Quick filters:
Oxen etching Stock Photos and Images
Paulus Potter, (artist), Dutch, 1625 - 1654, Bull, Various Oxen and Cows, (series), 1650, etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paulus-potter-artist-dutch-1625-1654-bull-various-oxen-and-cows-series-1650-etching-image386367161.htmlRM2DCGF75–Paulus Potter, (artist), Dutch, 1625 - 1654, Bull, Various Oxen and Cows, (series), 1650, etching
After healing a lame man, the apostles Paul and Barnabas are mistaken for gods at Lystra; the priest brings them a sacrifice of oxen. Etching after Raphael. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/after-healing-a-lame-man-the-apostles-paul-and-barnabas-are-mistaken-for-gods-at-lystra-the-priest-brings-them-a-sacrifice-of-oxen-etching-after-raphael-image450093916.htmlRM2H47FAM–After healing a lame man, the apostles Paul and Barnabas are mistaken for gods at Lystra; the priest brings them a sacrifice of oxen. Etching after Raphael.
Hercules and the Oxen of Geryones Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hercules-and-the-oxen-of-geryones-image352785567.htmlRM2BDXNGF–Hercules and the Oxen of Geryones
Ancient peasant coming back home from Stuttgart market, Germany, outdoor on board of a long chariot pulled by oxen. Created by Lancelot published on Le Tour du Monde Paris 1862 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-peasant-coming-back-home-from-stuttgart-market-germany-outdoor-image157972967.htmlRFK5083K–Ancient peasant coming back home from Stuttgart market, Germany, outdoor on board of a long chariot pulled by oxen. Created by Lancelot published on Le Tour du Monde Paris 1862
Art inspired by Hercules and the Oxen of Geryones: with a club raised by his right hand, Hercules confronts a group of galloping oxen, from the series 'The Labors of Hercules', 1608, Etching, sheet: 5 3/16 x 7 1/16 in. (13.2 x 18 cm), Prints, Antonio Tempesta (Italian, Florence 1555–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-hercules-and-the-oxen-of-geryones-with-a-club-raised-by-his-right-hand-hercules-confronts-a-group-of-galloping-oxen-from-the-series-the-labors-of-hercules-1608-etching-sheet-5-316-x-7-116-in-132-x-18-cm-prints-antonio-tempesta-italian-florence-1555-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462998863.htmlRF2HW7BNK–Art inspired by Hercules and the Oxen of Geryones: with a club raised by his right hand, Hercules confronts a group of galloping oxen, from the series 'The Labors of Hercules', 1608, Etching, sheet: 5 3/16 x 7 1/16 in. (13.2 x 18 cm), Prints, Antonio Tempesta (Italian, Florence 1555–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
fine arts, Mannerism, etching, by Antonio Fantuzzi (active at Fontainebleau, France, 1537 - 1545), 23.2 cm x 26.1 cm, private collection, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fine-arts-mannerism-etching-by-antonio-fantuzzi-active-at-fontainebleau-16207359.htmlRMAT5ATG–fine arts, Mannerism, etching, by Antonio Fantuzzi (active at Fontainebleau, France, 1537 - 1545), 23.2 cm x 26.1 cm, private collection, Artist's Copyright has not to be cleared
Circa 1870 engraving, Harrowing with Oxen. A harrow is an implement for breaking up and smoothing out the surface of the soil. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-circa-1870-engraving-harrowing-with-oxen-a-harrow-is-an-implement-47901015.htmlRMCNX26F–Circa 1870 engraving, Harrowing with Oxen. A harrow is an implement for breaking up and smoothing out the surface of the soil.
Farmers shoeing oxen old illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-farmers-shoeing-oxen-old-illustration-50301174.htmlRFCWRBJE–Farmers shoeing oxen old illustration
Oxen, breaking or ploughing prairie land in the state of Nebraska, United States of America Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-oxen-breaking-or-ploughing-prairie-land-in-the-state-of-nebraska-united-147758753.htmlRMJGAYP9–Oxen, breaking or ploughing prairie land in the state of Nebraska, United States of America
Two Oxen Fighting. Dated: 1650. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Paulus Potter. KAREL DUJARDIN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-oxen-fighting-dated-1650-medium-etching-museum-national-gallery-of-art-washington-dc-author-paulus-potter-karel-dujardin-image233243738.htmlRMRFD4NE–Two Oxen Fighting. Dated: 1650. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Paulus Potter. KAREL DUJARDIN.
A 19th Century view of a cart drawn by oxen, Bombay (Now Mumbai), India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-19th-century-view-of-a-cart-drawn-by-oxen-bombay-now-mumbai-india-87105034.htmlRMF1KYA2–A 19th Century view of a cart drawn by oxen, Bombay (Now Mumbai), India
Anglo Saxon ploughing plough plow oxen tool farming cultivation soil sowing seed planting history agriculture harrowed farmer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-anglo-saxon-ploughing-plough-plow-oxen-tool-farming-cultivation-soil-39668996.htmlRMC8F25T–Anglo Saxon ploughing plough plow oxen tool farming cultivation soil sowing seed planting history agriculture harrowed farmer
A team of oxen ploughing on the Sussex Downs, a range of hills in southern England characterised by rolling chalk landscape with close-cropped turf and dry valleys. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-team-of-oxen-ploughing-on-the-sussex-downs-a-range-of-hills-in-southern-england-characterised-by-rolling-chalk-landscape-with-close-cropped-turf-and-dry-valleys-image344156482.htmlRM2AYWK2X–A team of oxen ploughing on the Sussex Downs, a range of hills in southern England characterised by rolling chalk landscape with close-cropped turf and dry valleys.
eastern lime mill grinding oxen drawn stone peasant inside draft traditional process production mineral ox Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-eastern-lime-mill-grinding-oxen-drawn-stone-peasant-inside-draft-traditional-22015789.htmlRMB7PWA5–eastern lime mill grinding oxen drawn stone peasant inside draft traditional process production mineral ox
'The Woods In Autumn' by Henry Jutsum, circa 1863, in which a woman and her dog watch a woodman transporting timber on a trailer, towed by oxen, from English woodland. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-woods-in-autumn-by-henry-jutsum-circa-1863-in-which-a-woman-and-her-dog-watch-a-woodman-transporting-timber-on-a-trailer-towed-by-oxen-from-english-woodland-image543699189.htmlRM2PGFHT5–'The Woods In Autumn' by Henry Jutsum, circa 1863, in which a woman and her dog watch a woodman transporting timber on a trailer, towed by oxen, from English woodland.
