On the origin of coat of arms Stock Photos and Images
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On the origin of coat of arms Stock Photos and Images
Shown here are the arms granted to Sebastian del Cano, Captain of the Victoria, the first vessel that circumnavigated the globe. Juan Sebastián Elcano (also misspelled del Cano) (sometimes misspelled del Cano (1486/1487 1526) was a Castilian navigator of Basque origin. He is best known for having completed the first circumnavigation of the Earth in the nao Victoria on the Spanish expedition to the Spice Islands. He received recognition for his achievement by the emperor Charles V with the coat of arms reading 'primus circumdedisti me' (You first encircled me). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shown-here-are-the-arms-granted-to-sebastian-del-cano-captain-of-the-victoria-the-first-vessel-that-circumnavigated-the-globe-juan-sebastin-elcano-also-misspelled-del-cano-sometimes-misspelleddel-cano-14861487-1526-was-acastiliannavigator-ofbasqueorigin-he-is-best-known-for-having-completed-the-firstcircumnavigationof-the-earth-in-the-naovictoriaon-thespanish-expeditionto-thespice-islands-he-received-recognition-for-his-achievement-by-the-emperor-charles-v-with-the-coat-of-arms-reading-primus-circumdedisti-me-you-first-encircled-me-image445443639.htmlRF2GTKKWB–Shown here are the arms granted to Sebastian del Cano, Captain of the Victoria, the first vessel that circumnavigated the globe. Juan Sebastián Elcano (also misspelled del Cano) (sometimes misspelled del Cano (1486/1487 1526) was a Castilian navigator of Basque origin. He is best known for having completed the first circumnavigation of the Earth in the nao Victoria on the Spanish expedition to the Spice Islands. He received recognition for his achievement by the emperor Charles V with the coat of arms reading 'primus circumdedisti me' (You first encircled me).
Albrecht Dürer (1471 - 1528), Coat of arms of Johann Tscherte, Origin of the print medium: About 1518, woodcut, sheet size: 18.9 x 14.7 cm, Above inscription on plate 'SOLI DEO GLORIA' and below right on amphora monogrammed 'AD Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albrecht-drer-1471-1528-coat-of-arms-of-johann-tscherte-origin-of-the-print-medium-about-1518-woodcut-sheet-size-189-x-147-cm-above-inscription-on-plate-soli-deo-gloria-and-below-right-on-amphora-monogrammed-ad-image573214971.htmlRM2T8G5F7–Albrecht Dürer (1471 - 1528), Coat of arms of Johann Tscherte, Origin of the print medium: About 1518, woodcut, sheet size: 18.9 x 14.7 cm, Above inscription on plate 'SOLI DEO GLORIA' and below right on amphora monogrammed 'AD
worker wearing green working coat crossed arms on white Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-worker-wearing-green-working-coat-crossed-arms-on-white-160134132.htmlRFK8EMM4–worker wearing green working coat crossed arms on white
Coat of Arms of Sebald Beham. Sebald Beham; German, 1500-1550. Date: 1544. Dimensions: 69 x 59 mm (sheet, trimmed to image). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute. Author: Hans Sebald Beham. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coat-of-arms-of-sebald-beham-sebald-beham-german-1500-1550-date-1544-dimensions-69-x-59-mm-sheet-trimmed-to-image-engraving-in-black-on-ivory-laid-paper-origin-germany-museum-the-chicago-art-institute-author-hans-sebald-beham-image239839755.htmlRMRX5J1F–Coat of Arms of Sebald Beham. Sebald Beham; German, 1500-1550. Date: 1544. Dimensions: 69 x 59 mm (sheet, trimmed to image). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute. Author: Hans Sebald Beham.
. English: Philip III, king of Spain Contents: Statutes and armorial of the Order of the Golden Fleece Place of origin, date: Southern Netherlands; 1561. Added section (ff. 67-88) and miniatures: Southern Netherlands; 1601 Material: Paper (and vellum), ff. 88, 283x189 (245x155; after f. 67: 245x145/150) mm, several calligraphic scripts, Binding: 18th-century brown leather; gilt; with coat of arms of Stadholder William V Decoration: 93 paper pages with coats of arms painted over woodcut outlines Added: 3 full-page miniatures on vellum Provenance: Acquired c. 1601 by Philip William (1554-1618), Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-philip-iii-king-of-spain-contents-statutes-and-armorial-of-the-order-of-the-golden-fleece-place-of-origin-date-southern-netherlands-1561-added-section-ff-67-88-and-miniatures-southern-netherlands-1601-material-paper-and-vellum-ff-88-283x189-245x155-after-f-67-245x145150-mm-several-calligraphic-scripts-binding-18th-century-brown-leather-gilt-with-coat-of-arms-of-stadholder-william-v-decoration-93-paper-pages-with-coats-of-arms-painted-over-woodcut-outlines-added-3-full-page-miniatures-on-vellum-provenance-acquired-c-1601-by-philip-william-1554-1618-image185695113.htmlRMMP3409–. English: Philip III, king of Spain Contents: Statutes and armorial of the Order of the Golden Fleece Place of origin, date: Southern Netherlands; 1561. Added section (ff. 67-88) and miniatures: Southern Netherlands; 1601 Material: Paper (and vellum), ff. 88, 283x189 (245x155; after f. 67: 245x145/150) mm, several calligraphic scripts, Binding: 18th-century brown leather; gilt; with coat of arms of Stadholder William V Decoration: 93 paper pages with coats of arms painted over woodcut outlines Added: 3 full-page miniatures on vellum Provenance: Acquired c. 1601 by Philip William (1554-1618),
27 August 2020, Brandenburg, Trebbin/Ot Thyrow: Houses on the village street in the centre of the village. The name of the village of Slavic origin stands for the Old Sorbian name of the aurochs, which is why the aurochs appears in the coat of arms with a lowered head, yellow horns and a red body. Photo: Soeren Stache/dpa-Zentralbild/ZB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/27-august-2020-brandenburg-trebbinot-thyrow-houses-on-the-village-street-in-the-centre-of-the-village-the-name-of-the-village-of-slavic-origin-stands-for-the-old-sorbian-name-of-the-aurochs-which-is-why-the-aurochs-appears-in-the-coat-of-arms-with-a-lowered-head-yellow-horns-and-a-red-body-photo-soeren-stachedpa-zentralbildzb-image371832529.htmlRM2CGXC55–27 August 2020, Brandenburg, Trebbin/Ot Thyrow: Houses on the village street in the centre of the village. The name of the village of Slavic origin stands for the Old Sorbian name of the aurochs, which is why the aurochs appears in the coat of arms with a lowered head, yellow horns and a red body. Photo: Soeren Stache/dpa-Zentralbild/ZB
View of the ruins of the monastery in 1572 destroyed Koningsveld near Delft. Top left the title and a coat of arms with a crown. Right a scroll with information about the ruïne. Manufacturer : printmaker: Coenraet Decker (listed building) Editor: Peter Smith (listed building) Publisher: Arnold BonPlaats manufacture: printmaker: Netherlands Publisher: Amsterdam Publisher: Delft Dating: 1680 Material: paper Technique: etching Dimensions: plate edge: h 182 mm × W 275 mmToelichtingPrent also used: Bleys Wyck, Dirk Evertsz. Beschrye der stadt Delft, on des selfs situation, origin and age, rise and Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-ruins-of-the-monastery-in-1572-destroyed-koningsveld-near-delft-top-left-the-title-and-a-coat-of-arms-with-a-crown-right-a-scroll-with-information-about-the-rune-manufacturer-printmaker-coenraet-decker-listed-building-editor-peter-smith-listed-building-publisher-arnold-bonplaats-manufacture-printmaker-netherlands-publisher-amsterdam-publisher-delft-dating-1680-material-paper-technique-etching-dimensions-plate-edge-h-182-mm-w-275-mmtoelichtingprent-also-used-bleys-wyck-dirk-evertsz-beschrye-der-stadt-delft-on-des-selfs-situation-origin-and-age-rise-and-image348400031.htmlRM2B6PYP7–View of the ruins of the monastery in 1572 destroyed Koningsveld near Delft. Top left the title and a coat of arms with a crown. Right a scroll with information about the ruïne. Manufacturer : printmaker: Coenraet Decker (listed building) Editor: Peter Smith (listed building) Publisher: Arnold BonPlaats manufacture: printmaker: Netherlands Publisher: Amsterdam Publisher: Delft Dating: 1680 Material: paper Technique: etching Dimensions: plate edge: h 182 mm × W 275 mmToelichtingPrent also used: Bleys Wyck, Dirk Evertsz. Beschrye der stadt Delft, on des selfs situation, origin and age, rise and
Coat of Arms on the city wall of the Old Town in Rhodes, Greece. The walls of the castle are medieval in origin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coat-of-arms-on-the-city-wall-of-the-old-town-in-rhodes-greece-the-walls-of-the-castle-are-medieval-in-origin-image425448915.htmlRM2FM4TC3–Coat of Arms on the city wall of the Old Town in Rhodes, Greece. The walls of the castle are medieval in origin.
