Sheet from a Sketchbook: Minerva Orders Ulysses to Make Peace with the Suitors of Penelope (Minerva induce Ulisse alla pace con i Proci), Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, traces of graphite on cream laid paper, The battle takes place at the edge of the sea, with many men involved. The flying Minerva touches the sword of Ulysses and points at Jupiter seated upon clouds in the left upper corner., Italy, before 1805, wallpaper designs, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sheet-from-a-sketchbook-minerva-orders-ulysses-to-make-peace-with-the-suitors-of-penelope-minerva-induce-ulisse-alla-pace-con-i-proci-felice-giani-italian-17581823-pen-and-brown-ink-brush-and-brown-wash-traces-of-graphite-on-cream-laid-paper-the-battle-takes-place-at-the-edge-of-the-sea-with-many-men-involved-the-flying-minerva-touches-the-sword-of-ulysses-and-points-at-jupiter-seated-upon-clouds-in-the-left-upper-corner-italy-before-1805-wallpaper-designs-drawing-image391275170.html
RM2DMG3D6–Sheet from a Sketchbook: Minerva Orders Ulysses to Make Peace with the Suitors of Penelope (Minerva induce Ulisse alla pace con i Proci), Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, traces of graphite on cream laid paper, The battle takes place at the edge of the sea, with many men involved. The flying Minerva touches the sword of Ulysses and points at Jupiter seated upon clouds in the left upper corner., Italy, before 1805, wallpaper designs, Drawing
The marriage of Penelope and Ulysses. Nozze di Penelope e di Ulisse. Handcoloured copperplate engraving by Roberto Freschi from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1826. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-marriage-of-penelope-and-ulysses-nozze-di-penelope-e-di-ulisse-handcoloured-copperplate-engraving-by-roberto-freschi-from-giulio-ferrarios-costumes-ancient-and-modern-of-the-peoples-of-the-world-il-costume-antico-e-moderno-florence-1826-image571831567.html
RM2T694YY–The marriage of Penelope and Ulysses. Nozze di Penelope e di Ulisse. Handcoloured copperplate engraving by Roberto Freschi from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1826.
The marriage of Penelope and Ulysses. Nozze di Penelope e di Ulisse. Handcoloured copperplate engraving by Roberto Freschi from Giulio Ferrario’s Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1826. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-marriage-of-penelope-and-ulysses-nozze-di-penelope-e-di-ulisse-handcoloured-copperplate-engraving-by-roberto-freschi-from-giulio-ferrarios-costumes-ancient-and-modern-of-the-peoples-of-the-world-il-costume-antico-e-moderno-florence-1826-image343575115.html
RM2AXY5FR–The marriage of Penelope and Ulysses. Nozze di Penelope e di Ulisse. Handcoloured copperplate engraving by Roberto Freschi from Giulio Ferrario’s Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1826.
Drawing, Sheet from a Sketchbook- Minerva Orders Ulysses to Make Peace with the Suitors of Penelope (Minerva induce Ulisse alla pace con i Proci), before 1805 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-sheet-from-a-sketchbook-minerva-orders-ulysses-to-make-peace-with-the-suitors-of-penelope-minerva-induce-ulisse-alla-pace-con-i-proci-before-1805-image264828211.html
RMWARY2B–Drawing, Sheet from a Sketchbook- Minerva Orders Ulysses to Make Peace with the Suitors of Penelope (Minerva induce Ulisse alla pace con i Proci), before 1805
Ulysses Ulisse Year : 1954 Italy / USA Director : Mario Camerini Kirk Douglas, Silvana Mangano Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ulysses-ulisse-year-1954-italy-usa-director-mario-camerini-kirk-douglas-silvana-mangano-image225342783.html
RMR2H70F–Ulysses Ulisse Year : 1954 Italy / USA Director : Mario Camerini Kirk Douglas, Silvana Mangano
Sheet from a Sketchbook Minerva Orders Ulysses to Make Peace with the Suitors of Penelope Minerva induce Ulisse alla pace con i Proci. The battle takes place at the edge of the sea, with many men involved. The flying Minerva touches the sword of Ulysses and points at Jupiter seated upon clouds in the left upper corner. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sheet-from-a-sketchbook-minerva-orders-ulysses-to-make-peace-with-the-suitors-of-penelope-minerva-induce-ulisse-alla-pace-con-i-proci-the-battle-takes-place-at-the-edge-of-the-sea-with-many-men-involved-the-flying-minerva-touches-the-sword-of-ulysses-and-points-at-jupiter-seated-upon-clouds-in-the-left-upper-corner-image353560945.html
RM2BF62GH–Sheet from a Sketchbook Minerva Orders Ulysses to Make Peace with the Suitors of Penelope Minerva induce Ulisse alla pace con i Proci. The battle takes place at the edge of the sea, with many men involved. The flying Minerva touches the sword of Ulysses and points at Jupiter seated upon clouds in the left upper corner.
