Covered Goblet, Pear shaped bidy on shaft og twisted tree-trunk with bear treed by dog. Jonas Silber (German, 1572–1590). n.d.. Metalcut, dotted print. Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/covered-goblet-pear-shaped-bidy-on-shaft-og-twisted-tree-trunk-with-bear-treed-by-dog-nd-jonas-silber-covered-goblet-pear-shaped-bidy-on-shaft-og-twisted-tree-trunk-with-bear-treed-by-dog-jonas-silber-german-15721590-nd-metalcut-dotted-print-prints-image457915664.htmlRM2HGYT2T–Covered Goblet, Pear shaped bidy on shaft og twisted tree-trunk with bear treed by dog n.d. Jonas Silber. Covered Goblet, Pear shaped bidy on shaft og twisted tree-trunk with bear treed by dog. Jonas Silber (German, 1572–1590). n.d.. Metalcut, dotted print. Prints
Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence MET DP167209 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-with-twelve-engravings-of-the-passion-a-woodcut-of-christ-as-image155584493.htmlRMK13DH1–Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence MET DP167209
Art inspired by St. Dorothy (Schr. 2610), 15th century, Metalcut, sheet: 2 1/2 x 1 15/16 in. (6.3 x 5 cm), Prints, Anonymous, German, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-st-dorothy-schr-2610-15th-century-metalcut-sheet-2-12-x-1-1516-in-63-x-5-cm-prints-anonymous-german-15th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462977463.htmlRF2HW6CDB–Art inspired by St. Dorothy (Schr. 2610), 15th century, Metalcut, sheet: 2 1/2 x 1 15/16 in. (6.3 x 5 cm), Prints, Anonymous, German, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
L'Amoureux 15th century Anonymous, German, 15th century German. L'Amoureux 382473 Artist: Anonymous, German, 15th century, L'Amoureux, 15th century, Metalcut, sheet: 4 1/2 x 2 3/4 in. (11.5 x 7 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (18.91.2) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lamoureux-15th-century-anonymous-german-15th-century-german-lamoureux-382473-artist-anonymous-german-15th-century-lamoureux-15th-century-metalcut-sheet-4-12-x-2-34-in-115-x-7-cm-the-metropolitan-museum-of-art-new-york-rogers-fund-1918-18912-image458629171.htmlRM2HJ4A57–L'Amoureux 15th century Anonymous, German, 15th century German. L'Amoureux 382473 Artist: Anonymous, German, 15th century, L'Amoureux, 15th century, Metalcut, sheet: 4 1/2 x 2 3/4 in. (11.5 x 7 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1918 (18.91.2)
Art inspired by Mass of St. Gregory, 15th century, Metalcut, hand-colored, sheet: 5 3/8 x 4 in. (13.6 x 10.1 cm), Prints, Anonymous, German, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-mass-of-st-gregory-15th-century-metalcut-hand-colored-sheet-5-38-x-4-in-136-x-101-cm-prints-anonymous-german-15th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462977472.htmlRF2HW6CDM–Art inspired by Mass of St. Gregory, 15th century, Metalcut, hand-colored, sheet: 5 3/8 x 4 in. (13.6 x 10.1 cm), Prints, Anonymous, German, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-with-twelve-engravings-of-the-passion-a-woodcut-of-christ-as-the-man-of-sorrows-and-a-metalcut-of-st-jerome-in-penitence-image231475410.htmlRMRCGH6X–Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence
Art inspired by St. Christopher, 15th century, Metalcut, hand -colored, sheet: 1 5/8 x 1 7/16 in. (4.2 x 3.6 cm), Prints, Anonymous, German, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-st-christopher-15th-century-metalcut-hand-colored-sheet-1-58-x-1-716-in-42-x-36-cm-prints-anonymous-german-15th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462977488.htmlRF2HW6CE8–Art inspired by St. Christopher, 15th century, Metalcut, hand -colored, sheet: 1 5/8 x 1 7/16 in. (4.2 x 3.6 cm), Prints, Anonymous, German, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Abstract metal cut art background. 3D metalcut layers texture 10 eps Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abstract-metal-cut-art-background-3d-metalcut-layers-texture-10-eps-image241678998.htmlRFT15C0P–Abstract metal cut art background. 3D metalcut layers texture 10 eps
Art inspired by The Annunciation, Visitation, and Nativity (Schr. 2865), 15th century, Metalcut, sheet: 10 11/16 x 7 1/2 in. (27.1 x 19 cm), Prints, Anonymous, German, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-annunciation-visitation-and-nativity-schr-2865-15th-century-metalcut-sheet-10-1116-x-7-12-in-271-x-19-cm-prints-anonymous-german-15th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462977557.htmlRF2HW6CGN–Art inspired by The Annunciation, Visitation, and Nativity (Schr. 2865), 15th century, Metalcut, sheet: 10 11/16 x 7 1/2 in. (27.1 x 19 cm), Prints, Anonymous, German, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Penitence of Saint Jerome. 1480. Germany. Metalcut with hand-coloring on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/penitence-of-saint-jerome-1480-germany-metalcut-with-hand-coloring-on-paper-image337956679.htmlRM2AHR75B–Penitence of Saint Jerome. 1480. Germany. Metalcut with hand-coloring on paper
Perm, Russia – March 06, 2020: woman metal artist at work in workshop using metalcut saw Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/perm-russia-march-06-2020-woman-metal-artist-at-work-in-workshop-using-metalcut-saw-image347635869.htmlRF2B5G52N–Perm, Russia – March 06, 2020: woman metal artist at work in workshop using metalcut saw
St. Martin 15th century Anonymous, German, 15th century German. St. Martin 382465 Artist: Anonymous, German, 15th century, St. Martin, 15th century, Metalcut, sheet: 8 7/16 x 6 1/4 in. (21.5 x 15.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1920 (20.10.2) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-martin-15th-century-anonymous-german-15th-century-german-st-martin-382465-artist-anonymous-german-15th-century-st-martin-15th-century-metalcut-sheet-8-716-x-6-14-in-215-x-158-cm-the-metropolitan-museum-of-art-new-york-rogers-fund-1920-20102-image458078375.htmlRM2HH77HY–St. Martin 15th century Anonymous, German, 15th century German. St. Martin 382465 Artist: Anonymous, German, 15th century, St. Martin, 15th century, Metalcut, sheet: 8 7/16 x 6 1/4 in. (21.5 x 15.8 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1920 (20.10.2)
Christ before Pilate, 1460-65. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-before-pilate-1460-65-image462412124.htmlRM2HT8KAM–Christ before Pilate, 1460-65.
