Mid dle ages Stock Photos and Images
Milan, PIazza Mercanti. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/milan-piazza-mercanti-image473307008.htmlRM2JE0YWM–Milan, PIazza Mercanti.
Frankenberg/Eder, Kloster Georgenberg, (Heimatmuseum), Südflügel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frankenbergeder-kloster-georgenberg-heimatmuseum-sdflgel-image4482127.htmlRMAENT50–Frankenberg/Eder, Kloster Georgenberg, (Heimatmuseum), Südflügel
History of mediæval art . :- !,; ??• ??? : .... I. Fig. 377-—Monuments in the Choir of the Princes, Church of St. Elisabeth, Marburg. GOTHIC SCULPTURE. THE conditions and ideals which, towards the close of the Mid-dle Ages, superseded those of the Romanic epoch, found theirgrandest exponent in architecture. Not, however, their most direct.The static and abstract requirements of architectural design per-mitted only a symbolical expression of the most characteristic sen-timents of the time. They could give but a faint idea of the moreindependent religious conceptions of the individual, — of the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-medival-art-!-i-fig-377-monuments-in-the-choir-of-the-princes-church-of-st-elisabeth-marburg-gothic-sculpture-the-conditions-and-ideals-which-towards-the-close-of-the-mid-dle-ages-superseded-those-of-the-romanic-epoch-found-theirgrandest-exponent-in-architecture-not-however-their-most-directthe-static-and-abstract-requirements-of-architectural-design-per-mitted-only-a-symbolical-expression-of-the-most-characteristic-sen-timents-of-the-time-they-could-give-but-a-faint-idea-of-the-moreindependent-religious-conceptions-of-the-individual-of-the-image340197874.htmlRM2AND9T2–History of mediæval art . :- !,; ??• ??? : .... I. Fig. 377-—Monuments in the Choir of the Princes, Church of St. Elisabeth, Marburg. GOTHIC SCULPTURE. THE conditions and ideals which, towards the close of the Mid-dle Ages, superseded those of the Romanic epoch, found theirgrandest exponent in architecture. Not, however, their most direct.The static and abstract requirements of architectural design per-mitted only a symbolical expression of the most characteristic sen-timents of the time. They could give but a faint idea of the moreindependent religious conceptions of the individual, — of the
Milan, PIazza Mercanti. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/milan-piazza-mercanti-image473307001.htmlRM2JE0YWD–Milan, PIazza Mercanti.
Niddatal-Ilbenstadt, Klosterkirche, Grabmal des heiligen Gottfried Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/niddatal-ilbenstadt-klosterkirche-grabmal-des-heiligen-gottfried-image1587332.htmlRMAS3885–Niddatal-Ilbenstadt, Klosterkirche, Grabmal des heiligen Gottfried
Annals of medical history . vation of the MiddleAges. Mediaeval figurations of dancing andtipsy skeletons occur in plenty, it is true,but, by the time of Holbein, the skeletonhad become the sign and symbol of Deathas the King of Terrors. The question arises: Were these skeletalsymbols of Death a survival of the Epi-curean Graeco-Roman figurations, or werethey derived from the drawings in themanuscript illustrations of anatomy of theMiddle Ages? That the artists of the Mid-dle Ages should have figured Death as askeleton, with scythe or drum, is easy ofexplanation. Death was at hand every-where. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annals-of-medical-history-vation-of-the-middleages-mediaeval-figurations-of-dancing-andtipsy-skeletons-occur-in-plenty-it-is-truebut-by-the-time-of-holbein-the-skeletonhad-become-the-sign-and-symbol-of-deathas-the-king-of-terrors-the-question-arises-were-these-skeletalsymbols-of-death-a-survival-of-the-epi-curean-graeco-roman-figurations-or-werethey-derived-from-the-drawings-in-themanuscript-illustrations-of-anatomy-of-themiddle-ages-that-the-artists-of-the-mid-dle-ages-should-have-figured-death-as-askeleton-with-scythe-or-drum-is-easy-ofexplanation-death-was-at-hand-every-where-image339985816.htmlRM2AN3KAG–Annals of medical history . vation of the MiddleAges. Mediaeval figurations of dancing andtipsy skeletons occur in plenty, it is true,but, by the time of Holbein, the skeletonhad become the sign and symbol of Deathas the King of Terrors. The question arises: Were these skeletalsymbols of Death a survival of the Epi-curean Graeco-Roman figurations, or werethey derived from the drawings in themanuscript illustrations of anatomy of theMiddle Ages? That the artists of the Mid-dle Ages should have figured Death as askeleton, with scythe or drum, is easy ofexplanation. Death was at hand every-where.