Ploughing a field thr traditional way witha wooden plough and oxen, Dr. Richard Andree, Abessinien, Land und Volk, Leipzig 1869 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ploughing-a-field-thr-traditional-way-witha-wooden-plough-and-oxen-dr-richard-andree-abessinien-land-und-volk-leipzig-1869-image412610482.htmlRF2EY80TJ–Ploughing a field thr traditional way witha wooden plough and oxen, Dr. Richard Andree, Abessinien, Land und Volk, Leipzig 1869
A 15th/16th Century two wheeled plough used to produced a deep furrow and turn the earth after it had been cut by the coulter and share. Pulled by a pair of oxen, a wheeled plough enabled the ploughing depth to be controlled. However, in wet weather the wheels became clogged up with mud and was therefore difficult to use. Wheeled ploughs were mainly used on sandy soils and rarely in heavy clay areas, where moulboard ploughs were popular. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-15th16th-century-two-wheeled-plough-used-to-produced-a-deep-furrow-and-turn-the-earth-after-it-had-been-cut-by-the-coulter-and-share-pulled-by-a-pair-of-oxen-a-wheeled-plough-enabled-the-ploughing-depth-to-be-controlled-however-in-wet-weather-the-wheels-became-clogged-up-with-mud-and-was-therefore-difficult-to-use-wheeled-ploughs-were-mainly-used-on-sandy-soils-and-rarely-in-heavy-clay-areas-where-moulboard-ploughs-were-popular-image183778761.htmlRMMJYRK5–A 15th/16th Century two wheeled plough used to produced a deep furrow and turn the earth after it had been cut by the coulter and share. Pulled by a pair of oxen, a wheeled plough enabled the ploughing depth to be controlled. However, in wet weather the wheels became clogged up with mud and was therefore difficult to use. Wheeled ploughs were mainly used on sandy soils and rarely in heavy clay areas, where moulboard ploughs were popular.
The Bull, from the Series of Various Oxen and Cows, by Paulus Potter, Netherlands, 1650, etching on paper, early proof preceding first state Blanton Museum of Art Austin, Texas DSC08439 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-bull-from-the-series-of-various-oxen-and-cows-by-paulus-potter-143459188.htmlRMJ9B3JC–The Bull, from the Series of Various Oxen and Cows, by Paulus Potter, Netherlands, 1650, etching on paper, early proof preceding first state Blanton Museum of Art Austin, Texas DSC08439
c1876 engraving of a bullock waggon crossing the prairies of America. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/c1876-engraving-of-a-bullock-waggon-crossing-the-prairies-of-america-image268563565.htmlRMWGX3FW–c1876 engraving of a bullock waggon crossing the prairies of America.
Paulus Potter, (artist), Dutch, 1625 - 1654, Grazing Cow, Various Oxen and Cows, (series), 1650, etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paulus-potter-artist-dutch-1625-1654-grazing-cow-various-oxen-and-cows-series-1650-etching-image386211101.htmlRM2DC9C5H–Paulus Potter, (artist), Dutch, 1625 - 1654, Grazing Cow, Various Oxen and Cows, (series), 1650, etching
After healing a lame man, the apostles Paul and Barnabas are mistaken for gods at Lystra; the priest brings them a sacrifice of oxen. Etching by B. Lépicié, 1721, after Raphael. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/after-healing-a-lame-man-the-apostles-paul-and-barnabas-are-mistaken-for-gods-at-lystra-the-priest-brings-them-a-sacrifice-of-oxen-etching-by-b-lpici-1721-after-raphael-image450098707.htmlRM2H47NDR–After healing a lame man, the apostles Paul and Barnabas are mistaken for gods at Lystra; the priest brings them a sacrifice of oxen. Etching by B. Lépicié, 1721, after Raphael.
Beating sugar-canes for a hog by Samuel Howitt, 1765?-1822, artist 1807. etching and aquatint, hand-coloured, shows three men on horseback, carrying spears, waiting, as Natives systematically beat sugarcane with bamboo staffs and, with the aid of two dogs, drive a wild hog from cover past the waiting hunters. Also shown are two oxen yoked to a plough, fleeing for their own safety, and Natives around an irrigation well at the edge of the cane field Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beating-sugar-canes-for-a-hog-by-samuel-howitt-1765-1822-artist-1807-etching-and-aquatint-hand-coloured-shows-three-men-on-horseback-carrying-spears-waiting-as-natives-systematically-beat-sugarcane-with-bamboo-staffs-and-with-the-aid-of-two-dogs-drive-a-wild-hog-from-cover-past-the-waiting-hunters-also-shown-are-two-oxen-yoked-to-a-plough-fleeing-for-their-own-safety-and-natives-around-an-irrigation-well-at-the-edge-of-the-cane-field-image330681506.htmlRM2A5YRHP–Beating sugar-canes for a hog by Samuel Howitt, 1765?-1822, artist 1807. etching and aquatint, hand-coloured, shows three men on horseback, carrying spears, waiting, as Natives systematically beat sugarcane with bamboo staffs and, with the aid of two dogs, drive a wild hog from cover past the waiting hunters. Also shown are two oxen yoked to a plough, fleeing for their own safety, and Natives around an irrigation well at the edge of the cane field
Ancient port viewed from the ground to the horizon in the sea. Merchants, carts with oxen, goods and ships in the distance. Piraeus, Athens Greece. By Proust published on Le Tour du Monde Paris 1862 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-port-viewed-from-the-ground-to-the-horizon-in-the-sea-merchants-image157972015.htmlRFK506WK–Ancient port viewed from the ground to the horizon in the sea. Merchants, carts with oxen, goods and ships in the distance. Piraeus, Athens Greece. By Proust published on Le Tour du Monde Paris 1862
1879: Covered Wagon in a Wagon train crossing the Sierra Nevada Mountains, California, United States of America Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1879-covered-wagon-in-a-wagon-train-crossing-the-sierra-nevada-mountains-147976446.htmlRMJGMWD2–1879: Covered Wagon in a Wagon train crossing the Sierra Nevada Mountains, California, United States of America
Ancient oxen trader makes business leading his herd to pasturage. Garibaldi trading oxen. By E. Matania published on Garibaldi e i Suoi Tempi Milan Italy 1884 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-oxen-trader-makes-business-leading-his-herd-to-pasturage-garibaldi-image157380477.htmlRFK418B9–Ancient oxen trader makes business leading his herd to pasturage. Garibaldi trading oxen. By E. Matania published on Garibaldi e i Suoi Tempi Milan Italy 1884
Roman soldiers ploughing the site following the Battle of Carthage, the main engagement of the Third Punic War between the Punic city of Carthage in Africa and the Roman Republic. It was a siege operation, starting sometime in 149 or 148 BC, and ending in spring 146 BC with the sack and complete destruction of the city of Carthage. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-soldiers-ploughing-the-site-following-the-battle-of-carthage-the-main-engagement-of-the-third-punic-war-between-the-punic-city-of-carthage-in-africa-and-the-roman-republic-it-was-a-siege-operation-starting-sometime-in-149-or-148-bc-and-ending-in-spring-146-bc-with-the-sack-and-complete-destruction-of-the-city-of-carthage-image261924348.htmlRMW63K50–Roman soldiers ploughing the site following the Battle of Carthage, the main engagement of the Third Punic War between the Punic city of Carthage in Africa and the Roman Republic. It was a siege operation, starting sometime in 149 or 148 BC, and ending in spring 146 BC with the sack and complete destruction of the city of Carthage.
Old illustration of old wagon towed by oxen. By unidentified author, publ. on le Tour du Monde, Paris, 1863 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-illustration-of-old-wagon-towed-by-oxen-by-unidentified-author-publ-on-le-tour-du-monde-paris-1863-image225158246.htmlRFR28RHX–Old illustration of old wagon towed by oxen. By unidentified author, publ. on le Tour du Monde, Paris, 1863
Team of Oxen, 1868. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/team-of-oxen-1868-image457046067.htmlRM2HFG6WR–Team of Oxen, 1868.
