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1960 1960s 1970 1970s RETRO PILE OF NAILS PATERN Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-1960-1960s-1970-1970s-retro-pile-of-nails-patern-47236139.htmlRMCMRP4Y–1960 1960s 1970 1970s RETRO PILE OF NAILS PATERN
Rooster Figure. Culture: Edo peoples. Dimensions: Overall: 17 7/8 in. (45.4 cm). Date: 18th century. Brass roosters are placed on ancestral altars commemorating the queen mothers of Benin. They stand for fowl and other animals that are sacrificed during rituals honoring royal ancestors. These explicitly male creatures acknowledge that the queen mother is different from other women and shares many powers and privileges with men. In depicting these birds, Benin brass casters indulge their love of dense overall patterns. Although stylized, these incised designs deftly suggest the rooster's showy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rooster-figure-culture-edo-peoples-dimensions-overall-17-78-in-454-cm-date-18th-century-brass-roosters-are-placed-on-ancestral-altars-commemorating-the-queen-mothers-of-benin-they-stand-for-fowl-and-other-animals-that-are-sacrificed-during-rituals-honoring-royal-ancestors-these-explicitly-male-creatures-acknowledge-that-the-queen-mother-is-different-from-other-women-and-shares-many-powers-and-privileges-with-men-in-depicting-these-birds-benin-brass-casters-indulge-their-love-of-dense-overall-patterns-although-stylized-these-incised-designs-deftly-suggest-the-roosters-showy-image213321289.htmlRMPB1HDD–Rooster Figure. Culture: Edo peoples. Dimensions: Overall: 17 7/8 in. (45.4 cm). Date: 18th century. Brass roosters are placed on ancestral altars commemorating the queen mothers of Benin. They stand for fowl and other animals that are sacrificed during rituals honoring royal ancestors. These explicitly male creatures acknowledge that the queen mother is different from other women and shares many powers and privileges with men. In depicting these birds, Benin brass casters indulge their love of dense overall patterns. Although stylized, these incised designs deftly suggest the rooster's showy
Adolphe Terris, French, 1820–1900, Detail of Stone Border with Organic Patterns, c. 1868, Cyanotype from wet-collodion-on-glass negative, Overall: 11 15/16 x 15 in. (30.3 x 38.1 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adolphe-terris-french-18201900-detail-of-stone-border-with-organic-patterns-c-1868-cyanotype-from-wet-collodion-on-glass-negative-overall-11-1516-x-15-in-303-x-381-cm-image344580070.htmlRM2B0GYB2–Adolphe Terris, French, 1820–1900, Detail of Stone Border with Organic Patterns, c. 1868, Cyanotype from wet-collodion-on-glass negative, Overall: 11 15/16 x 15 in. (30.3 x 38.1 cm
Sheet with overall patterns of pearls and zigzags 1939 by Anonymous Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-with-overall-patterns-of-pearls-and-zigzags-1939-by-anonymous-image574891371.htmlRM2TB8FPK–Sheet with overall patterns of pearls and zigzags 1939 by Anonymous
Navajo (Diné). Blanket. 1880–1899. New Mexico. Cotton and wool, single interlocking tapestry weave; twined selvages and heading, overcast finish terminating in tassels Brillant color and bold overall patterns with serrated diamonds, chevrons, and interlocking lines are hallmarks of the Eye Dazzler style of Navajo (Diné) textiles produced from the late-19th to the early-20th century. Earlier Navajo blankets featured broad horizontal bands of indigo blue, white, dark brown, black, and red, subsequently enhanced with the addition of small diamonds, bars, and squares. The lively approach of Eye Da Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/navajo-din-blanket-18801899-new-mexico-cotton-and-wool-single-interlocking-tapestry-weave-twined-selvages-and-heading-overcast-finish-terminating-in-tassels-brillant-color-and-bold-overall-patterns-with-serrated-diamonds-chevrons-and-interlocking-lines-are-hallmarks-of-the-eye-dazzler-style-of-navajo-din-textiles-produced-from-the-late-19th-to-the-early-20th-century-earlier-navajo-blankets-featured-broad-horizontal-bands-of-indigo-blue-white-dark-brown-black-and-red-subsequently-enhanced-with-the-addition-of-small-diamonds-bars-and-squares-the-lively-approach-of-eye-da-image337957128.htmlRM2AHR7NC–Navajo (Diné). Blanket. 1880–1899. New Mexico. Cotton and wool, single interlocking tapestry weave; twined selvages and heading, overcast finish terminating in tassels Brillant color and bold overall patterns with serrated diamonds, chevrons, and interlocking lines are hallmarks of the Eye Dazzler style of Navajo (Diné) textiles produced from the late-19th to the early-20th century. Earlier Navajo blankets featured broad horizontal bands of indigo blue, white, dark brown, black, and red, subsequently enhanced with the addition of small diamonds, bars, and squares. The lively approach of Eye Da
Art inspired by Painted bowl with geometric patterns, 3rd–2nd century B.C., Peru, Ica Valley, Paracas, Ceramic, pigment, Overall: 2 15/16 in. (7.38 cm), Ceramics-Containers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-painted-bowl-with-geometric-patterns-3rd2nd-century-bc-peru-ica-valley-paracas-ceramic-pigment-overall-2-1516-in-738-cm-ceramics-containers-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462943578.htmlRF2HW4W76–Art inspired by Painted bowl with geometric patterns, 3rd–2nd century B.C., Peru, Ica Valley, Paracas, Ceramic, pigment, Overall: 2 15/16 in. (7.38 cm), Ceramics-Containers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Rooster Figure 18th century Edo peoples Brass roosters are placed on ancestral altars commemorating the queen mothers of Benin. They stand for fowl and other animals that are sacrificed during rituals honoring royal ancestors. These explicitly male creatures acknowledge that the queen mother is different from other women and shares many powers and privileges with men. In depicting these birds, Benin brass casters indulge their love of dense overall patterns. Although stylized, these incised designs deftly suggest the rooster's showy plumage, scaly legs, and dimpled comb. Listen to experts illu Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rooster-figure-18th-century-edo-peoples-brass-roosters-are-placed-on-ancestral-altars-commemorating-the-queen-mothers-of-benin-they-stand-for-fowl-and-other-animals-that-are-sacrificed-during-rituals-honoring-royal-ancestors-these-explicitly-male-creatures-acknowledge-that-the-queen-mother-is-different-from-other-women-and-shares-many-powers-and-privileges-with-men-in-depicting-these-birds-benin-brass-casters-indulge-their-love-of-dense-overall-patterns-although-stylized-these-incised-designs-deftly-suggest-the-roosters-showy-plumage-scaly-legs-and-dimpled-comb-listen-to-experts-illu-image458117390.htmlRM2HH91BA–Rooster Figure 18th century Edo peoples Brass roosters are placed on ancestral altars commemorating the queen mothers of Benin. They stand for fowl and other animals that are sacrificed during rituals honoring royal ancestors. These explicitly male creatures acknowledge that the queen mother is different from other women and shares many powers and privileges with men. In depicting these birds, Benin brass casters indulge their love of dense overall patterns. Although stylized, these incised designs deftly suggest the rooster's showy plumage, scaly legs, and dimpled comb. Listen to experts illu
Art inspired by Partial design for a ceiling with alternative patterns for the borders, 1830–97, graphite on wove paper; inlaid in blue wove paper, Overall: 10 1/2 x 14 3/4 in. (26.6 x 37.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-partial-design-for-a-ceiling-with-alternative-patterns-for-the-borders-183097-graphite-on-wove-paper-inlaid-in-blue-wove-paper-overall-10-12-x-14-34-in-266-x-375-cm-drawings-jules-edmond-charles-lachaise-french-died-1897-eugne-pierre-gourdet-french-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462980838.htmlRF2HW6GNX–Art inspired by Partial design for a ceiling with alternative patterns for the borders, 1830–97, graphite on wove paper; inlaid in blue wove paper, Overall: 10 1/2 x 14 3/4 in. (26.6 x 37.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Rooster 18th century (?) Edo peoples Brass roosters are placed on ancestral altars commemorating the queen mothers of Benin. They stand for fowl and other animals that are sacrificed during rituals honoring royal ancestors. These explicitly male creatures acknowledge that the queen mother is different from other women and shares many powers and privileges with men. In depicting these birds, Benin brass casters indulge their love of dense overall patterns. Although stylized, these incised designs deftly suggest the rooster's showy plumage, scaly legs, and dimpled comb.. Rooster. Edo peoples. 18 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rooster-18th-century-edo-peoples-brass-roosters-are-placed-on-ancestral-altars-commemorating-the-queen-mothers-of-benin-they-stand-for-fowl-and-other-animals-that-are-sacrificed-during-rituals-honoring-royal-ancestors-these-explicitly-male-creatures-acknowledge-that-the-queen-mother-is-different-from-other-women-and-shares-many-powers-and-privileges-with-men-in-depicting-these-birds-benin-brass-casters-indulge-their-love-of-dense-overall-patterns-although-stylized-these-incised-designs-deftly-suggest-the-roosters-showy-plumage-scaly-legs-and-dimpled-comb-rooster-edo-peoples-18-image458426769.htmlRM2HHR40H–Rooster 18th century (?) Edo peoples Brass roosters are placed on ancestral altars commemorating the queen mothers of Benin. They stand for fowl and other animals that are sacrificed during rituals honoring royal ancestors. These explicitly male creatures acknowledge that the queen mother is different from other women and shares many powers and privileges with men. In depicting these birds, Benin brass casters indulge their love of dense overall patterns. Although stylized, these incised designs deftly suggest the rooster's showy plumage, scaly legs, and dimpled comb.. Rooster. Edo peoples. 18
Art inspired by Bracelet with Birds and Geometric Patterns, 1100–1400, Byzantine, Glass, silver stain, Overall: diam. 2 15/16 x 9/16 x 3/16 in. (diam. 7.5 x 1.4 x 0.4 cm), Glass, The silver stain used to decorate this bracelet is a medium well known in Islamic and Western medieval art, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-bracelet-with-birds-and-geometric-patterns-11001400-byzantine-glass-silver-stain-overall-diam-2-1516-x-916-x-316-in-diam-75-x-14-x-04-cm-glass-the-silver-stain-used-to-decorate-this-bracelet-is-a-medium-well-known-in-islamic-and-western-medieval-art-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463034612.htmlRF2HW91AC–Art inspired by Bracelet with Birds and Geometric Patterns, 1100–1400, Byzantine, Glass, silver stain, Overall: diam. 2 15/16 x 9/16 x 3/16 in. (diam. 7.5 x 1.4 x 0.4 cm), Glass, The silver stain used to decorate this bracelet is a medium well known in Islamic and Western medieval art, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
