Speculum Romanae Magnificentiae: Naval Battle, Michele Lucchese, 16th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-speculum-romanae-magnificentiae-naval-battle-michele-lucchese-16th-162553676.html
RMKCCXTC–Speculum Romanae Magnificentiae: Naval Battle, Michele Lucchese, 16th century
Art inspired by Speculum Romanae Magnificentiae: Naval Battle, 16th century, Etching and engraving, sheet: 13 11/16 x 19 7/16 in. (34.8 x 49.4 cm), Prints, Michele Lucchese (Italian, active Rome, 1534–64), After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-speculum-romanae-magnificentiae-naval-battle-16th-century-etching-and-engraving-sheet-13-1116-x-19-716-in-348-x-494-cm-prints-michele-lucchese-italian-active-rome-153464-after-polidoro-da-caravaggio-italian-caravaggio-ca-1499ca-1543-messina-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463004311.html
RF2HW7JM7–Art inspired by Speculum Romanae Magnificentiae: Naval Battle, 16th century, Etching and engraving, sheet: 13 11/16 x 19 7/16 in. (34.8 x 49.4 cm), Prints, Michele Lucchese (Italian, active Rome, 1534–64), After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499–ca. 1543 Messina, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Crucifixion of St Peter (after Michelangelo's Frescoes in the Pauline Chapel, Vatican Palace), Michele Lucchese, 1550–60 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-crucifixion-of-st-peter-after-michelangelos-frescoes-in-the-pauline-162494376.html
RMKCA76G–The Crucifixion of St Peter (after Michelangelo's Frescoes in the Pauline Chapel, Vatican Palace), Michele Lucchese, 1550–60
Michelangelo, Michele Lucchese (engraver), The Martyrdom of Saint Peter, engraving, 1547-1564 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/michelangelo-michele-lucchese-engraver-the-martyrdom-of-saint-peter-engraving-1547-1564-image357912569.html
RM2BP893N–Michelangelo, Michele Lucchese (engraver), The Martyrdom of Saint Peter, engraving, 1547-1564
Speculum Romanae Magnificentiae: Naval Battle. Artist: After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499-ca. 1543 Messina); Michele Lucchese (Italian, active Rome, 1534-64). Dimensions: sheet: 13 11/16 x 19 7/16 in. (34.8 x 49.4 cm) plate: 8 9/16 x 17 5/16 in. (21.8 x 44 cm). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 16th century. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishi Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/speculum-romanae-magnificentiae-naval-battle-artist-after-polidoro-da-caravaggio-italian-caravaggio-ca-1499-ca-1543-messina-michele-lucchese-italian-active-rome-1534-64-dimensions-sheet-13-1116-x-19-716-in-348-x-494-cm-plate-8-916-x-17-516-in-218-x-44-cm-seriesportfolio-speculum-romanae-magnificentiae-date-16th-century-this-print-comes-from-the-museums-copy-of-the-speculum-romanae-magnificentiae-the-mirror-of-roman-magnificence-the-speculum-found-its-origin-in-the-publishing-endeavors-of-antonio-salamanca-and-antonio-lafreri-during-their-roman-publishi-image213246203.html
RMPAX5KR–Speculum Romanae Magnificentiae: Naval Battle. Artist: After Polidoro da Caravaggio (Italian, Caravaggio ca. 1499-ca. 1543 Messina); Michele Lucchese (Italian, active Rome, 1534-64). Dimensions: sheet: 13 11/16 x 19 7/16 in. (34.8 x 49.4 cm) plate: 8 9/16 x 17 5/16 in. (21.8 x 44 cm). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 16th century. This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishi
L'Asinaria (Allegory of Stupidity) 2019 by Michele Lucchese Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lasinaria-allegory-of-stupidity-2019-by-michele-lucchese-image591155471.html
RM2W9NCRB–L'Asinaria (Allegory of Stupidity) 2019 by Michele Lucchese
Art inspired by The Crucifixion of St Peter (after Michelangelo's Frescoes in the Pauline Chapel, Vatican Palace), 1550–60, Etching and Engraving, plate: 16 7/16 x 12 3/4 in. (41.8 x 32.4 cm), Prints, Michele Lucchese (Italian, active Rome, 1534–64), After Michelangelo Buonarroti (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-crucifixion-of-st-peter-after-michelangelos-frescoes-in-the-pauline-chapel-vatican-palace-155060-etching-and-engraving-plate-16-716-x-12-34-in-418-x-324-cm-prints-michele-lucchese-italian-active-rome-153464-after-michelangelo-buonarroti-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462966213.html
RF2HW5X3H–Art inspired by The Crucifixion of St Peter (after Michelangelo's Frescoes in the Pauline Chapel, Vatican Palace), 1550–60, Etching and Engraving, plate: 16 7/16 x 12 3/4 in. (41.8 x 32.4 cm), Prints, Michele Lucchese (Italian, active Rome, 1534–64), After Michelangelo Buonarroti (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The martyrdom of Saint Laurence. Engraving by Michele Lucchese after M.A. Raimondi, 1525, after B. Bandinelli. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-martyrdom-of-saint-laurence-engraving-by-michele-lucchese-after-ma-raimondi-1525-after-b-bandinelli-image450065718.html
RM2H467BJ–The martyrdom of Saint Laurence. Engraving by Michele Lucchese after M.A. Raimondi, 1525, after B. Bandinelli.