The Annunciation (Schr. 2183a) 15th century Anonymous, German, 15th century German. The Annunciation (Schr. 2183a) 382455 Artist: Anonymous, German, 15th century, The Annunciation (Schr. 2183a), 15th century, Metalcut, sheet: 3 5/16 x 2 3/8 in. (8.4 x 6 cm). The Metropolitan Museum of Art, New York. Bequest of James Clark McGuire, 1930 (31.54.172) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-annunciation-schr-2183a-15th-century-anonymous-german-15th-century-german-the-annunciation-schr-2183a-382455-artist-anonymous-german-15th-century-the-annunciation-schr-2183a-15th-century-metalcut-sheet-3-516-x-2-38-in-84-x-6-cm-the-metropolitan-museum-of-art-new-york-bequest-of-james-clark-mcguire-1930-3154172-image458630383.htmlRM2HJ4BMF–The Annunciation (Schr. 2183a) 15th century Anonymous, German, 15th century German. The Annunciation (Schr. 2183a) 382455 Artist: Anonymous, German, 15th century, The Annunciation (Schr. 2183a), 15th century, Metalcut, sheet: 3 5/16 x 2 3/8 in. (8.4 x 6 cm). The Metropolitan Museum of Art, New York. Bequest of James Clark McGuire, 1930 (31.54.172)
German 15th Century, (artist), Saint Sebastian, c. 1480, metalcut, hand-colored in green, rose, and yellow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/german-15th-century-artist-saint-sebastian-c-1480-metalcut-hand-colored-in-green-rose-and-yellow-image386306522.htmlRM2DCDNWE–German 15th Century, (artist), Saint Sebastian, c. 1480, metalcut, hand-colored in green, rose, and yellow
. Railway mechanical engineer . summary ofa portion of these tests for one steel containing .62 per centcarbon, 3.S per cent chromium, IS.5 per cent tungsten and1.6 per cent vanadium was made. An interesting featureis the effect of the temperature of preheating on the cuttingc|ualities of the tools, as expressed by the pounds of metalcut. This is shown in the table below: PreluatiliR mill, at 1,400 dcg. F.min. at 1.500 deg. F.min. at 1,6110 deg. F.min. at 1,600 dcg. F.Note—All testinq condil at 2,417 deg. F.—Oil at 2,417 deg. P.—Oil at 2,417 deg. F.—Oil at 2,417 deg. F.—Water netal cut per too Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/railway-mechanical-engineer-summary-ofa-portion-of-these-tests-for-one-steel-containing-62-per-centcarbon-3s-per-cent-chromium-is5-per-cent-tungsten-and16-per-cent-vanadium-was-made-an-interesting-featureis-the-effect-of-the-temperature-of-preheating-on-the-cuttingcualities-of-the-tools-as-expressed-by-the-pounds-of-metalcut-this-is-shown-in-the-table-below-preluatilir-mill-at-1400-dcg-fmin-at-1500-deg-fmin-at-16110-deg-fmin-at-1600-dcg-fnoteall-testinq-condil-at-2417-deg-foil-at-2417-deg-poil-at-2417-deg-foil-at-2417-deg-fwater-netal-cut-per-too-image371833631.htmlRM2CGXDGF–. Railway mechanical engineer . summary ofa portion of these tests for one steel containing .62 per centcarbon, 3.S per cent chromium, IS.5 per cent tungsten and1.6 per cent vanadium was made. An interesting featureis the effect of the temperature of preheating on the cuttingc|ualities of the tools, as expressed by the pounds of metalcut. This is shown in the table below: PreluatiliR mill, at 1,400 dcg. F.min. at 1.500 deg. F.min. at 1,6110 deg. F.min. at 1,600 dcg. F.Note—All testinq condil at 2,417 deg. F.—Oil at 2,417 deg. P.—Oil at 2,417 deg. F.—Oil at 2,417 deg. F.—Water netal cut per too
German 15th Century, Saint Sebastian, c. 1480, metalcut, hand-colored in green, rose, and yellow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-german-15th-century-saint-sebastian-c-1480-metalcut-hand-colored-in-77359231.htmlRMEDT0DK–German 15th Century, Saint Sebastian, c. 1480, metalcut, hand-colored in green, rose, and yellow
Saint Margaret. Dated: c. 1460. Medium: metalcut. Museum: National Gallery of Art, Washington DC. Author: Workshop of Master of the Stoeger Passion. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-margaret-dated-c-1460-medium-metalcut-museum-national-gallery-of-art-washington-dc-author-workshop-of-master-of-the-stoeger-passion-image225767052.htmlRMR38G50–Saint Margaret. Dated: c. 1460. Medium: metalcut. Museum: National Gallery of Art, Washington DC. Author: Workshop of Master of the Stoeger Passion.