abstract image red and gold Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/abstract-image-red-and-gold-image474286983.htmlRF2JFHHTR–abstract image red and gold
Art inspired by Design for a ceiling paianted in filagree patterns, 1830–97, watercolor, gouache, and gold paint on wove paper; inlaid in wove paper, Overall: 10 5/16 x 14 3/4 in. (26.2 x 37.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-design-for-a-ceiling-paianted-in-filagree-patterns-183097-watercolor-gouache-and-gold-paint-on-wove-paper-inlaid-in-wove-paper-overall-10-516-x-14-34-in-262-x-375-cm-drawings-jules-edmond-charles-lachaise-french-died-1897-eugne-pierre-gourdet-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462980903.htmlRF2HW6GT7–Art inspired by Design for a ceiling paianted in filagree patterns, 1830–97, watercolor, gouache, and gold paint on wove paper; inlaid in wove paper, Overall: 10 5/16 x 14 3/4 in. (26.2 x 37.5 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Westminster Abbey, before 1844. This rare image is the first photography by Henneman to enter the museum's collection. Its composition stresses the overall form as well as the details of the main entrance of London's Westminster Abbey. Instead of showing the entire building, Henneman selected a close vantage point to express his admiration of one of the greatest examples of early English architecture. Enlivened with strong light and shadow patterns, the sculptural and textural refinements of the building are clearly visible in this subtly toned photograph. Henneman became a key figure in the e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/westminster-abbey-before-1844-this-rare-image-is-the-first-photography-by-henneman-to-enter-the-museums-collection-its-composition-stresses-the-overall-form-as-well-as-the-details-of-the-main-entrance-of-londons-westminster-abbey-instead-of-showing-the-entire-building-henneman-selected-a-close-vantage-point-to-express-his-admiration-of-one-of-the-greatest-examples-of-early-english-architecture-enlivened-with-strong-light-and-shadow-patterns-the-sculptural-and-textural-refinements-of-the-building-are-clearly-visible-in-this-subtly-toned-photograph-henneman-became-a-key-figure-in-the-e-image330135001.htmlRM2A52XFN–Westminster Abbey, before 1844. This rare image is the first photography by Henneman to enter the museum's collection. Its composition stresses the overall form as well as the details of the main entrance of London's Westminster Abbey. Instead of showing the entire building, Henneman selected a close vantage point to express his admiration of one of the greatest examples of early English architecture. Enlivened with strong light and shadow patterns, the sculptural and textural refinements of the building are clearly visible in this subtly toned photograph. Henneman became a key figure in the e
Art inspired by Terracotta lamp, Early Byzantine, 7th century A.D., Roman, Terracotta; mold-made, Overall: 1 1/2 x 3 5/8 in. (3.8 x 9.2 cm), Terracottas, Pear shaped top decorated with short moulded lines in patterns, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-terracotta-lamp-early-byzantine-7th-century-ad-roman-terracotta-mold-made-overall-1-12-x-3-58-in-38-x-92-cm-terracottas-pear-shaped-top-decorated-with-short-moulded-lines-in-patterns-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462781533.htmlRF2HTWEFW–Art inspired by Terracotta lamp, Early Byzantine, 7th century A.D., Roman, Terracotta; mold-made, Overall: 1 1/2 x 3 5/8 in. (3.8 x 9.2 cm), Terracottas, Pear shaped top decorated with short moulded lines in patterns, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Tracery at Ripon Cathedral, restricting the complexity of patterns, overall amount of light admitted to the interior, vintage line drawing or engravin Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tracery-at-ripon-cathedral-restricting-the-complexity-of-patterns-overall-amount-of-light-admitted-to-the-interior-vintage-line-drawing-or-engravin-image348614192.htmlRF2B74MXT–Tracery at Ripon Cathedral, restricting the complexity of patterns, overall amount of light admitted to the interior, vintage line drawing or engravin
Art inspired by Wall painting fragment, 1st century A.D., Roman, Fresco, Overall: 3 15/16 x 3 3/4 x 11/16 in. (10 x 9.5 x 1.8 cm), Miscellaneous-Paintings, On black ground; diamond and square patterns in white and ochre, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-wall-painting-fragment-1st-century-ad-roman-fresco-overall-3-1516-x-3-34-x-1116-in-10-x-95-x-18-cm-miscellaneous-paintings-on-black-ground-diamond-and-square-patterns-in-white-and-ochre-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462789207.htmlRF2HTWT9Y–Art inspired by Wall painting fragment, 1st century A.D., Roman, Fresco, Overall: 3 15/16 x 3 3/4 x 11/16 in. (10 x 9.5 x 1.8 cm), Miscellaneous-Paintings, On black ground; diamond and square patterns in white and ochre, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Viking sword with rare pattern-welded blade 9th/10th century In conserved excavated condition with patina characteristic of a river find, with broad flat blade tapering slightly over its upper third, formed with a short blunt point, the central part of the blade surface showing distinct pattern-welded horizontal patterns formed in three vertical parallel lines over the greater part of the blade length, both 'herringbone' and wavy linear, and the edges and the area immediately below the point forming a frame forged in a less distinct pattern of , Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-viking-sword-with-rare-pattern-welded-blade-9th10th-century-in-conserved-excavated-condition-with-patina-characteristic-of-a-river-find-with-broad-flat-blade-tapering-slightly-over-its-upper-third-formed-with-a-short-blunt-point-the-central-part-of-the-blade-surface-showing-distinct-pattern-welded-horizontal-patterns-formed-in-three-vertical-parallel-lines-over-the-greater-part-of-the-blade-length-both-herringbone-and-wavy-linear-and-the-edges-and-the-area-immediately-below-the-point-forming-a-frame-forged-in-a-less-distinct-pattern-of-additional-rights-clearance-info-not-available-image246181985.htmlRMT8EFHN–A Viking sword with rare pattern-welded blade 9th/10th century In conserved excavated condition with patina characteristic of a river find, with broad flat blade tapering slightly over its upper third, formed with a short blunt point, the central part of the blade surface showing distinct pattern-welded horizontal patterns formed in three vertical parallel lines over the greater part of the blade length, both 'herringbone' and wavy linear, and the edges and the area immediately below the point forming a frame forged in a less distinct pattern of , Additional-Rights-Clearance-Info-Not-Available
Art inspired by Circular Bead, 500–600, Frankish, Glass, Overall: 1 9/16 x 3/4 in. (4 x 1.9 cm), Glass-Beads, Beads from Frankish necklaces exhibit a stunning variety of patterns, colors, and forms. Though the beads seen here were made in the seventh century, the particular combination, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-circular-bead-500600-frankish-glass-overall-1-916-x-34-in-4-x-19-cm-glass-beads-beads-from-frankish-necklaces-exhibit-a-stunning-variety-of-patterns-colors-and-forms-though-the-beads-seen-here-were-made-in-the-seventh-century-the-particular-combination-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462830854.htmlRF2HTYNDA–Art inspired by Circular Bead, 500–600, Frankish, Glass, Overall: 1 9/16 x 3/4 in. (4 x 1.9 cm), Glass-Beads, Beads from Frankish necklaces exhibit a stunning variety of patterns, colors, and forms. Though the beads seen here were made in the seventh century, the particular combination, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A group of 12 Airmen with the 62d Airlift Wing were selected to be the first to be issued wearable human performance tracking rings as a part of the 62d Airlift Wing’s Human Performance Program at Joint Base Lewis-McChord, Washington, June 4, 2024. The wearables monitor and track various aspects of an individual’s physical performance to include how many steps they take in a day, heart rate, calories burned, sleep patterns and more. The data from each individual can be used to provide feedback on their overall health to further develop Airman to execute today’s global Airlift mission. (U.S. Ai Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-group-of-12-airmen-with-the-62d-airlift-wing-were-selected-to-be-the-first-to-be-issued-wearable-human-performance-tracking-rings-as-a-part-of-the-62d-airlift-wings-human-performance-program-at-joint-base-lewis-mcchord-washington-june-4-2024-the-wearables-monitor-and-track-various-aspects-of-an-individuals-physical-performance-to-include-how-many-steps-they-take-in-a-day-heart-rate-calories-burned-sleep-patterns-and-more-the-data-from-each-individual-can-be-used-to-provide-feedback-on-their-overall-health-to-further-develop-airman-to-execute-todays-global-airlift-mission-us-ai-image614369401.htmlRM2XKEXC9–A group of 12 Airmen with the 62d Airlift Wing were selected to be the first to be issued wearable human performance tracking rings as a part of the 62d Airlift Wing’s Human Performance Program at Joint Base Lewis-McChord, Washington, June 4, 2024. The wearables monitor and track various aspects of an individual’s physical performance to include how many steps they take in a day, heart rate, calories burned, sleep patterns and more. The data from each individual can be used to provide feedback on their overall health to further develop Airman to execute today’s global Airlift mission. (U.S. Ai
1960s 1970s RETRO PILE OF SCREWS PATTERN Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-1960s-1970s-retro-pile-of-screws-pattern-47236143.htmlRMCMRP53–1960s 1970s RETRO PILE OF SCREWS PATTERN
Terracotta oil lamp. Culture: Roman. Dimensions: Overall: 1 1/2 x 3 5/8 in. (3.8 x 9.2 cm). Date: 7th century A.D.. Pear shaped top decorated with short moulded lines in patterns. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/terracotta-oil-lamp-culture-roman-dimensions-overall-1-12-x-3-58-in-38-x-92-cm-date-7th-century-ad-pear-shaped-top-decorated-with-short-moulded-lines-in-patterns-museum-metropolitan-museum-of-art-new-york-usa-image213251117.htmlRMPAXBY9–Terracotta oil lamp. Culture: Roman. Dimensions: Overall: 1 1/2 x 3 5/8 in. (3.8 x 9.2 cm). Date: 7th century A.D.. Pear shaped top decorated with short moulded lines in patterns. Museum: Metropolitan Museum of Art, New York, USA.