San Michele in Foro church facade Lucca Tuscany Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-san-michele-in-foro-church-facade-lucca-tuscany-italy-15435530.html
RMAN79MY–San Michele in Foro church facade Lucca Tuscany Italy
A young child appears dwarfed by the vast marble blocks and gigantic columns of the church of San Michele in Lucca which was built between 1143 and the 14th c and is an outstanding example of Pisan Lucchese architecture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-young-child-appears-dwarfed-by-the-vast-marble-blocks-and-gigantic-image9046902.html
RMAPNDY7–A young child appears dwarfed by the vast marble blocks and gigantic columns of the church of San Michele in Lucca which was built between 1143 and the 14th c and is an outstanding example of Pisan Lucchese architecture
Candle light at San Michele in Foro, Luminaria di Santa Croce, Roman Catholic basilica church, Lucca, Tuscany, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-candle-light-at-san-michele-in-foro-luminaria-di-santa-croce-roman-88138998.html
RMF3B25A–Candle light at San Michele in Foro, Luminaria di Santa Croce, Roman Catholic basilica church, Lucca, Tuscany, Italy
The Crucifixion of Saint Peter, after Michelangelo's frescoes in the Pauline Chapel, Vatican Palace, 1550-60. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-crucifixion-of-saint-peter-after-michelangelos-frescoes-in-the-pauline-chapel-vatican-palace-1550-60-image349007503.html
RM2B7PJHK–The Crucifixion of Saint Peter, after Michelangelo's frescoes in the Pauline Chapel, Vatican Palace, 1550-60.
Winged statue of St Michael slaying dragon on pediment of Pisan-Romanesque facade of the Chiesa di San Michele in Foro in Lucca, Tuscany, Italy. The church was built in 1070 at the command of Pope Alexander II, with the facade added in the 1200s. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/winged-statue-of-st-michael-slaying-dragon-on-pediment-of-pisan-romanesque-facade-of-the-chiesa-di-san-michele-in-foro-in-lucca-tuscany-italy-the-church-was-built-in-1070-at-the-command-of-pope-alexander-ii-with-the-facade-added-in-the-1200s-image604048335.html
RF2X2MNPR–Winged statue of St Michael slaying dragon on pediment of Pisan-Romanesque facade of the Chiesa di San Michele in Foro in Lucca, Tuscany, Italy. The church was built in 1070 at the command of Pope Alexander II, with the facade added in the 1200s.
Le chroniche di Giovanni Sercambi, Lucchese . dini a sua vo-luntà, dolendosi che tal cosa lì dovesse esser facta, non riguar-dando quello era ragione nò quello fusse danno di Luccha. Pervolere il suo animo mectere in effecto, si ristrinse con alquanti 35 ciptadini, li quali per occupare molto tempo non si conterannotucti, ma dirassi d alquanti principah ; chome fu messer lohanniMaulini, messer Guilielmo Franimi, messer lohanni et NicolaoGenovardi, messer Lodovico Mercati, maestro Michele da Core- 26o PARTE PRIMA DELLE CRONICHE già, Landò Moriconi, Forteguerra Forteguerre, ser Nicolao Dom-belli Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-chroniche-di-giovanni-sercambi-lucchese-dini-a-sua-vo-lunt-dolendosi-che-tal-cosa-l-dovesse-esser-facta-non-riguar-dando-quello-era-ragione-n-quello-fusse-danno-di-luccha-pervolere-il-suo-animo-mectere-in-effecto-si-ristrinse-con-alquanti-35-ciptadini-li-quali-per-occupare-molto-tempo-non-si-conterannotucti-ma-dirassi-d-alquanti-principah-chome-fu-messer-lohannimaulini-messer-guilielmo-franimi-messer-lohanni-et-nicolaogenovardi-messer-lodovico-mercati-maestro-michele-da-core-26o-parte-prima-delle-croniche-gi-land-moriconi-forteguerra-forteguerre-ser-nicolao-dom-belli-image339253716.html
RM2AKX9G4–Le chroniche di Giovanni Sercambi, Lucchese . dini a sua vo-luntà, dolendosi che tal cosa lì dovesse esser facta, non riguar-dando quello era ragione nò quello fusse danno di Luccha. Pervolere il suo animo mectere in effecto, si ristrinse con alquanti 35 ciptadini, li quali per occupare molto tempo non si conterannotucti, ma dirassi d alquanti principah ; chome fu messer lohanniMaulini, messer Guilielmo Franimi, messer lohanni et NicolaoGenovardi, messer Lodovico Mercati, maestro Michele da Core- 26o PARTE PRIMA DELLE CRONICHE già, Landò Moriconi, Forteguerra Forteguerre, ser Nicolao Dom-belli
Chiesa di San Michele in Foro, Lucca city, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-chiesa-di-san-michele-in-foro-lucca-city-italy-165021512.html
RMKGDAHC–Chiesa di San Michele in Foro, Lucca city, Italy.
The Crucifixion of St Peter (after Michelangelo's Frescoes in the Pauline Chapel, Vatican Palace). Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Michele Lucchese (Italian, active Rome, 1534-64). Dimensions: plate: 16 7/16 x 12 3/4 in. (41.8 x 32.4 cm) sheet: 18 7/16 x 14 1/4 in. (46.8 x 36.2 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Date: 1550-60. See: B. Barnes, 'Michelangelo in Print: Reproductions as Response in the Sixteenth Century', 2010, no.66. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-crucifixion-of-st-peter-after-michelangelos-frescoes-in-the-pauline-chapel-vatican-palace-artist-after-michelangelo-buonarroti-italian-caprese-1475-1564-rome-michele-lucchese-italian-active-rome-1534-64-dimensions-plate-16-716-x-12-34-in-418-x-324-cm-sheet-18-716-x-14-14-in-468-x-362-cm-publisher-antonio-lafreri-french-orgelet-franche-comte-ca-1512-1577-rome-date-1550-60-see-b-barnes-michelangelo-in-print-reproductions-as-response-in-the-sixteenth-century-2010-no66-museum-metropolitan-museum-of-art-new-york-usa-image225420284.html
RMR2MNTC–The Crucifixion of St Peter (after Michelangelo's Frescoes in the Pauline Chapel, Vatican Palace). Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Michele Lucchese (Italian, active Rome, 1534-64). Dimensions: plate: 16 7/16 x 12 3/4 in. (41.8 x 32.4 cm) sheet: 18 7/16 x 14 1/4 in. (46.8 x 36.2 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Date: 1550-60. See: B. Barnes, 'Michelangelo in Print: Reproductions as Response in the Sixteenth Century', 2010, no.66. Museum: Metropolitan Museum of Art, New York, USA.
