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Metalwork silver Stock Photos and Images
Metalwork - silver - early VII century (610-630) - Disk, David anointed King by Samuel. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/metalwork-silver-early-vii-century-610-630-disk-david-anointed-king-by-samuel-image268857856.htmlRMWHBEX8–Metalwork - silver - early VII century (610-630) - Disk, David anointed King by Samuel.
Pair of triple salts, British, ca. 1745, British, Silver, Metalwork-Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pair-of-triple-salts-british-ca-1745-british-silver-metalwork-silver-image344589849.htmlRM2B0HBT9–Pair of triple salts, British, ca. 1745, British, Silver, Metalwork-Silver
Art inspired by Pair of candlesticks, ca. 1821–30, German, Berlin, Silver, Overall:, Metalwork-Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-pair-of-candlesticks-ca-182130-german-berlin-silver-overall-metalwork-silver-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462778861.htmlRF2HTWB4D–Art inspired by Pair of candlesticks, ca. 1821–30, German, Berlin, Silver, Overall:, Metalwork-Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Ewer and basin, Johannes Grill (1614-1670) Amsterdam, 1649. Scenes chased on silver were an Amsterdam speciality. This ewer and basin demonstrate Johannes Grill's mastery in combining fanciful motifs with Classical figures. His work was also admired outside the Netherlands. This ensemble, for instance, was made for Edward Sebright, an English nobleman. These showpieces were used to wash one's hands before and after a meal. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ewer-and-basin-johannes-grill-1614-1670-amsterdam-1649-scenes-chased-image68542418.htmlRMDYEAFE–Ewer and basin, Johannes Grill (1614-1670) Amsterdam, 1649. Scenes chased on silver were an Amsterdam speciality. This ewer and basin demonstrate Johannes Grill's mastery in combining fanciful motifs with Classical figures. His work was also admired outside the Netherlands. This ensemble, for instance, was made for Edward Sebright, an English nobleman. These showpieces were used to wash one's hands before and after a meal.
Scandinavia. Scandinavia. Silver hoard. Hahelle, Lier, Buskerud, 10th-11th century. Norway. Historical Museum. Oslo. Norway. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-scandinavia-scandinavia-silver-hoard-hahelle-lier-buskerud-10th-11th-139031262.htmlRMJ25BP6–Scandinavia. Scandinavia. Silver hoard. Hahelle, Lier, Buskerud, 10th-11th century. Norway. Historical Museum. Oslo. Norway.
French Standing Cup c1630. Enamelled copper, silver-gilt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-standing-cup-c1630-enamelled-copper-silver-gilt-image330684549.htmlRM2A5YYED–French Standing Cup c1630. Enamelled copper, silver-gilt
Archer on horseback, brass candlestick, inlaid with silver, decorated with scenes of the hunt, music and feasting. Cairo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-archer-on-horseback-brass-candlestick-inlaid-with-silver-decorated-27975506.htmlRMBHEB16–Archer on horseback, brass candlestick, inlaid with silver, decorated with scenes of the hunt, music and feasting. Cairo
Silver metalwork tomb of Alexander Nevsky, Prince of Novgorod, Hermitage State Museum, Winter Palace, St Petersburg, Russian Federation Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/silver-metalwork-tomb-of-alexander-nevsky-prince-of-novgorod-hermitage-state-museum-winter-palace-st-petersburg-russian-federation-image353668356.htmlRM2BFAYGM–Silver metalwork tomb of Alexander Nevsky, Prince of Novgorod, Hermitage State Museum, Winter Palace, St Petersburg, Russian Federation
An etched silver metal decorative hand from India. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-an-etched-silver-metal-decorative-hand-from-india-23615969.htmlRMBABPBD–An etched silver metal decorative hand from India.
oriental, flea market, metalwork, orientals, flea markets, metalworks Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oriental-flea-market-metalwork-orientals-flea-markets-metalworks-image456014373.htmlRF2HDW6YH–oriental, flea market, metalwork, orientals, flea markets, metalworks
Egypt: Brass basin in gold and silver metalwork showing Mamluk soldiers, by Mohammed ibn al-Zain, c. 1320-1340. A Mamluk ('owned'; also transliterated Mamlouk, Mamluq, Mamluke, Mameluk, Mameluke, Mamaluke or Marmeluke) is a soldier of slave origin, predominantly Cuman or Kipchak and later Circassian and Georgian. The 'Mamluk phenomenon', as David Ayalon dubbed the creation of the specific warrior class, was of great political importance and was extraordinarily long-lived, lasting from the 9th to the 19th century. Over time, Mamluks became a powerful military caste in various Muslim societies. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/egypt-brass-basin-in-gold-and-silver-metalwork-showing-mamluk-soldiers-by-mohammed-ibn-al-zain-c-1320-1340-a-mamluk-owned-also-transliterated-mamlouk-mamluq-mamluke-mameluk-mameluke-mamaluke-or-marmeluke-is-a-soldier-of-slave-origin-predominantly-cuman-or-kipchak-and-later-circassian-and-georgian-the-mamluk-phenomenon-as-david-ayalon-dubbed-the-creation-of-the-specific-warrior-class-was-of-great-political-importance-and-was-extraordinarily-long-lived-lasting-from-the-9th-to-the-19th-century-over-time-mamluks-became-a-powerful-military-caste-in-various-muslim-societies-image344250286.htmlRM2B01XN2–Egypt: Brass basin in gold and silver metalwork showing Mamluk soldiers, by Mohammed ibn al-Zain, c. 1320-1340. A Mamluk ('owned'; also transliterated Mamlouk, Mamluq, Mamluke, Mameluk, Mameluke, Mamaluke or Marmeluke) is a soldier of slave origin, predominantly Cuman or Kipchak and later Circassian and Georgian. The 'Mamluk phenomenon', as David Ayalon dubbed the creation of the specific warrior class, was of great political importance and was extraordinarily long-lived, lasting from the 9th to the 19th century. Over time, Mamluks became a powerful military caste in various Muslim societies.
Sasanian gold-plated silver dish depicting the King hunting a lion, a boar and a bear, Tabriz Museum, Iran. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sasanian-gold-plated-silver-dish-depicting-the-king-hunting-a-lion-a-boar-and-a-bear-tabriz-museum-iran-image388508244.htmlRM2DG226C–Sasanian gold-plated silver dish depicting the King hunting a lion, a boar and a bear, Tabriz Museum, Iran.
