Quick filters:
Page 1 of 11
Mongol painting Stock Photos and Images
Mural painting of a Mongol with a chained tiger Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mural-painting-of-a-mongol-with-a-chained-tiger-22482467.htmlRFB8G4H7–Mural painting of a Mongol with a chained tiger
Warriors fighting on elephant and horseback. Shahnam Painting, India Epic poem by Firdausi, 934-1020 CE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-warriors-fighting-on-elephant-and-horseback-shahnam-painting-india-126712831.htmlRFHA47E7–Warriors fighting on elephant and horseback. Shahnam Painting, India Epic poem by Firdausi, 934-1020 CE
Vintage Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-image342405518.htmlRM2AW1WME–Vintage
Kublai Khan (1215-1294), Emperor of the Mongol Empire (1260-1294), portrait painting by Araniko (Anige), 1294 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kublai-khan-1215-1294-emperor-of-the-mongol-empire-1260-1294-portrait-painting-by-araniko-anige-1294-image453358015.htmlRM2H9G6NK–Kublai Khan (1215-1294), Emperor of the Mongol Empire (1260-1294), portrait painting by Araniko (Anige), 1294
Vietnam: Tran Hung Dao, victor of the Second Battle of the Bach Dang River, commanding his forces (1288 CE). Traditional folk painting from Dong Ho village, 20th century. The Battle of Bạch Đằng, which took place at the Bach Dang River near Ha Long Bay, was a battle between Đại Việt and the invading army of the Yuan Dynasty. It is considered part of the Third Mongol Invasion (1287-1288). The Battle of Bạch Đằng is considered one of the greatest victories in Vietnamese military history and the victorious General Trần Hưng Đạo enjoys posthumous status as a deified warrior hero. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vietnam-tran-hung-dao-victor-of-the-second-battle-of-the-bach-dang-river-commanding-his-forces-1288-ce-traditional-folk-painting-from-dong-ho-village-20th-century-the-battle-of-bch-ng-which-took-place-at-the-bach-dang-river-near-ha-long-bay-was-a-battle-between-i-vit-and-the-invading-army-of-the-yuan-dynasty-it-is-considered-part-of-the-third-mongol-invasion-1287-1288-the-battle-of-bch-ng-is-considered-one-of-the-greatest-victories-in-vietnamese-military-history-and-the-victorious-general-trn-hng-o-enjoys-posthumous-status-as-a-deified-warrior-hero-image344239486.htmlRM2B01CYA–Vietnam: Tran Hung Dao, victor of the Second Battle of the Bach Dang River, commanding his forces (1288 CE). Traditional folk painting from Dong Ho village, 20th century. The Battle of Bạch Đằng, which took place at the Bach Dang River near Ha Long Bay, was a battle between Đại Việt and the invading army of the Yuan Dynasty. It is considered part of the Third Mongol Invasion (1287-1288). The Battle of Bạch Đằng is considered one of the greatest victories in Vietnamese military history and the victorious General Trần Hưng Đạo enjoys posthumous status as a deified warrior hero.
Mongol horsemen battle Jin mounted Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-mongol-horsemen-battle-jin-mounted-160736117.htmlRMK9E4FH–Mongol horsemen battle Jin mounted
Kublai Khan (c.1215-1294), portrait of the fifth Khagan (Great Khan) of the Mongol Empire, paint and ink on silk, 1294 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-kublai-khan-c1215-1294-portrait-of-the-fifth-khagan-great-khan-of-176343668.htmlRMM6W444–Kublai Khan (c.1215-1294), portrait of the fifth Khagan (Great Khan) of the Mongol Empire, paint and ink on silk, 1294
Taiwan, Taipei, Palace Museum, Gengis Khan, silk painting, Mongol Empire (Yuan dynasty) 14th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/taiwan-taipei-palace-museum-gengis-khan-silk-painting-mongol-empire-yuan-dynasty-14th-century-image593869339.htmlRM2WE52B7–Taiwan, Taipei, Palace Museum, Gengis Khan, silk painting, Mongol Empire (Yuan dynasty) 14th century
Destruction of the city of Vladimir by the Tatars in February 1238. Detail of the Russian icon of Our Lady of Vladimir of the Yaroslavl icon painting school dated from the middle of the 17th century from the Church of Saint John Chrysostom in Korovniky in Yaroslavl, now on display in the Yaroslavl Museum Preserve in Yaroslavl, Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/destruction-of-the-city-of-vladimir-by-the-tatars-in-february-1238-detail-of-the-russian-icon-of-our-lady-of-vladimir-of-the-yaroslavl-icon-painting-school-dated-from-the-middle-of-the-17th-century-from-the-church-of-saint-john-chrysostom-in-korovniky-in-yaroslavl-now-on-display-in-the-yaroslavl-museum-preserve-in-yaroslavl-russia-image239213414.htmlRMRW5346–Destruction of the city of Vladimir by the Tatars in February 1238. Detail of the Russian icon of Our Lady of Vladimir of the Yaroslavl icon painting school dated from the middle of the 17th century from the Church of Saint John Chrysostom in Korovniky in Yaroslavl, now on display in the Yaroslavl Museum Preserve in Yaroslavl, Russia.
This painting is a copy of a 1293 work by an unknown artist. Ink and water colours on paper. The scrolls deal with the deeds of Takezaki Suenaga, who lived in southern Higo (now Matsubase municipality, Kumamoto prefecture) during the Mongol invasions of 1274 and 1281. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-painting-is-a-copy-of-a-1293-work-by-an-unknown-artist-ink-and-water-colours-on-paper-the-scrolls-deal-with-the-deeds-of-takezaki-suenaga-who-lived-in-southern-higo-now-matsubase-municipality-kumamoto-prefecture-during-the-mongol-invasions-of-1274-and-1281-image482123162.htmlRM2K0AH0A–This painting is a copy of a 1293 work by an unknown artist. Ink and water colours on paper. The scrolls deal with the deeds of Takezaki Suenaga, who lived in southern Higo (now Matsubase municipality, Kumamoto prefecture) during the Mongol invasions of 1274 and 1281.
Mongol warriors of Kublai Khan (1215-1294) invading Japan, 1274. After a detail from a Japanese scroll painting, c1293. Attributed to Tosa Nagataka and Tosa Nagaaki. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mongol-warriors-of-kublai-khan-1215-1294-invading-japan-1274-after-a-detail-from-a-japanese-scroll-painting-c1293-attributed-to-tosa-nagataka-and-tosa-nagaaki-image547512270.htmlRM2PPN9DJ–Mongol warriors of Kublai Khan (1215-1294) invading Japan, 1274. After a detail from a Japanese scroll painting, c1293. Attributed to Tosa Nagataka and Tosa Nagaaki.
Tamerlane invades Persia in 1393. Timur, aka Taimur, Amir Timur and Tamerlane, 1336—1405. Turco-Mongol conqueror, founder of the Timurid Empire in Persia and Central Asia and the first ruler in the Timurid dynasty. After the painting by W.S. Bagdatopoulus, (1888-1965). From Hutchinson's History of the Nations, published 1915. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tamerlane-invades-persia-in-1393-timur-aka-taimur-amir-timur-and-tamerlane-138022335.htmlRMJ0FCW3–Tamerlane invades Persia in 1393. Timur, aka Taimur, Amir Timur and Tamerlane, 1336—1405. Turco-Mongol conqueror, founder of the Timurid Empire in Persia and Central Asia and the first ruler in the Timurid dynasty. After the painting by W.S. Bagdatopoulus, (1888-1965). From Hutchinson's History of the Nations, published 1915.