'The Duchy of Brabant was a historical region in the Low Countries. Its territory consisted essentially of the three modern-day Belgian provinces of Flemish Brabant, Walloon Brabant and Antwerp, the Brussels-Capital Region and most of the present-day Dutch province of North Brabant. The Flag of Belgium is based on the colors of Brabant's coat of arms: black, yellow, and red. In Roman times, the territory was situated in the Roman provinces of Belgica and Germania Inferior and inhabited by the Belgae, who were of both Celtic and Germanic origin. At the end of the Roman period they were conquere Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-duchy-of-brabant-was-a-historical-region-in-the-low-countries-its-territory-consisted-essentially-of-the-three-modern-day-belgian-provinces-of-flemish-brabant-walloon-brabant-and-antwerp-the-brussels-capital-region-and-most-of-the-present-day-dutch-province-of-north-brabant-the-flag-of-belgium-is-based-on-the-colors-of-brabants-coat-of-arms-black-yellow-and-red-in-roman-times-the-territory-was-situated-in-the-roman-provinces-of-belgica-and-germania-inferior-and-inhabited-by-the-belgae-who-were-of-both-celtic-and-germanic-origin-at-the-end-of-the-roman-period-they-were-conquere-image385491140.htmlRM2DB4HTM–'The Duchy of Brabant was a historical region in the Low Countries. Its territory consisted essentially of the three modern-day Belgian provinces of Flemish Brabant, Walloon Brabant and Antwerp, the Brussels-Capital Region and most of the present-day Dutch province of North Brabant. The Flag of Belgium is based on the colors of Brabant's coat of arms: black, yellow, and red. In Roman times, the territory was situated in the Roman provinces of Belgica and Germania Inferior and inhabited by the Belgae, who were of both Celtic and Germanic origin. At the end of the Roman period they were conquere
Trade Card with Royal Coat of Arms 19th century Anonymous, British, 19th century This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble busi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trade-card-with-royal-coat-of-arms-19th-century-anonymous-british-19th-century-this-object-is-housed-in-an-album-of-british-trade-cards-from-the-collections-of-bella-c-landauer-ambrose-heal-and-others-the-term-trade-card-is-of-nineteenth-century-origin-and-refers-to-a-card-that-advertises-the-services-of-an-individual-or-business-eighteenth-century-trade-cards-were-often-printed-on-thin-sheets-of-paper-and-referred-to-as-tradesmens-cards-tradesmens-bills-or-shopkeepers-bills-during-the-victorian-era-trade-cards-were-often-reinforced-on-pasteboard-and-closely-resemble-busi-image457940077.htmlRM2HH0Y6N–Trade Card with Royal Coat of Arms 19th century Anonymous, British, 19th century This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term “trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as “tradesmen’s cards,” “tradesmen’s bills,” or “shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble busi
Charles Darwin (1809 -1896). From Darwin and the Beagle by Alan Moorhead, page 265.. Charles Robert Darwin was a British naturalist who achieved lasting fame as the originator of the theory of evolution through natural selection. Darwin's five-year voyage on the Beagle brought him eminence as a geologist and fame as a popular author. His biological observations led him to study the transmutation of species and develop his theory of natural selection in 1838. His 1859 book, The Origin of Species by Means of Natural Selection, or The Preservation of Favoured Races in the Struggle for Life, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-darwin-1809-1896-from-darwin-and-the-beagle-by-alan-moorhead-page-265-charles-robert-darwin-was-a-british-naturalist-who-achieved-lasting-fame-as-the-originator-of-the-theory-of-evolution-through-natural-selection-darwins-five-year-voyage-on-the-beagle-brought-him-eminence-as-a-geologist-and-fame-as-a-popular-author-his-biological-observations-led-him-to-study-the-transmutation-of-species-and-develop-his-theory-of-natural-selection-in-1838-his-1859-book-the-origin-of-species-by-means-of-natural-selection-or-the-preservation-of-favoured-races-in-the-struggle-for-life-image268794547.htmlRMWH8J57–Charles Darwin (1809 -1896). From Darwin and the Beagle by Alan Moorhead, page 265.. Charles Robert Darwin was a British naturalist who achieved lasting fame as the originator of the theory of evolution through natural selection. Darwin's five-year voyage on the Beagle brought him eminence as a geologist and fame as a popular author. His biological observations led him to study the transmutation of species and develop his theory of natural selection in 1838. His 1859 book, The Origin of Species by Means of Natural Selection, or The Preservation of Favoured Races in the Struggle for Life,
Jilemnice, Czech Republic. 22nd Jan, 2021. Sky and sun reflection. The sun shines bright in the daytime on the square in Jilemnice in the Czech Republic. Jilemnice is a town known as the gateway to western Krkonose. It was founded at the beginning of the 14th century by the Waldstein family as an economic and market centre of the Stepanice estate, later the Jilemnice estate. The origin of the name of Jilemnice is indicated in the municipal coat-of-arms, depicting an elm tree in a silver field. Jilemnice is also known and famous for its skiing tradition and is often called the Cradle of Czech Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jilemnice-czech-republic-22nd-jan-2021-sky-and-sun-reflection-the-sun-shines-bright-in-the-daytime-on-the-square-in-jilemnice-in-the-czech-republic-jilemnice-is-a-town-known-as-the-gateway-to-western-krkonose-it-was-founded-at-the-beginning-of-the-14th-century-by-the-waldstein-family-as-an-economic-and-market-centre-of-the-stepanice-estate-later-the-jilemnice-estate-the-origin-of-the-name-of-jilemnice-is-indicated-in-the-municipal-coat-of-arms-depicting-an-elm-tree-in-a-silver-field-jilemnice-is-also-known-and-famous-for-its-skiing-tradition-and-is-often-called-the-cradle-of-czech-image398503893.htmlRM2E49BNW–Jilemnice, Czech Republic. 22nd Jan, 2021. Sky and sun reflection. The sun shines bright in the daytime on the square in Jilemnice in the Czech Republic. Jilemnice is a town known as the gateway to western Krkonose. It was founded at the beginning of the 14th century by the Waldstein family as an economic and market centre of the Stepanice estate, later the Jilemnice estate. The origin of the name of Jilemnice is indicated in the municipal coat-of-arms, depicting an elm tree in a silver field. Jilemnice is also known and famous for its skiing tradition and is often called the Cradle of Czech
Grave of Russian princess Catherine Bagration (1783-1857) at the Greek Orthodox cemetery on San Michele Island (Isola di San Michele) in Venice, Italy. Russian noblewoman Catherine Bagration, née Skavronskaya, was a wife of Russian general and prince of Georgian origin Pyotr Bagration, prominent during the Napoleonic Wars. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grave-of-russian-princess-catherine-bagration-1783-1857-at-the-greek-orthodox-cemetery-on-san-michele-island-isola-di-san-michele-in-venice-italy-russian-noblewoman-catherine-bagration-ne-skavronskaya-was-a-wife-of-russian-general-and-prince-of-georgian-origin-pyotr-bagration-prominent-during-the-napoleonic-wars-image229134310.htmlRMR8NY46–Grave of Russian princess Catherine Bagration (1783-1857) at the Greek Orthodox cemetery on San Michele Island (Isola di San Michele) in Venice, Italy. Russian noblewoman Catherine Bagration, née Skavronskaya, was a wife of Russian general and prince of Georgian origin Pyotr Bagration, prominent during the Napoleonic Wars.
Roxburgh Family Coat of Arms on facade of Floors Castle, Kelso, Roxburghshire, Scottish Borders, Scotland, United Kingdom. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-roxburgh-family-coat-of-arms-on-facade-of-floors-castle-kelso-roxburghshire-139515334.htmlRMJ2YD6E–Roxburgh Family Coat of Arms on facade of Floors Castle, Kelso, Roxburghshire, Scottish Borders, Scotland, United Kingdom.
Side profile of engaging, charming, natural Asian businesswoman in casual black jacket, gray dress, arms crossed warmly smiling at camera. Thai nation Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-profile-of-engaging-charming-natural-asian-businesswoman-in-casual-black-jacket-gray-dress-arms-crossed-warmly-smiling-at-camera-thai-nation-image619428399.htmlRM2XYNB6R–Side profile of engaging, charming, natural Asian businesswoman in casual black jacket, gray dress, arms crossed warmly smiling at camera. Thai nation
France, Gironde, Pessac, Chateau Pape Clement, Pope Clement arms on oak barrels Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-france-gironde-pessac-chateau-pape-clement-pope-clement-arms-on-oak-47458586.htmlRFCN5WWE–France, Gironde, Pessac, Chateau Pape Clement, Pope Clement arms on oak barrels
Smiling Indian doctor in lab coat standing with crossed arms on violet background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/smiling-indian-doctor-in-lab-coat-standing-with-crossed-arms-on-violet-background-image368155187.htmlRF2CAXWKF–Smiling Indian doctor in lab coat standing with crossed arms on violet background
Detail of the letter that appears on the ancient planter found in the abbey of Santa Maria d'Arabona. Manoppello - Abruzzo. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detail-of-the-letter-that-appears-on-the-ancient-planter-found-in-the-abbey-of-santa-maria-darabona-manoppello-abruzzo-image478771445.htmlRF2JPWWT5–Detail of the letter that appears on the ancient planter found in the abbey of Santa Maria d'Arabona. Manoppello - Abruzzo.