Adolphe Terris, French, 1820–1900, Drawing Sample of Stained Glass Panel with Organic Patterns, c. 1868, Cyanotype from wet-collodion-on-glass negative, Overall: 11 5/16 x 14 3/4 in. (28.8 x 37.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adolphe-terris-french-18201900-drawing-sample-of-stained-glass-panel-with-organic-patterns-c-1868-cyanotype-from-wet-collodion-on-glass-negative-overall-11-516-x-14-34-in-288-x-375-cm-image344580061.htmlRM2B0GYAN–Adolphe Terris, French, 1820–1900, Drawing Sample of Stained Glass Panel with Organic Patterns, c. 1868, Cyanotype from wet-collodion-on-glass negative, Overall: 11 5/16 x 14 3/4 in. (28.8 x 37.5 cm
OVERALL BACKGROUND PATTERN GREEN WHITE DOLLAR SIGNS Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-overall-background-pattern-green-white-dollar-signs-74289157.htmlRME8T4G5–OVERALL BACKGROUND PATTERN GREEN WHITE DOLLAR SIGNS
Navajo (Diné). Germantown Eyedazzler Rug. 1800–1890. Arizona. Cotton and wool dovetailed tapestry weave Brillant color and bold overall patterns with serrated diamonds, chevrons, and interlocking lines are hallmarks of the Eye Dazzler style of Navajo (Diné) textiles produced from the late-19th to the early-20th century. Earlier Navajo blankets featured broad horizontal bands of indigo blue, white, dark brown, black, and red, subsequently enhanced with the addition of small diamonds, bars, and squares. The lively approach of Eye Dazzler weaving developed out of a period of major cultural and ar Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/navajo-din-germantown-eyedazzler-rug-18001890-arizona-cotton-and-wool-dovetailed-tapestry-weave-brillant-color-and-bold-overall-patterns-with-serrated-diamonds-chevrons-and-interlocking-lines-are-hallmarks-of-the-eye-dazzler-style-of-navajo-din-textiles-produced-from-the-late-19th-to-the-early-20th-century-earlier-navajo-blankets-featured-broad-horizontal-bands-of-indigo-blue-white-dark-brown-black-and-red-subsequently-enhanced-with-the-addition-of-small-diamonds-bars-and-squares-the-lively-approach-of-eye-dazzler-weaving-developed-out-of-a-period-of-major-cultural-and-ar-image337945798.htmlRM2AHPN8P–Navajo (Diné). Germantown Eyedazzler Rug. 1800–1890. Arizona. Cotton and wool dovetailed tapestry weave Brillant color and bold overall patterns with serrated diamonds, chevrons, and interlocking lines are hallmarks of the Eye Dazzler style of Navajo (Diné) textiles produced from the late-19th to the early-20th century. Earlier Navajo blankets featured broad horizontal bands of indigo blue, white, dark brown, black, and red, subsequently enhanced with the addition of small diamonds, bars, and squares. The lively approach of Eye Dazzler weaving developed out of a period of major cultural and ar
Fragment decorated with two similar patterns, 19th century, Unknown Ryukyuan, 15 1/8 × 12 3/4 in. (38.42 × 32.39 cm) (overall), Cloth: cotton; bingata (stencil resist with applied pigments), Japan, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-decorated-with-two-similar-patterns-19th-century-unknown-ryukyuan-15-18-12-34-in-3842-3239-cm-overall-cloth-cotton-bingata-stencil-resist-with-applied-pigments-japan-19th-century-image573488929.htmlRM2T90JYD–Fragment decorated with two similar patterns, 19th century, Unknown Ryukyuan, 15 1/8 × 12 3/4 in. (38.42 × 32.39 cm) (overall), Cloth: cotton; bingata (stencil resist with applied pigments), Japan, 19th century
Coverlet fragment. Fragment of traditional woven coverlet with an overall grid of varied supplementary weft patterns in red, grey and dark blue. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coverlet-fragment-fragment-of-traditional-woven-coverlet-with-an-overall-grid-of-varied-supplementary-weft-patterns-in-red-grey-and-dark-blue-image353475224.htmlRM2BF2574–Coverlet fragment. Fragment of traditional woven coverlet with an overall grid of varied supplementary weft patterns in red, grey and dark blue.
OVERALL PATTERN ABRAHAM LINCOLN COPPER PENNIES AMERICAN CURRENCY COINS Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-overall-pattern-abraham-lincoln-copper-pennies-american-currency-coins-74289134.htmlRME8T4FA–OVERALL PATTERN ABRAHAM LINCOLN COPPER PENNIES AMERICAN CURRENCY COINS
Nazca. Fragment. 200 AD–900 AD. Peru. Wool (camelid), plain weave of discontinuous warps and wefts; embroidered in double running stitches; edged with cross-knit loop stitches Geometric patterns are common in Andean textile art. Although it may appear simple at first look, this panel is far more elaborate than meets the eye the geometric designs presented here were formed using multiple techniques, with the weaving of the blue and red half-step frets, the outlining in white embroidery, and the edging in cross-knit loop stitches. This pattern creates an overall checkerboard of color, with the j Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nazca-fragment-200-ad900-ad-peru-wool-camelid-plain-weave-of-discontinuous-warps-and-wefts-embroidered-in-double-running-stitches-edged-with-cross-knit-loop-stitches-geometric-patterns-are-common-in-andean-textile-art-although-it-may-appear-simple-at-first-look-this-panel-is-far-more-elaborate-than-meets-the-eye-the-geometric-designs-presented-here-were-formed-using-multiple-techniques-with-the-weaving-of-the-blue-and-red-half-step-frets-the-outlining-in-white-embroidery-and-the-edging-in-cross-knit-loop-stitches-this-pattern-creates-an-overall-checkerboard-of-color-with-the-j-image337957354.htmlRM2AHR81E–Nazca. Fragment. 200 AD–900 AD. Peru. Wool (camelid), plain weave of discontinuous warps and wefts; embroidered in double running stitches; edged with cross-knit loop stitches Geometric patterns are common in Andean textile art. Although it may appear simple at first look, this panel is far more elaborate than meets the eye the geometric designs presented here were formed using multiple techniques, with the weaving of the blue and red half-step frets, the outlining in white embroidery, and the edging in cross-knit loop stitches. This pattern creates an overall checkerboard of color, with the j
OVERALL PATTERN ABRAHAM LINCOLN COPPER PENNIES AMERICAN CURRENCY COINS Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-overall-pattern-abraham-lincoln-copper-pennies-american-currency-coins-74289132.htmlRME8T4F8–OVERALL PATTERN ABRAHAM LINCOLN COPPER PENNIES AMERICAN CURRENCY COINS
Pine trees in the snow Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pine-trees-in-the-snow-172402408.htmlRFM0DH0T–Pine trees in the snow
Patterns in sand created by the wind, Mesquite Dunes, Death Valley, California. Overall effect is an abstract, jagged pattern. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/patterns-in-sand-created-by-the-wind-mesquite-dunes-death-valley-california-overall-effect-is-an-abstract-jagged-pattern-image393763645.htmlRF2DTHDF9–Patterns in sand created by the wind, Mesquite Dunes, Death Valley, California. Overall effect is an abstract, jagged pattern.