Mongol Leading a Horse, China, Ming Dynasty, Copy of a Painting by Chao Meng-fu 1318 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-mongol-leading-a-horse-china-ming-dynasty-copy-of-a-painting-by-chao-164419291.htmlRMKFDXDF–Mongol Leading a Horse, China, Ming Dynasty, Copy of a Painting by Chao Meng-fu 1318
Fragment of Wall Painting with a Scene of Two Horsemen Slaying a Serpent early 20th century This work, once believed to be a rare example of pre-Mongol painting, was recently shown to have been made with pigments containing modern components. Remarkably, the forger seems to have worked on an arch fragment and chose images evocative of stories in the Shahnama (Book of Kings), including horsemen slaying a snake. No comparable miniature painting is known from archaeological contexts or extant buildings. Elemental analysis by X-ray fluorescence spectroscopy (XRF) detected the following modern pigm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-of-wall-painting-with-a-scene-of-two-horsemen-slaying-a-serpent-early-20th-century-this-work-once-believed-to-be-a-rare-example-of-pre-mongol-painting-was-recently-shown-to-have-been-made-with-pigments-containing-modern-components-remarkably-the-forger-seems-to-have-worked-on-an-arch-fragment-and-chose-images-evocative-of-stories-in-the-shahnama-book-of-kings-including-horsemen-slaying-a-snake-no-comparable-miniature-painting-is-known-from-archaeological-contexts-or-extant-buildings-elemental-analysis-by-x-ray-fluorescence-spectroscopy-xrf-detected-the-following-modern-pigm-image458478652.htmlRM2HHWE5G–Fragment of Wall Painting with a Scene of Two Horsemen Slaying a Serpent early 20th century This work, once believed to be a rare example of pre-Mongol painting, was recently shown to have been made with pigments containing modern components. Remarkably, the forger seems to have worked on an arch fragment and chose images evocative of stories in the Shahnama (Book of Kings), including horsemen slaying a snake. No comparable miniature painting is known from archaeological contexts or extant buildings. Elemental analysis by X-ray fluorescence spectroscopy (XRF) detected the following modern pigm
Ogedei Khan, circa 1186 - 1241, Khagan of the Mongol Empire 1229 - 1241, son of Genghis Khan, portrait, print after painting from the 14th century, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ogedei-khan-circa-1186-1241-khagan-of-the-mongol-empire-1229-1241-48025660.htmlRMCP3N64–Ogedei Khan, circa 1186 - 1241, Khagan of the Mongol Empire 1229 - 1241, son of Genghis Khan, portrait, print after painting from the 14th century, Artist's Copyright has not to be cleared
Allegory of Emperor Jahangir (1605 - 1627), son of Akbar, the third Mongol emperor', miniature, J… Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-emperor-jahangir-1605-1627-son-of-akbar-the-third-mongol-emperor-miniature-j-image212469295.htmlRMP9JPN3–Allegory of Emperor Jahangir (1605 - 1627), son of Akbar, the third Mongol emperor', miniature, J…
Praying Mongol. Fragment of painting of the 8-9th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/praying-mongol-fragment-of-painting-of-the-8-9th-century-image416937117.htmlRM2F693F9–Praying Mongol. Fragment of painting of the 8-9th century.
Double Headed Buddha. The Mongol period of Khara-Khoto, Mongolia. (1227-end of the 14th century). Clay, straw, traces of painting and gilding. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-double-headed-buddha-the-mongol-period-of-khara-khoto-mongolia-1227-102390620.htmlRMFXG87T–Double Headed Buddha. The Mongol period of Khara-Khoto, Mongolia. (1227-end of the 14th century). Clay, straw, traces of painting and gilding. The State Hermitage Museum. Saint Petersburg. Russia.
Mongol cavalry Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mongol-cavalry-132441743.htmlRMHKD6P7–Mongol cavalry
Mural painting of a Mongol with a chained tiger Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mural-painting-of-a-mongol-with-a-chained-tiger-22603397.htmlRFB8NJT5–Mural painting of a Mongol with a chained tiger
Shahnama or The Book of Kings : Sword fight. Epic poem by Firdausi, 934-1020 CE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-shahnama-or-the-book-of-kings-sword-fight-epic-poem-by-firdausi-934-126712836.htmlRFHA47EC–Shahnama or The Book of Kings : Sword fight. Epic poem by Firdausi, 934-1020 CE
Ascelin of Lombardy receiving a letter from Innocent IV, and remitting it to the Mongol general Baiju. 1462 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ascelin-of-lombardy-receiving-a-letter-from-innocent-iv-and-remitting-it-to-the-mongol-general-baiju-1462-image337588868.htmlRM2AH6E18–Ascelin of Lombardy receiving a letter from Innocent IV, and remitting it to the Mongol general Baiju. 1462
14th Century, Persian Art, Afrasiab Killing Naudar, a folio from the Great Mongol Shahnameh (Book of Kings), illuminated manuscript watercolour painting with ink, gold and silver, circa 1335 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/14th-century-persian-art-afrasiab-killing-naudar-a-folio-from-the-great-mongol-shahnameh-book-of-kings-illuminated-manuscript-watercolour-painting-with-ink-gold-and-silver-circa-1335-image571019275.htmlRM2T504WF–14th Century, Persian Art, Afrasiab Killing Naudar, a folio from the Great Mongol Shahnameh (Book of Kings), illuminated manuscript watercolour painting with ink, gold and silver, circa 1335
Armenia: Archbishop John of Cilicia in robes displaying a Chinese dragon, 1287. Archbishop John of Cilician Armenia, in a painting from 1287. His dress displays a Chinese dragon, an indication of Chinese artistic influence via the Mongol Yuan Dynasty (1271-1368). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/armenia-archbishop-john-of-cilicia-in-robes-displaying-a-chinese-dragon-1287-archbishop-john-of-cilician-armenia-in-a-painting-from-1287-his-dress-displays-a-chinese-dragon-an-indication-of-chinese-artistic-influence-via-the-mongol-yuan-dynasty-1271-1368-image344230326.htmlRM2B01186–Armenia: Archbishop John of Cilicia in robes displaying a Chinese dragon, 1287. Archbishop John of Cilician Armenia, in a painting from 1287. His dress displays a Chinese dragon, an indication of Chinese artistic influence via the Mongol Yuan Dynasty (1271-1368).
Kawashima Jimbei II,The Mongol Invasion. Circa 1904. Woven silk. Walters Art Museum, Baltimore, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kawashima-jimbei-iithe-mongol-invasion-circa-1904-woven-silk-walters-art-museum-baltimore-usa-image220397499.htmlRMPPFY77–Kawashima Jimbei II,The Mongol Invasion. Circa 1904. Woven silk. Walters Art Museum, Baltimore, USA.
Genghis Khan (c.1162-1227), portrait of the founder of the Mongol Empire, paint and ink on silk, 14th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-genghis-khan-c1162-1227-portrait-of-the-founder-of-the-mongol-empire-172308011.htmlRMM098HF–Genghis Khan (c.1162-1227), portrait of the founder of the Mongol Empire, paint and ink on silk, 14th century
Taiwan, Taipei, Palace Museum, Gengis Khan, silk painting, Mongol Empire (Yuan dynasty) 14th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/taiwan-taipei-palace-museum-gengis-khan-silk-painting-mongol-empire-yuan-dynasty-14th-century-image593869365.htmlRM2WE52C5–Taiwan, Taipei, Palace Museum, Gengis Khan, silk painting, Mongol Empire (Yuan dynasty) 14th century
Saint Vladimir the Great, Saints Boris and Gleb, Saint Michael of Chernigov and his boyar Fedor (Saint Theodore) and Saint George of Vladimir (from left to right) depicted in the detail of the Russian icon of the Yaroslavl icon painting school dated from the 1640s from the Dormition Cathedral in Yaroslavl, now on display in the Yaroslavl Museum Preserve in Yaroslavl, Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-vladimir-the-great-saints-boris-and-gleb-saint-michael-of-chernigov-and-his-boyar-fedor-saint-theodore-and-saint-george-of-vladimir-from-left-to-right-depicted-in-the-detail-of-the-russian-icon-of-the-yaroslavl-icon-painting-school-dated-from-the-1640s-from-the-dormition-cathedral-in-yaroslavl-now-on-display-in-the-yaroslavl-museum-preserve-in-yaroslavl-russia-image239213575.htmlRMRW539Y–Saint Vladimir the Great, Saints Boris and Gleb, Saint Michael of Chernigov and his boyar Fedor (Saint Theodore) and Saint George of Vladimir (from left to right) depicted in the detail of the Russian icon of the Yaroslavl icon painting school dated from the 1640s from the Dormition Cathedral in Yaroslavl, now on display in the Yaroslavl Museum Preserve in Yaroslavl, Russia.
