Painting william shakespeare Stock Photos and Images
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Painting william shakespeare Stock Photos and Images
Painting of William Shakespeare (1564-1616) English poet, playwright and actor, walking through London. Dated 16th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painting-of-william-shakespeare-1564-1616-english-poet-playwright-76397397.htmlRMEC85JD–Painting of William Shakespeare (1564-1616) English poet, playwright and actor, walking through London. Dated 16th century.
Portrait of William Shakespeare by an unknown artist Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-william-shakespeare-by-an-unknown-artist-image330679478.htmlRM2A5YN1A–Portrait of William Shakespeare by an unknown artist
Shakespeare. Portrait painting of William Shakespeare known as the Cobbe Portrait, done from life in 1610. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-shakespeare-portrait-painting-of-william-shakespeare-known-as-the-52615631.htmlRMD1GRNK–Shakespeare. Portrait painting of William Shakespeare known as the Cobbe Portrait, done from life in 1610.
The Feigned Death of Juliet by Sir Frederic Leighton (Lord Leighton: 1830-1896), oil on canvas, 1856/8 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-feigned-death-of-juliet-by-sir-frederic-leighton-lord-leighton-1830-1896-oil-on-canvas-18568-image260437336.htmlRMW3KXDC–The Feigned Death of Juliet by Sir Frederic Leighton (Lord Leighton: 1830-1896), oil on canvas, 1856/8
Caliban, figurine for 'The Tempest' by William Shakespeare, abstract painting by Franz Marc, 1914 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/caliban-figurine-for-the-tempest-by-william-shakespeare-abstract-painting-by-franz-marc-1914-image437561556.htmlRM2GBTJ6C–Caliban, figurine for 'The Tempest' by William Shakespeare, abstract painting by Franz Marc, 1914
Ophelia in William Shakespeare 's ' Hamlet ' - painting by Hans Makart, Austrian painter. English playwright, 1564-1616 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ophelia-in-william-shakespeare-s-hamlet-painting-by-hans-makart-austrian-83362986.htmlRMERHE9E–Ophelia in William Shakespeare 's ' Hamlet ' - painting by Hans Makart, Austrian painter. English playwright, 1564-1616
THE COBBE PORTRAIT Early Jacobean painting by unknown artist though to be of William Shakespeare Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-cobbe-portrait-early-jacobean-painting-by-unknown-artist-though-image60100475.htmlRMDDNPNF–THE COBBE PORTRAIT Early Jacobean painting by unknown artist though to be of William Shakespeare
The Plays of William Shakespeare. By Sir John Gilbert, 1849. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-plays-of-william-shakespeare-by-sir-john-gilbert-1849-image177935056.htmlRMM9DHYC–The Plays of William Shakespeare. By Sir John Gilbert, 1849.
literature, 'Romeo and Juliet' by William Shakespeare, balcony scene, painting by Viktor Mueller, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-literature-romeo-and-juliet-by-william-shakespeare-balcony-scene-painting-28823578.htmlRMBJW0NE–literature, 'Romeo and Juliet' by William Shakespeare, balcony scene, painting by Viktor Mueller,
William Shakespeare (1564-1616), oil painting attributed to John Taylor (c.1585-1651), painted circa 1610. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-william-shakespeare-1564-1616-oil-painting-attributed-to-john-taylor-131223264.htmlRMHHDMH4–William Shakespeare (1564-1616), oil painting attributed to John Taylor (c.1585-1651), painted circa 1610.
The Taming of the Shrew, 1861 By Sir John Gilbert, Oil Painting, Literature, William Shakespeare, Literature, History painting Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-taming-of-the-shrew-1861-by-sir-john-gilbert-oil-painting-literature-william-shakespeare-literature-history-painting-image387020561.htmlRM2DDJ8JW–The Taming of the Shrew, 1861 By Sir John Gilbert, Oil Painting, Literature, William Shakespeare, Literature, History painting
'O Mistress mine, where are you roaming?, 1899. By Edwin Austin Abbey (1852-1911). Abbey's painting of 1899 illustrates one of the songs sung by Feste in William Shakespeare's Twelfth Night. O Mistress mine, where are you roaming? features in Act II, Scene III. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/o-mistress-mine-where-are-you-roaming-1899-by-edwin-austin-abbey-1852-1911-abbeys-painting-of-1899-illustrates-one-of-the-songs-sung-by-feste-in-william-shakespeares-twelfth-night-o-mistress-mine-where-are-you-roaming-features-in-act-ii-scene-iii-image245208433.htmlRMT6X5T1–'O Mistress mine, where are you roaming?, 1899. By Edwin Austin Abbey (1852-1911). Abbey's painting of 1899 illustrates one of the songs sung by Feste in William Shakespeare's Twelfth Night. O Mistress mine, where are you roaming? features in Act II, Scene III.
Portrait of William Shakespeare by P. Kramer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-william-shakespeare-by-p-kramer-89541616.htmlRMF5JY6T–Portrait of William Shakespeare by P. Kramer
Sarah Siddons (1755-1831). English actress. Mrs Siddons with the Emblems of Tragedy. Painting by SIr William Beechey (1753-1839). Siddons, holding a tragic mask and a dagger, is shown with a monument to Shakespeare. Oil on canvas (245,6 x 153,7 cm), 1793. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sarah-siddons-1755-1831-english-actress-mrs-siddons-with-the-emblems-of-tragedy-painting-by-sir-william-beechey-1753-1839-siddons-holding-a-tragic-mask-and-a-dagger-is-shown-with-a-monument-to-shakespeare-oil-on-canvas-2456-x-1537-cm-1793-national-portrait-gallery-london-england-united-kingdom-image384998159.htmlRM2DAA527–Sarah Siddons (1755-1831). English actress. Mrs Siddons with the Emblems of Tragedy. Painting by SIr William Beechey (1753-1839). Siddons, holding a tragic mask and a dagger, is shown with a monument to Shakespeare. Oil on canvas (245,6 x 153,7 cm), 1793. National Portrait Gallery. London, England, United Kingdom.