Woman's Skirt, 1875-1925. This female skirt or hip wrapper is the most extravagant textile of the Mbuun people of the Kwilu-Kwango River Basin. Its overall tan surface is from raffia fiber. It also features elegant geometric surface decoration called lobubasa : the diamond-shaped patterns embroidered on the upper and lower part of the textile with dyed fiber and through the center where the panels that form the textile converge. As a prestige cloth it most likely was only worn on special occasions such as burials or for ceremonial functions. Although it is a women's cloth, it is woven by men, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/womans-skirt-1875-1925-this-female-skirt-or-hip-wrapper-is-the-most-extravagant-textile-of-the-mbuun-people-of-the-kwilu-kwango-river-basin-its-overall-tan-surface-is-from-raffia-fiber-it-also-features-elegant-geometric-surface-decoration-called-lobubasa-the-diamond-shaped-patterns-embroidered-on-the-upper-and-lower-part-of-the-textile-with-dyed-fiber-and-through-the-center-where-the-panels-that-form-the-textile-converge-as-a-prestige-cloth-it-most-likely-was-only-worn-on-special-occasions-such-as-burials-or-for-ceremonial-functions-although-it-is-a-womens-cloth-it-is-woven-by-men-image330135618.htmlRM2A52Y9P–Woman's Skirt, 1875-1925. This female skirt or hip wrapper is the most extravagant textile of the Mbuun people of the Kwilu-Kwango River Basin. Its overall tan surface is from raffia fiber. It also features elegant geometric surface decoration called lobubasa : the diamond-shaped patterns embroidered on the upper and lower part of the textile with dyed fiber and through the center where the panels that form the textile converge. As a prestige cloth it most likely was only worn on special occasions such as burials or for ceremonial functions. Although it is a women's cloth, it is woven by men,
background image using texture and lines Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/background-image-using-texture-and-lines-image474286981.htmlRF2JFHHTN–background image using texture and lines
Tracery is dominant patterns of window, regarded as over simplistic, shunned by art historians, overall development of Gothic, vintage line drawing or Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tracery-is-dominant-patterns-of-window-regarded-as-over-simplistic-shunned-by-art-historians-overall-development-of-gothic-vintage-line-drawing-or-image348643699.htmlRF2B762GK–Tracery is dominant patterns of window, regarded as over simplistic, shunned by art historians, overall development of Gothic, vintage line drawing or
monochrome photo of textured background with black lines and room for copy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/monochrome-photo-of-textured-background-with-black-lines-and-room-for-copy-image422843263.htmlRF2FFX4W3–monochrome photo of textured background with black lines and room for copy
A Viking sword with rare pattern-welded blade 9th/10th century In conserved excavated condition with patina characteristic of a river find, with broad flat blade tapering slightly over its upper third, formed with a short blunt point, the central part of the blade surface showing distinct pattern-welded horizontal patterns formed in three vertical parallel lines over the greater part of the blade length, both 'herringbone' and wavy linear, and the edges and the area immediately below the point forming a frame forged in a less distinct pattern of , Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-viking-sword-with-rare-pattern-welded-blade-9th10th-century-in-conserved-excavated-condition-with-patina-characteristic-of-a-river-find-with-broad-flat-blade-tapering-slightly-over-its-upper-third-formed-with-a-short-blunt-point-the-central-part-of-the-blade-surface-showing-distinct-pattern-welded-horizontal-patterns-formed-in-three-vertical-parallel-lines-over-the-greater-part-of-the-blade-length-both-herringbone-and-wavy-linear-and-the-edges-and-the-area-immediately-below-the-point-forming-a-frame-forged-in-a-less-distinct-pattern-of-additional-rights-clearance-info-not-available-image246181960.htmlRMT8EFGT–A Viking sword with rare pattern-welded blade 9th/10th century In conserved excavated condition with patina characteristic of a river find, with broad flat blade tapering slightly over its upper third, formed with a short blunt point, the central part of the blade surface showing distinct pattern-welded horizontal patterns formed in three vertical parallel lines over the greater part of the blade length, both 'herringbone' and wavy linear, and the edges and the area immediately below the point forming a frame forged in a less distinct pattern of , Additional-Rights-Clearance-Info-Not-Available
Art inspired by Circular Bead, 500–600, Frankish, Glass, Overall: 1 7/16 x 11/16 in. (3.6 x 1.8 cm), Glass-Beads, Beads from Frankish necklaces exhibit a stunning variety of patterns, colors, and forms. Though the beads seen here were made in the seventh century, the particular, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-circular-bead-500600-frankish-glass-overall-1-716-x-1116-in-36-x-18-cm-glass-beads-beads-from-frankish-necklaces-exhibit-a-stunning-variety-of-patterns-colors-and-forms-though-the-beads-seen-here-were-made-in-the-seventh-century-the-particular-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462830910.htmlRF2HTYNFA–Art inspired by Circular Bead, 500–600, Frankish, Glass, Overall: 1 7/16 x 11/16 in. (3.6 x 1.8 cm), Glass-Beads, Beads from Frankish necklaces exhibit a stunning variety of patterns, colors, and forms. Though the beads seen here were made in the seventh century, the particular, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The overall aesthetic is modern and energetic with a playful and contemporary feel The use of contrasting colors and patterns adds depth and visual in Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-overall-aesthetic-is-modern-and-energetic-with-a-playful-and-contemporary-feel-the-use-of-contrasting-colors-and-patterns-adds-depth-and-visual-in-image619776993.htmlRF2Y097TH–The overall aesthetic is modern and energetic with a playful and contemporary feel The use of contrasting colors and patterns adds depth and visual in
Patterns in sand created by the wind, Mesquite Dunes, Death Valley, California. Overall effect is a calm, flowing pattern. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/patterns-in-sand-created-by-the-wind-mesquite-dunes-death-valley-california-overall-effect-is-a-calm-flowing-pattern-image432777792.htmlRF2G42MDM–Patterns in sand created by the wind, Mesquite Dunes, Death Valley, California. Overall effect is a calm, flowing pattern.
Tricolor Bowl. Culture: Byzantine. Dimensions: Overall: 3 7/8 x 13 5/8 in. (9.9 x 34.6 cm) diam. of foot: 4 1/8 in. (10.5 cm). Date: 14th century. The decorative patterns freely drawn on sgraffito-ware of the later Byzantine period appear to derive from more formal compositions found on metalwork. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tricolor-bowl-culture-byzantine-dimensions-overall-3-78-x-13-58-in-99-x-346-cm-diam-of-foot-4-18-in-105-cm-date-14th-century-the-decorative-patterns-freely-drawn-on-sgraffito-ware-of-the-later-byzantine-period-appear-to-derive-from-more-formal-compositions-found-on-metalwork-museum-metropolitan-museum-of-art-new-york-usa-image212935777.htmlRMPAC1N5–Tricolor Bowl. Culture: Byzantine. Dimensions: Overall: 3 7/8 x 13 5/8 in. (9.9 x 34.6 cm) diam. of foot: 4 1/8 in. (10.5 cm). Date: 14th century. The decorative patterns freely drawn on sgraffito-ware of the later Byzantine period appear to derive from more formal compositions found on metalwork. Museum: Metropolitan Museum of Art, New York, USA.
A tranquil sky scene with soft orange clouds against a clear blue backdrop Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-tranquil-sky-scene-with-soft-orange-clouds-against-a-clear-blue-backdrop-image603063731.htmlRF2X13WXB–A tranquil sky scene with soft orange clouds against a clear blue backdrop
Sheet with overall floral and U shaped patterns 1940 by Anonymous Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-with-overall-floral-and-u-shaped-patterns-1940-by-anonymous-image574892027.htmlRM2TB8GJ3–Sheet with overall floral and U shaped patterns 1940 by Anonymous
Opium Pipe, 1800s. China, Qing dynasty (1644-1911). Brass stem decorated with incised patterns, ivory mouthpiece ; overall: 53.4 cm (21 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/opium-pipe-1800s-china-qing-dynasty-1644-1911-brass-stem-decorated-with-incised-patterns-ivory-mouthpiece-overall-534-cm-21-in-image448074937.htmlRM2H0YG49–Opium Pipe, 1800s. China, Qing dynasty (1644-1911). Brass stem decorated with incised patterns, ivory mouthpiece ; overall: 53.4 cm (21 in.).