Serrabone, Notre-Dame, Detail der Sängertribüne, nach Mitte 12. Jahrhundert Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-serrabone-notre-dame-detail-der-sngertribne-nach-mitte-12-jahrhundert-25664453.htmlRMBDN37H–Serrabone, Notre-Dame, Detail der Sängertribüne, nach Mitte 12. Jahrhundert
Valkenburg, Berkelpoort, Feldseite Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/valkenburg-berkelpoort-feldseite-image1581622.htmlRMAS2237–Valkenburg, Berkelpoort, Feldseite
Milan, PIazza Mercanti. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/milan-piazza-mercanti-image473307018.htmlRM2JE0YX2–Milan, PIazza Mercanti.
History of Genghis Khan . a shongar, according to a custom often ob-served among the people of that region. Theshongar was a very large and fierce bird ofprey, which, however, could be trained like thefalcons which were so much prized in the Mid-dle Ages by the princes and nobles of Europe.It seems it was customary for an inferior khanto present one of these birds to his superior ongreat occasions, as an emblem and token of hissubmission to his superiors authority. Thebird in such a case was very richly decoratedwith gold and precious stones, so that the presLent was sometimes of a very costly Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-genghis-khan-a-shongar-according-to-a-custom-often-ob-served-among-the-people-of-that-region-theshongar-was-a-very-large-and-fierce-bird-ofprey-which-however-could-be-trained-like-thefalcons-which-were-so-much-prized-in-the-mid-dle-ages-by-the-princes-and-nobles-of-europeit-seems-it-was-customary-for-an-inferior-khanto-present-one-of-these-birds-to-his-superior-ongreat-occasions-as-an-emblem-and-token-of-hissubmission-to-his-superiors-authority-thebird-in-such-a-case-was-very-richly-decoratedwith-gold-and-precious-stones-so-that-the-preslent-was-sometimes-of-a-very-costly-image338326488.htmlRM2AJC2TT–History of Genghis Khan . a shongar, according to a custom often ob-served among the people of that region. Theshongar was a very large and fierce bird ofprey, which, however, could be trained like thefalcons which were so much prized in the Mid-dle Ages by the princes and nobles of Europe.It seems it was customary for an inferior khanto present one of these birds to his superior ongreat occasions, as an emblem and token of hissubmission to his superiors authority. Thebird in such a case was very richly decoratedwith gold and precious stones, so that the presLent was sometimes of a very costly
Veere, Stadhuis, Detail Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/veere-stadhuis-detail-image1563116.htmlRMARD9ED–Veere, Stadhuis, Detail
Kornelimünster, Bergkirche St. Stephan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kornelimnster-bergkirche-st-stephan-image66610658.htmlRMDTAAG2–Kornelimünster, Bergkirche St. Stephan
Werben, Johanniskirche, Hochaltar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-werben-johanniskirche-hochaltar-92876506.htmlRMFB2TX2–Werben, Johanniskirche, Hochaltar
Milan, PIazza Mercanti. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/milan-piazza-mercanti-image473307015.htmlRM2JE0YWY–Milan, PIazza Mercanti.
