Naturalism school hi-res stock photography and images

Anaximander (c. 610-c.546 BC). Pre-Socratic Greek philosopher. Engraving. The Nuremberg Cronicle', 15th century. Stock Photo

RM2K552MK–Anaximander (c. 610-c.546 BC). Pre-Socratic Greek philosopher. Engraving. The Nuremberg Cronicle', 15th century.

School children fifth graders releasing trout they raised in class into a creek in Montgomery County upstate New York Stock Photo

RMBB1GHB–School children fifth graders releasing trout they raised in class into a creek in Montgomery County upstate New York

Jean Francois Millet (1814–1875) was a French painter, who belonged to the naturalism and realism movements. Stock Photo

RFD0F4CA–Jean Francois Millet (1814–1875) was a French painter, who belonged to the naturalism and realism movements.

Émile Zola 1840 – 1902, French writer, the most important exemplar of the literary school of naturalism and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in the renowned newspaper headline J'accuse. Stock Photo

RMDYEP59–Émile Zola 1840 – 1902, French writer, the most important exemplar of the literary school of naturalism and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in the renowned newspaper headline J'accuse.

Émile Édouard Charles Antoine Zola (April 2, 1840 - September 29, 1902) was a French writer, the most well-known practitioner of the literary school of naturalism and an important contributor to the development of theatrical naturalism. More than half of Stock Photo

RMG16ETD–Émile Édouard Charles Antoine Zola (April 2, 1840 - September 29, 1902) was a French writer, the most well-known practitioner of the literary school of naturalism and an important contributor to the development of theatrical naturalism. More than half of

Asher B. Durand, Kindred Spirits, 1849 Stock Photo

RM2J2AA5H–Asher B. Durand, Kindred Spirits, 1849

Man Massaging Woman, c. 1675, 8 x 6 in. (20.32 x 15.24 cm), Opaque watercolors on paper, India, 17th century, These two leaves are classic seventeenth-century Malwa school paintings, one of the earliest and historically most important Rajput schools. At Mandu, the capital of Malwa, miniature painting can be traced back to the fifteenth century, when it developed as a variant of the Jain style of western India. By the seventeenth century, however, this purely Malwa style had evolved. Simple geometric compositions predominate, and colors are bold and highly symbolic Stock Photo

RM2T9144H–Man Massaging Woman, c. 1675, 8 x 6 in. (20.32 x 15.24 cm), Opaque watercolors on paper, India, 17th century, These two leaves are classic seventeenth-century Malwa school paintings, one of the earliest and historically most important Rajput schools. At Mandu, the capital of Malwa, miniature painting can be traced back to the fifteenth century, when it developed as a variant of the Jain style of western India. By the seventeenth century, however, this purely Malwa style had evolved. Simple geometric compositions predominate, and colors are bold and highly symbolic

Emile Zola (1840 – 1902) was a French novelist, playwright, journalist, the best-known practitioner of the literary school of naturalism, and an impor Stock Photo

RF2AXRWJH–Emile Zola (1840 – 1902) was a French novelist, playwright, journalist, the best-known practitioner of the literary school of naturalism, and an impor

Emile Edouard Charles Antoine Zola (2 April 1840 – 29 September 1902) was a French novelist, playwright, journalist, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in the renowned newspaper headline J'accuse. Zola was nominated for the first and second Nobel Prize in Literature in 1901 and 1902. Stock Photo

RM2B03708–Emile Edouard Charles Antoine Zola (2 April 1840 – 29 September 1902) was a French novelist, playwright, journalist, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in the renowned newspaper headline J'accuse. Zola was nominated for the first and second Nobel Prize in Literature in 1901 and 1902.

The Beeches. Artist: Asher Brown Durand (American, Jefferson, New Jersey 1796-1886 Maplewood, New Jersey). Dimensions: 60 3/8 x 48 1/8 in. (153.4 x 122.2 cm). Date: 1845. This work, featuring meticulously rendered beech and basswood trees, was painted for the New York collector Abraham M. Cozzens, then a member of the executive committee of the American Art-Union. The painting illustrates a new trend in the work of the Hudson River School, with its diminished emphasis on sublime drama and increased interest in naturalism and in the creation of a tranquil mood. Durand was influenced by the wor Stock Photo

RMPAKTHR–The Beeches. Artist: Asher Brown Durand (American, Jefferson, New Jersey 1796-1886 Maplewood, New Jersey). Dimensions: 60 3/8 x 48 1/8 in. (153.4 x 122.2 cm). Date: 1845. This work, featuring meticulously rendered beech and basswood trees, was painted for the New York collector Abraham M. Cozzens, then a member of the executive committee of the American Art-Union. The painting illustrates a new trend in the work of the Hudson River School, with its diminished emphasis on sublime drama and increased interest in naturalism and in the creation of a tranquil mood. Durand was influenced by the wor

RMP66WED–Émile Zola 1840 – 1902, French writer, the most important exemplar of the literary school of naturalism and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in the renowned newspaper headline J'accuse.

Portrait of Emile Zola. Émile Édouard Charles Antoine Zola (1840 – 1902)[ was a French novelist, journalist, playwright, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in his renowned newspaper opinion headlined J'Accuse…! Zola was nominated for the first and second Nobel Prize in Literature in 1901 and 1902. Stock Photo

RM2JCWX8Y–Portrait of Emile Zola. Émile Édouard Charles Antoine Zola (1840 – 1902)[ was a French novelist, journalist, playwright, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France and in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus, which is encapsulated in his renowned newspaper opinion headlined J'Accuse…! Zola was nominated for the first and second Nobel Prize in Literature in 1901 and 1902.

