Newsboys in New York, 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-newsboys-in-new-york-1892-48348711.html
RMCPJD7K–Newsboys in New York, 1892
Illustration showing General view of Brooklyn Bridge, New York. 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-showing-general-view-of-brooklyn-bridge-new-york-1892-image235259559.html
RMRJMYY3–Illustration showing General view of Brooklyn Bridge, New York. 1892
Old aerial view of New York with Jersey City and Haboken water front. By Parsons & Atwater, Ed. Currier & Yves, New York, 1892. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-old-aerial-view-of-new-york-with-jersey-city-and-haboken-water-front-146842769.html
RFJEW7CH–Old aerial view of New York with Jersey City and Haboken water front. By Parsons & Atwater, Ed. Currier & Yves, New York, 1892.
An Immigrant Ship nearing New York 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-immigrant-ship-nearing-new-york-1892-image501362830.html
RM2M3K1BA–An Immigrant Ship nearing New York 1892
Camera Work: The Asphalt Paver; New York, 1892. Alfred Stieglitz (American, 1864-1946). Photogravure Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/camera-work-the-asphalt-paver-new-york-1892-alfred-stieglitz-american-1864-1946-photogravure-image240462132.html
RMRY5YW8–Camera Work: The Asphalt Paver; New York, 1892. Alfred Stieglitz (American, 1864-1946). Photogravure
Inspired by Vase, Louis Comfort Tiffany, American, 1848–1933, Tiffany Glass and Decorating Company, New York, New York, 1892–1900, c.1895–96, Glass and bronze, Made in Corona, New York, United States, North and Central America, Containers, glassware, 23 1/8 x 9 1/4 in. (58.7 x 23.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-vase-louis-comfort-tiffany-american-18481933-tiffany-glass-and-decorating-company-new-york-new-york-18921900-c189596-glass-and-bronze-made-in-corona-new-york-united-states-north-and-central-america-containers-glassware-23-18-x-9-14-in-587-x-235-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459278780.html
RF2HK5XNG–Inspired by Vase, Louis Comfort Tiffany, American, 1848–1933, Tiffany Glass and Decorating Company, New York, New York, 1892–1900, c.1895–96, Glass and bronze, Made in Corona, New York, United States, North and Central America, Containers, glassware, 23 1/8 x 9 1/4 in. (58.7 x 23.5 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Aerial view of the Port of New York 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-aerial-view-of-the-port-of-new-york-1892-20303130.html
RMB50TRP–Aerial view of the Port of New York 1892
Frederick Childe Hassam- New Year Nocturne New York 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frederick-childe-hassam-new-year-nocturne-new-york-1892-image416070525.html
RF2F4WJ5H–Frederick Childe Hassam- New Year Nocturne New York 1892
Brooch. Culture: American. Dimensions: 3 1/8 × 2 3/4 in. (7.9 × 7 cm). Maker: Marcus and Co. (American, New York, 1892-1942). Date: ca. 1900. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/brooch-culture-american-dimensions-3-18-2-34-in-79-7-cm-maker-marcus-and-co-american-new-york-1892-1942-date-ca-1900-museum-metropolitan-museum-of-art-new-york-usa-image213146686.html
RMPANJNJ–Brooch. Culture: American. Dimensions: 3 1/8 × 2 3/4 in. (7.9 × 7 cm). Maker: Marcus and Co. (American, New York, 1892-1942). Date: ca. 1900. Museum: Metropolitan Museum of Art, New York, USA.
Hinds House Window c. 1900 maker Tiffany Glass & Decorating Company (America, New York, 1892–1902) Leaded glass . In this window commissioned for the Howell Hinds house around 1900, thousands of richly colored glass pieces have been arranged and layered to paint an idyllic three-dimensional scene that would have warmly glowed in the afternoon sunlight. Located at 2200 Overlook Road in Cleveland, Ohio, the house was demolished in 1930 in a similar fate as other nearby estates. Photographs show the placement of the window in the drawing room next to the fireplace as well as the opulent interiors Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hinds-house-window-c-1900-maker-tiffany-glass-decorating-company-america-new-york-18921902-leaded-glass-in-this-window-commissioned-for-the-howell-hinds-house-around-1900-thousands-of-richly-colored-glass-pieces-have-been-arranged-and-layered-to-paint-an-idyllic-three-dimensional-scene-that-would-have-warmly-glowed-in-the-afternoon-sunlight-located-at-2200-overlook-road-in-cleveland-ohio-the-house-was-demolished-in-1930-in-a-similar-fate-as-other-nearby-estates-photographs-show-the-placement-of-the-window-in-the-drawing-room-next-to-the-fireplace-as-well-as-the-opulent-interiors-image626231754.html
RM2YAR8YP–Hinds House Window c. 1900 maker Tiffany Glass & Decorating Company (America, New York, 1892–1902) Leaded glass . In this window commissioned for the Howell Hinds house around 1900, thousands of richly colored glass pieces have been arranged and layered to paint an idyllic three-dimensional scene that would have warmly glowed in the afternoon sunlight. Located at 2200 Overlook Road in Cleveland, Ohio, the house was demolished in 1930 in a similar fate as other nearby estates. Photographs show the placement of the window in the drawing room next to the fireplace as well as the opulent interiors
Camera Work: The Asphalt Paver; New York by Alfred Stieglitz, 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/camera-work-the-asphalt-paver-new-york-by-alfred-stieglitz-1892-image364239414.html
RM2C4GF2E–Camera Work: The Asphalt Paver; New York by Alfred Stieglitz, 1892
Favrile vase, Tiffany Glass and Decorating Co., New York, 1892, blown and molded iridescent glass Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/favrile-vase-tiffany-glass-and-decorating-co-new-york-1892-blown-and-molded-iridescent-glass-image329611018.html
RM2A47262–Favrile vase, Tiffany Glass and Decorating Co., New York, 1892, blown and molded iridescent glass
1159 Palmer's Theatre, previously and subsequently called Wallack's Theatre, 30th Street and Broadway, New York, 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1159-palmers-theatre-previously-and-subsequently-called-wallacks-theatre-30th-street-and-broadway-new-york-1892-image213537855.html
RMPBBDKY–1159 Palmer's Theatre, previously and subsequently called Wallack's Theatre, 30th Street and Broadway, New York, 1892
Seo Jp of Graduation to Columbia University in the City of New York 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-seo-jp-of-graduation-to-columbia-university-in-the-city-of-new-york-147674271.html
RMJG7413–Seo Jp of Graduation to Columbia University in the City of New York 1892
Childe Hassam - Rainy Day New York - 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/childe-hassam-rainy-day-new-york-1892-image634120960.html
RF2YRJKN4–Childe Hassam - Rainy Day New York - 1892
The Western Union Telegraph Company's buildings, Broadway and Dey Street, New York, 1892.Artist: Boudier Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-western-union-telegraph-companys-buildings-broadway-and-dey-street-new-york-1892artist-boudier-image262748987.html
RMW7D70B–The Western Union Telegraph Company's buildings, Broadway and Dey Street, New York, 1892.Artist: Boudier
Henry Walter Bates (1825-92) English naturalist and traveller; friend of Alfred Russell Wallace with whom he explored the Amazon 1848-59. Mimicry; Polymorphism. Wood engraving New York, 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henry-walter-bates-1825-92-english-naturalist-and-traveller-friend-of-alfred-russell-wallace-with-whom-he-explored-the-amazon-1848-59-mimicry-polymorphism-wood-engraving-new-york-1892-image257299953.html
RMTXH0M1–Henry Walter Bates (1825-92) English naturalist and traveller; friend of Alfred Russell Wallace with whom he explored the Amazon 1848-59. Mimicry; Polymorphism. Wood engraving New York, 1892
New York, New York 1892 A grand birds eye view of the Great East River suspension bridge connecting the cities of New York & Brooklyn and showing also the splendid panorama of the bay and the port of New York. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-york-new-york-1892-a-grand-birds-eye-view-of-the-great-east-river-suspension-bridge-connecting-the-cities-of-new-york-brooklyn-and-showing-also-the-splendid-panorama-of-the-bay-and-the-port-of-new-york-image614371325.html
RM2XKF0W1–New York, New York 1892 A grand birds eye view of the Great East River suspension bridge connecting the cities of New York & Brooklyn and showing also the splendid panorama of the bay and the port of New York.