Roman silver pitcher with a greyhound shaped handle, Louvre Museum Bj2254 or MNE609. Width: 17 cm; Weight: 1,584 kg; Diameter: 14.5 cm; Height: 38 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-silver-pitcher-with-a-greyhound-shaped-handle-louvre-museum-bj2254-or-mne609-width-17-cm-weight-1584-kg-diameter-145-cm-height-38-cm-image450539155.htmlRF2H4YR83–Roman silver pitcher with a greyhound shaped handle, Louvre Museum Bj2254 or MNE609. Width: 17 cm; Weight: 1,584 kg; Diameter: 14.5 cm; Height: 38 cm
BRUSSELS, Belgium — The Museum of the City of Brussels displays its collection of historic silver, showcasing the city's tradition of metalwork craftsmanship. These precious metal artifacts, housed in the Maison du Roi, represent various periods of Brussels' silversmithing heritage. The collection demonstrates the sophisticated techniques and artistic achievement of Brussels' silver craftsmen. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/brussels-belgium-the-museum-of-the-city-of-brussels-displays-its-collection-image68348518.htmlRMDY5F6E–BRUSSELS, Belgium — The Museum of the City of Brussels displays its collection of historic silver, showcasing the city's tradition of metalwork craftsmanship. These precious metal artifacts, housed in the Maison du Roi, represent various periods of Brussels' silversmithing heritage. The collection demonstrates the sophisticated techniques and artistic achievement of Brussels' silver craftsmen.
Roundel with griffins. Gilded silver, inlaid with stones, iron backing. Central Asia. Sarmatian, 3rd-2nd century BC. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-roundel-with-griffins-gilded-silver-inlaid-with-stones-iron-backing-118410436.htmlRMGTJ1M4–Roundel with griffins. Gilded silver, inlaid with stones, iron backing. Central Asia. Sarmatian, 3rd-2nd century BC.
Bowl 1737 Dutch, Leeuwarden. Bowl. Dutch, Leeuwarden. 1737. Silver. Metalwork-Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bowl-1737-dutch-leeuwarden-bowl-dutch-leeuwarden-1737-silver-metalwork-silver-image458042273.htmlRM2HH5HGH–Bowl 1737 Dutch, Leeuwarden. Bowl. Dutch, Leeuwarden. 1737. Silver. Metalwork-Silver
Metalwork. Strut attached to side of fuselage of airplane, showing bolted holding plate with links and joints. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-metalwork-strut-attached-to-side-of-fuselage-of-airplane-showing-bolted-89760268.htmlRMF60X3T–Metalwork. Strut attached to side of fuselage of airplane, showing bolted holding plate with links and joints.
19th Century book illustration, taken from 9th edition (1875) of Encyclopaedia Britannica, of 15th century silver beaker Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-19th-century-book-illustration-taken-from-9th-edition-1875-of-encyclopaedia-36615258.htmlRMC3FY3P–19th Century book illustration, taken from 9th edition (1875) of Encyclopaedia Britannica, of 15th century silver beaker
Silver ornamental indian elephant, in a shop. India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-silver-ornamental-indian-elephant-in-a-shop-india-33688176.htmlRMBXPHH4–Silver ornamental indian elephant, in a shop. India
Amarah Silver Workers, Baghdad, Iraq Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/amarah-silver-workers-baghdad-iraq-image66164454.htmlRMDRJ1C6–Amarah Silver Workers, Baghdad, Iraq
Marrow spoon, British, London, 1750–55, British, London, Silver, Metalwork-Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marrow-spoon-british-london-175055-british-london-silver-metalwork-silver-image344670894.htmlRM2B0N36P–Marrow spoon, British, London, 1750–55, British, London, Silver, Metalwork-Silver
Art inspired by Mirror frame, ca. 1743–45, German, Augsburg, Silver gilt, Metalwork-Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-mirror-frame-ca-174345-german-augsburg-silver-gilt-metalwork-silver-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462778769.htmlRF2HTWB15–Art inspired by Mirror frame, ca. 1743–45, German, Augsburg, Silver gilt, Metalwork-Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Pointed salver with Hannah and Samuel. Middleburg, 1618. Engraving: Johannes Looff (active 1627-1651), 1631 parcel-gilt silver. The engraving on this salver demonstrates the sheer virtuosity of the Zeeland seal engraver Johannes Looff. With incised grooves varying in depth and width, he rendered a painting by the Zeeland painter Dirk van Delen and prints by other contemporaries in silver. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pointed-salver-with-hannah-and-samuel-middleburg-1618-engraving-johannes-image68542421.htmlRMDYEAFH–Pointed salver with Hannah and Samuel. Middleburg, 1618. Engraving: Johannes Looff (active 1627-1651), 1631 parcel-gilt silver. The engraving on this salver demonstrates the sheer virtuosity of the Zeeland seal engraver Johannes Looff. With incised grooves varying in depth and width, he rendered a painting by the Zeeland painter Dirk van Delen and prints by other contemporaries in silver.
Viking era. Treasure of Gullunge. 11th-12th century. Silver crucifix. Skederik, Uppland. Swedish History Museum. Stockholm. Sweden. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-viking-era-treasure-of-gullunge-11th-12th-century-silver-crucifix-135753662.htmlRMHTT352–Viking era. Treasure of Gullunge. 11th-12th century. Silver crucifix. Skederik, Uppland. Swedish History Museum. Stockholm. Sweden.
Inca silver figurine 1350-1532 AD, Peru or Bolivia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inca-silver-figurine-1350-1532-ad-peru-or-bolivia-image483536229.htmlRM2K2JYB1–Inca silver figurine 1350-1532 AD, Peru or Bolivia
Archer on horseback, brass candlestick, inlaid with silver, decorated with scenes of the hunt, music and feasting. Cairo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-archer-on-horseback-brass-candlestick-inlaid-with-silver-decorated-27975497.htmlRMBHEB0W–Archer on horseback, brass candlestick, inlaid with silver, decorated with scenes of the hunt, music and feasting. Cairo
Silver metalwork tomb of Alexander Nevsky, Prince of Novgorod, Hermitage State Museum, Winter Palace, St Petersburg, Russian Federation Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/silver-metalwork-tomb-of-alexander-nevsky-prince-of-novgorod-hermitage-state-museum-winter-palace-st-petersburg-russian-federation-image353668447.htmlRM2BFAYKY–Silver metalwork tomb of Alexander Nevsky, Prince of Novgorod, Hermitage State Museum, Winter Palace, St Petersburg, Russian Federation
Blessed Virgin Mary and the Holy Spirit. Silver decoration in the Chapel of the Gate of Dawn in Vilnius, Lithuania. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-blessed-virgin-mary-and-the-holy-spirit-silver-decoration-in-the-chapel-79743242.htmlRMEHMH8X–Blessed Virgin Mary and the Holy Spirit. Silver decoration in the Chapel of the Gate of Dawn in Vilnius, Lithuania.