Coat of arms with a horseman leaving a castle, Cacabelos Archaeological Museum, Cacabelos village, El Bierzo region, Castile and Leon, Spain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coat-of-arms-with-a-horseman-leaving-a-castle-cacabelos-archaeological-museum-cacabelos-village-el-bierzo-region-castile-and-leon-spain-image635015959.htmlRM2YW3D9B–Coat of arms with a horseman leaving a castle, Cacabelos Archaeological Museum, Cacabelos village, El Bierzo region, Castile and Leon, Spain
Grachtenmuseum or Museum of the Canals with city flag on the Herengracht shows the history of the origins of the buildings and canals in Amsterdam Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grachtenmuseum-or-museum-of-the-canals-with-city-flag-on-the-herengracht-shows-the-history-of-the-origins-of-the-buildings-and-canals-in-amsterdam-image417353396.htmlRF2F702EC–Grachtenmuseum or Museum of the Canals with city flag on the Herengracht shows the history of the origins of the buildings and canals in Amsterdam
Michel Le Blon (1587 - 1656), ornamental engraving with Albrecht Dürer's coat of arms, sheet 3 of the series 'Wappenschilder', origin of the print medium: circa 1620 - 1630, copperplate engraving, sheet size: 8.7 x 6.1 cm, top center monogrammed 'MB' on title block, bottom center monogrammed 'AD' on coat of arms and bottom a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/michel-le-blon-1587-1656-ornamental-engraving-with-albrecht-drers-coat-of-arms-sheet-3-of-the-series-wappenschilder-origin-of-the-print-medium-circa-1620-1630-copperplate-engraving-sheet-size-87-x-61-cm-top-center-monogrammed-mb-on-title-block-bottom-center-monogrammed-ad-on-coat-of-arms-and-bottom-a-image573216285.htmlRM2T8G765–Michel Le Blon (1587 - 1656), ornamental engraving with Albrecht Dürer's coat of arms, sheet 3 of the series 'Wappenschilder', origin of the print medium: circa 1620 - 1630, copperplate engraving, sheet size: 8.7 x 6.1 cm, top center monogrammed 'MB' on title block, bottom center monogrammed 'AD' on coat of arms and bottom a
Many putti with weapons; Title page for: La Veritable Origin (...) Maison de Sohier, 1661. The coat of arms of Constantin Sohier under a canopy that is ceased by Putti, which each holds more weapons separately. Left and right a woman's figure on a piastal. At the bottom, two putti hold a cartouche on which the impressure. At the top, two putti hold a banderole with the title in three rules in French Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/many-putti-with-weapons-title-page-for-la-veritable-origin-maison-de-sohier-1661-the-coat-of-arms-of-constantin-sohier-under-a-canopy-that-is-ceased-by-putti-which-each-holds-more-weapons-separately-left-and-right-a-womans-figure-on-a-piastal-at-the-bottom-two-putti-hold-a-cartouche-on-which-the-impressure-at-the-top-two-putti-hold-a-banderole-with-the-title-in-three-rules-in-french-image431651477.htmlRM2G27BT5–Many putti with weapons; Title page for: La Veritable Origin (...) Maison de Sohier, 1661. The coat of arms of Constantin Sohier under a canopy that is ceased by Putti, which each holds more weapons separately. Left and right a woman's figure on a piastal. At the bottom, two putti hold a cartouche on which the impressure. At the top, two putti hold a banderole with the title in three rules in French
Coat of Arms with a Rampant Lion. Sebald Beham; German, 1500-1550. Date: 1544. Dimensions: 69 x 59 mm (sheet, trimmed to image). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute. Author: Hans Sebald Beham. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coat-of-arms-with-a-rampant-lion-sebald-beham-german-1500-1550-date-1544-dimensions-69-x-59-mm-sheet-trimmed-to-image-engraving-in-black-on-ivory-laid-paper-origin-germany-museum-the-chicago-art-institute-author-hans-sebald-beham-image239834733.htmlRMRX5BJ5–Coat of Arms with a Rampant Lion. Sebald Beham; German, 1500-1550. Date: 1544. Dimensions: 69 x 59 mm (sheet, trimmed to image). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute. Author: Hans Sebald Beham.
. English: Philip the Good, Duke of Burgundy Contents: Statutes and armorial of the Order of the Golden Fleece Place of origin, date: Southern Netherlands; 1561. Added section (ff. 67-88) and miniatures: Southern Netherlands; 1601 Material: Paper (and vellum), ff. 88, 283x189 (245x155; after f. 67: 245x145/150) mm, several calligraphic scripts, Binding: 18th-century brown leather; gilt; with coat of arms of Stadholder William V Decoration: 93 paper pages with coats of arms painted over woodcut outlines Added: 3 full-page miniatures on vellum Provenance: Acquired c. 1601 by Philip William (1554 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-philip-the-good-duke-of-burgundy-contents-statutes-and-armorial-of-the-order-of-the-golden-fleece-place-of-origin-date-southern-netherlands-1561-added-section-ff-67-88-and-miniatures-southern-netherlands-1601-material-paper-and-vellum-ff-88-283x189-245x155-after-f-67-245x145150-mm-several-calligraphic-scripts-binding-18th-century-brown-leather-gilt-with-coat-of-arms-of-stadholder-william-v-decoration-93-paper-pages-with-coats-of-arms-painted-over-woodcut-outlines-added-3-full-page-miniatures-on-vellum-provenance-acquired-c-1601-by-philip-william-1554-image185695111.htmlRMMP3407–. English: Philip the Good, Duke of Burgundy Contents: Statutes and armorial of the Order of the Golden Fleece Place of origin, date: Southern Netherlands; 1561. Added section (ff. 67-88) and miniatures: Southern Netherlands; 1601 Material: Paper (and vellum), ff. 88, 283x189 (245x155; after f. 67: 245x145/150) mm, several calligraphic scripts, Binding: 18th-century brown leather; gilt; with coat of arms of Stadholder William V Decoration: 93 paper pages with coats of arms painted over woodcut outlines Added: 3 full-page miniatures on vellum Provenance: Acquired c. 1601 by Philip William (1554
King Edward VIIas a sportsman . herethe ruins of a castle which belonged to him are still tobe seen ; but he was so energetic in the service of hisadopted country that he fought on the English sideat Cre9y, at Poitiers, and the siege of Calais. TheBrocases seem to have fought wherever there was anyfighting to be done, and their coat-of-arms bears aMoors head, the origin of which is supposed to havebeen that one of them vanquished a Moorish king inbattle. When there was no fighting they went hunt-ing, though the second Master proved unfaithful tohis trust, and was executed in the year 1400 for Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-edward-viias-a-sportsman-herethe-ruins-of-a-castle-which-belonged-to-him-are-still-tobe-seen-but-he-was-so-energetic-in-the-service-of-hisadopted-country-that-he-fought-on-the-english-sideat-cre9y-at-poitiers-and-the-siege-of-calais-thebrocases-seem-to-have-fought-wherever-there-was-anyfighting-to-be-done-and-their-coat-of-arms-bears-amoors-head-the-origin-of-which-is-supposed-to-havebeen-that-one-of-them-vanquished-a-moorish-king-inbattle-when-there-was-no-fighting-they-went-hunt-ing-though-the-second-master-proved-unfaithful-tohis-trust-and-was-executed-in-the-year-1400-for-image343242089.htmlRM2AXC0P1–King Edward VIIas a sportsman . herethe ruins of a castle which belonged to him are still tobe seen ; but he was so energetic in the service of hisadopted country that he fought on the English sideat Cre9y, at Poitiers, and the siege of Calais. TheBrocases seem to have fought wherever there was anyfighting to be done, and their coat-of-arms bears aMoors head, the origin of which is supposed to havebeen that one of them vanquished a Moorish king inbattle. When there was no fighting they went hunt-ing, though the second Master proved unfaithful tohis trust, and was executed in the year 1400 for
Horse tamers on the bell-tower of the Festetics Palace (1745) in Keszthely, Hungary Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-horse-tamers-on-the-bell-tower-of-the-festetics-palace-1745-in-keszthely-122775076.htmlRMH3MTT4–Horse tamers on the bell-tower of the Festetics Palace (1745) in Keszthely, Hungary
Coat of arms of the United Arab Emirates. Motion. A bright coat of arms with an eagle in the middle on a colored canvas. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coat-of-arms-of-the-united-arab-emirates-motion-a-bright-coat-of-arms-with-an-eagle-in-the-middle-on-a-colored-canvas-image467566847.htmlRF2J4KE7Y–Coat of arms of the United Arab Emirates. Motion. A bright coat of arms with an eagle in the middle on a colored canvas.
A shaggy dog in the arms of a child who is stroking it. A close-up view. Object isolated from the background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-shaggy-dog-in-the-arms-of-a-child-who-is-stroking-it-a-close-up-view-object-isolated-from-the-background-image448817192.htmlRF2H25AWC–A shaggy dog in the arms of a child who is stroking it. A close-up view. Object isolated from the background.
Coat of arms of the Bagration Family depicted on the marble tombstone of Russian princess Catherine Bagration (1783-1857) at the Greek Orthodox cemetery on San Michele Island (Cimitero di San Michele) in Venice, Italy. Russian noblewoman Catherine Bagration, née Skavronskaya, was a wife of Russian general and prince of Georgian origin Pyotr Bagration, prominent during the Napoleonic Wars. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coat-of-arms-of-the-bagration-family-depicted-on-the-marble-tombstone-of-russian-princess-catherine-bagration-1783-1857-at-the-greek-orthodox-cemetery-on-san-michele-island-cimitero-di-san-michele-in-venice-italy-russian-noblewoman-catherine-bagration-ne-skavronskaya-was-a-wife-of-russian-general-and-prince-of-georgian-origin-pyotr-bagration-prominent-during-the-napoleonic-wars-image229134294.htmlRMR8NY3J–Coat of arms of the Bagration Family depicted on the marble tombstone of Russian princess Catherine Bagration (1783-1857) at the Greek Orthodox cemetery on San Michele Island (Cimitero di San Michele) in Venice, Italy. Russian noblewoman Catherine Bagration, née Skavronskaya, was a wife of Russian general and prince of Georgian origin Pyotr Bagration, prominent during the Napoleonic Wars.
Profile natural, charming, gorgeous Asian woman with light brown hair in business casual black suit jacket with folded arms smiling looking at camera. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/profile-natural-charming-gorgeous-asian-woman-with-light-brown-hair-in-business-casual-black-suit-jacket-with-folded-arms-smiling-looking-at-camera-image619709035.htmlRM2Y0655F–Profile natural, charming, gorgeous Asian woman with light brown hair in business casual black suit jacket with folded arms smiling looking at camera.
