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Mythological personages Stock Photos and Images
Grand Pianoforte ca. 1840 Érard This piano, featuring an extraordinary marquetry satinwood case designed by George Henry Blake, is one of the most elaborately decorated instruments of the nineteenth century. It was commissioned from the London branch of the distinguished French firm of Érard by Thomas Henry Foley, Baron of Kidderminster, for Witley Court, his residence near Herefordshire and Worcestershire. The decorative program of the piano consists of mythological personages, references to the Foley family, and symols related to music-making and musical instruments. The piano case features Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grand-pianoforte-ca-1840-rard-this-piano-featuring-an-extraordinary-marquetry-satinwood-case-designed-by-george-henry-blake-is-one-of-the-most-elaborately-decorated-instruments-of-the-nineteenth-century-it-was-commissioned-from-the-london-branch-of-the-distinguished-french-firm-of-rard-by-thomas-henry-foley-baron-of-kidderminster-for-witley-court-his-residence-near-herefordshire-and-worcestershire-the-decorative-program-of-the-piano-consists-of-mythological-personages-references-to-the-foley-family-and-symols-related-to-music-making-and-musical-instruments-the-piano-case-features-image458095769.htmlRM2HH81R5–Grand Pianoforte ca. 1840 Érard This piano, featuring an extraordinary marquetry satinwood case designed by George Henry Blake, is one of the most elaborately decorated instruments of the nineteenth century. It was commissioned from the London branch of the distinguished French firm of Érard by Thomas Henry Foley, Baron of Kidderminster, for Witley Court, his residence near Herefordshire and Worcestershire. The decorative program of the piano consists of mythological personages, references to the Foley family, and symols related to music-making and musical instruments. The piano case features
Pompeii, its history, buildings, and antiquities : an account of the destruction of the city with a full description of the remains, and of the recent excavations, and also an itinerary for visitors . fieAas avrip, dvrjp £avdb<;,biIP £ai#OTepos, IV. t Pollux Onomasticon, iv. 19. THE THEATRES. 197 introduced by Sophocles, or Gorgon, or Death, or a Fury,and a host more of mythological personages, or Thamyris,with one eye blue and the other black. This last is the mostextraordinary. It appears from the marble masks stillextant that the white of the eye was imitated, leaving onlythe aperture of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pompeii-its-history-buildings-and-antiquities-an-account-of-the-destruction-of-the-city-with-a-full-description-of-the-remains-and-of-the-recent-excavations-and-also-an-itinerary-for-visitors-fieaas-avrip-dvrjp-avdbltbiip-aiotepos-iv-t-pollux-onomasticon-iv-19-the-theatres-197-introduced-by-sophocles-or-gorgon-or-death-or-a-furyand-a-host-more-of-mythological-personages-or-thamyriswith-one-eye-blue-and-the-other-black-this-last-is-the-mostextraordinary-it-appears-from-the-marble-masks-stillextant-that-the-white-of-the-eye-was-imitated-leaving-onlythe-aperture-of-image339986029.htmlRM2AN3KJ5–Pompeii, its history, buildings, and antiquities : an account of the destruction of the city with a full description of the remains, and of the recent excavations, and also an itinerary for visitors . fieAas avrip, dvrjp £avdb<;,biIP £ai#OTepos, IV. t Pollux Onomasticon, iv. 19. THE THEATRES. 197 introduced by Sophocles, or Gorgon, or Death, or a Fury,and a host more of mythological personages, or Thamyris,with one eye blue and the other black. This last is the mostextraordinary. It appears from the marble masks stillextant that the white of the eye was imitated, leaving onlythe aperture of