German 15th Century, (artist), Christ on the Cross, 1470/1480, metalcut, hand-colored in green, red, and yellow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/german-15th-century-artist-christ-on-the-cross-14701480-metalcut-hand-colored-in-green-red-and-yellow-image386361451.htmlRM2DCG7Y7–German 15th Century, (artist), Christ on the Cross, 1470/1480, metalcut, hand-colored in green, red, and yellow
. English: Title Page Border with Christ as Intercessor before God the Father, the Four Symbols of the Evangelists and the Mission of the Apostles. Metalcut, image 26.3 × 17.2 cm, sheet 29.5 × 20.2 cm, Kunstmuseum Basel. First used in this combination in Johannes Oecolampadius's Kommentar zu Theophylactus Archiepiscopus Bulgariae, 'In quator Evangelia enarrationes' , Basel: Andreas Cratander, March 1524. This reproduction is from the 1527 edition. . 1523. Hans Holbein (1497/1498–1543) Alternative names Hans Holbein der Jüngere, Hans Holbein Description German painter and draughtsman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-title-page-border-with-christ-as-intercessor-before-god-the-father-the-four-symbols-of-the-evangelists-and-the-mission-of-the-apostles-metalcut-image-263-172-cm-sheet-295-202-cm-kunstmuseum-basel-first-used-in-this-combination-in-johannes-oecolampadiuss-kommentar-zu-theophylactus-archiepiscopus-bulgariae-in-quator-evangelia-enarrationes-basel-andreas-cratander-march-1524-this-reproduction-is-from-the-1527-edition-1523-hans-holbein-149714981543-alternative-names-hans-holbein-der-jngere-hans-holbein-description-german-painter-and-draughtsman-image184947486.htmlRMMMW2BA–. English: Title Page Border with Christ as Intercessor before God the Father, the Four Symbols of the Evangelists and the Mission of the Apostles. Metalcut, image 26.3 × 17.2 cm, sheet 29.5 × 20.2 cm, Kunstmuseum Basel. First used in this combination in Johannes Oecolampadius's Kommentar zu Theophylactus Archiepiscopus Bulgariae, 'In quator Evangelia enarrationes' , Basel: Andreas Cratander, March 1524. This reproduction is from the 1527 edition. . 1523. Hans Holbein (1497/1498–1543) Alternative names Hans Holbein der Jüngere, Hans Holbein Description German painter and draughtsman
Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence MET DP167204 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-with-twelve-engravings-of-the-passion-a-woodcut-of-christ-as-image155584485.htmlRMK13DGN–Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence MET DP167204
Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-with-twelve-engravings-of-the-passion-a-woodcut-of-christ-as-the-man-of-sorrows-and-a-metalcut-of-st-jerome-in-penitence-image231475408.htmlRMRCGH6T–Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence
Art inspired by St. Jerome in his Study (Schr. 2679a), 15th century, Metalcut, hand-colored, sheet: 8 1/4 x 6 in. (21 x 15.3 cm), Prints, Anonymous, German, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-st-jerome-in-his-study-schr-2679a-15th-century-metalcut-hand-colored-sheet-8-14-x-6-in-21-x-153-cm-prints-anonymous-german-15th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462977495.htmlRF2HW6CEF–Art inspired by St. Jerome in his Study (Schr. 2679a), 15th century, Metalcut, hand-colored, sheet: 8 1/4 x 6 in. (21 x 15.3 cm), Prints, Anonymous, German, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Unknown artist. Illustration from Horae, plate 63 from Woodcuts from Books of the XVI Century. 1514. France. Metalcut on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-illustration-from-horae-plate-63-from-woodcuts-from-books-of-the-xvi-century-1514-france-metalcut-on-paper-image337937141.htmlRM2AHPA7H–Unknown artist. Illustration from Horae, plate 63 from Woodcuts from Books of the XVI Century. 1514. France. Metalcut on paper
Art inspired by Saint John the Baptist and Saint John the Evangelist, 15th century, Metalcut; first state, 6-13/16 x 4-25/32 (trimmed to block line), Prints, Master with the Cologne Arms (German, late 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-saint-john-the-baptist-and-saint-john-the-evangelist-15th-century-metalcut-first-state-6-1316-x-4-2532-trimmed-to-block-line-prints-master-with-the-cologne-arms-german-late-15th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462950467.htmlRF2HW5617–Art inspired by Saint John the Baptist and Saint John the Evangelist, 15th century, Metalcut; first state, 6-13/16 x 4-25/32 (trimmed to block line), Prints, Master with the Cologne Arms (German, late 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
machining of metal artwork on a drilling machine with countersink cutter Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/machining-of-metal-artwork-on-a-drilling-machine-with-countersink-cutter-image347636215.htmlRF2B5G5F3–machining of metal artwork on a drilling machine with countersink cutter
Art inspired by Martyrdom of St. Erasmus after the Master of St. Erasmus (Schr. 2621), 15th century, Metalcut, hand-colored, sheet: 2 3/8 x 1 13/16 in. (6 x 4.6 cm), Prints, Anonymous, German, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-martyrdom-of-st-erasmus-after-the-master-of-st-erasmus-schr-2621-15th-century-metalcut-hand-colored-sheet-2-38-x-1-1316-in-6-x-46-cm-prints-anonymous-german-15th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462977467.htmlRF2HW6CDF–Art inspired by Martyrdom of St. Erasmus after the Master of St. Erasmus (Schr. 2621), 15th century, Metalcut, hand-colored, sheet: 2 3/8 x 1 13/16 in. (6 x 4.6 cm), Prints, Anonymous, German, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Annunciation, Visitation, and Nativity (Schr. 2865) 15th century Anonymous, German, 15th century German. The Annunciation, Visitation, and Nativity (Schr. 2865) 382466 Artist: Anonymous, German, 15th century, The Annunciation, Visitation, and Nativity (Schr. 2865), 15th century, Metalcut, sheet: 10 11/16 x 7 1/2 in. (27.1 x 19 cm). The Metropolitan Museum of Art, New York. Gift of Felix M. Warburg and his family, 1941 (41.1.177) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-annunciation-visitation-and-nativity-schr-2865-15th-century-anonymous-german-15th-century-german-the-annunciation-visitation-and-nativity-schr-2865-382466-artist-anonymous-german-15th-century-the-annunciation-visitation-and-nativity-schr-2865-15th-century-metalcut-sheet-10-1116-x-7-12-in-271-x-19-cm-the-metropolitan-museum-of-art-new-york-gift-of-felix-m-warburg-and-his-family-1941-411177-image458136387.htmlRM2HH9WHR–The Annunciation, Visitation, and Nativity (Schr. 2865) 15th century Anonymous, German, 15th century German. The Annunciation, Visitation, and Nativity (Schr. 2865) 382466 Artist: Anonymous, German, 15th century, The Annunciation, Visitation, and Nativity (Schr. 2865), 15th century, Metalcut, sheet: 10 11/16 x 7 1/2 in. (27.1 x 19 cm). The Metropolitan Museum of Art, New York. Gift of Felix M. Warburg and his family, 1941 (41.1.177)
The Death of Christ, 1460-65. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-death-of-christ-1460-65-image462412272.htmlRM2HT8KG0–The Death of Christ, 1460-65.
Saint Christopher. Dated: 1470/1480. Medium: metalcut, hand-colored. Museum: National Gallery of Art, Washington DC. Author: Workshop of Master of the Aachen Madonna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-christopher-dated-14701480-medium-metalcut-hand-colored-museum-national-gallery-of-art-washington-dc-author-workshop-of-master-of-the-aachen-madonna-image218575683.htmlRMPKGYEB–Saint Christopher. Dated: 1470/1480. Medium: metalcut, hand-colored. Museum: National Gallery of Art, Washington DC. Author: Workshop of Master of the Aachen Madonna.