Mongol lustre tile 1310 Kashan - Ilkhanid dynasty (Asia,Iran,Central Iran, Isfahan) Rectangular frieze tile. blue, turquoise and lustre over an opaque white glaze. The upper border is decorated with a band of lotus and peony blossoms against a lustred background incised with spirals. The main register carries part of an inscription (including date) in molded relief, painted in blue against a lustered background of foliate scrollwork. The narrow lower border is divided into square compartments containing an abstract design. Some parts of the decoration are highlighted by splashes of turquois Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mongol-lustre-tile-1310-kashan-ilkhanid-dynasty-asiairancentral-iran-137344774.htmlRMHYCGJE–Mongol lustre tile 1310 Kashan - Ilkhanid dynasty (Asia,Iran,Central Iran, Isfahan) Rectangular frieze tile. blue, turquoise and lustre over an opaque white glaze. The upper border is decorated with a band of lotus and peony blossoms against a lustred background incised with spirals. The main register carries part of an inscription (including date) in molded relief, painted in blue against a lustered background of foliate scrollwork. The narrow lower border is divided into square compartments containing an abstract design. Some parts of the decoration are highlighted by splashes of turquois
Genghis Khan (c1162-1227), c1937. Genghis Khan was the founder and first khagan of the Mongol Empire, which later became the largest contiguous land empire in history. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/genghis-khanc1162-1227-c1937-genghis-khan-was-the-founder-and-first-khagan-of-the-mongol-empire-which-later-became-the-largest-contiguous-land-empire-in-history-image547512204.htmlRM2PPN9B8–Genghis Khan (c1162-1227), c1937. Genghis Khan was the founder and first khagan of the Mongol Empire, which later became the largest contiguous land empire in history.
The Mongol Hulagu Khan, entering Baghdad in 1256AD. Hulagu Khan, aka Hülegü or Hulegu, c. 1218 – 1265. Mongol ruler who conquered much of Western Asia. After the painting by H.M. Burton. From Hutchinson's History of the Nations, published 1915 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-mongol-hulagu-khan-entering-baghdad-in-1256ad-hulagu-khan-aka-138022307.htmlRMJ0FCT3–The Mongol Hulagu Khan, entering Baghdad in 1256AD. Hulagu Khan, aka Hülegü or Hulegu, c. 1218 – 1265. Mongol ruler who conquered much of Western Asia. After the painting by H.M. Burton. From Hutchinson's History of the Nations, published 1915
An old wall mural at Trongsa Dzong depicting a Mongol with a tiger guarding the entrance to the fortress. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-an-old-wall-mural-at-trongsa-dzong-depicting-a-mongol-with-a-tiger-40020212.htmlRMC93258–An old wall mural at Trongsa Dzong depicting a Mongol with a tiger guarding the entrance to the fortress.
Kublai Khan Chinese portrait from c1262 of the Mongol leader and grandson of Genghis Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-kublai-khan-chinese-portrait-from-c1262-of-the-mongol-leader-and-grandson-15196381.htmlRMAM9WYX–Kublai Khan Chinese portrait from c1262 of the Mongol leader and grandson of Genghis
Mongol raids in Russia 1223 - 1480, Battle of Kulikovo, 8.9.1380, duel of Alexander Peresvet and Chelubei, painting by Viktor Vasnetsov, 1914, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mongol-raids-in-russia-1223-1480-battle-of-kulikovo-891380-duel-of-106718734.htmlRMG5HCRA–Mongol raids in Russia 1223 - 1480, Battle of Kulikovo, 8.9.1380, duel of Alexander Peresvet and Chelubei, painting by Viktor Vasnetsov, 1914, Additional-Rights-Clearences-Not Available
Mongol attack. Medieval battle illustration. Acrylic painting. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mongol-attack-medieval-battle-illustration-acrylic-painting-image223918506.htmlRFR08A9E–Mongol attack. Medieval battle illustration. Acrylic painting.
Portrait of Mongol, Ceramic tile, museum of Nikolay Przhevalsky in Karakol, Issyk Kul oblast, Kyrgyzstan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-mongol-ceramic-tile-museum-of-nikolay-przhevalsky-in-karakol-image63233463.htmlRMDJTEWY–Portrait of Mongol, Ceramic tile, museum of Nikolay Przhevalsky in Karakol, Issyk Kul oblast, Kyrgyzstan
Yōshū Chikanobu - The Defeat of the Mongol Invasion Fleet - 1863 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ysh-chikanobu-the-defeat-of-the-mongol-invasion-fleet-1863-image620015277.htmlRF2Y0M3PN–Yōshū Chikanobu - The Defeat of the Mongol Invasion Fleet - 1863
Ming Dynasty Dozing Mongol Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ming-dynasty-dozing-mongol-132593829.htmlRMHKM4NW–Ming Dynasty Dozing Mongol
Mural painting of a Mongol with a chained tiger symbolising the supremacy of the Mongol yellow hat buddhists over the Tibetan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mural-painting-of-a-mongol-with-a-chained-tiger-symbolising-the-supremacy-39220866.htmlRFC7PJH6–Mural painting of a Mongol with a chained tiger symbolising the supremacy of the Mongol yellow hat buddhists over the Tibetan
Horsemen charging at each other with bows and arrows. India Epic poem by Firdausi, 934-1020 CE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-horsemen-charging-at-each-other-with-bows-and-arrows-india-epic-poem-126712834.htmlRFHA47EA–Horsemen charging at each other with bows and arrows. India Epic poem by Firdausi, 934-1020 CE
Mongols besieging Baghdad in 1258 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mongols-besieging-baghdad-in-1258-image185882935.htmlRMMPBKG7–Mongols besieging Baghdad in 1258
Kublai Khan (1215-1294), Emperor of the Mongol Empire (1260-1294), portrait painting by Araniko (Anige), 1294 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kublai-khan-1215-1294-emperor-of-the-mongol-empire-1260-1294-portrait-painting-by-araniko-anige-1294-image453358009.htmlRM2H9G6ND–Kublai Khan (1215-1294), Emperor of the Mongol Empire (1260-1294), portrait painting by Araniko (Anige), 1294
China: Kublai Khan hunting on horseback. Hanging scroll painting by Liu Guandao (1258-1336), 1280. Chinese scroll painting Liu Kuan-tao showing a camel caravan carrying carpets in the background with the Mongol emperor Kublai Khan hunting in foreground; note hunting cheetah on back of saddle. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-kublai-khan-hunting-on-horseback-hanging-scroll-painting-by-liu-guandao-1258-1336-1280-chinese-scroll-painting-liu-kuan-tao-showing-a-camel-caravan-carrying-carpets-in-the-background-with-the-mongol-emperor-kublai-khan-hunting-in-foreground-note-hunting-cheetah-on-back-of-saddle-image344230366.htmlRM2B0119J–China: Kublai Khan hunting on horseback. Hanging scroll painting by Liu Guandao (1258-1336), 1280. Chinese scroll painting Liu Kuan-tao showing a camel caravan carrying carpets in the background with the Mongol emperor Kublai Khan hunting in foreground; note hunting cheetah on back of saddle.
The appearance of a comet before the invasion of the Mongol-Tatars in 1223. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-appearance-of-a-comet-before-the-invasion-of-the-mongol-tatars-in-1223-image416937290.htmlRM2F693NE–The appearance of a comet before the invasion of the Mongol-Tatars in 1223.
Genghis Khan (c.1162-1227). Illustration, dating from around 1430, showing Genghis Khan ascending to the throne in 1206. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-genghis-khan-c1162-1227-illustration-dating-from-around-1430-showing-172308010.htmlRMM098HE–Genghis Khan (c.1162-1227). Illustration, dating from around 1430, showing Genghis Khan ascending to the throne in 1206.
