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Persian god Stock Photos and Images
Mithras, ancient Persian god of light. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mithras-ancient-persian-god-of-light-artist-unknown-image8371508.htmlRMAJ7TK5–Mithras, ancient Persian god of light. Artist: Unknown
Mithras. The Persian God Mithras, National Academy of Sciences, Washington DC Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mithras-the-persian-god-mithras-national-academy-of-sciences-washington-dc-image504841747.htmlRM2M99EPB–Mithras. The Persian God Mithras, National Academy of Sciences, Washington DC
Mithras, ancient Persian god of light and ruler of universe, slaying the bull. Roman marble sculpture. AD100-150, Vienna, Kunsthistorische Museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mithras-ancient-persian-god-of-light-and-ruler-of-universe-slaying-57287989.htmlRMD95KBH–Mithras, ancient Persian god of light and ruler of universe, slaying the bull. Roman marble sculpture. AD100-150, Vienna, Kunsthistorische Museum.
Ahuramazda. Creator God of the Persian monuments (Ahuramazda. Schöpfergott von den persischen Denkmälern) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-ahuramazda-creator-god-of-the-persian-monuments-ahuramazda-schpfergott-166100056.htmlRMKJ6E8T–Ahuramazda. Creator God of the Persian monuments (Ahuramazda. Schöpfergott von den persischen Denkmälern)
Mithras the Indo Persian god slaughtering the Bull 3 Cent AD Syria Syrian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mithras-the-indo-persian-god-slaughtering-the-bull-3-cent-ad-syria-36176867.htmlRMC2RYXY–Mithras the Indo Persian god slaughtering the Bull 3 Cent AD Syria Syrian
Mithras or Mehr, Persian God of Light, Persia, Middle East, historic illustration 1884 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mithras-or-mehr-persian-god-of-light-persia-middle-east-historic-illustration-1884-image604903302.htmlRM2X43M9A–Mithras or Mehr, Persian God of Light, Persia, Middle East, historic illustration 1884
The highest Persian God Ahnramazda, Persia, Iran / Der höchste persische Gott Ahnramazda, Persien, Iran, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-highest-persian-god-ahnramazda-persia-iran-der-hchste-persische-gott-ahnramazda-persien-iran-historisch-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image353243023.htmlRF2BEKH27–The highest Persian God Ahnramazda, Persia, Iran / Der höchste persische Gott Ahnramazda, Persien, Iran, Historisch, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert
This 1987 photo shows the Temple of Mithras in England, along Hadrian's wall. Carrawburgh Roman Fort is one of 16 forts along the 73-mile long Hadrian’s Wall, which was begun around AD 122. Carrawburgh housed a garrison of about 500 soldiers. Their orders were to defend the frontier of the Roman Empire. Nearby stands the temple to the god Mithras, built by the soldiers of Carrawburgh. Mithraism was a Roman religion inspired by a god originally worshipped in the eastern Empire. According to legend, Mithras—a Persian warrior god—captured and killed a sacred bull in a cave, which Mithraic temples Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-1987-photo-shows-the-temple-of-mithras-in-england-along-hadrians-wall-carrawburgh-roman-fort-is-one-of-16-forts-along-the-73-mile-long-hadrians-wall-which-was-begun-around-ad-122-carrawburgh-housed-a-garrison-of-about-500-soldiers-their-orders-were-to-defend-the-frontier-of-the-roman-empire-nearby-stands-the-temple-to-the-god-mithras-built-by-the-soldiers-of-carrawburgh-mithraism-was-a-roman-religion-inspired-by-a-god-originally-worshipped-in-the-eastern-empire-according-to-legend-mithrasa-persian-warrior-godcaptured-and-killed-a-sacred-bull-in-a-cave-which-mithraic-temples-image593908841.htmlRM2WE6TP1–This 1987 photo shows the Temple of Mithras in England, along Hadrian's wall. Carrawburgh Roman Fort is one of 16 forts along the 73-mile long Hadrian’s Wall, which was begun around AD 122. Carrawburgh housed a garrison of about 500 soldiers. Their orders were to defend the frontier of the Roman Empire. Nearby stands the temple to the god Mithras, built by the soldiers of Carrawburgh. Mithraism was a Roman religion inspired by a god originally worshipped in the eastern Empire. According to legend, Mithras—a Persian warrior god—captured and killed a sacred bull in a cave, which Mithraic temples
BABYLONIAN PERSIAN MYTHOLOGY Oannes, the fish-man god, often taken as a symbolic form of initiation (a man familiar with the 'two worlds', spirit and water. Lithograph after a bas relief formerly at Ninevah Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/babylonian-persian-mythology-oannes-the-fish-man-god-often-taken-as-a-symbolic-form-of-initiation-a-man-familiar-with-the-two-worlds-spirit-and-water-lithograph-after-a-bas-relief-formerly-at-ninevah-image179623088.htmlRMMC6F28–BABYLONIAN PERSIAN MYTHOLOGY Oannes, the fish-man god, often taken as a symbolic form of initiation (a man familiar with the 'two worlds', spirit and water. Lithograph after a bas relief formerly at Ninevah