Title: Le Passage des oies sauvages / The passage of the wild geese Creator: Jean-François Millet Date: c. 1862-63 Medium: oil on canvas Dimensions: pastel and crayon noir on light gray-blue paper, glued at extreme edges and stretched over board Location: Private collection Stock Photo

RM2GCG78J–Title: Le Passage des oies sauvages / The passage of the wild geese Creator: Jean-François Millet Date: c. 1862-63 Medium: oil on canvas Dimensions: pastel and crayon noir on light gray-blue paper, glued at extreme edges and stretched over board Location: Private collection

After school by Charles Victor Thirion Stock Photo

RM2RBJ9JH–After school by Charles Victor Thirion

Title: Waiting Creator: Jean-François Millet Date: c. 1853–1861 Medium: oil on canvas Dimensions: 83.8 x 121.7 cm Location: The Nelson-Atkins Museum of Art. Stock Photo

RM2GCG83G–Title: Waiting Creator: Jean-François Millet Date: c. 1853–1861 Medium: oil on canvas Dimensions: 83.8 x 121.7 cm Location: The Nelson-Atkins Museum of Art.

Jean-François Millet (1814-1875). French painter, one of the founders of the Barbizon School. The Gleaners (1856). Orsay Museum. Stock Photo

RMC44EWY–Jean-François Millet (1814-1875). French painter, one of the founders of the Barbizon School. The Gleaners (1856). Orsay Museum.

Title: The Sower Creator: Jean-François Millet Date: 1850 Medium: oil on canvas Dimensions: 101.6 x 82.6 cm Location: Museum of Fine Arts, Boston, Massachusetts, Stock Photo

RM2GCG7RF–Title: The Sower Creator: Jean-François Millet Date: 1850 Medium: oil on canvas Dimensions: 101.6 x 82.6 cm Location: Museum of Fine Arts, Boston, Massachusetts,

Emile Zola (1840-1902), French novelist of the naturalist school and political crusader for human rights. Stock Photo

RMCWBR93–Emile Zola (1840-1902), French novelist of the naturalist school and political crusader for human rights.

Title: The Potato Harvest Creator: Jean-François Millet Date: 1855 Medium: oil on canvas Dimensions: 54 x 65.2 cm Location: Walters Art Museum, Baltimore Stock Photo

RM2GCG7K7–Title: The Potato Harvest Creator: Jean-François Millet Date: 1855 Medium: oil on canvas Dimensions: 54 x 65.2 cm Location: Walters Art Museum, Baltimore

White Herons 1769 Maruyama Ōkyo Japanese Blank paper is left in reserve for the bodies of the herons, silhouetted by soft, misty wash rather than ink outline. Instead of depending on images from copybooks for inspiration, Maruyama Ōkyo, founder of the Maruyama-Shijo school and proponent of naturalism in painting, practiced sketching from life. He created images of birds, animals, and fish drawn from every angle, and captured the atmospheric effects of rain, mist, and snow.. White Herons 49031 Stock Photo

RM2HH89JG–White Herons 1769 Maruyama Ōkyo Japanese Blank paper is left in reserve for the bodies of the herons, silhouetted by soft, misty wash rather than ink outline. Instead of depending on images from copybooks for inspiration, Maruyama Ōkyo, founder of the Maruyama-Shijo school and proponent of naturalism in painting, practiced sketching from life. He created images of birds, animals, and fish drawn from every angle, and captured the atmospheric effects of rain, mist, and snow.. White Herons 49031

RMBB1GGJ–School children fifth graders releasing trout they raised in class into a creek in Montgomery County upstate New York

The Gleaners by Millet, is one of the most popular pictures of the master and is considered by many to be his masterpiece. Stock Photo

RFD0F4W6–The Gleaners by Millet, is one of the most popular pictures of the master and is considered by many to be his masterpiece.

Title: Shepherdess with her Flock Creator: Jean-François Millet Date: c. 1863 Medium: oil on canvas Dimensions: 81 x 101 cm Location: Musee d'Orsay, Paris, France Stock Photo

RM2GCG7AP–Title: Shepherdess with her Flock Creator: Jean-François Millet Date: c. 1863 Medium: oil on canvas Dimensions: 81 x 101 cm Location: Musee d'Orsay, Paris, France

RMG15E5B–Émile Édouard Charles Antoine Zola (April 2, 1840 - September 29, 1902) was a French writer, the most well-known practitioner of the literary school of naturalism and an important contributor to the development of theatrical naturalism. More than half of

Title: The Angelus Creator: Jean-François Millet Date: 1857 Medium: oil on canvas Dimensions: 55.5 x 66 cm Location: Musee d'Orsay, Paris, France Stock Photo

RM2GCG7AW–Title: The Angelus Creator: Jean-François Millet Date: 1857 Medium: oil on canvas Dimensions: 55.5 x 66 cm Location: Musee d'Orsay, Paris, France

Lovers, c. 1675, 8 1/2 x 6 1/16 in. (21.59 x 15.4 cm), Opaque watercolors on paper, India, 17th century, These two leaves are classic seventeenth-century Malwa school paintings, one of the earliest and historically most important Rajput schools. At Mandu, the capital of Malwa, miniature painting can be traced back to the fifteenth century, when it developed as a variant of the Jain style of western India. By the seventeenth century, however, this purely Malwa style had evolved. Simple geometric compositions predominate, and colors are bold and highly symbolic Stock Photo