Dark blue-ground decorative scarf (tisaji) with geometric patterns, second half 19th century, Unknown Ryukyuan, 28 1/2 × 10 3/8 in. (72.39 × 26.35 cm) (overall), Cloth: cotton; floating relief warp and weft (Yomitanzan hanaori), yoko-gasuri (weft ikat), Japan, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dark-blue-ground-decorative-scarf-tisaji-with-geometric-patterns-second-half-19th-century-unknown-ryukyuan-28-12-10-38-in-7239-2635-cm-overall-cloth-cotton-floating-relief-warp-and-weft-yomitanzan-hanaori-yoko-gasuri-weft-ikat-japan-19th-century-image573488938.htmlRM2T90JYP–Dark blue-ground decorative scarf (tisaji) with geometric patterns, second half 19th century, Unknown Ryukyuan, 28 1/2 × 10 3/8 in. (72.39 × 26.35 cm) (overall), Cloth: cotton; floating relief warp and weft (Yomitanzan hanaori), yoko-gasuri (weft ikat), Japan, 19th century
Sampler, 1827. Germany ?, early 19th century. Damask and lace patterns on cotton ground; overall: 43.2 x 43.2 cm (17 x 17 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sampler-1827-germany-early-19th-century-damask-and-lace-patterns-on-cotton-ground-overall-432-x-432-cm-17-x-17-in-image448145395.htmlRM2H12P0K–Sampler, 1827. Germany ?, early 19th century. Damask and lace patterns on cotton ground; overall: 43.2 x 43.2 cm (17 x 17 in.).
Adolphe Terris, French, 1820–1900, Detail of Sample Stone Column Heads with Organic Patterns and Face of Christ, c. 1868, Cyanotype from wet-collodion-on-glass negative, Overall: 11 7/16 x 14 13/16 in. (29 x 37.6 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adolphe-terris-french-18201900-detail-of-sample-stone-column-heads-with-organic-patterns-and-face-of-christ-c-1868-cyanotype-from-wet-collodion-on-glass-negative-overall-11-716-x-14-1316-in-29-x-376-cm-image344580073.htmlRM2B0GYB5–Adolphe Terris, French, 1820–1900, Detail of Sample Stone Column Heads with Organic Patterns and Face of Christ, c. 1868, Cyanotype from wet-collodion-on-glass negative, Overall: 11 7/16 x 14 13/16 in. (29 x 37.6 cm
Staff Sgt. Jordan Powell with Task Force Spartan and the 36th Infantry Division performs the Hatha Yoga, Warrior Pose, at Camp Arifjan, Kuwait, March 28, 2021. According to an article from the International Journal of Yoga, published May 2020, “Study results showed yogic practices enhance muscular strength and body flexibility, promote and improve respiratory and cardiovascular function, promote recovery from and treatment of addiction, reduce stress, anxiety, depression, and chronic pain, improve sleep patterns, and enhance overall well-being and quality of life.” Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/staff-sgt-jordan-powell-with-task-force-spartan-and-the-36th-infantry-division-performs-the-hatha-yoga-warrior-pose-at-camp-arifjan-kuwait-march-28-2021-according-to-an-article-from-the-international-journal-of-yoga-published-may-2020-study-results-showed-yogic-practices-enhance-muscular-strength-and-body-flexibility-promote-and-improve-respiratory-and-cardiovascular-function-promote-recovery-from-and-treatment-of-addiction-reduce-stress-anxiety-depression-and-chronic-pain-improve-sleep-patterns-and-enhance-overall-well-being-and-quality-of-life-image442252747.htmlRM2GKE9TY–Staff Sgt. Jordan Powell with Task Force Spartan and the 36th Infantry Division performs the Hatha Yoga, Warrior Pose, at Camp Arifjan, Kuwait, March 28, 2021. According to an article from the International Journal of Yoga, published May 2020, “Study results showed yogic practices enhance muscular strength and body flexibility, promote and improve respiratory and cardiovascular function, promote recovery from and treatment of addiction, reduce stress, anxiety, depression, and chronic pain, improve sleep patterns, and enhance overall well-being and quality of life.”
Sidewall - fragment, Machine-printed, flocked, a) Top layer; on discolored white background, pale gray flat leaf patterns with scalloped edges, white background exposed to represent veining. Reserved white areas within gray leaves form smaller leaf patterns with veining in thin blue lines, and blue pin-work; b) Border over top layer: brown, green, and orange flocked rococo-revival leafy-scroll pattern; c) gray on white leaf-like pattern; d) bottom layer: gray on white overall pattern possible meant to represent wood graining (?); e) border: maroon background with bright pink and blue flowers Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sidewall-fragment-machine-printed-flocked-a-top-layer-on-discolored-white-background-pale-gray-flat-leaf-patterns-with-scalloped-edges-white-background-exposed-to-represent-veining-reserved-white-areas-within-gray-leaves-form-smaller-leaf-patterns-with-veining-in-thin-blue-lines-and-blue-pin-work-b-border-over-top-layer-brown-green-and-orange-flocked-rococo-revival-leafy-scroll-pattern-c-gray-on-white-leaf-like-pattern-d-bottom-layer-gray-on-white-overall-pattern-possible-meant-to-represent-wood-graining-e-border-maroon-background-with-bright-pink-and-blue-flowers-image391301558.htmlRM2DMH93J–Sidewall - fragment, Machine-printed, flocked, a) Top layer; on discolored white background, pale gray flat leaf patterns with scalloped edges, white background exposed to represent veining. Reserved white areas within gray leaves form smaller leaf patterns with veining in thin blue lines, and blue pin-work; b) Border over top layer: brown, green, and orange flocked rococo-revival leafy-scroll pattern; c) gray on white leaf-like pattern; d) bottom layer: gray on white overall pattern possible meant to represent wood graining (?); e) border: maroon background with bright pink and blue flowers
Food still life. Confectionery. Close-up overall design of 'Hundreds and Thousands' candy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/food-still-life-confectionery-close-up-overall-design-of-hundreds-image6316221.htmlRMA4HFRE–Food still life. Confectionery. Close-up overall design of 'Hundreds and Thousands' candy.
Jar, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; overall: 6 x 12 cm (2 3/8 x 4 3/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jar-before-1550-colombia-15th-16th-century-red-ware-with-incised-patterns-overall-6-x-12-cm-2-38-x-4-34-in-image240368786.htmlRMRY1MRE–Jar, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; overall: 6 x 12 cm (2 3/8 x 4 3/4 in
Jar, 900s. This finely potted vessel has an off-white porcelain body covered with a transparent glaze, giving an overall warm white colour. A lattice of foliage patterns is combed and incised in the clay; the bold, uninhibited decoration interacts with the compact ceramic form and the subtle glazing to give it a special aesthetic appeal. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jar-900s-this-finely-potted-vessel-has-an-off-white-porcelain-body-covered-with-a-transparent-glaze-giving-an-overall-warm-white-colour-a-lattice-of-foliage-patterns-is-combed-and-incised-in-the-clay-the-bold-uninhibited-decoration-interacts-with-the-compact-ceramic-form-and-the-subtle-glazing-to-give-it-a-special-aesthetic-appeal-image330099583.htmlRM2A519AR–Jar, 900s. This finely potted vessel has an off-white porcelain body covered with a transparent glaze, giving an overall warm white colour. A lattice of foliage patterns is combed and incised in the clay; the bold, uninhibited decoration interacts with the compact ceramic form and the subtle glazing to give it a special aesthetic appeal.
Sampler, 1827. Germany ?, early 19th century. Damask and lace patterns on cotton ground; overall: 43.2 x 43.2 cm (17 x 17 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sampler-1827-germany-early-19th-century-damask-and-lace-patterns-on-cotton-ground-overall-432-x-432-cm-17-x-17-in-image240382895.htmlRMRY2ARB–Sampler, 1827. Germany ?, early 19th century. Damask and lace patterns on cotton ground; overall: 43.2 x 43.2 cm (17 x 17 in
White peppercorn on grey slate Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-white-peppercorn-on-grey-slate-136705468.htmlRFHXBD64–White peppercorn on grey slate
Top view of a garden bed of Marigold flowers making an abstract design.. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-top-view-of-a-garden-bed-of-marigold-flowers-making-an-abstract-design-75223472.htmlRMEAAM8G–Top view of a garden bed of Marigold flowers making an abstract design..
