Painting gujarati painting Stock Photos and Images
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Painting gujarati painting Stock Photos and Images
Old vintage painting of woman, Gujarat, india, asia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-old-vintage-painting-of-woman-gujarat-india-asia-147800284.htmlRMJGCTNG–Old vintage painting of woman, Gujarat, india, asia
Gujarati 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gujarati-1-132498357.htmlRMHKFR05–Gujarati 1
Indian Wall Painting depicting a man and woman in traditional Indian dress riding a camel in the desert Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-indian-wall-painting-depicting-a-man-and-woman-in-traditional-indian-23385044.htmlRMBA17T4–Indian Wall Painting depicting a man and woman in traditional Indian dress riding a camel in the desert
Wall painting of a princely or royal figure on the outer wall of a small Gujarati-style Hindu temple in Fort area, Mumbai, India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wall-painting-of-a-princely-or-royal-figure-on-the-outer-wall-of-a-small-gujarati-style-hindu-temple-in-fort-area-mumbai-india-image332205731.htmlRF2A8D7PB–Wall painting of a princely or royal figure on the outer wall of a small Gujarati-style Hindu temple in Fort area, Mumbai, India
Gujarat Textiles - Dancing Woman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gujarat-textiles-dancing-woman-image500230124.htmlRM2M1RCHG–Gujarat Textiles - Dancing Woman
. English: Narmadashankar Dave, popularly known as ‘Narmad’ was a Gujarati writer from British India. He was a poet, dramatist, essayist, lexicographer, critic and reformer. caption:Age, 27. Narmad, Akhare Judai J.(Gujarati) Wood engraving for his publication, after an oil painting by an Indian artist Size: 5.5 x 5 in. (14 x 21.7 cm) ગુજરાતી: નર્મદાશંકર દવે અથવા નર્મદ, તેઓ જાણીતા ગુજરાતી સાહિત્યકાર અને આંદોલનકર્તા છે. ઉમ્મર, ૨૭. નર્મદ, આખરે જુદાઈ જ. માપ:૫.૫ x ૫ ઇંચ. (૧૪ x ૨૧.૭ સેમી) . 1860. Unknown, scanned by Arpan Kapadia 918 Narmadashankar Dave Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-narmadashankar-dave-popularly-known-as-narmad-was-a-gujarati-writer-from-british-india-he-was-a-poet-dramatist-essayist-lexicographer-critic-and-reformer-captionage-27-narmad-akhare-judai-jgujarati-wood-engraving-for-his-publication-after-an-oil-painting-by-an-indian-artist-size-55-x-5-in-14-x-217-cm-x-x-1860-unknown-scanned-by-arpan-kapadia-918-narmadashankar-dave-image185741546.htmlRMMP576J–. English: Narmadashankar Dave, popularly known as ‘Narmad’ was a Gujarati writer from British India. He was a poet, dramatist, essayist, lexicographer, critic and reformer. caption:Age, 27. Narmad, Akhare Judai J.(Gujarati) Wood engraving for his publication, after an oil painting by an Indian artist Size: 5.5 x 5 in. (14 x 21.7 cm) ગુજરાતી: નર્મદાશંકર દવે અથવા નર્મદ, તેઓ જાણીતા ગુજરાતી સાહિત્યકાર અને આંદોલનકર્તા છે. ઉમ્મર, ૨૭. નર્મદ, આખરે જુદાઈ જ. માપ:૫.૫ x ૫ ઇંચ. (૧૪ x ૨૧.૭ સેમી) . 1860. Unknown, scanned by Arpan Kapadia 918 Narmadashankar Dave
Tribal House Decoration Of Peacocks, Great Rann Of Kutch, Gujarat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tribal-house-decoration-of-peacocks-great-rann-of-kutch-gujarat-image339534892.htmlRM2AMB464–Tribal House Decoration Of Peacocks, Great Rann Of Kutch, Gujarat
Pithora paintings on interior wall of Rathwa tribal home near Jambughoda, Gujarat, India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pithora-paintings-on-interior-wall-of-rathwa-tribal-home-near-jambughoda-76862265.htmlRMED1AGW–Pithora paintings on interior wall of Rathwa tribal home near Jambughoda, Gujarat, India
Gujarat House Tribal Art of a flock of Flamingos (erroneously depicted eating fish) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gujarat-house-tribal-art-of-a-flock-of-flamingos-erroneously-depicted-eating-fish-image338936714.htmlRM2AKBW6J–Gujarat House Tribal Art of a flock of Flamingos (erroneously depicted eating fish)
Workman painting roof girders at Bhuj Bus Stand, Gujarat, India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-workman-painting-roof-girders-at-bhuj-bus-stand-gujarat-india-12260220.htmlRMA95RBW–Workman painting roof girders at Bhuj Bus Stand, Gujarat, India
Tribal House Decoration Of Peacock, Great Rann Of Kutch, Gujarat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tribal-house-decoration-of-peacock-great-rann-of-kutch-gujarat-image338259978.htmlRM2AJ921E–Tribal House Decoration Of Peacock, Great Rann Of Kutch, Gujarat
Mani painting a dead dog on top of the reservoir to prevent women from breaking their jars on the marble top which looked like water (Sur Gujarati). Khamsa. ('Five Poems'). India, 1595 - 1610. Opaque watercolour. Mughal style. Mughal/Akbar style. Source: Or. 12208 f.262v. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mani-painting-a-dead-dog-on-top-of-the-reservoir-to-prevent-women-from-breaking-their-jars-on-the-marble-top-which-looked-like-water-sur-gujarati-khamsa-five-poems-india-1595-1610-opaque-watercolour-mughal-style-mughalakbar-style-source-or-12208-f262v-image231697495.htmlRMRCXMEF–Mani painting a dead dog on top of the reservoir to prevent women from breaking their jars on the marble top which looked like water (Sur Gujarati). Khamsa. ('Five Poems'). India, 1595 - 1610. Opaque watercolour. Mughal style. Mughal/Akbar style. Source: Or. 12208 f.262v.
Gandhi Artwork Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gandhi-artwork-image348895621.htmlRM2B7HFWW–Gandhi Artwork
A Meghawal tribal woman standing inside of her family's ornately painted mud brick hut in Hodka, a semi-arid region bordering the Great Raan of Kutch. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-meghawal-tribal-woman-standing-inside-of-her-familys-ornately-painted-126310741.htmlRMH9DXHW–A Meghawal tribal woman standing inside of her family's ornately painted mud brick hut in Hodka, a semi-arid region bordering the Great Raan of Kutch.