Vintage poster suitable for an Easter advertisement. 'Early birds' feat. a girl with a rooster pop out of a paper wall. New York 1892. Artist unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-poster-suitable-for-an-easter-advertisement-early-birds-feat-a-girl-with-a-rooster-pop-out-of-a-paper-wall-new-york-1892-artist-unknown-image438363911.html
RM2GD55HY–Vintage poster suitable for an Easter advertisement. 'Early birds' feat. a girl with a rooster pop out of a paper wall. New York 1892. Artist unknown.
ALEXANDER GRAHAM BELL in New York in 1892 demonstrating making a telephone call to Chicago Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-alexander-graham-bell-in-new-york-in-1892-demonstrating-making-a-telephone-11565169.html
RMA6FXPX–ALEXANDER GRAHAM BELL in New York in 1892 demonstrating making a telephone call to Chicago
Henry Walter Bates (1825-1892) English naturalist and traveller; friend of Alfred Russell Wallace with whom he explored the Amazon 1848-59. Mimicry; Polymorphism. Wood engraving New York, 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-henry-walter-bates-1825-1892-english-naturalist-and-traveller-friend-57303217.html
RMD96ARD–Henry Walter Bates (1825-1892) English naturalist and traveller; friend of Alfred Russell Wallace with whom he explored the Amazon 1848-59. Mimicry; Polymorphism. Wood engraving New York, 1892
Old bird-eye view of the port of New York from the battery. Publ. Currier & Ives, New York, 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-old-bird-eye-view-of-the-port-of-new-york-from-the-battery-publ-currier-146842891.html
RFJEW7GY–Old bird-eye view of the port of New York from the battery. Publ. Currier & Ives, New York, 1892
Russian Emigrants landing in New York, 1892. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/russian-emigrants-landing-in-new-york-1892-image501362998.html
RM2M3K1HA–Russian Emigrants landing in New York, 1892.
Elevated rail road New York., 1892, New York (State), New York (N.Y Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elevated-rail-road-new-york-1892-new-york-state-new-york-ny-image376480143.html
RM2CTE47B–Elevated rail road New York., 1892, New York (State), New York (N.Y
Art inspired by Vase, Louis Comfort Tiffany, American, 1848-1933, Tiffany Glass and Decorating Company, New York, New York, 1892-1900, c.1895-96, Glass and bronze, Made in Corona, New York, United States, North and Central America, Containers, glassware, 23 1/8 x 9 1/4 in. (58.7 x 23.5, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-vase-louis-comfort-tiffany-american-1848-1933-tiffany-glass-and-decorating-company-new-york-new-york-1892-1900-c1895-96-glass-and-bronze-made-in-corona-new-york-united-states-north-and-central-america-containers-glassware-23-18-x-9-14-in-587-x-235-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459590890.html
RF2HKM4TA–Art inspired by Vase, Louis Comfort Tiffany, American, 1848-1933, Tiffany Glass and Decorating Company, New York, New York, 1892-1900, c.1895-96, Glass and bronze, Made in Corona, New York, United States, North and Central America, Containers, glassware, 23 1/8 x 9 1/4 in. (58.7 x 23.5, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Colton's road map of Ulster County, state of New York 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coltons-road-map-of-ulster-county-state-of-new-york-1892-image633224663.html
RM2YP5TEF–Colton's road map of Ulster County, state of New York 1892
Frederick Childe Hassam - New Year Nocturne New York 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frederick-childe-hassam-new-year-nocturne-new-york-1892-image256636808.html
RMTWEPT8–Frederick Childe Hassam - New Year Nocturne New York 1892
Two-handled Footed Dish. Culture: American. Dimensions: 4 1/4 x 17 in. (10.8 x 43.2 cm). Maker: Marcus and Co. (American, New York, 1892-1942). Date: ca. 1910. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-handled-footed-dish-culture-american-dimensions-4-14-x-17-in-108-x-432-cm-maker-marcus-and-co-american-new-york-1892-1942-date-ca-1910-museum-metropolitan-museum-of-art-new-york-usa-image212862407.html
RMPA8M4R–Two-handled Footed Dish. Culture: American. Dimensions: 4 1/4 x 17 in. (10.8 x 43.2 cm). Maker: Marcus and Co. (American, New York, 1892-1942). Date: ca. 1910. Museum: Metropolitan Museum of Art, New York, USA.
