Nishikie hi-res stock photography and images

Minamoto no Yorimitsu fight against Hakamadare Yasusuke, from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Ichieisai ( Utagawa ) Yoshitsuya Stock Photo

RMP3P1KW–Minamoto no Yorimitsu fight against Hakamadare Yasusuke, from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Ichieisai ( Utagawa ) Yoshitsuya

HIROSHIGE Vintage Andō, Hiroshige, 1797-1858, artist 'Nihonbashi' Abstract woodcut, color ; Famous views of 53 stations of the Tōkaidō Road. vertical Oban Nishikie. Stock Photo

RM2HPMNYD–HIROSHIGE Vintage Andō, Hiroshige, 1797-1858, artist 'Nihonbashi' Abstract woodcut, color ; Famous views of 53 stations of the Tōkaidō Road. vertical Oban Nishikie.

Nishikie rose, also known as Nishiki-e (hybrid tea class). Stock Photo

RM2DDPJY4–Nishikie rose, also known as Nishiki-e (hybrid tea class).

Kunisada, work, Actor Iwai Hanshiro V in the play Kagamiyama Kokyo no nishikie (Old color picture of Mount Kagami), 1829, color woodblock print, graphic Stock Photo

RM2YJR5T0–Kunisada, work, Actor Iwai Hanshiro V in the play Kagamiyama Kokyo no nishikie (Old color picture of Mount Kagami), 1829, color woodblock print, graphic

Wakan hyaku monogatari, Urabe no Suetake, by Ikkaisai Yoshitoshi, Edo Period Stock Photo

RMM126HP–Wakan hyaku monogatari, Urabe no Suetake, by Ikkaisai Yoshitoshi, Edo Period

Meiyo migi ni tekinashi hidarijingoro page3 Stock Photo

RMAP7FXR–Meiyo migi ni tekinashi hidarijingoro page3

Famous Views of Snow, Moon, and Flowers: Flowers at hte Cherry Blossom Shrine in Settsu, by Katsushika Hokusai, Edo period, 19th century Stock Photo

RFW337BE–Famous Views of Snow, Moon, and Flowers: Flowers at hte Cherry Blossom Shrine in Settsu, by Katsushika Hokusai, Edo period, 19th century

RMPC1YF0–65 Nishikie

Daikokuya Heikichi 10 seal toto nishikie jihon toiya ryogoku daikokuya han Stock Photo

RMKK3ERW–Daikokuya Heikichi 10 seal toto nishikie jihon toiya ryogoku daikokuya han

RMHYE7R2–Nishikie

Koto and New Year's Offering, illustration for The Akoya Beach Shell (Akoyagai), from the series 'A Matching Game with Genroku-period Poem Shells (Genroku kasen kai awase)'. Katsushika Hokusai ?? ??; Japanese, 1760-1849. Date: 1816-1833. Dimensions: 20.9 x 17.8 cm. Color woodblock print; nishikie with metallic pigments and blindprinting; surimono shikishiban. Origin: Japan. Museum: The Chicago Art Institute. Stock Photo

RMRXMY6J–Koto and New Year's Offering, illustration for The Akoya Beach Shell (Akoyagai), from the series 'A Matching Game with Genroku-period Poem Shells (Genroku kasen kai awase)'. Katsushika Hokusai ?? ??; Japanese, 1760-1849. Date: 1816-1833. Dimensions: 20.9 x 17.8 cm. Color woodblock print; nishikie with metallic pigments and blindprinting; surimono shikishiban. Origin: Japan. Museum: The Chicago Art Institute.

RM2EADYKD–Nishikie.

Two masks, Katsushika Hokusai, 1807 nishikie, with metallic pigments, h 125mm × w 227mm Stock Photo

RM2K112RF–Two masks, Katsushika Hokusai, 1807 nishikie, with metallic pigments, h 125mm × w 227mm

Katsushika Hokusai. Koto and New Year’s Offering, illustration for The Akoya Beach Shell (Akoyagai), from the series A Matching Game with Genroku-period Poem Shells (Genroku kasen kai awase). 1816–1833. Japan. Color woodblock print; nishikie with metallic pigments and blindprinting; surimono shikishiban Stock Photo

RM2AHW02B–Katsushika Hokusai. Koto and New Year’s Offering, illustration for The Akoya Beach Shell (Akoyagai), from the series A Matching Game with Genroku-period Poem Shells (Genroku kasen kai awase). 1816–1833. Japan. Color woodblock print; nishikie with metallic pigments and blindprinting; surimono shikishiban

Kinhyōshi yōrin (Yang Lin), hero of the Suikoden (Water Margin). 1 print : woodcut, color ; 36 x 24.7 cm. Format: Vertical Oban Nishikie. From the series: Tsūzoku suikoden gōketsu hyakuhachinin no hitori : The popular edition of Suikoden: one of 108 brave warriors. Stock Photo

RM2XP6CRN–Kinhyōshi yōrin (Yang Lin), hero of the Suikoden (Water Margin). 1 print : woodcut, color ; 36 x 24.7 cm. Format: Vertical Oban Nishikie. From the series: Tsūzoku suikoden gōketsu hyakuhachinin no hitori : The popular edition of Suikoden: one of 108 brave warriors.