Gujarat Textiles - Dancing Woman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gujarat-textiles-dancing-woman-image337025260.htmlRM2AG8R4C–Gujarat Textiles - Dancing Woman
Wall art in Gujarat displaying the characteristic level of detail shown by traditional Indian miniature painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wall-art-in-gujarat-displaying-the-characteristic-level-of-detail-130891442.htmlRFHGXHAA–Wall art in Gujarat displaying the characteristic level of detail shown by traditional Indian miniature painting
The handmaiden again appeals for justice and the prince is led to the place of execution for the third time, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Gujarati (Indian, active 1550s-1590s). Gum tempera, ink, and gold on paper; painting only: 12.1 x 9.9 cm (4 3/4 x 3 7/8 in.); overall: 20 x 13.4 cm (7 7/8 x 5 1/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-handmaiden-again-appeals-for-justice-and-the-prince-is-led-to-the-place-of-execution-for-the-third-time-from-a-tuti-nama-tales-of-a-parrot-eighth-night-c-1560-gujarati-indian-active-1550s-1590s-gum-tempera-ink-and-gold-on-paper-painting-only-121-x-99-cm-4-34-x-3-78-in-overall-20-x-134-cm-7-78-x-5-14-in-image448103556.htmlRM2H10TJC–The handmaiden again appeals for justice and the prince is led to the place of execution for the third time, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Gujarati (Indian, active 1550s-1590s). Gum tempera, ink, and gold on paper; painting only: 12.1 x 9.9 cm (4 3/4 x 3 7/8 in.); overall: 20 x 13.4 cm (7 7/8 x 5 1/4 in.).
'Tumanba Khan, His Wife, and His Nine Sons', Folio from a Chingiznama (Book of Genghis Khan). Artist: Basawan (Indian, active ca. 1556-1600); Bhim Gujarati (active 1590s). Dimensions: Page: 15 x 10 in. (38.1 x 25.4 cm). Date: ca. 1596. The text of the Chingiznama records the life of the legendary conqueror Chingiz Khan (Genghis Khan) and his family. The emperor Akbar (r. 1556-1605) commissioned many historical manuscripts in the 1590s, but because the Mughals claimed descent from Genghis Khan, this book must have had particular resonance for him. This illustration depicts the ruler Tumanba K Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tumanba-khan-his-wife-and-his-nine-sons-folio-from-a-chingiznama-book-of-genghis-khan-artist-basawan-indian-active-ca-1556-1600-bhim-gujarati-active-1590s-dimensions-page-15-x-10-in-381-x-254-cm-date-ca-1596-the-text-of-the-chingiznama-records-the-life-of-the-legendary-conqueror-chingiz-khan-genghis-khan-and-his-family-the-emperor-akbar-r-1556-1605-commissioned-many-historical-manuscripts-in-the-1590s-but-because-the-mughals-claimed-descent-from-genghis-khan-this-book-must-have-had-particular-resonance-for-him-this-illustration-depicts-the-ruler-tumanba-k-image212915865.htmlRMPAB4A1–'Tumanba Khan, His Wife, and His Nine Sons', Folio from a Chingiznama (Book of Genghis Khan). Artist: Basawan (Indian, active ca. 1556-1600); Bhim Gujarati (active 1590s). Dimensions: Page: 15 x 10 in. (38.1 x 25.4 cm). Date: ca. 1596. The text of the Chingiznama records the life of the legendary conqueror Chingiz Khan (Genghis Khan) and his family. The emperor Akbar (r. 1556-1605) commissioned many historical manuscripts in the 1590s, but because the Mughals claimed descent from Genghis Khan, this book must have had particular resonance for him. This illustration depicts the ruler Tumanba K
Bheenth Chitra, unique tribal wall art painting done by Geru, a special red powder. Geometric wall art drawing and painting done in Kutch, Gujarat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bheenth-chitra-unique-tribal-wall-art-painting-done-by-geru-a-special-red-powder-geometric-wall-art-drawing-and-painting-done-in-kutch-gujarat-image574392183.htmlRF2TADR2F–Bheenth Chitra, unique tribal wall art painting done by Geru, a special red powder. Geometric wall art drawing and painting done in Kutch, Gujarat
Gujarati 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gujarati-1-139971612.htmlRMJ3M764–Gujarati 1
Bim Gujarati - Five Poems (Quintet) - Walters W613 - Top Exterior Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bim-gujarati-five-poems-quintet-walters-w613-top-exterior-132728968.htmlRMHKX948–Bim Gujarati - Five Poems (Quintet) - Walters W613 - Top Exterior
Indian Wall Painting of Maharaja (King), North India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-indian-wall-painting-of-maharaja-king-north-india-24164017.htmlRMBB8NCH–Indian Wall Painting of Maharaja (King), North India
Indian construction worker painting a wall in an industrial plant / area of India, in Surat, Gujarat. India. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-indian-construction-worker-painting-a-wall-in-an-industrial-plant-25885487.htmlRMBE355K–Indian construction worker painting a wall in an industrial plant / area of India, in Surat, Gujarat. India.