Coat of arms with a horseman leaving a castle, Cacabelos Archaeological Museum, Cacabelos village, El Bierzo region, Castile and Leon, Spain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coat-of-arms-with-a-horseman-leaving-a-castle-cacabelos-archaeological-museum-cacabelos-village-el-bierzo-region-castile-and-leon-spain-image635015957.htmlRM2YW3D99–Coat of arms with a horseman leaving a castle, Cacabelos Archaeological Museum, Cacabelos village, El Bierzo region, Castile and Leon, Spain
Grachtenmuseum or Museum of the Canals with city flag on the Herengracht shows the history of the origins of the buildings and canals in Amsterdam Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grachtenmuseum-or-museum-of-the-canals-with-city-flag-on-the-herengracht-shows-the-history-of-the-origins-of-the-buildings-and-canals-in-amsterdam-image370882486.htmlRF2CFB4B2–Grachtenmuseum or Museum of the Canals with city flag on the Herengracht shows the history of the origins of the buildings and canals in Amsterdam
Lucas Hugensz. van Leyden (1488, 1499 resp. 1494 - 1533), artist, coat of arms with mask held by two genii, origin of the print: 1527, copperplate on paper vergé, sheet size: 7.8 x 11.6 cm, center left monogrammed 'L' and bottom center dated '1527 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lucas-hugensz-van-leyden-1488-1499-resp-1494-1533-artist-coat-of-arms-with-mask-held-by-two-genii-origin-of-the-print-1527-copperplate-on-paper-verg-sheet-size-78-x-116-cm-center-left-monogrammed-l-and-bottom-center-dated-1527-image573212427.htmlRM2T8G28B–Lucas Hugensz. van Leyden (1488, 1499 resp. 1494 - 1533), artist, coat of arms with mask held by two genii, origin of the print: 1527, copperplate on paper vergé, sheet size: 7.8 x 11.6 cm, center left monogrammed 'L' and bottom center dated '1527
Death's Coat of Arms. Wenceslaus Hollar (Czech, 1607-1677); after Hans Holbein the younger (German, c.1497-1543). Date: 1651. Dimensions: 73 × 53 mm (sheet, trimmed within plate mark). Etching on ivory wove paper. Origin: Bohemia. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deaths-coat-of-arms-wenceslaus-hollar-czech-1607-1677-after-hans-holbein-the-younger-german-c1497-1543-date-1651-dimensions-73-53-mm-sheet-trimmed-within-plate-mark-etching-on-ivory-wove-paper-origin-bohemia-museum-the-chicago-art-institute-image239936248.htmlRMRXA13M–Death's Coat of Arms. Wenceslaus Hollar (Czech, 1607-1677); after Hans Holbein the younger (German, c.1497-1543). Date: 1651. Dimensions: 73 × 53 mm (sheet, trimmed within plate mark). Etching on ivory wove paper. Origin: Bohemia. Museum: The Chicago Art Institute.
. English: Philip II, king of Spain (1527-1598). Contents: Statutes and armorial of the Order of the Golden Fleece Place of origin, date: Southern Netherlands; 1561. Added section (ff. 67-88) and miniatures: Southern Netherlands; 1601 Material: Paper (and vellum), ff. 88, 283x189 (245x155; after f. 67: 245x145/150) mm, several calligraphic scripts, Binding: 18th-century brown leather; gilt; with coat of arms of Stadholder William V Decoration: 93 paper pages with coats of arms painted over woodcut outlines Added: 3 full-page miniatures on vellum Provenance: Acquired c. 1601 by Philip William ( Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-philip-ii-king-of-spain-1527-1598-contents-statutes-and-armorial-of-the-order-of-the-golden-fleece-place-of-origin-date-southern-netherlands-1561-added-section-ff-67-88-and-miniatures-southern-netherlands-1601-material-paper-and-vellum-ff-88-283x189-245x155-after-f-67-245x145150-mm-several-calligraphic-scripts-binding-18th-century-brown-leather-gilt-with-coat-of-arms-of-stadholder-william-v-decoration-93-paper-pages-with-coats-of-arms-painted-over-woodcut-outlines-added-3-full-page-miniatures-on-vellum-provenance-acquired-c-1601-by-philip-william-image185695112.htmlRMMP3408–. English: Philip II, king of Spain (1527-1598). Contents: Statutes and armorial of the Order of the Golden Fleece Place of origin, date: Southern Netherlands; 1561. Added section (ff. 67-88) and miniatures: Southern Netherlands; 1601 Material: Paper (and vellum), ff. 88, 283x189 (245x155; after f. 67: 245x145/150) mm, several calligraphic scripts, Binding: 18th-century brown leather; gilt; with coat of arms of Stadholder William V Decoration: 93 paper pages with coats of arms painted over woodcut outlines Added: 3 full-page miniatures on vellum Provenance: Acquired c. 1601 by Philip William (
A landmark history of New York; also the origin of street names and a bibliography . he scene of many state occasions.Here we found a number of interesting objects: thedesks of Washington, Adams, and Jefferson, andsome of the original furniture used in old FederalHall, on which is carved the national coat of arms;portraits of many distinguished patriots, includingWashington, Hamilton, and most of the Governorsof Xew York; also a painting of Peter Stuyvesant,and off in one corner the little twig that once formeda portion of his famous pear tree. Can we see where they make the laws? askedEmily. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-landmark-history-of-new-york-also-the-origin-of-street-names-and-a-bibliography-he-scene-of-many-state-occasionshere-we-found-a-number-of-interesting-objects-thedesks-of-washington-adams-and-jefferson-andsome-of-the-original-furniture-used-in-old-federalhall-on-which-is-carved-the-national-coat-of-armsportraits-of-many-distinguished-patriots-includingwashington-hamilton-and-most-of-the-governorsof-xew-york-also-a-painting-of-peter-stuyvesantand-off-in-one-corner-the-little-twig-that-once-formeda-portion-of-his-famous-pear-tree-can-we-see-where-they-make-the-laws-askedemily-image343376046.htmlRM2AXJ3J6–A landmark history of New York; also the origin of street names and a bibliography . he scene of many state occasions.Here we found a number of interesting objects: thedesks of Washington, Adams, and Jefferson, andsome of the original furniture used in old FederalHall, on which is carved the national coat of arms;portraits of many distinguished patriots, includingWashington, Hamilton, and most of the Governorsof Xew York; also a painting of Peter Stuyvesant,and off in one corner the little twig that once formeda portion of his famous pear tree. Can we see where they make the laws? askedEmily.
Book of Hours, Woman holding a white chain attached to a coat of arms on the ground, This Book of Hours of ca. 1430-45 was illuminated by the followers of the Masters of the Gold Scrolls under North Netherlandish influence, suggesting an origin in Bruges. The manuscript, which is partially misbound, is decorated with thirteen extant miniatures (ten full-page, inserted), three historiated initials, and drolleries. In addition to a diverse collection of South Netherlandish, North French, and occasional English saints, this manuscript also features suffrages Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/book-of-hours-woman-holding-a-white-chain-attached-to-a-coat-of-arms-on-the-ground-this-book-of-hours-of-ca-1430-45-was-illuminated-by-the-followers-of-the-masters-of-the-gold-scrolls-under-north-netherlandish-influence-suggesting-an-origin-in-bruges-the-manuscript-which-is-partially-misbound-is-decorated-with-thirteen-extant-miniatures-ten-full-page-inserted-three-historiated-initials-and-drolleries-in-addition-to-a-diverse-collection-of-south-netherlandish-north-french-and-occasional-english-saints-this-manuscript-also-features-suffrages-image573472163.htmlRM2T8YWGK–Book of Hours, Woman holding a white chain attached to a coat of arms on the ground, This Book of Hours of ca. 1430-45 was illuminated by the followers of the Masters of the Gold Scrolls under North Netherlandish influence, suggesting an origin in Bruges. The manuscript, which is partially misbound, is decorated with thirteen extant miniatures (ten full-page, inserted), three historiated initials, and drolleries. In addition to a diverse collection of South Netherlandish, North French, and occasional English saints, this manuscript also features suffrages
Coat of Arms of Wilhelm and Wolfgang Rogendorf. After Albrecht Dürer; German, 1471-1528; Ralf Leopold von Retberg-Wettbergen; German, 1812-1885. Date: 1864. Dimensions: 628 x 448 mm (image); 648 x 464 mm (sheet). Lithograph in black on ivory wove paper. Origin: Germany. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coat-of-arms-of-wilhelm-and-wolfgang-rogendorf-after-albrecht-drer-german-1471-1528-ralf-leopold-von-retberg-wettbergen-german-1812-1885-date-1864-dimensions-628-x-448-mm-image-648-x-464-mm-sheet-lithograph-in-black-on-ivory-wove-paper-origin-germany-museum-the-chicago-art-institute-image240164015.htmlRMRXMBJ7–Coat of Arms of Wilhelm and Wolfgang Rogendorf. After Albrecht Dürer; German, 1471-1528; Ralf Leopold von Retberg-Wettbergen; German, 1812-1885. Date: 1864. Dimensions: 628 x 448 mm (image); 648 x 464 mm (sheet). Lithograph in black on ivory wove paper. Origin: Germany. Museum: The Chicago Art Institute.