RM2T9142W–Lovers, c. 1675, 8 1/2 x 6 1/16 in. (21.59 x 15.4 cm), Opaque watercolors on paper, India, 17th century, These two leaves are classic seventeenth-century Malwa school paintings, one of the earliest and historically most important Rajput schools. At Mandu, the capital of Malwa, miniature painting can be traced back to the fifteenth century, when it developed as a variant of the Jain style of western India. By the seventeenth century, however, this purely Malwa style had evolved. Simple geometric compositions predominate, and colors are bold and highly symbolic

Title: Man with a Hoe Creator: Jean-François Millet Date: c. 1860 - 1862 Medium: oil on canvas Dimensions: 80 x 99 cms Location: J. Paul Getty Museum, Los Angeles, USA Stock Photo

RM2GCG78K–Title: Man with a Hoe Creator: Jean-François Millet Date: c. 1860 - 1862 Medium: oil on canvas Dimensions: 80 x 99 cms Location: J. Paul Getty Museum, Los Angeles, USA

The Beeches 1845 Asher Brown Durand American This work, featuring meticulously rendered beech and basswood trees, was painted for the New York collector Abraham M. Cozzens, then a member of the executive committee of the American Art-Union. The painting illustrates a new trend in the work of the Hudson River School, with its diminished emphasis on sublime drama and increased interest in naturalism and in the creation of a tranquil mood. Durand was influenced by the work of the English landscape painter John Constable, whose vertical formats and truth to nature he absorbed while visiting Englan Stock Photo

RM2HHF1RK–The Beeches 1845 Asher Brown Durand American This work, featuring meticulously rendered beech and basswood trees, was painted for the New York collector Abraham M. Cozzens, then a member of the executive committee of the American Art-Union. The painting illustrates a new trend in the work of the Hudson River School, with its diminished emphasis on sublime drama and increased interest in naturalism and in the creation of a tranquil mood. Durand was influenced by the work of the English landscape painter John Constable, whose vertical formats and truth to nature he absorbed while visiting Englan

A Woodland Scene at Dusk (recto); A Study of Trees and Foliage (verso). Artist: William James Müller (British, Bristol 1812-1845 Bristol). Dimensions: Sheet: 7 11/16 × 13 5/16 in. (19.5 × 33.8 cm). Date: 1833-45. A leader of the Bristol School, Müller's life was cut short by illness at the height of his powers. Influenced by the expressive naturalism of John Sell Cotman, whose works he studied in the collection of a friend, the Rev. James Bulwer, Müller sketched out of doors in all weathers. In the 1830s he traveled to Europe and the Middle East, but likely found the present subject close to Stock Photo

RMPARAAX–A Woodland Scene at Dusk (recto); A Study of Trees and Foliage (verso). Artist: William James Müller (British, Bristol 1812-1845 Bristol). Dimensions: Sheet: 7 11/16 × 13 5/16 in. (19.5 × 33.8 cm). Date: 1833-45. A leader of the Bristol School, Müller's life was cut short by illness at the height of his powers. Influenced by the expressive naturalism of John Sell Cotman, whose works he studied in the collection of a friend, the Rev. James Bulwer, Müller sketched out of doors in all weathers. In the 1830s he traveled to Europe and the Middle East, but likely found the present subject close to

Title: Feeding the Young Creator: Jean-François Millet Date: 1850 Medium: oil on canvas Location: Musee des Beaux-Arts, Lille, France Stock Photo

RM2GCG71K–Title: Feeding the Young Creator: Jean-François Millet Date: 1850 Medium: oil on canvas Location: Musee des Beaux-Arts, Lille, France

Tray with rice stalks and a grasshopper on a tea kettle 1880s Shibata Zeshin Shibata Zeshin (1807–1891) was an exceptional artist, born in Edo (now Tokyo), he joined the studio of the lacquer artist Koma Kansai II (1766–1835) as an apprentice to learn the painstaking methods of lacquer decoration. He subsequently moved to Kyoto to study the Maruyama-Shijo school of painting, which combined Western naturalism with East Asian painting techniques. This training provided the intellectual and aesthetic foundation for his sophisticated art. Returning to Edo, Zeshin established his career during the Stock Photo

RM2HGNBTY–Tray with rice stalks and a grasshopper on a tea kettle 1880s Shibata Zeshin Shibata Zeshin (1807–1891) was an exceptional artist, born in Edo (now Tokyo), he joined the studio of the lacquer artist Koma Kansai II (1766–1835) as an apprentice to learn the painstaking methods of lacquer decoration. He subsequently moved to Kyoto to study the Maruyama-Shijo school of painting, which combined Western naturalism with East Asian painting techniques. This training provided the intellectual and aesthetic foundation for his sophisticated art. Returning to Edo, Zeshin established his career during the

Title: Potato Planters Creator: Jean-François Millet Date: c.1861 Medium: oil on canvas Dimensions: 1013 x 825 mm Location: Museum of Fine Arts, Boston Stock Photo

RM2GCG78M–Title: Potato Planters Creator: Jean-François Millet Date: c.1861 Medium: oil on canvas Dimensions: 1013 x 825 mm Location: Museum of Fine Arts, Boston