Team of Oxen. Charles Émile Jacque; French, 1813-1894. Date: 1868. Dimensions: 92 × 178 mm (image); 340 × 451 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/team-of-oxen-charles-mile-jacque-french-1813-1894-date-1868-dimensions-92-178-mm-image-340-451-mm-sheet-etching-on-ivory-laid-paper-origin-france-museum-the-chicago-art-institute-image239889469.htmlRMRX7WD1–Team of Oxen. Charles Émile Jacque; French, 1813-1894. Date: 1868. Dimensions: 92 × 178 mm (image); 340 × 451 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute.
Ancient cityscape context, view on the shoreline with the city on background. Sheperds leading cows over the low water. Old view of Nevers France. By Bonhommè publ. on Magasin Pittoresque Paris 1848 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-cityscape-context-view-on-the-shoreline-with-the-city-on-background-sheperds-leading-cows-over-the-low-water-old-view-of-nevers-france-by-bonhomm-publ-on-magasin-pittoresque-paris-1848-image245839186.htmlRFT7XXAX–Ancient cityscape context, view on the shoreline with the city on background. Sheperds leading cows over the low water. Old view of Nevers France. By Bonhommè publ. on Magasin Pittoresque Paris 1848
Monks trasporting volunteers going to Calabria from Sicily Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-monks-trasporting-volunteers-going-to-calabria-from-sicily-50316957.htmlRFCWT3P5–Monks trasporting volunteers going to Calabria from Sicily
Medieval life in Lunéville surroundings, France. Country houses and cart pulled by oxen. Ancient grey tone etching style art by Lancelot, 1861 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-medieval-life-in-lunville-surroundings-france-country-houses-and-cart-147733582.htmlRFJG9RKA–Medieval life in Lunéville surroundings, France. Country houses and cart pulled by oxen. Ancient grey tone etching style art by Lancelot, 1861
syrian transport wagon rein Egypt Egyptian ox oxen cow bull pull lead vehicle carriage shaft animal rural convey move Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/syrian-transport-wagon-rein-egypt-egyptian-ox-oxen-cow-bull-pull-lead-image6283856.htmlRMA4BFH1–syrian transport wagon rein Egypt Egyptian ox oxen cow bull pull lead vehicle carriage shaft animal rural convey move
Old illustration of gleaners of the Pontine Marshes, Italy. By unidentified author, publ. on The Penny Magazine, London, 1837 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-illustration-of-gleaners-of-the-pontine-marshes-italy-by-unidentified-image159630160.htmlRFK7KNW4–Old illustration of gleaners of the Pontine Marshes, Italy. By unidentified author, publ. on The Penny Magazine, London, 1837
Cleabers of the Pontine marshes reapers reaper marshland marsh agriculture crops Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cleabers-of-the-pontine-marshes-reapers-reaper-marshland-marsh-agriculture-39785559.htmlRFC8MATR–Cleabers of the Pontine marshes reapers reaper marshland marsh agriculture crops
Old illustration depicting British explorer W.C. Baldwin dry grass burning. By unidentified author, publ. on le Tour du Monde, Paris, 1863 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-illustration-depicting-british-explorer-wc-baldwin-dry-grass-burning-by-unidentified-author-publ-on-le-tour-du-monde-paris-1863-image225157925.htmlRFR28R6D–Old illustration depicting British explorer W.C. Baldwin dry grass burning. By unidentified author, publ. on le Tour du Monde, Paris, 1863
Rostral columns in Quinconces square, Bordeaux, France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rostral-columns-in-quinconces-square-bordeaux-france-50323736.htmlRFCWTCC8–Rostral columns in Quinconces square, Bordeaux, France
Pieter Dupont. Plowing Oxen. 1890–1911. Netherlands. Etching on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pieter-dupont-plowing-oxen-18901911-netherlands-etching-on-paper-image337991540.htmlRM2AHTRJC–Pieter Dupont. Plowing Oxen. 1890–1911. Netherlands. Etching on paper
Paulus Potter, (artist), Dutch, 1625 - 1654, Two Oxen Fighting, Various Oxen and Cows, (series), 1650, etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paulus-potter-artist-dutch-1625-1654-two-oxen-fighting-various-oxen-and-cows-series-1650-etching-image386310613.htmlRM2DCDY3H–Paulus Potter, (artist), Dutch, 1625 - 1654, Two Oxen Fighting, Various Oxen and Cows, (series), 1650, etching
![Oxen Hoath the Seat of Leonard Bartholmew Esq. Author Kip, Johannes 17.46.2. Place of publication: [London] Publisher: [John Harris] Date of publication: [1719] Item type: 1 print Medium: etching Dimensions: platemark 33.8 x 40.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9H8FB/oxen-hoath-the-seat-of-leonard-bartholmew-esq-author-kip-johannes-17462-place-of-publication-london-publisher-john-harris-date-of-publication-1719-item-type-1-print-medium-etching-dimensions-platemark-338-x-402-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9H8FB.jpg "Oxen Hoath the Seat of Leonard Bartholmew Esq. Author Kip, Johannes 17.46.2. Place of publication: [London] Publisher: [John Harris] Date of publication: [1719] Item type: 1 print Medium: etching Dimensions: platemark 33.8 x 40.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Oxen Hoath the Seat of Leonard Bartholmew Esq. Author Kip, Johannes 17.46.2. Place of publication: [London] Publisher: [John Harris] Date of publication: [1719] Item type: 1 print Medium: etching Dimensions: platemark 33.8 x 40.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oxen-hoath-the-seat-of-leonard-bartholmew-esq-author-kip-johannes-17462-place-of-publication-london-publisher-john-harris-date-of-publication-1719-item-type-1-print-medium-etching-dimensions-platemark-338-x-402-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401750255.htmlRM2E9H8FB–Oxen Hoath the Seat of Leonard Bartholmew Esq. Author Kip, Johannes 17.46.2. Place of publication: [London] Publisher: [John Harris] Date of publication: [1719] Item type: 1 print Medium: etching Dimensions: platemark 33.8 x 40.2 cm Former owner: George III, King of Great Britain, 1738-1820
![Groups of figures and a cart loaded with barrels and pulled by oxen travel on a paved road in the foreground, with an arched entrance to the Grotto of Posillipo in the background. A View of the Grotto of Pausilippo = Vuë de la Grotte de Pausilippo. [London] : Publish'd by P. Sandby & A. Robertson as the Act directs June 1st. 1777, [June 1 1777]. Aquatint, etching and engraving, printed in sepia. Source: Maps 7.Tab.60, plate 7. Language: English and French. Author: FABRIS, PETER. Stock Photo](https://c8.alamy.com/comp/R50PKA/groups-of-figures-and-a-cart-loaded-with-barrels-and-pulled-by-oxen-travel-on-a-paved-road-in-the-foreground-with-an-arched-entrance-to-the-grotto-of-posillipo-in-the-background-a-view-of-the-grotto-of-pausilippo-=-vu-de-la-grotte-de-pausilippo-london-publishd-by-p-sandby-a-robertson-as-the-act-directs-june-1st-1777-june-1-1777-aquatint-etching-and-engraving-printed-in-sepia-source-maps-7tab60-plate-7-language-english-and-french-author-fabris-peter-R50PKA.jpg "Groups of figures and a cart loaded with barrels and pulled by oxen travel on a paved road in the foreground, with an arched entrance to the Grotto of Posillipo in the background. A View of the Grotto of Pausilippo = Vuë de la Grotte de Pausilippo. [London] : Publish'd by P. Sandby & A. Robertson as the Act directs June 1st. 1777, [June 1 1777]. Aquatint, etching and engraving, printed in sepia. Source: Maps 7.Tab.60, plate 7. Language: English and French. Author: FABRIS, PETER. Stock Photo")
Groups of figures and a cart loaded with barrels and pulled by oxen travel on a paved road in the foreground, with an arched entrance to the Grotto of Posillipo in the background. A View of the Grotto of Pausilippo = Vuë de la Grotte de Pausilippo. [London] : Publish'd by P. Sandby & A. Robertson as the Act directs June 1st. 1777, [June 1 1777]. Aquatint, etching and engraving, printed in sepia. Source: Maps 7.Tab.60, plate 7. Language: English and French. Author: FABRIS, PETER. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/groups-of-figures-and-a-cart-loaded-with-barrels-and-pulled-by-oxen-travel-on-a-paved-road-in-the-foreground-with-an-arched-entrance-to-the-grotto-of-posillipo-in-the-background-a-view-of-the-grotto-of-pausilippo-=-vu-de-la-grotte-de-pausilippo-london-publishd-by-p-sandby-a-robertson-as-the-act-directs-june-1st-1777-june-1-1777-aquatint-etching-and-engraving-printed-in-sepia-source-maps-7tab60-plate-7-language-english-and-french-author-fabris-peter-image226825854.htmlRMR50PKA–Groups of figures and a cart loaded with barrels and pulled by oxen travel on a paved road in the foreground, with an arched entrance to the Grotto of Posillipo in the background. A View of the Grotto of Pausilippo = Vuë de la Grotte de Pausilippo. [London] : Publish'd by P. Sandby & A. Robertson as the Act directs June 1st. 1777, [June 1 1777]. Aquatint, etching and engraving, printed in sepia. Source: Maps 7.Tab.60, plate 7. Language: English and French. Author: FABRIS, PETER.