Taiwan, Taipei, Palace Museum, Temür Khan, silk painting, Mongol Empire (Yuan dynasty) 14th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/taiwan-taipei-palace-museum-temr-khan-silk-painting-mongol-empire-yuan-dynasty-14th-century-image593869581.htmlRM2WE52KW–Taiwan, Taipei, Palace Museum, Temür Khan, silk painting, Mongol Empire (Yuan dynasty) 14th century
Prince Hetimandel receives at his court, Genghis Khan, (1158-1227), founder and first Great Khan (Emperor) of the Mongol Empire, which became the largest contiguous empire in history after his death. He came to power by uniting many of the nomadic tribes of Northeast Asia. After founding the Empire he launched the Mongol invasions that conquered most of Eurasia, reaching as far west as Poland in Europe and the Levant in the Middle East. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prince-hetimandel-receives-at-his-court-genghis-khan-1158-1227-founder-and-first-great-khan-emperor-of-the-mongol-empire-which-became-the-largest-contiguous-empire-in-history-after-his-death-he-came-to-power-by-uniting-many-of-the-nomadic-tribes-of-northeast-asia-after-founding-the-empire-he-launched-the-mongol-invasions-that-conquered-most-of-eurasia-reaching-as-far-west-as-poland-in-europe-and-the-levant-in-the-middle-east-image417856504.htmlRM2F7R06G–Prince Hetimandel receives at his court, Genghis Khan, (1158-1227), founder and first Great Khan (Emperor) of the Mongol Empire, which became the largest contiguous empire in history after his death. He came to power by uniting many of the nomadic tribes of Northeast Asia. After founding the Empire he launched the Mongol invasions that conquered most of Eurasia, reaching as far west as Poland in Europe and the Levant in the Middle East.
Mongol lustre tile 1310 Kashan - Ilkhanid dynasty (Asia,Iran,Central Iran, Isfahan) Rectangular frieze tile. blue, turquoise and lustre over an opaque white glaze. The upper border is decorated with a band of lotus and peony blossoms against a lustred background incised with spirals. The main register carries part of an inscription (including date) in molded relief, painted in blue against a lustered background of foliate scrollwork. The narrow lower border is divided into square compartments containing an abstract design. Some parts of the decoration are highlighted by splashes of turquois Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mongol-lustre-tile-1310-kashan-ilkhanid-dynasty-asiairancentral-iran-137344775.htmlRMHYCGJF–Mongol lustre tile 1310 Kashan - Ilkhanid dynasty (Asia,Iran,Central Iran, Isfahan) Rectangular frieze tile. blue, turquoise and lustre over an opaque white glaze. The upper border is decorated with a band of lotus and peony blossoms against a lustred background incised with spirals. The main register carries part of an inscription (including date) in molded relief, painted in blue against a lustered background of foliate scrollwork. The narrow lower border is divided into square compartments containing an abstract design. Some parts of the decoration are highlighted by splashes of turquois
Genghis Khan (then Temüjin), as a child playing amongst the yurts of the Borjigin clan. By Donn Philip Crane (1878-1944). Genghis Khan was born between 1155 and 1167 and given the name of Temüjin, he was the oldest child of Yesugei, a Mongol chieftain of the Borjigin clan, and his wife Hoelun of the Olkhonud. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/genghis-khanthen-temjin-as-a-child-playing-amongst-the-yurts-of-the-borjigin-clan-by-donn-philip-crane-1878-1944-genghis-khan-was-born-between-1155-and-1167-and-given-the-name-of-temjin-he-was-the-oldest-child-of-yesugei-a-mongol-chieftain-of-the-borjigin-clan-and-his-wife-hoelun-of-the-olkhonud-image547512130.htmlRM2PPN98J–Genghis Khan (then Temüjin), as a child playing amongst the yurts of the Borjigin clan. By Donn Philip Crane (1878-1944). Genghis Khan was born between 1155 and 1167 and given the name of Temüjin, he was the oldest child of Yesugei, a Mongol chieftain of the Borjigin clan, and his wife Hoelun of the Olkhonud.
Abagha the Mongol and his bride Buluqhan Khatun. Abaqa Khan, 1234–1282, aka Abaġa or Abagha. Second Mongol ruler (Ilkhan) of the Ilkhanate. Buluqhan Khatun, ? - c.1286, aka Bulughan, Bulukhan, Bolgana, Bulugan, or Zibeline. 13th-century Mongol princess. After a painting by Margaret Dovaston, (1884-1954). From Hutchinson's History of the Nations, published 1915 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abagha-the-mongol-and-his-bride-buluqhan-khatun-abaqa-khan-12341282-aka-abaa-or-abagha-second-mongol-ruler-ilkhan-of-the-ilkhanate-buluqhan-khatun-c1286-aka-bulughan-bulukhan-bolgana-bulugan-or-zibeline-13th-century-mongol-princess-after-a-painting-by-margaret-dovaston-1884-1954-from-hutchinsons-history-of-the-nations-published-1915-image178872358.htmlRMMB09EE–Abagha the Mongol and his bride Buluqhan Khatun. Abaqa Khan, 1234–1282, aka Abaġa or Abagha. Second Mongol ruler (Ilkhan) of the Ilkhanate. Buluqhan Khatun, ? - c.1286, aka Bulughan, Bulukhan, Bolgana, Bulugan, or Zibeline. 13th-century Mongol princess. After a painting by Margaret Dovaston, (1884-1954). From Hutchinson's History of the Nations, published 1915
Double Headed Buddha. The Mongol period of Khara-Khoto, Mongolia. (1227-end of the 14th century). Clay, straw, traces of painting and gilding. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/double-headed-buddha-the-mongol-period-of-khara-khoto-mongolia-1227-end-of-the-14th-century-clay-straw-traces-of-painting-and-gilding-the-state-hermitage-museum-saint-petersburg-russia-image211197780.htmlRMP7GTWT–Double Headed Buddha. The Mongol period of Khara-Khoto, Mongolia. (1227-end of the 14th century). Clay, straw, traces of painting and gilding. The State Hermitage Museum. Saint Petersburg. Russia.
Saint Anna of Kashin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-anna-of-kashin-image262730963.htmlRMW7CC0K–Saint Anna of Kashin.
Timur (Tamerlane), 8.4.1336 - 19.1.1405, Mongol Khan, entering Sarmakand, Persian miniature, Sharaf Al-Din Ali Jesdi, Shiraz, circa 1430, Frerr Gallery, Washington DC, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-timur-tamerlane-841336-1911405-mongol-khan-entering-sarmakand-persian-48714665.htmlRMCR741D–Timur (Tamerlane), 8.4.1336 - 19.1.1405, Mongol Khan, entering Sarmakand, Persian miniature, Sharaf Al-Din Ali Jesdi, Shiraz, circa 1430, Frerr Gallery, Washington DC, ,
detail of painting in dome, Rukn al-Din complex, Yazd, Iran Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-detail-of-painting-in-dome-rukn-al-din-complex-yazd-iran-86175099.htmlRMF05H63–detail of painting in dome, Rukn al-Din complex, Yazd, Iran
Young Mongol woman draws the landscape in front of her sheltered under an umbrella Terelj National Park Mongolia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-mongol-woman-draws-the-landscape-in-front-of-her-sheltered-under-image3712097.htmlRMA5RG62–Young Mongol woman draws the landscape in front of her sheltered under an umbrella Terelj National Park Mongolia
Typical Tibetan style religious art wall painting in Rinpung Dzong in the Paro Valley of the Kingdom of Bhutan: a Mongol holding a tiger on a chain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/typical-tibetan-style-religious-art-wall-painting-in-rinpung-dzong-in-the-paro-valley-of-the-kingdom-of-bhutan-a-mongol-holding-a-tiger-on-a-chain-image385169457.htmlRM2DAHYG1–Typical Tibetan style religious art wall painting in Rinpung Dzong in the Paro Valley of the Kingdom of Bhutan: a Mongol holding a tiger on a chain
1855 Spruner Map of Asia under the Mongol Empire - Geographicus - AsiaXIIIXIV-spruneri-1855 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1855-spruner-map-of-asia-under-the-mongol-empire-geographicus-asiaxiiixiv-132597051.htmlRMHKM8TY–1855 Spruner Map of Asia under the Mongol Empire - Geographicus - AsiaXIIIXIV-spruneri-1855
Wings of a triptych depicting a scene of the Legend of Saint Hedwig of Silesia (1174-1243), mother of Henry II of Silesia. Battle between Christians and Mongols. The souls of the dead Christians are taken to Heaven by the angels, while the souls of the Tartars are swallowed by Hell. Around 1440. From the Church of Saint Bernardine of Siena, Wroclaw (Breslau). National Museum. Warsaw. Poland. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wings-of-a-triptych-depicting-a-scene-of-the-legend-of-saint-hedwig-of-silesia-1174-1243-mother-of-henry-ii-of-silesia-battle-between-christians-and-mongols-the-souls-of-the-dead-christians-are-taken-to-heaven-by-the-angels-while-the-souls-of-the-tartars-are-swallowed-by-hell-around-1440-from-the-church-of-saint-bernardine-of-siena-wroclaw-breslau-national-museum-warsaw-poland-image247572178.htmlRMTANTRE–Wings of a triptych depicting a scene of the Legend of Saint Hedwig of Silesia (1174-1243), mother of Henry II of Silesia. Battle between Christians and Mongols. The souls of the dead Christians are taken to Heaven by the angels, while the souls of the Tartars are swallowed by Hell. Around 1440. From the Church of Saint Bernardine of Siena, Wroclaw (Breslau). National Museum. Warsaw. Poland.