Study of Trees by a Mountain Stream 1833–45 William James Müller A leader of the Bristol School, Müller’s life was cut short by illness at the height of his powers. Influenced by the expressive naturalism of John Sell Cotman, whose works he studied in the collection of a friend, the Rev. James Bulwer, Müller sketched out of doors in all weathers. In the 1830s he traveled to Europe and the Middle East, but likely found the present subject closer to home. The mountains of Wales were not far from Bristol, and Muller visited them in the winter of 1842 and autumn of 1843. The sparse leaves clinging Stock Photo

RM2HH34PY–Study of Trees by a Mountain Stream 1833–45 William James Müller A leader of the Bristol School, Müller’s life was cut short by illness at the height of his powers. Influenced by the expressive naturalism of John Sell Cotman, whose works he studied in the collection of a friend, the Rev. James Bulwer, Müller sketched out of doors in all weathers. In the 1830s he traveled to Europe and the Middle East, but likely found the present subject closer to home. The mountains of Wales were not far from Bristol, and Muller visited them in the winter of 1842 and autumn of 1843. The sparse leaves clinging

Title: The Gleaners Creator: Jean-François Millet Date: 1857 Medium: oil on canvas Dimensions: 83.5 x 110 cms Location: Musee d'Orsay, Paris, France Stock Photo

RM2GCG7FE–Title: The Gleaners Creator: Jean-François Millet Date: 1857 Medium: oil on canvas Dimensions: 83.5 x 110 cms Location: Musee d'Orsay, Paris, France

A Woodland Scene at Dusk (recto); A Study of Trees and Foliage (verso) 1833–45 William James Müller A leader of the Bristol School, Müller’s life was cut short by illness at the height of his powers. Influenced by the expressive naturalism of John Sell Cotman, whose works he studied in the collection of a friend, the Rev. James Bulwer, Müller sketched out of doors in all weathers. In the 1830s he traveled to Europe and the Middle East, but likely found the present subject close to home in Leigh Woods on the edge of the Avon Gorge. The masterful range of watercolor techniques, and freely applie Stock Photo

RM2HGWPKD–A Woodland Scene at Dusk (recto); A Study of Trees and Foliage (verso) 1833–45 William James Müller A leader of the Bristol School, Müller’s life was cut short by illness at the height of his powers. Influenced by the expressive naturalism of John Sell Cotman, whose works he studied in the collection of a friend, the Rev. James Bulwer, Müller sketched out of doors in all weathers. In the 1830s he traveled to Europe and the Middle East, but likely found the present subject close to home in Leigh Woods on the edge of the Avon Gorge. The masterful range of watercolor techniques, and freely applie

Plant Study, 1857. In addition to his landscapes, Bléry also produced closely focused botanical studies gracefully composed with an acute realization of species. Although he did not work alongside the artists of the Barbizon school, Bléry’s plant portraits are related to the aesthetic of Barbizon naturalism. Stock Photo

RM2A51WT9–Plant Study, 1857. In addition to his landscapes, Bléry also produced closely focused botanical studies gracefully composed with an acute realization of species. Although he did not work alongside the artists of the Barbizon school, Bléry’s plant portraits are related to the aesthetic of Barbizon naturalism.

Mother with child monument (Mutter Kind Denkmal Edmund Gomansky) Duftgarten in Friedrichshain Stock Photo

RF2EM445N–Mother with child monument (Mutter Kind Denkmal Edmund Gomansky) Duftgarten in Friedrichshain

RM2K2N6K4–Anaximander (c. 610-c.546 BC). Pre-Socratic Greek philosopher. Engraving. The Nuremberg Cronicle', 15th century.

Springtime' by Jean-François Millet, painted in 1873, housed at the Louvre Museum, Paris, France. This painting is a celebration of the rural landscape and agricultural rebirth associated with spring. Millet, a key figure in the Barbizon School, is renowned for his depictions of peasant life and the natural world. Stock Photo

RM2X559F2–Springtime' by Jean-François Millet, painted in 1873, housed at the Louvre Museum, Paris, France. This painting is a celebration of the rural landscape and agricultural rebirth associated with spring. Millet, a key figure in the Barbizon School, is renowned for his depictions of peasant life and the natural world.

RMBB1GFR–School children fifth graders releasing trout they raised in class into a creek in Montgomery County upstate New York

Few of Millet's works can rival this picture, titled The Sawyers, in vigor of handling and magic of line. Stock Photo

RFD0F5FG–Few of Millet's works can rival this picture, titled The Sawyers, in vigor of handling and magic of line.

Salvatore Fergola. 1796-1874. Nocturne on Capri. 1843. oil painting on canvas. cm 106 x 131. Stock Photo

RM2DKHB2C–Salvatore Fergola. 1796-1874. Nocturne on Capri. 1843. oil painting on canvas. cm 106 x 131.

RMG15HF2–Émile Édouard Charles Antoine Zola (April 2, 1840 - September 29, 1902) was a French writer, the most well-known practitioner of the literary school of naturalism and an important contributor to the development of theatrical naturalism. More than half of

Emile Zola (1840-1902), French novelist of the naturalist school and political crusader for human rights. He was portrayed by Paul Muni in the 1937 film, THE LIFE OF EMILE ZOLA. Stock Photo

RMBTKFH1–Emile Zola (1840-1902), French novelist of the naturalist school and political crusader for human rights. He was portrayed by Paul Muni in the 1937 film, THE LIFE OF EMILE ZOLA.