Metalwork design featuring rows of intricate silver Jewish stars of David at the entrance to the Mt. Herzl military cemetery in Jerusalem. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/metalwork-design-featuring-rows-of-intricate-silver-jewish-stars-of-david-at-the-entrance-to-the-mt-herzl-military-cemetery-in-jerusalem-image574984382.htmlRF2TBCPCE–Metalwork design featuring rows of intricate silver Jewish stars of David at the entrance to the Mt. Herzl military cemetery in Jerusalem.
Processional cross. Culture: Italian, Florence. Dimensions: Overall: 21 3/4 × 12 3/4 in. (55.2 × 32.4 cm). Date: ca. 1460-80. Inscriptions on the back of this object indicate that it served as the repository for a relic believed to be a fragment of the True Cross and that it is thought to have been made for a convent of the Poor Clares, probably in Florence. It is an extraordinary example of Florentine Renaissance metalwork, incorporating within its silver-gilt frame a series of twenty silver plaques with nielloed scenes depicting the Passion of Christ and various saints. Museum: Metropolita Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/processional-cross-culture-italian-florence-dimensions-overall-21-34-12-34-in-552-324-cm-date-ca-1460-80-inscriptions-on-the-back-of-this-object-indicate-that-it-served-as-the-repository-for-a-relic-believed-to-be-a-fragment-of-the-true-cross-and-that-it-is-thought-to-have-been-made-for-a-convent-of-the-poor-clares-probably-in-florence-it-is-an-extraordinary-example-of-florentine-renaissance-metalwork-incorporating-within-its-silver-gilt-frame-a-series-of-twenty-silver-plaques-with-nielloed-scenes-depicting-the-passion-of-christ-and-various-saints-museum-metropolita-image212895516.htmlRMPAA6B8–Processional cross. Culture: Italian, Florence. Dimensions: Overall: 21 3/4 × 12 3/4 in. (55.2 × 32.4 cm). Date: ca. 1460-80. Inscriptions on the back of this object indicate that it served as the repository for a relic believed to be a fragment of the True Cross and that it is thought to have been made for a convent of the Poor Clares, probably in Florence. It is an extraordinary example of Florentine Renaissance metalwork, incorporating within its silver-gilt frame a series of twenty silver plaques with nielloed scenes depicting the Passion of Christ and various saints. Museum: Metropolita
a Mark Bazier-Jones stool with three legs and purple seat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-mark-bazier-jones-stool-with-three-legs-and-purple-seat-16443427.htmlRMAW2DCM–a Mark Bazier-Jones stool with three legs and purple seat
Roman silver pitcher with a greyhound shaped handle, Louvre Museum Bj2254 or MNE609. Width: 17 cm; Weight: 1,584 kg; Diameter: 14.5 cm; Height: 38 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-silver-pitcher-with-a-greyhound-shaped-handle-louvre-museum-bj2254-or-mne609-width-17-cm-weight-1584-kg-diameter-145-cm-height-38-cm-image450558610.htmlRF2H50M2X–Roman silver pitcher with a greyhound shaped handle, Louvre Museum Bj2254 or MNE609. Width: 17 cm; Weight: 1,584 kg; Diameter: 14.5 cm; Height: 38 cm
BUENOS AIRES, Argentina — The Basílica de Nuestra Señora del Pilar's collection of colonial-era silver and gold religious artifacts demonstrates the sophisticated metalwork of Spanish colonial artisans. These sacred objects, some featuring Peruvian silverwork and Inca-influenced designs, form part of the church's historical treasury. The preserved artifacts illustrate the wealth and artistic sophistication of colonial religious institutions in 18th-century Buenos Aires. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/buenos-aires-argentina-the-baslica-de-nuestra-seora-del-pilars-collection-image65468476.htmlRMDPE9KT–BUENOS AIRES, Argentina — The Basílica de Nuestra Señora del Pilar's collection of colonial-era silver and gold religious artifacts demonstrates the sophisticated metalwork of Spanish colonial artisans. These sacred objects, some featuring Peruvian silverwork and Inca-influenced designs, form part of the church's historical treasury. The preserved artifacts illustrate the wealth and artistic sophistication of colonial religious institutions in 18th-century Buenos Aires.
China: A belt hook inlaid with gold and silver, c. 2nd century BCE. A belt hook inlaid with gold and silver, from either the late Warring States Period (403–221 BCE) or early Western Han Dynasty (208 BCE-8 CE). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-a-belt-hook-inlaid-with-gold-and-silver-c-2nd-century-bce-a-belt-hook-inlaid-with-gold-and-silver-from-either-the-late-warring-states-period-403221-bce-or-early-western-han-dynasty-208-bce-8-ce-image344233076.htmlRM2B014PC–China: A belt hook inlaid with gold and silver, c. 2nd century BCE. A belt hook inlaid with gold and silver, from either the late Warring States Period (403–221 BCE) or early Western Han Dynasty (208 BCE-8 CE).