Outlines of the world's history, ancient, mediæval, and modern, with special relation to the history of civilization and the progress of mankind .. . s ofGreeks expressed themselves in the first two Greek art.forms (for painting and music belong properly to the Mid-dle Ages and to Christianity) ; and in these a degree of per-fection was attained that was never before seen and thathas never since been surpassed. 143. The most important architectural works of Greeceare the temples of the gods: in these we find the development of the Grecian column in the ^™^ ^^three classic forms, — the Doric, t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/outlines-of-the-worlds-history-ancient-medival-and-modern-with-special-relation-to-the-history-of-civilization-and-the-progress-of-mankind-s-ofgreeks-expressed-themselves-in-the-first-two-greek-artforms-for-painting-and-music-belong-properly-to-the-mid-dle-ages-and-to-christianity-and-in-these-a-degree-of-per-fection-was-attained-that-was-never-before-seen-and-thathas-never-since-been-surpassed-143-the-most-important-architectural-works-of-greeceare-the-temples-of-the-gods-in-these-we-find-the-development-of-the-grecian-column-in-the-three-classic-forms-the-doric-t-image338401735.htmlRM2AJFET7–Outlines of the world's history, ancient, mediæval, and modern, with special relation to the history of civilization and the progress of mankind .. . s ofGreeks expressed themselves in the first two Greek art.forms (for painting and music belong properly to the Mid-dle Ages and to Christianity) ; and in these a degree of per-fection was attained that was never before seen and thathas never since been surpassed. 143. The most important architectural works of Greeceare the temples of the gods: in these we find the development of the Grecian column in the ^™^ ^^three classic forms, — the Doric, t
Werben, Johanniskirche, Hochaltar, Oberer Aufsatz Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-werben-johanniskirche-hochaltar-oberer-aufsatz-92876507.htmlRMFB2TX3–Werben, Johanniskirche, Hochaltar, Oberer Aufsatz
Quedlinburg, Schloß und Stiftskirche Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quedlinburg-schlo-und-stiftskirche-image66608354.htmlRMDTA7HP–Quedlinburg, Schloß und Stiftskirche
Milan, PIazza Mercanti, SeMilanute sow; ancient symbol of Milan. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/milan-piazza-mercanti-semilanute-sow-ancient-symbol-of-milan-image473306996.htmlRM2JE0YW8–Milan, PIazza Mercanti, SeMilanute sow; ancient symbol of Milan.
. New France and New England. ames. Thither a thousand ^^^^^years ago flocked the Vikings from the fjords of Norwayand settled down over the north of Gaul as over the east ofBritain. The geographical position was favourable to theindulgence of inherited proclivities, and throughout the Mid-dle Ages the French and English shores of the Channelwere famed for their hardy mariners. Their ships throngedside by side in the Icelandic waters, in quest of codfish, andeven the chase of the whale was not unknown to them.When at the beginning of the fifteenth century the Nor-man knight Jean de Bethencourt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-france-and-new-england-ames-thither-a-thousand-years-ago-flocked-the-vikings-from-the-fjords-of-norwayand-settled-down-over-the-north-of-gaul-as-over-the-east-ofbritain-the-geographical-position-was-favourable-to-theindulgence-of-inherited-proclivities-and-throughout-the-mid-dle-ages-the-french-and-english-shores-of-the-channelwere-famed-for-their-hardy-mariners-their-ships-throngedside-by-side-in-the-icelandic-waters-in-quest-of-codfish-andeven-the-chase-of-the-whale-was-not-unknown-to-themwhen-at-the-beginning-of-the-fifteenth-century-the-nor-man-knight-jean-de-bethencourt-image336981178.htmlRM2AG6PX2–. New France and New England. ames. Thither a thousand ^^^^^years ago flocked the Vikings from the fjords of Norwayand settled down over the north of Gaul as over the east ofBritain. The geographical position was favourable to theindulgence of inherited proclivities, and throughout the Mid-dle Ages the French and English shores of the Channelwere famed for their hardy mariners. Their ships throngedside by side in the Icelandic waters, in quest of codfish, andeven the chase of the whale was not unknown to them.When at the beginning of the fifteenth century the Nor-man knight Jean de Bethencourt