POUSSIN, Nicolas (b. 1594, Les Andelys, d. 1665, Roma) The Triumph of Pan 1636 Oil on canvas, 134 x 145 cm National Gallery, London The Triumph of Pan was one of several paintings commissioned from Poussin, in 1636 the leading French artist in Rome, by Cardinal Richelieu. They were intended for a room in his château in Poitou which would also house mythological pictures by Mantegna, Perugino and Costa. Poussin must have been advised about the scale not only of the canvases but also of the figures, for although he never saw the Renaissance paintings his personages are much the same size as th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/poussin-nicolas-b-1594-les-andelys-d-1665-roma-the-triumph-of-pan-1636-oil-on-canvas-134-x-145-cm-national-gallery-london-the-triumph-of-pan-was-one-of-several-paintings-commissioned-from-poussin-in-1636-the-leading-french-artist-in-rome-by-cardinal-richelieu-they-were-intended-for-a-room-in-his-chteau-in-poitou-which-would-also-house-mythological-pictures-by-mantegna-perugino-and-costa-poussin-must-have-been-advised-about-the-scale-not-only-of-the-canvases-but-also-of-the-figures-for-although-he-never-saw-the-renaissance-paintings-his-personages-are-much-the-same-size-as-th-image604850965.htmlRM2X419G5–POUSSIN, Nicolas (b. 1594, Les Andelys, d. 1665, Roma) The Triumph of Pan 1636 Oil on canvas, 134 x 145 cm National Gallery, London The Triumph of Pan was one of several paintings commissioned from Poussin, in 1636 the leading French artist in Rome, by Cardinal Richelieu. They were intended for a room in his château in Poitou which would also house mythological pictures by Mantegna, Perugino and Costa. Poussin must have been advised about the scale not only of the canvases but also of the figures, for although he never saw the Renaissance paintings his personages are much the same size as th
![Gods of the old Japanese mythology: the War-God Maris descending on the Holy Boar, 1860. 'The winged figure to the left is Foo, and [the winged figure] to the right Tenyu... [who] represents the Japanese Mercury, or "herald of the gods". The land beneath is the land of Nippon, with its fiery mountains, its fertile valleys, and abundant rivers; and the personages in the foreground are Ten-tsi-ten-woo, the 39th Mikado, who reigned in Japan in the latter half of the seventh century of our era, the founder of public schools at the national expense for all classes of the people, and build Stock Photo](https://c8.alamy.com/comp/2T6GETE/gods-of-the-old-japanese-mythology-the-war-god-maris-descending-on-the-holy-boar-1860-the-winged-figure-to-the-left-is-foo-and-the-winged-figure-to-the-right-tenyu-who-represents-the-japanese-mercury-or-quotherald-of-the-godsquot-the-land-beneath-is-the-land-of-nippon-with-its-fiery-mountains-its-fertile-valleys-and-abundant-rivers-and-the-personages-in-the-foreground-are-ten-tsi-ten-woo-the-39th-mikado-who-reigned-in-japan-in-the-latter-half-of-the-seventh-century-of-our-era-the-founder-of-public-schools-at-the-national-expense-for-all-classes-of-the-people-and-build-2T6GETE.jpg "Gods of the old Japanese mythology: the War-God Maris descending on the Holy Boar, 1860. 'The winged figure to the left is Foo, and [the winged figure] to the right Tenyu... [who] represents the Japanese Mercury, or "herald of the gods". The land beneath is the land of Nippon, with its fiery mountains, its fertile valleys, and abundant rivers; and the personages in the foreground are Ten-tsi-ten-woo, the 39th Mikado, who reigned in Japan in the latter half of the seventh century of our era, the founder of public schools at the national expense for all classes of the people, and build Stock Photo")
Gods of the old Japanese mythology: the War-God Maris descending on the Holy Boar, 1860. 'The winged figure to the left is Foo, and [the winged figure] to the right Tenyu... [who] represents the Japanese Mercury, or "herald of the gods". The land beneath is the land of Nippon, with its fiery mountains, its fertile valleys, and abundant rivers; and the personages in the foreground are Ten-tsi-ten-woo, the 39th Mikado, who reigned in Japan in the latter half of the seventh century of our era, the founder of public schools at the national expense for all classes of the people, and build Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gods-of-the-old-japanese-mythology-the-war-god-maris-descending-on-the-holy-boar-1860-the-winged-figure-to-the-left-is-foo-and-the-winged-figure-to-the-right-tenyu-who-represents-the-japanese-mercury-or-quotherald-of-the-godsquot-the-land-beneath-is-the-land-of-nippon-with-its-fiery-mountains-its-fertile-valleys-and-abundant-rivers-and-the-personages-in-the-foreground-are-ten-tsi-ten-woo-the-39th-mikado-who-reigned-in-japan-in-the-latter-half-of-the-seventh-century-of-our-era-the-founder-of-public-schools-at-the-national-expense-for-all-classes-of-the-people-and-build-image571992974.htmlRM2T6GETE–Gods of the old Japanese mythology: the War-God Maris descending on the Holy Boar, 1860. 