A Nirona Craftsman painting spoons with a lathe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-nirona-craftsman-painting-spoons-with-a-lathe-23847052.htmlRMBAP94C–A Nirona Craftsman painting spoons with a lathe
. English: Narmadashankar Dave, popularly known as ‘Narmad’ was a Gujarati writer from British India. He was a poet, dramatist, essayist, lexicographer, critic and reformer. caption:Age, 27. Narmad, Akhare Judai J.(Gujarati) Wood engraving for his publication, after an oil painting by an Indian artist Size: 5.5 x 5 in. (14 x 21.7 cm) ગુજરાતી: નર્મદાશંકર દવે અથવા નર્મદ, તેઓ જાણીતા ગુજરાતી સાહિત્યકાર અને આંદોલનકર્તા છે. ઉમ્મર, ૨૭. નર્મદ, આખરે જુદાઈ જ. માપ:૫.૫ x ૫ ઇંચ. (૧૪ x ૨૧.૭ સેમી) . 1860. Unknown, scanned by Arpan Kapadia 918 Narmadashankar Dave (cropped) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-narmadashankar-dave-popularly-known-as-narmad-was-a-gujarati-writer-from-british-india-he-was-a-poet-dramatist-essayist-lexicographer-critic-and-reformer-captionage-27-narmad-akhare-judai-jgujarati-wood-engraving-for-his-publication-after-an-oil-painting-by-an-indian-artist-size-55-x-5-in-14-x-217-cm-x-x-1860-unknown-scanned-by-arpan-kapadia-918-narmadashankar-dave-cropped-image185741545.htmlRMMP576H–. English: Narmadashankar Dave, popularly known as ‘Narmad’ was a Gujarati writer from British India. He was a poet, dramatist, essayist, lexicographer, critic and reformer. caption:Age, 27. Narmad, Akhare Judai J.(Gujarati) Wood engraving for his publication, after an oil painting by an Indian artist Size: 5.5 x 5 in. (14 x 21.7 cm) ગુજરાતી: નર્મદાશંકર દવે અથવા નર્મદ, તેઓ જાણીતા ગુજરાતી સાહિત્યકાર અને આંદોલનકર્તા છે. ઉમ્મર, ૨૭. નર્મદ, આખરે જુદાઈ જ. માપ:૫.૫ x ૫ ઇંચ. (૧૪ x ૨૧.૭ સેમી) . 1860. Unknown, scanned by Arpan Kapadia 918 Narmadashankar Dave (cropped)
Pithora painting on house wall. Gujarat, India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pithora-painting-on-house-wall-gujarat-india-140778964.htmlRFJ51104–Pithora painting on house wall. Gujarat, India
Rathwa tribal couple in front of Pithora paintings inside home near Jambughoda, Gujarat, India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rathwa-tribal-couple-in-front-of-pithora-paintings-inside-home-near-76862266.htmlRMED1AGX–Rathwa tribal couple in front of Pithora paintings inside home near Jambughoda, Gujarat, India
Vabhruvahana Approaches Arjuna, page from the Khan Khanan's Razm-nama, c. 1610 (?) - 1617. A tree with a whimsically mint-green trunk populated with birds and nests with eggs appears to the left of the block of text, in which the action below is described in Persian. Under the tree on a blanket is Arjuna, one of the main heroes of the Razm-nama. He is an extraordinary warrior and holds his bow as he receives his son Vabhruvahana, who has come to apologize for having captured the horse of the royal horse sacrifice--a major indiscretion. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vabhruvahana-approaches-arjuna-page-from-the-khan-khanans-razm-nama-c-1610-1617-a-tree-with-a-whimsically-mint-green-trunk-populated-with-birds-and-nests-with-eggs-appears-to-the-left-of-the-block-of-text-in-which-the-action-below-is-described-in-persian-under-the-tree-on-a-blanket-is-arjuna-one-of-the-main-heroes-of-the-razm-nama-he-is-an-extraordinary-warrior-and-holds-his-bow-as-he-receives-his-son-vabhruvahana-who-has-come-to-apologize-for-having-captured-the-horse-of-the-royal-horse-sacrifice-a-major-indiscretion-image330132744.htmlRM2A52RK4–Vabhruvahana Approaches Arjuna, page from the Khan Khanan's Razm-nama, c. 1610 (?) - 1617. A tree with a whimsically mint-green trunk populated with birds and nests with eggs appears to the left of the block of text, in which the action below is described in Persian. Under the tree on a blanket is Arjuna, one of the main heroes of the Razm-nama. He is an extraordinary warrior and holds his bow as he receives his son Vabhruvahana, who has come to apologize for having captured the horse of the royal horse sacrifice--a major indiscretion.
11 26 2009 Pithora paintings on interior wall of Rathwa tribal home near Jambughoda, Gujarat, India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/11-26-2009-pithora-paintings-on-interior-wall-of-rathwa-tribal-home-near-jambughoda-gujarat-india-image519612680.htmlRF2N5AB7M–11 26 2009 Pithora paintings on interior wall of Rathwa tribal home near Jambughoda, Gujarat, India
Meghwal Harijan women outside a home in Ludia, Gujarat, India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-meghwal-harijan-women-outside-a-home-in-ludia-gujarat-india-135730418.htmlRMHTR1EX–Meghwal Harijan women outside a home in Ludia, Gujarat, India
The death of Majnun on Layla's grave. Khamsa. ('Five Poems'). India, 1595. A miniature painting from a sixteenth century manuscript of Nizami's Khamsa ('Five Poems'). . Source: Or. 12208, f.165v. Language: Persian. Author: NIZAMI. Gujarati. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-death-of-majnun-on-laylas-grave-khamsa-five-poems-india-1595-a-miniature-painting-from-a-sixteenth-century-manuscript-of-nizamis-khamsa-five-poems-source-or-12208-f165v-language-persian-author-nizami-gujarati-image227070444.htmlRMR5BXJM–The death of Majnun on Layla's grave. Khamsa. ('Five Poems'). India, 1595. A miniature painting from a sixteenth century manuscript of Nizami's Khamsa ('Five Poems'). . Source: Or. 12208, f.165v. Language: Persian. Author: NIZAMI. Gujarati.
Indian Gujarat village woman carrying water pot, Indian village woman carrying water Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/indian-gujarat-village-woman-carrying-water-pot-indian-village-woman-carrying-water-image634086944.htmlRF2YRH4A8–Indian Gujarat village woman carrying water pot, Indian village woman carrying water
A Meghawal tribal woman standing inside of her family's ornately painted mud brick hut in Hodka, a semi-arid region bordering the Great Raan of Kutch. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-meghawal-tribal-woman-standing-inside-of-her-familys-ornately-painted-126310740.htmlRMH9DXHT–A Meghawal tribal woman standing inside of her family's ornately painted mud brick hut in Hodka, a semi-arid region bordering the Great Raan of Kutch.