The Return of Ulysses to Ithaca, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown wash over traces of pencil., Center of bottom row. Penelope greets returning Telemachus, embracing each other in presence of several people. Priest, right, stands near altar. Left background, group of three running men: hiding Ulysses. Caption on top, '1', below: Penelope abracia il figlio Telemacho/ goda del avo intorno alla patria. Lower right corner, spherical trapezoid, showing Ulysses shooting arrow through ring. Left, group of three men, at right, Ulysses and Minerva Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-return-of-ulysses-to-ithaca-palazzo-milzetti-faenza-felice-giani-italian-17581823-pen-and-ink-brush-and-brown-wash-over-traces-of-pencil-center-of-bottom-row-penelope-greets-returning-telemachus-embracing-each-other-in-presence-of-several-people-priest-right-stands-near-altar-left-background-group-of-three-running-men-hiding-ulysses-caption-on-top-1-below-penelope-abracia-il-figlio-telemacho-goda-del-avo-intorno-alla-patria-lower-right-corner-spherical-trapezoid-showing-ulysses-shooting-arrow-through-ring-left-group-of-three-men-at-right-ulysses-and-minerva-image391794930.html
RM2DNBPC2–The Return of Ulysses to Ithaca, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown wash over traces of pencil., Center of bottom row. Penelope greets returning Telemachus, embracing each other in presence of several people. Priest, right, stands near altar. Left background, group of three running men: hiding Ulysses. Caption on top, '1', below: Penelope abracia il figlio Telemacho/ goda del avo intorno alla patria. Lower right corner, spherical trapezoid, showing Ulysses shooting arrow through ring. Left, group of three men, at right, Ulysses and Minerva
Noces de Penelope et d'Ulysse - in 'Le Costume ancien et moderne' de Jules Ferrario, 1819-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/noces-de-penelope-et-dulysse-in-le-costume-ancien-et-moderne-de-jules-ferrario-1819-1820-image561480925.html
RM2RHDJJ5–Noces de Penelope et d'Ulysse - in 'Le Costume ancien et moderne' de Jules Ferrario, 1819-1820
.ULYSSE DÉGUISÉ EN MENDIANT DEVANT PÉNÉLOPE.D'APRÈS UNE TERRE CUITE GRECQUE Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ulysse-dguis-en-mendiant-devant-pnlopedaprs-une-terre-cuite-grecque-image259389325.html
RFW205MD–.ULYSSE DÉGUISÉ EN MENDIANT DEVANT PÉNÉLOPE.D'APRÈS UNE TERRE CUITE GRECQUE
Noces de Penelope et d'Ulysse - in 'Le Costume ancien et moderne' de Jules Ferrario, 1819-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/noces-de-penelope-et-dulysse-in-le-costume-ancien-et-moderne-de-jules-ferrario-1819-1820-image335852137.html
RM2AEBAR5–Noces de Penelope et d'Ulysse - in 'Le Costume ancien et moderne' de Jules Ferrario, 1819-1820