German 15th Century, (artist), Saint Erasmus, c. 1470/1480, metalcut, hand-colored in green, yellow, and red Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/german-15th-century-artist-saint-erasmus-c-14701480-metalcut-hand-colored-in-green-yellow-and-red-image386296296.htmlRM2DCD8T8–German 15th Century, (artist), Saint Erasmus, c. 1470/1480, metalcut, hand-colored in green, yellow, and red
. English: Printer's Device for Andreas Cratander. Metalcut, 7.8 × 60 cm 13.5 × 10.1 cm, Kunstmuseum Basel. The Roman goddess portrayed is Occasio, like Kairos, with whose attributes Holbein invests her, a goddess of opportunity. The Greek motto translates: 'In all things it is best to take advantage of the right time'. Holbein here uses decorative motifs familiar from his previous work, such as the squat columns that appear in his portraits of Jakob and Dorothea Mayer and the segmented arch border (Christian Rümelin, in Müller et al, p. 491). 1522. Hans Holbein (1497/1498–1543) Alter Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-printers-device-for-andreas-cratander-metalcut-78-60-cm-135-101-cm-kunstmuseum-basel-the-roman-goddess-portrayed-is-occasio-like-kairos-with-whose-attributes-holbein-invests-her-a-goddess-of-opportunity-the-greek-motto-translates-in-all-things-it-is-best-to-take-advantage-of-the-right-time-holbein-here-uses-decorative-motifs-familiar-from-his-previous-work-such-as-the-squat-columns-that-appear-in-his-portraits-of-jakob-and-dorothea-mayer-and-the-segmented-arch-border-christian-rmelin-in-mller-et-al-p-491-1522-hans-holbein-149714981543-alter-image185553021.htmlRMMNTJNH–. English: Printer's Device for Andreas Cratander. Metalcut, 7.8 × 60 cm 13.5 × 10.1 cm, Kunstmuseum Basel. The Roman goddess portrayed is Occasio, like Kairos, with whose attributes Holbein invests her, a goddess of opportunity. The Greek motto translates: 'In all things it is best to take advantage of the right time'. Holbein here uses decorative motifs familiar from his previous work, such as the squat columns that appear in his portraits of Jakob and Dorothea Mayer and the segmented arch border (Christian Rümelin, in Müller et al, p. 491). 1522. Hans Holbein (1497/1498–1543) Alter
Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence MET DP167203 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-with-twelve-engravings-of-the-passion-a-woodcut-of-christ-as-image155584484.htmlRMK13DGM–Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence MET DP167203
Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-with-twelve-engravings-of-the-passion-a-woodcut-of-christ-as-the-man-of-sorrows-and-a-metalcut-of-st-jerome-in-penitence-image231475419.htmlRMRCGH77–Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence
Unknown artist. Illustration from Officium B.M.V., plate 62 from Woodcuts from Books of the XVI Century. 1505. France. Metalcut on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-illustration-from-officium-bmv-plate-62-from-woodcuts-from-books-of-the-xvi-century-1505-france-metalcut-on-paper-image337937121.htmlRM2AHPA6W–Unknown artist. Illustration from Officium B.M.V., plate 62 from Woodcuts from Books of the XVI Century. 1505. France. Metalcut on paper
female artisan doing machining of metal artwork on a drilling machine with countersink cutter, focus on the workpiece Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-artisan-doing-machining-of-metal-artwork-on-a-drilling-machine-with-countersink-cutter-focus-on-the-workpiece-image347976953.htmlRF2B63M49–female artisan doing machining of metal artwork on a drilling machine with countersink cutter, focus on the workpiece
Art inspired by The Annunciation, ca. 1470–80, Metalcut, hand-colored in green, yellow, and red, plate: 2 3/8 x 1 13/16 in. (6 x 4.6 cm), Prints, Anonymous, German, Cologne, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-annunciation-ca-147080-metalcut-hand-colored-in-green-yellow-and-red-plate-2-38-x-1-1316-in-6-x-46-cm-prints-anonymous-german-cologne-15th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462993251.htmlRF2HW74H7–Art inspired by The Annunciation, ca. 1470–80, Metalcut, hand-colored in green, yellow, and red, plate: 2 3/8 x 1 13/16 in. (6 x 4.6 cm), Prints, Anonymous, German, Cologne, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
St. Jerome in his Study (Schr. 2679a) 15th century Anonymous, German, 15th century German. St. Jerome in his Study (Schr. 2679a) 382467 Artist: Anonymous, German, 15th century, St. Jerome in his Study (Schr. 2679a), 15th century, Metalcut, hand-colored, sheet: 8 1/4 x 6 in. (21 x 15.3 cm). The Metropolitan Museum of Art, New York. Bequest of James Clark McGuire, 1930 (31.54.174) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-jerome-in-his-study-schr-2679a-15th-century-anonymous-german-15th-century-german-st-jerome-in-his-study-schr-2679a-382467-artist-anonymous-german-15th-century-st-jerome-in-his-study-schr-2679a-15th-century-metalcut-hand-colored-sheet-8-14-x-6-in-21-x-153-cm-the-metropolitan-museum-of-art-new-york-bequest-of-james-clark-mcguire-1930-3154174-image458614712.htmlRM2HJ3KMT–St. Jerome in his Study (Schr. 2679a) 15th century Anonymous, German, 15th century German. St. Jerome in his Study (Schr. 2679a) 382467 Artist: Anonymous, German, 15th century, St. Jerome in his Study (Schr. 2679a), 15th century, Metalcut, hand-colored, sheet: 8 1/4 x 6 in. (21 x 15.3 cm). The Metropolitan Museum of Art, New York. Bequest of James Clark McGuire, 1930 (31.54.174)
Art inspired by Title-page from Pelbartus de Temesvar, 1502–14, Metalcut (?), sheet: 11 13/16 x 8 3/4 in. (30 x 22.2 cm), Prints, Johann Otmar (German, Augsburg, 1502–1514, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-title-page-from-pelbartus-de-temesvar-150214-metalcut-sheet-11-1316-x-8-34-in-30-x-222-cm-prints-johann-otmar-german-augsburg-15021514-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462977465.htmlRF2HW6CDD–Art inspired by Title-page from Pelbartus de Temesvar, 1502–14, Metalcut (?), sheet: 11 13/16 x 8 3/4 in. (30 x 22.2 cm), Prints, Johann Otmar (German, Augsburg, 1502–1514, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Deposition, 1460-65. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-deposition-1460-65-image462412278.htmlRM2HT8KG6–The Deposition, 1460-65.