William A. Fraser. Wet Night, Columbus Circle, New York. 1892–1902. United States. Photogravure, No. 11 from the portfolio American Pictorial Photography, Series I (1899); edition 146/150 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-a-fraser-wet-night-columbus-circle-new-york-18921902-united-states-photogravure-no-11-from-the-portfolio-american-pictorial-photography-series-i-1899-edition-146150-image337919841.html
RM2AHNG5N–William A. Fraser. Wet Night, Columbus Circle, New York. 1892–1902. United States. Photogravure, No. 11 from the portfolio American Pictorial Photography, Series I (1899); edition 146/150
Vase, 1893. Louis Comfort Tiffany (American, 1848-1933), made by Tiffany Glass & Decorating Company (American, New York, 1892–1902). Favrile glass; overall: 13.7 x 10.1 cm (5 3/8 x 4 in.). This small vase is made of Louis Comfort Tiffany's signature Favrile glass. Early on when Tiffany began collaborating with glass artists on new types of production, his aesthetic ambitions were realized in the development of Favrile glass, deliberately named to sound French, expensive, and “handmade.” Largely through Tiffany's marketing ability, Favrile glass became America’s greatest contribution to the Ar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vase-1893-louis-comfort-tiffany-american-1848-1933-made-by-tiffany-glass-decorating-company-american-new-york-18921902-favrile-glass-overall-137-x-101-cm-5-38-x-4-in-this-small-vase-is-made-of-louis-comfort-tiffanys-signature-favrile-glass-early-on-when-tiffany-began-collaborating-with-glass-artists-on-new-types-of-production-his-aesthetic-ambitions-were-realized-in-the-development-of-favrile-glass-deliberately-named-to-sound-french-expensive-and-handmade-largely-through-tiffanys-marketing-ability-favrile-glass-became-americas-greatest-contribution-to-the-ar-image448067658.html
RM2H0Y6TA–Vase, 1893. Louis Comfort Tiffany (American, 1848-1933), made by Tiffany Glass & Decorating Company (American, New York, 1892–1902). Favrile glass; overall: 13.7 x 10.1 cm (5 3/8 x 4 in.). This small vase is made of Louis Comfort Tiffany's signature Favrile glass. Early on when Tiffany began collaborating with glass artists on new types of production, his aesthetic ambitions were realized in the development of Favrile glass, deliberately named to sound French, expensive, and “handmade.” Largely through Tiffany's marketing ability, Favrile glass became America’s greatest contribution to the Ar
Ellis Island. Immigration depot since 1892, where all immigrants are landed and examined before being admitted to this country.… Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-ellis-island-immigration-depot-since-1892-where-all-immigrants-are-161375125.html
RFKAF7H9–Ellis Island. Immigration depot since 1892, where all immigrants are landed and examined before being admitted to this country.…
English: Exhibit in the Krannert Art Museum, University of Illinois at Urbana-Champaign - Urbana-Champaign, Illinois, USA. This work is old enough so that it is in the . 15 June 2015, 13:11:48 157 Favrile vase, Tiffany Glass and Decorating Co., New York, 1892, blown and molded iridescent glass - Krannert Art Museum, UIUC - DSC06564 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-exhibit-in-the-krannert-art-museum-university-of-illinois-at-urbana-champaign-urbana-champaign-illinois-usa-this-work-is-old-enough-so-that-it-is-in-the-15-june-2015-131148-157-favrile-vase-tiffany-glass-and-decorating-co-new-york-1892-blown-and-molded-iridescent-glass-krannert-art-museum-uiuc-dsc06564-image211322757.html
RMP7PG99–English: Exhibit in the Krannert Art Museum, University of Illinois at Urbana-Champaign - Urbana-Champaign, Illinois, USA. This work is old enough so that it is in the . 15 June 2015, 13:11:48 157 Favrile vase, Tiffany Glass and Decorating Co., New York, 1892, blown and molded iridescent glass - Krannert Art Museum, UIUC - DSC06564
Favrile vase, Tiffany Glass and Decorating Co , New York, 1892, blown and molded iridescent glass Krannert Art Museum, UIUC DSC06564 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/favrile-vase-tiffany-glass-and-decorating-co-new-york-1892-blown-and-image153159283.html
RMJW506B–Favrile vase, Tiffany Glass and Decorating Co , New York, 1892, blown and molded iridescent glass Krannert Art Museum, UIUC DSC06564
Alexander Graham Bell telephone. Photograph of the Scottish born inventor of the first practical telephone, Alexander Graham Bell (1847-1922), at the opening of the New York and Chicago telephone line in October 1892. Photograph by E J Holmes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-graham-bell-telephone-photograph-of-the-scottish-born-inventor-of-the-first-practical-telephone-alexander-graham-bell-1847-1922-at-the-opening-of-the-new-york-and-chicago-telephone-line-in-october-1892-photograph-by-e-j-holmes-image546846170.html
RM2PNJYTA–Alexander Graham Bell telephone. Photograph of the Scottish born inventor of the first practical telephone, Alexander Graham Bell (1847-1922), at the opening of the New York and Chicago telephone line in October 1892. Photograph by E J Holmes.
Frederick Childe Hassam - Rainy Day - New York - 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frederick-childe-hassam-rainy-day-new-york-1892-image452141717.html
RF2H7GRAD–Frederick Childe Hassam - Rainy Day - New York - 1892
The Kindergarten - New York City, circa 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-kindergarten-new-york-city-circa-1892-image369465333.html
RM2CD2GPD–The Kindergarten - New York City, circa 1892
Camera Work: The Asphalt Paver; New York, 1892. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/camera-work-the-asphalt-paver-new-york-1892-image330081212.html
RM2A50DXM–Camera Work: The Asphalt Paver; New York, 1892.
Camille Pissarro - Two Young Peasant Women - 1892 - MET Museum - New-York Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-camille-pissarro-two-young-peasant-women-1892-met-museum-new-york-71187213.html
RME3PT0D–Camille Pissarro - Two Young Peasant Women - 1892 - MET Museum - New-York
John Singer Sargent, Self-portrait 1892 Oil on canvas, National Academy Museum and School, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-singer-sargent-self-portrait-1892-oil-on-canvas-national-academy-museum-and-school-new-york-usa-image220909306.html
RMPRB822–John Singer Sargent, Self-portrait 1892 Oil on canvas, National Academy Museum and School, New York, USA.
Illustration showing Worthington compound pumping engine for raising water. New York, 1892. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-showing-worthington-compound-pumping-engine-for-raising-water-new-york-1892-image235259878.html
RMRJN0AE–Illustration showing Worthington compound pumping engine for raising water. New York, 1892.
Old aerial view of Washington D.C., from the Potomac. Currier & Yves, New York, 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-old-aerial-view-of-washington-dc-from-the-potomac-currier-yves-new-146843610.html
RFJEW8EJ–Old aerial view of Washington D.C., from the Potomac. Currier & Yves, New York, 1892
Bell at the opening of the long-distance line from New York to Chicago in 1892. Alexander Graham Bell, 1847 –1922. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bell-at-the-opening-of-the-long-distance-line-from-new-york-to-chicago-75278256.html
RMEAD654–Bell at the opening of the long-distance line from New York to Chicago in 1892. Alexander Graham Bell, 1847 –1922.