Venus and Adonis 1620 Abraham Janssens 1575-1632 Antwerp, Belgian, Belgium, Flemish, ( Venus and Adonis is a narrative poem by William Shakespeare published in 1593. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/venus-and-adonis-1620-abraham-janssens-1575-1632-antwerp-belgian-belgium-flemish-venus-and-adonis-is-a-narrative-poem-by-william-shakespeare-published-in-1593-image214583367.htmlRMPD337K–Venus and Adonis 1620 Abraham Janssens 1575-1632 Antwerp, Belgian, Belgium, Flemish, ( Venus and Adonis is a narrative poem by William Shakespeare published in 1593. )
Portrait of Miss Evelyn Millard. by RICHARD JACK, from A Tribute to the genius of William Shakespeare; being the programme of a performance at Drury Lane Theatre on May 2, 1916, the tercentenary of his death; humbly offered by the players and their fellow-workers in the kindred arts of music & painting MACMILLAN AND CO., LIMITED ST. MARTIN'S STREET, LONDON 1916 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-miss-evelyn-millard-by-richard-jack-from-a-tribute-to-the-genius-of-william-shakespeare-being-the-programme-of-a-performance-at-drury-lane-theatre-on-may-2-1916-the-tercentenary-of-his-death-humbly-offered-by-the-players-and-their-fellow-workers-in-the-kindred-arts-of-music-painting-macmillan-and-co-limited-st-martins-street-london-1916-image592091075.htmlRF2WB825R–Portrait of Miss Evelyn Millard. by RICHARD JACK, from A Tribute to the genius of William Shakespeare; being the programme of a performance at Drury Lane Theatre on May 2, 1916, the tercentenary of his death; humbly offered by the players and their fellow-workers in the kindred arts of music & painting MACMILLAN AND CO., LIMITED ST. MARTIN'S STREET, LONDON 1916
Painting of William Shakespeare stand up and reading by William Page ca. 1873-1874 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-of-william-shakespeare-stand-up-and-reading-by-william-page-ca-1873-1874-image491082427.htmlRM2KEXMJ3–Painting of William Shakespeare stand up and reading by William Page ca. 1873-1874
Sir John Falstaff and his friends in William Shakespeare's The Merry Wives of Windsor. Falstaff sits at a large dining table in the Garter Inn surrounded by his men drinking wine, Act 1, scene 2.. Engraving on steel by William Greatbach after a painting in the Sheepshanks Collection by Charles Robert Leslie in The Works of Shakespeare, edited by Charles Knight, Virtue & Yorston, New York, 1880. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-john-falstaff-and-his-friends-in-william-shakespeares-the-merry-wives-of-windsor-falstaff-sits-at-a-large-dining-table-in-the-garter-inn-surrounded-by-his-men-drinking-wine-act-1-scene-2-engraving-on-steel-by-william-greatbach-after-a-painting-in-the-sheepshanks-collection-by-charles-robert-leslie-in-the-works-of-shakespeare-edited-by-charles-knight-virtue-yorston-new-york-1880-image576560127.htmlRM2TE0G93–Sir John Falstaff and his friends in William Shakespeare's The Merry Wives of Windsor. Falstaff sits at a large dining table in the Garter Inn surrounded by his men drinking wine, Act 1, scene 2.. Engraving on steel by William Greatbach after a painting in the Sheepshanks Collection by Charles Robert Leslie in The Works of Shakespeare, edited by Charles Knight, Virtue & Yorston, New York, 1880.
John Simmons - Hermia and Lysander from A Midsummer Night's Dream by William Shakespeare - 1870 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/john-simmons-hermia-and-lysander-from-a-midsummer-nights-dream-by-william-shakespeare-1870-image468456588.htmlRF2J6414C–John Simmons - Hermia and Lysander from A Midsummer Night's Dream by William Shakespeare - 1870
Painting of William Shakespeare (1564-1616) English poet, playwright and actor, at the Mermaid Tavern to see if Ben Johnson is there. Dated 16th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painting-of-william-shakespeare-1564-1616-english-poet-playwright-76397390.htmlRMEC85J6–Painting of William Shakespeare (1564-1616) English poet, playwright and actor, at the Mermaid Tavern to see if Ben Johnson is there. Dated 16th century.
David Garrick in 'Richard III’ by William Shakespeare. 1760 Oil on canvas, by Francis Hayman (about 1708-1776) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/david-garrick-in-richard-iii-by-william-shakespeare-1760-oil-on-canvas-by-francis-hayman-about-1708-1776-image330684465.htmlRM2A5YYBD–David Garrick in 'Richard III’ by William Shakespeare. 1760 Oil on canvas, by Francis Hayman (about 1708-1776)
Close up detail oil on canvas William Shakespeare ,by painter Gerard Soest circa 1667 ,Stratford-upon-Avon, United Kingdom . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/close-up-detail-oil-on-canvas-william-shakespeare-by-painter-gerard-soest-circa-1667-stratford-upon-avon-united-kingdom-image395957306.htmlRM2E05BGA–Close up detail oil on canvas William Shakespeare ,by painter Gerard Soest circa 1667 ,Stratford-upon-Avon, United Kingdom .
William Shakespeare, the Chandos Portrait. Painting of William Shakespeare, attributed to John Taylor, oil on canvas, c.1600-1610. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-william-shakespeare-the-chandos-portrait-painting-of-william-shakespeare-138440045.htmlRMJ16DK9–William Shakespeare, the Chandos Portrait. Painting of William Shakespeare, attributed to John Taylor, oil on canvas, c.1600-1610.
George Cruikshank, The First Appearance of William Shakespeare on the Stage of the Globe Theatre, painting, c. 1864 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/george-cruikshank-the-first-appearance-of-william-shakespeare-on-the-stage-of-the-globe-theatre-painting-c-1864-image243855526.htmlRMT4MG5X–George Cruikshank, The First Appearance of William Shakespeare on the Stage of the Globe Theatre, painting, c. 1864
King John - play by William Shakespeare. From painting by W.F. Yeames. Arthur, grandson of Henry II is rival to the throne of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-king-john-play-by-william-shakespeare-from-painting-by-wf-yeames-arthur-83356918.htmlRMERH6GP–King John - play by William Shakespeare. From painting by W.F. Yeames. Arthur, grandson of Henry II is rival to the throne of
WILLIAM SHAKESPEARE (1564-1616) English poet and playwright in a coloured engraving about 1760 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-shakespeare-1564-1616-english-poet-and-playwright-in-a-coloured-engraving-about-1760-image255729118.htmlRMTT1D2P–WILLIAM SHAKESPEARE (1564-1616) English poet and playwright in a coloured engraving about 1760
William Shakespeare Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-william-shakespeare-54575108.htmlRMD4P330–William Shakespeare
Shakespeare, William, mezzotint / mixed technique by James Faed based on a painting by John Faed, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shakespeare-william-mezzotint-mixed-technique-by-james-faed-based-on-a-painting-by-john-faed-additional-rights-clearance-info-not-available-image256053937.htmlRMTTG7BD–Shakespeare, William, mezzotint / mixed technique by James Faed based on a painting by John Faed, Additional-Rights-Clearance-Info-Not-Available
William Shakespeare (1564-1616), oil painting attributed to John Taylor (c.1585-1651), painted circa 1610. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-william-shakespeare-1564-1616-oil-painting-attributed-to-john-taylor-131588627.htmlRMHJ2AHR–William Shakespeare (1564-1616), oil painting attributed to John Taylor (c.1585-1651), painted circa 1610.