'The winged figure to the left is Foo, and [the winged figure] to the right Tenyu... [who] represents the Japanese Mercury, or "herald of the gods". The land beneath is the land of Nippon, with its fiery mountains, its fertile valleys, and abundant rivers; and the personages in the foreground are Ten-tsi-ten-woo, the 39th Mikado, who reigned in Japan in the latter half of the seventh century of our era, the founder of public schools at the national expense for all classes of the people, and build
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840657.htmlRM2KG57NN–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
masks of Classical deities, Hanging Garden & Ramp, TSARSKOYE SELO, PUSHKIN, Saint-Petersburg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-masks-of-classical-deities-hanging-garden-ramp-tsarskoye-selo-pushkin-47483869.htmlRFCN724D–masks of Classical deities, Hanging Garden & Ramp, TSARSKOYE SELO, PUSHKIN, Saint-Petersburg
King Arthur, mosaic in the Cathedral of Otranto, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/king-arthur-mosaic-in-the-cathedral-of-otranto-italy-image212465555.htmlRMP9JHYF–King Arthur, mosaic in the Cathedral of Otranto, Italy.
Frederick II of Prussia binding together the League of Princes, allegorical representation of 1786 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-frederick-ii-of-prussia-binding-together-the-league-of-princes-allegorical-135565687.htmlRMHTFFBK–Frederick II of Prussia binding together the League of Princes, allegorical representation of 1786
. Pompeii; its history, buildings and antiquities : an account of the destruction of the city, with a full description of the remains, and of the recent excavations and also an itinerary for visitors . avrjp, avrjp ^avOos, ii^p lai/^oTepos. Pollux, Onomagticon, iv. 19,133.t I6id.,134. THE THEATRES. 197 introduced by Sophocles, or Gorgon, or Death, or a Fury,and a host more of mythological personages, or Thamyris,with one eye blue and the other black. This last is the mostextraordinary. It appears from the marble masks stillextant that the white of the eye was imitated, leaving onlythe aperture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pompeii-its-history-buildings-and-antiquities-an-account-of-the-destruction-of-the-city-with-a-full-description-of-the-remains-and-of-the-recent-excavations-and-also-an-itinerary-for-visitors-avrjp-avrjp-avoos-iip-laiotepos-pollux-onomagticon-iv-19133t-i6id134-the-theatres-197-introduced-by-sophocles-or-gorgon-or-death-or-a-furyand-a-host-more-of-mythological-personages-or-thamyriswith-one-eye-blue-and-the-other-black-this-last-is-the-mostextraordinary-it-appears-from-the-marble-masks-stillextant-that-the-white-of-the-eye-was-imitated-leaving-onlythe-aperture-image370159589.htmlRM2CE6699–. Pompeii; its history, buildings and antiquities : an account of the destruction of the city, with a full description of the remains, and of the recent excavations and also an itinerary for visitors . avrjp, avrjp ^avOos, ii^p lai/^oTepos. Pollux, Onomagticon, iv. 19,133.t I6id.,134. THE THEATRES. 197 introduced by Sophocles, or Gorgon, or Death, or a Fury,and a host more of mythological personages, or Thamyris,with one eye blue and the other black. This last is the mostextraordinary. It appears from the marble masks stillextant that the white of the eye was imitated, leaving onlythe aperture
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840723.htmlRM2KG57T3–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
masks of Classical deities, Hanging Garden & Ramp, TSARSKOYE SELO, PUSHKIN, Saint-Petersburg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-masks-of-classical-deities-hanging-garden-ramp-tsarskoye-selo-pushkin-47483874.htmlRFCN724J–masks of Classical deities, Hanging Garden & Ramp, TSARSKOYE SELO, PUSHKIN, Saint-Petersburg