Image 37 of Sanborn Fire Insurance Map from Syracuse, Onondaga County, New York. 1892 Vol. 2. 88 Sheet(s). Bound, America, street map with a Nineteenth Century compass Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/image-37-of-sanborn-fire-insurance-map-from-syracuse-onondaga-county-new-york-1892-vol-2-88-sheets-bound-america-street-map-with-a-nineteenth-century-compass-image344701331.html
RM2B0PE1R–Image 37 of Sanborn Fire Insurance Map from Syracuse, Onondaga County, New York. 1892 Vol. 2. 88 Sheet(s). Bound, America, street map with a Nineteenth Century compass
Art inspired by Spoon, 1906, Made in New York, United States, American, Silver, pearls, Spoon: 6 7/8 in. (17.5 cm), Silver, Marcus and Co. (American, New York, 1892–1942, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-spoon-1906-made-in-new-york-united-states-american-silver-pearls-spoon-6-78-in-175-cm-silver-marcus-and-co-american-new-york-18921942-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462898684.html
RF2HW2RYT–Art inspired by Spoon, 1906, Made in New York, United States, American, Silver, pearls, Spoon: 6 7/8 in. (17.5 cm), Silver, Marcus and Co. (American, New York, 1892–1942, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A New Year's Nocturne, New York 1892 by Childe Hassam Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-new-years-nocturne-new-york-1892-by-childe-hassam-image558173413.html
RM2RC2YTN–A New Year's Nocturne, New York 1892 by Childe Hassam
Bell 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bell-1892-56732245.html
RMD88AFH–Bell 1892
Brooch. Culture: American. Dimensions: 1 1/16 x 2 9/16 in. (2.7 x 6.5 cm). Maker: Marcus and Co. (American, New York, 1892-1942). Date: ca. 1900. Late nineteenth-century American jewelers incorporated a variety of colored stones into their designs. Sapphires from mines in Montana were much admired, as were other native gems, such as tourmalines, aquamarines, garnets, and peridots. A large, cushion-shaped peridot appears at the center of this gold brooch, accompanied by diamonds, pearls, and green enamel. This beautifully crafted piece reflects the Renaissance Revival style that became fashio Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/brooch-culture-american-dimensions-1-116-x-2-916-in-27-x-65-cm-maker-marcus-and-co-american-new-york-1892-1942-date-ca-1900-late-nineteenth-century-american-jewelers-incorporated-a-variety-of-colored-stones-into-their-designs-sapphires-from-mines-in-montana-were-much-admired-as-were-other-native-gems-such-as-tourmalines-aquamarines-garnets-and-peridots-a-large-cushion-shaped-peridot-appears-at-the-center-of-this-gold-brooch-accompanied-by-diamonds-pearls-and-green-enamel-this-beautifully-crafted-piece-reflects-the-renaissance-revival-style-that-became-fashio-image213423045.html
RMPB677H–Brooch. Culture: American. Dimensions: 1 1/16 x 2 9/16 in. (2.7 x 6.5 cm). Maker: Marcus and Co. (American, New York, 1892-1942). Date: ca. 1900. Late nineteenth-century American jewelers incorporated a variety of colored stones into their designs. Sapphires from mines in Montana were much admired, as were other native gems, such as tourmalines, aquamarines, garnets, and peridots. A large, cushion-shaped peridot appears at the center of this gold brooch, accompanied by diamonds, pearls, and green enamel. This beautifully crafted piece reflects the Renaissance Revival style that became fashio
The Columbian Celebration, 1892. Pontifical high mass at Saint Patrick 's Cathedral, New York. Late nineteenth century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-columbian-celebration-1892-pontifical-high-mass-at-saint-patrick-83329224.html
RMERFY7M–The Columbian Celebration, 1892. Pontifical high mass at Saint Patrick 's Cathedral, New York. Late nineteenth century
Vase, c. 1900. Tiffany Glass & Decorating Company (American, New York, 1892–1902), Siegfried Bing (German, active in France, 1838–1905). Favrile glass, silver mount; 13 x 11.5 cm (5 1/8 x 4 1/2 in.). This small vase is made of Louis Comfort Tiffany's signature Favrile glass. Early on when Tiffany began collaborating with glass artists on new types of production, his aesthetic ambitions were realized in the development of Favrile glass, deliberately named to sound French, expensive, and “handmade.” Largely through Tiffany's marketing ability, Favrile glass became America’s greatest contributio Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vase-c-1900-tiffany-glass-decorating-company-american-new-york-18921902-siegfried-bing-german-active-in-france-18381905-favrile-glass-silver-mount-13-x-115-cm-5-18-x-4-12-in-this-small-vase-is-made-of-louis-comfort-tiffanys-signature-favrile-glass-early-on-when-tiffany-began-collaborating-with-glass-artists-on-new-types-of-production-his-aesthetic-ambitions-were-realized-in-the-development-of-favrile-glass-deliberately-named-to-sound-french-expensive-and-handmade-largely-through-tiffanys-marketing-ability-favrile-glass-became-americas-greatest-contributio-image448079814.html
RM2H0YPAE–Vase, c. 1900. Tiffany Glass & Decorating Company (American, New York, 1892–1902), Siegfried Bing (German, active in France, 1838–1905). Favrile glass, silver mount; 13 x 11.5 cm (5 1/8 x 4 1/2 in.). This small vase is made of Louis Comfort Tiffany's signature Favrile glass. Early on when Tiffany began collaborating with glass artists on new types of production, his aesthetic ambitions were realized in the development of Favrile glass, deliberately named to sound French, expensive, and “handmade.” Largely through Tiffany's marketing ability, Favrile glass became America’s greatest contributio
Favrile vase, Tiffany Glass and Decorating Co , New York, 1892, blown and molded iridescent glass Krannert Art Museum, UIUC DSC06564 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/favrile-vase-tiffany-glass-and-decorating-co-new-york-1892-blown-and-image153772794.html
RMJX4XNE–Favrile vase, Tiffany Glass and Decorating Co , New York, 1892, blown and molded iridescent glass Krannert Art Museum, UIUC DSC06564
VANITY FAIR SPY CARTOON Charles Willie Mathews 'He can marshal evidence' 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vanity-fair-spy-cartoon-charles-willie-mathews-he-can-marshal-evidence-1892-image610595041.html
RF2XDB05N–VANITY FAIR SPY CARTOON Charles Willie Mathews 'He can marshal evidence' 1892
New York City,Ellis Island Main building interior immigrant depot 1892 to 1954 interior NY108,NY108 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-york-cityellis-island-main-building-interior-immigrant-depot-1892-image1846225.html
RMA0JBD2–New York City,Ellis Island Main building interior immigrant depot 1892 to 1954 interior NY108,NY108
The Florence street mission building in New York City, circa 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-florence-street-mission-building-in-new-york-city-circa-1892-image368470265.html
RM2CBD7G9–The Florence street mission building in New York City, circa 1892
The main Immigration Building on Ellis Island in New York City Harbour, where between 1892 until 1954 nearly 12 million people passed through its gates and dispersed across the United States, in the greatest wave of mass migration the world has ever known. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-main-immigration-building-on-ellis-island-in-new-york-city-harbour-109277985.html
RMG9P155–The main Immigration Building on Ellis Island in New York City Harbour, where between 1892 until 1954 nearly 12 million people passed through its gates and dispersed across the United States, in the greatest wave of mass migration the world has ever known.