The Taming of the Shrew, 1861 By Sir John Gilbert, Oil Painting, Literature, William Shakespeare, Literature, History painting Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-taming-of-the-shrew-1861-by-sir-john-gilbert-oil-painting-literature-william-shakespeare-literature-history-painting-image387020549.htmlRM2DDJ8JD–The Taming of the Shrew, 1861 By Sir John Gilbert, Oil Painting, Literature, William Shakespeare, Literature, History painting
Shakespeare reading. William Shakespeare, bapt. 26 April 1564 – 1616. English playwright, poet, and actor. After a 19th century engraving from a painting by American artist William Page. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shakespeare-reading-william-shakespeare-bapt-26-april-1564-1616-english-playwright-poet-and-actor-after-a-19th-century-engraving-from-a-painting-by-american-artist-william-page-image386078955.htmlRM2DC3BJ3–Shakespeare reading. William Shakespeare, bapt. 26 April 1564 – 1616. English playwright, poet, and actor. After a 19th century engraving from a painting by American artist William Page.
David Garrick as Richard III - William Hogarth 1745 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/david-garrick-as-richard-iii-william-hogarth-1745-image216626685.htmlRMPGC5F9–David Garrick as Richard III - William Hogarth 1745
The Chandos portrait. The most famous portrait that may depict William Shakespeare (1564-1616). Attributed to John Taylor. Oil on canvas (552 mm x 438 mm), c.1610. National Portrait Gallery. London, England, United Kingdom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-chandos-portrait-the-most-famous-portrait-that-may-depict-william-shakespeare-1564-1616-attributed-to-john-taylor-oil-on-canvas-552-mm-x-438-mm-c1610-national-portrait-gallery-london-england-united-kingdom-image384562329.htmlRM2D9J94W–The Chandos portrait. The most famous portrait that may depict William Shakespeare (1564-1616). Attributed to John Taylor. Oil on canvas (552 mm x 438 mm), c.1610. National Portrait Gallery. London, England, United Kingdom.
Portrait of Miss Gladys Cooper. by RALPH PEACOCK from A Tribute to the genius of William Shakespeare; being the programme of a performance at Drury Lane Theatre on May 2, 1916, the tercentenary of his death; humbly offered by the players and their fellow-workers in the kindred arts of music & painting MACMILLAN AND CO., LIMITED ST. MARTIN'S STREET, LONDON 1916 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-miss-gladys-cooper-by-ralph-peacock-from-a-tribute-to-the-genius-of-william-shakespeare-being-the-programme-of-a-performance-at-drury-lane-theatre-on-may-2-1916-the-tercentenary-of-his-death-humbly-offered-by-the-players-and-their-fellow-workers-in-the-kindred-arts-of-music-painting-macmillan-and-co-limited-st-martins-street-london-1916-image592092141.htmlRF2WB83FW–Portrait of Miss Gladys Cooper. by RALPH PEACOCK from A Tribute to the genius of William Shakespeare; being the programme of a performance at Drury Lane Theatre on May 2, 1916, the tercentenary of his death; humbly offered by the players and their fellow-workers in the kindred arts of music & painting MACMILLAN AND CO., LIMITED ST. MARTIN'S STREET, LONDON 1916
Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops. Romeo and Juliet, Act iii. Sc. v by D. Y. CAMERON, A.R.A. from A Tribute to the genius of William Shakespeare; being the programme of a performance at Drury Lane Theatre on May 2, 1916, the tercentenary of his death; humbly offered by the players and their fellow-workers in the kindred arts of music & painting MACMILLAN AND CO., LIMITED ST. MARTIN'S STREET, LONDON 1916 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nights-candles-are-burnt-out-and-jocund-day-stands-tiptoe-on-the-misty-mountain-tops-romeo-and-juliet-act-iii-sc-v-by-d-y-cameron-ara-from-a-tribute-to-the-genius-of-william-shakespeare-being-the-programme-of-a-performance-at-drury-lane-theatre-on-may-2-1916-the-tercentenary-of-his-death-humbly-offered-by-the-players-and-their-fellow-workers-in-the-kindred-arts-of-music-painting-macmillan-and-co-limited-st-martins-street-london-1916-image592090907.htmlRF2WB81YR–Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops. Romeo and Juliet, Act iii. Sc. v by D. Y. CAMERON, A.R.A. from A Tribute to the genius of William Shakespeare; being the programme of a performance at Drury Lane Theatre on May 2, 1916, the tercentenary of his death; humbly offered by the players and their fellow-workers in the kindred arts of music & painting MACMILLAN AND CO., LIMITED ST. MARTIN'S STREET, LONDON 1916
Inspired by Photoreproduction of a print after a painting by Francis Wheatley, depicting a scene from The Tamed Shrew by William Shakespeare, The Taming of the Shrew, Act II. Scene 2, maker:, c. 1873 - in or before 1883, paper, height 86 mm × width 119 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-photoreproduction-of-a-print-after-a-painting-by-francis-wheatley-depicting-a-scene-from-the-tamed-shrew-by-william-shakespeare-the-taming-of-the-shrew-act-ii-scene-2-maker-c-1873-in-or-before-1883-paper-height-86-mm-width-119-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459449419.htmlRF2HKDMBR–Inspired by Photoreproduction of a print after a painting by Francis Wheatley, depicting a scene from The Tamed Shrew by William Shakespeare, The Taming of the Shrew, Act II. Scene 2, maker:, c. 1873 - in or before 1883, paper, height 86 mm × width 119 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Autolycus from William Shakespeare's The Winter's Tale. The conman disguised as a peddler sells trinkets and ballads to gullible bumpkins at a fair. Engraving on steel by Lumb Stocks after a painting by Charles Robert Leslie in The Works of Shakespeare, edited by Charles Knight, Virtue & Yorston, New York, 1880. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/autolycus-from-william-shakespeares-the-winters-tale-the-conman-disguised-as-a-peddler-sells-trinkets-and-ballads-to-gullible-bumpkins-at-a-fair-engraving-on-steel-by-lumb-stocks-after-a-painting-by-charles-robert-leslie-in-the-works-of-shakespeare-edited-by-charles-knight-virtue-yorston-new-york-1880-image576558554.htmlRM2TE0E8X–Autolycus from William Shakespeare's The Winter's Tale. The conman disguised as a peddler sells trinkets and ballads to gullible bumpkins at a fair. Engraving on steel by Lumb Stocks after a painting by Charles Robert Leslie in The Works of Shakespeare, edited by Charles Knight, Virtue & Yorston, New York, 1880.
'William Shakespeare', (1933). Creator: Unknown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-shakespeare-1933-creator-unknown-image228908835.htmlRMR8BKFF–'William Shakespeare', (1933). Creator: Unknown.
Painting of William Shakespeare (1564-1616) English poet, playwright and actor, bowing as Queen Elizabeth passes by. Dated 16th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painting-of-william-shakespeare-1564-1616-english-poet-playwright-76397392.htmlRMEC85J8–Painting of William Shakespeare (1564-1616) English poet, playwright and actor, bowing as Queen Elizabeth passes by. Dated 16th century.