Portrait of Maharaja Mahadji-Scindia, c. 1880, 9 13/16 x 6 7/8 in. (24.92 x 17.46 cm) (sheet), Opaque watercolors on paper, India, 19th century, Maharaja Mahadji-Scindia, ruler of the Gwalior district in central India, died in 1894. Although the ruler is shown in a formal pose, the painting is generally more illusionistic and less idealized than the earlier royal portraits exhibited here. This difference is due to the influence of both photography and the increased taste for naturalism engendered by so-called 'company school' painting. Stock Photo

RM2T91AWR–Portrait of Maharaja Mahadji-Scindia, c. 1880, 9 13/16 x 6 7/8 in. (24.92 x 17.46 cm) (sheet), Opaque watercolors on paper, India, 19th century, Maharaja Mahadji-Scindia, ruler of the Gwalior district in central India, died in 1894. Although the ruler is shown in a formal pose, the painting is generally more illusionistic and less idealized than the earlier royal portraits exhibited here. This difference is due to the influence of both photography and the increased taste for naturalism engendered by so-called 'company school' painting.

George Bellows, Blue Morning, painting in oil on canvas, 1909 Stock Photo

RM2RGKCTC–George Bellows, Blue Morning, painting in oil on canvas, 1909

Saint Anthony Abbot (251-356). Christian hermit monk. Portrait by Luis Tristán (1580-1624), ca. 1620. Oil on canvas. On loan from Prado Museum. El Greco Museum. Toledo, Spain. Stock Photo

RM2JGXDKD–Saint Anthony Abbot (251-356). Christian hermit monk. Portrait by Luis Tristán (1580-1624), ca. 1620. Oil on canvas. On loan from Prado Museum. El Greco Museum. Toledo, Spain.

Spanish school. Saint Paul. San Pablo. 17th century. Barcelona, museum of fine art of Cataluna. Author: Diego Velázquez (1599-1660). Location: MUSEU NACIONAL D'ART CATALUNYA, BARCELONA, SPAIN. Stock Photo

RMP3GMX6–Spanish school. Saint Paul. San Pablo. 17th century. Barcelona, museum of fine art of Cataluna. Author: Diego Velázquez (1599-1660). Location: MUSEU NACIONAL D'ART CATALUNYA, BARCELONA, SPAIN.

George Bellows, Haystacks and Barn, painting in oil on canvas, 1909 Stock Photo

RM2T8DNND–George Bellows, Haystacks and Barn, painting in oil on canvas, 1909

RMD5DN2Y–Thomas Cole

George Bellows, painting, Cliff Dwellers, 1913 Stock Photo

RM2AMYYHF–George Bellows, painting, Cliff Dwellers, 1913

'fine arts, Corot, Jean-Baptiste Camille, (1796 - 1875), painting, 'pond with bowing tree', Museum, Reims, historic, historica Stock Photo

RMA3XKTM–'fine arts, Corot, Jean-Baptiste Camille, (1796 - 1875), painting, 'pond with bowing tree', Museum, Reims, historic, historica

George Bellows, Excavation at Night, painting in oil on canvas, 1908 Stock Photo

RM2RHEB85–George Bellows, Excavation at Night, painting in oil on canvas, 1908

Emile Zola (1840-1902). French writer. Engraving. 19th century. Artistic Illustration, 1885, Spain. Stock Photo

RME8YRJR–Emile Zola (1840-1902). French writer. Engraving. 19th century. Artistic Illustration, 1885, Spain.

Holy Water Stoup with Figures of Faith, Hope and Charity, 1864. Reignier trained at the School of Fine Arts in Lyon, France, and became a professor there, specializing in flower painting. Lyon was an important center for the silk industry, and because naturalistic floral motifs were popular designs for textiles in the mid-19th-century, flower painting was both encouraged and rewarded financially. Large textile firms would even keep their own greenhouses with flowers and plants for their designers to work from. Reignier’s symmetrical and tightly executed watercolor could have been easily Stock Photo

RM2TBKYCG–Holy Water Stoup with Figures of Faith, Hope and Charity, 1864. Reignier trained at the School of Fine Arts in Lyon, France, and became a professor there, specializing in flower painting. Lyon was an important center for the silk industry, and because naturalistic floral motifs were popular designs for textiles in the mid-19th-century, flower painting was both encouraged and rewarded financially. Large textile firms would even keep their own greenhouses with flowers and plants for their designers to work from. Reignier’s symmetrical and tightly executed watercolor could have been easily

RF2EM445E–Mother with child monument (Mutter Kind Denkmal Edmund Gomansky) Duftgarten in Friedrichshain

George Bellows, The Grove, Monhegan, landscape painting in oil on cardboard, 1913 Stock Photo

RM2T8DNMK–George Bellows, The Grove, Monhegan, landscape painting in oil on cardboard, 1913

Oak Trees' by Théodore Rousseau, painted in 1852, housed at the Louvre Museum, Paris, France. A prominent figure of the Barbizon School, Rousseau showcases his connection to nature through the depiction of ancient oak trees. The artwork captures the strength and enduring presence of these trees with a dramatic interplay of light and shadow. Stock Photo

RM2X559DE–Oak Trees' by Théodore Rousseau, painted in 1852, housed at the Louvre Museum, Paris, France. A prominent figure of the Barbizon School, Rousseau showcases his connection to nature through the depiction of ancient oak trees. The artwork captures the strength and enduring presence of these trees with a dramatic interplay of light and shadow.