Russian-Japanese war: images in brocade, number two; Nichiro Kôsen Nishikie Ni. A Russian ship can be sinked outside the port of Port Arthur by the Japanese fleet. Japanese Marines cheer the spectacle from a submarine. Stock Photo

RM2G2393B–Russian-Japanese war: images in brocade, number two; Nichiro Kôsen Nishikie Ni. A Russian ship can be sinked outside the port of Port Arthur by the Japanese fleet. Japanese Marines cheer the spectacle from a submarine.

Japanese woodcut printed on paper by By Utagawa Kunisada, Japan, 1833. Woman with a demon mask among the clouds. A female demon holds a demon mask on a rainy night. The woman is played by actor Segawa Kikunoj™ V (1802-32) in the kabuki play Modoribashi. This play is based on the N™h play 'Rash™mon', in which a man, Watanabe no Tsuna, meets a woman at the Ichij™ Modori bridge. He recognizes the woman as a demon and when she tries to kidnap him he cuts off her arm, after which she flies away. This is the top sheet of a vertical diptych. With one poem. Stock Photo

RM2WXE4TT–Japanese woodcut printed on paper by By Utagawa Kunisada, Japan, 1833. Woman with a demon mask among the clouds. A female demon holds a demon mask on a rainy night. The woman is played by actor Segawa Kikunoj™ V (1802-32) in the kabuki play Modoribashi. This play is based on the N™h play 'Rash™mon', in which a man, Watanabe no Tsuna, meets a woman at the Ichij™ Modori bridge. He recognizes the woman as a demon and when she tries to kidnap him he cuts off her arm, after which she flies away. This is the top sheet of a vertical diptych. With one poem.

RM2J3N6W6–Koto and New Year’s Offering, illustration for The Akoya Beach Shell (Akoyagai), from the series "A Matching Game with Genroku-period Poem Shells (Genroku kasen kai awase)", Japan, 1821.

Kunisada, C, Actors Ichikawa Danjuro VIII and Onoe Baiko in a play, Kagamiyama Kokyo no nishikie (Old color picture of Mount Kagami), 1853, technique : color wood drawing, graphics Stock Photo

RM2YJR4CX–Kunisada, C, Actors Ichikawa Danjuro VIII and Onoe Baiko in a play, Kagamiyama Kokyo no nishikie (Old color picture of Mount Kagami), 1853, technique : color wood drawing, graphics

Wakan hyaku monogatari, Oya Taro Mitsukuni, by Ikkaisai Yoshitoshi, Edo Period Stock Photo

RMM126HC–Wakan hyaku monogatari, Oya Taro Mitsukuni, by Ikkaisai Yoshitoshi, Edo Period

Meiyo migi ni tekinashi hidarijingoro page1 Stock Photo

RMAP7ADR–Meiyo migi ni tekinashi hidarijingoro page1

Invension of Taiwan by Japan (1874) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period Stock Photo

RMP3P154–Invension of Taiwan by Japan (1874) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period

Famous Views of Snow, Moon, and Flowers: Flowers on Asuka Hill in the Eastern Capital, by Katsushika Hokusai, woodblock print, Edo period, 19th c. Stock Photo

RFW337DK–Famous Views of Snow, Moon, and Flowers: Flowers on Asuka Hill in the Eastern Capital, by Katsushika Hokusai, woodblock print, Edo period, 19th c.

Takiyashahime from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Ichieisai (Utagawa) Yoshituya Stock Photo

RMP3P1K6–Takiyashahime from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Ichieisai (Utagawa) Yoshituya

RMMWRFKD–. Kinhyōshi yōrin (Yang Lin), hero of the Suikoden (Water Margin). 1 print : woodcut, color ; 36 x 24.7 cm. Format: Vertical Oban Nishikie. From the series: Tsūzoku suikoden gōketsu hyakuhachinin no hitori : The popular edition of Suikoden: one of 108 brave warriors. 25 February 2009, 02:58 (UTC). Suikoden.jpg: Utagawa Kuniyoshi 581 Suikoden (no interlace)