Naval Battle, from 'Speculum Romanae Magnificentiae' 1941 by Michele Lucchese Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/naval-battle-from-speculum-romanae-magnificentiae-1941-by-michele-lucchese-image591155271.html
RM2W9NCG7–Naval Battle, from 'Speculum Romanae Magnificentiae' 1941 by Michele Lucchese
Joseph Fischer (Ausführende r Künstler in) Michele Crechi called Michele Lucchese. Mario et Christoforo Cartario. etching after 1822 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/joseph-fischer-ausfhrende-r-knstler-in-michele-crechi-called-michele-lucchese-mario-et-christoforo-cartario-etching-after-1822-image573041074.html
RM2T887MJ–Joseph Fischer (Ausführende r Künstler in) Michele Crechi called Michele Lucchese. Mario et Christoforo Cartario. etching after 1822
The Martyrdom of Saint Peter. Michele Lucchese (Italy, 1529-1614)Michelangelo Buonarroti (1475-1564). Italy, 1547-1564. Prints; engravings. Etching and engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-martyrdom-of-saint-peter-michele-lucchese-italy-1529-1614michelangelo-buonarroti-1475-1564-italy-1547-1564-prints-engravings-etching-and-engraving-image464782878.html
RM2J04K8E–The Martyrdom of Saint Peter. Michele Lucchese (Italy, 1529-1614)Michelangelo Buonarroti (1475-1564). Italy, 1547-1564. Prints; engravings. Etching and engraving
The Martyrdom of Saint Peter, between 1547 and 1564. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-martyrdom-of-saint-peter-between-1547-and-1564-image575149268.html
RM2TBM8N8–The Martyrdom of Saint Peter, between 1547 and 1564.
Le chroniche di Giovanni Sercambi, Lucchese . Per senno di quel insto e ver signore.Landò gomfalonieri e de fratelli,Iacopo Campucci comandatore,Nuccio lohanni, Agustin Puccinelli,Michele Grigori, eh è degno d ogni honore, 5 Macteo Guaspari e Luyzo Brunelli,E poi Bartolomeo de Bernardini,E 1 nobile savio Nicolao Bandini. CCCXXXV. Come messer Bartolomeo Forteguerra COMINCIÒMNO NUOVA Q.UISTIOXE. Doppo tal sacramento e promissione intrò in chuore de ci-ptadini piggior pensieri che non era stato di prima, e vieni-mi rimenbranza che doppo la pacie che Christo diede a Giuda,quelli fu pieno di spirit Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-chroniche-di-giovanni-sercambi-lucchese-per-senno-di-quel-insto-e-ver-signoreland-gomfalonieri-e-de-fratelliiacopo-campucci-comandatorenuccio-lohanni-agustin-puccinellimichele-grigori-eh-degno-d-ogni-honore-5-macteo-guaspari-e-luyzo-brunellie-poi-bartolomeo-de-bernardinie-1-nobile-savio-nicolao-bandini-cccxxxv-come-messer-bartolomeo-forteguerra-comincimno-nuova-quistioxe-doppo-tal-sacramento-e-promissione-intr-in-chuore-de-ci-ptadini-piggior-pensieri-che-non-era-stato-di-prima-e-vieni-mi-rimenbranza-che-doppo-la-pacie-che-christo-diede-a-giudaquelli-fu-pieno-di-spirit-image339245373.html
RM2AKWXX5–Le chroniche di Giovanni Sercambi, Lucchese . Per senno di quel insto e ver signore.Landò gomfalonieri e de fratelli,Iacopo Campucci comandatore,Nuccio lohanni, Agustin Puccinelli,Michele Grigori, eh è degno d ogni honore, 5 Macteo Guaspari e Luyzo Brunelli,E poi Bartolomeo de Bernardini,E 1 nobile savio Nicolao Bandini. CCCXXXV. Come messer Bartolomeo Forteguerra COMINCIÒMNO NUOVA Q.UISTIOXE. Doppo tal sacramento e promissione intrò in chuore de ci-ptadini piggior pensieri che non era stato di prima, e vieni-mi rimenbranza che doppo la pacie che Christo diede a Giuda,quelli fu pieno di spirit
Chiesa di San Michele in Foro, Lucca city, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-chiesa-di-san-michele-in-foro-lucca-city-italy-165021495.html
RMKGDAGR–Chiesa di San Michele in Foro, Lucca city, Italy.