Painting titled 'The Witches in Macbeth' by Alexandre-Gabriel Decamps (1803-1860) French painter. Dated 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-titled-the-witches-in-macbeth-by-alexandre-gabriel-decamps-1803-1860-french-painter-dated-19th-century-image330684845.htmlRM2A5YYW1–Painting titled 'The Witches in Macbeth' by Alexandre-Gabriel Decamps (1803-1860) French painter. Dated 19th Century
William Shakespeare (1564-1616), English Poet, Playwright and Actor, Portrait from Original Painting by Chappel Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-william-shakespeare-1564-1616-english-poet-playwright-and-actor-portrait-138331348.htmlRMJ11F18–William Shakespeare (1564-1616), English Poet, Playwright and Actor, Portrait from Original Painting by Chappel
William Shakespeare. Portrait of Shakespeare by Gerard Soest, reproduction of a c.1667 painting. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-shakespeare-portrait-of-shakespeare-by-gerard-soest-reproduction-of-a-c1667-painting-image177762063.htmlRMM95N93–William Shakespeare. Portrait of Shakespeare by Gerard Soest, reproduction of a c.1667 painting.
William Shakespeare, Chandos Portrait, painting, John Taylor, 1610 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-shakespeare-chandos-portrait-painting-john-taylor-1610-image236355875.htmlRMRMEX97–William Shakespeare, Chandos Portrait, painting, John Taylor, 1610
William Shakespeare portrait with signature. Painting may be by Richard Burbage. English playwright. Meant to be most authentic portrait of Shakespeare. Chandos version. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-william-shakespeare-portrait-with-signature-painting-may-be-by-richard-83358810.htmlRMERH90A–William Shakespeare portrait with signature. Painting may be by Richard Burbage. English playwright. Meant to be most authentic portrait of Shakespeare. Chandos version.
William Shakespeare Portrait Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-shakespeare-portrait-image327384817.htmlRF2A0HJJW–William Shakespeare Portrait
The Winter's Tale by William Shakespeare, Act II, scene 3: Antigonus swears his loyalty to Leontes, in an attempt to save Leontes' young daughter's life. From a painting by John Opie Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-winters-tale-by-william-shakespeare-act-ii-scene-3-antigonus-swears-his-loyalty-to-leontes-in-an-attempt-to-save-leontes-young-daughters-life-from-a-painting-by-john-opie-image402348320.htmlRM2EAGFAT–The Winter's Tale by William Shakespeare, Act II, scene 3: Antigonus swears his loyalty to Leontes, in an attempt to save Leontes' young daughter's life. From a painting by John Opie
Shakespeare, William, portrait of a boy in the age of twelve years. mezzotint by Henry cousins based on a painting by James Sant, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shakespeare-william-portrait-of-a-boy-in-the-age-of-twelve-years-mezzotint-by-henry-cousins-based-on-a-painting-by-james-sant-artists-copyright-has-not-to-be-cleared-image256053774.htmlRMTTG75J–Shakespeare, William, portrait of a boy in the age of twelve years. mezzotint by Henry cousins based on a painting by James Sant, Artist's Copyright has not to be cleared
Portrait of William Shakespeare, by Meng Shi, a Chinese artist Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-william-shakespeare-by-meng-shi-a-chinese-artist-image557945678.htmlRM2RBMHBA–Portrait of William Shakespeare, by Meng Shi, a Chinese artist
A Scene From Shakespeare's The Tempest, 1787 By Francis Wheatley, Costume, Oil Painting, Literature, William Shakespeare, Theatre, Actor Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-scene-from-shakespeares-the-tempest-1787-by-francis-wheatley-costume-oil-painting-literature-william-shakespeare-theatre-actor-image387018422.htmlRM2DDJ5XE–A Scene From Shakespeare's The Tempest, 1787 By Francis Wheatley, Costume, Oil Painting, Literature, William Shakespeare, Theatre, Actor
Venus and Adonis by Luca Cambiaso 1527-1585 Italy Italian Venus and Adonis narrative poem by William Shakespeare published in 1593. The poem tells the story of Venus, the goddess of Love of her unrequited love and of her attempted seduction of Adonis, an extremely handsome young man, who would rather go hunting. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/venus-and-adonis-by-luca-cambiaso-1527-1585-italy-italian-venus-and-adonis-narrative-poem-by-william-shakespeare-published-in-1593-the-poem-tells-the-story-of-venus-the-goddess-of-love-of-her-unrequited-love-and-of-her-attempted-seduction-of-adonis-an-extremely-handsome-young-man-who-would-rather-go-hunting-image449752053.htmlRM2H3KY99–Venus and Adonis by Luca Cambiaso 1527-1585 Italy Italian Venus and Adonis narrative poem by William Shakespeare published in 1593. The poem tells the story of Venus, the goddess of Love of her unrequited love and of her attempted seduction of Adonis, an extremely handsome young man, who would rather go hunting.
And now they never meet in grove or green,' from act 2, scene 1 of A Midsummer Night’s Dream by William Shakespeare, Arthur Rackham 1908 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/and-now-they-never-meet-in-grove-or-green-from-act-2-scene-1-of-a-midsummer-nights-dream-by-william-shakespeare-arthur-rackham-1908-image606982730.htmlRM2X7ECJJ–And now they never meet in grove or green,' from act 2, scene 1 of A Midsummer Night’s Dream by William Shakespeare, Arthur Rackham 1908
'All Hail! King that shall be hereafter!' By Arthur Rackham (1867-1939). Macbeth (The Tragedy of Macbeth) is a tragedy by William Shakespeare; it is thought to have been first performed in 1606. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/all-hail!-king-that-shall-be-hereafter!-by-arthur-rackham-1867-1939-macbeth-the-tragedy-of-macbeth-is-a-tragedy-by-william-shakespeare-it-is-thought-to-have-been-first-performed-in-1606-image234965604.htmlRMRJ7H0M–'All Hail! King that shall be hereafter!' By Arthur Rackham (1867-1939). Macbeth (The Tragedy of Macbeth) is a tragedy by William Shakespeare; it is thought to have been first performed in 1606.
The Cobbe portrait of the English playwright William Shakespeare. The Cobbe portrait is a painting of a gentleman which has been argued to be a life portrait of William Shakespeare. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-cobbe-portrait-of-the-english-playwright-william-shakespeare-the-cobbe-portrait-is-a-painting-of-a-gentleman-which-has-been-argued-to-be-a-life-portrait-of-william-shakespeare-image459906411.htmlRM2HM6F8Y–The Cobbe portrait of the English playwright William Shakespeare. The Cobbe portrait is a painting of a gentleman which has been argued to be a life portrait of William Shakespeare.