Teugel wijk, Katsushika Hokusai, 1822 nishikie, with metallic pigments and blindprinting, h 206mm × w 183mm Stock Photo

RM2K112RD–Teugel wijk, Katsushika Hokusai, 1822 nishikie, with metallic pigments and blindprinting, h 206mm × w 183mm

Kunisada, B, work, Actors Ichikawa Danjuro VIII and Ichikawa Kodanji IV in the play Kagamiyama Kokyo no nishikie (Old color picture of Mount Kagami), 1853, technique : color woodcut, graphics Stock Photo

RM2YJR7PN–Kunisada, B, work, Actors Ichikawa Danjuro VIII and Ichikawa Kodanji IV in the play Kagamiyama Kokyo no nishikie (Old color picture of Mount Kagami), 1853, technique : color woodcut, graphics

America Art shows a woman representating America riding sidesaddle on a horse Format Vertical Oban Nishikie Stock Photo

RMAP78XJ–America Art shows a woman representating America riding sidesaddle on a horse Format Vertical Oban Nishikie

Cherry Blossom and Fashion in Edo: Higurashi (Nippori), by Utagawa Kunisada (Toyokuni III), woodblock print, Edo period, 1860 Stock Photo

RFW3371A–Cherry Blossom and Fashion in Edo: Higurashi (Nippori), by Utagawa Kunisada (Toyokuni III), woodblock print, Edo period, 1860

Takeda family soldiers from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period. Yamamoto Kansuke is no 6. Stock Photo

RMP3P1JE–Takeda family soldiers from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period. Yamamoto Kansuke is no 6.

RMMW0ACX–. Kinhyōshi yōrin (Yang Lin), hero of the Suikoden (Water Margin). 1 print : woodcut, color ; 36 x 24.7 cm. Format: Vertical Oban Nishikie. From the series: Tsūzoku suikoden gōketsu hyakuhachinin no hitori : The popular edition of Suikoden: one of 108 brave warriors. 25 February 2009, 02:58 (UTC). Suikoden.jpg: Utagawa Kuniyoshi 580 Suikoden (no interlace)

Katoenverwerker met zadel, Katsushika Hokusai, 1822 nishikie, with metallic pigments and blindprinting, h 207mm × w 184mm Stock Photo

RM2K112NJ–Katoenverwerker met zadel, Katsushika Hokusai, 1822 nishikie, with metallic pigments and blindprinting, h 207mm × w 184mm

RM2YJR9WW–Kunisada, B, work, Actors Ichikawa Danjuro VIII and Ichikawa Kodanji IV in the play Kagamiyama Kokyo no nishikie (Old color picture of Mount Kagami), 1853, technique : color woodcut, graphics

Iwai Hanshiro, Japan between 1777 and 1781 Stock Photo

RMAP91TP–Iwai Hanshiro, Japan between 1777 and 1781

Cherry Blossom Viewing at Mimeguri (triptych, left), by Kitagawa Utamaro, woodblock print, Edo period, 1799 Stock Photo

RFW337E1–Cherry Blossom Viewing at Mimeguri (triptych, left), by Kitagawa Utamaro, woodblock print, Edo period, 1799

Taira no Kiyomori meets with Aki Miyajima Benzaiten from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period Stock Photo

RMP3P185–Taira no Kiyomori meets with Aki Miyajima Benzaiten from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period

. Ukiyo-e triptych print showing a snowy landscape with a woman brandishing a broom and a man holding an umbrella. A modern version of the Tale of Genji in snow scenes. 1 print (3 sheets) : woodcut, color ; 36.8 x 76.1 cm (whole image), 36.4 x 25.4 cm (left panel), 36.8 x 25.1 cm (center panel), 36.5 x 25.6 cm (right panel). Format: Vertical Oban Nishikie triptych. 1853. 1158 Tale of Genji Toyokuni Utagawa print Stock Photo

RMMNXJD8–. Ukiyo-e triptych print showing a snowy landscape with a woman brandishing a broom and a man holding an umbrella. A modern version of the Tale of Genji in snow scenes. 1 print (3 sheets) : woodcut, color ; 36.8 x 76.1 cm (whole image), 36.4 x 25.4 cm (left panel), 36.8 x 25.1 cm (center panel), 36.5 x 25.6 cm (right panel). Format: Vertical Oban Nishikie triptych. 1853. 1158 Tale of Genji Toyokuni Utagawa print

Zeepaardjes, Katsushika Hokusai, 1822 nishikie, with metallic pigments, blindprinting (on the seahorses) and tsuyazuri, h 212mm × w 183mm. Stock Photo

RM2K112T3–Zeepaardjes, Katsushika Hokusai, 1822 nishikie, with metallic pigments, blindprinting (on the seahorses) and tsuyazuri, h 212mm × w 183mm.