A Viking sword with rare pattern-welded blade 9th/10th century In conserved excavated condition with patina characteristic of a river find, with broad flat blade tapering slightly over its upper third, formed with a short blunt point, the central part of the blade surface showing distinct pattern-welded horizontal patterns formed in three vertical parallel lines over the greater part of the blade length, both 'herringbone' and wavy linear, and the edges and the area immediately below the point forming a frame forged in a less distinct pattern of , Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-viking-sword-with-rare-pattern-welded-blade-9th10th-century-in-conserved-excavated-condition-with-patina-characteristic-of-a-river-find-with-broad-flat-blade-tapering-slightly-over-its-upper-third-formed-with-a-short-blunt-point-the-central-part-of-the-blade-surface-showing-distinct-pattern-welded-horizontal-patterns-formed-in-three-vertical-parallel-lines-over-the-greater-part-of-the-blade-length-both-herringbone-and-wavy-linear-and-the-edges-and-the-area-immediately-below-the-point-forming-a-frame-forged-in-a-less-distinct-pattern-of-additional-rights-clearance-info-not-available-image246181957.htmlRMT8EFGN–A Viking sword with rare pattern-welded blade 9th/10th century In conserved excavated condition with patina characteristic of a river find, with broad flat blade tapering slightly over its upper third, formed with a short blunt point, the central part of the blade surface showing distinct pattern-welded horizontal patterns formed in three vertical parallel lines over the greater part of the blade length, both 'herringbone' and wavy linear, and the edges and the area immediately below the point forming a frame forged in a less distinct pattern of , Additional-Rights-Clearance-Info-Not-Available
Art inspired by Flattened Hemispherical Bead, 500–600, Frankish, Earthenware, glaze, Overall: 1 9/16 x 9/16 in. (4 x 1.5 cm), Ceramics, Beads from Frankish necklaces exhibit a stunning variety of patterns, colors, and forms. Though the beads seen here were made in the seventh century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-flattened-hemispherical-bead-500600-frankish-earthenware-glaze-overall-1-916-x-916-in-4-x-15-cm-ceramics-beads-from-frankish-necklaces-exhibit-a-stunning-variety-of-patterns-colors-and-forms-though-the-beads-seen-here-were-made-in-the-seventh-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462830842.htmlRF2HTYNCX–Art inspired by Flattened Hemispherical Bead, 500–600, Frankish, Earthenware, glaze, Overall: 1 9/16 x 9/16 in. (4 x 1.5 cm), Ceramics, Beads from Frankish necklaces exhibit a stunning variety of patterns, colors, and forms. Though the beads seen here were made in the seventh century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
An Elegant Floral Design on a Soft Beige Background that enhances the overall ambiance. A delicate and beautiful illustration featuring floral patterns rendered in soft hues for a tranquil aesthetic. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-elegant-floral-design-on-a-soft-beige-background-that-enhances-the-overall-ambiance-a-delicate-and-beautiful-illustration-featuring-floral-patterns-rendered-in-soft-hues-for-a-tranquil-aesthetic-image615915275.htmlRF2XP1A63–An Elegant Floral Design on a Soft Beige Background that enhances the overall ambiance. A delicate and beautiful illustration featuring floral patterns rendered in soft hues for a tranquil aesthetic.
Patterns in sand created by the wind, Mesquite Dunes, Death Valley, California. Overall effect is a calm, flowing pattern, much like waves in a stiff Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/patterns-in-sand-created-by-the-wind-mesquite-dunes-death-valley-california-overall-effect-is-a-calm-flowing-pattern-much-like-waves-in-a-stiff-image393955560.htmlRF2DTX69C–Patterns in sand created by the wind, Mesquite Dunes, Death Valley, California. Overall effect is a calm, flowing pattern, much like waves in a stiff
Openwork Belt Fitting. Culture: Frankish. Dimensions: Overall: 2 5/16 x 1/8 in. (5.9 x 0.3 cm). Date: 600-700. Openwork plaques were hung from a belt by a strap. Such useful objects as combs, keys, or amulets would then be suspended from the plaque by chains or strings. The patterns on these belt fittings ranged from architectural motifs to human figures to abstract designs. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/openwork-belt-fitting-culture-frankish-dimensions-overall-2-516-x-18-in-59-x-03-cm-date-600-700-openwork-plaques-were-hung-from-a-belt-by-a-strap-such-useful-objects-as-combs-keys-or-amulets-would-then-be-suspended-from-the-plaque-by-chains-or-strings-the-patterns-on-these-belt-fittings-ranged-from-architectural-motifs-to-human-figures-to-abstract-designs-museum-metropolitan-museum-of-art-new-york-usa-image213317398.htmlRMPB1CEE–Openwork Belt Fitting. Culture: Frankish. Dimensions: Overall: 2 5/16 x 1/8 in. (5.9 x 0.3 cm). Date: 600-700. Openwork plaques were hung from a belt by a strap. Such useful objects as combs, keys, or amulets would then be suspended from the plaque by chains or strings. The patterns on these belt fittings ranged from architectural motifs to human figures to abstract designs. Museum: Metropolitan Museum of Art, New York, USA.
physical therapy, Physical rehabilitation, Health-improving exercises, doing exercises, decompression simulators. Rehabilitation exercises on red cord slings to restore pain-free movement patterns and enhance overall body functions Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/physical-therapy-physical-rehabilitation-health-improving-exercises-doing-exercises-decompression-simulators-rehabilitation-exercises-on-red-cord-slings-to-restore-pain-free-movement-patterns-and-enhance-overall-body-functions-image555398531.htmlRF2R7GGDR–physical therapy, Physical rehabilitation, Health-improving exercises, doing exercises, decompression simulators. Rehabilitation exercises on red cord slings to restore pain-free movement patterns and enhance overall body functions
Ceratina from Vietnam. The overall shape and aspect of Ceratinaness remains, with striking facial colours or maculations a. A betting person would use the patterns of past specimens to guess that the female will have fewer maculations, but the stripe running down the center of the clypeus will remain. Credit: S.Droege, USGS. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ceratina-from-vietnam-the-overall-shape-and-aspect-of-ceratinaness-remains-with-striking-facial-colours-or-maculations-a-a-betting-person-would-use-the-patterns-of-past-specimens-to-guess-that-the-female-will-have-fewer-maculations-but-the-stripe-running-down-the-center-of-the-clypeus-will-remain-credit-sdroege-usgs-image474473075.htmlRM2JFX36Y–Ceratina from Vietnam. The overall shape and aspect of Ceratinaness remains, with striking facial colours or maculations a. A betting person would use the patterns of past specimens to guess that the female will have fewer maculations, but the stripe running down the center of the clypeus will remain. Credit: S.Droege, USGS.
1990s OVERALL PATTERN VARIETY OF PRESCRIPTION AND NONPRESCRIPTION PILLS AND CAPSULES Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-1990s-overall-pattern-variety-of-prescription-and-nonprescription-58964668.htmlRMDBX210–1990s OVERALL PATTERN VARIETY OF PRESCRIPTION AND NONPRESCRIPTION PILLS AND CAPSULES
1950s OVERALL PATTERN METAL BASKETS FULL OF LEGHORN CHICKEN EGGS - p6480 HEL001 HARS OLD FASHIONED REPRESENTATION Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1950s-overall-pattern-metal-baskets-full-of-leghorn-chicken-eggs-p6480-hel001-hars-old-fashioned-representation-image365794127.htmlRM2C73A3Y–1950s OVERALL PATTERN METAL BASKETS FULL OF LEGHORN CHICKEN EGGS - p6480 HEL001 HARS OLD FASHIONED REPRESENTATION
Jar, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; overall: 6 x 12 cm (2 3/8 x 4 3/4 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jar-before-1550-colombia-15th-16th-century-red-ware-with-incised-patterns-overall-6-x-12-cm-2-38-x-4-34-in-image448137874.htmlRM2H12CC2–Jar, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; overall: 6 x 12 cm (2 3/8 x 4 3/4 in.).
The image captures the essence of nature, water droplets highlighting the leaf and the overall freshness of an outdoor setting, moisture amplifies the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-image-captures-the-essence-of-nature-water-droplets-highlighting-the-leaf-and-the-overall-freshness-of-an-outdoor-setting-moisture-amplifies-the-image619355538.htmlRM2XYJ28J–The image captures the essence of nature, water droplets highlighting the leaf and the overall freshness of an outdoor setting, moisture amplifies the
Sheet with overall floral and U shaped patterns 19th century Anonymous. Sheet with overall floral and U shaped patterns. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sheet-with-overall-floral-and-u-shaped-patterns-19th-century-anonymous-sheet-with-overall-floral-and-u-shaped-patterns-anonymous-19th-century-19th-century-relief-print-wood-or-metal-prints-image457774229.htmlRM2HGNBKH–Sheet with overall floral and U shaped patterns 19th century Anonymous. Sheet with overall floral and U shaped patterns. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints
Modern trendy shapes with glitch effect. 3D Universal elements in concept cyberpunk, retro futurism, vaporwave. Abstract digital forms patterns, logo Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/modern-trendy-shapes-with-glitch-effect-3d-universal-elements-in-concept-cyberpunk-retro-futurism-vaporwave-abstract-digital-forms-patterns-logo-image425252582.htmlRF2FKRX06–Modern trendy shapes with glitch effect. 3D Universal elements in concept cyberpunk, retro futurism, vaporwave. Abstract digital forms patterns, logo
Jar, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; overall: 7.5 x 14 cm (2 15/16 x 5 1/2 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jar-before-1550-colombia-15th-16th-century-red-ware-with-incised-patterns-overall-75-x-14-cm-2-1516-x-5-12-in-image448147388.htmlRM2H12TFT–Jar, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; overall: 7.5 x 14 cm (2 15/16 x 5 1/2 in.).
