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Overall patterns Black & White Stock Photos
Piece. Culture: Italian, Venice. Dimensions: Overall: 45 1/2 x 39 1/2 in. (115.6 x 100.3 cm). Date: ca. 1720. Panels such as this--with its extraordinary patterns in long repeats--were called 'bizarre' by the Danish scholar Slomann, who believed they were made in India. Most scholars consider them an exotic phase in the history of European silk weaving. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piece-culture-italian-venice-dimensions-overall-45-12-x-39-12-in-1156-x-1003-cm-date-ca-1720-panels-such-as-this-with-its-extraordinary-patterns-in-long-repeats-were-called-bizarre-by-the-danish-scholar-slomann-who-believed-they-were-made-in-india-most-scholars-consider-them-an-exotic-phase-in-the-history-of-european-silk-weaving-museum-metropolitan-museum-of-art-new-york-usa-image212871451.htmlRMPA93KR–Piece. Culture: Italian, Venice. Dimensions: Overall: 45 1/2 x 39 1/2 in. (115.6 x 100.3 cm). Date: ca. 1720. Panels such as this--with its extraordinary patterns in long repeats--were called 'bizarre' by the Danish scholar Slomann, who believed they were made in India. Most scholars consider them an exotic phase in the history of European silk weaving. Museum: Metropolitan Museum of Art, New York, USA.
Tracery at Ripon Cathedral, restricting the complexity of patterns, overall amount of light admitted to the interior, vintage line drawing or engravin Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tracery-at-ripon-cathedral-restricting-the-complexity-of-patterns-overall-amount-of-light-admitted-to-the-interior-vintage-line-drawing-or-engravin-image348614192.htmlRF2B74MXT–Tracery at Ripon Cathedral, restricting the complexity of patterns, overall amount of light admitted to the interior, vintage line drawing or engravin
1950s OVERALL PATTERN METAL BASKETS FULL OF LEGHORN CHICKEN EGGS - p6480 HEL001 HARS OLD FASHIONED REPRESENTATION Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1950s-overall-pattern-metal-baskets-full-of-leghorn-chicken-eggs-p6480-hel001-hars-old-fashioned-representation-image365794127.htmlRM2C73A3Y–1950s OVERALL PATTERN METAL BASKETS FULL OF LEGHORN CHICKEN EGGS - p6480 HEL001 HARS OLD FASHIONED REPRESENTATION
Intricate entwined mystical dogs or wolves in overall square format in a black and white outline patterns, Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/intricate-entwined-mystical-dogs-or-wolves-in-overall-square-format-in-a-black-and-white-outline-patterns-image402662396.htmlRF2EB2RYT–Intricate entwined mystical dogs or wolves in overall square format in a black and white outline patterns,
Piece. Culture: Italian, Venice. Dimensions: Overall: 40 x 18 in. (101.6 x 45.7 cm). Date: ca. 1718. Panels such as this--with its extraordinary patterns in long repeats--were called 'bizarre' by the Danish scholar Slomann, who believed they were made in India. Most scholars consider them an exotic phase in the history of European silk weaving. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piece-culture-italian-venice-dimensions-overall-40-x-18-in-1016-x-457-cm-date-ca-1718-panels-such-as-this-with-its-extraordinary-patterns-in-long-repeats-were-called-bizarre-by-the-danish-scholar-slomann-who-believed-they-were-made-in-india-most-scholars-consider-them-an-exotic-phase-in-the-history-of-european-silk-weaving-museum-metropolitan-museum-of-art-new-york-usa-image212895116.htmlRMPAA5W0–Piece. Culture: Italian, Venice. Dimensions: Overall: 40 x 18 in. (101.6 x 45.7 cm). Date: ca. 1718. Panels such as this--with its extraordinary patterns in long repeats--were called 'bizarre' by the Danish scholar Slomann, who believed they were made in India. Most scholars consider them an exotic phase in the history of European silk weaving. Museum: Metropolitan Museum of Art, New York, USA.
Tracery is dominant patterns of window, regarded as over simplistic, shunned by art historians, overall development of Gothic, vintage line drawing or Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tracery-is-dominant-patterns-of-window-regarded-as-over-simplistic-shunned-by-art-historians-overall-development-of-gothic-vintage-line-drawing-or-image348643699.htmlRF2B762GK–Tracery is dominant patterns of window, regarded as over simplistic, shunned by art historians, overall development of Gothic, vintage line drawing or
Piece. Culture: Italian, Venice. Dimensions: Overall: 41 3/4 x 39 in. (106 x 99.1 cm). Date: ca. 1720. Panels such as this--with its extraordinary patterns in long repeats--were called 'bizarre' by the Danish scholar Slomann, who believed they were made in India. Most scholars consider them an exotic phase in the history of European silk weaving. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/piece-culture-italian-venice-dimensions-overall-41-34-x-39-in-106-x-991-cm-date-ca-1720-panels-such-as-this-with-its-extraordinary-patterns-in-long-repeats-were-called-bizarre-by-the-danish-scholar-slomann-who-believed-they-were-made-in-india-most-scholars-consider-them-an-exotic-phase-in-the-history-of-european-silk-weaving-museum-metropolitan-museum-of-art-new-york-usa-image213110587.htmlRMPAM0MB–Piece. Culture: Italian, Venice. Dimensions: Overall: 41 3/4 x 39 in. (106 x 99.1 cm). Date: ca. 1720. Panels such as this--with its extraordinary patterns in long repeats--were called 'bizarre' by the Danish scholar Slomann, who believed they were made in India. Most scholars consider them an exotic phase in the history of European silk weaving. Museum: Metropolitan Museum of Art, New York, USA.
Decanter. Culture: British or Czech. Dimensions: Overall without stopper: H. 9 5/16 in. (23.7 cm); Diam. 3 3/4 in. (9.5 cm). Date: 1790-1810. American consumers were drawn to imported blown-glass decanters from Europe, particularly from England. The interlaced garland that surrounds the thickest part of each decanter was one of the most popular patterns, cut into the glass with a copper wheel. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/decanter-culture-british-or-czech-dimensions-overall-without-stopper-h-9-516-in-237-cm-diam-3-34-in-95-cm-date-1790-1810-american-consumers-were-drawn-to-imported-blown-glass-decanters-from-europe-particularly-from-england-the-interlaced-garland-that-surrounds-the-thickest-part-of-each-decanter-was-one-of-the-most-popular-patterns-cut-into-the-glass-with-a-copper-wheel-museum-metropolitan-museum-of-art-new-york-usa-image212884002.htmlRMPA9KM2–Decanter. Culture: British or Czech. Dimensions: Overall without stopper: H. 9 5/16 in. (23.7 cm); Diam. 3 3/4 in. (9.5 cm). Date: 1790-1810. American consumers were drawn to imported blown-glass decanters from Europe, particularly from England. The interlaced garland that surrounds the thickest part of each decanter was one of the most popular patterns, cut into the glass with a copper wheel. Museum: Metropolitan Museum of Art, New York, USA.
Search Results for Overall patterns Black & White Stock Photos and Images (8)
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