Kunisada, B, C, work, Actors Ichikawa Danjuro VIII, Onoe Baiko and Ichikawa Kodanji IV, in the play Kagamiyama Kokyo no nishikie (Old color picture of Mount Kagami), 1853, colored woodblock print, graphics Stock Photo

RM2YJR6A3–Kunisada, B, C, work, Actors Ichikawa Danjuro VIII, Onoe Baiko and Ichikawa Kodanji IV, in the play Kagamiyama Kokyo no nishikie (Old color picture of Mount Kagami), 1853, colored woodblock print, graphics

RMAPFY0Y–Shocho

Cherry Blossom Viewing at Mimeguri (triptych, right), by Kitagawa Utamaro, woodblock print, Edo period, 1799 Stock Photo

RFW337KK–Cherry Blossom Viewing at Mimeguri (triptych, right), by Kitagawa Utamaro, woodblock print, Edo period, 1799

Battle of Okehazama (1560) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Ikkaisai ( Tsukioka ) Yoshitoshi Stock Photo

RMP3P0RN–Battle of Okehazama (1560) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Ikkaisai ( Tsukioka ) Yoshitoshi

. ??ѵ??ެ?: ???????????뵼???????????+????????????ǭ???զ?????????????ڦ+???ڦ???????ڦ+?????? English: No. 50, Tsuchiyama: The Suzuka Foothills and Suzuka River (Tsuchiyama, Suzuka no fumoto, Suzukagawa). Print shows pilgrims walking along river in rural area; across the river, nestled among tall trees is a small building, possibly a shrine. 1 print-?: woodcut (ukiyo-e), color-?; 36 x 24.7 cm. From the series: Gojusantsugi meisho zue-?: Views of famous places of the 53 stations of the Tokaido Road. Format: Vertical Oban Nishikie. . Published in 1855. Hiroshige - Tsuchiyama Stock Photo

RMMMNR38–. ??ѵ??ެ?: ???????????뵼???????????+????????????ǭ???զ?????????????ڦ+???ڦ???????ڦ+?????? English: No. 50, Tsuchiyama: The Suzuka Foothills and Suzuka River (Tsuchiyama, Suzuka no fumoto, Suzukagawa). Print shows pilgrims walking along river in rural area; across the river, nestled among tall trees is a small building, possibly a shrine. 1 print-?: woodcut (ukiyo-e), color-?; 36 x 24.7 cm. From the series: Gojusantsugi meisho zue-?: Views of famous places of the 53 stations of the Tokaido Road. Format: Vertical Oban Nishikie. . Published in 1855. Hiroshige - Tsuchiyama

Battle of Dannoura ( 1185 ) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Ikkaisai ( Tsukioka ) Yoshitoshi Stock Photo

RMP3P0KE–Battle of Dannoura ( 1185 ) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Ikkaisai ( Tsukioka ) Yoshitoshi

Tempelbezoek tijdens het Hatsuuma feest, Katsushika Hokusai, 1822 nishikie, with metallic pigments and tsuyazuri, h 206mm × w 184mm Stock Photo

RM2K112R9–Tempelbezoek tijdens het Hatsuuma feest, Katsushika Hokusai, 1822 nishikie, with metallic pigments and tsuyazuri, h 206mm × w 184mm

Kunisada, 1786, Edo nyk. Tokyo, Japan, 1864, The late actors Ichikawa Danjuro VIII, Ichimura Uzaemon XII and Nakamura Utaemon IV in the play Aotozoshi hana no nishikie (Glorious picture book of the story of Aoto), 1854, colour woodcut, nishiki-e Stock Photo

RM2T8W9KP–Kunisada, 1786, Edo nyk. Tokyo, Japan, 1864, The late actors Ichikawa Danjuro VIII, Ichimura Uzaemon XII and Nakamura Utaemon IV in the play Aotozoshi hana no nishikie (Glorious picture book of the story of Aoto), 1854, colour woodcut, nishiki-e

RMAPFK9G–Hanauri

Poems on Flowers of the Four Sesaons: Cherry Blossoms, by Katsukawa Shuncho, woodblock print, Edo period, 18th century Stock Photo

RFW336F5–Poems on Flowers of the Four Sesaons: Cherry Blossoms, by Katsukawa Shuncho, woodblock print, Edo period, 18th century