Title and Credit Page from the book ' The tempest ' by William Shakespeare, 1564-1616;Illustrated by Paul Woodroffe, Additional content by Joseph S., Moorat, Ballantyne Press, printmaker Publisher London : Chapman & Hall, Ltd. 1908 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-and-credit-page-from-the-book-the-tempest-by-william-shakespeare-1564-1616illustrated-by-paul-woodroffe-additional-content-by-joseph-s-moorat-ballantyne-press-printmaker-publisher-london-chapman-hall-ltd-1908-image471277319.htmlRF2JAMF0R–Title and Credit Page from the book ' The tempest ' by William Shakespeare, 1564-1616;Illustrated by Paul Woodroffe, Additional content by Joseph S., Moorat, Ballantyne Press, printmaker Publisher London : Chapman & Hall, Ltd. 1908
Inspired by Photoreproduction of a print after a painting by Angelica Kauffmann, depicting a scene from The Two Veronese by William Shakespeare, The Two Gentlemen of Verona, Act V. Scene 3, maker:, c. 1873 - in or before 1883, paper, height 94 mm × width 125 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-photoreproduction-of-a-print-after-a-painting-by-angelica-kauffmann-depicting-a-scene-from-the-two-veronese-by-william-shakespeare-the-two-gentlemen-of-verona-act-v-scene-3-maker-c-1873-in-or-before-1883-paper-height-94-mm-width-125-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459449415.htmlRF2HKDMBK–Inspired by Photoreproduction of a print after a painting by Angelica Kauffmann, depicting a scene from The Two Veronese by William Shakespeare, The Two Gentlemen of Verona, Act V. Scene 3, maker:, c. 1873 - in or before 1883, paper, height 94 mm × width 125 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Countess Olivia in William Shakespeare's Twelfth Night. A grieving beauty, she is depicted in mourning dress, raising a black veil to show her face at last. Engraving on steel by Thomas Vernon after a painting by Charles Robert Leslie in The Works of Shakespeare, edited by Charles Knight, Virtue & Yorston, New York, 1880. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/countess-olivia-in-william-shakespeares-twelfth-night-a-grieving-beauty-she-is-depicted-in-mourning-dress-raising-a-black-veil-to-show-her-face-at-last-engraving-on-steel-by-thomas-vernon-after-a-painting-by-charles-robert-leslie-in-the-works-of-shakespeare-edited-by-charles-knight-virtue-yorston-new-york-1880-image576559898.htmlRM2TE0G0X–Countess Olivia in William Shakespeare's Twelfth Night. A grieving beauty, she is depicted in mourning dress, raising a black veil to show her face at last. Engraving on steel by Thomas Vernon after a painting by Charles Robert Leslie in The Works of Shakespeare, edited by Charles Knight, Virtue & Yorston, New York, 1880.
'William Shakespeare 1564-1616. - Gemälde von J. Faed, 1934. Artist: Unknown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-shakespeare-1564-1616-gemlde-von-j-faed-1934-artist-unknown-image186135268.htmlRMMPR5C4–'William Shakespeare 1564-1616. - Gemälde von J. Faed, 1934. Artist: Unknown.
Painting of William Shakespeare (1564-1616) English poet, playwright and actor, at a traffic block in the streets. Dated 16th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painting-of-william-shakespeare-1564-1616-english-poet-playwright-76397385.htmlRMEC85J1–Painting of William Shakespeare (1564-1616) English poet, playwright and actor, at a traffic block in the streets. Dated 16th century.
Painting titled 'Ophelia among the Flowers' by Odilon Redon (1840-1916) a French symbolist painter, printmaker, draughtsman and pastellist. Dated 20th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/painting-titled-ophelia-among-the-flowers-by-odilon-redon-1840-1916-a-french-symbolist-painter-printmaker-draughtsman-and-pastellist-dated-20th-century-image330687967.htmlRM2A603TF–Painting titled 'Ophelia among the Flowers' by Odilon Redon (1840-1916) a French symbolist painter, printmaker, draughtsman and pastellist. Dated 20th Century
Portrait engraving c1849 of legendary English poet and playwright William Shakespeare (1564 - 1616). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-engraving-c1849-of-legendary-english-poet-and-playwright-26953497.htmlRMBFRRCW–Portrait engraving c1849 of legendary English poet and playwright William Shakespeare (1564 - 1616).
Titus Andronicus by William Shakespeare. Tereus' Banquet (Tereus Confronted with the Head of his Son Itylus) by Peter Paul Rubens, oil on panel, 1636-38 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/titus-andronicus-by-william-shakespeare-tereus-banquet-tereus-confronted-with-the-head-of-his-son-itylus-by-peter-paul-rubens-oil-on-panel-1636-38-image569629204.htmlRM2T2MRT4–Titus Andronicus by William Shakespeare. Tereus' Banquet (Tereus Confronted with the Head of his Son Itylus) by Peter Paul Rubens, oil on panel, 1636-38
Miranda, painting in oil on canvas by John William Waterhouse, 1875 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/miranda-painting-in-oil-on-canvas-by-john-william-waterhouse-1875-image469726784.htmlRM2J85W8G–Miranda, painting in oil on canvas by John William Waterhouse, 1875
William Shakespeare - Two Gentlemen of Verona - comedy. In the woods. Painting by Stothard, engraving by Rogers. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-william-shakespeare-two-gentlemen-of-verona-comedy-in-the-woods-painting-83328357.htmlRMERFX4N–William Shakespeare - Two Gentlemen of Verona - comedy. In the woods. Painting by Stothard, engraving by Rogers.
Portrait of English author, playwright William Shakespeare. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-portrait-of-english-author-playwright-william-shakespeare-23544039.htmlRMBA8EJF–Portrait of English author, playwright William Shakespeare.