Beiträge zur Geschichte der Oper um die Wende des 18und 19JahrhBdI-II: Simon Mayr . o Durch die Einfügung des Seccorezitativs tritt die Sinnesänderung Pene-lopes musikalisch zurück und wurden die beiden wohl zueinander gehö-rigen Teile des Duetts geschieden. Im weiteren Verlaufe des Aktes trifftPenelope auch mit Ulisse zusammen, der sich jedoch nicht zu erkenuengibt (Seccorez.) und, um Penelope auf die Probe zu stellen, den Toddes Gatten meldet (Accomp.). Da bricht Penelope zusammen (fdur, C,Allo.). In wildem Schmerze schreit sie auf: * & -*? M I S,; -J T 3 fa il ter - ror gius-to ciel! gius- Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beitrge-zur-geschichte-der-oper-um-die-wende-des-18und-19jahrhbdi-ii-simon-mayr-o-durch-die-einfgung-des-seccorezitativs-tritt-die-sinnesnderung-pene-lopes-musikalisch-zurck-und-wurden-die-beiden-wohl-zueinander-geh-rigen-teile-des-duetts-geschieden-im-weiteren-verlaufe-des-aktes-trifftpenelope-auch-mit-ulisse-zusammen-der-sich-jedoch-nicht-zu-erkenuengibt-seccorez-und-um-penelope-auf-die-probe-zu-stellen-den-toddes-gatten-meldet-accomp-da-bricht-penelope-zusammen-fdur-callo-in-wildem-schmerze-schreit-sie-auf-m-i-s-j-t-3-fa-il-ter-ror-gius-to-ciel!-gius-image339239809.html
RM2AKWKRD–Beiträge zur Geschichte der Oper um die Wende des 18und 19JahrhBdI-II: Simon Mayr . o Durch die Einfügung des Seccorezitativs tritt die Sinnesänderung Pene-lopes musikalisch zurück und wurden die beiden wohl zueinander gehö-rigen Teile des Duetts geschieden. Im weiteren Verlaufe des Aktes trifftPenelope auch mit Ulisse zusammen, der sich jedoch nicht zu erkenuengibt (Seccorez.) und, um Penelope auf die Probe zu stellen, den Toddes Gatten meldet (Accomp.). Da bricht Penelope zusammen (fdur, C,Allo.). In wildem Schmerze schreit sie auf: * & -*? M I S,; -J T 3 fa il ter - ror gius-to ciel! gius-
Ulysses Ulisse Year : 1954 Italy / USA Director : Mario Camerini Kirk Douglas, Silvana Mangano Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ulysses-ulisse-year-1954-italy-usa-director-mario-camerini-kirk-douglas-silvana-mangano-image225342780.html
RMR2H70C–Ulysses Ulisse Year : 1954 Italy / USA Director : Mario Camerini Kirk Douglas, Silvana Mangano
Odyssee d'Homere : Penelope, l'epouse d'Ulysse, attendant ce dernier en defaisant et refaisant sa tapisserie (Odyssey of Homer : Penelope constantly u Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/odyssee-dhomere-penelope-lepouse-dulysse-attendant-ce-dernier-en-defaisant-et-refaisant-sa-tapisserie-odyssey-of-homer-penelope-constantly-u-image356951513.html
RM2BMMF89–Odyssee d'Homere : Penelope, l'epouse d'Ulysse, attendant ce dernier en defaisant et refaisant sa tapisserie (Odyssey of Homer : Penelope constantly u
Vite dei pittori ed artefici bolognesi . bbiosa se Ulisse sia veramen- te il suo sposo. 50. Minerva che toglie ogni dubbio a Penelope e larassicura. 51. Minerva ricopre di una nube Ulisse, Telemaco,Eumeo e Fileszio, e li conduce a visitare Laer- * te padre di Ulisse. 52. Ulisse recandosi a visitare Laerte si spoglia dellearmi affidandole ad Eumeo, ordinandogli intan-to di andare a preparare il pranzo. 53. Affettuose accoglienze , dolci abbracciamenti tra 44 Ulisse ed il padre, che a lui presenta i più bellie scelti frutti del suo giardino. 