Saint Barbara. Dated: 1460/1480. Medium: metalcut, hand-colored in green and yellow. Museum: National Gallery of Art, Washington DC. Author: Workshop of Master of the Aachen Madonna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-barbara-dated-14601480-medium-metalcut-hand-colored-in-green-and-yellow-museum-national-gallery-of-art-washington-dc-author-workshop-of-master-of-the-aachen-madonna-image219022151.htmlRMPM98YK–Saint Barbara. Dated: 1460/1480. Medium: metalcut, hand-colored in green and yellow. Museum: National Gallery of Art, Washington DC. Author: Workshop of Master of the Aachen Madonna.
German 15th Century, (artist), The Adoration of the Magi, c. 1470/1480, metalcut, hand-colored in red, yellow, and green Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/german-15th-century-artist-the-adoration-of-the-magi-c-14701480-metalcut-hand-colored-in-red-yellow-and-green-image386279722.htmlRM2DCCFMA–German 15th Century, (artist), The Adoration of the Magi, c. 1470/1480, metalcut, hand-colored in red, yellow, and green
. English: Text Page Border with Bacchanal. Metalcut, image 26.1 × 17.2 cm, sheet 29.7 × 20.4 cm, Kunstmuseum Basel. Used in Johannes Oecolampadius's Kommentar zu Theophylactus Archiepiscopus Bulgariae, 'In quator Evangelia enarrationes' , Basel: Andreas Cratander, March 1524. The four borders do not seem to have been originally designed to go together (Christian Rümelin, in Müller et al, p. 453). 1523. Hans Holbein (1497/1498–1543) Alternative names Hans Holbein der Jüngere, Hans Holbein Description German painter and draughtsman Date of birth/death 1497 or 1498 between 7 October 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-text-page-border-with-bacchanal-metalcut-image-261-172-cm-sheet-297-204-cm-kunstmuseum-basel-used-in-johannes-oecolampadiuss-kommentar-zu-theophylactus-archiepiscopus-bulgariae-in-quator-evangelia-enarrationes-basel-andreas-cratander-march-1524-the-four-borders-do-not-seem-to-have-been-originally-designed-to-go-together-christian-rmelin-in-mller-et-al-p-453-1523-hans-holbein-149714981543-alternative-names-hans-holbein-der-jngere-hans-holbein-description-german-painter-and-draughtsman-date-of-birthdeath-1497-or-1498-between-7-october-1-image185598132.htmlRMMNXM8M–. English: Text Page Border with Bacchanal. Metalcut, image 26.1 × 17.2 cm, sheet 29.7 × 20.4 cm, Kunstmuseum Basel. Used in Johannes Oecolampadius's Kommentar zu Theophylactus Archiepiscopus Bulgariae, 'In quator Evangelia enarrationes' , Basel: Andreas Cratander, March 1524. The four borders do not seem to have been originally designed to go together (Christian Rümelin, in Müller et al, p. 453). 1523. Hans Holbein (1497/1498–1543) Alternative names Hans Holbein der Jüngere, Hans Holbein Description German painter and draughtsman Date of birth/death 1497 or 1498 between 7 October 1
Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence MET DP167210 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-with-twelve-engravings-of-the-passion-a-woodcut-of-christ-as-image155584494.htmlRMK13DH2–Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence MET DP167210
Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-with-twelve-engravings-of-the-passion-a-woodcut-of-christ-as-the-man-of-sorrows-and-a-metalcut-of-st-jerome-in-penitence-image231475420.htmlRMRCGH78–Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence
Unknown artist. Crucifixion of Saint Andrew from Missale Monasteriense, plate 65 from Woodcuts from Books of the XVI Century. 1520. France. Metalcut on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-crucifixion-of-saint-andrew-from-missale-monasteriense-plate-65-from-woodcuts-from-books-of-the-xvi-century-1520-france-metalcut-on-paper-image337937127.htmlRM2AHPA73–Unknown artist. Crucifixion of Saint Andrew from Missale Monasteriense, plate 65 from Woodcuts from Books of the XVI Century. 1520. France. Metalcut on paper
Christ Appearing to St. Mary Magdalen (Schr. 2388) 15th century Anonymous, German, 15th century German. Christ Appearing to St. Mary Magdalen (Schr. 2388) 382454 Artist: Anonymous, German, 15th century, Christ Appearing to St. Mary Magdalen (Schr. 2388), 15th century, Metalcut, hand-colored, sheet: 4 5/8 x 3 5/16 in. (11.8 x 8.4 cm). The Metropolitan Museum of Art, New York. Bequest of James Clark McGuire, 1930 (31.54.182) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-appearing-to-st-mary-magdalen-schr-2388-15th-century-anonymous-german-15th-century-german-christ-appearing-to-st-mary-magdalen-schr-2388-382454-artist-anonymous-german-15th-century-christ-appearing-to-st-mary-magdalen-schr-2388-15th-century-metalcut-hand-colored-sheet-4-58-x-3-516-in-118-x-84-cm-the-metropolitan-museum-of-art-new-york-bequest-of-james-clark-mcguire-1930-3154182-image458593482.htmlRM2HJ2MJJ–Christ Appearing to St. Mary Magdalen (Schr. 2388) 15th century Anonymous, German, 15th century German. Christ Appearing to St. Mary Magdalen (Schr. 2388) 382454 Artist: Anonymous, German, 15th century, Christ Appearing to St. Mary Magdalen (Schr. 2388), 15th century, Metalcut, hand-colored, sheet: 4 5/8 x 3 5/16 in. (11.8 x 8.4 cm). The Metropolitan Museum of Art, New York. Bequest of James Clark McGuire, 1930 (31.54.182)
Art inspired by Christ's Entry into Jerusalem, 15th century, Metalcut, hand-colored in green, yellow and red, sheet: 4 1/8 x 3 1/16 in. (10.5 x 7.8 cm), Prints, Anonymous, German, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-christs-entry-into-jerusalem-15th-century-metalcut-hand-colored-in-green-yellow-and-red-sheet-4-18-x-3-116-in-105-x-78-cm-prints-anonymous-german-15th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462993271.htmlRF2HW74HY–Art inspired by Christ's Entry into Jerusalem, 15th century, Metalcut, hand-colored in green, yellow and red, sheet: 4 1/8 x 3 1/16 in. (10.5 x 7.8 cm), Prints, Anonymous, German, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Christ before Annas, 1460-65. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-before-annas-1460-65-image462412142.htmlRM2HT8KBA–Christ before Annas, 1460-65.