![. Bulletin. Ethnology. Vol. 3] TRIBES OF LOWER AND MIDDLE XINGU—NIMUENDAJU 239 SO that, artistically, body decoration was much inferior to that of the Shipaya. Yuruna artists were generally women. There are numberless variations of the maze motif with which they cover objects and especially the body. Frequently, these body designs, used on festive occasions, are so fine and intricate that they can only be seen at close range. Besides the maze motif, there are also curvilinear patterns. The most important Shipaya sculptural products, statues of mythological personages, do not show great develop Stock Photo](https://c8.alamy.com/comp/RGWPBC/bulletin-ethnology-vol-3-tribes-of-lower-and-middle-xingunimuendaju-239-so-that-artistically-body-decoration-was-much-inferior-to-that-of-the-shipaya-yuruna-artists-were-generally-women-there-are-numberless-variations-of-the-maze-motif-with-which-they-cover-objects-and-especially-the-body-frequently-these-body-designs-used-on-festive-occasions-are-so-fine-and-intricate-that-they-can-only-be-seen-at-close-range-besides-the-maze-motif-there-are-also-curvilinear-patterns-the-most-important-shipaya-sculptural-products-statues-of-mythological-personages-do-not-show-great-develop-RGWPBC.jpg ". Bulletin. Ethnology. Vol. 3] TRIBES OF LOWER AND MIDDLE XINGU—NIMUENDAJU 239 SO that, artistically, body decoration was much inferior to that of the Shipaya. Yuruna artists were generally women. There are numberless variations of the maze motif with which they cover objects and especially the body. Frequently, these body designs, used on festive occasions, are so fine and intricate that they can only be seen at close range. Besides the maze motif, there are also curvilinear patterns. The most important Shipaya sculptural products, statues of mythological personages, do not show great develop Stock Photo")
. Bulletin. Ethnology. Vol. 3] TRIBES OF LOWER AND MIDDLE XINGU—NIMUENDAJU 239 SO that, artistically, body decoration was much inferior to that of the Shipaya. Yuruna artists were generally women. There are numberless variations of the maze motif with which they cover objects and especially the body. Frequently, these body designs, used on festive occasions, are so fine and intricate that they can only be seen at close range. Besides the maze motif, there are also curvilinear patterns. The most important Shipaya sculptural products, statues of mythological personages, do not show great develop Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bulletin-ethnology-vol-3-tribes-of-lower-and-middle-xingunimuendaju-239-so-that-artistically-body-decoration-was-much-inferior-to-that-of-the-shipaya-yuruna-artists-were-generally-women-there-are-numberless-variations-of-the-maze-motif-with-which-they-cover-objects-and-especially-the-body-frequently-these-body-designs-used-on-festive-occasions-are-so-fine-and-intricate-that-they-can-only-be-seen-at-close-range-besides-the-maze-motif-there-are-also-curvilinear-patterns-the-most-important-shipaya-sculptural-products-statues-of-mythological-personages-do-not-show-great-develop-image234135648.htmlRMRGWPBC–. Bulletin. Ethnology. Vol. 3] TRIBES OF LOWER AND MIDDLE XINGU—NIMUENDAJU 239 SO that, artistically, body decoration was much inferior to that of the Shipaya. Yuruna artists were generally women. There are numberless variations of the maze motif with which they cover objects and especially the body. Frequently, these body designs, used on festive occasions, are so fine and intricate that they can only be seen at close range. Besides the maze motif, there are also curvilinear patterns. The most important Shipaya sculptural products, statues of mythological personages, do not show great develop
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840641.htmlRM2KG57N5–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
masks of Classical deities, Hanging Garden & Ramp, TSARSKOYE SELO, PUSHKIN, Saint-Petersburg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-masks-of-classical-deities-hanging-garden-ramp-tsarskoye-selo-pushkin-47483868.htmlRFCN724C–masks of Classical deities, Hanging Garden & Ramp, TSARSKOYE SELO, PUSHKIN, Saint-Petersburg