54. I parenti di Ulisse, inteso il suo arrivo, accorro Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vite-dei-pittori-ed-artefici-bolognesi-bbiosa-se-ulisse-sia-veramen-te-il-suo-sposo-50-minerva-che-toglie-ogni-dubbio-a-penelope-e-larassicura-51-minerva-ricopre-di-una-nube-ulisse-telemacoeumeo-e-fileszio-e-li-conduce-a-visitare-laer-te-padre-di-ulisse-52-ulisse-recandosi-a-visitare-laerte-si-spoglia-dellearmi-affidandole-ad-eumeo-ordinandogli-intan-to-di-andare-a-preparare-il-pranzo-53-affettuose-accoglienze-dolci-abbracciamenti-tra-44-ulisse-ed-il-padre-che-a-lui-presenta-i-pi-bellie-scelti-frutti-del-suo-giardino-54-i-parenti-di-ulisse-inteso-il-suo-arrivo-accorro-image339124051.html
RM2AKMC57–Vite dei pittori ed artefici bolognesi . bbiosa se Ulisse sia veramen- te il suo sposo. 50. Minerva che toglie ogni dubbio a Penelope e larassicura. 51. Minerva ricopre di una nube Ulisse, Telemaco,Eumeo e Fileszio, e li conduce a visitare Laer- * te padre di Ulisse. 52. Ulisse recandosi a visitare Laerte si spoglia dellearmi affidandole ad Eumeo, ordinandogli intan-to di andare a preparare il pranzo. 53. Affettuose accoglienze , dolci abbracciamenti tra 44 Ulisse ed il padre, che a lui presenta i più bellie scelti frutti del suo giardino. 54. I parenti di Ulisse, inteso il suo arrivo, accorro
Odyssee d'Homere : Ulysse et Penelope (Odyssey by Homer : Odysseus and Penelope) Illustration d'Antoine Calbet (1860-1944) pour 'L'odyssee' du poete g Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/odyssee-dhomere-ulysse-et-penelope-odyssey-by-homer-odysseus-and-penelope-illustration-dantoine-calbet-1860-1944-pour-lodyssee-du-poete-g-image352873906.html
RM2BE2P7E–Odyssee d'Homere : Ulysse et Penelope (Odyssey by Homer : Odysseus and Penelope) Illustration d'Antoine Calbet (1860-1944) pour 'L'odyssee' du poete g
. Epistole eroiche di P. Ovidio Nasone . > garizzamento dell* Ijìorìa Siciliana di Fra Tomafa3) Fa-^ello ftampato in Venezia preflTo i fratelli Guerra;j> nel 1573 in quarto. Ma ficcome egli non tacque fempre« ne fuoi ferirti il fuo elTer Frate, tacquevi però fempre^.s> il fuo cafato che fu de Nannini,. ati^ (vj ) ARGOMENTI DELLE EPISTOLE D OVIDIO CHE POSSONO SERVIRE ANCORAPER SPIEGAZIONE DE RAMI. I. Penelope ad Ulisse, pag. i. LOPPO la diftiuzzione di Tioja, il folo Uliffe fra tutti i Ca-pitani eh» erano reftati vivi, andò peregrinando lo fpazio di ventianni fenza ritornar mai alla fu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/epistole-eroiche-di-p-ovidio-nasone-gt-garizzamento-dell-ijora-siciliana-di-fra-tomafa3-fa-ello-ftampato-in-venezia-preflto-i-fratelli-guerrajgt-nel-1573-in-quarto-ma-ficcome-egli-non-tacque-fempre-ne-fuoi-ferirti-il-fuo-elter-frate-tacquevi-per-fempresgt-il-fuo-cafato-che-fu-de-nannini-ati-vj-argomenti-delle-epistole-d-ovidio-che-possono-servire-ancoraper-spiegazione-de-rami-i-penelope-ad-ulisse-pag-i-loppo-la-diftiuzzione-di-tioja-il-folo-uliffe-fra-tutti-i-ca-pitani-eh-erano-reftati-vivi-and-peregrinando-lo-fpazio-di-ventianni-fenza-ritornar-mai-alla-fu-image369992361.html