The Nativity. Dated: c. 1480. Medium: metalcut, hand-colored in green, red, and yellow. Museum: National Gallery of Art, Washington DC. Author: Workshop of Master of the Aachen Madonna. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-nativity-dated-c-1480-medium-metalcut-hand-colored-in-green-red-and-yellow-museum-national-gallery-of-art-washington-dc-author-workshop-of-master-of-the-aachen-madonna-image218803229.htmlRMPKY9N1–The Nativity. Dated: c. 1480. Medium: metalcut, hand-colored in green, red, and yellow. Museum: National Gallery of Art, Washington DC. Author: Workshop of Master of the Aachen Madonna.
German 15th Century, (artist), Master of the Cologne Arms, (related artist), German, active c. 1470/1480, Saint Roche, 1480 or after, metalcut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/german-15th-century-artist-master-of-the-cologne-arms-related-artist-german-active-c-14701480-saint-roche-1480-or-after-metalcut-image386306327.htmlRM2DCDNJF–German 15th Century, (artist), Master of the Cologne Arms, (related artist), German, active c. 1470/1480, Saint Roche, 1480 or after, metalcut
. English: Title Page Border with Greek and Roman Philosophers and Authors of Antiquity, and the Coronation of Homer by Calliope. Metalcut, image 27.7 × 18.6 cm, sheet 28.9 × 19.7 cm, Kunstmuseum Basel. First used in Conrad Heresbach's Strabonis Geographicorum commentarii, Basel: Valentin Curio, March 1523. circa 1522. Hans Holbein (1497/1498–1543) Alternative names Hans Holbein der Jüngere, Hans Holbein Description German painter and draughtsman Date of birth/death 1497 or 1498 between 7 October 1543 and 29 November 1543 Location of birth/death Augsburg London Work location Basel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-title-page-border-with-greek-and-roman-philosophers-and-authors-of-antiquity-and-the-coronation-of-homer-by-calliope-metalcut-image-277-186-cm-sheet-289-197-cm-kunstmuseum-basel-first-used-in-conrad-heresbachs-strabonis-geographicorum-commentarii-basel-valentin-curio-march-1523-circa-1522-hans-holbein-149714981543-alternative-names-hans-holbein-der-jngere-hans-holbein-description-german-painter-and-draughtsman-date-of-birthdeath-1497-or-1498-between-7-october-1543-and-29-november-1543-location-of-birthdeath-augsburg-london-work-location-basel-image185602745.htmlRMMNXX5D–. English: Title Page Border with Greek and Roman Philosophers and Authors of Antiquity, and the Coronation of Homer by Calliope. Metalcut, image 27.7 × 18.6 cm, sheet 28.9 × 19.7 cm, Kunstmuseum Basel. First used in Conrad Heresbach's Strabonis Geographicorum commentarii, Basel: Valentin Curio, March 1523. circa 1522. Hans Holbein (1497/1498–1543) Alternative names Hans Holbein der Jüngere, Hans Holbein Description German painter and draughtsman Date of birth/death 1497 or 1498 between 7 October 1543 and 29 November 1543 Location of birth/death Augsburg London Work location Basel
Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence MET DP167206 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-with-twelve-engravings-of-the-passion-a-woodcut-of-christ-as-image155584489.htmlRMK13DGW–Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence MET DP167206
Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-with-twelve-engravings-of-the-passion-a-woodcut-of-christ-as-the-man-of-sorrows-and-a-metalcut-of-st-jerome-in-penitence-image231475413.htmlRMRCGH71–Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence
The Crucifixion. 1470–1480. Germany. Metalcut from two plates in black hand colored on ivory laid paper This imposing handcolored metalcut print was produced from two plates, including a similar but not identical outer border plate of visionary clouds and stars as The Man of Sorrows with Four Angels. It is therefore not the Crucifixion found bound into the same missal, but bears many similarities to it. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-crucifixion-14701480-germany-metalcut-from-two-plates-in-black-hand-colored-on-ivory-laid-paper-this-imposing-handcolored-metalcut-print-was-produced-from-two-plates-including-a-similar-but-not-identical-outer-border-plate-of-visionary-clouds-and-stars-as-the-man-of-sorrows-with-four-angels-it-is-therefore-not-the-crucifixion-found-bound-into-the-same-missal-but-bears-many-similarities-to-it-image337993721.htmlRM2AHTXC9–The Crucifixion. 1470–1480. Germany. Metalcut from two plates in black hand colored on ivory laid paper This imposing handcolored metalcut print was produced from two plates, including a similar but not identical outer border plate of visionary clouds and stars as The Man of Sorrows with Four Angels. It is therefore not the Crucifixion found bound into the same missal, but bears many similarities to it.
Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence late 15th century Israhel van Meckenem German This fascinating album provides vivid testimony to the way in which prints were used in the fifteenth century. Twelve outstanding early impressions of Israhel van Meckenem’s engravings of the Passion are interleaved with manuscript text of the Hundred Meditations on the Passion of Christ. The album also includes two rare devotional prints, both hand-colored, as well as liturgical calendars and several devotional texts in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-with-twelve-engravings-of-the-passion-a-woodcut-of-christ-as-the-man-of-sorrows-and-a-metalcut-of-st-jerome-in-penitence-late-15th-century-israhel-van-meckenem-german-this-fascinating-album-provides-vivid-testimony-to-the-way-in-which-prints-were-used-in-the-fifteenth-century-twelve-outstanding-early-impressions-of-israhel-van-meckenems-engravings-of-the-passion-are-interleaved-with-manuscript-text-of-the-hundred-meditations-on-the-passion-of-christ-the-album-also-includes-two-rare-devotional-prints-both-hand-colored-as-well-as-liturgical-calendars-and-several-devotional-texts-in-image458548355.htmlRM2HJ0K2Y–Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence late 15th century Israhel van Meckenem German This fascinating album provides vivid testimony to the way in which prints were used in the fifteenth century. Twelve outstanding early impressions of Israhel van Meckenem’s engravings of the Passion are interleaved with manuscript text of the Hundred Meditations on the Passion of Christ. The album also includes two rare devotional prints, both hand-colored, as well as liturgical calendars and several devotional texts in
Art inspired by Christ Appearing to St. Mary Magdalen (Schr. 2388), 15th century, Metalcut, hand-colored, sheet: 4 5/8 x 3 5/16 in. (11.8 x 8.4 cm), Prints, Anonymous, German, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-christ-appearing-to-st-mary-magdalen-schr-2388-15th-century-metalcut-hand-colored-sheet-4-58-x-3-516-in-118-x-84-cm-prints-anonymous-german-15th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462977476.htmlRF2HW6CDT–Art inspired by Christ Appearing to St. Mary Magdalen (Schr. 2388), 15th century, Metalcut, hand-colored, sheet: 4 5/8 x 3 5/16 in. (11.8 x 8.4 cm), Prints, Anonymous, German, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Flagellation, 1460-65. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-flagellation-1460-65-image462412130.htmlRM2HT8KAX–The Flagellation, 1460-65.