R. Lindley Murray - Robert Lindley Murray (November 3, 1892 - January 17, 1970) was an American male tennis player. Murray was born in San Francisco, California, United States and died in Lewiston Heights, New York. Grand Slam record. U.S. Championships. Singles champion: 1917, 1918.. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/r-lindley-murray-robert-lindley-murray-november-3-1892-january-17-1970-was-an-american-male-tennis-player-murray-was-born-in-san-francisco-california-united-states-and-died-in-lewiston-heights-new-york-grand-slam-record-us-championships-singles-champion-1917-1918-image268856296.html
RMWHBCXG–R. Lindley Murray - Robert Lindley Murray (November 3, 1892 - January 17, 1970) was an American male tennis player. Murray was born in San Francisco, California, United States and died in Lewiston Heights, New York. Grand Slam record. U.S. Championships. Singles champion: 1917, 1918..
Paul Gauguin, The Seed of the Areoi 1892 Oil on canvas. The Museum of Modern Art, New York City Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-paul-gauguin-the-seed-of-the-areoi-1892-oil-on-canvas-the-museum-of-54082262.html
RMD3YJDA–Paul Gauguin, The Seed of the Areoi 1892 Oil on canvas. The Museum of Modern Art, New York City
Illustration showing Sectional view of Worthington compound pumping engine for raising water. New York, 1892. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-showing-sectional-view-of-worthington-compound-pumping-engine-for-raising-water-new-york-1892-image235259874.html
RMRJN0AA–Illustration showing Sectional view of Worthington compound pumping engine for raising water. New York, 1892.
Paul Gauguin (1848-1903). French painter. The Siesta. 1892-94. Oil on canvas. Metropolitan Museum of Art. NY. USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-paul-gauguin-1848-1903-french-painter-the-siesta-1892-94-oil-on-canvas-85634726.html
RMEY8YY2–Paul Gauguin (1848-1903). French painter. The Siesta. 1892-94. Oil on canvas. Metropolitan Museum of Art. NY. USA.
Interior of the Market Arcade designed by Edward B. Green built in 1892 in the city of Buffalo New York United States Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-interior-of-the-market-arcade-designed-by-edward-b-green-built-in-59482654.html
RMDCNJME–Interior of the Market Arcade designed by Edward B. Green built in 1892 in the city of Buffalo New York United States
Image 17 of Sanborn Fire Insurance Map from Syracuse, Onondaga County, New York. 1892 Vol. 1. 78 Sheet(s). Bound, America, street map with a Nineteenth Century compass Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/image-17-of-sanborn-fire-insurance-map-from-syracuse-onondaga-county-new-york-1892-vol-1-78-sheets-bound-america-street-map-with-a-nineteenth-century-compass-image344701002.html
RM2B0PDJ2–Image 17 of Sanborn Fire Insurance Map from Syracuse, Onondaga County, New York. 1892 Vol. 1. 78 Sheet(s). Bound, America, street map with a Nineteenth Century compass
Art inspired by Porringer, 1906, Made in New York, United States, American, Silver, pearls, Porringer: 1 3/4 x 6 1/4 in. (4.4 x 15.9 cm), Silver, Marcus and Co. (American, New York, 1892–1942, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-porringer-1906-made-in-new-york-united-states-american-silver-pearls-porringer-1-34-x-6-14-in-44-x-159-cm-silver-marcus-and-co-american-new-york-18921942-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462864198.html
RF2HW1806–Art inspired by Porringer, 1906, Made in New York, United States, American, Silver, pearls, Porringer: 1 3/4 x 6 1/4 in. (4.4 x 15.9 cm), Silver, Marcus and Co. (American, New York, 1892–1942, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Tuxedo Park, Orange Co., New York, 1892 1892 by Washburn, Fred Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tuxedo-park-orange-co-new-york-1892-1892-by-washburn-fred-image633222941.html
RM2YP5P91–Tuxedo Park, Orange Co., New York, 1892 1892 by Washburn, Fred
Completed in 1911 26 years after construction the Cathedral began in 1892 the Choir High Altar's architectural style is Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-completed-in-1911-26-years-after-construction-the-cathedral-began-70024774.html
RME1WW8P–Completed in 1911 26 years after construction the Cathedral began in 1892 the Choir High Altar's architectural style is
Pendant. Culture: American. Dimensions: 3/4 x 1 1/4 in. (1.9 x 3.2 cm). Maker: Marcus and Co. (American, New York, 1892-1942). Date: 1891-1902. 'Although diamond jewelry was especially revered, late nineteenth-century Americans became increasingly interested in colored stones, both precious and semiprecious. The publication in 1890 of George Kunz's 'Gems and Precious Stones of North America' heightened interest in such native American gems as tourmaline, opal, moonstone, and turquoise. By mounting an oval cabochon turquoise in a cage of yellow gold, Marcus & Company transformed a gemstone min Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pendant-culture-american-dimensions-34-x-1-14-in-19-x-32-cm-maker-marcus-and-co-american-new-york-1892-1942-date-1891-1902-although-diamond-jewelry-was-especially-revered-late-nineteenth-century-americans-became-increasingly-interested-in-colored-stones-both-precious-and-semiprecious-the-publication-in-1890-of-george-kunzs-gems-and-precious-stones-of-north-america-heightened-interest-in-such-native-american-gems-as-tourmaline-opal-moonstone-and-turquoise-by-mounting-an-oval-cabochon-turquoise-in-a-cage-of-yellow-gold-marcus-company-transformed-a-gemstone-min-image212884056.html
RMPA9KP0–Pendant. Culture: American. Dimensions: 3/4 x 1 1/4 in. (1.9 x 3.2 cm). Maker: Marcus and Co. (American, New York, 1892-1942). Date: 1891-1902. 'Although diamond jewelry was especially revered, late nineteenth-century Americans became increasingly interested in colored stones, both precious and semiprecious. The publication in 1890 of George Kunz's 'Gems and Precious Stones of North America' heightened interest in such native American gems as tourmaline, opal, moonstone, and turquoise. By mounting an oval cabochon turquoise in a cage of yellow gold, Marcus & Company transformed a gemstone min
Portrait of Rose Caron, Edgar Degas, circa 1892, Albright-Knox Art Gallery, Buffalo, New York, USA, North America Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-rose-caron-edgar-degas-circa-1892-albright-knox-art-gallery-buffalo-new-york-usa-north-america-image212464624.html
RMP9JGP8–Portrait of Rose Caron, Edgar Degas, circa 1892, Albright-Knox Art Gallery, Buffalo, New York, USA, North America
Vase, c. 1900-1902. Louis Comfort Tiffany (American, 1848-1933), Tiffany Glass & Decorating Company (American, New York, 1892–1902). Favrile glass; overall: 16.5 x 8.3 cm (6 1/2 x 3 1/4 in.). This small vase is made of Louis Comfort Tiffany's signature Favrile glass. Early on when Tiffany began collaborating with glass artists on new types of production, his aesthetic ambitions were realized in the development of Favrile glass, deliberately named to sound French, expensive, and “handmade.” Largely through Tiffany's marketing ability, Favrile glass became America’s greatest contribution to the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vase-c-1900-1902-louis-comfort-tiffany-american-1848-1933-tiffany-glass-decorating-company-american-new-york-18921902-favrile-glass-overall-165-x-83-cm-6-12-x-3-14-in-this-small-vase-is-made-of-louis-comfort-tiffanys-signature-favrile-glass-early-on-when-tiffany-began-collaborating-with-glass-artists-on-new-types-of-production-his-aesthetic-ambitions-were-realized-in-the-development-of-favrile-glass-deliberately-named-to-sound-french-expensive-and-handmade-largely-through-tiffanys-marketing-ability-favrile-glass-became-americas-greatest-contribution-to-the-image448067640.html