Snuffbox 1795 James Kennedy. Snuffbox. Irish, Dublin. 1795. Silver. Metalwork-Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/snuffbox-1795-james-kennedy-snuffbox-irish-dublin-1795-silver-metalwork-silver-image457928597.htmlRM2HH0CGN–Snuffbox 1795 James Kennedy. Snuffbox. Irish, Dublin. 1795. Silver. Metalwork-Silver
Ardagh Hoard Chalice hoard metalwork National Museum Ireland Dublin Insular art silver cup decorated gold gilt bronze brass lead Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ardagh-hoard-chalice-hoard-metalwork-national-museum-ireland-dublin-41574313.htmlRMCBHTCW–Ardagh Hoard Chalice hoard metalwork National Museum Ireland Dublin Insular art silver cup decorated gold gilt bronze brass lead
John Tann antique safe at the London Silver Vaults ,Chancery Lane , London , UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-tann-antique-safe-at-the-london-silver-vaults-chancery-lane-london-uk-image612371172.htmlRM2XG7WK0–John Tann antique safe at the London Silver Vaults ,Chancery Lane , London , UK
Detail of filigree, great silver door of 1636 of the Imam Mosque in Imam Square, Isfahan, Iran Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-detail-of-filigree-great-silver-door-of-1636-of-the-imam-mosque-in-99560460.htmlRFFNYAAM–Detail of filigree, great silver door of 1636 of the Imam Mosque in Imam Square, Isfahan, Iran
Mirror, gueridons, and table overlaid with silver plaques, 1910.Artist: Edwin Foley Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mirror-gueridons-and-table-overlaid-with-silver-plaques-1910artist-edwin-foley-image262762833.htmlRMW7DTJW–Mirror, gueridons, and table overlaid with silver plaques, 1910.Artist: Edwin Foley
Miniature chandelier (part of a set), Southern German, 1675–1700, Southern German, Silver, Metalwork-Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/miniature-chandelier-part-of-a-set-southern-german-16751700-southern-german-silver-metalwork-silver-image344606837.htmlRM2B0J5F1–Miniature chandelier (part of a set), Southern German, 1675–1700, Southern German, Silver, Metalwork-Silver
Art inspired by Nutmeg grater, ca. 1690, British, Cowrie shell, silver, Metalwork-Silver In Combination, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-nutmeg-grater-ca-1690-british-cowrie-shell-silver-metalwork-silver-in-combination-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462775685.htmlRF2HTW731–Art inspired by Nutmeg grater, ca. 1690, British, Cowrie shell, silver, Metalwork-Silver In Combination, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The hand of Fatima. Silver alloy metalwork from morocco. early 20th century. Islamic art. the fingers represent the Five Pillars of Islam. the hand wards away the evil eye Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-hand-of-fatima-silver-alloy-metalwork-from-morocco-early-20th-57357581.htmlRMD98T51–The hand of Fatima. Silver alloy metalwork from morocco. early 20th century. Islamic art. the fingers represent the Five Pillars of Islam. the hand wards away the evil eye
Scandinavia. Kufina coins and currency silver. Teisen, Oslo, 10th cent. Silver ingots and currency silver. Grimestad, Stokke, Vestfold, 10th cent. Weight (horse), Store Berge, Stokke, Vestfold, Middle Ages, 3 currency gold, Finstad, Loten, Hedmark, 5th century. Norway. Historical Museum. Oslo. Norway. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-scandinavia-kufina-coins-and-currency-silver-teisen-oslo-10th-cent-139031263.htmlRMJ25BP7–Scandinavia. Kufina coins and currency silver. Teisen, Oslo, 10th cent. Silver ingots and currency silver. Grimestad, Stokke, Vestfold, 10th cent. Weight (horse), Store Berge, Stokke, Vestfold, Middle Ages, 3 currency gold, Finstad, Loten, Hedmark, 5th century. Norway. Historical Museum. Oslo. Norway.
Inca silver figurine 1350-1532 AD, Peru or Bolivia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inca-silver-figurine-1350-1532-ad-peru-or-bolivia-image483536245.htmlRM2K2JYBH–Inca silver figurine 1350-1532 AD, Peru or Bolivia
A Moroccan copper and silver-smith hammers plates in the Kettanine district of the Fez medina, Morocco surrounded by his work. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-moroccan-copper-and-silver-smith-hammers-plates-in-the-kettanine-130261560.htmlRFHFWWXG–A Moroccan copper and silver-smith hammers plates in the Kettanine district of the Fez medina, Morocco surrounded by his work.
Head of a king. Silver, mercury gilding. Iran. Sasanian period. Royal portrait. 4th century A.D. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-head-of-a-king-silver-mercury-gilding-iran-sasanian-period-royal-portrait-118098159.htmlRMGT3RBB–Head of a king. Silver, mercury gilding. Iran. Sasanian period. Royal portrait. 4th century A.D.
Silver votive plaques (ex voto) in the Chapel of the Gate of Dawn in Vilnius, Lithuania. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-silver-votive-plaques-ex-voto-in-the-chapel-of-the-gate-of-dawn-in-79743243.htmlRMEHMH8Y–Silver votive plaques (ex voto) in the Chapel of the Gate of Dawn in Vilnius, Lithuania.
Gorham Silver. Design drawing for metalwork: 'Design for Chalice, Plan of Foot.' Gothic treasure/reliquary style, jeweled, with Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gorham-silver-design-drawing-for-metalwork-design-for-chalice-plan-32379254.htmlRMBTK01X–Gorham Silver. Design drawing for metalwork: 'Design for Chalice, Plan of Foot.' Gothic treasure/reliquary style, jeweled, with
Standing cup (half of a double cup). Culture: Hungarian, Kassa. Dimensions: Overall: 5 3/4 x 2 3/4 x 2 3/4 in. (14.6 x 7 x 7 cm). Maker: Michael Czikos de Tarcal (active 1601-12). Date: early 17th century. The punched intersecting lines on this silver cup are inspired by the Renaissance glass pattern reticello (meaning netlike), in which narrow opaque white glass rods form a fine lattice design with tiny air bubbles at the center of each diamond. In metalwork, the intersecting lines are punched with a light-catching dot. The tall lip indicates that the cup was originally one half of a double Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/standing-cup-half-of-a-double-cup-culture-hungarian-kassa-dimensions-overall-5-34-x-2-34-x-2-34-in-146-x-7-x-7-cm-maker-michael-czikos-de-tarcal-active-1601-12-date-early-17th-century-the-punched-intersecting-lines-on-this-silver-cup-are-inspired-by-the-renaissance-glass-pattern-reticello-meaning-netlike-in-which-narrow-opaque-white-glass-rods-form-a-fine-lattice-design-with-tiny-air-bubbles-at-the-center-of-each-diamond-in-metalwork-the-intersecting-lines-are-punched-with-a-light-catching-dot-the-tall-lip-indicates-that-the-cup-was-originally-one-half-of-a-double-image213162288.htmlRMPAPAJT–Standing cup (half of a double cup). Culture: Hungarian, Kassa. Dimensions: Overall: 5 3/4 x 2 3/4 x 2 3/4 in. (14.6 x 7 x 7 cm). Maker: Michael Czikos de Tarcal (active 1601-12). Date: early 17th century. The punched intersecting lines on this silver cup are inspired by the Renaissance glass pattern reticello (meaning netlike), in which narrow opaque white glass rods form a fine lattice design with tiny air bubbles at the center of each diamond. In metalwork, the intersecting lines are punched with a light-catching dot. The tall lip indicates that the cup was originally one half of a double
Silver cutlery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-silver-cutlery-134838323.htmlRMHRABJB–Silver cutlery.