Shahnama or The Book of Kings : A fight on horseback. Epic poem by Firdausi, 934-1020 CE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shahnama-or-the-book-of-kings-a-fight-on-horseback-epic-poem-by-firdausi-image147684.htmlRFA240E4–Shahnama or The Book of Kings : A fight on horseback. Epic poem by Firdausi, 934-1020 CE
Mongol rider. Medieval battle illustration. Historical illustration. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mongol-rider-medieval-battle-illustration-historical-illustration-image226465102.htmlRFR4CAFA–Mongol rider. Medieval battle illustration. Historical illustration.
. English: Tulsi , Madhu Toda Mongke and His Mongol Horde, Folio from a Chingiznama (History of Genghis Khan), 1596 Painting; Watercolor, Opaque watercolor, gold, and ink on paper, Sheet: 15 x 10 in. (38.1 x 25.4 cm); Image: 12 3/8 x 8 in. (31.4 x 20.3 cm) From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase (M.78.9.8) South and Southeast Asian Art Department. . 1596. 1198 Toda Mongke and His Mongol Horde Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-tulsi-madhu-toda-mongke-and-his-mongol-horde-folio-from-a-chingiznama-history-of-genghis-khan-1596-painting-watercolor-opaque-watercolor-gold-and-ink-on-paper-sheet-15-x-10-in-381-x-254-cm-image-12-38-x-8-in-314-x-203-cm-from-the-nasli-and-alice-heeramaneck-collection-museum-associates-purchase-m7898-south-and-southeast-asian-art-department-1596-1198-toda-mongke-and-his-mongol-horde-image185603010.htmlRMMNXXEX–. English: Tulsi , Madhu Toda Mongke and His Mongol Horde, Folio from a Chingiznama (History of Genghis Khan), 1596 Painting; Watercolor, Opaque watercolor, gold, and ink on paper, Sheet: 15 x 10 in. (38.1 x 25.4 cm); Image: 12 3/8 x 8 in. (31.4 x 20.3 cm) From the Nasli and Alice Heeramaneck Collection, Museum Associates Purchase (M.78.9.8) South and Southeast Asian Art Department. . 1596. 1198 Toda Mongke and His Mongol Horde
Japan: Mongol invasion of Japan; defensive wall at Hakata. Painting from the illustrated handscroll 'Moko Shurai Ekotoba' ('Illustated Account of the Mongol Invasion'), c. 1293. The Mongol invasions of Japan of 1274 and 1281 were major military invasions undertaken by Kublai Khan to conquer the Japanese islands after the submission of Korea. Despite their ultimate failure, the invasion attempts are of historical importance, because they set a limit on Mongol expansion, and rank as nation-defining events in Japanese history. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japan-mongol-invasion-of-japan-defensive-wall-at-hakata-painting-from-the-illustrated-handscroll-moko-shurai-ekotoba-illustated-account-of-the-mongol-invasion-c-1293-the-mongol-invasions-of-japan-of-1274-and-1281-were-major-military-invasions-undertaken-by-kublai-khan-to-conquer-the-japanese-islands-after-the-submission-of-korea-despite-their-ultimate-failure-the-invasion-attempts-are-of-historical-importance-because-they-set-a-limit-on-mongol-expansion-and-rank-as-nation-defining-events-in-japanese-history-image344230415.htmlRM2B011BB–Japan: Mongol invasion of Japan; defensive wall at Hakata. Painting from the illustrated handscroll 'Moko Shurai Ekotoba' ('Illustated Account of the Mongol Invasion'), c. 1293. The Mongol invasions of Japan of 1274 and 1281 were major military invasions undertaken by Kublai Khan to conquer the Japanese islands after the submission of Korea. Despite their ultimate failure, the invasion attempts are of historical importance, because they set a limit on Mongol expansion, and rank as nation-defining events in Japanese history.
Mongol sand dunes colorful painting looks like picture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mongol-sand-dunes-colorful-painting-looks-like-picture-image356578191.htmlRF2BM3F3B–Mongol sand dunes colorful painting looks like picture
MONGOLIA Architecture Man painting interior framework of yurt sitting within circular lattice structure Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mongolia-architecture-man-painting-interior-framework-of-yurt-sitting-18386576.htmlRMB1WG7C–MONGOLIA Architecture Man painting interior framework of yurt sitting within circular lattice structure
Taiwan, Taipei, Palace Museum, Temür Khan, silk painting, Mongol Empire (Yuan dynasty) 14th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/taiwan-taipei-palace-museum-temr-khan-silk-painting-mongol-empire-yuan-dynasty-14th-century-image593869632.htmlRM2WE52NM–Taiwan, Taipei, Palace Museum, Temür Khan, silk painting, Mongol Empire (Yuan dynasty) 14th century
Swan and Cygnets, 15th century, After Wu Yuanyu, Chinese, active 1080-1104, 62 x 35 1/2 in. (157.48 x 90.17 cm), Ink and color on silk, China, 15th century, This painting is typical of professional flower-and-bird paintings of the early Ming period in its clear reference to older Song dynasty styles. With the overthrow of the Mongols in 1368 and the restoration of native rule, the tendency to emulate the highly accomplished art forms of the pre-Mongol era was quite pronounced Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/swan-and-cygnets-15th-century-after-wu-yuanyu-chinese-active-1080-1104-62-x-35-12-in-15748-x-9017-cm-ink-and-color-on-silk-china-15th-century-this-painting-is-typical-of-professional-flower-and-bird-paintings-of-the-early-ming-period-in-its-clear-reference-to-older-song-dynasty-styles-with-the-overthrow-of-the-mongols-in-1368-and-the-restoration-of-native-rule-the-tendency-to-emulate-the-highly-accomplished-art-forms-of-the-pre-mongol-era-was-quite-pronounced-image573490706.htmlRM2T90N6X–Swan and Cygnets, 15th century, After Wu Yuanyu, Chinese, active 1080-1104, 62 x 35 1/2 in. (157.48 x 90.17 cm), Ink and color on silk, China, 15th century, This painting is typical of professional flower-and-bird paintings of the early Ming period in its clear reference to older Song dynasty styles. With the overthrow of the Mongols in 1368 and the restoration of native rule, the tendency to emulate the highly accomplished art forms of the pre-Mongol era was quite pronounced
Mongol lustre tile 1310 Kashan - Ilkhanid dynasty (Asia,Iran,Central Iran, Isfahan) Rectangular frieze tile. blue, turquoise and lustre over an opaque white glaze. The upper border is decorated with a band of lotus and peony blossoms against a lustred background incised with spirals. The main register carries part of an inscription (including date) in molded relief, painted in blue against a lustered background of foliate scrollwork. The narrow lower border is divided into square compartments containing an abstract design. Some parts of the decoration are highlighted by splashes of turquois Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mongol-lustre-tile-1310-kashan-ilkhanid-dynasty-asiairancentral-iran-137344751.htmlRMHYCGHK–Mongol lustre tile 1310 Kashan - Ilkhanid dynasty (Asia,Iran,Central Iran, Isfahan) Rectangular frieze tile. blue, turquoise and lustre over an opaque white glaze. The upper border is decorated with a band of lotus and peony blossoms against a lustred background incised with spirals. The main register carries part of an inscription (including date) in molded relief, painted in blue against a lustered background of foliate scrollwork. The narrow lower border is divided into square compartments containing an abstract design. Some parts of the decoration are highlighted by splashes of turquois