A late 19th Century illustration of a street scene with wagons and oxen in an unknown Mexican town. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-late-19th-century-illustration-of-a-street-scene-with-wagons-and-oxen-in-an-unknown-mexican-town-image456131058.htmlRM2HE2FPX–A late 19th Century illustration of a street scene with wagons and oxen in an unknown Mexican town.
old illustration depicting man driving plow towed by oxen. By unidentified author, publ. on Magasin Pittoresque, Paris, 1846 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-illustration-depicting-man-driving-plow-towed-by-oxen-by-unidentified-author-publ-on-magasin-pittoresque-paris-1846-image225546983.htmlRFR2XFDB–old illustration depicting man driving plow towed by oxen. By unidentified author, publ. on Magasin Pittoresque, Paris, 1846
The Anglo-Saxon Invasion of England took place from the mid-fifth to early seventh centuries, following the end of Roman power in Britain around the year 410. The 'monthly' life of the times is illustrated in a series of pictures. 1/12: January aka Wolf-Monat in which the earth is broken by a ploughman using four oxen. The side panels illustrate the collection of fuel, and the two headed Janus representing literal and learned art. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-anglo-saxon-invasion-of-england-took-place-from-the-mid-fifth-165453209.htmlRMKH5175–The Anglo-Saxon Invasion of England took place from the mid-fifth to early seventh centuries, following the end of Roman power in Britain around the year 410. The 'monthly' life of the times is illustrated in a series of pictures. 1/12: January aka Wolf-Monat in which the earth is broken by a ploughman using four oxen. The side panels illustrate the collection of fuel, and the two headed Janus representing literal and learned art.
Old illustration of four oxen under the yoke in Maremma, Tuscany, Italy. By unidentified author, published on Magasin Pittoresque, Paris, 1833. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-illustration-of-four-oxen-under-the-yoke-in-maremma-tuscany-italy-image151825787.htmlRFJR079F–Old illustration of four oxen under the yoke in Maremma, Tuscany, Italy. By unidentified author, published on Magasin Pittoresque, Paris, 1833.
Beef on the Hoof. Union Army cattle herd. 19th century American Civil War illustration by Edwin Forbes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beef-on-the-hoof-union-army-cattle-herd-19th-century-american-civil-war-illustration-by-edwin-forbes-image478121906.htmlRF2JNT9AA–Beef on the Hoof. Union Army cattle herd. 19th century American Civil War illustration by Edwin Forbes
Oxen and Wagon (Maremma), 1886/87. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oxen-and-wagon-maremma-188687-image462413913.htmlRM2HT8NJH–Oxen and Wagon (Maremma), 1886/87.
![Oxen Yoked to the Cart (Maremma) [Bovi al carro (Maremma)]. Dated: 1886/1887. Dimensions: sheet: 36.8 × 49.6 cm (14 1/2 × 19 1/2 in.) plate: 25 × 42.3 cm (9 13/16 × 16 5/8 in.). Medium: etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI FATTORI. Stock Photo](https://c8.alamy.com/comp/RG8TW3/oxen-yoked-to-the-cart-maremma-bovi-al-carro-maremma-dated-18861887-dimensions-sheet-368-496-cm-14-12-19-12-in-plate-25-423-cm-9-1316-16-58-in-medium-etching-on-wove-paper-museum-national-gallery-of-art-washington-dc-author-giovanni-fattori-RG8TW3.jpg "Oxen Yoked to the Cart (Maremma) [Bovi al carro (Maremma)]. Dated: 1886/1887. Dimensions: sheet: 36.8 × 49.6 cm (14 1/2 × 19 1/2 in.) plate: 25 × 42.3 cm (9 13/16 × 16 5/8 in.). Medium: etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI FATTORI. Stock Photo")
Oxen Yoked to the Cart (Maremma) [Bovi al carro (Maremma)]. Dated: 1886/1887. Dimensions: sheet: 36.8 × 49.6 cm (14 1/2 × 19 1/2 in.) plate: 25 × 42.3 cm (9 13/16 × 16 5/8 in.). Medium: etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI FATTORI. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oxen-yoked-to-the-cart-maremma-bovi-al-carro-maremma-dated-18861887-dimensions-sheet-368-496-cm-14-12-19-12-in-plate-25-423-cm-9-1316-16-58-in-medium-etching-on-wove-paper-museum-national-gallery-of-art-washington-dc-author-giovanni-fattori-image233764415.htmlRMRG8TW3–Oxen Yoked to the Cart (Maremma) [Bovi al carro (Maremma)]. Dated: 1886/1887. Dimensions: sheet: 36.8 × 49.6 cm (14 1/2 × 19 1/2 in.) plate: 25 × 42.3 cm (9 13/16 × 16 5/8 in.). Medium: etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI FATTORI.