Gujarat Textiles - Dancing Women Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gujarat-textiles-dancing-women-image337025258.htmlRM2AG8R4A–Gujarat Textiles - Dancing Women
Wall art in Gujarat displaying the characteristic level of detail shown by traditional Indian miniature painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wall-art-in-gujarat-displaying-the-characteristic-level-of-detail-131277087.htmlRFHHG57B–Wall art in Gujarat displaying the characteristic level of detail shown by traditional Indian miniature painting
Gujarat Textiles - Dancing Woman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gujarat-textiles-dancing-woman-image500230220.htmlRM2M1RCN0–Gujarat Textiles - Dancing Woman
A woman asks her lover to leave her house, brandishing his sword and feigning rage in order to deceive her husband who has just arrived, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Gujarati (Indian, active 1550s-1590s). Gum tempera, ink, and gold on paper; overall: 20 x 14.3 cm (7 7/8 x 5 5/8 in.); painting only: 16.7 x 10 cm (6 9/16 x 3 15/16 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-woman-asks-her-lover-to-leave-her-house-brandishing-his-sword-and-feigning-rage-in-order-to-deceive-her-husband-who-has-just-arrived-from-a-tuti-nama-tales-of-a-parrot-eighth-night-c-1560-gujarati-indian-active-1550s-1590s-gum-tempera-ink-and-gold-on-paper-overall-20-x-143-cm-7-78-x-5-58-in-painting-only-167-x-10-cm-6-916-x-3-1516-in-image448103542.htmlRM2H10THX–A woman asks her lover to leave her house, brandishing his sword and feigning rage in order to deceive her husband who has just arrived, from a Tuti-nama (Tales of a Parrot): Eighth Night, c. 1560. Gujarati (Indian, active 1550s-1590s). Gum tempera, ink, and gold on paper; overall: 20 x 14.3 cm (7 7/8 x 5 5/8 in.); painting only: 16.7 x 10 cm (6 9/16 x 3 15/16 in.).
Rogan Art practiced in the Kutch District of Gujarat, India. Paint made from castor oil and vegetable dyes is applied to cloth using a stylus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rogan-art-practiced-in-the-kutch-district-of-gujarat-india-paint-made-from-castor-oil-and-vegetable-dyes-is-applied-to-cloth-using-a-stylus-image340110697.htmlRM2AN9AJH–Rogan Art practiced in the Kutch District of Gujarat, India. Paint made from castor oil and vegetable dyes is applied to cloth using a stylus
Bheenth Chitra, unique tribal wall art painting done by Geru, a special red powder. Geometric wall art drawing and painting done in Kutch, Gujarat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bheenth-chitra-unique-tribal-wall-art-painting-done-by-geru-a-special-red-powder-geometric-wall-art-drawing-and-painting-done-in-kutch-gujarat-image574474737.htmlRF2TAHGAW–Bheenth Chitra, unique tribal wall art painting done by Geru, a special red powder. Geometric wall art drawing and painting done in Kutch, Gujarat
Bim Gujarati - Alexander the Great Enthroned at Persepolis - Walters W61334A - Full Page Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bim-gujarati-alexander-the-great-enthroned-at-persepolis-walters-w61334a-132729036.htmlRMHKX96M–Bim Gujarati - Alexander the Great Enthroned at Persepolis - Walters W61334A - Full Page
Rogan Art practiced in the Kutch District of Gujarat, India. Paint made from castor oil and vegetable dyes is applied to cloth using a stylus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rogan-art-practiced-in-the-kutch-district-of-gujarat-india-paint-made-from-castor-oil-and-vegetable-dyes-is-applied-to-cloth-using-a-stylus-image336826680.htmlRM2AFYNT8–Rogan Art practiced in the Kutch District of Gujarat, India. Paint made from castor oil and vegetable dyes is applied to cloth using a stylus
A Page from the Gujarati translation of 'Dabistān-i Mazāhibm' prepared and printed by Fardunji Marzban (1815) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-page-from-the-gujarati-translation-of-dabistn-i-mazhibm-prepared-147392377.htmlRMJFP8DD–A Page from the Gujarati translation of 'Dabistān-i Mazāhibm' prepared and printed by Fardunji Marzban (1815)
A Small Child from the Garasia Tribe at home in a village in Gujarat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-small-child-from-the-garasia-tribe-at-home-in-a-village-in-gujarat-23806249.htmlRMBAMD35–A Small Child from the Garasia Tribe at home in a village in Gujarat
Hindu worshipper in Hanuman monkey god costume Bhuj Gujarat India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hindu-worshipper-in-hanuman-monkey-god-costume-bhuj-gujarat-india-21911738.htmlRMB7J4J2–Hindu worshipper in Hanuman monkey god costume Bhuj Gujarat India
The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian,1247-1318), c. 1596. Akbar, the third Mughal emperor of India, commissioned an illustrated copy of the Chingiz-nama, a historical text written in Persian during the early 1300s by a Jewish scholar who converted to Islam. The Chingiz-nama is an account of the conquests of Akbar’s ancestors, the Mongols, who swept across the Asian continent from Siberia to the Mediterranean Sea during the 1200s. This page describes the final Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-siege-of-arbela-in-the-era-of-hulagu-khan-from-a-chingiz-nama-book-of-chingiz-khan-of-the-jami-al-tavarikh-compendium-of-chronicles-of-rashid-al-din-persian1247-1318-c-1596-akbar-the-third-mughal-emperor-of-india-commissioned-an-illustrated-copy-of-the-chingiz-nama-a-historical-text-written-in-persian-during-the-early-1300s-by-a-jewish-scholar-who-converted-to-islam-the-chingiz-nama-is-an-account-of-the-conquests-of-akbarx2019s-ancestors-the-mongols-who-swept-across-the-asian-continent-from-siberia-to-the-mediterranean-sea-during-the-1200s-this-page-describes-the-final-image330130300.htmlRM2A52MFT–The siege of Arbela in the era of Hulagu Khan, from a Chingiz-nama (Book of Chingiz Khan) of the Jami al-tavarikh (Compendium of Chronicles) of Rashid al-Din (Persian,1247-1318), c. 1596. Akbar, the third Mughal emperor of India, commissioned an illustrated copy of the Chingiz-nama, a historical text written in Persian during the early 1300s by a Jewish scholar who converted to Islam. The Chingiz-nama is an account of the conquests of Akbar’s ancestors, the Mongols, who swept across the Asian continent from Siberia to the Mediterranean Sea during the 1200s. This page describes the final
Beautifully dressed Meghwal Harijan woman outside her home in Ludia, Gujarat, India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-beautifully-dressed-meghwal-harijan-woman-outside-her-home-in-ludia-135730422.htmlRMHTR1F2–Beautifully dressed Meghwal Harijan woman outside her home in Ludia, Gujarat, India
Iskandar journeying through the desert. Khamsa. ('Five Poems'). India, 1595. A miniature painting from a sixteenth century manuscript of Nizami's Khamsa ('Five Poems'). . Source: Or. 12208, f.312v. Language: Persian. Author: NIZAMI. BHEM GUJARATI. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/iskandar-journeying-through-the-desert-khamsa-five-poems-india-1595-a-miniature-painting-from-a-sixteenth-century-manuscript-of-nizamis-khamsa-five-poems-source-or-12208-f312v-language-persian-author-nizami-bhem-gujarati-image227213914.htmlRMR5JDJJ–Iskandar journeying through the desert. Khamsa. ('Five Poems'). India, 1595. A miniature painting from a sixteenth century manuscript of Nizami's Khamsa ('Five Poems'). . Source: Or. 12208, f.312v. Language: Persian. Author: NIZAMI. BHEM GUJARATI.