RM2H0Y6RM–Vase, c. 1900-1902. Louis Comfort Tiffany (American, 1848-1933), Tiffany Glass & Decorating Company (American, New York, 1892–1902). Favrile glass; overall: 16.5 x 8.3 cm (6 1/2 x 3 1/4 in.). This small vase is made of Louis Comfort Tiffany's signature Favrile glass. Early on when Tiffany began collaborating with glass artists on new types of production, his aesthetic ambitions were realized in the development of Favrile glass, deliberately named to sound French, expensive, and “handmade.” Largely through Tiffany's marketing ability, Favrile glass became America’s greatest contribution to the
Cotton textile panel of Tabby's Kittens, meant to be cut and sewn into stuffed toys. Sewing instructions are printed on the upper left and lower right sides. Date 1892. The Ithaca Kitty, originally known as The Tabby Cat, was a popular stuffed toy in the United States and started a fad for plush toys that lasted from its introduction in 1892 until after World War I. Inspired by a cat from Ithaca, new York, a patented Tabby Cat design was sold on half a yard of muslin for ten cents each. Nearly 200,000 were sold the first holiday season. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cotton-textile-panel-of-tabbys-kittens-meant-to-be-cut-and-sewn-into-stuffed-toys-sewing-instructions-are-printed-on-the-upper-left-and-lower-right-sides-date-1892-the-ithaca-kitty-originally-known-as-the-tabby-cat-was-a-popular-stuffed-toy-in-the-united-states-and-started-a-fad-for-plush-toys-that-lasted-from-its-introduction-in-1892-until-after-world-war-i-inspired-by-a-cat-from-ithaca-new-york-a-patented-tabby-cat-design-was-sold-on-half-a-yard-of-muslin-for-ten-cents-each-nearly-200000-were-sold-the-first-holiday-season-image526961612.html
RM2NH94WG–Cotton textile panel of Tabby's Kittens, meant to be cut and sewn into stuffed toys. Sewing instructions are printed on the upper left and lower right sides. Date 1892. The Ithaca Kitty, originally known as The Tabby Cat, was a popular stuffed toy in the United States and started a fad for plush toys that lasted from its introduction in 1892 until after World War I. Inspired by a cat from Ithaca, new York, a patented Tabby Cat design was sold on half a yard of muslin for ten cents each. Nearly 200,000 were sold the first holiday season.
New York, New York State, United States of America. Statue in Central Park of Italian explorer Christopher Columbus, 1451-1506. An 1892 replica afte Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-new-york-new-york-state-united-states-of-america-statue-in-central-171385782.html
RMKXR88P–New York, New York State, United States of America. Statue in Central Park of Italian explorer Christopher Columbus, 1451-1506. An 1892 replica afte
Henrik Hudson entering New York Harbor, September 11, 1609 by the English born American artist, Edward Moran (1829-1901), oil on canvas, 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henrik-hudson-entering-new-york-harbor-september-11-1609-by-the-english-born-american-artist-edward-moran-1829-1901-oil-on-canvas-1892-image443269876.html
RM2GN4K70–Henrik Hudson entering New York Harbor, September 11, 1609 by the English born American artist, Edward Moran (1829-1901), oil on canvas, 1892
TypicalA typical tenement house backyard, New York City, circa 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/typicala-typical-tenement-house-backyard-new-york-city-circa-1892-image368470304.html
RM2CBD7HM–TypicalA typical tenement house backyard, New York City, circa 1892
St. Martin's Chapel, Cathedral of St. John the Divine, New York, in 1920s. The Cathedral of Saint John the Divine is the cathedral of the Episcopal Diocese of New York. It is located in New York City at 1047 Amsterdam Avenue between West 110th Street and 113th Street in Manhattan's Morningside Heights neighborhood. Designed in 1888 and begun in 1892, the cathedral has undergone radical stylistic changes and interruption of construction by the two World Wars. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/st-martins-chapel-cathedral-of-st-john-the-divine-new-york-in-1920s-the-cathedral-of-saint-john-the-divine-is-the-cathedral-of-the-episcopal-diocese-of-new-york-it-is-located-in-new-york-city-at-1047-amsterdam-avenue-between-west-110th-street-and-113th-street-in-manhattans-morningside-heights-neighborhood-designed-in-1888-and-begun-in-1892-the-cathedral-has-undergone-radical-stylistic-changes-and-interruption-of-construction-by-the-two-world-wars-image261765971.html
RMW5TD4K–St. Martin's Chapel, Cathedral of St. John the Divine, New York, in 1920s. The Cathedral of Saint John the Divine is the cathedral of the Episcopal Diocese of New York. It is located in New York City at 1047 Amsterdam Avenue between West 110th Street and 113th Street in Manhattan's Morningside Heights neighborhood. Designed in 1888 and begun in 1892, the cathedral has undergone radical stylistic changes and interruption of construction by the two World Wars.
R. Lindley Murray - Robert Lindley Murray (November 3, 1892 - January 17, 1970) was an American male tennis player. Murray was born in San Francisco, California, United States and died in Lewiston Heights, New York. Grand Slam record. U.S. Championships. Singles champion: 1917, 1918.. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/r-lindley-murray-robert-lindley-murray-november-3-1892-january-17-1970-was-an-american-male-tennis-player-murray-was-born-in-san-francisco-california-united-states-and-died-in-lewiston-heights-new-york-grand-slam-record-us-championships-singles-champion-1917-1918-image268856744.html
RMWHBDEG–R. Lindley Murray - Robert Lindley Murray (November 3, 1892 - January 17, 1970) was an American male tennis player. Murray was born in San Francisco, California, United States and died in Lewiston Heights, New York. Grand Slam record. U.S. Championships. Singles champion: 1917, 1918..
Paul Cezanne, Seated Peasant 1892-1896 Oil on canvas. Metropolitan Museum of Art, New York City, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-paul-cezanne-seated-peasant-1892-1896-oil-on-canvas-metropolitan-museum-53914123.html
RMD3M00B–Paul Cezanne, Seated Peasant 1892-1896 Oil on canvas. Metropolitan Museum of Art, New York City, USA
Hollerith electric tabulator. The sorting box. From Park Benjamin Modern Mechanism, London and New York, 1892. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hollerith-electric-tabulator-the-sorting-box-from-park-benjamin-modern-mechanism-london-and-new-york-1892-image481926415.html
RM2K01J1K–Hollerith electric tabulator. The sorting box. From Park Benjamin Modern Mechanism, London and New York, 1892.