. ??ѵ??ެ?: գ??+???????????????????????????????????????????????????????????????? English: Portrait of Yaoya Oshichi (ca. 1667-1683) by Utagawa Kuniteru II(1830-1874). LOC data: Image of incendiary Oshichi. Includes vignette image (koma-e) above her head showing a famous place in Edo known as Ai no Uchi. 1 print-?: woodcut, color, 38 x 25.4 cm. Japan-?: Masuda Shop before the Temple of the Shiba Shinmei, 1867 (Hori Yoshiharu, carver). From the series: Edo meisho awase no uchi: Famous sites of Edo. Format: Vertical Oban Nishikie. Signed Kuniteru hitsu. Seal of carver Hori Yoshiharu and seal read Stock Photo

RMMMNR84–. ??ѵ??ެ?: գ??+???????????????????????????????????????????????????????????????? English: Portrait of Yaoya Oshichi (ca. 1667-1683) by Utagawa Kuniteru II(1830-1874). LOC data: Image of incendiary Oshichi. Includes vignette image (koma-e) above her head showing a famous place in Edo known as Ai no Uchi. 1 print-?: woodcut, color, 38 x 25.4 cm. Japan-?: Masuda Shop before the Temple of the Shiba Shinmei, 1867 (Hori Yoshiharu, carver). From the series: Edo meisho awase no uchi: Famous sites of Edo. Format: Vertical Oban Nishikie. Signed Kuniteru hitsu. Seal of carver Hori Yoshiharu and seal read

Battle of Koromo River (1189) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Kochouro ( Utagawa ) Kunisada Stock Photo

RMP3P0NX–Battle of Koromo River (1189) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Kochouro ( Utagawa ) Kunisada

Battle of Ujikawa River (1184), from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Kinchoro (Utagawa) Yoshitora Stock Photo

RMP3P0X3–Battle of Ujikawa River (1184), from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Kinchoro (Utagawa) Yoshitora

Agaat, Katsushika Hokusai, 1822 nishikie, with metallic pigments, blindprinting, tsuyazuri and surface polishing (on the branch of coral), h 206mm × w 180mm. branch of coral Stock Photo

RM2K112NF–Agaat, Katsushika Hokusai, 1822 nishikie, with metallic pigments, blindprinting, tsuyazuri and surface polishing (on the branch of coral), h 206mm × w 180mm. branch of coral

Russo-Japanese War: images in brocade, number two, Nichiro kôsen nishikie ni, Outside the port of Port Arthur, a Russian ship is sunk by the Japanese fleet. Japanese marines cheer the spectacle from a submarine., print maker: Seisai, (mentioned on object), publisher: Tsujiokaya Kamekichi, (mentioned on object), Japan, 1904, paper, color woodcut, height 365 mm × width 720 mm Stock Photo

RM2JDY1NR–Russo-Japanese War: images in brocade, number two, Nichiro kôsen nishikie ni, Outside the port of Port Arthur, a Russian ship is sunk by the Japanese fleet. Japanese marines cheer the spectacle from a submarine., print maker: Seisai, (mentioned on object), publisher: Tsujiokaya Kamekichi, (mentioned on object), Japan, 1904, paper, color woodcut, height 365 mm × width 720 mm

Kasamori osen to kyaku, Japan ca. 1769 Stock Photo

RMAPBPJK–Kasamori osen to kyaku, Japan ca. 1769

Courtesan Tagasode of Daimonji-ya, by Rekisentei Eiri, woodblock print, Edo period, 18th century Stock Photo

RFW336FB–Courtesan Tagasode of Daimonji-ya, by Rekisentei Eiri, woodblock print, Edo period, 18th century

. English: Accession Number: 1957.407 Display Artist: Tsukioka Yoshitoshi Display Title: The Priest Dainichi Murders Umegae Series Title: A New Selection of Eastern Brocade Pictures Suite Name: Shinsen azuma nishikie Creation Date: 1886 Height: 13 3/16 in. Width: 18 in. Display Dimensions: 13 3/16 in. x 18 in. (33.5 cm x 45.72 cm) Publisher: Tsunajima Kamekichi Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: Utamaro was famed for his tender portrayals of mothers and children. This is a rare scene; only one other impression is known from any other collection. It has been carefully Stock Photo

RMMNXPGC–. English: Accession Number: 1957.407 Display Artist: Tsukioka Yoshitoshi Display Title: The Priest Dainichi Murders Umegae Series Title: A New Selection of Eastern Brocade Pictures Suite Name: Shinsen azuma nishikie Creation Date: 1886 Height: 13 3/16 in. Width: 18 in. Display Dimensions: 13 3/16 in. x 18 in. (33.5 cm x 45.72 cm) Publisher: Tsunajima Kamekichi Credit Line: Bequest of Mrs. Cora Timken Burnett Label Copy: Utamaro was famed for his tender portrayals of mothers and children. This is a rare scene; only one other impression is known from any other collection. It has been carefully