The Infant Shakespeare. Engraving by Benjamin Smith after am allegorical painting by English artist George Romney Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-infant-shakespeare-engraving-by-benjamin-smith-after-am-allegorical-painting-by-english-artist-george-romney-image383028887.htmlRM2D74D73–The Infant Shakespeare. Engraving by Benjamin Smith after am allegorical painting by English artist George Romney
William Shakespeare: The Storm, production design, act I, scene II Prospero standing next to his daughter Miranda and pointing on Caliban. Ariel flying through the airs etching in stippling by Pierre Simon based on painting by Henry Frederick Fuessli sheet from the Shakespeare-Gallery by John Boydell, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-shakespeare-the-storm-production-design-act-i-scene-ii-prospero-standing-next-to-his-daughter-miranda-and-pointing-on-caliban-ariel-flying-through-the-airs-etching-in-stippling-by-pierre-simon-based-on-painting-by-henry-frederick-fuessli-sheet-from-the-shakespeare-gallery-by-john-boydell-additional-rights-clearance-info-not-available-image256520241.htmlRMTW9E55–William Shakespeare: The Storm, production design, act I, scene II Prospero standing next to his daughter Miranda and pointing on Caliban. Ariel flying through the airs etching in stippling by Pierre Simon based on painting by Henry Frederick Fuessli sheet from the Shakespeare-Gallery by John Boydell, Additional-Rights-Clearance-Info-Not-Available
Portrait of William Shakespeare, 18th century woodcut Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-william-shakespeare-18th-century-woodcut-image272528680.htmlRMWRAN34–Portrait of William Shakespeare, 18th century woodcut
Scene From Shakespeare's A Winter's Tale, 1770-1800 Sir William Hamilton, Oil Painting, Literature, William Shakespeare, Theatre, Theatre, Performer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scene-from-shakespeares-a-winters-tale-1770-1800-sir-william-hamilton-oil-painting-literature-william-shakespeare-theatre-theatre-performer-image387020269.htmlRM2DDJ88D–Scene From Shakespeare's A Winter's Tale, 1770-1800 Sir William Hamilton, Oil Painting, Literature, William Shakespeare, Theatre, Theatre, Performer
England, Portrait of The English Playwrite and Poet William Shakespeare (1564-1616) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/england-portrait-of-the-english-playwrite-and-poet-william-shakespeare-1564-1616-image337273038.htmlRM2AGM35J–England, Portrait of The English Playwrite and Poet William Shakespeare (1564-1616)
Caliban - figurine for The Tempest by William Shakespeare (1914) painting in high resolution by Franz Marc. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/caliban-figurine-for-the-tempest-by-william-shakespeare-1914-painting-in-high-resolution-by-franz-marc-image567740002.htmlRM2RYJP4J–Caliban - figurine for The Tempest by William Shakespeare (1914) painting in high resolution by Franz Marc.
Othello and Desdemona, 19th century. After Richard Parkes Bonington (1802-1828). Othello (full title: The Tragedy of Othello, the Moor of Venice), is a tragedy written by William Shakespeare, probably in 1603. The story revolves around two characters, Othello and Iago. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/othello-and-desdemona-19th-century-after-richard-parkes-bonington-1802-1828-othellofull-titlethe-tragedy-of-othello-the-moor-of-venice-is-atragedywritten-bywilliam-shakespeare-probably-in-1603-the-story-revolves-around-two-charactersothelloandiago-image568855840.htmlRM2T1DHC0–Othello and Desdemona, 19th century. After Richard Parkes Bonington (1802-1828). Othello (full title: The Tragedy of Othello, the Moor of Venice), is a tragedy written by William Shakespeare, probably in 1603. The story revolves around two characters, Othello and Iago.
Close up detail oil on canvas William Shakespeare ,by painter Gerard Soest circa 1667 ,Stratford-upon-Avon, United Kingdom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/close-up-detail-oil-on-canvas-william-shakespeare-by-painter-gerard-soest-circa-1667-stratford-upon-avon-united-kingdom-image597814090.htmlRM2WMGNY6–Close up detail oil on canvas William Shakespeare ,by painter Gerard Soest circa 1667 ,Stratford-upon-Avon, United Kingdom
Green and gold cover from the book ' The tempest ' by William Shakespeare, 1564-1616;Illustrated by Paul Woodroffe, Additional content by Joseph S., Moorat, Ballantyne Press, printmaker Publisher London : Chapman & Hall, Ltd. 1908 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/green-and-gold-cover-from-the-book-the-tempest-by-william-shakespeare-1564-1616illustrated-by-paul-woodroffe-additional-content-by-joseph-s-moorat-ballantyne-press-printmaker-publisher-london-chapman-hall-ltd-1908-image471277314.htmlRF2JAMF0J–Green and gold cover from the book ' The tempest ' by William Shakespeare, 1564-1616;Illustrated by Paul Woodroffe, Additional content by Joseph S., Moorat, Ballantyne Press, printmaker Publisher London : Chapman & Hall, Ltd. 1908
Inspired by Photoreproduction of a print after a painting by Robert Smirke, depicting a scene from Much ado about nothing by William Shakespeare, Much Ado About Nothing, Act IV. Scene 2, Shown is the examination of Conrade and Borachio., maker:, c. 1873 - in or before 1883, paper, height 86 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-photoreproduction-of-a-print-after-a-painting-by-robert-smirke-depicting-a-scene-from-much-ado-about-nothing-by-william-shakespeare-much-ado-about-nothing-act-iv-scene-2-shown-is-the-examination-of-conrade-and-borachio-maker-c-1873-in-or-before-1883-paper-height-86-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459449408.htmlRF2HKDMBC–Inspired by Photoreproduction of a print after a painting by Robert Smirke, depicting a scene from Much ado about nothing by William Shakespeare, Much Ado About Nothing, Act IV. Scene 2, Shown is the examination of Conrade and Borachio., maker:, c. 1873 - in or before 1883, paper, height 86 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Juliet and the Nurse in William Shakespeare's Romeo and Juliet. Nurse tells the overjoyed Juliet that she is to be married that night. Act II Scene IV, Now comes the wanton blood up in your cheeks. Engraving on steel by Samuel Sangster after a painting by Henry Perronet Briggs in The Works of Shakespeare, edited by Charles Knight, Virtue & Yorston, New York, 1880. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/juliet-and-the-nurse-in-william-shakespeares-romeo-and-juliet-nurse-tells-the-overjoyed-juliet-that-she-is-to-be-married-that-night-act-ii-scene-iv-now-comes-the-wanton-blood-up-in-your-cheeks-engraving-on-steel-by-samuel-sangster-after-a-painting-by-henry-perronet-briggs-in-the-works-of-shakespeare-edited-by-charles-knight-virtue-yorston-new-york-1880-image576559200.htmlRM2TE0F40–Juliet and the Nurse in William Shakespeare's Romeo and Juliet. Nurse tells the overjoyed Juliet that she is to be married that night. Act II Scene IV, Now comes the wanton blood up in your cheeks. Engraving on steel by Samuel Sangster after a painting by Henry Perronet Briggs in The Works of Shakespeare, edited by Charles Knight, Virtue & Yorston, New York, 1880.
TITANIA SLEEPS (A Midsummer-Night's Dream Act II. Scene 2) from the book ' Tales from Shakespeare ' by William Shakespeare edited by Charles and Mary Lamb Illustrated by Norman M. Price Publisher New York : Scribner ; London : T.C. & E.C. Jack in 1915 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/titania-sleeps-a-midsummer-nights-dream-act-ii-scene-2-from-the-book-tales-from-shakespeare-by-william-shakespeare-edited-by-charles-and-mary-lamb-illustrated-by-norman-m-price-publisher-new-york-scribner-london-tc-ec-jack-in-1915-image478858986.htmlRF2JR1WEJ–TITANIA SLEEPS (A Midsummer-Night's Dream Act II. Scene 2) from the book ' Tales from Shakespeare ' by William Shakespeare edited by Charles and Mary Lamb Illustrated by Norman M. Price Publisher New York : Scribner ; London : T.C. & E.C. Jack in 1915
Painting of William Shakespeare (1564-1616) English poet, playwright and actor, with a waterman rowing down the Thames. Dated 16th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painting-of-william-shakespeare-1564-1616-english-poet-playwright-76397391.htmlRMEC85J7–Painting of William Shakespeare (1564-1616) English poet, playwright and actor, with a waterman rowing down the Thames. Dated 16th century.