RMBB1GK9–School children fifth graders releasing trout they raised in class into a creek in Montgomery County upstate New York

The Church at Greville, by Jean Francois Millet, is one of the subtlest landscapes by the artist in existence. Stock Photo

RFD0F4M2–The Church at Greville, by Jean Francois Millet, is one of the subtlest landscapes by the artist in existence.

Salvatore Fergola. 1796-1874. Storm in the Gulf of Procida. 1842. oil painting on canvas. cm 74.6 x 97.4. Stock Photo

RM2DKHB6F–Salvatore Fergola. 1796-1874. Storm in the Gulf of Procida. 1842. oil painting on canvas. cm 74.6 x 97.4.

. A mighty sea eagle dominates the right section, contrasting with the left screen where a series of waves vanish into the distance. Ganryo was a painter of the Kishi School, whose adherents sought to create a vibrant form of naturalism that communicated the essence of their subjects. His work is characterised by an almost agitated style of brushwork, as in the waves which rise from the surface of the sea like dragon’s claws. Stock Photo

RM2G4H7MP–. A mighty sea eagle dominates the right section, contrasting with the left screen where a series of waves vanish into the distance. Ganryo was a painter of the Kishi School, whose adherents sought to create a vibrant form of naturalism that communicated the essence of their subjects. His work is characterised by an almost agitated style of brushwork, as in the waves which rise from the surface of the sea like dragon’s claws.

Joseph Rebell. 1787-1828. Storm in the moonlight in the Gulf of Naples. 1822. oil painting on canvas. cm 79 x 115. Stock Photo

RM2DKHB5X–Joseph Rebell. 1787-1828. Storm in the moonlight in the Gulf of Naples. 1822. oil painting on canvas. cm 79 x 115.

Birds and flowers left of a pair of Birds and Flowers, c. 1840, Nagasawa Roshū, Japanese, 1767-1847, 50 1/2 x 22 1/8 in. (128.27 x 56.2 cm) (image)76 x 27 7/8 in. (193.04 x 70.8 cm), Ink and color on silk, Japan, 19th century, Artists of the Maruyama School of painting combined Western realism with the indigenous penchant for decorative design to produce works of great naturalism and pleasing visual effect. Nagasawa Roshū, pupil of the progenitor of the school and adopted son of one of its leading masters, was himself a master of this style. Stock Photo

RM2T91DJT–Birds and flowers left of a pair of Birds and Flowers, c. 1840, Nagasawa Roshū, Japanese, 1767-1847, 50 1/2 x 22 1/8 in. (128.27 x 56.2 cm) (image)76 x 27 7/8 in. (193.04 x 70.8 cm), Ink and color on silk, Japan, 19th century, Artists of the Maruyama School of painting combined Western realism with the indigenous penchant for decorative design to produce works of great naturalism and pleasing visual effect. Nagasawa Roshū, pupil of the progenitor of the school and adopted son of one of its leading masters, was himself a master of this style.

Needlework as art . Patterns. 91 from nature on fixed principles, which immediately re-duced them to the conventional. I give an illustration of a Gothic sunflower resembling. Fig. 9.Gothic Sunflower. From Christs College Chapel, Cambridge. a transfigured rose ; and another of an ordered naturalisticsunflower pattern, from a design of the Royal School ofArt Needlework. (Plate 14.) I have given this account of the patterns foundedon the lotus, as we can almost from this distance of timetake a birds-eye view of its rise in naturalism, its spread,dispersion, and its crystallization into conventio Stock Photo

RM2AM36AJ–Needlework as art . Patterns. 91 from nature on fixed principles, which immediately re-duced them to the conventional. I give an illustration of a Gothic sunflower resembling. Fig. 9.Gothic Sunflower. From Christs College Chapel, Cambridge. a transfigured rose ; and another of an ordered naturalisticsunflower pattern, from a design of the Royal School ofArt Needlework. (Plate 14.) I have given this account of the patterns foundedon the lotus, as we can almost from this distance of timetake a birds-eye view of its rise in naturalism, its spread,dispersion, and its crystallization into conventio

Raffaele Carelli. 1795-1864. View of the Fibreno waterfalls. 1821. oil painting on canvas. cm 41.7 x 52.2. Stock Photo

RM2DKHB6G–Raffaele Carelli. 1795-1864. View of the Fibreno waterfalls. 1821. oil painting on canvas. cm 41.7 x 52.2.

Jean-Francois Millet (1814-1875). French painter, one of the founders of the Barbizon School. The Gleaners (1856). Orsay Museum. Paris. France. Stock Photo

RMP50AXT–Jean-Francois Millet (1814-1875). French painter, one of the founders of the Barbizon School. The Gleaners (1856). Orsay Museum. Paris. France.

Franz Ludwig Catel. 1778-1856. Coast of Posilippo. 1850. oil painting on canvas. cm 62.5 x 78. Stock Photo

RM2DKHBG4–Franz Ludwig Catel. 1778-1856. Coast of Posilippo. 1850. oil painting on canvas. cm 62.5 x 78.

Duccio di Buoninsegna's 'The Marys at the Tomb' (1308-1311): This panel, part of the Maestà altarpiece in Siena's Cathedral, exemplifies early Italian Renaissance art with its depiction of the three Marys discovering Christ's empty tomb.This work is celebrated for its detailed storytelling and the introduction of a more naturalistic approach to sacred scenes. Stock Photo

RM2WWFJ2D–Duccio di Buoninsegna's 'The Marys at the Tomb' (1308-1311): This panel, part of the Maestà altarpiece in Siena's Cathedral, exemplifies early Italian Renaissance art with its depiction of the three Marys discovering Christ's empty tomb.This work is celebrated for its detailed storytelling and the introduction of a more naturalistic approach to sacred scenes.