RM2CDXH0W–. Epistole eroiche di P. Ovidio Nasone . > garizzamento dell* Ijìorìa Siciliana di Fra Tomafa3) Fa-^ello ftampato in Venezia preflTo i fratelli Guerra;j> nel 1573 in quarto. Ma ficcome egli non tacque fempre« ne fuoi ferirti il fuo elTer Frate, tacquevi però fempre^.s> il fuo cafato che fu de Nannini,. ati^ (vj ) ARGOMENTI DELLE EPISTOLE D OVIDIO CHE POSSONO SERVIRE ANCORAPER SPIEGAZIONE DE RAMI. I. Penelope ad Ulisse, pag. i. LOPPO la diftiuzzione di Tioja, il folo Uliffe fra tutti i Ca-pitani eh» erano reftati vivi, andò peregrinando lo fpazio di ventianni fenza ritornar mai alla fu
Odyssee d'Homere : 'Ulysse, de retour a Ithaque massacre les pretendants de Penelope' (Odyssey of Homer : after his return to Ithaca, Odysseus slays t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/odyssee-dhomere-ulysse-de-retour-a-ithaque-massacre-les-pretendants-de-penelope-odyssey-of-homer-after-his-return-to-ithaca-odysseus-slays-t-image356889178.html
RM2BMHKP2–Odyssee d'Homere : 'Ulysse, de retour a Ithaque massacre les pretendants de Penelope' (Odyssey of Homer : after his return to Ithaca, Odysseus slays t
. Epistole eroiche di P. Ovidio Nasone . J^^^J. U-^,,^,y ^^« / P E N E L A D ULISSE, «OManaBana EPISTOLA PRIMA. Ì/uell infelice tua conforte , e fidaPenelope, eh invan tant anni ha fpefi ,SoF afpettando, e defiando il giornoChe tu ritorni, o mio bramato Uiiflè :Dopo tanto fperar fallace, e vano,Quella ti fcrive , e d altra carta in vece ,UliiTe fol, fol te Tuo fpofo attende. La già 5 da noi fanciulle amanti greche, A ^ PENELOPE Cotanto odiata, e sì nojofa Troja-Caduta è in terra , eI fuperb Ilio a penaEI fuo Re di tant odio unqua fa degno. O fofTe al del piaciuto, allor che P empioParide volfe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/epistole-eroiche-di-p-ovidio-nasone-jj-u-y-p-e-n-e-l-a-d-ulisse-omanabana-epistola-prima-uell-infelice-tua-conforte-e-fidapenelope-eh-invan-tant-anni-ha-fpefi-sof-afpettando-e-defiando-il-giornoche-tu-ritorni-o-mio-bramato-uiifl-dopo-tanto-fperar-fallace-e-vanoquella-ti-fcrive-e-d-altra-carta-in-vece-uliite-fol-fol-te-tuo-fpofo-attende-la-gi-5-da-noi-fanciulle-amanti-greche-a-penelope-cotanto-odiata-e-s-nojofa-troja-caduta-in-terra-ei-fuperb-ilio-a-penaei-fuo-re-di-tant-odio-unqua-fa-degno-o-fofte-al-del-piaciuto-allor-che-p-empioparide-volfe-image369991371.html
RM2CDXFNF–. Epistole eroiche di P. Ovidio Nasone . J^^^J. U-^,,^,y ^^« / P E N E L A D ULISSE, «OManaBana EPISTOLA PRIMA. Ì/uell infelice tua conforte , e fidaPenelope, eh invan tant anni ha fpefi ,SoF afpettando, e defiando il giornoChe tu ritorni, o mio bramato Uiiflè :Dopo tanto fperar fallace, e vano,Quella ti fcrive , e d altra carta in vece ,UliiTe fol, fol te Tuo fpofo attende. La già 5 da noi fanciulle amanti greche, A ^ PENELOPE Cotanto odiata, e sì nojofa Troja-Caduta è in terra , eI fuperb Ilio a penaEI fuo Re di tant odio unqua fa degno. O fofTe al del piaciuto, allor che P empioParide volfe
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