. History of Rome and of the Roman people, from its origin to the Invasion of the Barbarians;. ADMINISTRATION OF AUGUSTUS IN THE lIlOVINCES. 221 Ruteni and Gabali were coined ; Autun, later cclel)rated for itsschools, Cenabum on the Loire, frequented by Roman traders evenbefore the Gallic war was ended ; Treves, upon the Moselle, andRheims, which soon so completely forgot her Gallic origin thatshe called herself the daughter of Remus, and put the she-wolfand the twins upon her coat-of-arms. Strabo tells us of merchan-dise transferred from the Saône to the Seine, destined for theBritish islands Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-rome-and-of-the-roman-people-from-its-origin-to-the-invasion-of-the-barbarians-administration-of-augustus-in-the-lilovinces-221-ruteni-and-gabali-were-coined-autun-later-cclelrated-for-itsschools-cenabum-on-the-loire-frequented-by-roman-traders-evenbefore-the-gallic-war-was-ended-treves-upon-the-moselle-andrheims-which-soon-so-completely-forgot-her-gallic-origin-thatshe-called-herself-the-daughter-of-remus-and-put-the-she-wolfand-the-twins-upon-her-coat-of-arms-strabo-tells-us-of-merchan-dise-transferred-from-the-sane-to-the-seine-destined-for-thebritish-islands-image336716428.htmlRM2AFPN6M–. History of Rome and of the Roman people, from its origin to the Invasion of the Barbarians;. ADMINISTRATION OF AUGUSTUS IN THE lIlOVINCES. 221 Ruteni and Gabali were coined ; Autun, later cclel)rated for itsschools, Cenabum on the Loire, frequented by Roman traders evenbefore the Gallic war was ended ; Treves, upon the Moselle, andRheims, which soon so completely forgot her Gallic origin thatshe called herself the daughter of Remus, and put the she-wolfand the twins upon her coat-of-arms. Strabo tells us of merchan-dise transferred from the Saône to the Seine, destined for theBritish islands
Lucas Hugensz. van Leyden (1488, 1499 resp. 1494 - 1533), artist, coat of arms with mask held by two genii, Albrecht Dürer (1471 - 1528), artist Johann Knoblauch the Elder (1497 - 1528), printer, publisher, David sees Bathsheba bathing, origin of the print medium: ca. 1493, woodcut and letterpress on vergé paper, sheet size: 13. 3 x 11.4 cm Print area woodblock: 10.9 x 10.9 cm, Recto above image field inscribed 'Wie Bersabe Uriels des Ritters huß, frow sich zwuog vnd bathet in eim fenster dz es der künig Dauid Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lucas-hugensz-van-leyden-1488-1499-resp-1494-1533-artist-coat-of-arms-with-mask-held-by-two-genii-albrecht-drer-1471-1528-artist-johann-knoblauch-the-elder-1497-1528-printer-publisher-david-sees-bathsheba-bathing-origin-of-the-print-medium-ca-1493-woodcut-and-letterpress-on-verg-paper-sheet-size-13-3-x-114-cm-print-area-woodblock-109-x-109-cm-recto-above-image-field-inscribed-wie-bersabe-uriels-des-ritters-hu-frow-sich-zwuog-vnd-bathet-in-eim-fenster-dz-es-der-knig-dauid-image573212178.htmlRM2T8G1YE–Lucas Hugensz. van Leyden (1488, 1499 resp. 1494 - 1533), artist, coat of arms with mask held by two genii, Albrecht Dürer (1471 - 1528), artist Johann Knoblauch the Elder (1497 - 1528), printer, publisher, David sees Bathsheba bathing, origin of the print medium: ca. 1493, woodcut and letterpress on vergé paper, sheet size: 13. 3 x 11.4 cm Print area woodblock: 10.9 x 10.9 cm, Recto above image field inscribed 'Wie Bersabe Uriels des Ritters huß, frow sich zwuog vnd bathet in eim fenster dz es der künig Dauid
Coat of Arms of Haarlem, end page to Counts and Countesses of Holland, Zeeland and West-Frisia. Cornelis Visscher; Dutch, c. 1629-1658. Date: 1650. Dimensions: . Etching and engraving on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coat-of-arms-of-haarlem-end-page-to-counts-and-countesses-of-holland-zeeland-and-west-frisia-cornelis-visscher-dutch-c-1629-1658-date-1650-dimensions-etching-and-engraving-on-ivory-laid-paper-origin-holland-museum-the-chicago-art-institute-image240142068.htmlRMRXKBJC–Coat of Arms of Haarlem, end page to Counts and Countesses of Holland, Zeeland and West-Frisia. Cornelis Visscher; Dutch, c. 1629-1658. Date: 1650. Dimensions: . Etching and engraving on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute.
History of the city of New York : its origin, rise, and progress . eat in Flatbush, but e.vtended hospitalities to them all untilthey should be better provided for. The Van Homes returned with the Clarksons, and,although avowed Whigs, were treated with great respect by the British officers. — Tlie Clark-sons of New York, Vol. I. 251-258. The coat of arms and autograph illustrated in thesketch were those of Secretary Matthew Clarksou, the first of the name in New York. ^ Smiths company was the first to cross the river on the retreat, and Matthew Clarksonslept the following night in the deserted Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-the-city-of-new-york-its-origin-rise-and-progress-eat-in-flatbush-but-evtended-hospitalities-to-them-all-untilthey-should-be-better-provided-for-the-van-homes-returned-with-the-clarksons-andalthough-avowed-whigs-were-treated-with-great-respect-by-the-british-officers-tlie-clark-sons-of-new-york-vol-i-251-258-the-coat-of-arms-and-autograph-illustrated-in-thesketch-were-those-of-secretary-matthew-clarksou-the-first-of-the-name-in-new-york-smiths-company-was-the-first-to-cross-the-river-on-the-retreat-and-matthew-clarksonslept-the-following-night-in-the-deserted-image342845807.htmlRM2AWNY93–History of the city of New York : its origin, rise, and progress . eat in Flatbush, but e.vtended hospitalities to them all untilthey should be better provided for. The Van Homes returned with the Clarksons, and,although avowed Whigs, were treated with great respect by the British officers. — Tlie Clark-sons of New York, Vol. I. 251-258. The coat of arms and autograph illustrated in thesketch were those of Secretary Matthew Clarksou, the first of the name in New York. ^ Smiths company was the first to cross the river on the retreat, and Matthew Clarksonslept the following night in the deserted
Pierre Drevet (1663 - 1738), execution Hyacinthe Rigaud (1659 - 1743), after, portrait of Hyacinthe Rigaud, origin of print: 1703, copperplate engraving, duplicated, sheet size: 45.9 x 30.2 cm (trimmed on all four sides)' Inscribed 'Hanc trimmed hyacinthi Rigaud' on the lower left and right of the coat of arms; on the left of the wap Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pierre-drevet-1663-1738-execution-hyacinthe-rigaud-1659-1743-after-portrait-of-hyacinthe-rigaud-origin-of-print-1703-copperplate-engraving-duplicated-sheet-size-459-x-302-cm-trimmed-on-all-four-sides-inscribed-hanc-trimmed-hyacinthi-rigaud-on-the-lower-left-and-right-of-the-coat-of-arms-on-the-left-of-the-wap-image573217780.htmlRM2T8G93G–Pierre Drevet (1663 - 1738), execution Hyacinthe Rigaud (1659 - 1743), after, portrait of Hyacinthe Rigaud, origin of print: 1703, copperplate engraving, duplicated, sheet size: 45.9 x 30.2 cm (trimmed on all four sides)' Inscribed 'Hanc trimmed hyacinthi Rigaud' on the lower left and right of the coat of arms; on the left of the wap
Coat of Arms with an Eagle. Sebald Beham; German, 1500-1550. Date: 1543. Dimensions: 72 x 50 mm (image/sheet, trimmed to platemark). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute. Author: Hans Sebald Beham. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coat-of-arms-with-an-eagle-sebald-beham-german-1500-1550-date-1543-dimensions-72-x-50-mm-imagesheet-trimmed-to-platemark-engraving-in-black-on-ivory-laid-paper-origin-germany-museum-the-chicago-art-institute-author-hans-sebald-beham-image239834663.htmlRMRX5BFK–Coat of Arms with an Eagle. Sebald Beham; German, 1500-1550. Date: 1543. Dimensions: 72 x 50 mm (image/sheet, trimmed to platemark). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute. Author: Hans Sebald Beham.