Sil'vestr Feodosievič Ščedrin. 1791-1830. View of Mergellina. 1826. oil painting on canvas. cm 48 x 72. Stock Photo

RM2DKHB6B–Sil'vestr Feodosievič Ščedrin. 1791-1830. View of Mergellina. 1826. oil painting on canvas. cm 48 x 72.

'fine arts, Corot, Jean-Baptiste Camille, (1796 - 1875), painting, 'riders on the village road', Folkwang Museum, Essen, histo Stock Photo

RMA3XKWH–'fine arts, Corot, Jean-Baptiste Camille, (1796 - 1875), painting, 'riders on the village road', Folkwang Museum, Essen, histo

Frans Vervloet. 1795-1872 . View of the Gulf of Naples from Santa Lucia. 1832. oil painting on canvas. cm 52 x 76. Stock Photo

RM2DKHB72–Frans Vervloet. 1795-1872 . View of the Gulf of Naples from Santa Lucia. 1832. oil painting on canvas. cm 52 x 76.

Emile Zola (1840-1902). French writer. Engraving. 19th century. Artistic Ilustration, 1885, Spain. Later colouration. Stock Photo

RME8YRJG–Emile Zola (1840-1902). French writer. Engraving. 19th century. Artistic Ilustration, 1885, Spain. Later colouration.

Head of Breton, Study for Pardon 1868 by Jules Breton Stock Photo

RM2RAJRM5–Head of Breton, Study for Pardon 1868 by Jules Breton

RF2EM445W–Mother with child monument (Mutter Kind Denkmal Edmund Gomansky) Duftgarten in Friedrichshain

George Bellows, Portrait of Florence Pierce, painting in oil on canvas, 1914 Stock Photo

RM2T8DNNB–George Bellows, Portrait of Florence Pierce, painting in oil on canvas, 1914

Two girls laughing. Oil on canvas, painted in 1875 by Pere Borrell del Caso (1835-1910), Catalan painter. Museum of Modernism Barcelona. Stock Photo

RM2BKGPWW–Two girls laughing. Oil on canvas, painted in 1875 by Pere Borrell del Caso (1835-1910), Catalan painter. Museum of Modernism Barcelona.

RMBB1K97–School children fifth graders releasing trout they raised in class into a creek in Montgomery County upstate New York

It is in such works as The Sheepfold that Millet reveals his sympathy with the solitude of many phases of peasant life. Stock Photo

RFD0F5HD–It is in such works as The Sheepfold that Millet reveals his sympathy with the solitude of many phases of peasant life.

George Bellows, Frankie the Organ Boy, portrait painting in oil on canvas, 1907 Stock Photo

RM2T504WA–George Bellows, Frankie the Organ Boy, portrait painting in oil on canvas, 1907

RM2G4GJYR–. A mighty sea eagle dominates the right section, contrasting with the left screen where a series of waves vanish into the distance. Ganryo was a painter of the Kishi School, whose adherents sought to create a vibrant form of naturalism that communicated the essence of their subjects. His work is characterised by an almost agitated style of brushwork, as in the waves which rise from the surface of the sea like dragon’s claws.

George Bellows, Builders of Ships, painting in oil on canvas, 1916 Stock Photo

RM2JN51PA–George Bellows, Builders of Ships, painting in oil on canvas, 1916

Peacock and flowers right of a pair of Birds and Flowers, c. 1840, Nagasawa Roshū, Japanese, 1767-1847, 50 1/2 x 22 1/8 in. (128.27 x 56.2 cm) (image)76 x 27 3/4 in. (193.04 x 70.49 cm), Ink and color on silk, Japan, 19th century, Artists of the Maruyama School of painting combined Western realism with the indigenous penchant for decorative design to produce works of great naturalism and pleasing visual effect. Nagasawa Roshū, pupil of the progenitor of the school and adopted son of one of its leading masters, was himself a master of this style. Stock Photo

RM2T908J3–Peacock and flowers right of a pair of Birds and Flowers, c. 1840, Nagasawa Roshū, Japanese, 1767-1847, 50 1/2 x 22 1/8 in. (128.27 x 56.2 cm) (image)76 x 27 3/4 in. (193.04 x 70.49 cm), Ink and color on silk, Japan, 19th century, Artists of the Maruyama School of painting combined Western realism with the indigenous penchant for decorative design to produce works of great naturalism and pleasing visual effect. Nagasawa Roshū, pupil of the progenitor of the school and adopted son of one of its leading masters, was himself a master of this style.

This line engraving depicts Benedictus de Spinoza, a pioneering 17th-century philosopher known for his contributions to rationalism and biblical criticism. Stock Photo

RM2Y40JCH–This line engraving depicts Benedictus de Spinoza, a pioneering 17th-century philosopher known for his contributions to rationalism and biblical criticism.