Roman silver pitcher with a greyhound shaped handle, Louvre Museum Bj2254 or MNE609. Width: 17 cm; Weight: 1,584 kg; Diameter: 14.5 cm; Height: 38 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-silver-pitcher-with-a-greyhound-shaped-handle-louvre-museum-bj2254-or-mne609-width-17-cm-weight-1584-kg-diameter-145-cm-height-38-cm-image450509958.htmlRF2H4XE1A–Roman silver pitcher with a greyhound shaped handle, Louvre Museum Bj2254 or MNE609. Width: 17 cm; Weight: 1,584 kg; Diameter: 14.5 cm; Height: 38 cm
annealing silver goblet with flame Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-annealing-silver-goblet-with-flame-26652695.htmlRMBFA3NY–annealing silver goblet with flame
Japan: A spherical silver incense burner, Shosoin Treasury, 8th century CE. The Shōsō-in is the treasure house that belongs to Tōdai-ji, Nara. The Shōsō-in houses artifacts connected to Emperor Shōmu (701-756) and Empress Kōmyō (701-760), as well as arts and crafts of the Tenpyō period of Japanese history. After the Meiji Restoration, the Shōsō-in came under the administration of the national government, and since World War II has been under the administration of the Imperial Household Agency. It is on the UNESCO register of World Heritage Sites. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japan-a-spherical-silver-incense-burner-shosoin-treasury-8th-century-ce-the-shs-in-is-the-treasure-house-that-belongs-to-tdai-ji-nara-the-shs-in-houses-artifacts-connected-to-emperor-shmu-701-756-and-empress-kmy-701-760-as-well-as-arts-and-crafts-of-the-tenpy-period-of-japanese-history-after-the-meiji-restoration-the-shs-in-came-under-the-administration-of-the-national-government-and-since-world-war-ii-has-been-under-the-administration-of-the-imperial-household-agency-it-is-on-the-unesco-register-of-world-heritage-sites-image344249230.htmlRM2B01WBA–Japan: A spherical silver incense burner, Shosoin Treasury, 8th century CE. The Shōsō-in is the treasure house that belongs to Tōdai-ji, Nara. The Shōsō-in houses artifacts connected to Emperor Shōmu (701-756) and Empress Kōmyō (701-760), as well as arts and crafts of the Tenpyō period of Japanese history. After the Meiji Restoration, the Shōsō-in came under the administration of the national government, and since World War II has been under the administration of the Imperial Household Agency. It is on the UNESCO register of World Heritage Sites.
Pomander 17th century Italian. Pomander. Italian. 17th century. Silver. Metalwork-Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pomander-17th-century-italian-pomander-italian-17th-century-silver-metalwork-silver-image457873516.htmlRM2HGWX9G–Pomander 17th century Italian. Pomander. Italian. 17th century. Silver. Metalwork-Silver
Silver sauce boat in the Dining Room at Killerton, Devon. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-silver-sauce-boat-in-the-dining-room-at-killerton-devon-92375755.htmlRMFA8263–Silver sauce boat in the Dining Room at Killerton, Devon.
silver, flush, cast, mould, ingot, platinum, silversmith, mold, liquid, flow, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-silver-flush-cast-mould-ingot-platinum-silversmith-mold-liquid-flow-142834502.htmlRFJ8AJT6–silver, flush, cast, mould, ingot, platinum, silversmith, mold, liquid, flow,
Craft persons hands working a silver bracelet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-craft-persons-hands-working-a-silver-bracelet-79491574.htmlRMEH948P–Craft persons hands working a silver bracelet
Silver-colored scrap metal collected in a blue bin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/silver-colored-scrap-metal-collected-in-a-blue-bin-image538998589.htmlRF2P8WE5H–Silver-colored scrap metal collected in a blue bin
Spoon, Dutch, 1860, Dutch, Silver, Length: 8 1/4 in. (21 cm), Metalwork-Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spoon-dutch-1860-dutch-silver-length-8-14-in-21-cm-metalwork-silver-image344588615.htmlRM2B0HA87–Spoon, Dutch, 1860, Dutch, Silver, Length: 8 1/4 in. (21 cm), Metalwork-Silver
Art inspired by Pitcher, ca. 1933, Silver, H.9, Diam. 5-1/2 inches, Metalwork-Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-pitcher-ca-1933-silver-h9-diam-5-12-inches-metalwork-silver-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462847081.htmlRF2HW0E4W–Art inspired by Pitcher, ca. 1933, Silver, H.9, Diam. 5-1/2 inches, Metalwork-Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The hand of Fatima. Silver alloy metalwork from morocco. early 20th century. Islamic art. the fingers represent the Five Pillars of Islam. the hand wards away the evil eye. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-hand-of-fatima-silver-alloy-metalwork-from-morocco-early-20th-57357579.htmlRMD98T4Y–The hand of Fatima. Silver alloy metalwork from morocco. early 20th century. Islamic art. the fingers represent the Five Pillars of Islam. the hand wards away the evil eye.
Silver ingot and arm ring from the Viking Age, from the Tonsberg region, Vestfold. Silver ingot from the Viking Age, from Fuglevik, Fredrikstad, Ostfold. Currency gold from the 6th century, from Sletner, Eidsberg, Ostfold. Gold ingot and part of a gold arm ring from 800 BC, fra Hemstad, Stange, Hedmark. Norway. Historical Museum. Oslo. Norway. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-silver-ingot-and-arm-ring-from-the-viking-age-from-the-tonsberg-region-139031267.htmlRMJ25BPB–Silver ingot and arm ring from the Viking Age, from the Tonsberg region, Vestfold. Silver ingot from the Viking Age, from Fuglevik, Fredrikstad, Ostfold. Currency gold from the 6th century, from Sletner, Eidsberg, Ostfold. Gold ingot and part of a gold arm ring from 800 BC, fra Hemstad, Stange, Hedmark. Norway. Historical Museum. Oslo. Norway.