Bull Musk Ox, vintage illustration from 1894 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bull-musk-ox-vintage-illustration-from-1894-image384411360.htmlRM2D9BCH4–Bull Musk Ox, vintage illustration from 1894
Two fighting oxen Potter, Paulus 1625 - 1654 Etching, Print Hollstein's Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (vol. XVII), Andries Pauli (Pauwles) - Johannes Rem, K. G. Boon, 7 I, C 38945, 1976. The Illustrated Bartsch 1, Netherlandish Artists, van Laer, Vlieger, Potter, de Bije m.fl., Leonard J. Slatkes, 7, C 36164, 1978 To kæmpende okser Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-fighting-oxen-potter-paulus-1625-1654-etching-print-hollsteins-dutch-and-flemish-etchings-engravings-and-woodcuts-1450-1700-vol-xvii-andries-pauli-pauwles-johannes-rem-k-g-boon-7-i-c-38945-1976-the-illustrated-bartsch-1-netherlandish-artists-van-laer-vlieger-potter-de-bije-mfl-leonard-j-slatkes-7-c-36164-1978-to-kmpende-okser-image613562659.htmlRM2XJ65C3–Two fighting oxen Potter, Paulus 1625 - 1654 Etching, Print Hollstein's Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (vol. XVII), Andries Pauli (Pauwles) - Johannes Rem, K. G. Boon, 7 I, C 38945, 1976. The Illustrated Bartsch 1, Netherlandish Artists, van Laer, Vlieger, Potter, de Bije m.fl., Leonard J. Slatkes, 7, C 36164, 1978 To kæmpende okser
Seville Spain circa 1848 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seville-spain-circa-1848-image66216898.htmlRMDRMC96–Seville Spain circa 1848
Two fighting oxen The Bulldog (series title), Paulus Potter, Netherlands, 1650, paper, etching, h 110 mm × w 146 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-fighting-oxen-the-bulldog-series-title-paulus-potter-netherlands-1650-paper-etching-h-110-mm-w-146-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image350001351.htmlRF2B9BX87–Two fighting oxen The Bulldog (series title), Paulus Potter, Netherlands, 1650, paper, etching, h 110 mm × w 146 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Caucasian transport for women, open carriage driven by two oxen, wood engraving, Wien. Leipzig 1881 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/caucasian-transport-for-women-open-carriage-driven-by-two-oxen-wood-engraving-wien-leipzig-1881-image416290158.htmlRM2F57J9J–Caucasian transport for women, open carriage driven by two oxen, wood engraving, Wien. Leipzig 1881
Araba Turkish arba aroba carriage cabriolet coach wagon cart oxen Turkey Middle Eastern heavy vehicle travel transport passenger Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-araba-turkish-arba-aroba-carriage-cabriolet-coach-wagon-cart-oxen-39708277.htmlRMC8GT8N–Araba Turkish arba aroba carriage cabriolet coach wagon cart oxen Turkey Middle Eastern heavy vehicle travel transport passenger
Landscape with a Cart Pulled by Oxen. Charles Jacque (French, Paris 1813-1894 Paris) Date: 1846. Etching. Sheet: 8 11/16 Ч 11 15/16 in. (22 Ч 30.3 cm) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-a-cart-pulled-by-oxen-charles-jacque-french-paris-1813-1894-paris-date-1846-etching-sheet-8-1116-11-1516-in-22-303-cm-image574040544.htmlRF2T9WPG0–Landscape with a Cart Pulled by Oxen. Charles Jacque (French, Paris 1813-1894 Paris) Date: 1846. Etching. Sheet: 8 11/16 Ч 11 15/16 in. (22 Ч 30.3 cm)
A 1st Century BCE votive helmet, an object displayed or deposited, without the intention of recovery or use, in a sacred place for in order to gain favor with supernatural forces. High status artifacts such as armor and weaponry, fertility and cult symbols, coins, various treasures and animals (often dogs, oxen and in later periods horses) were common offerings in antiquity. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-1st-century-bce-votive-helmet-an-object-displayed-or-deposited-without-the-intention-of-recovery-or-use-in-a-sacred-place-for-in-order-to-gain-favor-with-supernatural-forces-high-status-artifacts-such-as-armor-and-weaponry-fertility-and-cult-symbols-coins-various-treasures-and-animals-often-dogs-oxen-and-in-later-periods-horses-were-common-offerings-in-antiquity-image264076659.htmlRMW9HMD7–A 1st Century BCE votive helmet, an object displayed or deposited, without the intention of recovery or use, in a sacred place for in order to gain favor with supernatural forces. High status artifacts such as armor and weaponry, fertility and cult symbols, coins, various treasures and animals (often dogs, oxen and in later periods horses) were common offerings in antiquity.
Charles Émile Jacque. Team of Oxen. 1868. France. Etching on ivory laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-mile-jacque-team-of-oxen-1868-france-etching-on-ivory-laid-paper-image337937710.htmlRM2AHPAYX–Charles Émile Jacque. Team of Oxen. 1868. France. Etching on ivory laid paper
Paulus Potter, (artist), Dutch, 1625 - 1654, Two Cows Seen from Behind, Various Oxen and Cows, (series), 1650, etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paulus-potter-artist-dutch-1625-1654-two-cows-seen-from-behind-various-oxen-and-cows-series-1650-etching-image386308769.htmlRM2DCDTNN–Paulus Potter, (artist), Dutch, 1625 - 1654, Two Cows Seen from Behind, Various Oxen and Cows, (series), 1650, etching
Two fighting oxen, 1650 copper (metal) etching ox Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-fighting-oxen-1650-copper-metal-etching-ox-image590847368.htmlRM2W97BRM–Two fighting oxen, 1650 copper (metal) etching ox
![A woman sits at the door of her house while a cart pulled by oxen passes by on the left, and two drummers and a man rest by the sea in the foreground on the right. Chiesa di Santa Maria della Vittoria can be seen on the left and Castel dell'Ovo on the right in the background. CASTELLO DELL OVO AT NAPLES = Vue du Chateau des Oeufes a Naples. [London] : Publish'd as the Act directs, by P. Sandby St. Georges Row Oxford Turnpike, Jan.y 1st. 1778, [January 1 1778]. Aquatint, etching and engraving, printed in sepia. Source: Maps 7.Tab.60, plate 13. Language: English and French. Author: FABRIS, PETER Stock Photo](https://c8.alamy.com/comp/R56N5B/a-woman-sits-at-the-door-of-her-house-while-a-cart-pulled-by-oxen-passes-by-on-the-left-and-two-drummers-and-a-man-rest-by-the-sea-in-the-foreground-on-the-right-chiesa-di-santa-maria-della-vittoria-can-be-seen-on-the-left-and-castel-dellovo-on-the-right-in-the-background-castello-dell-ovo-at-naples-=-vue-du-chateau-des-oeufes-a-naples-london-publishd-as-the-act-directs-by-p-sandby-st-georges-row-oxford-turnpike-jany-1st-1778-january-1-1778-aquatint-etching-and-engraving-printed-in-sepia-source-maps-7tab60-plate-13-language-english-and-french-author-fabris-peter-R56N5B.jpg "A woman sits at the door of her house while a cart pulled by oxen passes by on the left, and two drummers and a man rest by the sea in the foreground on the right. Chiesa di Santa Maria della Vittoria can be seen on the left and Castel dell'Ovo on the right in the background. CASTELLO DELL OVO AT NAPLES = Vue du Chateau des Oeufes a Naples. [London] : Publish'd as the Act directs, by P. Sandby St. Georges Row Oxford Turnpike, Jan.y 1st. 1778, [January 1 1778]. Aquatint, etching and engraving, printed in sepia. Source: Maps 7.Tab.60, plate 13. Language: English and French. Author: FABRIS, PETER Stock Photo")