Painting 'Saint Anthony the Hermit' by Italian early Renaissance painter Pietro Lorenzetti dated from the first half of the 14th century on display at the permanent exhibition of old masters of the National Gallery (Národní galerie) in Sternberg Palace (Šternberský palác) in Prague, Czech Republic. Stock Photo

RM2G76BE1–Painting 'Saint Anthony the Hermit' by Italian early Renaissance painter Pietro Lorenzetti dated from the first half of the 14th century on display at the permanent exhibition of old masters of the National Gallery (Národní galerie) in Sternberg Palace (Šternberský palác) in Prague, Czech Republic.

'An Anchorite', 17th century, Spanish School, Oil on canvas, 128 cm x 93 cm, P01116. Author: Jusepe de Ribera (1591-1652). Location: MUSEO DEL PRADO-PINTURA, MADRID, SPAIN. Stock Photo

RMP2JB66–'An Anchorite', 17th century, Spanish School, Oil on canvas, 128 cm x 93 cm, P01116. Author: Jusepe de Ribera (1591-1652). Location: MUSEO DEL PRADO-PINTURA, MADRID, SPAIN.

Bronze bust on grave tomb of French novelist playwright journalist Emile Zola, Montmartre Cemetery, Montmartre, Paris, France Stock Photo

RM2XC21R5–Bronze bust on grave tomb of French novelist playwright journalist Emile Zola, Montmartre Cemetery, Montmartre, Paris, France

. A short history of art . of this picture is also suggestiveof the Flemish school. Flanders, at that time, was closely connected with France,forming part of the possessions of the Duke of Burgundy,which extended south along the western bank of the Rhine.The Duchy was thus a connecting link between the Northand South, and Burgundian painters seem to have combinedthe naturalism of the North with Southern sentiment. This Pieta is probably the work of one of them who was settledin Avignon. Among the earliest names of painters appears that ofNicolas Froment, of Avignon. His work, which belongs tot Stock Photo

RM2CDGCJ1–. A short history of art . of this picture is also suggestiveof the Flemish school. Flanders, at that time, was closely connected with France,forming part of the possessions of the Duke of Burgundy,which extended south along the western bank of the Rhine.The Duchy was thus a connecting link between the Northand South, and Burgundian painters seem to have combinedthe naturalism of the North with Southern sentiment. This Pieta is probably the work of one of them who was settledin Avignon. Among the earliest names of painters appears that ofNicolas Froment, of Avignon. His work, which belongs tot

Game from Lake Geneva, 1852. Stock Photo

RM2TBKKGE–Game from Lake Geneva, 1852.

'fine arts, Corot, Jean-Baptiste Camille, (1796 - 1875), painting, 'the road in Avray', 1874, Gilbenkian Collection, Lisbon, h Stock Photo

RMA3XKTW–'fine arts, Corot, Jean-Baptiste Camille, (1796 - 1875), painting, 'the road in Avray', 1874, Gilbenkian Collection, Lisbon, h

Frans Vervloet. 1795-1872 . Largo di Castello towards the pier with preacher and Pulcinella. 1831. oil painting on canvas. cm 45.6 x 64.4. Stock Photo

RM2DKHBFH–Frans Vervloet. 1795-1872 . Largo di Castello towards the pier with preacher and Pulcinella. 1831. oil painting on canvas. cm 45.6 x 64.4.

Pantheism being studied, examined - under close inspection. Most important subjects and ideas closely related to pantheism written on a blackboard ins Stock Photo

RF2XY2BW5–Pantheism being studied, examined - under close inspection. Most important subjects and ideas closely related to pantheism written on a blackboard ins

Anton Sminck van Pitloo. 1790-1837. Chiaia beach seen from Margellina. 1829. oil painting on canvas. cm 53.5 x 76. Stock Photo

RM2DKHB6E–Anton Sminck van Pitloo. 1790-1837. Chiaia beach seen from Margellina. 1829. oil painting on canvas. cm 53.5 x 76.

RF2EM445X–Mother with child monument (Mutter Kind Denkmal Edmund Gomansky) Duftgarten in Friedrichshain

Giacinto Gigante. 1806-1876. Naples seen from the Conocchia. 1844. oil painting on canvas. cm 53 x 79. Stock Photo

RM2DKHB6D–Giacinto Gigante. 1806-1876. Naples seen from the Conocchia. 1844. oil painting on canvas. cm 53 x 79.

Émile François Zola, 1840 - 1902, a French writer and journalist, political caricature, 1882, by Alphonse Hector Colomb Stock Photo

RMDYPBD7–Émile François Zola, 1840 - 1902, a French writer and journalist, political caricature, 1882, by Alphonse Hector Colomb

Fifth grade students schoolchildren studying ecology of a stream in Montgomery County upstate New York Stock Photo

RMBB1GPH–Fifth grade students schoolchildren studying ecology of a stream in Montgomery County upstate New York

The wonderful capacity of Millet for portraying action is demonstrated to the full in this canvas titled Strawbinders. Stock Photo

RFD0F54W–The wonderful capacity of Millet for portraying action is demonstrated to the full in this canvas titled Strawbinders.

Roger Tory Peterson Institute Jamestown New York Chautauqua County Stock Photo

RMDRF8X9–Roger Tory Peterson Institute Jamestown New York Chautauqua County

Creative rabbit made from natural materials on pink background. Leaves form body and ears, twigs as whiskers, black beads for eyes, dandelion as tail, Stock Photo

RF2XP3XMN–Creative rabbit made from natural materials on pink background. Leaves form body and ears, twigs as whiskers, black beads for eyes, dandelion as tail,

Naturalism school Stock Photos and Images

Naturalism school Stock Photos and Images

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