Quedlinburg, Schloß und Stiftskirche Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quedlinburg-schlo-und-stiftskirche-image66608352.htmlRMDTA7HM–Quedlinburg, Schloß und Stiftskirche
Serrabone, Klosterkirche, Blick von Südwesten Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-serrabone-klosterkirche-blick-von-sdwesten-11440804.htmlRMA62MKH–Serrabone, Klosterkirche, Blick von Südwesten
Schneidlingen bei Aschersleben, Burg Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-schneidlingen-bei-aschersleben-burg-92873672.htmlRMFB2N8T–Schneidlingen bei Aschersleben, Burg
Südtirol, Schlossruine Boymont Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sdtirol-schlossruine-boymont-35496074.htmlRMC1MYGX–Südtirol, Schlossruine Boymont
. Corea, the hermit nation : I. Ancient and mediaeval history. II. Political and social Corea. III. Modern and recent history. gnals which, in the old days of the Three King-doms, had flashed upon the headlands to warn of danger seaward,Were now made a national seiwice. The system was perfected soas to converge at the capital, Sunto, and give notice of dangerfrom any point on the coast. By this means better protectionagainst the sea-rovers was seciu*ed. All this exil experience Math the piratical Japanese of the mid-dle ages has left its impress on the language of the Coreans.From this period, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/corea-the-hermit-nation-i-ancient-and-mediaeval-history-ii-political-and-social-corea-iii-modern-and-recent-history-gnals-which-in-the-old-days-of-the-three-king-doms-had-flashed-upon-the-headlands-to-warn-of-danger-seawardwere-now-made-a-national-seiwice-the-system-was-perfected-soas-to-converge-at-the-capital-sunto-and-give-notice-of-dangerfrom-any-point-on-the-coast-by-this-means-better-protectionagainst-the-sea-rovers-was-seciued-all-this-exil-experience-math-the-piratical-japanese-of-the-mid-dle-ages-has-left-its-impress-on-the-language-of-the-coreansfrom-this-period-image336875331.htmlRM2AG1YWR–. Corea, the hermit nation : I. Ancient and mediaeval history. II. Political and social Corea. III. Modern and recent history. gnals which, in the old days of the Three King-doms, had flashed upon the headlands to warn of danger seaward,Were now made a national seiwice. The system was perfected soas to converge at the capital, Sunto, and give notice of dangerfrom any point on the coast. By this means better protectionagainst the sea-rovers was seciu*ed. All this exil experience Math the piratical Japanese of the mid-dle ages has left its impress on the language of the Coreans.From this period,
Südtirol, Schlossruine Boymont Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sdtirol-schlossruine-boymont-35496068.htmlRMC1MYGM–Südtirol, Schlossruine Boymont
Calw-Hirsau, Eulenturm, nördlicher Turm der einstmaligen Doppelturmfassade, frühes 12. Jahrhundert Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/calw-hirsau-eulenturm-nrdlicher-turm-der-einstmaligen-doppelturmfassade-image2419924.htmlRMABXCD5–Calw-Hirsau, Eulenturm, nördlicher Turm der einstmaligen Doppelturmfassade, frühes 12. Jahrhundert
![St Nicholas [serial] . feet,and looks like the floor of an ancient theater, ithas seen many populartumults during the Mid-dle Ages; it has seen thefamous Patio* or horse-race, celebrated centuryafter century; and it seesthe picturesque market offish, game, and vegetables. Later than all of thesecivil towers is the cu-rious Clock Tower inthe square of San Marcoin Venice, gorgeous withits dial in gold and blue.The twelve signs of thezodiac are there resplen-dent, and the suns on thehands of the clock traveltwice round the great facein the twenty-four hours.On the top of the towerstand two bronze Stock Photo](https://c8.alamy.com/comp/2AJ31E6/st-nicholas-serial-feetand-looks-like-the-floor-of-an-ancient-theater-ithas-seen-many-populartumults-during-the-mid-dle-ages-it-has-seen-thefamous-patio-or-horse-race-celebrated-centuryafter-century-and-it-seesthe-picturesque-market-offish-game-and-vegetables-later-than-all-of-thesecivil-towers-is-the-cu-rious-clock-tower-inthe-square-of-san-marcoin-venice-gorgeous-withits-dial-in-gold-and-bluethe-twelve-signs-of-thezodiac-are-there-resplen-dent-and-the-suns-on-thehands-of-the-clock-traveltwice-round-the-great-facein-the-twenty-four-hourson-the-top-of-the-towerstand-two-bronze-2AJ31E6.jpg "St Nicholas [serial] . feet,and looks like the floor of an ancient theater, ithas seen many populartumults during the Mid-dle Ages; it has seen thefamous Patio* or horse-race, celebrated centuryafter century; and it seesthe picturesque market offish, game, and vegetables. Later than all of thesecivil towers is the cu-rious Clock Tower inthe square of San Marcoin Venice, gorgeous withits dial in gold and blue.The twelve signs of thezodiac are there resplen-dent, and the suns on thehands of the clock traveltwice round the great facein the twenty-four hours.On the top of the towerstand two bronze Stock Photo")