Tarquinius Priscus cutting the Whetstone. Michele Lucchese (Italy, 1529-1614)Polidoro Caldara da Caravaggio (Italy, Caravaggio, circa 1499-1543). Italy, 1545. Prints; engravings. Engraving Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tarquinius-priscus-cutting-the-whetstone-michele-lucchese-italy-1529-1614polidoro-caldara-da-caravaggio-italy-caravaggio-circa-1499-1543-italy-1545-prints-engravings-engraving-image464683060.html
RM2J003YG–Tarquinius Priscus cutting the Whetstone. Michele Lucchese (Italy, 1529-1614)Polidoro Caldara da Caravaggio (Italy, Caravaggio, circa 1499-1543). Italy, 1545. Prints; engravings. Engraving
The Crucifixion of Saint Peter, after Michelangelo's frescoes in the Pauline Chapel, Vatican Palace 1550–60 Michele Lucchese Italian See: B. Barnes, 'Michelangelo in Print: Reproductions as Response in the Sixteenth Century', 2010, no.66.. The Crucifixion of Saint Peter, after Michelangelo's frescoes in the Pauline Chapel, Vatican Palace 364099 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-crucifixion-of-saint-peter-after-michelangelos-frescoes-in-the-pauline-chapel-vatican-palace-155060-michele-lucchese-italian-see-b-barnes-michelangelo-in-print-reproductions-as-response-in-the-sixteenth-century-2010-no66-the-crucifixion-of-saint-peter-after-michelangelos-frescoes-in-the-pauline-chapel-vatican-palace-364099-image458629475.html
RM2HJ4AG3–The Crucifixion of Saint Peter, after Michelangelo's frescoes in the Pauline Chapel, Vatican Palace 1550–60 Michele Lucchese Italian See: B. Barnes, 'Michelangelo in Print: Reproductions as Response in the Sixteenth Century', 2010, no.66.. The Crucifixion of Saint Peter, after Michelangelo's frescoes in the Pauline Chapel, Vatican Palace 364099
Speculum Romanae Magnificentiae: Naval Battle 16th century Michele Lucchese Italian This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, bu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/speculum-romanae-magnificentiae-naval-battle-16th-century-michele-lucchese-italian-this-print-comes-from-the-museums-copy-of-the-speculum-romanae-magnificentiae-the-mirror-of-roman-magnificence-the-speculum-found-its-origin-in-the-publishing-endeavors-of-antonio-salamanca-and-antonio-lafreri-during-their-roman-publishing-careers-the-two-foreign-publishers-who-worked-together-between-1553-and-1563-initiated-the-production-of-prints-recording-art-works-architecture-and-city-views-related-to-antique-and-modern-rome-the-prints-could-be-bought-individually-by-tourists-and-collectors-bu-image457852417.html
RM2HGTYC1–Speculum Romanae Magnificentiae: Naval Battle 16th century Michele Lucchese Italian This print comes from the museum’s copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, bu
Le chroniche di Giovanni Sercambi, Lucchese . i le campane di santoMichele, che quelle volei mandare a Pisa: Idio e sa Michele nàmostrato miracolo; et cosi fu. Sentendo tal caduta, Tomazodi Conte Aiutamichristo di Pisa come messer lohanni era ca- 15 duto, trasse in sulla piazza di saMichele et cacciò fuori la spa-da baciando 1 elsa, et montò a cavallo et cavalcò verso Pisa aordinare co raspanti di Pisa la morte e 1 disfacimento del dictomesser lohanni dell Angnello e de suoi. CLXXIX. Chome messer Iohanni dell Angnello mandaA Pisa messer Ghirardo suo nipote. Caduti et conducti in nella camera, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-chroniche-di-giovanni-sercambi-lucchese-i-le-campane-di-santomichele-che-quelle-volei-mandare-a-pisa-idio-e-sa-michele-nmostrato-miracolo-et-cosi-fu-sentendo-tal-caduta-tomazodi-conte-aiutamichristo-di-pisa-come-messer-lohanni-era-ca-15-duto-trasse-in-sulla-piazza-di-samichele-et-cacci-fuori-la-spa-da-baciando-1-elsa-et-mont-a-cavallo-et-cavalc-verso-pisa-aordinare-co-raspanti-di-pisa-la-morte-e-1-disfacimento-del-dictomesser-lohanni-dell-angnello-e-de-suoi-clxxix-chome-messer-iohanni-dell-angnello-mandaa-pisa-messer-ghirardo-suo-nipote-caduti-et-conducti-in-nella-camera-image339324070.html
RM2AM1F8P–Le chroniche di Giovanni Sercambi, Lucchese . i le campane di santoMichele, che quelle volei mandare a Pisa: Idio e sa Michele nàmostrato miracolo; et cosi fu. Sentendo tal caduta, Tomazodi Conte Aiutamichristo di Pisa come messer lohanni era ca- 15 duto, trasse in sulla piazza di saMichele et cacciò fuori la spa-da baciando 1 elsa, et montò a cavallo et cavalcò verso Pisa aordinare co raspanti di Pisa la morte e 1 disfacimento del dictomesser lohanni dell Angnello e de suoi. CLXXIX. Chome messer Iohanni dell Angnello mandaA Pisa messer Ghirardo suo nipote. Caduti et conducti in nella camera,
Chiesa di San Michele in Foro, Lucca city, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-chiesa-di-san-michele-in-foro-lucca-city-italy-165021515.html
RMKGDAHF–Chiesa di San Michele in Foro, Lucca city, Italy.