Colour portrait of William Shakespeare at the age of 12 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/colour-portrait-of-william-shakespeare-at-the-age-of-12-image557992410.htmlRM2RBPN0A–Colour portrait of William Shakespeare at the age of 12
Vintage illustration Scene from The Two Gentlemen of Verona by William Shakespeare, by John Gilbert 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-illustration-scene-from-the-two-gentlemen-of-verona-by-william-shakespeare-by-john-gilbert-19th-century-image552275867.htmlRM2R2E9E3–Vintage illustration Scene from The Two Gentlemen of Verona by William Shakespeare, by John Gilbert 19th Century
Richard, Duke of Gloucester, and the Lady Anne by Edwin Austin Abbey, (1852-1911), oil on canvas, 1896. An illustration of Richard III by William Shakespeare. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/richard-duke-of-gloucester-and-the-lady-anne-by-edwin-austin-abbey-1852-1911-oil-on-canvas-1896-an-illustration-of-richard-iii-by-william-shakespeare-image330956357.htmlRM2A6CA5W–Richard, Duke of Gloucester, and the Lady Anne by Edwin Austin Abbey, (1852-1911), oil on canvas, 1896. An illustration of Richard III by William Shakespeare.
William Holman Hunt, Claudio and Isabella, painting in oil on wood, 1850 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-holman-hunt-claudio-and-isabella-painting-in-oil-on-wood-1850-image591615217.htmlRM2WAEB6W–William Holman Hunt, Claudio and Isabella, painting in oil on wood, 1850
SHAKESPEARE, William - Juliet in Romeo and Juliet on balcony painting by W. Hatherell. `O Romeo, Romeo, wherefore are thou Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-shakespeare-william-juliet-in-romeo-and-juliet-on-balcony-painting-83362134.htmlRMERHD72–SHAKESPEARE, William - Juliet in Romeo and Juliet on balcony painting by W. Hatherell. `O Romeo, Romeo, wherefore are thou
Street Painting Of William Shakespeare London UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/street-painting-of-william-shakespeare-london-uk-image264041985.htmlRMW9G46W–Street Painting Of William Shakespeare London UK
William Shakespeare, 1564 - 1616. English poet, actor and dramatist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-william-shakespeare-1564-1616-english-poet-actor-and-dramatist-15530640.htmlRMANHCPW–William Shakespeare, 1564 - 1616. English poet, actor and dramatist.
William Shakespeare: Much Ado About Nothing, production design, act IV, scene II, in the prison of Messina: Konrad and his ally Borachio turning in front of Constable Dogberry and Verges taxes. The court reporter Seacoal sitting in the foreground and power yourself annotation engraving in stippling by John Ogborne based on painting by Robert Smirke, sheet from the Shakespeare-Gallery von John Boydell, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/william-shakespeare-much-ado-about-nothing-production-design-act-iv-scene-ii-in-the-prison-of-messina-konrad-and-his-ally-borachio-turning-in-front-of-constable-dogberry-and-verges-taxes-the-court-reporter-seacoal-sitting-in-the-foreground-and-power-yourself-annotation-engraving-in-stippling-by-john-ogborne-based-on-painting-by-robert-smirke-sheet-from-the-shakespeare-gallery-von-john-boydell-additional-rights-clearance-info-not-available-image256519703.htmlRMTW9DDY–William Shakespeare: Much Ado About Nothing, production design, act IV, scene II, in the prison of Messina: Konrad and his ally Borachio turning in front of Constable Dogberry and Verges taxes. The court reporter Seacoal sitting in the foreground and power yourself annotation engraving in stippling by John Ogborne based on painting by Robert Smirke, sheet from the Shakespeare-Gallery von John Boydell, Additional-Rights-Clearance-Info-Not-Available
'Ophelia and Laertes' (or 'Ophelia Here is Rosemary'), 1879. Artist: William Gorman Wills Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ophelia-and-laertes-or-ophelia-here-is-rosemary-1879-artist-william-gorman-wills-image262740457.htmlRMW7CT3N–'Ophelia and Laertes' (or 'Ophelia Here is Rosemary'), 1879. Artist: William Gorman Wills
Dispute between Hotspur, Glendower, Mortimer and Worcester, 1784 Henry Fuseli, Oil Painting, Literature, William Shakespeare, Literature, Art Movement, Symbolism, Art Movement, Romanticism Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dispute-between-hotspur-glendower-mortimer-and-worcester-1784-henry-fuseli-oil-painting-literature-william-shakespeare-literature-art-movement-symbolism-art-movement-romanticism-image387017845.htmlRM2DDJ55W–Dispute between Hotspur, Glendower, Mortimer and Worcester, 1784 Henry Fuseli, Oil Painting, Literature, William Shakespeare, Literature, Art Movement, Symbolism, Art Movement, Romanticism
England, Portrait of The English Playwrite and Poet William Shakespeare (1564-1616) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/england-portrait-of-the-english-playwrite-and-poet-william-shakespeare-1564-1616-image337273040.htmlRM2AGM35M–England, Portrait of The English Playwrite and Poet William Shakespeare (1564-1616)
The 'Cobbe' portrait of William Shakespeare hanging in the 'Shakespeare Found' exhibition at the Shakespeare Birthplace Trust. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-cobbe-portrait-of-william-shakespeare-hanging-in-the-shakespeare-23878930.htmlRFBARNPX–The 'Cobbe' portrait of William Shakespeare hanging in the 'Shakespeare Found' exhibition at the Shakespeare Birthplace Trust.
The Tempest - Giorgione, circa 1508 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-tempest-giorgione-circa-1508-image327798364.htmlRM2A18E4C–The Tempest - Giorgione, circa 1508
The Wilton Diptych (c1395-1399): left inside panel. The Wilton Diptych is a rare survival of a late Medieval religious panel painting from England. The diptych was painted for King Richard II of England, who is depicted kneeling before the Virgin and Child. He is presented to them by (right to left) his patron saint, John the Baptist, and by the English saints King Edward the Confessor and King Edmund the Martyr. The painting is an example of the International Gothic style. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-wilton-diptych-c1395-1399-left-inside-panel-the-wilton-diptych-is-a-rare-survival-of-a-late-medieval-religious-panel-painting-from-england-the-diptych-was-painted-for-king-richard-ii-of-england-who-is-depicted-kneeling-before-the-virgin-and-child-he-is-presented-to-them-by-right-to-left-his-patron-saint-john-the-baptist-and-by-the-english-saints-king-edward-the-confessor-and-king-edmund-the-martyr-the-painting-is-an-example-of-the-international-gothic-style-image348186254.htmlRM2B6D73A–The Wilton Diptych (c1395-1399): left inside panel. The Wilton Diptych is a rare survival of a late Medieval religious panel painting from England. The diptych was painted for King Richard II of England, who is depicted kneeling before the Virgin and Child. He is presented to them by (right to left) his patron saint, John the Baptist, and by the English saints King Edward the Confessor and King Edmund the Martyr. The painting is an example of the International Gothic style.