Paul Gauguin (1848-1903). French painter. Tahitian Landscape, 1892. Oil on canvas. Metropolitan Museum of Art. Ny. USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-paul-gauguin-1848-1903-french-painter-tahitian-landscape-1892-oil-85630763.html
RMEY8PWF–Paul Gauguin (1848-1903). French painter. Tahitian Landscape, 1892. Oil on canvas. Metropolitan Museum of Art. Ny. USA.
Interior of the Market Arcade designed by Edward B. Green built in 1892 in the city of Buffalo New York United States Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-interior-of-the-market-arcade-designed-by-edward-b-green-built-in-59482667.html
RMDCNJMY–Interior of the Market Arcade designed by Edward B. Green built in 1892 in the city of Buffalo New York United States
Image 4 of Sanborn Fire Insurance Map from Syracuse, Onondaga County, New York. 1892 Vol. 1. 78 Sheet(s). Bound, America, street map with a Nineteenth Century compass Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/image-4-of-sanborn-fire-insurance-map-from-syracuse-onondaga-county-new-york-1892-vol-1-78-sheets-bound-america-street-map-with-a-nineteenth-century-compass-image344700957.html
RM2B0PDGD–Image 4 of Sanborn Fire Insurance Map from Syracuse, Onondaga County, New York. 1892 Vol. 1. 78 Sheet(s). Bound, America, street map with a Nineteenth Century compass
Art inspired by Two-handled Footed Dish, ca. 1910, Made in New York, New York, United States, American, Silver, 4 1/4 x 17 in. (10.8 x 43.2 cm), Silver, Marcus and Co. (American, New York, 1892–1942, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-two-handled-footed-dish-ca-1910-made-in-new-york-new-york-united-states-american-silver-4-14-x-17-in-108-x-432-cm-silver-marcus-and-co-american-new-york-18921942-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462898608.html
RF2HW2RW4–Art inspired by Two-handled Footed Dish, ca. 1910, Made in New York, New York, United States, American, Silver, 4 1/4 x 17 in. (10.8 x 43.2 cm), Silver, Marcus and Co. (American, New York, 1892–1942, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Livingston Heights : Livington Station New Brighton Staten Island, New York 1892 by Blanchard, Leon P. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/livingston-heights-livington-station-new-brighton-staten-island-new-york-1892-by-blanchard-leon-p-image633310050.html
RM2YP9NC2–Livingston Heights : Livington Station New Brighton Staten Island, New York 1892 by Blanchard, Leon P.
Market Arcade is named for the long-defunct public market (now parking lot) on Washington Street. It now houses small shops and offices. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/market-arcade-is-named-for-the-long-defunct-public-market-now-parking-lot-on-washington-street-it-now-houses-small-shops-and-offices-image502832231.html
RF2M61YHY–Market Arcade is named for the long-defunct public market (now parking lot) on Washington Street. It now houses small shops and offices.
Spoon. Culture: American. Dimensions: Spoon: 6 7/8 in. (17.5 cm). Maker: Marcus and Co. (American, New York, 1892-1942). Date: 1906. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spoon-culture-american-dimensions-spoon-6-78-in-175-cm-maker-marcus-and-co-american-new-york-1892-1942-date-1906-museum-metropolitan-museum-of-art-new-york-usa-image213366279.html
RMPB3JT7–Spoon. Culture: American. Dimensions: Spoon: 6 7/8 in. (17.5 cm). Maker: Marcus and Co. (American, New York, 1892-1942). Date: 1906. Museum: Metropolitan Museum of Art, New York, USA.
Paul Gauguin's 'The Spirit of the Dead Watching' (circa 1892): Held in the Albright-Knox Art Gallery, Buffalo, New York, this painting depicts a young Tahitian girl, Teha'amana, Gauguin's native wife, lying on her bed with the ominous presence of a spirit or 'watching' figure in the background. The painting reflects Gauguin's post-impressionist style and his quest for primitivism, challenging traditional European notions of beauty and narrative in art. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paul-gauguins-the-spirit-of-the-dead-watching-circa-1892-held-in-the-albright-knox-art-gallery-buffalo-new-york-this-painting-depicts-a-young-tahitian-girl-tehaamana-gauguins-native-wife-lying-on-her-bed-with-the-ominous-presence-of-a-spirit-or-watching-figure-in-the-background-the-painting-reflects-gauguins-post-impressionist-style-and-his-quest-for-primitivism-challenging-traditional-european-notions-of-beauty-and-narrative-in-art-image600862336.html
RM2WWFJ14–Paul Gauguin's 'The Spirit of the Dead Watching' (circa 1892): Held in the Albright-Knox Art Gallery, Buffalo, New York, this painting depicts a young Tahitian girl, Teha'amana, Gauguin's native wife, lying on her bed with the ominous presence of a spirit or 'watching' figure in the background. The painting reflects Gauguin's post-impressionist style and his quest for primitivism, challenging traditional European notions of beauty and narrative in art.