Inca silver figurine of a Llama 1350-1532 AD, Peru or Bolivia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inca-silver-figurine-of-a-llama-1350-1532-ad-peru-or-bolivia-image483536257.htmlRM2K2JYC1–Inca silver figurine of a Llama 1350-1532 AD, Peru or Bolivia
Skilled craftsman melts silver as a young apprentice observes the process Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/skilled-craftsman-melts-silver-as-a-young-apprentice-observes-the-process-image604884031.htmlRF2X42RN3–Skilled craftsman melts silver as a young apprentice observes the process
Gira or gre torque (torc). Nuristan, Afghanistan. 19th century. Silver with turquoises. Museum of World Cultures. Barcelona, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gira-or-gre-torque-torc-nuristan-afghanistan-19th-century-silver-with-turquoises-museum-of-world-cultures-barcelona-spain-image384116676.htmlRM2D8X0MM–Gira or gre torque (torc). Nuristan, Afghanistan. 19th century. Silver with turquoises. Museum of World Cultures. Barcelona, Spain.
Silver necklace with two kaptorgas (early medieval containers for amulets) dated from the end of the 9th century to the first half of the 10th century on display at the exhibition 'At the Beginning of the Statehood' in Prague, Czech Republic. The exhibition to celebrate the 100th anniversary of Czechoslovakia runs for only five days from January 10 to January 15, 2018 in the Imperial Stables of Prague Castle. The necklace was discovered in the grave from the time of Great Moravia in the Lumbe Garden (Lumbeho zahrada) of Prague Castle. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-silver-necklace-with-two-kaptorgas-early-medieval-containers-for-amulets-176980265.htmlRMM7X43N–Silver necklace with two kaptorgas (early medieval containers for amulets) dated from the end of the 9th century to the first half of the 10th century on display at the exhibition 'At the Beginning of the Statehood' in Prague, Czech Republic. The exhibition to celebrate the 100th anniversary of Czechoslovakia runs for only five days from January 10 to January 15, 2018 in the Imperial Stables of Prague Castle. The necklace was discovered in the grave from the time of Great Moravia in the Lumbe Garden (Lumbeho zahrada) of Prague Castle.
Waterperry Arts in Action - precious metals inlay artist at work Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-waterperry-arts-in-action-precious-metals-inlay-artist-at-work-49746551.htmlRMCTX46F–Waterperry Arts in Action - precious metals inlay artist at work
Toilet set in original leather case. Artist: Fourteen identified German (Augsburg) goldsmiths and other German artisans; Japanese (Imari) porcelain maker. Culture: German, Augsburg. Dimensions: Case: H.16 1/2 in.; with opened lid: H.37 3/4 in.; D.28 in.; Silver-gilt mirror: H.29 1/2 in.; W.23 1/2 in.. Date: ca. 1743-45. This ensemble unites an accomplished level of artistic design and quality of execution with an exalted provenance. Furthermore, it embodies the ultimate expression of princely splendor in precious metalwork. The showpiece was used as part of the daily levée, or ceremonial dres Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/toilet-set-in-original-leather-case-artist-fourteen-identified-german-augsburg-goldsmiths-and-other-german-artisans-japanese-imari-porcelain-maker-culture-german-augsburg-dimensions-case-h16-12-in-with-opened-lid-h37-34-in-d28-in-silver-gilt-mirror-h29-12-in-w23-12-in-date-ca-1743-45-this-ensemble-unites-an-accomplished-level-of-artistic-design-and-quality-of-execution-with-an-exalted-provenance-furthermore-it-embodies-the-ultimate-expression-of-princely-splendor-in-precious-metalwork-the-showpiece-was-used-as-part-of-the-daily-leve-or-ceremonial-dres-image213181554.htmlRMPAR76X–Toilet set in original leather case. Artist: Fourteen identified German (Augsburg) goldsmiths and other German artisans; Japanese (Imari) porcelain maker. Culture: German, Augsburg. Dimensions: Case: H.16 1/2 in.; with opened lid: H.37 3/4 in.; D.28 in.; Silver-gilt mirror: H.29 1/2 in.; W.23 1/2 in.. Date: ca. 1743-45. This ensemble unites an accomplished level of artistic design and quality of execution with an exalted provenance. Furthermore, it embodies the ultimate expression of princely splendor in precious metalwork. The showpiece was used as part of the daily levée, or ceremonial dres
Tarnished silver teaspoon on a textured background, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tarnished-silver-teaspoon-on-a-textured-background-uk-image624413774.htmlRF2Y7TE3X–Tarnished silver teaspoon on a textured background, UK
Roman silver pitcher with a greyhound shaped handle, Louvre Museum Bj2254 or MNE609. Width: 17 cm; Weight: 1,584 kg; Diameter: 14.5 cm; Height: 38 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-silver-pitcher-with-a-greyhound-shaped-handle-louvre-museum-bj2254-or-mne609-width-17-cm-weight-1584-kg-diameter-145-cm-height-38-cm-image450439108.htmlRF2H4R7K0–Roman silver pitcher with a greyhound shaped handle, Louvre Museum Bj2254 or MNE609. Width: 17 cm; Weight: 1,584 kg; Diameter: 14.5 cm; Height: 38 cm
Silver Llama with gold and cinnabar inlay , restored 1960 , from the Island of the Sun , in Lake Titicaca , Bolivia , South America. The American Museum of Natural History , New York Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/silver-llama-with-gold-and-cinnabar-inlay-restored-1960-from-the-island-of-the-sun-in-lake-titicaca-bolivia-south-america-the-american-museum-of-natural-history-new-york-image268854413.htmlRMWHBAF9–Silver Llama with gold and cinnabar inlay , restored 1960 , from the Island of the Sun , in Lake Titicaca , Bolivia , South America. The American Museum of Natural History , New York
Elaborate chased metalwork mate tea gourd and bombilla from Argentina. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-elaborate-chased-metalwork-mate-tea-gourd-and-bombilla-from-argentina-175100103.htmlRFM4TDY3–Elaborate chased metalwork mate tea gourd and bombilla from Argentina.