Juno, Ceres and the Masque of the Nymphs and Reapers from the book ' The tempest ' by William Shakespeare, 1564-1616;Illustrated by Paul Woodroffe, Additional content by Joseph S., Moorat, Ballantyne Press, printmaker Publisher London : Chapman & Hall, Ltd. 1908 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/juno-ceres-and-the-masque-of-the-nymphs-and-reapers-from-the-book-the-tempest-by-william-shakespeare-1564-1616illustrated-by-paul-woodroffe-additional-content-by-joseph-s-moorat-ballantyne-press-printmaker-publisher-london-chapman-hall-ltd-1908-image471277350.htmlRF2JAMF1X–Juno, Ceres and the Masque of the Nymphs and Reapers from the book ' The tempest ' by William Shakespeare, 1564-1616;Illustrated by Paul Woodroffe, Additional content by Joseph S., Moorat, Ballantyne Press, printmaker Publisher London : Chapman & Hall, Ltd. 1908
Inspired by Photoreproduction of a print after a painting by Joseph Wright of Derby, depicting a scene from The Tempest by William Shakespeare, The Tempest, Act IV. Scene I, Shown are Prospero, Ferdinand and Miranda., maker:, c. 1873 - in or before 1883, paper, height 87 mm × width 117 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-photoreproduction-of-a-print-after-a-painting-by-joseph-wright-of-derby-depicting-a-scene-from-the-tempest-by-william-shakespeare-the-tempest-act-iv-scene-i-shown-are-prospero-ferdinand-and-miranda-maker-c-1873-in-or-before-1883-paper-height-87-mm-width-117-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459449410.htmlRF2HKDMBE–Inspired by Photoreproduction of a print after a painting by Joseph Wright of Derby, depicting a scene from The Tempest by William Shakespeare, The Tempest, Act IV. Scene I, Shown are Prospero, Ferdinand and Miranda., maker:, c. 1873 - in or before 1883, paper, height 87 mm × width 117 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Sir John Falstaff and Mistress Ford in William Shakespeare's The Merry Wives of Windsor. Falstaff tries to seduce Alice Ford who sits behind a folding screen at a table. Mistress Margaret Page eavesdrops. Engraving on steel by H. Boure after a painting by George Clint in The Works of Shakespeare, edited by Charles Knight, Virtue & Yorston, New York, 1880. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sir-john-falstaff-and-mistress-ford-in-william-shakespeares-the-merry-wives-of-windsor-falstaff-tries-to-seduce-alice-ford-who-sits-behind-a-folding-screen-at-a-table-mistress-margaret-page-eavesdrops-engraving-on-steel-by-h-boure-after-a-painting-by-george-clint-in-the-works-of-shakespeare-edited-by-charles-knight-virtue-yorston-new-york-1880-image576559430.htmlRM2TE0FC6–Sir John Falstaff and Mistress Ford in William Shakespeare's The Merry Wives of Windsor. Falstaff tries to seduce Alice Ford who sits behind a folding screen at a table. Mistress Margaret Page eavesdrops. Engraving on steel by H. Boure after a painting by George Clint in The Works of Shakespeare, edited by Charles Knight, Virtue & Yorston, New York, 1880.
Miss Ellen Terry as Ophelia by W. GRAHAM ROBERTSON from A Tribute to the genius of William Shakespeare; being the programme of a performance at Drury Lane Theatre on May 2, 1916, the tercentenary of his death; humbly offered by the players and their fellow-workers in the kindred arts of music & painting MACMILLAN AND CO., LIMITED ST. MARTIN'S STREET, LONDON 1916 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/miss-ellen-terry-as-ophelia-by-w-graham-robertson-from-a-tribute-to-the-genius-of-william-shakespeare-being-the-programme-of-a-performance-at-drury-lane-theatre-on-may-2-1916-the-tercentenary-of-his-death-humbly-offered-by-the-players-and-their-fellow-workers-in-the-kindred-arts-of-music-painting-macmillan-and-co-limited-st-martins-street-london-1916-image592092150.htmlRF2WB83G6–Miss Ellen Terry as Ophelia by W. GRAHAM ROBERTSON from A Tribute to the genius of William Shakespeare; being the programme of a performance at Drury Lane Theatre on May 2, 1916, the tercentenary of his death; humbly offered by the players and their fellow-workers in the kindred arts of music & painting MACMILLAN AND CO., LIMITED ST. MARTIN'S STREET, LONDON 1916
Painting of William Shakespeare (1564-1616) English poet, playwright and actor, at the water-mills below the London Bridge. Dated 16th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-painting-of-william-shakespeare-1564-1616-english-poet-playwright-76397419.htmlRMEC85K7–Painting of William Shakespeare (1564-1616) English poet, playwright and actor, at the water-mills below the London Bridge. Dated 16th century
To be or not to be: who loves not is not 1879 circa Costa Nino 1826 -1903 Italy Italian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-to-be-or-not-to-be-who-loves-not-is-not-1879-circa-costa-nino-1826-77419377.htmlRMEDXN5N–To be or not to be: who loves not is not 1879 circa Costa Nino 1826 -1903 Italy Italian
Vintage illustration Scene from The Two Gentlemen of Verona by William Shakespeare, by John Gilbert 19th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-illustration-scene-from-the-two-gentlemen-of-verona-by-william-shakespeare-by-john-gilbert-19th-century-image552275963.htmlRM2R2E9HF–Vintage illustration Scene from The Two Gentlemen of Verona by William Shakespeare, by John Gilbert 19th Century
Richard, Duke of Gloucester, and the Lady Anne by Edwin Austin Abbey, (1852-1911), oil on canvas, 1896. An illustration of Richard III by William Shakespeare. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/richard-duke-of-gloucester-and-the-lady-anne-by-edwin-austin-abbey-1852-1911-oil-on-canvas-1896-an-illustration-of-richard-iii-by-william-shakespeare-image330956363.htmlRM2A6CA63–Richard, Duke of Gloucester, and the Lady Anne by Edwin Austin Abbey, (1852-1911), oil on canvas, 1896. An illustration of Richard III by William Shakespeare.
Miranda, The Tempest, painting in oil on canvas by John William Waterhouse, 1916 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/miranda-the-tempest-painting-in-oil-on-canvas-by-john-william-waterhouse-1916-image469726809.htmlRM2J85W9D–Miranda, The Tempest, painting in oil on canvas by John William Waterhouse, 1916
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