. International studio. The ritual vase representing an owl, here repro-duced, is a very rare example of bronze art inChou style, (1122-255 B. C.) and is of surprisingapplication and expression. The first Chinesecarvings of which we have specimens were bas-reliefs on slabs in hard stone forming the innerwalls of the sepulchres of personages of highstanding. They are keenly sought after and theCernuschi Museum owns some of great interest.They represent alternately mythological scenes, historical events and FIGURE OF A RABBIT . ? porcelain : sung dvnasty ceremonials, hunting (Collection oj Mme. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/international-studio-the-ritual-vase-representing-an-owl-here-repro-duced-is-a-very-rare-example-of-bronze-art-inchou-style-1122-255-b-c-and-is-of-surprisingapplication-and-expression-the-first-chinesecarvings-of-which-we-have-specimens-were-bas-reliefs-on-slabs-in-hard-stone-forming-the-innerwalls-of-the-sepulchres-of-personages-of-highstanding-they-are-keenly-sought-after-and-thecernuschi-museum-owns-some-of-great-interestthey-represent-alternately-mythological-scenes-historical-events-and-figure-of-a-rabbit-porcelain-sung-dvnasty-ceremonials-hunting-collection-oj-mme-image336674604.htmlRM2AFMRW0–. International studio. The ritual vase representing an owl, here repro-duced, is a very rare example of bronze art inChou style, (1122-255 B. C.) and is of surprisingapplication and expression. The first Chinesecarvings of which we have specimens were bas-reliefs on slabs in hard stone forming the innerwalls of the sepulchres of personages of highstanding. They are keenly sought after and theCernuschi Museum owns some of great interest.They represent alternately mythological scenes, historical events and FIGURE OF A RABBIT . ? porcelain : sung dvnasty ceremonials, hunting (Collection oj Mme.
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840661.htmlRM2KG57NW–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
masks of Classical deities, Hanging Garden & Ramp, TSARSKOYE SELO, PUSHKIN, Saint-Petersburg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-masks-of-classical-deities-hanging-garden-ramp-tsarskoye-selo-pushkin-47483871.htmlRFCN724F–masks of Classical deities, Hanging Garden & Ramp, TSARSKOYE SELO, PUSHKIN, Saint-Petersburg
. International studio. The ritual vase representing an owl, here repro-duced, is a very rare example of bronze art inChou style, (1122-255 B. C.) and is of surprisingapplication and expression. The first Chinesecarvings of which we have specimens were bas-reliefs on slabs in hard stone forming the innerwalls of the sepulchres of personages of highstanding. They are keenly sought after and theCernuschi Museum owns some of great interest.They represent alternately mythological scenes, historical events and FIGURE OF A RABBIT . ? porcelain : sung dvnasty ceremonials, hunting (Collection oj Mme. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/international-studio-the-ritual-vase-representing-an-owl-here-repro-duced-is-a-very-rare-example-of-bronze-art-inchou-style-1122-255-b-c-and-is-of-surprisingapplication-and-expression-the-first-chinesecarvings-of-which-we-have-specimens-were-bas-reliefs-on-slabs-in-hard-stone-forming-the-innerwalls-of-the-sepulchres-of-personages-of-highstanding-they-are-keenly-sought-after-and-thecernuschi-museum-owns-some-of-great-interestthey-represent-alternately-mythological-scenes-historical-events-and-figure-of-a-rabbit-porcelain-sung-dvnasty-ceremonials-hunting-collection-oj-mme-image336674870.htmlRM2AFMT6E–. International studio. The ritual vase representing an owl, here repro-duced, is a very rare example of bronze art inChou style, (1122-255 B. C.) and is of surprisingapplication and expression. The first Chinesecarvings of which we have specimens were bas-reliefs on slabs in hard stone forming the innerwalls of the sepulchres of personages of highstanding. They are keenly sought after and theCernuschi Museum owns some of great interest.They represent alternately mythological scenes, historical events and FIGURE OF A RABBIT . ? porcelain : sung dvnasty ceremonials, hunting (Collection oj Mme.