Some of the ancestors and descendants of Samuel Converse, jr., of Thompson parish, Killingly, Conn.; Major James Convers, of Woburn, Mass.; HonHeman Allen, MC., of Milton and Burlington, Vermont; Captain Jonathan Bixby, srof Killingly, Conn . ls vert descrilies a grant of arms in1612. This is so simple as to suggest a much older origin than this grant.Another Carter coat is argent on a chevron between three Catherine wheels,sable, as many cinquefoils oj the first. The base of the shield on the chest was left oid of heraldic orna-mentation, perhaps to admit of the insertion of a date, and the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/some-of-the-ancestors-and-descendants-of-samuel-converse-jr-of-thompson-parish-killingly-conn-major-james-convers-of-woburn-mass-honheman-allen-mc-of-milton-and-burlington-vermont-captain-jonathan-bixby-srof-killingly-conn-ls-vert-descrilies-a-grant-of-arms-in1612-this-is-so-simple-as-to-suggest-a-much-older-origin-than-this-grantanother-carter-coat-is-argent-on-a-chevron-between-three-catherine-wheelssable-as-many-cinquefoils-oj-the-first-the-base-of-the-shield-on-the-chest-was-left-oid-of-heraldic-orna-mentation-perhaps-to-admit-of-the-insertion-of-a-date-and-the-image343077769.htmlRM2AX4F5D–Some of the ancestors and descendants of Samuel Converse, jr., of Thompson parish, Killingly, Conn.; Major James Convers, of Woburn, Mass.; HonHeman Allen, MC., of Milton and Burlington, Vermont; Captain Jonathan Bixby, srof Killingly, Conn . ls vert descrilies a grant of arms in1612. This is so simple as to suggest a much older origin than this grant.Another Carter coat is argent on a chevron between three Catherine wheels,sable, as many cinquefoils oj the first. The base of the shield on the chest was left oid of heraldic orna-mentation, perhaps to admit of the insertion of a date, and the
Herald, Origin and the brief history of the counts of Hollandt Zeelandt and Vrieslandt (series title), Counts and countesses of Holland (series title), A herald stands in front of a throne and a sofa with seat cushions under a canopy. In his left hand he holds a herald's staff and in his right hand he holds a scroll. On the first and fourth quarters of his coat of arms is a double-headed eagle; at the second and third quarter three French lilies. There are three books at the front right. Numbered 1 at the bottom left. The print is part of a book with descriptions and representations of the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/herald-origin-and-the-brief-history-of-the-counts-of-hollandt-zeelandt-and-vrieslandt-series-title-counts-and-countesses-of-holland-series-title-a-herald-stands-in-front-of-a-throne-and-a-sofa-with-seat-cushions-under-a-canopy-in-his-left-hand-he-holds-a-heralds-staff-and-in-his-right-hand-he-holds-a-scroll-on-the-first-and-fourth-quarters-of-his-coat-of-arms-is-a-double-headed-eagle-at-the-second-and-third-quarter-three-french-lilies-there-are-three-books-at-the-front-right-numbered-1-at-the-bottom-left-the-print-is-part-of-a-book-with-descriptions-and-representations-of-the-image606643895.htmlRM2X6Y0DB–Herald, Origin and the brief history of the counts of Hollandt Zeelandt and Vrieslandt (series title), Counts and countesses of Holland (series title), A herald stands in front of a throne and a sofa with seat cushions under a canopy. In his left hand he holds a herald's staff and in his right hand he holds a scroll. On the first and fourth quarters of his coat of arms is a double-headed eagle; at the second and third quarter three French lilies. There are three books at the front right. Numbered 1 at the bottom left. The print is part of a book with descriptions and representations of the
Coat of Arms of Rohrbach and Eilge von Holzhausen. Master bxg (German, active ca. 1470-90); after Master of the Housebook (German, active c. 1470-1500). Date: 1470-1485. Dimensions: 96 × 92 mm (plate); 99 × 93 mm (sheet). Engraving in black on buff laid paper. Origin: Bayern. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coat-of-arms-of-rohrbach-and-eilge-von-holzhausen-master-bxg-german-active-ca-1470-90-after-master-of-the-housebook-german-active-c-1470-1500-date-1470-1485-dimensions-96-92-mm-plate-99-93-mm-sheet-engraving-in-black-on-buff-laid-paper-origin-bayern-museum-the-chicago-art-institute-image239838718.htmlRMRX5GME–Coat of Arms of Rohrbach and Eilge von Holzhausen. Master bxg (German, active ca. 1470-90); after Master of the Housebook (German, active c. 1470-1500). Date: 1470-1485. Dimensions: 96 × 92 mm (plate); 99 × 93 mm (sheet). Engraving in black on buff laid paper. Origin: Bayern. Museum: The Chicago Art Institute.
![Frontispiece: Relatione di Alfonso Isachi intorno l'origine, solennita`, traslatione, et miracoli della Madonna di Reggio (Alfonso Isachi's account of the origin, solemnity, translatione[?], and miracles of the Madonna of Reggio), Giovanni Luigi Valesio, Italian, ca. 1583 - 1633, Engraving on paper, Title page with inscription on central tablet, flanked by vase-topped columns and figures. Two ecclesiastical robed elders with scepters at right and left, and above them two haloed men, who each look up at a cherub. A scene of Mary and Christ as a child above the tablet, under a Latin phrase Stock Photo](https://c8.alamy.com/comp/2DN5BHK/frontispiece-relatione-di-alfonso-isachi-intorno-lorigine-solennita`-traslatione-et-miracoli-della-madonna-di-reggio-alfonso-isachis-account-of-the-origin-solemnity-translatione-and-miracles-of-the-madonna-of-reggio-giovanni-luigi-valesio-italian-ca-1583-1633-engraving-on-paper-title-page-with-inscription-on-central-tablet-flanked-by-vase-topped-columns-and-figures-two-ecclesiastical-robed-elders-with-scepters-at-right-and-left-and-above-them-two-haloed-men-who-each-look-up-at-a-cherub-a-scene-of-mary-and-christ-as-a-child-above-the-tablet-under-a-latin-phrase-2DN5BHK.jpg "Frontispiece: Relatione di Alfonso Isachi intorno l'origine, solennita`, traslatione, et miracoli della Madonna di Reggio (Alfonso Isachi's account of the origin, solemnity, translatione[?], and miracles of the Madonna of Reggio), Giovanni Luigi Valesio, Italian, ca. 1583 - 1633, Engraving on paper, Title page with inscription on central tablet, flanked by vase-topped columns and figures. Two ecclesiastical robed elders with scepters at right and left, and above them two haloed men, who each look up at a cherub. A scene of Mary and Christ as a child above the tablet, under a Latin phrase Stock Photo")
Frontispiece: Relatione di Alfonso Isachi intorno l'origine, solennita`, traslatione, et miracoli della Madonna di Reggio (Alfonso Isachi's account of the origin, solemnity, translatione[?], and miracles of the Madonna of Reggio), Giovanni Luigi Valesio, Italian, ca. 1583 - 1633, Engraving on paper, Title page with inscription on central tablet, flanked by vase-topped columns and figures. Two ecclesiastical robed elders with scepters at right and left, and above them two haloed men, who each look up at a cherub. A scene of Mary and Christ as a child above the tablet, under a Latin phrase Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frontispiece-relatione-di-alfonso-isachi-intorno-lorigine-solennita`-traslatione-et-miracoli-della-madonna-di-reggio-alfonso-isachis-account-of-the-origin-solemnity-translatione-and-miracles-of-the-madonna-of-reggio-giovanni-luigi-valesio-italian-ca-1583-1633-engraving-on-paper-title-page-with-inscription-on-central-tablet-flanked-by-vase-topped-columns-and-figures-two-ecclesiastical-robed-elders-with-scepters-at-right-and-left-and-above-them-two-haloed-men-who-each-look-up-at-a-cherub-a-scene-of-mary-and-christ-as-a-child-above-the-tablet-under-a-latin-phrase-image391654751.htmlRM2DN5BHK–Frontispiece: Relatione di Alfonso Isachi intorno l'origine, solennita`, traslatione, et miracoli della Madonna di Reggio (Alfonso Isachi's account of the origin, solemnity, translatione[?], and miracles of the Madonna of Reggio), Giovanni Luigi Valesio, Italian, ca. 1583 - 1633, Engraving on paper, Title page with inscription on central tablet, flanked by vase-topped columns and figures. Two ecclesiastical robed elders with scepters at right and left, and above them two haloed men, who each look up at a cherub. A scene of Mary and Christ as a child above the tablet, under a Latin phrase
. The history and genealogies of ancient Windsor, Connecticut:. to Ihe labors of .Toiin (!. IJissKi.i, of Konie. N. Y., .iiid .Miss Ei.viuv (.Ci..fiMir K. V. Mill. It issomewh.il girobable that this family is of Huguenot origin, many of whomlied lo Kngland (o escape the perseculions which followed Ihe massacre of St. IJar-Iholomew, 1.572. The family in England is but lillle known, and has but one coat-of arms, which is of a religious, rather than a warlike, chaiacter, and is thus de-scribed ill ISiiikiK Ciimplele Arniiin/: HissKi.i,, (in., on a bend, nr : three escal-lops, «r. jMolto, [n ree Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-history-and-genealogies-of-ancient-windsor-connecticut-to-ihe-labors-of-toiin-!-ijisskii-of-konie-n-y-iiid-miss-eiviuv-cifimir-k-v-mill-it-issomewhil-girobable-that-this-family-is-of-huguenot-origin-many-of-whomlied-lo-kngland-o-escape-the-perseculions-which-followed-ihe-massacre-of-st-ijar-iholomew-1572-the-family-in-england-is-but-lillle-known-and-has-but-one-coat-of-arms-which-is-of-a-religious-rather-than-a-warlike-chaiacter-and-is-thus-de-scribed-ill-isiiikik-ciimplele-arniiin-hisskii-in-on-a-bend-nr-three-escal-lops-r-jmolto-n-ree-image336954681.htmlRM2AG5H3N–. The history and genealogies of ancient Windsor, Connecticut:. to Ihe labors of .Toiin (!. IJissKi.i, of Konie. N. Y., .iiid .Miss Ei.viuv (.Ci..fiMir K. V. Mill. It issomewh.il girobable that this family is of Huguenot origin, many of whomlied lo Kngland (o escape the perseculions which followed Ihe massacre of St. IJar-Iholomew, 1.572. The family in England is but lillle known, and has but one coat-of arms, which is of a religious, rather than a warlike, chaiacter, and is thus de-scribed ill ISiiikiK Ciimplele Arniiin/: HissKi.i,, (in., on a bend, nr : three escal-lops, «r. jMolto, [n ree
Spandrel Design with Allegorical Figure of Fame (recto); Design for Coat of Arms (verso). Workshop of Giulio Pippi, called Giulio Romano; Italian, c. 1499-1546. Date: 1500-1535. Dimensions: 257 x 196 mm. Pen and brown ink with brush and brown wash (recto), and black chalk (verso), on ivory laid paper, recto squared in black chalk. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spandrel-design-with-allegorical-figure-of-fame-recto-design-for-coat-of-arms-verso-workshop-of-giulio-pippi-called-giulio-romano-italian-c-1499-1546-date-1500-1535-dimensions-257-x-196-mm-pen-and-brown-ink-with-brush-and-brown-wash-recto-and-black-chalk-verso-on-ivory-laid-paper-recto-squared-in-black-chalk-origin-italy-museum-the-chicago-art-institute-image239865515.htmlRMRX6PWF–Spandrel Design with Allegorical Figure of Fame (recto); Design for Coat of Arms (verso). Workshop of Giulio Pippi, called Giulio Romano; Italian, c. 1499-1546. Date: 1500-1535. Dimensions: 257 x 196 mm. Pen and brown ink with brush and brown wash (recto), and black chalk (verso), on ivory laid paper, recto squared in black chalk. Origin: Italy. Museum: The Chicago Art Institute.