Death of Taira no Kiyomori (center) (1181) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Ichiyusai (Utagawa) Kuniyoshi Stock Photo

RMP3P11H–Death of Taira no Kiyomori (center) (1181) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Ichiyusai (Utagawa) Kuniyoshi

Mongol invasions of Japan(1274,1281), from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Yoshu Chikanobu Stock Photo

RMP3P151–Mongol invasions of Japan(1274,1281), from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Yoshu Chikanobu

RM2JE2BHX–Russo-Japanese War: images in brocade, number two, Nichiro kôsen nishikie ni, Outside the port of Port Arthur, a Russian ship is sunk by the Japanese fleet. Japanese marines cheer the spectacle from a submarine., print maker: Seisai, (mentioned on object), publisher: Tsujiokaya Kamekichi, (mentioned on object), Japan, 1904, paper, color woodcut, height 365 mm × width 720 mm

Izumo no kuni taisya, Japan 1857. Stock Photo

RMAPBNBX–Izumo no kuni taisya, Japan 1857.

The actor Sawamura Sojuro III as Otomo no Kuronushi, by Toshusai Sharaku, woodblock print, Edo period, 1794 Stock Photo

RFW33676–The actor Sawamura Sojuro III as Otomo no Kuronushi, by Toshusai Sharaku, woodblock print, Edo period, 1794

. English: Accession Number: 1966.202.7 Display Artist: Toyohara Chikanobu Display Title: Kiyomasa kneeling next to women he rescued from the burning Fushimi Castle Series Title: Contest of Eastern Brocades of Day and Night Suite Name: Azuma nishikie yoru kurabe Creation Date: 1886 Height: 13 1/8 in. Width: 9 1/8 in. Display Dimensions: 13 1/8 in. x 9 1/8 in. (33.34 cm x 23.18 cm) Publisher: Maruya Tetsujiro Credit Line: Gift of Dr. Paul S. Anderson Label Copy: 'Each courtesan is named on the prints. At the left, holding a book, is Hanado. Next, Tamino adjusts a hairpin, and in the center Hana Stock Photo

RMMP8RMN–. English: Accession Number: 1966.202.7 Display Artist: Toyohara Chikanobu Display Title: Kiyomasa kneeling next to women he rescued from the burning Fushimi Castle Series Title: Contest of Eastern Brocades of Day and Night Suite Name: Azuma nishikie yoru kurabe Creation Date: 1886 Height: 13 1/8 in. Width: 9 1/8 in. Display Dimensions: 13 1/8 in. x 9 1/8 in. (33.34 cm x 23.18 cm) Publisher: Maruya Tetsujiro Credit Line: Gift of Dr. Paul S. Anderson Label Copy: 'Each courtesan is named on the prints. At the left, holding a book, is Hanado. Next, Tamino adjusts a hairpin, and in the center Hana

Invension of Emishi (801) by Sakanoue no Tamuramaro (left on horse) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period Stock Photo

RMP3P16C–Invension of Emishi (801) by Sakanoue no Tamuramaro (left on horse) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period

RM2JE0R4Y–Russo-Japanese War: images in brocade, number two, Nichiro kôsen nishikie ni, Outside the port of Port Arthur, a Russian ship is sunk by the Japanese fleet. Japanese marines cheer the spectacle from a submarine., print maker: Seisai, (mentioned on object), publisher: Tsujiokaya Kamekichi, (mentioned on object), Japan, 1904, paper, color woodcut, height 365 mm × width 720 mm

Kiseru o motsu onna, Japan between 1830 and 1834 Stock Photo

RMAPNDKM–Kiseru o motsu onna, Japan between 1830 and 1834

One Hundred Poems Explained by a Nurse: Ono no Komachi, by Katsushika Hokusai, woodblock print, Edo period, 19th century Stock Photo

RFW336JY–One Hundred Poems Explained by a Nurse: Ono no Komachi, by Katsushika Hokusai, woodblock print, Edo period, 19th century

. English: Accession Number: 1966.202.11 Display Artist: Toyohara Chikanobu Display Title: Susanoo rescues Kushinada Hime from the dragon Series Title: Contest of Eastern Brocades of Day and Night Suite Name: Azuma nishikie yoru kurabe Creation Date: 1886 Height: 12 15/16 in. Width: 9 in. Display Dimensions: 12 15/16 in. x 9 in. (32.86 cm x 22.86 cm) Publisher: Maruya Tetsujiro Credit Line: Gift of Dr. Paul S. Anderson Label Copy: 'Estas oiran eran como modelos de modas famosas y la gente de Edo admiraba cmo se peinaban y llevaban sus kimonos. Tambin eran admiradas porque saban leer, podan esc Stock Photo