Candlestick 18th century Spanish. Candlestick. Spanish. 18th century. Silver. Metalwork-Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/candlestick-18th-century-spanish-candlestick-spanish-18th-century-silver-metalwork-silver-image458453666.htmlRM2HHTA96–Candlestick 18th century Spanish. Candlestick. Spanish. 18th century. Silver. Metalwork-Silver
Silver anvil isolated on white Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-silver-anvil-isolated-on-white-109541097.htmlRFGA60P1–Silver anvil isolated on white
Illustration of a silversmith casting silver into ingot moulds Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-illustration-of-a-silversmith-casting-silver-into-ingot-moulds-38761359.htmlRFC71ME7–Illustration of a silversmith casting silver into ingot moulds
Beautiful raised silver work on panel on the side of an elephant howdah Mehrangarh Fort Museum Jodhpur Rajasthan state India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-beautiful-raised-silver-work-on-panel-on-the-side-of-an-elephant-howdah-10087859.htmlRMA0XX1T–Beautiful raised silver work on panel on the side of an elephant howdah Mehrangarh Fort Museum Jodhpur Rajasthan state India
Small silver coloured metalwork dragon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/small-silver-coloured-metalwork-dragon-image634481144.htmlRF2YT734T–Small silver coloured metalwork dragon
Spoon, German, 18th century, German, Silver, Length: 8 in. (20.3 cm), Metalwork-Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spoon-german-18th-century-german-silver-length-8-in-203-cm-metalwork-silver-image344588620.htmlRM2B0HA8C–Spoon, German, 18th century, German, Silver, Length: 8 in. (20.3 cm), Metalwork-Silver
Art inspired by Swivel seal, 17th century, Russian, Silver, Width: 1 in. (2.5 cm), Metalwork-Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-swivel-seal-17th-century-russian-silver-width-1-in-25-cm-metalwork-silver-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462776441.htmlRF2HTW821–Art inspired by Swivel seal, 17th century, Russian, Silver, Width: 1 in. (2.5 cm), Metalwork-Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The hand of Fatima. Silver alloy metalwork from morocco. early 20th century. Islamic art. the fingers represent the Five Pillars of Islam. the hand wards away the evil eye. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-hand-of-fatima-silver-alloy-metalwork-from-morocco-early-20th-57357572.htmlRMD98T4M–The hand of Fatima. Silver alloy metalwork from morocco. early 20th century. Islamic art. the fingers represent the Five Pillars of Islam. the hand wards away the evil eye.
Scandinavia. Reliquary cross. Jolster, Sogn og Fjordane. 13th century. Norway. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-scandinavia-reliquary-cross-jolster-sogn-og-fjordane-13th-century-139031266.htmlRMJ25BPA–Scandinavia. Reliquary cross. Jolster, Sogn og Fjordane. 13th century. Norway.
Inca silver figurine of a Llama 1350-1532 AD, Peru or Bolivia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inca-silver-figurine-of-a-llama-1350-1532-ad-peru-or-bolivia-image483536224.htmlRM2K2JYAT–Inca silver figurine of a Llama 1350-1532 AD, Peru or Bolivia
Craftsman at work, souvenir, decorating a vessel with silver filigree, metalworks souk, medina, Meknes. Morocco Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/craftsman-at-work-souvenir-decorating-a-vessel-with-silver-filigree-metalworks-souk-medina-meknes-morocco-image178199849.htmlRFM9WKM9–Craftsman at work, souvenir, decorating a vessel with silver filigree, metalworks souk, medina, Meknes. Morocco
Vessel terminating in the head of a ram. Silver. Northwestern Iran. 8th-7th century B.C. Iron Age III. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vessel-terminating-in-the-head-of-a-ram-silver-northwestern-iran-8th-120717406.htmlRMH0B47X–Vessel terminating in the head of a ram. Silver. Northwestern Iran. 8th-7th century B.C. Iron Age III.
Gilded silver crucifix on an altar in a sided chapel, an example of a religious artifact at the medieval cathedral of Lincoln, England. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gilded-silver-crucifix-on-an-altar-in-a-sided-chapel-an-example-of-174288923.htmlRMM3FF8B–Gilded silver crucifix on an altar in a sided chapel, an example of a religious artifact at the medieval cathedral of Lincoln, England.
Waterperry Arts in Action 2012 - Tuareg jewellery artisan at work 9 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-waterperry-arts-in-action-2012-tuareg-jewellery-artisan-at-work-9-49746521.htmlRMCTX45D–Waterperry Arts in Action 2012 - Tuareg jewellery artisan at work 9
Portrait of Thakur Utham Ram. Culture: India (Rajasthan, Jhilai). Dimensions: 8 3/4 x 10 3/4 in. (22.2 x 27.3 cm). Date: ca. 1760. Like many portraits of the Rajput elite, this depiction of Thakur Utham Ram shows him with objects that denote his status. He reclines on a bulbous cushion and smokes an elaborate silver bidriware hookah painted with applied silver; even the complex floral designs typical of this refined metalwork are shown. He wears elaborate jewels, displays his sword, and sits on carpets rendered in great detail. Jhilai was an important feudatory state of Jaipur that was in lin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-thakur-utham-ram-culture-india-rajasthan-jhilai-dimensions-8-34-x-10-34-in-222-x-273-cm-date-ca-1760-like-many-portraits-of-the-rajput-elite-this-depiction-of-thakur-utham-ram-shows-him-with-objects-that-denote-his-status-he-reclines-on-a-bulbous-cushion-and-smokes-an-elaborate-silver-bidriware-hookah-painted-with-applied-silver-even-the-complex-floral-designs-typical-of-this-refined-metalwork-are-shown-he-wears-elaborate-jewels-displays-his-sword-and-sits-on-carpets-rendered-in-great-detail-jhilai-was-an-important-feudatory-state-of-jaipur-that-was-in-lin-image213209466.htmlRMPATERP–Portrait of Thakur Utham Ram. Culture: India (Rajasthan, Jhilai). Dimensions: 8 3/4 x 10 3/4 in. (22.2 x 27.3 cm). Date: ca. 1760. Like many portraits of the Rajput elite, this depiction of Thakur Utham Ram shows him with objects that denote his status. He reclines on a bulbous cushion and smokes an elaborate silver bidriware hookah painted with applied silver; even the complex floral designs typical of this refined metalwork are shown. He wears elaborate jewels, displays his sword, and sits on carpets rendered in great detail. Jhilai was an important feudatory state of Jaipur that was in lin
Gorham Silver. Design drawing for metalwork: 'Design for Chalice, Plan of Foot.' Gothic treasure/reliquary style, jeweled, with Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gorham-silver-design-drawing-for-metalwork-design-for-chalice-plan-50032276.htmlRMCWB4K0–Gorham Silver. Design drawing for metalwork: 'Design for Chalice, Plan of Foot.' Gothic treasure/reliquary style, jeweled, with
Roman silver pitcher with a greyhound shaped handle, Louvre Museum Bj2254 or MNE609. Width: 17 cm; Weight: 1,584 kg; Diameter: 14.5 cm; Height: 38 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-silver-pitcher-with-a-greyhound-shaped-handle-louvre-museum-bj2254-or-mne609-width-17-cm-weight-1584-kg-diameter-145-cm-height-38-cm-image450434036.htmlRF2H4R15T–Roman silver pitcher with a greyhound shaped handle, Louvre Museum Bj2254 or MNE609. Width: 17 cm; Weight: 1,584 kg; Diameter: 14.5 cm; Height: 38 cm
Handmade metalwork clock for Sale Souk Tunis Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-handmade-metalwork-clock-for-sale-souk-tunis-38186747.htmlRMC63FGB–Handmade metalwork clock for Sale Souk Tunis
Detail of silver crucifix, Axum, Ethiopia. Christian iconography. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-of-silver-crucifix-axum-ethiopia-christian-iconography-image377518414.htmlRM2CX5CGE–Detail of silver crucifix, Axum, Ethiopia. Christian iconography.