A Meghawal tribal woman standing inside of her family's ornately painted mud brick hut in Hodka, a semi-arid region bordering the Great Raan of Kutch. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-meghawal-tribal-woman-standing-inside-of-her-familys-ornately-painted-126310739.htmlRMH9DXHR–A Meghawal tribal woman standing inside of her family's ornately painted mud brick hut in Hodka, a semi-arid region bordering the Great Raan of Kutch.
Wall art in Gujarat state in western India, displaying the characteristic level of detail shown by traditional Indian miniature painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wall-art-in-gujarat-state-in-western-india-displaying-the-characteristic-136096223.htmlRFHWBM3B–Wall art in Gujarat state in western India, displaying the characteristic level of detail shown by traditional Indian miniature painting
Bheenth Chitra, unique tribal wall art painting done by Geru, a special red powder. Geometric wall art drawing and painting done in Kutch, Gujarat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bheenth-chitra-unique-tribal-wall-art-painting-done-by-geru-a-special-red-powder-geometric-wall-art-drawing-and-painting-done-in-kutch-gujarat-image574392181.htmlRF2TADR2D–Bheenth Chitra, unique tribal wall art painting done by Geru, a special red powder. Geometric wall art drawing and painting done in Kutch, Gujarat
Vaki'at-i Baburi - The First Battle of Panipat by Deo Gujarati Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vakiat-i-baburi-the-first-battle-of-panipat-by-deo-gujarati-134795088.htmlRMHR8CE8–Vaki'at-i Baburi - The First Battle of Panipat by Deo Gujarati
Rogan Art practiced in the Kutch District of Gujarat, India. Paint made from castor oil and vegetable dyes is applied to cloth using a stylus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rogan-art-practiced-in-the-kutch-district-of-gujarat-india-paint-made-from-castor-oil-and-vegetable-dyes-is-applied-to-cloth-using-a-stylus-image336826772.htmlRM2AFYNYG–Rogan Art practiced in the Kutch District of Gujarat, India. Paint made from castor oil and vegetable dyes is applied to cloth using a stylus
Another early twentieth century textile label featuring Alexander, who is identified in Gujarati script Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/another-early-twentieth-century-textile-label-featuring-alexander-image155561059.htmlRMK12BM3–Another early twentieth century textile label featuring Alexander, who is identified in Gujarati script
Rogan Art practiced in the Kutch District of Gujarat, India. Paint made from castor oil and vegetable dyes is applied to cloth using a stylus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rogan-art-practiced-in-the-kutch-district-of-gujarat-india-paint-made-from-castor-oil-and-vegetable-dyes-is-applied-to-cloth-using-a-stylus-image337063999.htmlRM2AGAGFY–Rogan Art practiced in the Kutch District of Gujarat, India. Paint made from castor oil and vegetable dyes is applied to cloth using a stylus
A Mother and her baby at home in a village in Gujarat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-mother-and-her-baby-at-home-in-a-village-in-gujarat-23848145.htmlRMBAPAFD–A Mother and her baby at home in a village in Gujarat
Gujurat Textiles - Women Carrying Offerings, Red Bulls Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gujurat-textiles-women-carrying-offerings-red-bulls-image500230088.htmlRM2M1RCG8–Gujurat Textiles - Women Carrying Offerings, Red Bulls
Akbar Mounting his Horse; page from the Chester Beatty Akbar Nama (History of Akbar), 1605-07. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/akbar-mounting-his-horse-page-from-the-chester-beatty-akbar-nama-history-of-akbar-1605-07-image330072189.htmlRM2A502CD–Akbar Mounting his Horse; page from the Chester Beatty Akbar Nama (History of Akbar), 1605-07.
Beautifully dressed Meghwal Harijan woman outside her home in Ludia, Gujarat, India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-beautifully-dressed-meghwal-harijan-woman-outside-her-home-in-ludia-135730420.htmlRMHTR1F0–Beautifully dressed Meghwal Harijan woman outside her home in Ludia, Gujarat, India
Green parrots (Kesu Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.384v. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/green-parrots-kesu-gujarati-vakiat-i-baburi-the-memoirs-of-babur-translated-from-the-turki-original-by-mirza-abd-al-rahim-khan-i-khanan-one-hundred-and-forty-three-miniatures-mostly-with-attributions-c1590-opaque-watercolour-mughal-style-mughalakbar-style-source-or-3714-vol4-f384v-image231370269.htmlRMRCBR3W–Green parrots (Kesu Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.384v.
A painting of every day village life the inside wall of a Meghawal tribal house in Hodka, a semi-arid region bordering the Great Raan of Kutch. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-painting-of-every-day-village-life-the-inside-wall-of-a-meghawal-126310742.htmlRMH9DXHX–A painting of every day village life the inside wall of a Meghawal tribal house in Hodka, a semi-arid region bordering the Great Raan of Kutch.
Bheenth Chitra, unique tribal wall art painting done by Geru, a special red powder. Geometric wall art drawing and painting done in Kutch, Gujarat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bheenth-chitra-unique-tribal-wall-art-painting-done-by-geru-a-special-red-powder-geometric-wall-art-drawing-and-painting-done-in-kutch-gujarat-image574392188.htmlRF2TADR2M–Bheenth Chitra, unique tribal wall art painting done by Geru, a special red powder. Geometric wall art drawing and painting done in Kutch, Gujarat
Surdas Gujarati - The Story of the Talisman that Detects Insincerity as Told by the Princess of the White Pavilion - Walters W624208B - Full Page Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-surdas-gujarati-the-story-of-the-talisman-that-detects-insincerity-134799978.htmlRMHR8JMX–Surdas Gujarati - The Story of the Talisman that Detects Insincerity as Told by the Princess of the White Pavilion - Walters W624208B - Full Page
A family from the Garasia Tribe at home in a village in Gujarat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-family-from-the-garasia-tribe-at-home-in-a-village-in-gujarat-23806977.htmlRMBAME15–A family from the Garasia Tribe at home in a village in Gujarat
Page from a Book of Omens, ca. 1800. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/page-from-a-book-of-omens-ca-1800-image343008309.htmlRM2AX1AGN–Page from a Book of Omens, ca. 1800.