RMMNXH0B–. English: Accession Number: 1966.202.11 Display Artist: Toyohara Chikanobu Display Title: Susanoo rescues Kushinada Hime from the dragon Series Title: Contest of Eastern Brocades of Day and Night Suite Name: Azuma nishikie yoru kurabe Creation Date: 1886 Height: 12 15/16 in. Width: 9 in. Display Dimensions: 12 15/16 in. x 9 in. (32.86 cm x 22.86 cm) Publisher: Maruya Tetsujiro Credit Line: Gift of Dr. Paul S. Anderson Label Copy: 'Estas oiran eran como modelos de modas famosas y la gente de Edo admiraba cmo se peinaban y llevaban sus kimonos. Tambin eran admiradas porque saban leer, podan esc

19 vassals of Minamoto no Yoshitsune (center below) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Ichiyusai (Utagawa) Kuniyoshi Stock Photo

RMP3P1BX–19 vassals of Minamoto no Yoshitsune (center below) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Ichiyusai (Utagawa) Kuniyoshi

Eight million gods gathering at Izumo Taisha Shrine,from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Kochoro (Utagawa) Toyokuni Stock Photo

RMP3P17F–Eight million gods gathering at Izumo Taisha Shrine,from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Kochoro (Utagawa) Toyokuni

Battle of Seinan (1877)from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Yoshusai (Toyohara) Chikanobu. Saigo Takamori on right. Stock Photo

RMP3P0W0–Battle of Seinan (1877)from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Yoshusai (Toyohara) Chikanobu. Saigo Takamori on right.

Group of Genji Family, from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Private Collection. Emperor Seiwa on center Top. He is founder of Genji. Stock Photo

RMP3P12T–Group of Genji Family, from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Private Collection. Emperor Seiwa on center Top. He is founder of Genji.

Kunisada, B, C, work, Actors Seki Sanjuro III, Ichimura Uzaemon, Ichikawa Danzo and Kawarazaki Gonjuro in the play Aotozoshi hana no nishikie (A brilliant picture book of Aoto's story), 1862, colored woodblock print, graphics Stock Photo

RM2YJR4RW–Kunisada, B, C, work, Actors Seki Sanjuro III, Ichimura Uzaemon, Ichikawa Danzo and Kawarazaki Gonjuro in the play Aotozoshi hana no nishikie (A brilliant picture book of Aoto's story), 1862, colored woodblock print, graphics

Hagi, Japan between 1785 and 1789 Stock Photo

RMAP917Y–Hagi, Japan between 1785 and 1789

One Hundred Famous Places of Edo: View of Suijin Shrine, Uchigawa, and Sekiya from Massaki, by Utagawa Hiroshige, Edo period, 19th century Stock Photo

RFW33741–One Hundred Famous Places of Edo: View of Suijin Shrine, Uchigawa, and Sekiya from Massaki, by Utagawa Hiroshige, Edo period, 19th century

19 vassals of Minamoto no Yoshitsune (center) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist (Utagawa) Kunitsuna. Musashibo Benkei on left. Stock Photo

RMP3P1D8–19 vassals of Minamoto no Yoshitsune (center) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist (Utagawa) Kunitsuna. Musashibo Benkei on left.

Azuma Nishikie shu, Nanbyo ryochi kitaina meii, ( Incurable disease treatment by ridiculous doctors), Artist Ichiyusai ( Utagawa ) Kuniyoshi ( 1798-1861 ) Variety of Intractable disease patient and quack are seen. This is satire. Stock Photo

RMP5JG3Y–Azuma Nishikie shu, Nanbyo ryochi kitaina meii, ( Incurable disease treatment by ridiculous doctors), Artist Ichiyusai ( Utagawa ) Kuniyoshi ( 1798-1861 ) Variety of Intractable disease patient and quack are seen. This is satire.

Kunisada, 1786, Edo (now Edo), 1886, 1880, 1880, 1880, 1880. Tokyo, Japan, 1864, Actors Iwai Kumesaburo, Iwai Hanshiro VII and Onoe Kikugoro III in the play Kagamiyama kokyo no nishikie (Old colour photograph of Kagami Mountain), 1829, colour woodcut Stock Photo

RM2T8WA6B–Kunisada, 1786, Edo (now Edo), 1886, 1880, 1880, 1880, 1880. Tokyo, Japan, 1864, Actors Iwai Kumesaburo, Iwai Hanshiro VII and Onoe Kikugoro III in the play Kagamiyama kokyo no nishikie (Old colour photograph of Kagami Mountain), 1829, colour woodcut

Battle of Yashima (1185) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Private Collection. Minamoto no Yoshitsune (left top ) Emperor Antoku (center top) on the boat. Stock Photo

RMP3P0YH–Battle of Yashima (1185) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Private Collection. Minamoto no Yoshitsune (left top ) Emperor Antoku (center top) on the boat.