L'Asinaria (Allegory of Stupidity) 1564 Michele Lucchese The title of this print, L’Asinaria), refers to the comic play by the Roman author Titus Maccius Plautus (c.254–184 B C ). The ruins in the background have been identified as the Forum of Nerva in Rome and the subject interpreted as showing how lack of respect for the arts and sciences constitutes a menace to civilisation. A first state of this print is in the Istituto Centrale per la Grafica, Rome. This print is the second state with additional lettering and the plaque in the upper left of the first state divided in two. See Mark McDona Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lasinaria-allegory-of-stupidity-1564-michele-lucchese-the-title-of-this-print-lasinaria-refers-to-the-comic-play-by-the-roman-author-titus-maccius-plautus-c254184-b-c-the-ruins-in-the-background-have-been-identified-as-the-forum-of-nerva-in-rome-and-the-subject-interpreted-as-showing-how-lack-of-respect-for-the-arts-and-sciences-constitutes-a-menace-to-civilisation-a-first-state-of-this-print-is-in-the-istituto-centrale-per-la-grafica-rome-this-print-is-the-second-state-with-additional-lettering-and-the-plaque-in-the-upper-left-of-the-first-state-divided-in-two-see-mark-mcdona-image457773458.html
RM2HGNAM2–L'Asinaria (Allegory of Stupidity) 1564 Michele Lucchese The title of this print, L’Asinaria), refers to the comic play by the Roman author Titus Maccius Plautus (c.254–184 B C ). The ruins in the background have been identified as the Forum of Nerva in Rome and the subject interpreted as showing how lack of respect for the arts and sciences constitutes a menace to civilisation. A first state of this print is in the Istituto Centrale per la Grafica, Rome. This print is the second state with additional lettering and the plaque in the upper left of the first state divided in two. See Mark McDona
Le chroniche di Giovanni Sercambi, Lucchese . ao Ronsini si partìo di Luccha. Et doppo molta exami-natione, il predicto Michele Leoni, Nicolao Ronsini et li altri 20 comfessònno quello che ciascuno avea facto, chome si contienein camera in ne processi loro. Per la qual comfessione alcunifunno liberi sensa condannagione, alcuni funno mandati a com-fini et condannati. E il dicto Nicolao Ronsini senza condana-gione pecuniaria, però che manifestò il dicto Michele & fuli 25 promesso non morre, fu mandato a comfini in nella Magna.E il dicto Bartolomeo da Tassignano a Vinegia per .vi. mesi, e il dict Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-chroniche-di-giovanni-sercambi-lucchese-ao-ronsini-si-parto-di-luccha-et-doppo-molta-exami-natione-il-predicto-michele-leoni-nicolao-ronsini-et-li-altri-20-comfessnno-quello-che-ciascuno-avea-facto-chome-si-contienein-camera-in-ne-processi-loro-per-la-qual-comfessione-alcunifunno-liberi-sensa-condannagione-alcuni-funno-mandati-a-com-fini-et-condannati-e-il-dicto-nicolao-ronsini-senza-condana-gione-pecuniaria-per-che-manifest-il-dicto-michele-fuli-25-promesso-non-morre-fu-mandato-a-comfini-in-nella-magnae-il-dicto-bartolomeo-da-tassignano-a-vinegia-per-vi-mesi-e-il-dict-image339227689.html
RM2AKW4AH–Le chroniche di Giovanni Sercambi, Lucchese . ao Ronsini si partìo di Luccha. Et doppo molta exami-natione, il predicto Michele Leoni, Nicolao Ronsini et li altri 20 comfessònno quello che ciascuno avea facto, chome si contienein camera in ne processi loro. Per la qual comfessione alcunifunno liberi sensa condannagione, alcuni funno mandati a com-fini et condannati. E il dicto Nicolao Ronsini senza condana-gione pecuniaria, però che manifestò il dicto Michele & fuli 25 promesso non morre, fu mandato a comfini in nella Magna.E il dicto Bartolomeo da Tassignano a Vinegia per .vi. mesi, e il dict
Wall bay with grotesque decoration, c.1550 64 . Author Lucchese, Michele 81.61.a.4. Place of publication: [Place of publication not identified] Publisher: [publisher not identified] Date of publication: approximately 1550-64. Item type: 1 print Medium: engraving Dimensions: 444 √ó 303 mm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wall-bay-with-grotesque-decoration-c1550-64-author-lucchese-michele-8161a4-place-of-publication-place-of-publication-not-identified-publisher-publisher-not-identified-date-of-publication-approximately-1550-64-item-type-1-print-medium-engraving-dimensions-444-303-mm-former-owner-george-iii-king-of-great-britain-1738-1820-image401716446.html
RM2E9FNBX–Wall bay with grotesque decoration, c.1550 64 . Author Lucchese, Michele 81.61.a.4. Place of publication: [Place of publication not identified] Publisher: [publisher not identified] Date of publication: approximately 1550-64. Item type: 1 print Medium: engraving Dimensions: 444 √ó 303 mm Former owner: George III, King of Great Britain, 1738-1820
Chiesa di San Michele in Foro, Lucca city, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-chiesa-di-san-michele-in-foro-lucca-city-italy-165021501.html
RMKGDAH1–Chiesa di San Michele in Foro, Lucca city, Italy.