Sorkan-Shira helping Genghis Khan (then Temujin), to escape from the Tayichiuds. By Donn Philip Crane (1878-1944). 'The Secret History of the Mongols' relates that Genghis Khan (then Temujin) was captured by the Tayichiuds. Escaping during a Tayichiud feast, he hid first in the River Onon and then in the tent of Sorkan-Shira. Sorkan-Shira sheltered Temüjin for three days at great personal risk before allowing him to escape. Genghis Khan (c1162-1227) was the founder and first khagan of the Mongol Empire, which later became the largest contiguous land empire in history. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sorkan-shira-helping-genghis-khan-then-temujin-to-escape-from-the-tayichiuds-by-donn-philip-crane-1878-1944-thesecret-history-of-the-mongolsrelates-that-genghis-khan-then-temujin-was-captured-by-the-tayichiuds-escaping-during-a-tayichiudfeast-he-hid-first-in-the-river-onon-and-then-in-the-tent-ofsorkan-shira-sorkan-shira-sheltered-temjin-for-three-days-at-great-personal-risk-before-allowing-him-to-escape-genghis-khan-c1162-1227-was-the-founder-and-first-khagan-of-the-mongol-empire-which-later-became-the-largest-contiguous-land-empire-in-history-image547512134.htmlRM2PPN98P–Sorkan-Shira helping Genghis Khan (then Temujin), to escape from the Tayichiuds. By Donn Philip Crane (1878-1944). 'The Secret History of the Mongols' relates that Genghis Khan (then Temujin) was captured by the Tayichiuds. Escaping during a Tayichiud feast, he hid first in the River Onon and then in the tent of Sorkan-Shira. Sorkan-Shira sheltered Temüjin for three days at great personal risk before allowing him to escape. Genghis Khan (c1162-1227) was the founder and first khagan of the Mongol Empire, which later became the largest contiguous land empire in history.
A Mongol nomad painting the patterns on a sheeting for her yurt. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-mongol-nomad-painting-the-patterns-on-a-sheeting-for-her-yurt-21726618.htmlRMB79MEJ–A Mongol nomad painting the patterns on a sheeting for her yurt.
Ode on Returning Home. Artist: After Qian Xuan (Chinese, ca. 1235-before 1307). Culture: China. Dimensions: Image: 42 x 10 1/4 in. (106.7 x 26 cm) Overall with mounting: 12 1/4 in. x 13 ft. 6 in. (31.1 x 411.5 cm). Date: 14th-15th century. Qian Xuan was a celebrated Song loyalist who, following the Mongol conquest, supported himself through painting. Toward the end of his life, however, he complained that his works were being forged. Here, both the calligraphy and painting are modeled closely on Qian's style, suggesting that the work is a faithful copy. Qian's composition was inspired by Ta Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ode-on-returning-home-artist-after-qian-xuan-chinese-ca-1235-before-1307-culture-china-dimensions-image-42-x-10-14-in-1067-x-26-cm-overall-with-mounting-12-14-in-x-13-ft-6-in-311-x-4115-cm-date-14th-15th-century-qian-xuan-was-a-celebrated-song-loyalist-who-following-the-mongol-conquest-supported-himself-through-painting-toward-the-end-of-his-life-however-he-complained-that-his-works-were-being-forged-here-both-the-calligraphy-and-painting-are-modeled-closely-on-qians-style-suggesting-that-the-work-is-a-faithful-copy-qians-composition-was-inspired-by-ta-image213330058.htmlRMPB20JJ–Ode on Returning Home. Artist: After Qian Xuan (Chinese, ca. 1235-before 1307). Culture: China. Dimensions: Image: 42 x 10 1/4 in. (106.7 x 26 cm) Overall with mounting: 12 1/4 in. x 13 ft. 6 in. (31.1 x 411.5 cm). Date: 14th-15th century. Qian Xuan was a celebrated Song loyalist who, following the Mongol conquest, supported himself through painting. Toward the end of his life, however, he complained that his works were being forged. Here, both the calligraphy and painting are modeled closely on Qian's style, suggesting that the work is a faithful copy. Qian's composition was inspired by Ta
'Prince Michael of Chernigov at the camp of Batu Khan', 1246 (1883). Artist: Vasily Smirnov Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prince-michael-of-chernigov-at-the-camp-of-batu-khan-1246-1883-artist-image60242712.htmlRMDE085C–'Prince Michael of Chernigov at the camp of Batu Khan', 1246 (1883). Artist: Vasily Smirnov
Timur (Tamerlane), 8.4.1336 - 19.1.1405, Mongol Khan, receiving a European ambassy and the son of Sultan Murad I, Persian miniature, Sharaf Al-Din, Tabriz, 1529, Gulistan Library, Teheran, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-timur-tamerlane-841336-1911405-mongol-khan-receiving-a-european-ambassy-48714667.htmlRMCR741F–Timur (Tamerlane), 8.4.1336 - 19.1.1405, Mongol Khan, receiving a European ambassy and the son of Sultan Murad I, Persian miniature, Sharaf Al-Din, Tabriz, 1529, Gulistan Library, Teheran, ,
detail of painting in dome, Rukn al-Din complex, Yazd, Iran Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-detail-of-painting-in-dome-rukn-al-din-complex-yazd-iran-86175076.htmlRMF05H58–detail of painting in dome, Rukn al-Din complex, Yazd, Iran
Timur (1336-1405), historically known as Tamerlane was a Turk who conquered West, South and Central Asia, and the founder of the Timurid dynasty. Timur envisioned the restoration of the Mongol Empire of Genghis Khan. He was also a devout Muslim and referr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-timur-1336-1405-historically-known-as-tamerlane-was-a-turk-who-conquered-103997328.htmlRMG15DJ8–Timur (1336-1405), historically known as Tamerlane was a Turk who conquered West, South and Central Asia, and the founder of the Timurid dynasty. Timur envisioned the restoration of the Mongol Empire of Genghis Khan. He was also a devout Muslim and referr
Typical Tibetan style religious art wall painting in Rinpung Dzong in the Paro Valley of the Kingdom of Bhutan: a Mongol holding a tiger on a chain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/typical-tibetan-style-religious-art-wall-painting-in-rinpung-dzong-in-the-paro-valley-of-the-kingdom-of-bhutan-a-mongol-holding-a-tiger-on-a-chain-image385169456.htmlRM2DAHYG0–Typical Tibetan style religious art wall painting in Rinpung Dzong in the Paro Valley of the Kingdom of Bhutan: a Mongol holding a tiger on a chain
1837 Malte Brun Map of the Mongol Empire in Asia and Europe Geographicus AsiaMongol mb 1837 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1837-malte-brun-map-of-the-mongol-empire-in-asia-and-europe-geographicus-132480145.htmlRMHKEYNN–1837 Malte Brun Map of the Mongol Empire in Asia and Europe Geographicus AsiaMongol mb 1837
Return of the Tatars from the raid. The engraving of the 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/return-of-the-tatars-from-the-raid-the-engraving-of-the-19th-century-image416937207.htmlRM2F693JF–Return of the Tatars from the raid. The engraving of the 19th century.