A close-up macro picture of the scales on the wings of a Buff-Tip moth, Phalera bucephala. The overall patterning of the moth creates a camouflage tha Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-close-up-macro-picture-of-the-scales-on-the-wings-of-a-buff-tip-moth-phalera-bucephala-the-overall-patterning-of-the-moth-creates-a-camouflage-tha-image255247825.htmlRMTR7F5N–A close-up macro picture of the scales on the wings of a Buff-Tip moth, Phalera bucephala. The overall patterning of the moth creates a camouflage tha
The overall composition is clean and modern with a playful use of color and geometric shapes Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-overall-composition-is-clean-and-modern-with-a-playful-use-of-color-and-geometric-shapes-image618671719.htmlRF2XXEX2F–The overall composition is clean and modern with a playful use of color and geometric shapes
Jar, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; overall: 7.5 x 14 cm (2 15/16 x 5 1/2 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jar-before-1550-colombia-15th-16th-century-red-ware-with-incised-patterns-overall-75-x-14-cm-2-1516-x-5-12-in-image240368785.htmlRMRY1MRD–Jar, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; overall: 7.5 x 14 cm (2 15/16 x 5 1/2 in
Himalayan sea salt on wooden cutting board Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-himalayan-sea-salt-on-wooden-cutting-board-136705294.htmlRFHXBCYX–Himalayan sea salt on wooden cutting board
Figure, before 1550. Colombia. Red ware with incised patterns; overall: 10.1 x 9.4 x 8.6 cm (4 x 3 11/16 x 3 3/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figure-before-1550-colombia-red-ware-with-incised-patterns-overall-101-x-94-x-86-cm-4-x-3-1116-x-3-38-in-image240368808.htmlRMRY1MT8–Figure, before 1550. Colombia. Red ware with incised patterns; overall: 10.1 x 9.4 x 8.6 cm (4 x 3 11/16 x 3 3/8 in
A Viking sword with rare pattern-welded blade 9th/10th century In conserved excavated condition with patina characteristic of a river find, with broad flat blade tapering slightly over its upper third, formed with a short blunt point, the central part of the blade surface showing distinct pattern-welded horizontal patterns formed in three vertical parallel lines over the greater part of the blade length, both 'herringbone' and wavy linear, and the edges and the area immediately below the point forming a frame forged in a less distinct pattern of , Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-viking-sword-with-rare-pattern-welded-blade-9th10th-century-in-conserved-excavated-condition-with-patina-characteristic-of-a-river-find-with-broad-flat-blade-tapering-slightly-over-its-upper-third-formed-with-a-short-blunt-point-the-central-part-of-the-blade-surface-showing-distinct-pattern-welded-horizontal-patterns-formed-in-three-vertical-parallel-lines-over-the-greater-part-of-the-blade-length-both-herringbone-and-wavy-linear-and-the-edges-and-the-area-immediately-below-the-point-forming-a-frame-forged-in-a-less-distinct-pattern-of-additional-rights-clearance-info-not-available-image246181873.htmlRMT8EFDN–A Viking sword with rare pattern-welded blade 9th/10th century In conserved excavated condition with patina characteristic of a river find, with broad flat blade tapering slightly over its upper third, formed with a short blunt point, the central part of the blade surface showing distinct pattern-welded horizontal patterns formed in three vertical parallel lines over the greater part of the blade length, both 'herringbone' and wavy linear, and the edges and the area immediately below the point forming a frame forged in a less distinct pattern of , Additional-Rights-Clearance-Info-Not-Available
Urn with Triangular Patterns, c. 3300–c. 2000 BC. Northwest China, Neolithic period, Majiayao culture. Earthenware with slip-painted decoration; overall: 36.5 x 39.5 cm (14 3/8 x 15 9/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/urn-with-triangular-patterns-c-3300c-2000-bc-northwest-china-neolithic-period-majiayao-culture-earthenware-with-slip-painted-decoration-overall-365-x-395-cm-14-38-x-15-916-in-image240480345.htmlRMRY6R3N–Urn with Triangular Patterns, c. 3300–c. 2000 BC. Northwest China, Neolithic period, Majiayao culture. Earthenware with slip-painted decoration; overall: 36.5 x 39.5 cm (14 3/8 x 15 9/16 in
Art inspired by Conical Flattened Bead, 500–600, Frankish, Glass, Overall: 1 1/2 x 3/8 in. (3.8 x 1 cm), Glass-Beads, Beads from Frankish necklaces exhibit a stunning variety of patterns, colors, and forms. Though the beads seen here were made in the seventh century, the particular, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-conical-flattened-bead-500600-frankish-glass-overall-1-12-x-38-in-38-x-1-cm-glass-beads-beads-from-frankish-necklaces-exhibit-a-stunning-variety-of-patterns-colors-and-forms-though-the-beads-seen-here-were-made-in-the-seventh-century-the-particular-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462830877.htmlRF2HTYNE5–Art inspired by Conical Flattened Bead, 500–600, Frankish, Glass, Overall: 1 1/2 x 3/8 in. (3.8 x 1 cm), Glass-Beads, Beads from Frankish necklaces exhibit a stunning variety of patterns, colors, and forms. Though the beads seen here were made in the seventh century, the particular, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Tod's Omotesando Building, 5-1-15 Jingum', Shibuya-ku, Tokyo, 2004. Overall exterior. Architect: Toyo Ito and Associates Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tods-omotesando-building-5-1-15-jingum-shibuya-ku-tokyo-2004-overall-image5572992.htmlRMAYCW81–Tod's Omotesando Building, 5-1-15 Jingum', Shibuya-ku, Tokyo, 2004. Overall exterior. Architect: Toyo Ito and Associates
Key. Culture: German. Dimensions: Overall: 3 1/16 x 1 5/16 x 3/8 in. (7.7 x 3.4 x 1 cm). Date: 14th-15th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/key-culture-german-dimensions-overall-3-116-x-1-516-x-38-in-77-x-34-x-1-cm-date-14th-15th-century-the-decoration-of-gothic-iron-locks-and-keys-was-often-elaborate-and-of-the-highest-standard-of-workmanship-the-motifs-were-frequently-drawn-from-gothic-architecture-reproducing-on-a-miniature-scale-complicated-tracery-patterns-and-even-tiny-statuettes-a-number-of-these-tiny-locks-were-compound-with-some-of-the-mechanisms-concealed-from-view-and-required-two-or-even-three-keys-used-in-sequence-to-open-them-it-has-been-suggested-that-the-greatly-expanded-use-of-locks-on-doors-image212907558.htmlRMPAANNA–Key. Culture: German. Dimensions: Overall: 3 1/16 x 1 5/16 x 3/8 in. (7.7 x 3.4 x 1 cm). Date: 14th-15th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors
Art inspired by One of a Pair of Chair Strips with Auspicious Patterns, Qing dynasty (1644–1911), 18th century, China, Tapestry-woven (kesi) silk and metallic thread, Overall: 64 x 19 in. (162.6 x 48.3 cm), Textiles-Tapestries, Unlike upholstered furniture in the West, chairs in China, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-one-of-a-pair-of-chair-strips-with-auspicious-patterns-qing-dynasty-16441911-18th-century-china-tapestry-woven-kesi-silk-and-metallic-thread-overall-64-x-19-in-1626-x-483-cm-textiles-tapestries-unlike-upholstered-furniture-in-the-west-chairs-in-china-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462911751.htmlRF2HW3CJF–Art inspired by One of a Pair of Chair Strips with Auspicious Patterns, Qing dynasty (1644–1911), 18th century, China, Tapestry-woven (kesi) silk and metallic thread, Overall: 64 x 19 in. (162.6 x 48.3 cm), Textiles-Tapestries, Unlike upholstered furniture in the West, chairs in China, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
physical therapy, Physical rehabilitation, Health-improving exercises, doing exercises, decompression simulators. Rehabilitation exercises on red cord slings to restore pain-free movement patterns and enhance overall body functions Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/physical-therapy-physical-rehabilitation-health-improving-exercises-doing-exercises-decompression-simulators-rehabilitation-exercises-on-red-cord-slings-to-restore-pain-free-movement-patterns-and-enhance-overall-body-functions-image555398648.htmlRF2R7GGJ0–physical therapy, Physical rehabilitation, Health-improving exercises, doing exercises, decompression simulators. Rehabilitation exercises on red cord slings to restore pain-free movement patterns and enhance overall body functions
Two tone Short sleeve Basic Polo T-shirt With pocket overall technical fashion flat sketch vector Illustration template front and back views. Basic ap Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-tone-short-sleeve-basic-polo-t-shirt-with-pocket-overall-technical-fashion-flat-sketch-vector-illustration-template-front-and-back-views-basic-ap-image465428839.htmlRF2J1636F–Two tone Short sleeve Basic Polo T-shirt With pocket overall technical fashion flat sketch vector Illustration template front and back views. Basic ap
Overall View of Hill Complex at Great Zimbabwe National Monument, near Masvingo, Southern Zimbabwe, South Central Africa. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/overall-view-of-hill-complex-at-great-zimbabwe-national-monument-near-image6509887.htmlRMA5WGM0–Overall View of Hill Complex at Great Zimbabwe National Monument, near Masvingo, Southern Zimbabwe, South Central Africa.