Le chroniche di Giovanni Sercambi, Lucchese . or-naio e suoi consorti. Messer Bartolomeo Scharzo e consorti. Tucti quelli daMiano. Antonio da Razignano solo. lohanni di Benedetto.30 Michele di Clone di Benetto e 1 fratello. Ser Vanni Bo-cticella e suoi consorti. Guido Aiutamichristo con suoi consorti. Ser Iacopo diMino e suoi consorti. Ser lohanni Magiulino e suoi consorti. E altre cose ebeno35 in comissione, le quali non sono di necessità qui notarle. E avuto il dicto Ghirardo tale imbasciata, si partìo da Pisa,et chaminò tanto che giunse dinanti allo imperadore, exponendoal dicto tucte le di Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-chroniche-di-giovanni-sercambi-lucchese-or-naio-e-suoi-consorti-messer-bartolomeo-scharzo-e-consorti-tucti-quelli-damiano-antonio-da-razignano-solo-lohanni-di-benedetto30-michele-di-clone-di-benetto-e-1-fratello-ser-vanni-bo-cticella-e-suoi-consorti-guido-aiutamichristo-con-suoi-consorti-ser-iacopo-dimino-e-suoi-consorti-ser-lohanni-magiulino-e-suoi-consorti-e-altre-cose-ebeno35-in-comissione-le-quali-non-sono-di-necessit-qui-notarle-e-avuto-il-dicto-ghirardo-tale-imbasciata-si-parto-da-pisaet-chamin-tanto-che-giunse-dinanti-allo-imperadore-exponendoal-dicto-tucte-le-di-image339327331.html
RM2AM1KD7–Le chroniche di Giovanni Sercambi, Lucchese . or-naio e suoi consorti. Messer Bartolomeo Scharzo e consorti. Tucti quelli daMiano. Antonio da Razignano solo. lohanni di Benedetto.30 Michele di Clone di Benetto e 1 fratello. Ser Vanni Bo-cticella e suoi consorti. Guido Aiutamichristo con suoi consorti. Ser Iacopo diMino e suoi consorti. Ser lohanni Magiulino e suoi consorti. E altre cose ebeno35 in comissione, le quali non sono di necessità qui notarle. E avuto il dicto Ghirardo tale imbasciata, si partìo da Pisa,et chaminò tanto che giunse dinanti allo imperadore, exponendoal dicto tucte le di
Ceiling of the Sala dei Pontefici in the Vatican, c.1550 64 . Author Lucchese, Michele 81.61.a.5. Place of publication: [Place of publication not identified] Publisher: [publisher not identified] Date of publication: approximately 1550-64. Item type: 1 print Medium: engraving Dimensions: 371 √ó 257 mm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ceiling-of-the-sala-dei-pontefici-in-the-vatican-c1550-64-author-lucchese-michele-8161a5-place-of-publication-place-of-publication-not-identified-publisher-publisher-not-identified-date-of-publication-approximately-1550-64-item-type-1-print-medium-engraving-dimensions-371-257-mm-former-owner-george-iii-king-of-great-britain-1738-1820-image401716463.html
RM2E9FNCF–Ceiling of the Sala dei Pontefici in the Vatican, c.1550 64 . Author Lucchese, Michele 81.61.a.5. Place of publication: [Place of publication not identified] Publisher: [publisher not identified] Date of publication: approximately 1550-64. Item type: 1 print Medium: engraving Dimensions: 371 √ó 257 mm Former owner: George III, King of Great Britain, 1738-1820
Chiesa di San Michele in Foro, Lucca city, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-chiesa-di-san-michele-in-foro-lucca-city-italy-165021507.html
RMKGDAH7–Chiesa di San Michele in Foro, Lucca city, Italy.
Le chroniche di Giovanni Sercambi, Lucchese . peradore, fu il dicto marchezeallogiato in nel palagio di sa Michele, et quine dimorò tantoquanto steo in Luccha. E mentre che tale marcheze in Lucchaera, acadde che i Pisani voleano dal comune di Lucha et da 5ciptadini fiorini quatro milia d oro, per dare allo mperadore; eraunato il comsiglio generale in nel palagio e non potendosivincere per partito, li Pisani levònno romore, in nel quale ro-more molti ciptadini di Luccha funno feriti. Et se non fussela gente del dicto marcheze molti di Luccha serenno stati morti; ioma quelli difeseno il palagio; Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-chroniche-di-giovanni-sercambi-lucchese-peradore-fu-il-dicto-marchezeallogiato-in-nel-palagio-di-sa-michele-et-quine-dimor-tantoquanto-steo-in-luccha-e-mentre-che-tale-marcheze-in-lucchaera-acadde-che-i-pisani-voleano-dal-comune-di-lucha-et-da-5ciptadini-fiorini-quatro-milia-d-oro-per-dare-allo-mperadore-eraunato-il-comsiglio-generale-in-nel-palagio-e-non-potendosivincere-per-partito-li-pisani-levnno-romore-in-nel-quale-ro-more-molti-ciptadini-di-luccha-funno-feriti-et-se-non-fussela-gente-del-dicto-marcheze-molti-di-luccha-serenno-stati-morti-ioma-quelli-difeseno-il-palagio-image339319051.html
RM2AM18WF–Le chroniche di Giovanni Sercambi, Lucchese . peradore, fu il dicto marchezeallogiato in nel palagio di sa Michele, et quine dimorò tantoquanto steo in Luccha. E mentre che tale marcheze in Lucchaera, acadde che i Pisani voleano dal comune di Lucha et da 5ciptadini fiorini quatro milia d oro, per dare allo mperadore; eraunato il comsiglio generale in nel palagio e non potendosivincere per partito, li Pisani levònno romore, in nel quale ro-more molti ciptadini di Luccha funno feriti. Et se non fussela gente del dicto marcheze molti di Luccha serenno stati morti; ioma quelli difeseno il palagio;
Buccellato Taddeucci shop on Piazza San Michele, Lucca city, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-buccellato-taddeucci-shop-on-piazza-san-michele-lucca-city-italy-165021565.html
RMKGDAK9–Buccellato Taddeucci shop on Piazza San Michele, Lucca city, Italy.