Shahnama or The Book of Kings : The King and Garuda. Miniature Painting, Epic poem by Firdausi, 934-1020 CE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-shahnama-or-the-book-of-kings-the-king-and-garuda-miniature-painting-126712825.htmlRFHA47E1–Shahnama or The Book of Kings : The King and Garuda. Miniature Painting, Epic poem by Firdausi, 934-1020 CE
Painted wall murals Thikse Gompa monastery Ladakh Jammu and Kashmir State Northern India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painted-wall-murals-thikse-gompa-monastery-ladakh-jammu-and-kashmir-image1231430.htmlRMAJCA47–Painted wall murals Thikse Gompa monastery Ladakh Jammu and Kashmir State Northern India
. English: A painting of Shizu, better known as Kublai Khan, as he would have appeared in the 1260s (although this painting is a posthumous one executed shortly after his death in February of 1294, by a Nepalese artist and astronomer Anige). The painting is done in the Chinese portrait style. It is now located in the National Palace Museum in Taipei, Taiwan; colors and ink on silk, 59.4 by 47 cm. Kublai's white robes reflect his desired and symbolic role as a religious Mongol shaman. On pages 66 to 67 of Morris Rossabi's Khubilai Khan: His Life and Times (paperback), he has this to say of the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-a-painting-of-shizu-better-known-as-kublai-khan-as-he-would-have-appeared-in-the-1260s-although-this-painting-is-a-posthumous-one-executed-shortly-after-his-death-in-february-of-1294-by-a-nepalese-artist-and-astronomer-anige-the-painting-is-done-in-the-chinese-portrait-style-it-is-now-located-in-the-national-palace-museum-in-taipei-taiwan-colors-and-ink-on-silk-594-by-47-cm-kublais-white-robes-reflect-his-desired-and-symbolic-role-as-a-religious-mongol-shaman-on-pages-66-to-67-of-morris-rossabis-khubilai-khan-his-life-and-times-paperback-he-has-this-to-say-of-the-image206560962.htmlRMP01JH6–. English: A painting of Shizu, better known as Kublai Khan, as he would have appeared in the 1260s (although this painting is a posthumous one executed shortly after his death in February of 1294, by a Nepalese artist and astronomer Anige). The painting is done in the Chinese portrait style. It is now located in the National Palace Museum in Taipei, Taiwan; colors and ink on silk, 59.4 by 47 cm. Kublai's white robes reflect his desired and symbolic role as a religious Mongol shaman. On pages 66 to 67 of Morris Rossabi's Khubilai Khan: His Life and Times (paperback), he has this to say of the
Japan: Yuan troops massing for the Mongol invasion of Japan. Painting from the illustrated handscroll 'Moko Shurai Ekotoba' ('Illustated Account of the Mongol Invasion'), c. 1293. The Mongol invasions of Japan of 1274 and 1281 were major military invasions undertaken by Kublai Khan to conquer the Japanese islands after the submission of Korea. Despite their ultimate failure, the invasion attempts are of historical importance, because they set a limit on Mongol expansion, and rank as nation-defining events in Japanese history. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japan-yuan-troops-massing-for-the-mongol-invasion-of-japan-painting-from-the-illustrated-handscroll-moko-shurai-ekotoba-illustated-account-of-the-mongol-invasion-c-1293-the-mongol-invasions-of-japan-of-1274-and-1281-were-major-military-invasions-undertaken-by-kublai-khan-to-conquer-the-japanese-islands-after-the-submission-of-korea-despite-their-ultimate-failure-the-invasion-attempts-are-of-historical-importance-because-they-set-a-limit-on-mongol-expansion-and-rank-as-nation-defining-events-in-japanese-history-image344230419.htmlRM2B011BF–Japan: Yuan troops massing for the Mongol invasion of Japan. Painting from the illustrated handscroll 'Moko Shurai Ekotoba' ('Illustated Account of the Mongol Invasion'), c. 1293. The Mongol invasions of Japan of 1274 and 1281 were major military invasions undertaken by Kublai Khan to conquer the Japanese islands after the submission of Korea. Despite their ultimate failure, the invasion attempts are of historical importance, because they set a limit on Mongol expansion, and rank as nation-defining events in Japanese history.
Mongol sand dunes colorful painting looks like picturel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mongol-sand-dunes-colorful-painting-looks-like-picturel-image356578183.htmlRF2BM3F33–Mongol sand dunes colorful painting looks like picturel
Artwork of the Mongol invasion of Central Asia in 1218 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artwork-of-the-mongol-invasion-of-central-asia-in-1218-image485384811.htmlRM2K5K57R–Artwork of the Mongol invasion of Central Asia in 1218
Taiwan, Taipei, Palace Museum, Kubilai Khan, silk painting, Mongol Empire (Yuan dynasty) 14th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/taiwan-taipei-palace-museum-kubilai-khan-silk-painting-mongol-empire-yuan-dynasty-14th-century-image593869600.htmlRM2WE52MG–Taiwan, Taipei, Palace Museum, Kubilai Khan, silk painting, Mongol Empire (Yuan dynasty) 14th century
Portrait of Kublai Khan (1215-1294) the fifth Khagan of the Mongol Empire. He founded the Yuan dynasty in China as a conquest dynasty, and ruled as the first Yuan emperor. Dated 13th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-portrait-of-kublai-khan-1215-1294-the-fifth-khagan-of-the-mongol-empire-165896785.htmlRMKHW715–Portrait of Kublai Khan (1215-1294) the fifth Khagan of the Mongol Empire. He founded the Yuan dynasty in China as a conquest dynasty, and ruled as the first Yuan emperor. Dated 13th Century
MONGOLIA - CIRCA 1976: a stamp printed in Mongolia shows Taming wild horse, painting by O. Ceveghava, Mongol painter, circa 1976 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mongolia-circa-1976-a-stamp-printed-in-mongolia-shows-taming-wild-horse-painting-by-o-ceveghava-mongol-painter-circa-1976-image459769420.htmlRF2HM08GC–MONGOLIA - CIRCA 1976: a stamp printed in Mongolia shows Taming wild horse, painting by O. Ceveghava, Mongol painter, circa 1976
Genghis Khan (c1162-1227). After a 14th century portrait. Genghis Khan (c1162-1227), was the founder and first khagan of the Mongol Empire, which later became the largest contiguous land empire in history. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/genghis-khanc1162-1227-after-a-14th-century-portrait-genghis-khan-c1162-1227-was-the-founder-and-first-khagan-of-the-mongol-empire-which-later-became-the-largest-contiguous-land-empire-in-history-image547512244.htmlRM2PPN9CM–Genghis Khan (c1162-1227). After a 14th century portrait. Genghis Khan (c1162-1227), was the founder and first khagan of the Mongol Empire, which later became the largest contiguous land empire in history.
A Mongol nomad painting the patterns on a sheeting for her yurt. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-mongol-nomad-painting-the-patterns-on-a-sheeting-for-her-yurt-21726451.htmlRMB79M8K–A Mongol nomad painting the patterns on a sheeting for her yurt.