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840654.htmlRM2KG57NJ–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
masks of Classical deities, Hanging Garden & Ramp, TSARSKOYE SELO, PUSHKIN, Saint-Petersburg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-masks-of-classical-deities-hanging-garden-ramp-tsarskoye-selo-pushkin-47483876.htmlRFCN724M–masks of Classical deities, Hanging Garden & Ramp, TSARSKOYE SELO, PUSHKIN, Saint-Petersburg
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840725.htmlRM2KG57T5–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
masks of Classical deities, Hanging Garden & Ramp, TSARSKOYE SELO, PUSHKIN, Saint-Petersburg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-masks-of-classical-deities-hanging-garden-ramp-tsarskoye-selo-pushkin-47483877.htmlRFCN724N–masks of Classical deities, Hanging Garden & Ramp, TSARSKOYE SELO, PUSHKIN, Saint-Petersburg
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840662.htmlRM2KG57NX–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
masks of Classical deities, Hanging Garden & Ramp, TSARSKOYE SELO, PUSHKIN, Saint-Petersburg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-masks-of-classical-deities-hanging-garden-ramp-tsarskoye-selo-pushkin-47483873.htmlRFCN724H–masks of Classical deities, Hanging Garden & Ramp, TSARSKOYE SELO, PUSHKIN, Saint-Petersburg
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840719.htmlRM2KG57RY–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
masks of Classical deities, Hanging Garden & Ramp, TSARSKOYE SELO, PUSHKIN, Saint-Petersburg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-masks-of-classical-deities-hanging-garden-ramp-tsarskoye-selo-pushkin-47483867.htmlRFCN724B–masks of Classical deities, Hanging Garden & Ramp, TSARSKOYE SELO, PUSHKIN, Saint-Petersburg
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840717.htmlRM2KG57RW–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
masks of Classical deities, Hanging Garden & Ramp, TSARSKOYE SELO, PUSHKIN, Saint-Petersburg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-masks-of-classical-deities-hanging-garden-ramp-tsarskoye-selo-pushkin-47483870.htmlRFCN724E–masks of Classical deities, Hanging Garden & Ramp, TSARSKOYE SELO, PUSHKIN, Saint-Petersburg
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840722.htmlRM2KG57T2–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
masks of Classical deities, Hanging Garden & Ramp, TSARSKOYE SELO, PUSHKIN, Saint-Petersburg Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-masks-of-classical-deities-hanging-garden-ramp-tsarskoye-selo-pushkin-47483879.htmlRFCN724R–masks of Classical deities, Hanging Garden & Ramp, TSARSKOYE SELO, PUSHKIN, Saint-Petersburg
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840653.htmlRM2KG57NH–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840622.htmlRM2KG57ME–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840642.htmlRM2KG57N6–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840625.htmlRM2KG57MH–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840631.htmlRM2KG57MR–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840664.htmlRM2KG57P0–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840638.htmlRM2KG57N2–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840651.htmlRM2KG57NF–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840634.htmlRM2KG57MX–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840665.htmlRM2KG57P1–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840636.htmlRM2KG57N0–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840646.htmlRM2KG57NA–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840686.htmlRM2KG57PP–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-congo-culture-kept-alive-by-the-descendants-of-the-african-slaves-who-were-brought-to-panama-by-the-spanish-in-2018-the-congo-traditions-were-declared-intangible-heritage-of-humanity-by-unesco-during-the-colonial-period-the-term-congo-was-used-more-as-a-generic-term-for-african-image491840648.htmlRM2KG57NC–The Congo culture, kept alive by the descendants of the African slaves who were brought to Panama by the Spanish. In 2018, the Congo traditions were declared Intangible Heritage of Humanity by UNESCO. During the colonial period, the term Congo was used more as a generic term for African.
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