Cypriot Vase, c. 1895–1900. Tiffany Glass & Decorating Company (American, New York, 1892–1902). Favrile glass; This small vase is an example of Louis Comfort Tiffany's signature Favrile glass. It was made in the style of ancient glass from Cyprus that Tiffany had admired for the iridescent color and encrusted texture of the surface caused by oxidation while buried for many years. Tiffany had noticed these qualities in ancient glass exhibited at the Metropolitan Museum of Art and at his father's store, Tiffany & Co., in New York. When Tiffany began collaborating with artisans on new types of g Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cypriot-vase-c-18951900-tiffany-glass-decorating-company-american-new-york-18921902-favrile-glass-this-small-vase-is-an-example-of-louis-comfort-tiffanys-signature-favrile-glass-it-was-made-in-the-style-of-ancient-glass-from-cyprus-that-tiffany-had-admired-for-the-iridescent-color-and-encrusted-texture-of-the-surface-caused-by-oxidation-while-buried-for-many-years-tiffany-had-noticed-these-qualities-in-ancient-glass-exhibited-at-the-metropolitan-museum-of-art-and-at-his-fathers-store-tiffany-co-in-new-york-when-tiffany-began-collaborating-with-artisans-on-new-types-of-g-image448079558.html
RM2H0YP1A–Cypriot Vase, c. 1895–1900. Tiffany Glass & Decorating Company (American, New York, 1892–1902). Favrile glass; This small vase is an example of Louis Comfort Tiffany's signature Favrile glass. It was made in the style of ancient glass from Cyprus that Tiffany had admired for the iridescent color and encrusted texture of the surface caused by oxidation while buried for many years. Tiffany had noticed these qualities in ancient glass exhibited at the Metropolitan Museum of Art and at his father's store, Tiffany & Co., in New York. When Tiffany began collaborating with artisans on new types of g
Alexander Graham Bell at the opening of the long distance line from New York to Chicago, 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-graham-bell-at-the-opening-of-the-long-distance-line-from-new-york-to-chicago-1892-image337700139.html
RM2AHBFY7–Alexander Graham Bell at the opening of the long distance line from New York to Chicago, 1892
1892 DRAWING GROUP OF ARRIVING IMMIGRANTS HUDDLED ON SHIP DECK WAVING AT STATUE OF LIBERTY NEW YORK CITY Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1892-drawing-group-of-arriving-immigrants-huddled-on-ship-deck-waving-12664576.html
RMAAMPTH–1892 DRAWING GROUP OF ARRIVING IMMIGRANTS HUDDLED ON SHIP DECK WAVING AT STATUE OF LIBERTY NEW YORK CITY
A&F - Abercrombie & Fitch ( 1892 New York ) luxury lifestyle concept Leidsestraat - Keizersgracht Amsterdam Netherlands Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/af-abercrombie-fitch-1892-new-york-luxury-lifestyle-concept-leidsestraat-image61419977.html
RMDFWWPH–A&F - Abercrombie & Fitch ( 1892 New York ) luxury lifestyle concept Leidsestraat - Keizersgracht Amsterdam Netherlands
New York Herald Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-york-herald-image184276710.html
RMMKPER2–New York Herald
In the Children's Dormitory at Sister Irene's - New York City, circa 1892 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/in-the-childrens-dormitory-at-sister-irenes-new-york-city-circa-1892-image369465307.html
RM2CD2GNF–In the Children's Dormitory at Sister Irene's - New York City, circa 1892
. English: Sectional Map of New York, New Haven and Hartford Railroad Eastern District, Cape Cod. This map appears to be a re-branded version of the 1888 Old Colony Railroad (OCRR) map (linked below), with the only addition being a road between Middleboro and Plymouth. The OCRR was leased to NYNH&H in 1893. Note that the Housatonic road was leased to NYNH&H in 1892, yet it does not appear on this map. This implies that this map was released shortly after the 1893 acquisition of the OCRR. circa 1893. New York, New Haven & Hartford Railroad 1 1893 Sectional Map of New York, New Haven and Hartfor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-sectional-map-of-new-york-new-haven-and-hartford-railroad-eastern-district-cape-cod-this-map-appears-to-be-a-re-branded-version-of-the-1888-old-colony-railroad-ocrr-map-linked-below-with-the-only-addition-being-a-road-between-middleboro-and-plymouth-the-ocrr-was-leased-to-nynhh-in-1893-note-that-the-housatonic-road-was-leased-to-nynhh-in-1892-yet-it-does-not-appear-on-this-map-this-implies-that-this-map-was-released-shortly-after-the-1893-acquisition-of-the-ocrr-circa-1893-new-york-new-haven-hartford-railroad-1-1893-sectional-map-of-new-york-new-haven-and-hartfor-image208032990.html
RMP2CM5J–. English: Sectional Map of New York, New Haven and Hartford Railroad Eastern District, Cape Cod. This map appears to be a re-branded version of the 1888 Old Colony Railroad (OCRR) map (linked below), with the only addition being a road between Middleboro and Plymouth. The OCRR was leased to NYNH&H in 1893. Note that the Housatonic road was leased to NYNH&H in 1892, yet it does not appear on this map. This implies that this map was released shortly after the 1893 acquisition of the OCRR. circa 1893. New York, New Haven & Hartford Railroad 1 1893 Sectional Map of New York, New Haven and Hartfor
Henry Walter Bates (geb. 8. Februar 1825 in Leicester; gest. 16. Februar 1892 in London) war ein englischer Naturforscher, Evolutionsbiologe und Entomologe, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henry-walter-bates-geb-8-februar-1825-in-leicester-gest-16-februar-1892-in-london-war-ein-englischer-naturforscher-evolutionsbiologe-und-entomologe-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image596643355.html
RF2WJKCK7–Henry Walter Bates (geb. 8. Februar 1825 in Leicester; gest. 16. Februar 1892 in London) war ein englischer Naturforscher, Evolutionsbiologe und Entomologe, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Paul Cezanne, The Card Players 1892–1893 Oil on canvas. Metropolitan Museum of Art, New York City, USA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-paul-cezanne-the-card-players-18921893-oil-on-canvas-metropolitan-53907221.html
RMD3KK5W–Paul Cezanne, The Card Players 1892–1893 Oil on canvas. Metropolitan Museum of Art, New York City, USA
Individual counter dial of the Hollerith Tabulator. From Park Benjamin Modern Mechanism, London and New York, 1892. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/individual-counter-dial-of-the-hollerith-tabulator-from-park-benjamin-modern-mechanism-london-and-new-york-1892-image481926443.html
RM2K01J2K–Individual counter dial of the Hollerith Tabulator. From Park Benjamin Modern Mechanism, London and New York, 1892.
Charles Henry Parkhurst (1842 -1933) was an American clergyman and social reformer, born in Framingham, Massachusetts. Although scholarly and reserved, he preached two sermons in 1892 in which he attacked the political corruption of New York City government. Backed by the evidence he collected, his statements led to both the exposure of Tammany Hall and to subsequent social and political reforms. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-henry-parkhurst-1842-1933-was-an-american-clergyman-and-social-reformer-born-in-framingham-massachusetts-although-scholarly-and-reserved-he-preached-two-sermons-in-1892-in-which-he-attacked-the-political-corruption-of-new-york-city-government-backed-by-the-evidence-he-collected-his-statements-led-to-both-the-exposure-of-tammany-hall-and-to-subsequent-social-and-political-reforms-image630968950.html
RF2YJF39A–Charles Henry Parkhurst (1842 -1933) was an American clergyman and social reformer, born in Framingham, Massachusetts. Although scholarly and reserved, he preached two sermons in 1892 in which he attacked the political corruption of New York City government. Backed by the evidence he collected, his statements led to both the exposure of Tammany Hall and to subsequent social and political reforms.
Interior of the Market Arcade designed by Edward B. Green built in 1892 in the city of Buffalo New York United States Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-interior-of-the-market-arcade-designed-by-edward-b-green-built-in-59482631.html
RMDCNJKK–Interior of the Market Arcade designed by Edward B. Green built in 1892 in the city of Buffalo New York United States
Image 24 of Sanborn Fire Insurance Map from Syracuse, Onondaga County, New York. 1892 Vol. 1. 78 Sheet(s). Bound, America, street map with a Nineteenth Century compass Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/image-24-of-sanborn-fire-insurance-map-from-syracuse-onondaga-county-new-york-1892-vol-1-78-sheets-bound-america-street-map-with-a-nineteenth-century-compass-image344701155.html
RM2B0PDRF–Image 24 of Sanborn Fire Insurance Map from Syracuse, Onondaga County, New York. 1892 Vol. 1. 78 Sheet(s). Bound, America, street map with a Nineteenth Century compass
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