The British compendium; or, Rudiments of honour: Containing the origin of the Scots, and succession of their kings for above 2000 years; . from chatFamily. Creft. On a Wreath, a Unicorns Head as thofe inthe Coat. Supporters. Two Savages, wreathd about theirWaftes with Laurel, each holdinsi, a Batten over hisShoulder, all proper, ^Io:co 144 Ker, Duke of Roxburgh. Motto. Pro Chrifto & Patria Dulce Pei-iculum.P. 9. N 10. Note. That this Family ufed formerly to bear theift and 4th Quarter of their Arms Gules, till in theReicn of King lames IV. one of the Lairds of Cef-forcf being killd, fighting v Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-british-compendium-or-rudiments-of-honour-containing-the-origin-of-the-scots-and-succession-of-their-kings-for-above-2000-years-from-chatfamily-creft-on-a-wreath-a-unicorns-head-as-thofe-inthe-coat-supporters-two-savages-wreathd-about-theirwaftes-with-laurel-each-holdinsi-a-batten-over-hisshoulder-all-proper-ioco-144-ker-duke-of-roxburgh-motto-pro-chrifto-patria-dulce-pei-iculump-9-n-10-note-that-this-family-ufed-formerly-to-bear-theift-and-4th-quarter-of-their-arms-gules-till-in-thereicn-of-king-lames-iv-one-of-the-lairds-of-cef-forcf-being-killd-fighting-v-image338372081.htmlRM2AJE515–The British compendium; or, Rudiments of honour: Containing the origin of the Scots, and succession of their kings for above 2000 years; . from chatFamily. Creft. On a Wreath, a Unicorns Head as thofe inthe Coat. Supporters. Two Savages, wreathd about theirWaftes with Laurel, each holdinsi, a Batten over hisShoulder, all proper, ^Io:co 144 Ker, Duke of Roxburgh. Motto. Pro Chrifto & Patria Dulce Pei-iculum.P. 9. N 10. Note. That this Family ufed formerly to bear theift and 4th Quarter of their Arms Gules, till in theReicn of King lames IV. one of the Lairds of Cef-forcf being killd, fighting v
The King Drinks. Jacques Claude Danzel (French, 1737-1809); after Gillis Van Tilborgh, the Younger (Flemish, c. 1625-c. 1678); coat of arms etched by Baisiez (French, active in 1764 and 1768). Date: 1766. Dimensions: 408 × 448 mm (image); 419 × 469 mm (plate); 454 × 533 mm (sheet). Etching with engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-king-drinks-jacques-claude-danzel-french-1737-1809-after-gillis-van-tilborgh-the-younger-flemish-c-1625-c-1678-coat-of-arms-etched-by-baisiez-french-active-in-1764-and-1768-date-1766-dimensions-408-448-mm-image-419-469-mm-plate-454-533-mm-sheet-etching-with-engraving-on-ivory-laid-paper-origin-france-museum-the-chicago-art-institute-image240002538.htmlRMRXD1K6–The King Drinks. Jacques Claude Danzel (French, 1737-1809); after Gillis Van Tilborgh, the Younger (Flemish, c. 1625-c. 1678); coat of arms etched by Baisiez (French, active in 1764 and 1768). Date: 1766. Dimensions: 408 × 448 mm (image); 419 × 469 mm (plate); 454 × 533 mm (sheet). Etching with engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute.
. History of the city of New York: its origin, rise and progress . at in Flatbush, but extended hospitalities to them all untiltliey should be better provided for. The Aan Homes returned with the Clarksons, and,although avowed Whigs, were treated with great respect by the British officers. — The Clark-sons of New York, Vol. I. 251 - 258. The coat of arms and autograph illustrated in thesketch were those of Secretary Matthew Clarkson. the first of the name in New York. ^ Smiths company was the first to cross the. river on the retreat, and Matthew Clarksonslept the following night in the deserte Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-the-city-of-new-york-its-origin-rise-and-progress-at-in-flatbush-but-extended-hospitalities-to-them-all-untiltliey-should-be-better-provided-for-the-aan-homes-returned-with-the-clarksons-andalthough-avowed-whigs-were-treated-with-great-respect-by-the-british-officers-the-clark-sons-of-new-york-vol-i-251-258-the-coat-of-arms-and-autograph-illustrated-in-thesketch-were-those-of-secretary-matthew-clarkson-the-first-of-the-name-in-new-york-smiths-company-was-the-first-to-cross-the-river-on-the-retreat-and-matthew-clarksonslept-the-following-night-in-the-deserte-image372632440.htmlRM2CJ6TDC–. History of the city of New York: its origin, rise and progress . at in Flatbush, but extended hospitalities to them all untiltliey should be better provided for. The Aan Homes returned with the Clarksons, and,although avowed Whigs, were treated with great respect by the British officers. — The Clark-sons of New York, Vol. I. 251 - 258. The coat of arms and autograph illustrated in thesketch were those of Secretary Matthew Clarkson. the first of the name in New York. ^ Smiths company was the first to cross the. river on the retreat, and Matthew Clarksonslept the following night in the deserte
Holy Roman Empire Coat of Arms with Cologne Coat of Arms from Koelner Chronik (Cologne Chronicle), Plate 37 from Woodcuts from Books of the 15th Century. Unknown Artist (Cologne, late 15th century); printed and published by Johann Koelhoff the Younger (German, active 1487-1502); portfolio text by Wilhelm Ludwig Schreiber (German, 1855-1932). Date: 1499. Dimensions: 135 x 135 mm (image); 338 x 220 mm (sheet). Woodcut in black, and letterpress in black with rubrication (recto and verso), on cream laid paper, tipped onto cream wove paper mat. Origin: Germany. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/holy-roman-empire-coat-of-arms-with-cologne-coat-of-arms-from-koelner-chronik-cologne-chronicle-plate-37-from-woodcuts-from-books-of-the-15th-century-unknown-artist-cologne-late-15th-century-printed-and-published-by-johann-koelhoff-the-younger-german-active-1487-1502-portfolio-text-by-wilhelm-ludwig-schreiber-german-1855-1932-date-1499-dimensions-135-x-135-mm-image-338-x-220-mm-sheet-woodcut-in-black-and-letterpress-in-black-with-rubrication-recto-and-verso-on-cream-laid-paper-tipped-onto-cream-wove-paper-mat-origin-germany-museum-the-chicago-art-institute-image240153604.htmlRMRXKXAC–Holy Roman Empire Coat of Arms with Cologne Coat of Arms from Koelner Chronik (Cologne Chronicle), Plate 37 from Woodcuts from Books of the 15th Century. Unknown Artist (Cologne, late 15th century); printed and published by Johann Koelhoff the Younger (German, active 1487-1502); portfolio text by Wilhelm Ludwig Schreiber (German, 1855-1932). Date: 1499. Dimensions: 135 x 135 mm (image); 338 x 220 mm (sheet). Woodcut in black, and letterpress in black with rubrication (recto and verso), on cream laid paper, tipped onto cream wove paper mat. Origin: Germany. Museum: The Chicago Art Institute.
. Some of the ancestors and the children of Nathaniel Wilson, esq.. art wheels vert describes a grant of arms in1612. This is so simple as to suggest a much older origin than this giant.Another Carter coat is argent on a chevron between three Catherine wheels,sable, as many einquefoils of the first. The base of the shield on the chest was left void of heraldic orna-mentation, perhaps to admit of the insertion of a date, and the date1684 is that of the death of the Rev. Thomas Carter. The letters originallycarved in the shield were undoubtedly J. C, the J being an I with a line 902 (Eorrtacnfca Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/some-of-the-ancestors-and-the-children-of-nathaniel-wilson-esq-art-wheels-vert-describes-a-grant-of-arms-in1612-this-is-so-simple-as-to-suggest-a-much-older-origin-than-this-giantanother-carter-coat-is-argent-on-a-chevron-between-three-catherine-wheelssable-as-many-einquefoils-of-the-first-the-base-of-the-shield-on-the-chest-was-left-void-of-heraldic-orna-mentation-perhaps-to-admit-of-the-insertion-of-a-date-and-the-date1684-is-that-of-the-death-of-the-rev-thomas-carter-the-letters-originallycarved-in-the-shield-were-undoubtedly-j-c-the-j-being-an-i-with-a-line-902-eorrtacnfca-image370629241.htmlRM2CEYHAH–. Some of the ancestors and the children of Nathaniel Wilson, esq.. art wheels vert describes a grant of arms in1612. This is so simple as to suggest a much older origin than this giant.Another Carter coat is argent on a chevron between three Catherine wheels,sable, as many einquefoils of the first. The base of the shield on the chest was left void of heraldic orna-mentation, perhaps to admit of the insertion of a date, and the date1684 is that of the death of the Rev. Thomas Carter. The letters originallycarved in the shield were undoubtedly J. C, the J being an I with a line 902 (Eorrtacnfca
D'Arg...., plate 188 from Célébrités de la Caricature. Honoré Victorin Daumier; French, 1808-1879. Date: 1832. Dimensions: 356 × 264 mm. Lithograph in black, with hand coloring, on ivory wove paper, fixed (fixative discolored to yellow). Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/darg-plate-188-from-clbrits-de-la-caricature-honor-victorin-daumier-french-1808-1879-date-1832-dimensions-356-264-mm-lithograph-in-black-with-hand-coloring-on-ivory-wove-paper-fixed-fixative-discolored-to-yellow-origin-france-museum-the-chicago-art-institute-image240167309.htmlRMRXMFRW–D'Arg...., plate 188 from Célébrités de la Caricature. Honoré Victorin Daumier; French, 1808-1879. Date: 1832. Dimensions: 356 × 264 mm. Lithograph in black, with hand coloring, on ivory wove paper, fixed (fixative discolored to yellow). Origin: France. Museum: The Chicago Art Institute.