A woman sits at the door of her house while a cart pulled by oxen passes by on the left, and two drummers and a man rest by the sea in the foreground on the right. Chiesa di Santa Maria della Vittoria can be seen on the left and Castel dell'Ovo on the right in the background. CASTELLO DELL OVO AT NAPLES = Vue du Chateau des Oeufes a Naples. [London] : Publish'd as the Act directs, by P. Sandby St. Georges Row Oxford Turnpike, Jan.y 1st. 1778, [January 1 1778]. Aquatint, etching and engraving, printed in sepia. Source: Maps 7.Tab.60, plate 13. Language: English and French. Author: FABRIS, PETER Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-woman-sits-at-the-door-of-her-house-while-a-cart-pulled-by-oxen-passes-by-on-the-left-and-two-drummers-and-a-man-rest-by-the-sea-in-the-foreground-on-the-right-chiesa-di-santa-maria-della-vittoria-can-be-seen-on-the-left-and-castel-dellovo-on-the-right-in-the-background-castello-dell-ovo-at-naples-=-vue-du-chateau-des-oeufes-a-naples-london-publishd-as-the-act-directs-by-p-sandby-st-georges-row-oxford-turnpike-jany-1st-1778-january-1-1778-aquatint-etching-and-engraving-printed-in-sepia-source-maps-7tab60-plate-13-language-english-and-french-author-fabris-peter-image226956391.htmlRMR56N5B–A woman sits at the door of her house while a cart pulled by oxen passes by on the left, and two drummers and a man rest by the sea in the foreground on the right. Chiesa di Santa Maria della Vittoria can be seen on the left and Castel dell'Ovo on the right in the background. CASTELLO DELL OVO AT NAPLES = Vue du Chateau des Oeufes a Naples. [London] : Publish'd as the Act directs, by P. Sandby St. Georges Row Oxford Turnpike, Jan.y 1st. 1778, [January 1 1778]. Aquatint, etching and engraving, printed in sepia. Source: Maps 7.Tab.60, plate 13. Language: English and French. Author: FABRIS, PETER
In most medieval households, cooking was done on an open hearth in the middle of the main living area, to make efficient use of the heat. This was the most common arrangement, even in wealthy households, where the kitchen was combined with the dining hall. Tools specific to cooking over an open fire were spits of various sizes, and material for skewering anything from delicate quails to whole oxen, along with adjustable hooks for pots and cauldrons. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/in-most-medieval-households-cooking-was-done-on-an-open-hearth-in-the-middle-of-the-main-living-area-to-make-efficient-use-of-the-heat-this-was-the-most-common-arrangement-even-in-wealthy-households-where-the-kitchen-was-combined-with-the-dining-hall-tools-specific-to-cooking-over-an-open-fire-were-spits-of-various-sizes-and-material-for-skewering-anything-from-delicate-quails-to-whole-oxen-along-with-adjustable-hooks-for-pots-and-cauldrons-image183778282.htmlRMMJYR22–In most medieval households, cooking was done on an open hearth in the middle of the main living area, to make efficient use of the heat. This was the most common arrangement, even in wealthy households, where the kitchen was combined with the dining hall. Tools specific to cooking over an open fire were spits of various sizes, and material for skewering anything from delicate quails to whole oxen, along with adjustable hooks for pots and cauldrons.
orient threshing sledge Nature natural world ecology animal outdoor farm agriculture rural ox oxen harvest prepare field manage Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/orient-threshing-sledge-nature-natural-world-ecology-animal-outdoor-image6283863.htmlRMA4BFH8–orient threshing sledge Nature natural world ecology animal outdoor farm agriculture rural ox oxen harvest prepare field manage
Basically, a sacrifice, or sacrificium, was a gift to the gods, heroes, emperors, or the dead. The most potent offering in Ancient Roman religion was animal sacrifice, typically of domesticated animals such as cattle, sheep and pigs. Each was the best specimen of its kind, cleansed, clad in sacrificial regalia and garlanded; the horns of oxen might be gilded. Sacrifice sought the harmonisation of the earthly and divine, so the victim must seem willing to offer its own life on behalf of the community; it must remain calm and be quickly and cleanly dispatched. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/basically-a-sacrifice-or-sacrificium-was-a-gift-to-the-gods-heroes-emperors-or-the-dead-the-most-potent-offering-in-ancient-roman-religion-was-animal-sacrifice-typically-of-domesticated-animals-such-as-cattle-sheep-and-pigs-each-was-the-best-specimen-of-its-kind-cleansed-clad-in-sacrificial-regalia-and-garlanded-the-horns-of-oxen-might-be-gilded-sacrifice-sought-the-harmonisation-of-the-earthly-and-divine-so-the-victim-must-seem-willing-to-offer-its-own-life-on-behalf-of-the-community-it-must-remain-calm-and-be-quickly-and-cleanly-dispatched-image261922747.htmlRMW63H3R–Basically, a sacrifice, or sacrificium, was a gift to the gods, heroes, emperors, or the dead. The most potent offering in Ancient Roman religion was animal sacrifice, typically of domesticated animals such as cattle, sheep and pigs. Each was the best specimen of its kind, cleansed, clad in sacrificial regalia and garlanded; the horns of oxen might be gilded. Sacrifice sought the harmonisation of the earthly and divine, so the victim must seem willing to offer its own life on behalf of the community; it must remain calm and be quickly and cleanly dispatched.
Old illustration of Maremma sheperds (Tuscany, Italy) bringing back wild oxen. By unidentified author, published on Magasin Pittoresque, Paris, 1833. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-illustration-of-maremma-sheperds-tuscany-italy-bringing-back-wild-image151825524.htmlRFJR0704–Old illustration of Maremma sheperds (Tuscany, Italy) bringing back wild oxen. By unidentified author, published on Magasin Pittoresque, Paris, 1833.
Hunting Cheetah India indian etching asia asian engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hunting-cheetah-india-indian-etching-asia-asian-engraving-83716357.htmlRMET5H1W–Hunting Cheetah India indian etching asia asian engraving
Cart Drawn by Two Pairs of Oxen in a Storm, 17th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cart-drawn-by-two-pairs-of-oxen-in-a-storm-17th-century-image462411442.htmlRM2HT8JEA–Cart Drawn by Two Pairs of Oxen in a Storm, 17th century.
Argentina. Yoke of oxen wading a lagoon. Reproduction of a photograph in the press of the time (early twentieth century). Coloured. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/argentina-yoke-of-oxen-wading-a-lagoon-reproduction-of-a-photograph-in-the-press-of-the-time-early-twentieth-century-coloured-image209660000.htmlRMP52RD4–Argentina. Yoke of oxen wading a lagoon. Reproduction of a photograph in the press of the time (early twentieth century). Coloured.
The oxen dragging the catafalque, vintage engraved illustration. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-oxen-dragging-the-catafalque-vintage-engraved-illustration-84306109.htmlRFEW4D8D–The oxen dragging the catafalque, vintage engraved illustration.