The Flagellation. Dated: c. 1480. Medium: metalcut, hand-colored in red lake, yellow, and green. Museum: National Gallery of Art, Washington DC. Author: German 15th Century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-flagellation-dated-c-1480-medium-metalcut-hand-colored-in-red-lake-yellow-and-green-museum-national-gallery-of-art-washington-dc-author-german-15th-century-image219064518.htmlRMPMB70P–The Flagellation. Dated: c. 1480. Medium: metalcut, hand-colored in red lake, yellow, and green. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.
German 15th Century, (artist), Master of the Cologne Arms, (related artist), German, active c. 1470/1480, Saint Barbara, 1480 or after, metalcut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/german-15th-century-artist-master-of-the-cologne-arms-related-artist-german-active-c-14701480-saint-barbara-1480-or-after-metalcut-image386293830.htmlRM2DCD5M6–German 15th Century, (artist), Master of the Cologne Arms, (related artist), German, active c. 1470/1480, Saint Barbara, 1480 or after, metalcut
. English: Title Page with the Tabula Cebetis, the so-called Cebes Tablet A. Metalcut, total area of print 26.4 × 17.9 cm, sheet 29.5 × 20.2 cm, Kunstmuseum Basel. First used in De patienta, in Quintus Septimius Tertullian's Opera ..., edited by Beatus Rhenanus, Basel: Johann Froben, July 1521. The Tabula Cebetis was a panel at a sanctuary of Chronos, explained in a dialogue attributed to Cebes, a student of Socrates. The panel set out the path living people must follow to achieve true character, interpreted here as beatitude (Christian Rümelin, in Müller et al, p. 491). Three variants (B, C, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-title-page-with-the-tabula-cebetis-the-so-called-cebes-tablet-a-metalcut-total-area-of-print-264-179-cm-sheet-295-202-cm-kunstmuseum-basel-first-used-in-de-patienta-in-quintus-septimius-tertullians-opera-edited-by-beatus-rhenanus-basel-johann-froben-july-1521-the-tabula-cebetis-was-a-panel-at-a-sanctuary-of-chronos-explained-in-a-dialogue-attributed-to-cebes-a-student-of-socrates-the-panel-set-out-the-path-living-people-must-follow-to-achieve-true-character-interpreted-here-as-beatitude-christian-rmelin-in-mller-et-al-p-491-three-variants-b-c-image185602759.htmlRMMNXX5Y–. English: Title Page with the Tabula Cebetis, the so-called Cebes Tablet A. Metalcut, total area of print 26.4 × 17.9 cm, sheet 29.5 × 20.2 cm, Kunstmuseum Basel. First used in De patienta, in Quintus Septimius Tertullian's Opera ..., edited by Beatus Rhenanus, Basel: Johann Froben, July 1521. The Tabula Cebetis was a panel at a sanctuary of Chronos, explained in a dialogue attributed to Cebes, a student of Socrates. The panel set out the path living people must follow to achieve true character, interpreted here as beatitude (Christian Rümelin, in Müller et al, p. 491). Three variants (B, C,
Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence MET DP167201 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-with-twelve-engravings-of-the-passion-a-woodcut-of-christ-as-image155584482.htmlRMK13DGJ–Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence MET DP167201
Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-with-twelve-engravings-of-the-passion-a-woodcut-of-christ-as-the-man-of-sorrows-and-a-metalcut-of-st-jerome-in-penitence-image231475409.htmlRMRCGH6W–Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence
Philippe Pigouchet. The Martyrdom of Saint John the Evangelist (recto), and December Calendar (verso), from Book of Hours. 1496–1497. France. Metalcut and letterpress in black with rubrication (recto/verso) on vellum Around 1488, engraver and printer Philippe Pigouchet and bookseller Simon Vostre embarked on a successful business partnership in Paris, and over the next 20 years they produced hundreds of exquisitely illustrated books. This leaf is taken from a book of hours, a Christian devotional publication containing psalms, prayers, and a calendar for worship and celebrations. It depicts th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/philippe-pigouchet-the-martyrdom-of-saint-john-the-evangelist-recto-and-december-calendar-verso-from-book-of-hours-14961497-france-metalcut-and-letterpress-in-black-with-rubrication-rectoverso-on-vellum-around-1488-engraver-and-printer-philippe-pigouchet-and-bookseller-simon-vostre-embarked-on-a-successful-business-partnership-in-paris-and-over-the-next-20-years-they-produced-hundreds-of-exquisitely-illustrated-books-this-leaf-is-taken-from-a-book-of-hours-a-christian-devotional-publication-containing-psalms-prayers-and-a-calendar-for-worship-and-celebrations-it-depicts-th-image337956699.htmlRM2AHR763–Philippe Pigouchet. The Martyrdom of Saint John the Evangelist (recto), and December Calendar (verso), from Book of Hours. 1496–1497. France. Metalcut and letterpress in black with rubrication (recto/verso) on vellum Around 1488, engraver and printer Philippe Pigouchet and bookseller Simon Vostre embarked on a successful business partnership in Paris, and over the next 20 years they produced hundreds of exquisitely illustrated books. This leaf is taken from a book of hours, a Christian devotional publication containing psalms, prayers, and a calendar for worship and celebrations. It depicts th
Art inspired by The Crucifixion, ca. 1475–1500, Metalcut, hand-colored in green and red, plate: 6 5/8 x 4 7/16 in. (16.8 x 11.3 cm), Prints, Anonymous, German, South Germany, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-crucifixion-ca-14751500-metalcut-hand-colored-in-green-and-red-plate-6-58-x-4-716-in-168-x-113-cm-prints-anonymous-german-south-germany-15th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462993265.htmlRF2HW74HN–Art inspired by The Crucifixion, ca. 1475–1500, Metalcut, hand-colored in green and red, plate: 6 5/8 x 4 7/16 in. (16.8 x 11.3 cm), Prints, Anonymous, German, South Germany, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Ascension, 1460-65. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ascension-1460-65-image462412286.htmlRM2HT8KGE–The Ascension, 1460-65.