St Nicholas [serial] . feet,and looks like the floor of an ancient theater, ithas seen many populartumults during the Mid-dle Ages; it has seen thefamous Patio* or horse-race, celebrated centuryafter century; and it seesthe picturesque market offish, game, and vegetables. Later than all of thesecivil towers is the cu-rious Clock Tower inthe square of San Marcoin Venice, gorgeous withits dial in gold and blue.The twelve signs of thezodiac are there resplen-dent, and the suns on thehands of the clock traveltwice round the great facein the twenty-four hours.On the top of the towerstand two bronze Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-nicholas-serial-feetand-looks-like-the-floor-of-an-ancient-theater-ithas-seen-many-populartumults-during-the-mid-dle-ages-it-has-seen-thefamous-patio-or-horse-race-celebrated-centuryafter-century-and-it-seesthe-picturesque-market-offish-game-and-vegetables-later-than-all-of-thesecivil-towers-is-the-cu-rious-clock-tower-inthe-square-of-san-marcoin-venice-gorgeous-withits-dial-in-gold-and-bluethe-twelve-signs-of-thezodiac-are-there-resplen-dent-and-the-suns-on-thehands-of-the-clock-traveltwice-round-the-great-facein-the-twenty-four-hourson-the-top-of-the-towerstand-two-bronze-image338127838.htmlRM2AJ31E6–St Nicholas [serial] . feet,and looks like the floor of an ancient theater, ithas seen many populartumults during the Mid-dle Ages; it has seen thefamous Patio* or horse-race, celebrated centuryafter century; and it seesthe picturesque market offish, game, and vegetables. Later than all of thesecivil towers is the cu-rious Clock Tower inthe square of San Marcoin Venice, gorgeous withits dial in gold and blue.The twelve signs of thezodiac are there resplen-dent, and the suns on thehands of the clock traveltwice round the great facein the twenty-four hours.On the top of the towerstand two bronze
Cluny, ehemalige Klosterkirche St-Pierre-et-St-Paul, Südquerhaus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cluny-ehemalige-klosterkirche-st-pierre-et-st-paul-sdquerhaus-image2419921.htmlRMABXCD2–Cluny, ehemalige Klosterkirche St-Pierre-et-St-Paul, Südquerhaus
Chambers's encyclopaedia; a dictionary of universal knowledge for the people . s of an analogous character were known in the mid-dle ages—such as the mangonel; the trebuchet, which threw a lar^estone by the action of a lever and a sling; tlie petrary, which, ^sits name implies) threw a stone; the roiinet, which threw darts aswell as stones; the mate-griffon and mate-funda, both slinging-machines; the tricolle, which hurled quarrels, or square-headedarrows; the espringal or springal, wliich tlirew large darts; therihaudequin, a large kind of cross-bow; tlie war-wolf, a stone-throwing machine, & Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chamberss-encyclopaedia-a-dictionary-of-universal-knowledge-for-the-people-s-of-an-analogous-character-were-known-in-the-mid-dle-agessuch-as-the-mangonel-the-trebuchet-which-threw-a-larestone-by-the-action-of-a-lever-and-a-sling-tlie-petrary-which-sits-name-implies-threw-a-stone-the-roiinet-which-threw-darts-aswell-as-stones-the-mate-griffon-and-mate-funda-both-slinging-machines-the-tricolle-which-hurled-quarrels-or-square-headedarrows-the-espringal-or-springal-wliich-tlirew-large-darts-therihaudequin-a-large-kind-of-cross-bow-tlie-war-wolf-a-stone-throwing-machine-image343364811.htmlRM2AXHH8Y–Chambers's encyclopaedia; a dictionary of universal knowledge for the people . s of an analogous character were known in the mid-dle ages—such as the mangonel; the trebuchet, which threw a lar^estone by the action of a lever and a sling; tlie petrary, which, ^sits name implies) threw a stone; the roiinet, which threw darts aswell as stones; the mate-griffon and mate-funda, both slinging-machines; the tricolle, which hurled quarrels, or square-headedarrows; the espringal or springal, wliich tlirew large darts; therihaudequin, a large kind of cross-bow; tlie war-wolf, a stone-throwing machine, &