The Two Oxen Jardin, Karel Du 1626 - 1678 Etching, Print The Illustrated Bartsch 1, Netherlandish Artists, van Laer, Vlieger, Potter, de Bije m.fl., Leonard J. Slatkes, 24, C 36164, 1978. Hollstein's Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (vol. VI), Douffet - Floris, F.W.H. Hollstein, 24 II, C 38945, 1952. Les marques de collections de dessins & d'estampes: marques estampillées et écrites de collections particulières et publiques, Frits Lugt, 1687, 7027, 1921-1956 The Two Oxen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-two-oxen-jardin-karel-du-1626-1678-etching-print-the-illustrated-bartsch-1-netherlandish-artists-van-laer-vlieger-potter-de-bije-mfl-leonard-j-slatkes-24-c-36164-1978-hollsteins-dutch-and-flemish-etchings-engravings-and-woodcuts-1450-1700-vol-vi-douffet-floris-fwh-hollstein-24-ii-c-38945-1952-les-marques-de-collections-de-dessins-destampes-marques-estampilles-et-crites-de-collections-particulires-et-publiques-frits-lugt-1687-7027-1921-1956-the-two-oxen-image613543093.htmlRM2XJ58D9–The Two Oxen Jardin, Karel Du 1626 - 1678 Etching, Print The Illustrated Bartsch 1, Netherlandish Artists, van Laer, Vlieger, Potter, de Bije m.fl., Leonard J. Slatkes, 24, C 36164, 1978. Hollstein's Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (vol. VI), Douffet - Floris, F.W.H. Hollstein, 24 II, C 38945, 1952. Les marques de collections de dessins & d'estampes: marques estampillées et écrites de collections particulières et publiques, Frits Lugt, 1687, 7027, 1921-1956 The Two Oxen
Khoi working his field, Jan Caspar Philips, 1727 Landscape with a Khoi working his field. He drives the oxen, which pull the plow. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/khoi-working-his-field-jan-caspar-philips-1727-landscape-with-a-khoi-working-his-field-he-drives-the-oxen-which-pull-the-plow-image570295448.htmlRF2T3R5JG–Khoi working his field, Jan Caspar Philips, 1727 Landscape with a Khoi working his field. He drives the oxen, which pull the plow.
Team of Oxen, 1868, Charles Émile Jacque, French, 1813-1894, France, Etching on ivory laid paper, 92 × 178 mm (image), 340 × 451 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/team-of-oxen-1868-charles-mile-jacque-french-1813-1894-france-etching-on-ivory-laid-paper-92-178-mm-image-340-451-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349698204.htmlRF2B8X3HG–Team of Oxen, 1868, Charles Émile Jacque, French, 1813-1894, France, Etching on ivory laid paper, 92 × 178 mm (image), 340 × 451 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
In the foreground Apollo plays the pan flute. In the background Mercury steals his oxen. On the right in the background the shepherd Battus, who sees Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/in-the-foreground-apollo-plays-the-pan-flute-in-the-background-mercury-steals-his-oxen-on-the-right-in-the-background-the-shepherd-battus-who-sees-image488052274.htmlRF2KA0KJA–In the foreground Apollo plays the pan flute. In the background Mercury steals his oxen. On the right in the background the shepherd Battus, who sees
Vintage engraving of Arabian carriage trained by oxen, coach used for high ceremonial events Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-vintage-engraving-of-arabian-carriage-trained-by-oxen-coach-used-for-164857811.htmlRFKG5WPY–Vintage engraving of Arabian carriage trained by oxen, coach used for high ceremonial events
Men with turbans on their heads bring gum in leather bags to Senegal. They ride through a landscape with palm trees, on camels, oxen and horses. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/men-with-turbans-on-their-heads-bring-gum-in-leather-bags-to-senegal-they-ride-through-a-landscape-with-palm-trees-on-camels-oxen-and-horses-image488046877.htmlRF2KA0CNH–Men with turbans on their heads bring gum in leather bags to Senegal. They ride through a landscape with palm trees, on camels, oxen and horses.
Labors of Hercules, Obtain the Cattle of Geryon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-labors-of-hercules-obtain-the-cattle-of-geryon-173726960.htmlRMM2HXE8–Labors of Hercules, Obtain the Cattle of Geryon
Sébastien Bourdon. Cart Drawn by Two Pairs of Oxen in a Storm. 1601–1700. France. Etching on ivory laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sbastien-bourdon-cart-drawn-by-two-pairs-of-oxen-in-a-storm-16011700-france-etching-on-ivory-laid-paper-image337931291.htmlRM2AHP2PK–Sébastien Bourdon. Cart Drawn by Two Pairs of Oxen in a Storm. 1601–1700. France. Etching on ivory laid paper
Paulus Potter, (artist), Dutch, 1625 - 1654, Cow Lying Down near a Fence, Various Oxen and Cows, (series), 1650, etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paulus-potter-artist-dutch-1625-1654-cow-lying-down-near-a-fence-various-oxen-and-cows-series-1650-etching-image386363446.htmlRM2DCGAEE–Paulus Potter, (artist), Dutch, 1625 - 1654, Cow Lying Down near a Fence, Various Oxen and Cows, (series), 1650, etching
Team of Oxen, 1868. Charles-Émile Jacque (French, 1813-1894). Etching; Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/team-of-oxen-1868-charles-mile-jacque-french-1813-1894-etching-image448136362.htmlRM2H12AE2–Team of Oxen, 1868. Charles-Émile Jacque (French, 1813-1894). Etching;
In a landscape, a harvestman pulled by two oxen drives past a column crowned with a lion. In the background a city on a lake. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/in-a-landscape-a-harvestman-pulled-by-two-oxen-drives-past-a-column-crowned-with-a-lion-in-the-background-a-city-on-a-lake-image488046385.htmlRF2KA0C41–In a landscape, a harvestman pulled by two oxen drives past a column crowned with a lion. In the background a city on a lake.
Peasant in the neighbourhood of Human. A farmer with oxen. . Les Costumes du peuple polonais, suivis d'une description exacte de ses mÅ“urs, de ses usages et de ses habitudes: Ouvrage pittoresque. Paris, 1841. Source: 7744.dd.5 plate 28 opposite page 77. Author: Zienkowicz, Leon. Lewicki, J. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/peasant-in-the-neighbourhood-of-human-a-farmer-with-oxen-les-costumes-du-peuple-polonais-suivis-dune-description-exacte-de-ses-murs-de-ses-usages-et-de-ses-habitudes-ouvrage-pittoresque-paris-1841-source-7744dd5-plate-28-opposite-page-77-author-zienkowicz-leon-lewicki-j-image226959578.htmlRMR56W76–Peasant in the neighbourhood of Human. A farmer with oxen. . Les Costumes du peuple polonais, suivis d'une description exacte de ses mÅ“urs, de ses usages et de ses habitudes: Ouvrage pittoresque. Paris, 1841. Source: 7744.dd.5 plate 28 opposite page 77. Author: Zienkowicz, Leon. Lewicki, J.
Russia Russian Soviet Union USSR black sea coast bullock oxen farm cart wagon track cliff tree sailing ship boat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-russia-russian-soviet-union-ussr-black-sea-coast-bullock-oxen-farm-10619667.htmlRMA2YCRG–Russia Russian Soviet Union USSR black sea coast bullock oxen farm cart wagon track cliff tree sailing ship boat
'Village en Biscaye', 1924. Artist: JP Tillac Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/village-en-biscaye-1924-artist-jp-tillac-image262753556.htmlRMW7DCRG–'Village en Biscaye', 1924. Artist: JP Tillac
1891 engraving from The Boy's Own Paper; 'Lunch-time', showing a herdsman and his cattle. By Frank H. Walker. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1891-engraving-from-the-boys-own-paper-lunch-time-showing-a-herdsman-and-his-cattle-by-frank-h-walker-image177852559.htmlRMM99TN3–1891 engraving from The Boy's Own Paper; 'Lunch-time', showing a herdsman and his cattle. By Frank H. Walker.