Bracelet 3rd century Pontine. Bracelet. Pontine. 3rd century. Silver-gilt. Metalwork-Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bracelet-3rd-century-pontine-bracelet-pontine-3rd-century-silver-gilt-metalwork-silver-image458224171.htmlRM2HHDWGY–Bracelet 3rd century Pontine. Bracelet. Pontine. 3rd century. Silver-gilt. Metalwork-Silver
Sacremental silver fan (1773-1784), Kirillov-Belozersky Monastery, north of Vologda, Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sacremental-silver-fan-1773-1784-kirillov-belozersky-monastery-north-104436535.htmlRMG1WDT7–Sacremental silver fan (1773-1784), Kirillov-Belozersky Monastery, north of Vologda, Russia.
19th Century book illustration, taken from 9th edition (1875) of Encyclopaedia Britannica, of Silver repousse reliefs Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-19th-century-book-illustration-taken-from-9th-edition-1875-of-encyclopaedia-36615218.htmlRMC3FY2A–19th Century book illustration, taken from 9th edition (1875) of Encyclopaedia Britannica, of Silver repousse reliefs
Sasanian gold-plated silver dish depicting the King hunting a lion, a boar and a bear, Tabriz Museum, Iran. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sasanian-gold-plated-silver-dish-depicting-the-king-hunting-a-lion-a-boar-and-a-bear-tabriz-museum-iran-image417707062.htmlRM2F7G5HA–Sasanian gold-plated silver dish depicting the King hunting a lion, a boar and a bear, Tabriz Museum, Iran.
Spouted Pitcher, 300-600. A large quantity of tableware survives from the Roman Empire, including this piece from Antioch and the Eastern Mediterranean. Most of the recovered groups of silver seem to have been hoards concealed during times of trouble. A complete table service, called a ministerium in Latin and a synthesis in Greek, consisted of silver for eating and drinking: trays, platters, plates, dishes, spoons, pepper dispensers, goblets, pitchers, ladles, and bowls. The god of wine, Dionysos, was frequently depicted on drinking and eating vessels. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spouted-pitcher-300-600-a-large-quantity-of-tableware-survives-from-the-roman-empire-including-this-piece-from-antioch-and-the-eastern-mediterranean-most-of-the-recovered-groups-of-silver-seem-to-have-been-hoards-concealed-during-times-of-trouble-a-complete-table-service-called-a-ministerium-in-latin-and-a-synthesis-in-greek-consisted-of-silver-for-eating-and-drinking-trays-platters-plates-dishes-spoons-pepper-dispensers-goblets-pitchers-ladles-and-bowls-the-god-of-wine-dionysos-was-frequently-depicted-on-drinking-and-eating-vessels-image330121151.htmlRM2A528W3–Spouted Pitcher, 300-600. A large quantity of tableware survives from the Roman Empire, including this piece from Antioch and the Eastern Mediterranean. Most of the recovered groups of silver seem to have been hoards concealed during times of trouble. A complete table service, called a ministerium in Latin and a synthesis in Greek, consisted of silver for eating and drinking: trays, platters, plates, dishes, spoons, pepper dispensers, goblets, pitchers, ladles, and bowls. The god of wine, Dionysos, was frequently depicted on drinking and eating vessels.
Salver, British, London, 1847, British, London, Silver, Diam. 11 in. (27.9 cm.), Metalwork-Silver Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/salver-british-london-1847-british-london-silver-diam-11-in-279-cm-metalwork-silver-image344676271.htmlRM2B0NA2R–Salver, British, London, 1847, British, London, Silver, Diam. 11 in. (27.9 cm.), Metalwork-Silver
Art inspired by Box, late 19th century, German, Silver, L. 5 in. (12.7 cm), Metalwork-Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-box-late-19th-century-german-silver-l-5-in-127-cm-metalwork-silver-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462776237.htmlRF2HTW7PN–Art inspired by Box, late 19th century, German, Silver, L. 5 in. (12.7 cm), Metalwork-Silver, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Silver statue of the Hindu elephant God, Ganesha, Traditional style metalwork; Indian 21st century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-silver-statue-of-the-hindu-elephant-god-ganesha-traditional-style-166080417.htmlRMKJ5H7D–Silver statue of the Hindu elephant God, Ganesha, Traditional style metalwork; Indian 21st century
Travelling inkstand, 1815, silver at Ickworth, Suffolk. National Trust Inventory Number 852798. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-travelling-inkstand-1815-silver-at-ickworth-suffolk-national-trust-90862662.htmlRMF7R472–Travelling inkstand, 1815, silver at Ickworth, Suffolk. National Trust Inventory Number 852798.