Meghwal Harijan girls outside at their home in a village near Bhuj, Gujarat, India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-meghwal-harijan-girls-outside-at-their-home-in-a-village-near-bhuj-135730440.htmlRMHTR1FM–Meghwal Harijan girls outside at their home in a village near Bhuj, Gujarat, India
Sarus crane (Sur Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.390. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sarus-crane-sur-gujarati-vakiat-i-baburi-the-memoirs-of-babur-translated-from-the-turki-original-by-mirza-abd-al-rahim-khan-i-khanan-one-hundred-and-forty-three-miniatures-mostly-with-attributions-c1590-opaque-watercolour-mughal-style-mughalakbar-style-source-or-3714-vol4-f390-image231378855.htmlRMRCC62F–Sarus crane (Sur Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.390.
A Meghawal tribal woman standing in front of her family's ornately mud brick hut in Hodka, a semi-arid region bordering the Great Raan of Kutch. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-meghawal-tribal-woman-standing-in-front-of-her-familys-ornately-126310750.htmlRMH9DXJ6–A Meghawal tribal woman standing in front of her family's ornately mud brick hut in Hodka, a semi-arid region bordering the Great Raan of Kutch.
Bheenth Chitra, unique tribal wall art painting done by Geru, a special red powder. Geometric wall art drawing and painting done in Kutch, Gujarat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bheenth-chitra-unique-tribal-wall-art-painting-done-by-geru-a-special-red-powder-geometric-wall-art-drawing-and-painting-done-in-kutch-gujarat-image574474590.htmlRF2TAHG5J–Bheenth Chitra, unique tribal wall art painting done by Geru, a special red powder. Geometric wall art drawing and painting done in Kutch, Gujarat
Gujarati 1 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gujarati-1-136556497.htmlRMHX4K5N–Gujarati 1
A family from the Garasia Tribe at home in a village in Gujarat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-family-from-the-garasia-tribe-at-home-in-a-village-in-gujarat-23806936.htmlRMBAMDYM–A family from the Garasia Tribe at home in a village in Gujarat
Tonsure of Mahavira: Folio from a Kalpasutra Manuscript, 1461 (Samvat 1519). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tonsure-of-mahavira-folio-from-a-kalpasutra-manuscript-1461-samvat-1519-image343009102.htmlRM2AX1BH2–Tonsure of Mahavira: Folio from a Kalpasutra Manuscript, 1461 (Samvat 1519).
Babur carrying a torch riding drunk through the camp after a celebration party on a boat (1519) (Shankar Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Source: Or. 3714, f. 314a. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/babur-carrying-a-torch-riding-drunk-through-the-camp-after-a-celebration-party-on-a-boat-1519-shankar-gujarati-vakiat-i-baburi-the-memoirs-of-babur-translated-from-the-turki-original-by-mirza-abd-al-rahim-khan-i-khanan-one-hundred-and-forty-three-miniatures-mostly-with-attributions-c1590-source-or-3714-f-314a-image231453747.htmlRMRCFHH7–Babur carrying a torch riding drunk through the camp after a celebration party on a boat (1519) (Shankar Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Source: Or. 3714, f. 314a.
A Meghawal tribal woman standing in front of her family's ornately mud brick hut in Hodka, a semi-arid region bordering the Great Raan of Kutch. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-meghawal-tribal-woman-standing-in-front-of-her-familys-ornately-126310749.htmlRMH9DXJ5–A Meghawal tribal woman standing in front of her family's ornately mud brick hut in Hodka, a semi-arid region bordering the Great Raan of Kutch.
Bheenth Chitra, unique tribal wall art painting done by Geru, a special red powder. Geometric wall art drawing and painting done in Kutch, Gujarat . G Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bheenth-chitra-unique-tribal-wall-art-painting-done-by-geru-a-special-red-powder-geometric-wall-art-drawing-and-painting-done-in-kutch-gujarat-g-image574474752.htmlRF2TAHGBC–Bheenth Chitra, unique tribal wall art painting done by Geru, a special red powder. Geometric wall art drawing and painting done in Kutch, Gujarat . G
C59Arīpāla-kathā by Ratnaśekhara, edifying poem of the Jain C59Avetāmbara tradition. In Prakrit with some Gujarati Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-c59arpla-kath-by-ratnaekhara-edifying-poem-of-the-jain-c59avetmbara-137933109.htmlRMJ0BB2D–C59Arīpāla-kathā by Ratnaśekhara, edifying poem of the Jain C59Avetāmbara tradition. In Prakrit with some Gujarati
Shalibhadra Performing Austerities: Folio from a Shalibhadra Manuscript, ca. 1725. Shalibhadra a Jain born to great wealth, and his wife present a manuscript to two Jain nuns. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shalibhadra-performing-austerities-folio-from-a-shalibhadra-manuscript-ca-1725-shalibhadra-a-jain-born-to-great-wealth-and-his-wife-present-a-manuscript-to-two-jain-nuns-image343008272.htmlRM2AX1AFC–Shalibhadra Performing Austerities: Folio from a Shalibhadra Manuscript, ca. 1725. Shalibhadra a Jain born to great wealth, and his wife present a manuscript to two Jain nuns.
‘Gala’ fish. (Shankar Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.395. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gala-fish-shankar-gujarati-vakiat-i-baburi-the-memoirs-of-babur-translated-from-the-turki-original-by-mirza-abd-al-rahim-khan-i-khanan-one-hundred-and-forty-three-miniatures-mostly-with-attributions-c1590-opaque-watercolour-mughal-style-mughalakbar-style-source-or-3714-vol4-f395-image231242246.htmlRMRC5YRJ–‘Gala’ fish. (Shankar Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.395.
A Meghawal tribal woman standing in front of her family's ornately mud brick hut in Hodka, a semi-arid region bordering the Great Raan of Kutch. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-meghawal-tribal-woman-standing-in-front-of-her-familys-ornately-126310752.htmlRMH9DXJ8–A Meghawal tribal woman standing in front of her family's ornately mud brick hut in Hodka, a semi-arid region bordering the Great Raan of Kutch.