Le chroniche di Giovanni Sercambi, Lucchese . atio & ser Michele del Lante, dicendosi insieme ingiurioseparole, in tanto che la sera di santo Martino levònno romore, &doppo molto contasto, il dicto messer conte Patio rimase vinci-tore. Et i sopradicti funno chacciati di Pisa; per la qual cosa 6^messer Piero Rossi non potèo avere sua intentione di Pisa, &deliberando di non tenere più Lucha, quella vendèo a messerMastino della Schala signore di Verona. Lo quale messer Ma-stino la dieta ciptà prese & in quella mandò a guardia Guil-lielmo Chanacci come suo vicario a signoreggiare Luccha e 1 70cont Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-chroniche-di-giovanni-sercambi-lucchese-atio-ser-michele-del-lante-dicendosi-insieme-ingiurioseparole-in-tanto-che-la-sera-di-santo-martino-levnno-romore-doppo-molto-contasto-il-dicto-messer-conte-patio-rimase-vinci-tore-et-i-sopradicti-funno-chacciati-di-pisa-per-la-qual-cosa-6messer-piero-rossi-non-poto-avere-sua-intentione-di-pisa-deliberando-di-non-tenere-pi-lucha-quella-vendo-a-messermastino-della-schala-signore-di-verona-lo-quale-messer-ma-stino-la-dieta-cipt-prese-in-quella-mand-a-guardia-guil-lielmo-chanacci-come-suo-vicario-a-signoreggiare-luccha-e-1-70cont-image339350207.html
RM2AM2MJ7–Le chroniche di Giovanni Sercambi, Lucchese . atio & ser Michele del Lante, dicendosi insieme ingiurioseparole, in tanto che la sera di santo Martino levònno romore, &doppo molto contasto, il dicto messer conte Patio rimase vinci-tore. Et i sopradicti funno chacciati di Pisa; per la qual cosa 6^messer Piero Rossi non potèo avere sua intentione di Pisa, &deliberando di non tenere più Lucha, quella vendèo a messerMastino della Schala signore di Verona. Lo quale messer Ma-stino la dieta ciptà prese & in quella mandò a guardia Guil-lielmo Chanacci come suo vicario a signoreggiare Luccha e 1 70cont
Rolling Stones concert poster Piazza San Michele, Lucca city, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-rolling-stones-concert-poster-piazza-san-michele-lucca-city-italy-165021425.html
RMKGDAE9–Rolling Stones concert poster Piazza San Michele, Lucca city, Italy.
Le chroniche di Giovanni Sercambi, Lucchese . Per senno di quel insto e ver signore.Landò gomfalonieri e de fratelli,Iacopo Campucci comandatore,Nuccio lohanni, Agustin Puccinelli,Michele Grigori, eh è degno d ogni honore, 5 Macteo Guaspari e Luyzo Brunelli,E poi Bartolomeo de Bernardini,E 1 nobile savio Nicolao Bandini. CCCXXXV. Come messer Bartolomeo Forteguerra COMINCIÒMNO NUOVA Q.UISTIOXE. Doppo tal sacramento e promissione intrò in chuore de ci-ptadini piggior pensieri che non era stato di prima, e vieni-mi rimenbranza che doppo la pacie che Christo diede a Giuda,quelli fu pieno di spirit Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-chroniche-di-giovanni-sercambi-lucchese-per-senno-di-quel-insto-e-ver-signoreland-gomfalonieri-e-de-fratelliiacopo-campucci-comandatorenuccio-lohanni-agustin-puccinellimichele-grigori-eh-degno-d-ogni-honore-5-macteo-guaspari-e-luyzo-brunellie-poi-bartolomeo-de-bernardinie-1-nobile-savio-nicolao-bandini-cccxxxv-come-messer-bartolomeo-forteguerra-comincimno-nuova-quistioxe-doppo-tal-sacramento-e-promissione-intr-in-chuore-de-ci-ptadini-piggior-pensieri-che-non-era-stato-di-prima-e-vieni-mi-rimenbranza-che-doppo-la-pacie-che-christo-diede-a-giudaquelli-fu-pieno-di-spirit-image339245736.html
RM2AKWYB4–Le chroniche di Giovanni Sercambi, Lucchese . Per senno di quel insto e ver signore.Landò gomfalonieri e de fratelli,Iacopo Campucci comandatore,Nuccio lohanni, Agustin Puccinelli,Michele Grigori, eh è degno d ogni honore, 5 Macteo Guaspari e Luyzo Brunelli,E poi Bartolomeo de Bernardini,E 1 nobile savio Nicolao Bandini. CCCXXXV. Come messer Bartolomeo Forteguerra COMINCIÒMNO NUOVA Q.UISTIOXE. Doppo tal sacramento e promissione intrò in chuore de ci-ptadini piggior pensieri che non era stato di prima, e vieni-mi rimenbranza che doppo la pacie che Christo diede a Giuda,quelli fu pieno di spirit
Rolling Stones 'No Filter' concert poster Piazza San Michele, Lucca city, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-rolling-stones-no-filter-concert-poster-piazza-san-michele-lucca-city-165021411.html
RMKGDADR–Rolling Stones 'No Filter' concert poster Piazza San Michele, Lucca city, Italy.