Scholar Viewing Plum Blossoms. Artist: Unidentified Artist Chinese. Culture: China. Dimensions: Image: 37 1/4 x 11 1/2 in. (94.6 x 29.2 cm) Overall with mounting: 71 x 16 1/8 in. (180.3 x 41 cm) Overall with knobs: 37 1/4 x 18 in. (94.6 x 45.7 cm). Date: ca. 1300. This small landscape is a rare example of the continuation of the Southern Song Painting Academy manner during the Mongol occupation. With the establishment of the native Chinese Ming dynasty in 1368, the Song style again returned to prominence as the model for the Ming Imperial Painting Academy. This painting demonstrates that pr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scholar-viewing-plum-blossoms-artist-unidentified-artist-chinese-culture-china-dimensions-image-37-14-x-11-12-in-946-x-292-cm-overall-with-mounting-71-x-16-18-in-1803-x-41-cm-overall-with-knobs-37-14-x-18-in-946-x-457-cm-date-ca-1300-this-small-landscape-is-a-rare-example-of-the-continuation-of-the-southern-song-painting-academy-manner-during-the-mongol-occupation-with-the-establishment-of-the-native-chinese-ming-dynasty-in-1368-the-song-style-again-returned-to-prominence-as-the-model-for-the-ming-imperial-painting-academy-this-painting-demonstrates-that-pr-image213331292.htmlRMPB226M–Scholar Viewing Plum Blossoms. Artist: Unidentified Artist Chinese. Culture: China. Dimensions: Image: 37 1/4 x 11 1/2 in. (94.6 x 29.2 cm) Overall with mounting: 71 x 16 1/8 in. (180.3 x 41 cm) Overall with knobs: 37 1/4 x 18 in. (94.6 x 45.7 cm). Date: ca. 1300. This small landscape is a rare example of the continuation of the Southern Song Painting Academy manner during the Mongol occupation. With the establishment of the native Chinese Ming dynasty in 1368, the Song style again returned to prominence as the model for the Ming Imperial Painting Academy. This painting demonstrates that pr
'Khan Tokhtamysh's invasion of Moscow in 1382', 1918. Artist: Apollinary Vasnetsov Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/khan-tokhtamyshs-invasion-of-moscow-in-1382-1918-artist-apollinary-image60293457.htmlRMDE2GWN–'Khan Tokhtamysh's invasion of Moscow in 1382', 1918. Artist: Apollinary Vasnetsov
An illustration entitled Khalkha Mongolian women’s traditional headdress circa 1920 the style inspired Queen Amidala's costumes in Star Wars, Episode 1 The Phantom Menace Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-illustration-entitled-khalkha-mongolian-womens-traditional-headdress-circa-1920-the-style-inspired-queen-amidalas-costumes-in-star-wars-episode-1-the-phantom-menace-image402180839.htmlRM2EA8WNB–An illustration entitled Khalkha Mongolian women’s traditional headdress circa 1920 the style inspired Queen Amidala's costumes in Star Wars, Episode 1 The Phantom Menace
detail of painting in dome, Rukn al-Din complex, Yazd, Iran Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-detail-of-painting-in-dome-rukn-al-din-complex-yazd-iran-86175121.htmlRMF05H6W–detail of painting in dome, Rukn al-Din complex, Yazd, Iran
An Uzbek visitor views a painting on an animal skin showing battle scene of Mongol warlord Amir Timur (Tamerlane) inside Amir Timur Museum in Tashkent, capital of Uzbekistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-uzbek-visitor-views-a-painting-on-an-animal-skin-showing-battle-scene-of-mongol-warlord-amir-timur-tamerlane-inside-amir-timur-museum-in-tashkent-capital-of-uzbekistan-image222292826.htmlRMPWJ8NE–An Uzbek visitor views a painting on an animal skin showing battle scene of Mongol warlord Amir Timur (Tamerlane) inside Amir Timur Museum in Tashkent, capital of Uzbekistan
Alamy Live News: We apologise for the absence of caption for this image. We are doing our best to rectify this. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-alamy-live-news-we-apologise-for-the-absence-of-caption-for-this-image-138064542.htmlRMJ0HAME–Alamy Live News: We apologise for the absence of caption for this image. We are doing our best to rectify this.
Afrasiyab Killing Naudar, a folio from the Great Mongol Shahnama (Book of Kings) - Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-afrasiyab-killing-naudar-a-folio-from-the-great-mongol-shahnama-book-132575179.htmlRMHKK8YR–Afrasiyab Killing Naudar, a folio from the Great Mongol Shahnama (Book of Kings) - Google Art Project
The hijacking of the Russians into the Horde. Miniature from the Hungarian chronicle of 1488. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hijacking-of-the-russians-into-the-horde-miniature-from-the-hungarian-chronicle-of-1488-image416937302.htmlRM2F693NX–The hijacking of the Russians into the Horde. Miniature from the Hungarian chronicle of 1488.
The King sits on his throne in the top half of the painting. Epic poem by Firdausi, 934-1020 CE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-king-sits-on-his-throne-in-the-top-half-of-the-painting-epic-poem-126712828.htmlRFHA47E4–The King sits on his throne in the top half of the painting. Epic poem by Firdausi, 934-1020 CE
Painted wall murals Thikse Gompa monastery Ladakh Jammu and Kashmir State Northern India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painted-wall-murals-thikse-gompa-monastery-ladakh-jammu-and-kashmir-image1231428.htmlRMAJCA45–Painted wall murals Thikse Gompa monastery Ladakh Jammu and Kashmir State Northern India
. 元世祖 忽必烈 English: A painting of Kublai Khan as he would have appeared in the 1260s (although this painting is a posthumous one executed shortly after his death in February of 1294, by a Nepalese artist and astronomer Anige). The painting is done in the Chinese portrait style. It is now located in the National Palace Museum in Taipei, Taiwan; colors and ink on silk, 59.4 by 47 cm. Kublai's white robes reflect his desired and symbolic role as a religious Mongol shaman. On pages 66 to 67 of Morris Rossabi's Khubilai Khan: His Life and Times (paperback), he has this to say of the portrait and of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-a-painting-of-kublai-khan-as-he-would-have-appeared-in-the-1260s-although-this-painting-is-a-posthumous-one-executed-shortly-after-his-death-in-february-of-1294-by-a-nepalese-artist-and-astronomer-anige-the-painting-is-done-in-the-chinese-portrait-style-it-is-now-located-in-the-national-palace-museum-in-taipei-taiwan-colors-and-ink-on-silk-594-by-47-cm-kublais-white-robes-reflect-his-desired-and-symbolic-role-as-a-religious-mongol-shaman-on-pages-66-to-67-of-morris-rossabis-khubilai-khan-his-life-and-times-paperback-he-has-this-to-say-of-the-portrait-and-of-image185821861.htmlRMMP8WK1–. 元世祖 忽必烈 English: A painting of Kublai Khan as he would have appeared in the 1260s (although this painting is a posthumous one executed shortly after his death in February of 1294, by a Nepalese artist and astronomer Anige). The painting is done in the Chinese portrait style. It is now located in the National Palace Museum in Taipei, Taiwan; colors and ink on silk, 59.4 by 47 cm. Kublai's white robes reflect his desired and symbolic role as a religious Mongol shaman. On pages 66 to 67 of Morris Rossabi's Khubilai Khan: His Life and Times (paperback), he has this to say of the portrait and of
Japan: The samurai Takezaki Suenaga facing Mongol arrows and bombs. Painting from the illustrated handscroll 'Moko Shurai Ekotoba' ('Illustated Account of the Mongol Invasion'), c. 1293. The Mongol invasions of Japan of 1274 and 1281 were major military invasions undertaken by Kublai Khan to conquer the Japanese islands after the submission of Korea. Despite their ultimate failure, the invasion attempts are of historical importance, because they set a limit on Mongol expansion, and rank as nation-defining events in Japanese history. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/japan-the-samurai-takezaki-suenaga-facing-mongol-arrows-and-bombs-painting-from-the-illustrated-handscroll-moko-shurai-ekotoba-illustated-account-of-the-mongol-invasion-c-1293-the-mongol-invasions-of-japan-of-1274-and-1281-were-major-military-invasions-undertaken-by-kublai-khan-to-conquer-the-japanese-islands-after-the-submission-of-korea-despite-their-ultimate-failure-the-invasion-attempts-are-of-historical-importance-because-they-set-a-limit-on-mongol-expansion-and-rank-as-nation-defining-events-in-japanese-history-image344230418.htmlRM2B011BE–Japan: The samurai Takezaki Suenaga facing Mongol arrows and bombs. Painting from the illustrated handscroll 'Moko Shurai Ekotoba' ('Illustated Account of the Mongol Invasion'), c. 1293. The Mongol invasions of Japan of 1274 and 1281 were major military invasions undertaken by Kublai Khan to conquer the Japanese islands after the submission of Korea. Despite their ultimate failure, the invasion attempts are of historical importance, because they set a limit on Mongol expansion, and rank as nation-defining events in Japanese history.
Search Results for Mongol painting Stock Photos and Images (1,039)
Page 1 of 11