Lliria, Ermita de la Sangra, Blutkirche, Deckenbalken mit Ritterszenen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lliria-ermita-de-la-sangra-blutkirche-deckenbalken-mit-ritterszenen-image4482972.htmlRMAENY9D–Lliria, Ermita de la Sangra, Blutkirche, Deckenbalken mit Ritterszenen
Wünschendorf, Kloster Mildenfurth, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wnschendorf-kloster-mildenfurth-11439720.htmlRMA62HCW–Wünschendorf, Kloster Mildenfurth,
Farrow's military encyclopedia : a dictionary of military knowledge . hielding their bodies from theinclemencies of the weather in outposts, etc., and forspreading over their heads, by means of poles, whentliey occasionally halt, and take a jiosition. Theiliintrnv. irArtHis was a round shield much usedduring the tifteenth and sixteenth centuries. MANTILLIS.- A kind of shielil, anciently fixed up-on tJie tops of sliijis as a cover for archers. MANTLE.—A long flowing robe, worn in the Mid-dle Ages over the armor, and fastened by a fibula infront, or at the right shoulder. The mantle is an im-por Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/farrows-military-encyclopedia-a-dictionary-of-military-knowledge-hielding-their-bodies-from-theinclemencies-of-the-weather-in-outposts-etc-and-forspreading-over-their-heads-by-means-of-poles-whentliey-occasionally-halt-and-take-a-jiosition-theiliintrnv-irarthis-was-a-round-shield-much-usedduring-the-tifteenth-and-sixteenth-centuries-mantillis-a-kind-of-shielil-anciently-fixed-up-on-tjie-tops-of-sliijis-as-a-cover-for-archers-mantlea-long-flowing-robe-worn-in-the-mid-dle-ages-over-the-armor-and-fastened-by-a-fibula-infront-or-at-the-right-shoulder-the-mantle-is-an-im-por-image343031347.htmlRM2AX2BYF–Farrow's military encyclopedia : a dictionary of military knowledge . hielding their bodies from theinclemencies of the weather in outposts, etc., and forspreading over their heads, by means of poles, whentliey occasionally halt, and take a jiosition. Theiliintrnv. irArtHis was a round shield much usedduring the tifteenth and sixteenth centuries. MANTILLIS.- A kind of shielil, anciently fixed up-on tJie tops of sliijis as a cover for archers. MANTLE.—A long flowing robe, worn in the Mid-dle Ages over the armor, and fastened by a fibula infront, or at the right shoulder. The mantle is an im-por
Wolframs-Eschenbach, Liebfrauenmünster, Rillen und Näpfe an der Südwestseite des Langhauses Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wolframs-eschenbach-liebfrauenmnster-rillen-und-npfe-an-der-sdwestseite-25664890.htmlRMBDN3R6–Wolframs-Eschenbach, Liebfrauenmünster, Rillen und Näpfe an der Südwestseite des Langhauses
Rechteren, Schloß, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rechteren-schlo-image1564719.htmlRMARE030–Rechteren, Schloß,
Evreux, Kathedrale, Vierung und nördliches Querschiff Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/evreux-kathedrale-vierung-und-nrdliches-querschiff-image1561347.htmlRMARD304–Evreux, Kathedrale, Vierung und nördliches Querschiff
Köln, St. Georg, Blick durch das südliche Seitenschiff Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-kln-st-georg-blick-durch-das-sdliche-seitenschiff-11285178.htmlRMA5E5EK–Köln, St. Georg, Blick durch das südliche Seitenschiff
. The Knights of Columbus in peace and war. THE KNIOHCT^ OF COODLMBIDI^ IN MSA.CE AMBm^M^ j. Opposing Bolshevism 195 basis for a good understanding of modern conditions, historicalbackground was necessary. No period of history had been, untilvery recently, so misunderstood as the seminal period of the Mid-dle Ages, the Dark Ages, as they were misnamed, simply becauseno English writer had had the equipment or the perception toexplore it, although a new school of acute research-workers wasthen forming in England to dissipate some of that darkness withwhich the prejudices of the Reformers had obs Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-knights-of-columbus-in-peace-and-war-the-kniohct-of-coodlmbidi-in-msace-ambmm-j-opposing-bolshevism-195-basis-for-a-good-understanding-of-modern-conditions-historicalbackground-was-necessary-no-period-of-history-had-been-untilvery-recently-so-misunderstood-as-the-seminal-period-of-the-mid-dle-ages-the-dark-ages-as-they-were-misnamed-simply-becauseno-english-writer-had-had-the-equipment-or-the-perception-toexplore-it-although-a-new-school-of-acute-research-workers-wasthen-forming-in-england-to-dissipate-some-of-that-darkness-withwhich-the-prejudices-of-the-reformers-had-obs-image370382329.htmlRM2CEGAC9–. The