19th Century Peasants in Traditional Dress, Andalusia, Spain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-19th-century-peasants-in-traditional-dress-andalusia-spain-87104995.htmlRMF1KY8K–19th Century Peasants in Traditional Dress, Andalusia, Spain
Landscape with Windmill, Young Man and Girl, and Two Oxen, n.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-windmill-young-man-and-girl-and-two-oxen-nd-image462405101.htmlRM2HT8ABW–Landscape with Windmill, Young Man and Girl, and Two Oxen, n.d.
A Shepherdess Speaking to Her Dog. Karel Dujardin; Dutch, c. 1622-1678. Date: 1653. Dimensions: 189 x 220 mm (image/plate); 194 x 224 mm (sheet). Etching on cream laid paper. Origin: Holland. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-shepherdess-speaking-to-her-dog-karel-dujardin-dutch-c-1622-1678-date-1653-dimensions-189-x-220-mm-imageplate-194-x-224-mm-sheet-etching-on-cream-laid-paper-origin-holland-museum-the-chicago-art-institute-image240027227.htmlRMRXE54Y–A Shepherdess Speaking to Her Dog. Karel Dujardin; Dutch, c. 1622-1678. Date: 1653. Dimensions: 189 x 220 mm (image/plate); 194 x 224 mm (sheet). Etching on cream laid paper. Origin: Holland. Museum: The Chicago Art Institute.
Old illustration depicting wagon sinking. By unidentified author, publ. on le Tour du Monde, Paris, 1863 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-illustration-depicting-wagon-sinking-by-unidentified-author-publ-on-le-tour-du-monde-paris-1863-image225158451.htmlRFR28RW7–Old illustration depicting wagon sinking. By unidentified author, publ. on le Tour du Monde, Paris, 1863
Ox Bull Chinese Zodiac Horoscope Animal Year Sign Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ox-bull-chinese-zodiac-horoscope-animal-year-sign-image568223456.htmlRF2T0CPPT–Ox Bull Chinese Zodiac Horoscope Animal Year Sign
Old view of Pierrefitte-Nestalas, France. By Girardet, publ. on Magasin Pittoresque, Paris, 1851 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-view-of-pierrefitte-nestalas-france-by-girardet-publ-on-magasin-pittoresque-paris-1851-image571795547.htmlRF2T67F1F–Old view of Pierrefitte-Nestalas, France. By Girardet, publ. on Magasin Pittoresque, Paris, 1851
Cart Drawn by Two Pairs of Oxen in a Storm, 17th century, Sébastien Bourdon, French, 1616-1671, France, Etching on ivory laid paper, 300 × 440 mm (plate), 445 × 593 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cart-drawn-by-two-pairs-of-oxen-in-a-storm-17th-century-sbastien-bourdon-french-1616-1671-france-etching-on-ivory-laid-paper-300-440-mm-plate-445-593-mm-sheet-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349724383.htmlRF2B8Y90F–Cart Drawn by Two Pairs of Oxen in a Storm, 17th century, Sébastien Bourdon, French, 1616-1671, France, Etching on ivory laid paper, 300 × 440 mm (plate), 445 × 593 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Old engraved illustration of Pegasus under yoke. Created by Gagniet after Moritz Retzsch, published on Magasin Pittoresque, Paris, 1852 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-engraved-illustration-of-pegasus-under-yoke-created-by-gagniet-after-moritz-retzsch-published-on-magasin-pittoresque-paris-1852-image600411998.htmlRF2WTR3HJ–Old engraved illustration of Pegasus under yoke. Created by Gagniet after Moritz Retzsch, published on Magasin Pittoresque, Paris, 1852
Pupa of Horsefly oxen, vintage engraved illustration. Magasin Pittoresque 1870. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pupa-of-horsefly-oxen-vintage-engraved-illustration-magasin-pittoresque-1870-image363135728.htmlRF2C2P794–Pupa of Horsefly oxen, vintage engraved illustration. Magasin Pittoresque 1870.
Old illustration of carts in Chihuahua city, Mexico. Created by Maurand and Rondé, published on Le Tour du Monde, Paris, 1861. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/old-illustration-of-carts-in-chihuahua-city-mexico-created-by-maurand-image150196983.htmlRFJMA1NY–Old illustration of carts in Chihuahua city, Mexico. Created by Maurand and Rondé, published on Le Tour du Monde, Paris, 1861.
Bushmen defending against the Cafres who pursue them a herd of stolen oxen, vintage engraved illustration. From the Universe and Humanity, 1910. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bushmen-defending-against-the-cafres-who-pursue-them-a-herd-of-stolen-oxen-vintage-engraved-illustration-from-the-universe-and-humanity-1910-image363166764.htmlRF2C2RJWG–Bushmen defending against the Cafres who pursue them a herd of stolen oxen, vintage engraved illustration. From the Universe and Humanity, 1910.
Dominique-Vivant Denon. Landscape with Windmill, Young Man and Girl, and Two Oxen. 1767–1825. France. Etching in black on ivory laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dominique-vivant-denon-landscape-with-windmill-young-man-and-girl-and-two-oxen-17671825-france-etching-in-black-on-ivory-laid-paper-image337958115.htmlRM2AHR90K–Dominique-Vivant Denon. Landscape with Windmill, Young Man and Girl, and Two Oxen. 1767–1825. France. Etching in black on ivory laid paper
Paulus Potter, (artist), Dutch, 1625 - 1654, A Cow Standing and Another Lying Down, Various Oxen and Cows, (series), 1650, etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paulus-potter-artist-dutch-1625-1654-a-cow-standing-and-another-lying-down-various-oxen-and-cows-series-1650-etching-image386353586.htmlRM2DCFWXA–Paulus Potter, (artist), Dutch, 1625 - 1654, A Cow Standing and Another Lying Down, Various Oxen and Cows, (series), 1650, etching
Plowing horses and oxen, Richard Lorenz, 1885 print paper. etching ploughing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plowing-horses-and-oxen-richard-lorenz-1885-print-paper-etching-ploughing-image593829025.htmlRM2WE36YD–Plowing horses and oxen, Richard Lorenz, 1885 print paper. etching ploughing
The old man Battus had promised Mercury not to betray anyone where were the oxen that the latter had stolen from Apollo. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-old-man-battus-had-promised-mercury-not-to-betray-anyone-where-were-the-oxen-that-the-latter-had-stolen-from-apollo-image488038154.htmlRF2KA01J2–The old man Battus had promised Mercury not to betray anyone where were the oxen that the latter had stolen from Apollo.
back from market Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-back-from-market-50321453.htmlRFCWT9EN–back from market
zebus ethiopian Umbrella parasol transport chariot rein Egypt Egyptian ox oxen cow bull pull lead vehicle carriage spoke animal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zebus-ethiopian-umbrella-parasol-transport-chariot-rein-egypt-egyptian-image6283912.htmlRMA4BFM9–zebus ethiopian Umbrella parasol transport chariot rein Egypt Egyptian ox oxen cow bull pull lead vehicle carriage spoke animal