Art inspired by The Mass of Saint Gregory, late 15th century, Metalcut with traces of hand-coloring; second state, 13-7/8 x 19-15/16 in.; 10-5/8 x 7-7/16 in., Prints, Master of the Church Fathers' Border (German, late 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-mass-of-saint-gregory-late-15th-century-metalcut-with-traces-of-hand-coloring-second-state-13-78-x-19-1516-in-10-58-x-7-716-in-prints-master-of-the-church-fathers-border-german-late-15th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462950464.htmlRF2HW5614–Art inspired by The Mass of Saint Gregory, late 15th century, Metalcut with traces of hand-coloring; second state, 13-7/8 x 19-15/16 in.; 10-5/8 x 7-7/16 in., Prints, Master of the Church Fathers' Border (German, late 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Adoration of the Magi. Dated: c. 1470/1480. Medium: metalcut, hand-colored in red, yellow, and green. Museum: National Gallery of Art, Washington DC. Author: German 15th Century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-magi-dated-c-14701480-medium-metalcut-hand-colored-in-red-yellow-and-green-museum-national-gallery-of-art-washington-dc-author-german-15th-century-image218953051.htmlRMPM64RR–The Adoration of the Magi. Dated: c. 1470/1480. Medium: metalcut, hand-colored in red, yellow, and green. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.
German 15th Century, (artist), Master of the Stoeger Passion, (related artist), German, active c. 1440/1470, Saint Margaret, c. 1460, metalcut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/german-15th-century-artist-master-of-the-stoeger-passion-related-artist-german-active-c-14401470-saint-margaret-c-1460-metalcut-image386303154.htmlRM2DCDHH6–German 15th Century, (artist), Master of the Stoeger Passion, (related artist), German, active c. 1440/1470, Saint Margaret, c. 1460, metalcut
Art inspired by Christ and the Woman of Samaria (Schr. 2215), ca. 1460–70, Metalcut with dot punch; hand-colored; mounted on fifteenth-century (?) type-printed page, 6-15/16 x 4-5/8 in., Prints, Master with the Cologne Arms (German, late 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-christ-and-the-woman-of-samaria-schr-2215-ca-146070-metalcut-with-dot-punch-hand-colored-mounted-on-fifteenth-century-type-printed-page-6-1516-x-4-58-in-prints-master-with-the-cologne-arms-german-late-15th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462950463.htmlRF2HW5613–Art inspired by Christ and the Woman of Samaria (Schr. 2215), ca. 1460–70, Metalcut with dot punch; hand-colored; mounted on fifteenth-century (?) type-printed page, 6-15/16 x 4-5/8 in., Prints, Master with the Cologne Arms (German, late 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence MET DP167202 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-with-twelve-engravings-of-the-passion-a-woodcut-of-christ-as-image155584481.htmlRMK13DGH–Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence MET DP167202
Art inspired by Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence, late 15th century, Engravings, two touched with gold; woodcut, hand-colored; metalcut, hand-colored; manuscript in dark brown ink with red, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-album-with-twelve-engravings-of-the-passion-a-woodcut-of-christ-as-the-man-of-sorrows-and-a-metalcut-of-st-jerome-in-penitence-late-15th-century-engravings-two-touched-with-gold-woodcut-hand-colored-metalcut-hand-colored-manuscript-in-dark-brown-ink-with-red-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462965076.htmlRF2HW5TK0–Art inspired by Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence, late 15th century, Engravings, two touched with gold; woodcut, hand-colored; metalcut, hand-colored; manuscript in dark brown ink with red, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by The Man of Sorrows with Angels, 15th century, Metalcut, hand-colored in green, yellow, and red, sheet: 2 3/8 x 1 13/16 in. (6 x 4.6 cm), Prints, Anonymous, German, 15th century, After Master ES (German, active ca. 1450–67, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-man-of-sorrows-with-angels-15th-century-metalcut-hand-colored-in-green-yellow-and-red-sheet-2-38-x-1-1316-in-6-x-46-cm-prints-anonymous-german-15th-century-after-master-es-german-active-ca-145067-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462993255.htmlRF2HW74HB–Art inspired by The Man of Sorrows with Angels, 15th century, Metalcut, hand-colored in green, yellow, and red, sheet: 2 3/8 x 1 13/16 in. (6 x 4.6 cm), Prints, Anonymous, German, 15th century, After Master ES (German, active ca. 1450–67, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/album-with-twelve-engravings-of-the-passion-a-woodcut-of-christ-as-the-man-of-sorrows-and-a-metalcut-of-st-jerome-in-penitence-image231475411.htmlRMRCGH6Y–Album with Twelve Engravings of The Passion, a Woodcut of Christ as the Man of Sorrows, and a Metalcut of St. Jerome in Penitence
Art inspired by Saints Anthony, Sebastian and Christopher, ca. 1470–90, Metalcut with dot punch, hand-colored; laid down on wooden book cover, 10-15/16 x 6-5/16 in.; 11 x 7-3/4 in., Prints, Anonymous, German, Cologne, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-saints-anthony-sebastian-and-christopher-ca-147090-metalcut-with-dot-punch-hand-colored-laid-down-on-wooden-book-cover-10-1516-x-6-516-in-11-x-7-34-in-prints-anonymous-german-cologne-15th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462950465.htmlRF2HW5615–Art inspired by Saints Anthony, Sebastian and Christopher, ca. 1470–90, Metalcut with dot punch, hand-colored; laid down on wooden book cover, 10-15/16 x 6-5/16 in.; 11 x 7-3/4 in., Prints, Anonymous, German, Cologne, 15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by The Death, Assumption, and Crowning of the Virgin, ca. 1470–85, Metalcut with star, fleur-de-lis, and dot punches, traces of hand-coloring, 10-13/32 x 7-1/4 in.; 13-7/8 x 9-29/32 in., Prints, The Master of the Mountainlike Clouds and The Master of the Church Fathers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-death-assumption-and-crowning-of-the-virgin-ca-147085-metalcut-with-star-fleur-de-lis-and-dot-punches-traces-of-hand-coloring-10-1332-x-7-14-in-13-78-x-9-2932-in-prints-the-master-of-the-mountainlike-clouds-and-the-master-of-the-church-fathers-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462950626.htmlRF2HW566X–Art inspired by The Death, Assumption, and Crowning of the Virgin, ca. 1470–85, Metalcut with star, fleur-de-lis, and dot punches, traces of hand-coloring, 10-13/32 x 7-1/4 in.; 13-7/8 x 9-29/32 in., Prints, The Master of the Mountainlike Clouds and The Master of the Church Fathers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