Patriotic childrens clothing. Childrens clothing template. Overall with pattern of USA flag. Possible Patterns for boys and girls. National jumpsuit Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-patriotic-childrens-clothing-childrens-clothing-template-overall-with-143546138.htmlRFJ9F2FP–Patriotic childrens clothing. Childrens clothing template. Overall with pattern of USA flag. Possible Patterns for boys and girls. National jumpsuit
. Bulletin. Ethnology. 222 BUREAU OF AMERICAN ETHNOLOGY [Bull. 177. ,0 I 2 CM Figure 92.—Manakakashin Red-on-White, Taruma Phase, a-c. Motif 1: intricate overall patterns, d-f. Motif 2: zoned, parallel lines.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Smithsonian Institution. Bureau of American Ethnology. Washington : G. P. O. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bulletin-ethnology-222-bureau-of-american-ethnology-bull-177-0-i-2-cm-figure-92manakakashin-red-on-white-taruma-phase-a-c-motif-1-intricate-overall-patterns-d-f-motif-2-zoned-parallel-lines-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-smithsonian-institution-bureau-of-american-ethnology-washington-g-p-o-image234140154.htmlRMRGX04A–. Bulletin. Ethnology. 222 BUREAU OF AMERICAN ETHNOLOGY [Bull. 177. ,0 I 2 CM Figure 92.—Manakakashin Red-on-White, Taruma Phase, a-c. Motif 1: intricate overall patterns, d-f. Motif 2: zoned, parallel lines.. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Smithsonian Institution. Bureau of American Ethnology. Washington : G. P. O.
A workman in a yard wearing a blue overall work clothes is framed by blue graffiti on the wall of the yard in Lviv, Ukraine Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-workman-in-a-yard-wearing-a-blue-overall-work-clothes-is-framed-by-blue-graffiti-on-the-wall-of-the-yard-in-lviv-ukraine-image339012203.htmlRM2AKF9EK–A workman in a yard wearing a blue overall work clothes is framed by blue graffiti on the wall of the yard in Lviv, Ukraine
BRICK WALL Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-brick-wall-47236119.htmlRMCMRP47–BRICK WALL
Figure, before 1550. Colombia. Red ware with incised patterns; overall: 10.1 x 9.4 x 8.6 cm (4 x 3 11/16 x 3 3/8 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figure-before-1550-colombia-red-ware-with-incised-patterns-overall-101-x-94-x-86-cm-4-x-3-1116-x-3-38-in-image448127756.htmlRM2H11YEM–Figure, before 1550. Colombia. Red ware with incised patterns; overall: 10.1 x 9.4 x 8.6 cm (4 x 3 11/16 x 3 3/8 in.).
Intricate entwined mystical dogs or wolves in overall square format in a black and white outline patterns, Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/intricate-entwined-mystical-dogs-or-wolves-in-overall-square-format-in-a-black-and-white-outline-patterns-image402662396.htmlRF2EB2RYT–Intricate entwined mystical dogs or wolves in overall square format in a black and white outline patterns,
Urn with Triangular Patterns, c. 3300–c. 2000 BC. Northwest China, Neolithic period, Majiayao culture. Earthenware with slip-painted decoration; overall: 36.5 x 39.5 cm (14 3/8 x 15 9/16 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/urn-with-triangular-patterns-c-3300c-2000-bc-northwest-china-neolithic-period-majiayao-culture-earthenware-with-slip-painted-decoration-overall-365-x-395-cm-14-38-x-15-916-in-image448074651.htmlRM2H0YFP3–Urn with Triangular Patterns, c. 3300–c. 2000 BC. Northwest China, Neolithic period, Majiayao culture. Earthenware with slip-painted decoration; overall: 36.5 x 39.5 cm (14 3/8 x 15 9/16 in.).
fashion, 1930s, children's fashion, Germany, 1938, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fashion-1930s-childrens-fashion-germany-1938-additional-rights-clearences-33535639.htmlRMBXFK1B–fashion, 1930s, children's fashion, Germany, 1938, Additional-Rights-Clearences-Not Available
Dish, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; diameter: 14.6 cm (5 3/4 in.); overall: 8.3 x 14.3 cm (3 1/4 x 5 5/8 in.). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dish-before-1550-colombia-15th-16th-century-red-ware-with-incised-patterns-diameter-146-cm-5-34-in-overall-83-x-143-cm-3-14-x-5-58-in-image448148561.htmlRM2H12X1N–Dish, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; diameter: 14.6 cm (5 3/4 in.); overall: 8.3 x 14.3 cm (3 1/4 x 5 5/8 in.).
Himalayan sea salt base with black peppercorns, Yin Yang style contrast Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-himalayan-sea-salt-base-with-black-peppercorns-yin-yang-style-contrast-136509446.htmlRFHX2F5A–Himalayan sea salt base with black peppercorns, Yin Yang style contrast
Close-up of blue swimming pool water surface. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-close-up-of-blue-swimming-pool-water-surface-12177099.htmlRMA8W01G–Close-up of blue swimming pool water surface.
Dish, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; diameter: 14.6 cm (5 3/4 in.); overall: 8.3 x 14.3 cm (3 1/4 x 5 5/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dish-before-1550-colombia-15th-16th-century-red-ware-with-incised-patterns-diameter-146-cm-5-34-in-overall-83-x-143-cm-3-14-x-5-58-in-image240368789.htmlRMRY1MRH–Dish, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; diameter: 14.6 cm (5 3/4 in.); overall: 8.3 x 14.3 cm (3 1/4 x 5 5/8 in
Rural fields Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-rural-fields-11378345.htmlRFA5T2PJ–Rural fields
Dish, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; diameter: 14.6 cm (5 3/4 in.); overall: 6.5 x 14.5 cm (2 9/16 x 5 11/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dish-before-1550-colombia-15th-16th-century-red-ware-with-incised-patterns-diameter-146-cm-5-34-in-overall-65-x-145-cm-2-916-x-5-1116-in-image240368792.htmlRMRY1MRM–Dish, before 1550. Colombia, 15th-16th century. Red ware with incised patterns; diameter: 14.6 cm (5 3/4 in.); overall: 6.5 x 14.5 cm (2 9/16 x 5 11/16 in
Key. Culture: French. Dimensions: Overall: 4 1/16 x 1 1/2 x 13/16 in. (10.3 x 3.8 x 2 cm). Date: early 15th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on do Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/key-culture-french-dimensions-overall-4-116-x-1-12-x-1316-in-103-x-38-x-2-cm-date-early-15th-century-the-decoration-of-gothic-iron-locks-and-keys-was-often-elaborate-and-of-the-highest-standard-of-workmanship-the-motifs-were-frequently-drawn-from-gothic-architecture-reproducing-on-a-miniature-scale-complicated-tracery-patterns-and-even-tiny-statuettes-a-number-of-these-tiny-locks-were-compound-with-some-of-the-mechanisms-concealed-from-view-and-required-two-or-even-three-keys-used-in-sequence-to-open-them-it-has-been-suggested-that-the-greatly-expanded-use-of-locks-on-do-image212873573.htmlRMPA96BH–Key. Culture: French. Dimensions: Overall: 4 1/16 x 1 1/2 x 13/16 in. (10.3 x 3.8 x 2 cm). Date: early 15th century. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on do
Fragment of a Border with Floral Vine and Geometric Patterns, 16th century. Italy, 16th century. Needle lace, burato (twined ground and darned in two directions) and reticella; bleached linen (est.); overall: 32.9 x 69.3 cm (12 15/16 x 27 5/16 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-of-a-border-with-floral-vine-and-geometric-patterns-16th-century-italy-16th-century-needle-lace-burato-twined-ground-and-darned-in-two-directions-and-reticella-bleached-linen-est-overall-329-x-693-cm-12-1516-x-27-516-in-image240367096.htmlRMRY1JK4–Fragment of a Border with Floral Vine and Geometric Patterns, 16th century. Italy, 16th century. Needle lace, burato (twined ground and darned in two directions) and reticella; bleached linen (est.); overall: 32.9 x 69.3 cm (12 15/16 x 27 5/16 in
Art inspired by One of a Pair of Chair Strips with Auspicious Patterns, Qing dynasty (1644–1911), 18th century, China, Tapestry-woven silk (kesi) and metallic thread, Overall: 64 x 19 in. (162.6 x 48.3 cm), Textiles-Tapestries, Unlike upholstered furniture in the West, chairs in China, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-one-of-a-pair-of-chair-strips-with-auspicious-patterns-qing-dynasty-16441911-18th-century-china-tapestry-woven-silk-kesi-and-metallic-thread-overall-64-x-19-in-1626-x-483-cm-textiles-tapestries-unlike-upholstered-furniture-in-the-west-chairs-in-china-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462911845.htmlRF2HW3CNW–Art inspired by One of a Pair of Chair Strips with Auspicious Patterns, Qing dynasty (1644–1911), 18th century, China, Tapestry-woven silk (kesi) and metallic thread, Overall: 64 x 19 in. (162.6 x 48.3 cm), Textiles-Tapestries, Unlike upholstered furniture in the West, chairs in China, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
physical therapy, Physical rehabilitation, Health-improving exercises, doing exercises, decompression simulators. Rehabilitation exercises on red cord slings to restore pain-free movement patterns and enhance overall body functions Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/physical-therapy-physical-rehabilitation-health-improving-exercises-doing-exercises-decompression-simulators-rehabilitation-exercises-on-red-cord-slings-to-restore-pain-free-movement-patterns-and-enhance-overall-body-functions-image555398649.htmlRF2R7GGJ1–physical therapy, Physical rehabilitation, Health-improving exercises, doing exercises, decompression simulators. Rehabilitation exercises on red cord slings to restore pain-free movement patterns and enhance overall body functions
Search Results for Overall patterns Stock Photos and Images (982)
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