Bheenth Chitra, unique tribal wall art painting done by Geru, a special red powder. Geometric wall art drawing and painting done in Kutch, Gujarat . G Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bheenth-chitra-unique-tribal-wall-art-painting-done-by-geru-a-special-red-powder-geometric-wall-art-drawing-and-painting-done-in-kutch-gujarat-g-image574392287.htmlRF2TADR67–Bheenth Chitra, unique tribal wall art painting done by Geru, a special red powder. Geometric wall art drawing and painting done in Kutch, Gujarat . G
Celestial Performers: Folios from a Kalpasutra Manuscript, ca. 1490. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/celestial-performers-folios-from-a-kalpasutra-manuscript-ca-1490-image343009095.htmlRM2AX1BGR–Celestial Performers: Folios from a Kalpasutra Manuscript, ca. 1490.
Orange (‘citrus aurantium’). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.403v. Author: Shankar Gujarati. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/orange-citrus-aurantium-vakiat-i-baburi-the-memoirs-of-babur-translated-from-the-turki-original-by-mirza-abd-al-rahim-khan-i-khanan-one-hundred-and-forty-three-miniatures-mostly-with-attributions-c1590-opaque-watercolour-mughal-style-mughalakbar-style-source-or-3714-vol4-f403v-author-shankar-gujarati-image231711810.htmlRMRCYANP–Orange (‘citrus aurantium’). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.403v. Author: Shankar Gujarati.
Celestial Performers: Folios from a Kalpasutra Manuscript, ca. 1490. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/celestial-performers-folios-from-a-kalpasutra-manuscript-ca-1490-image343009112.htmlRM2AX1BHC–Celestial Performers: Folios from a Kalpasutra Manuscript, ca. 1490.
Cranes and ducks ‘(anas poecilorhyncha)’. Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.391v. Author: Shankar Gujarati. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cranes-and-ducks-anas-poecilorhyncha-vakiat-i-baburi-the-memoirs-of-babur-translated-from-the-turki-original-by-mirza-abd-al-rahim-khan-i-khanan-one-hundred-and-forty-three-miniatures-mostly-with-attributions-c1590-opaque-watercolour-mughal-style-mughalakbar-style-source-or-3714-vol4-f391v-author-shankar-gujarati-image231429391.htmlRMRCEEFB–Cranes and ducks ‘(anas poecilorhyncha)’. Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.391v. Author: Shankar Gujarati.
Comb duck ‘(sarcidiornis melanonotus)’ . Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.392. Author: Shankar Gujarati. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/comb-duck-sarcidiornis-melanonotus-vakiat-i-baburi-the-memoirs-of-babur-translated-from-the-turki-original-by-mirza-abd-al-rahim-khan-i-khanan-one-hundred-and-forty-three-miniatures-mostly-with-attributions-c1590-opaque-watercolour-mughal-style-mughalakbar-style-source-or-3714-vol4-f392-author-shankar-gujarati-image231442883.htmlRMRCF3N7–Comb duck ‘(sarcidiornis melanonotus)’ . Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.392. Author: Shankar Gujarati.
Sweet orange in irrigation channel. Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.404v. Author: Shankar Gujarati. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sweet-orange-in-irrigation-channel-vakiat-i-baburi-the-memoirs-of-babur-translated-from-the-turki-original-by-mirza-abd-al-rahim-khan-i-khanan-one-hundred-and-forty-three-miniatures-mostly-with-attributions-c1590-opaque-watercolour-mughal-style-mughalakbar-style-source-or-3714-vol4-f404v-author-shankar-gujarati-image231350542.htmlRMRCAWYA–Sweet orange in irrigation channel. Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.404v. Author: Shankar Gujarati.
Babur entertained by Jahangir Mirza at Ghazni (1505) (Bhim Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). Source: Or. 3714 Vol.2 f.208v. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/babur-entertained-by-jahangir-mirza-at-ghazni-1505-bhim-gujarati-vakiat-i-baburi-the-memoirs-of-babur-translated-from-the-turki-original-by-mirza-abd-al-rahim-khan-i-khanan-one-hundred-and-forty-three-miniatures-mostly-with-attributions-source-or-3714-vol2-f208v-image231242495.htmlRMRC604F–Babur entertained by Jahangir Mirza at Ghazni (1505) (Bhim Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). Source: Or. 3714 Vol.2 f.208v.
(above). Stork (Shankar Gujarati). (below). Storks ‘(ciconia nigra)’ (Shankar Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714, f.391. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/above-stork-shankar-gujarati-below-storks-ciconia-nigra-shankar-gujarati-vakiat-i-baburi-the-memoirs-of-babur-translated-from-the-turki-original-by-mirza-abd-al-rahim-khan-i-khanan-one-hundred-and-forty-three-miniatures-mostly-with-attributions-c1590-opaque-watercolour-mughal-style-mughalakbar-style-source-or-3714-f391-image231609431.htmlRMRCPM5B–(above). Stork (Shankar Gujarati). (below). Storks ‘(ciconia nigra)’ (Shankar Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714, f.391.
(above). ‘Amrupal’, type of orange (Kesu Gujarati). (below). Lemon (Kesu Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714, f.406. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/above-amrupal-type-of-orange-kesu-gujarati-below-lemon-kesu-gujarati-vakiat-i-baburi-the-memoirs-of-babur-translated-from-the-turki-original-by-mirza-abd-al-rahim-khan-i-khanan-one-hundred-and-forty-three-miniatures-mostly-with-attributions-c1590-opaque-watercolour-mughal-style-mughalakbar-style-source-or-3714-f406-image231490934.htmlRMRCH91A–(above). ‘Amrupal’, type of orange (Kesu Gujarati). (below). Lemon (Kesu Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714, f.406.
(above). Lime (‘citrus acida’). (below). Bitter orange (‘citrus medico’). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.404. Author: Shankar Gujarati. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/above-lime-citrus-acida-below-bitter-orange-citrus-medico-vakiat-i-baburi-the-memoirs-of-babur-translated-from-the-turki-original-by-mirza-abd-al-rahim-khan-i-khanan-one-hundred-and-forty-three-miniatures-mostly-with-attributions-c1590-opaque-watercolour-mughal-style-mughalakbar-style-source-or-3714-vol4-f404-author-shankar-gujarati-image231447389.htmlRMRCF9E5–(above). Lime (‘citrus acida’). (below). Bitter orange (‘citrus medico’). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.404. Author: Shankar Gujarati.