Knights of Columbus in peace and war. THE KNIOHCT^ OF COODLMBIDI^ IN MSA.CE AMBm^M^ j. Opposing Bolshevism 195 basis for a good understanding of modern conditions, historicalbackground was necessary. No period of history had been, untilvery recently, so misunderstood as the seminal period of the Mid-dle Ages, the Dark Ages, as they were misnamed, simply becauseno English writer had had the equipment or the perception toexplore it, although a new school of acute research-workers wasthen forming in England to dissipate some of that darkness withwhich the prejudices of the Reformers had obs
. Rheims and the battles for its possession . THE FA£ADEOF THE LYCEE,DESTROYEDBY THEBOMBARDMENTS 98 DOOR OF THEPET1 1 S, Rue Vauthier- le-Noir. On either side of the arcade are heads of Jean qui rit and Jean qui pleure.. only the chapel and one of the buildings are left. The rest was burnt ordestroyed by shell-fire. The Lycee replaced the old College des Bans Enfants, founded in the Mid-dle Ages, and rebuilt in the 16th century by the Cardinal de Lorraine, founderof the University of Rheims. Of the old College, only the central part remained, in the second courtbuilt by Archbishop Charles Maur Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rheims-and-the-battles-for-its-possession-the-faadeof-the-lyceedestroyedby-thebombardments-98-door-of-thepet1-1-s-rue-vauthier-le-noir-on-either-side-of-the-arcade-are-heads-of-jean-qui-rit-and-jean-qui-pleure-only-the-chapel-and-one-of-the-buildings-are-left-the-rest-was-burnt-ordestroyed-by-shell-fire-the-lycee-replaced-the-old-college-des-bans-enfants-founded-in-the-mid-dle-ages-and-rebuilt-in-the-16th-century-by-the-cardinal-de-lorraine-founderof-the-university-of-rheims-of-the-old-college-only-the-central-part-remained-in-the-second-courtbuilt-by-archbishop-charles-maur-image372538497.htmlRM2CJ2GJ9–. Rheims and the battles for its possession . THE FA£ADEOF THE LYCEE,DESTROYEDBY THEBOMBARDMENTS 98 DOOR OF THEPET1 1 S, Rue Vauthier- le-Noir. On either side of the arcade are heads of Jean qui rit and Jean qui pleure.. only the chapel and one of the buildings are left. The rest was burnt ordestroyed by shell-fire. The Lycee replaced the old College des Bans Enfants, founded in the Mid-dle Ages, and rebuilt in the 16th century by the Cardinal de Lorraine, founderof the University of Rheims. Of the old College, only the central part remained, in the second courtbuilt by Archbishop Charles Maur
The library of historic characters and famous events of all nations and all ages; . THE period during whichthe Marquise de Monte-span was the dominantinfluence in the court ofLouis XIV. was the mostbrilliant of that eventfulreign. L,a Valliere rep-resented the gayety ofyouth, Montespan, thepleasure-seeking of mid-dle life, and Maintenonthe rigor and convention-ality of age. Franchise Athenais deRochechouart de Morte-mart was born at thechateau of Tonnay-Charente in 1641, being the youngerdaughter of Rochechouart, first Duke of Mortemart. Shewas educated at Saintes, in the convent of Sainte Mar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-library-of-historic-characters-and-famous-events-of-all-nations-and-all-ages-the-period-during-whichthe-marquise-de-monte-span-was-the-dominantinfluence-in-the-court-oflouis-xiv-was-the-mostbrilliant-of-that-eventfulreign-la-valliere-rep-resented-the-gayety-ofyouth-montespan-thepleasure-seeking-of-mid-dle-life-and-maintenonthe-rigor-and-convention-ality-of-age-franchise-athenais-derochechouart-de-morte-mart-was-born-at-thechateau-of-tonnay-charente-in-1641-being-the-youngerdaughter-of-rochechouart-first-duke-of-mortemart-shewas-educated-at-saintes-in-the-convent-of-sainte-mar-image338415593.htmlRM2AJG4F5–The library of historic characters and famous events of all nations and all ages; . THE period during whichthe Marquise de Monte-span was the dominantinfluence in the court ofLouis XIV. was the mostbrilliant of that eventfulreign. L,a Valliere rep-resented the gayety ofyouth, Montespan, thepleasure-seeking of mid-dle life, and Maintenonthe rigor and convention-ality of age. Franchise Athenais deRochechouart de Morte-mart was born at thechateau of Tonnay-Charente in 1641, being the youngerdaughter of Rochechouart, first Duke of Mortemart. Shewas educated at Saintes, in the convent of Sainte Mar