. History of Queens County, New York, with illustrations, portraits, & sketches of prominent families and individuals . The Prince family had its origin in the portion ofEngland bordering on Wales, and can be traced back toa remote antiquity. Its coat of arms—gu/es, a saltireor, surmounted of a cross engrailed, ermine —was notgranted, however, till the year 1584, in the reign ofQueen Elizabeth. Shrewsbury and Abbey Foregate,.Shropshire, were then the headquarters of the family.From this vicinity came John Prince, the ancestor of thePrinces of Salem and Maine, in 1633; and about thirtyyears lat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-queens-county-new-york-with-illustrations-portraits-sketches-of-prominent-families-and-individuals-the-prince-family-had-its-origin-in-the-portion-ofengland-bordering-on-wales-and-can-be-traced-back-toa-remote-antiquity-its-coat-of-armsgues-a-saltireor-surmounted-of-a-cross-engrailed-ermine-was-notgranted-however-till-the-year-1584-in-the-reign-ofqueen-elizabeth-shrewsbury-and-abbey-foregateshropshire-were-then-the-headquarters-of-the-familyfrom-this-vicinity-came-john-prince-the-ancestor-of-theprinces-of-salem-and-maine-in-1633-and-about-thirtyyears-lat-image370019142.htmlRM2CDYR5A–. History of Queens County, New York, with illustrations, portraits, & sketches of prominent families and individuals . The Prince family had its origin in the portion ofEngland bordering on Wales, and can be traced back toa remote antiquity. Its coat of arms—gu/es, a saltireor, surmounted of a cross engrailed, ermine —was notgranted, however, till the year 1584, in the reign ofQueen Elizabeth. Shrewsbury and Abbey Foregate,.Shropshire, were then the headquarters of the family.From this vicinity came John Prince, the ancestor of thePrinces of Salem and Maine, in 1633; and about thirtyyears lat
Triumph of Maximilian. Hans Burgkmair, the elder; German, 1473-1531. Date: 1493-1531. Dimensions: 420 x 500 mm (unfolded). Woodcut on paper. Origin: Germany. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/triumph-of-maximilian-hans-burgkmair-the-elder-german-1473-1531-date-1493-1531-dimensions-420-x-500-mm-unfolded-woodcut-on-paper-origin-germany-museum-the-chicago-art-institute-image239830958.htmlRMRX56RA–Triumph of Maximilian. Hans Burgkmair, the elder; German, 1473-1531. Date: 1493-1531. Dimensions: 420 x 500 mm (unfolded). Woodcut on paper. Origin: Germany. Museum: The Chicago Art Institute.
Frontispiece, from Solimano. Jacques Callot; French, 1592-1635. Date: 1620. Dimensions: 194 × 135 mm (image/sheet, cut within plate mark). Etching and burin on paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frontispiece-from-solimano-jacques-callot-french-1592-1635-date-1620-dimensions-194-135-mm-imagesheet-cut-within-plate-mark-etching-and-burin-on-paper-origin-france-museum-the-chicago-art-institute-image239975342.htmlRMRXBPYX–Frontispiece, from Solimano. Jacques Callot; French, 1592-1635. Date: 1620. Dimensions: 194 × 135 mm (image/sheet, cut within plate mark). Etching and burin on paper. Origin: France. Museum: The Chicago Art Institute.
Phillip II, King of Spain. Hieronymus Wierix; Flemish, 1553-1619. Date: 1586. Dimensions: 355 × 249 mm (image/sheet, trimmed within plate mark). Engraving in black on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/phillip-ii-king-of-spain-hieronymus-wierix-flemish-1553-1619-date-1586-dimensions-355-249-mm-imagesheet-trimmed-within-plate-mark-engraving-in-black-on-ivory-laid-paper-origin-flanders-museum-the-chicago-art-institute-image239919799.htmlRMRX9847–Phillip II, King of Spain. Hieronymus Wierix; Flemish, 1553-1619. Date: 1586. Dimensions: 355 × 249 mm (image/sheet, trimmed within plate mark). Engraving in black on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute.
Charles le Brun. Gérard Edelinck (French, born Flanders, 1640-1707); after Nicolas de Largillierre (French, 1656-1746). Date: 1660-1707. Dimensions: 522 × 402 mm (sheet, trimmed within platemark). Engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-le-brun-grard-edelinck-french-born-flanders-1640-1707-after-nicolas-de-largillierre-french-1656-1746-date-1660-1707-dimensions-522-402-mm-sheet-trimmed-within-platemark-engraving-on-ivory-laid-paper-origin-france-museum-the-chicago-art-institute-image239923300.htmlRMRX9CH8–Charles le Brun. Gérard Edelinck (French, born Flanders, 1640-1707); after Nicolas de Largillierre (French, 1656-1746). Date: 1660-1707. Dimensions: 522 × 402 mm (sheet, trimmed within platemark). Engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute.
Cardinal Albrecht of Brandenburg (The Great Cardinal). Albrecht Dürer; German, 1471-1528. Date: 1523. Dimensions: 173 × 127 mm. Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cardinal-albrecht-of-brandenburg-the-great-cardinal-albrecht-drer-german-1471-1528-date-1523-dimensions-173-127-mm-engraving-in-black-on-ivory-laid-paper-origin-germany-museum-the-chicago-art-institute-image239831486.htmlRMRX57E6–Cardinal Albrecht of Brandenburg (The Great Cardinal). Albrecht Dürer; German, 1471-1528. Date: 1523. Dimensions: 173 × 127 mm. Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute.
Frontispiece to Drawings of Several Movements by Soldiers. Stefano della Bella; Italian, 1610-1664. Date: 1644. Dimensions: 54 x 124 mm (image); 58 x 129 mm (plate); 64 x 134 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frontispiece-to-drawings-of-several-movements-by-soldiers-stefano-della-bella-italian-1610-1664-date-1644-dimensions-54-x-124-mm-image-58-x-129-mm-plate-64-x-134-mm-sheet-etching-on-ivory-laid-paper-origin-italy-museum-the-chicago-art-institute-image240032098.htmlRMRXEBAX–Frontispiece to Drawings of Several Movements by Soldiers. Stefano della Bella; Italian, 1610-1664. Date: 1644. Dimensions: 54 x 124 mm (image); 58 x 129 mm (plate); 64 x 134 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute.
Fragment (Dress Fabric). Italy, Venice. Date: 1500-1550. Dimensions: 32.4 x 54 cm (12 3/4 x 21 1/4 in.). Silk, warp-float faced 3:1 broken warp chevron twill weave with supplementary pile warps forming cut pile-on-pile solid velvet. Origin: Venice. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-dress-fabric-italy-venice-date-1500-1550-dimensions-324-x-54-cm-12-34-x-21-14-in-silk-warp-float-faced-31-broken-warp-chevron-twill-weave-with-supplementary-pile-warps-forming-cut-pile-on-pile-solid-velvet-origin-venice-museum-the-chicago-art-institute-image239839997.htmlRMRX5JA5–Fragment (Dress Fabric). Italy, Venice. Date: 1500-1550. Dimensions: 32.4 x 54 cm (12 3/4 x 21 1/4 in.). Silk, warp-float faced 3:1 broken warp chevron twill weave with supplementary pile warps forming cut pile-on-pile solid velvet. Origin: Venice. Museum: The Chicago Art Institute.
Celestial Map of the Southern Sky (Imagines coeli meridionalis). Albrecht Dürer; German, 1471-1528. Date: 1515. Dimensions: 431 x 433 mm (image); 585 x 463 mm (sheet). Woodcut in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/celestial-map-of-the-southern-sky-imagines-coeli-meridionalis-albrecht-drer-german-1471-1528-date-1515-dimensions-431-x-433-mm-image-585-x-463-mm-sheet-woodcut-in-black-on-ivory-laid-paper-origin-germany-museum-the-chicago-art-institute-image239739907.htmlRMRX12KF–Celestial Map of the Southern Sky (Imagines coeli meridionalis). Albrecht Dürer; German, 1471-1528. Date: 1515. Dimensions: 431 x 433 mm (image); 585 x 463 mm (sheet). Woodcut in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute.
King Christian II of Denmark. Jacob Binck (German, c. 1500-1569); after Jan Gossaert (Flemish, 1478-1532). Date: 1524-1535. Dimensions: 264 x 217 mm (image/sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute. Author: Jacob Binck. JAKOB BINCK. JAN MABUSE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-christian-ii-of-denmark-jacob-binck-german-c-1500-1569-after-jan-gossaert-flemish-1478-1532-date-1524-1535-dimensions-264-x-217-mm-imagesheet-engraving-in-black-on-ivory-laid-paper-origin-germany-museum-the-chicago-art-institute-author-jacob-binck-jakob-binck-jan-mabuse-image239839358.htmlRMRX5HFA–King Christian II of Denmark. Jacob Binck (German, c. 1500-1569); after Jan Gossaert (Flemish, 1478-1532). Date: 1524-1535. Dimensions: 264 x 217 mm (image/sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute. Author: Jacob Binck. JAKOB BINCK. JAN MABUSE.