RMAPTDAX–Daishichi ihin kogestu

Battle of Kawanakajima ( between 1553 and 1564 ) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist 　Isseisai ( Utagawa ) Yoshitsuru. Shingen Takeda (left down ), Kenshin Uesugi (center) are seen. Stock Photo

RMP3P0N4–Battle of Kawanakajima ( between 1553 and 1564 ) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist 　Isseisai ( Utagawa ) Yoshitsuru. Shingen Takeda (left down ), Kenshin Uesugi (center) are seen.

Cherry Blossom Viewing at Mimeguri (triptych, centre), by Kitagawa Utamaro, woodblock print, Edo period, 1799 Stock Photo

RFW337GX–Cherry Blossom Viewing at Mimeguri (triptych, centre), by Kitagawa Utamaro, woodblock print, Edo period, 1799

RMAR7GBJ–Tsurube ni uguisu

RMP3P0NE–Battle of Kawanakajima ( between 1553 and 1564 ) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist 　Isseisai ( Utagawa ) Yoshitsuru. Shingen Takeda ( right down ), Kenshin Uesugi (center) are seen.

Courtesan and Handsome Youth inder a Cherry Tree, by Isoda Koryusai, woodblock print, Edo period, 18th century Stock Photo

RFW3366F–Courtesan and Handsome Youth inder a Cherry Tree, by Isoda Koryusai, woodblock print, Edo period, 18th century

Battle of Ichinotani (1184) , Minamoto no Yoshitsune ( right top), Musashibo Benkei ( right down) are seen. From Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Ikkeisai ( Ochiai ) Yoshiiku Stock Photo

RMP3P0M4–Battle of Ichinotani (1184) , Minamoto no Yoshitsune ( right top), Musashibo Benkei ( right down) are seen. From Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Ikkeisai ( Ochiai ) Yoshiiku

Batlle of Takadachi (1189) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist (Utagawa) Kuniyoshi, Private Collection. Musashibo Benkei (center), Minamoto no Yoshitsune (right top riding horse). Stock Photo

RMP3P10N–Batlle of Takadachi (1189) from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist (Utagawa) Kuniyoshi, Private Collection. Musashibo Benkei (center), Minamoto no Yoshitsune (right top riding horse).

Battle of Ujikawa River (1184), from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Ikkeisai (Ochiai) Yoshiiku. Minamoto no Yoshitsune on right top( riding horse). Musashibo Benkei is below Yoshitsune. Stock Photo

RMP3P0X7–Battle of Ujikawa River (1184), from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Ikkeisai (Ochiai) Yoshiiku. Minamoto no Yoshitsune on right top( riding horse). Musashibo Benkei is below Yoshitsune.

Minamoto no Yoshitsune meets Fujiwara Hidehira at Hiraizumi from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Ichiyusai (Utagawa) Kuniyoshi, Private Collection. Yoshitsune (in green cloth) is sitting next to Hidehira on right top. Stock Photo

RMP3P1FX–Minamoto no Yoshitsune meets Fujiwara Hidehira at Hiraizumi from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Artist Ichiyusai (Utagawa) Kuniyoshi, Private Collection. Yoshitsune (in green cloth) is sitting next to Hidehira on right top.

Treaty of Shimonoseki 1895 at Shunpanro, Shimonoseki, from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Private Collection. Japanese Prime Minister Ito Hirobumi center left. Japanese Minister of Foreign Affairs Mutsu Munemitsu center left. Li Hongzhang (6th from right) and Li Jingfang (5th from right) on behalf of the Emperor of China. Stock Photo

RMP3P1HG–Treaty of Shimonoseki 1895 at Shunpanro, Shimonoseki, from Dainihon Rekishi Nishikie, published between late Edo and early Meiji period, Private Collection. Japanese Prime Minister Ito Hirobumi center left. Japanese Minister of Foreign Affairs Mutsu Munemitsu center left. Li Hongzhang (6th from right) and Li Jingfang (5th from right) on behalf of the Emperor of China.

Illustration of the Issuing of the State Constitution in the State Chamber of the New Imperial Palace, by Adachi Ginko ( active 1874–97 ), Date March 14, 1889 ( Meiji Period ) Stock Photo

RM2AEBJA7–Illustration of the Issuing of the State Constitution in the State Chamber of the New Imperial Palace, by Adachi Ginko ( active 1874–97 ), Date March 14, 1889 ( Meiji Period )