(above). ‘Amalbid’, tree resembling the willow. (below). Shoe flower (‘hibiscus rosa-sinensis’). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.406v. Author: Kesu Gujarati. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/above-amalbid-tree-resembling-the-willow-below-shoe-flower-hibiscus-rosa-sinensis-vakiat-i-baburi-the-memoirs-of-babur-translated-from-the-turki-original-by-mirza-abd-al-rahim-khan-i-khanan-one-hundred-and-forty-three-miniatures-mostly-with-attributions-c1590-opaque-watercolour-mughal-style-mughalakbar-style-source-or-3714-vol4-f406v-author-kesu-gujarati-image231972067.htmlRMRDB6MK–(above). ‘Amalbid’, tree resembling the willow. (below). Shoe flower (‘hibiscus rosa-sinensis’). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.406v. Author: Kesu Gujarati.
(above). White necked stork ‘(dissura episcopus)’. (below). Stork ‘(ciconia alba)' . Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.390v. Author: Sur Gujarati. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/above-white-necked-stork-dissura-episcopus-below-stork-ciconia-alba-vakiat-i-baburi-the-memoirs-of-babur-translated-from-the-turki-original-by-mirza-abd-al-rahim-khan-i-khanan-one-hundred-and-forty-three-miniatures-mostly-with-attributions-c1590-opaque-watercolour-mughal-style-mughalakbar-style-source-or-3714-vol4-f390v-author-sur-gujarati-image231705582.htmlRMRCY2RA–(above). White necked stork ‘(dissura episcopus)’. (below). Stork ‘(ciconia alba)' . Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.390v. Author: Sur Gujarati.
Top - Common coucal ‘(centropus rubipennis)’ (Shankar Gujarati). Below - Great bat (or flying fox) ‘(pteropus edwardsii)’ (Shankar Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.392v. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/top-common-coucal-centropus-rubipennis-shankar-gujarati-below-great-bat-or-flying-fox-pteropus-edwardsii-shankar-gujarati-vakiat-i-baburi-the-memoirs-of-babur-translated-from-the-turki-original-by-mirza-abd-al-rahim-khan-i-khanan-one-hundred-and-forty-three-miniatures-mostly-with-attributions-c1590-opaque-watercolour-mughal-style-mughalakbar-style-source-or-3714-vol4-f392v-image231241989.htmlRMRC5YED–Top - Common coucal ‘(centropus rubipennis)’ (Shankar Gujarati). Below - Great bat (or flying fox) ‘(pteropus edwardsii)’ (Shankar Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.392v.
Babur receiving Baqi Chaghaniani in his encampment on the banks of the Oxus (1495) (Bhim Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.1 f.35v. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/babur-receiving-baqi-chaghaniani-in-his-encampment-on-the-banks-of-the-oxus-1495-bhim-gujarati-vakiat-i-baburi-the-memoirs-of-babur-translated-from-the-turki-original-by-mirza-abd-al-rahim-khan-i-khanan-one-hundred-and-forty-three-miniatures-mostly-with-attributions-c1590-opaque-watercolour-mughal-style-mughalakbar-style-source-or-3714-vol1-f35v-image231208733.htmlRMRC4D2N–Babur receiving Baqi Chaghaniani in his encampment on the banks of the Oxus (1495) (Bhim Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.1 f.35v.
Babur meeting the Mirzas (1506) (Shankar). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.2 f.252v. Author: Mirza 'Abd al-Rahim, Khan-i khanan. Shankar Gujarati. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/babur-meeting-the-mirzas-1506-shankar-vakiat-i-baburi-the-memoirs-of-babur-translated-from-the-turki-original-by-mirza-abd-al-rahim-khan-i-khanan-one-hundred-and-forty-three-miniatures-mostly-with-attributions-c1590-opaque-watercolour-mughal-style-mughalakbar-style-source-or-3714-vol2-f252v-author-mirza-abd-al-rahim-khan-i-khanan-shankar-gujarati-image231429347.htmlRMRCEEDR–Babur meeting the Mirzas (1506) (Shankar). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.2 f.252v. Author: Mirza 'Abd al-Rahim, Khan-i khanan. Shankar Gujarati.
Muhammad Husain Mirza brought before Babur and laughing courtiers in the bedroll in which he tried to hide (1507) (Shankar Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.2 f.279v. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/muhammad-husain-mirza-brought-before-babur-and-laughing-courtiers-in-the-bedroll-in-which-he-tried-to-hide-1507-shankar-gujarati-vakiat-i-baburi-the-memoirs-of-babur-translated-from-the-turki-original-by-mirza-abd-al-rahim-khan-i-khanan-one-hundred-and-forty-three-miniatures-mostly-with-attributions-c1590-opaque-watercolour-mughal-style-mughalakbar-style-source-or-3714-vol2-f279v-image231398829.htmlRMRCD3FW–Muhammad Husain Mirza brought before Babur and laughing courtiers in the bedroll in which he tried to hide (1507) (Shankar Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.2 f.279v.
Celebrations in honour of the birth of Humayun in the Chahar Bagh of Kabul (1508) (Sur Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.2 f.295. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/celebrations-in-honour-of-the-birth-of-humayun-in-the-chahar-bagh-of-kabul-1508-sur-gujarati-vakiat-i-baburi-the-memoirs-of-babur-translated-from-the-turki-original-by-mirza-abd-al-rahim-khan-i-khanan-one-hundred-and-forty-three-miniatures-mostly-with-attributions-c1590-opaque-watercolour-mughal-style-mughalakbar-style-source-or-3714-vol2-f295-image231241835.htmlRMRC5Y8Y–Celebrations in honour of the birth of Humayun in the Chahar Bagh of Kabul (1508) (Sur Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.2 f.295.
The battle of Panipat between the armies of Babur and Ibrahim Lodi (1526) (Deo Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.368. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-battle-of-panipat-between-the-armies-of-babur-and-ibrahim-lodi-1526-deo-gujarati-vakiat-i-baburi-the-memoirs-of-babur-translated-from-the-turki-original-by-mirza-abd-al-rahim-khan-i-khanan-one-hundred-and-forty-three-miniatures-mostly-with-attributions-c1590-opaque-watercolour-mughal-style-mughalakbar-style-source-or-3714-vol4-f368-image231690653.htmlRMRCXBP5–The battle of Panipat between the armies of Babur and Ibrahim Lodi (1526) (Deo Gujarati). Vaki'at-i Baburi, the Memoirs of Babur, translated from the Turki original by Mirza 'Abd al-Rahim, Khan-i khanan. One hundred and forty-three miniatures (mostly with attributions). c.1590. Opaque watercolour. Mughal style; Mughal/Akbar style. Source: Or. 3714 Vol.4 f.368.