Le chroniche di Giovanni Sercambi, Lucchese . Chi potre porre al sole mizura o peso,O 1 vento mizurare a staio a staio,O tramutare il mare con un chucchiaio,O dir r altezza che Dio sta sospeso,O chuor malvagio sempre al male acceso,O menti sanguinenti di becchaio,O Beri, o Pinci, 0 Michele torniaio.Dimoni in carne ongnor coir arco teso !La vostra iniquità si à preso vesta,Del segno inìperiale che V ale stende, IO DI GIOVANNI SERCAMBI 295 Con fiamma viva im beccho inveì* Firenza,E scripto avete sopra la sua testa:Ò rimesse le penne. E chi lo ntendeE un surger Toscana im pistolensa.15 Questa cru Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-chroniche-di-giovanni-sercambi-lucchese-chi-potre-porre-al-sole-mizura-o-pesoo-1-vento-mizurare-a-staio-a-staioo-tramutare-il-mare-con-un-chucchiaioo-dir-r-altezza-che-dio-sta-sospesoo-chuor-malvagio-sempre-al-male-accesoo-menti-sanguinenti-di-becchaioo-beri-o-pinci-0-michele-torniaiodimoni-in-carne-ongnor-coir-arco-teso-!la-vostra-iniquit-si-preso-vestadel-segno-inperiale-che-v-ale-stende-io-di-giovanni-sercambi-295-con-fiamma-viva-im-beccho-inve-firenzae-scripto-avete-sopra-la-sua-testa-rimesse-le-penne-e-chi-lo-ntendee-un-surger-toscana-im-pistolensa15-questa-cru-image339234600.html
RM2AKWD5C–Le chroniche di Giovanni Sercambi, Lucchese . Chi potre porre al sole mizura o peso,O 1 vento mizurare a staio a staio,O tramutare il mare con un chucchiaio,O dir r altezza che Dio sta sospeso,O chuor malvagio sempre al male acceso,O menti sanguinenti di becchaio,O Beri, o Pinci, 0 Michele torniaio.Dimoni in carne ongnor coir arco teso !La vostra iniquità si à preso vesta,Del segno inìperiale che V ale stende, IO DI GIOVANNI SERCAMBI 295 Con fiamma viva im beccho inveì* Firenza,E scripto avete sopra la sua testa:Ò rimesse le penne. E chi lo ntendeE un surger Toscana im pistolensa.15 Questa cru
Rolling Stones 'No Filter' concert poster Piazza San Michele, Lucca city, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-rolling-stones-no-filter-concert-poster-piazza-san-michele-lucca-city-165021406.html
RMKGDADJ–Rolling Stones 'No Filter' concert poster Piazza San Michele, Lucca city, Italy.
Le chroniche di Giovanni Sercambi, Lucchese . Chi potre porre al sole mizura o peso,O 1 vento mizurare a staio a staio,O tramutare il mare con un chucchiaio,O dir r altezza che Dio sta sospeso,O chuor malvagio sempre al male acceso,O menti sanguinenti di becchaio,O Beri, o Pinci, 0 Michele torniaio.Dimoni in carne ongnor coir arco teso !La vostra iniquità si à preso vesta,Del segno inìperiale che V ale stende, IO DI GIOVANNI SERCAMBI 295 Con fiamma viva im beccho inveì* Firenza,E scripto avete sopra la sua testa:Ò rimesse le penne. E chi lo ntendeE un surger Toscana im pistolensa.15 Questa cru Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/le-chroniche-di-giovanni-sercambi-lucchese-chi-potre-porre-al-sole-mizura-o-pesoo-1-vento-mizurare-a-staio-a-staioo-tramutare-il-mare-con-un-chucchiaioo-dir-r-altezza-che-dio-sta-sospesoo-chuor-malvagio-sempre-al-male-accesoo-menti-sanguinenti-di-becchaioo-beri-o-pinci-0-michele-torniaiodimoni-in-carne-ongnor-coir-arco-teso-!la-vostra-iniquit-si-preso-vestadel-segno-inperiale-che-v-ale-stende-io-di-giovanni-sercambi-295-con-fiamma-viva-im-beccho-inve-firenzae-scripto-avete-sopra-la-sua-testa-rimesse-le-penne-e-chi-lo-ntendee-un-surger-toscana-im-pistolensa15-questa-cru-image339233944.html
RM2AKWCA0–Le chroniche di Giovanni Sercambi, Lucchese . Chi potre porre al sole mizura o peso,O 1 vento mizurare a staio a staio,O tramutare il mare con un chucchiaio,O dir r altezza che Dio sta sospeso,O chuor malvagio sempre al male acceso,O menti sanguinenti di becchaio,O Beri, o Pinci, 0 Michele torniaio.Dimoni in carne ongnor coir arco teso !La vostra iniquità si à preso vesta,Del segno inìperiale che V ale stende, IO DI GIOVANNI SERCAMBI 295 Con fiamma viva im beccho inveì* Firenza,E scripto avete sopra la sua testa:Ò rimesse le penne. E chi lo ntendeE un surger Toscana im pistolensa.15 Questa cru
Rolling Stones 'No Filter' concert poster Piazza San Michele, Lucca city, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-rolling-stones-no-filter-concert-poster-piazza-san-michele-lucca-city-165021415.html
RMKGDADY–Rolling Stones 'No Filter' concert poster Piazza San Michele, Lucca city, Italy.
Rolling Stones concert poster Piazza San Michele, Lucca city, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-rolling-stones-concert-poster-piazza-san-michele-lucca-city-italy-165021471.html
RMKGDAFY–Rolling Stones concert poster Piazza San Michele, Lucca city, Italy.
Rolling Stones concert poster Piazza San Michele, Lucca city, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-rolling-stones-concert-poster-piazza-san-michele-lucca-city-italy-165021487.html
RMKGDAGF–Rolling Stones concert poster Piazza San Michele, Lucca city, Italy.
Rolling Stones concert poster Piazza San Michele, Lucca city, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-rolling-stones-concert-poster-piazza-san-michele-lucca-city-italy-165021479.html
RMKGDAG7–Rolling Stones concert poster Piazza San Michele, Lucca city, Italy.
Rolling Stones concert poster Piazza San Michele, Lucca city, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-rolling-stones-concert-poster-piazza-san-michele-lucca-city-italy-165021486.html
RMKGDAGE–Rolling Stones concert poster Piazza San Michele, Lucca city, Italy.
Tower of Chiesa di San Michele in Foro, Lucca city, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-tower-of-chiesa-di-san-michele-in-foro-lucca-city-italy-165021557.html
RMKGDAK1–Tower of Chiesa di San Michele in Foro, Lucca city, Italy.
Tower of Chiesa di San Michele in Foro, Lucca city, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-tower-of-chiesa-di-san-michele-in-foro-lucca-city-italy-165021560.html
RMKGDAK4–Tower of Chiesa di San Michele in Foro, Lucca city, Italy.
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