Campania Caserta Santa Maria Capua Vetere Mitreo, this is my Italy, the italian country of visual history, Antiquities Plan, sculptural reliefs, architecture, fresco painting, architectural fragments Discovered in September 1922, one of the best preserved monuments of the habitations for the cult of the Persian god Mithras, dating from the 2nd-3rd centuries A.D. The building consists of a rectangular subterranean hallway of 23 x 3 meters, with painted ceiling. Frescoes and sculptural fragments abound Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/campania-caserta-santa-maria-capua-vetere-mitreo-this-is-my-italy-the-italian-country-of-visual-history-antiquities-plan-sculptural-reliefs-architecture-fresco-painting-architectural-fragments-discovered-in-september-1922-one-of-the-best-preserved-monuments-of-the-habitations-for-the-cult-of-the-persian-god-mithras-dating-from-the-2nd-3rd-centuries-ad-the-building-consists-of-a-rectangular-subterranean-hallway-of-23-x-3-meters-with-painted-ceiling-frescoes-and-sculptural-fragments-abound-image228175830.htmlRMR768GP–Campania Caserta Santa Maria Capua Vetere Mitreo, this is my Italy, the italian country of visual history, Antiquities Plan, sculptural reliefs, architecture, fresco painting, architectural fragments Discovered in September 1922, one of the best preserved monuments of the habitations for the cult of the Persian god Mithras, dating from the 2nd-3rd centuries A.D. The building consists of a rectangular subterranean hallway of 23 x 3 meters, with painted ceiling. Frescoes and sculptural fragments abound
Figure of Persian god Mithras, National Academy of Sciences, Washington, D.C Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figure-of-persian-god-mithras-national-academy-of-sciences-washington-dc-image265077218.htmlRMWB78KE–Figure of Persian god Mithras, National Academy of Sciences, Washington, D.C
Mithras. Persian Solar God. Object of Mithraic cult, very widespread in the Roman Empire Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mithras-persian-solar-god-object-of-mithraic-cult-very-widespread-175735123.htmlRMM5WBXB–Mithras. Persian Solar God. Object of Mithraic cult, very widespread in the Roman Empire
Faravahar, one of the most famous symbols of the ancient Zoroastrian religion in Iran Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/faravahar-one-of-the-most-famous-symbols-of-the-ancient-zoroastrian-religion-in-iran-image414983408.htmlRF2F343G0–Faravahar, one of the most famous symbols of the ancient Zoroastrian religion in Iran
Mithras (a Greek god) emerging from an egg bearing a sword and torch to combat evil. The egg is the symbol of eternity. (3rd century AD). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mithras-a-greek-god-emerging-from-an-egg-bearing-a-sword-and-torch-104000377.htmlRMG15HF5–Mithras (a Greek god) emerging from an egg bearing a sword and torch to combat evil. The egg is the symbol of eternity. (3rd century AD).
Vishnu in the form of Kūrma, the second avatar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vishnu-in-the-form-of-krma-the-second-avatar-image446715550.htmlRM2GXNJ6P–Vishnu in the form of Kūrma, the second avatar
Sculpture of the Persian god Mithra slaying the bull, Vatican Museums, Vatican Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sculpture-of-the-persian-god-mithra-slaying-the-bull-vatican-museums-81543183.htmlRFEMJH4F–Sculpture of the Persian god Mithra slaying the bull, Vatican Museums, Vatican
Le Louvre Lens : Capitole Rome ; Relief representant Mithra dieu iranien du soleil cacrifiant un taureau / Relief representing Mithra,Persian sun god Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-louvre-lens-capitole-rome-relief-representant-mithra-dieu-iranien-du-soleil-cacrifiant-un-taureau-relief-representing-mithrapersian-sun-god-image244450871.htmlRMT5KKG7–Le Louvre Lens : Capitole Rome ; Relief representant Mithra dieu iranien du soleil cacrifiant un taureau / Relief representing Mithra,Persian sun god
Outlined forensic reconstruction of Persian god Mithras slaying of a black bull from 4th century stone carving in Jajce, Bosnia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-outlined-forensic-reconstruction-of-persian-god-mithras-slaying-of-123176911.htmlRFH4B5BB–Outlined forensic reconstruction of Persian god Mithras slaying of a black bull from 4th century stone carving in Jajce, Bosnia
Antique Persian Achaemenid relief from Persepolis in Iran, CSMVS Museum, Prince of Wales museum, Mumbai, Maharashtra, India, Asia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-persian-achaemenid-relief-from-persepolis-in-iran-csmvs-museum-prince-of-wales-museum-mumbai-maharashtra-india-asia-image335642528.htmlRM2AE1RD4–Antique Persian Achaemenid relief from Persepolis in Iran, CSMVS Museum, Prince of Wales museum, Mumbai, Maharashtra, India, Asia
Mithras, ancient Persian god of light and ruler of the Universe, slaying the bull, 100-150. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mithras-ancient-persian-god-of-light-and-ruler-of-the-universe-slaying-the-bull-100-150-artist-unknown-image262739874.htmlRMW7CRAX–Mithras, ancient Persian god of light and ruler of the Universe, slaying the bull, 100-150. Artist: Unknown
Mithras. A 1564 engraving of Mithras killing the sacred bull, representing Spring. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mithras-a-1564-engraving-of-mithras-killing-the-sacred-bull-representing-spring-image504843011.htmlRM2M99GBF–Mithras. A 1564 engraving of Mithras killing the sacred bull, representing Spring.
Statue of Mithras, ancient Persian god of light who was adopted into the Roman pantheon. Mithras is shown wearing the Phrygian cap. Louvre, Paris Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-statue-of-mithras-ancient-persian-god-of-light-who-was-adopted-into-57294986.htmlRMD9609E–Statue of Mithras, ancient Persian god of light who was adopted into the Roman pantheon. Mithras is shown wearing the Phrygian cap. Louvre, Paris
Campania Caserta Santa Maria Capua Vetere Mitreo3. Hutzel, Max 1960-1990 Antiquities: Plan, sculptural reliefs, architecture, fresco painting, architectural fragments Object Notes: Discovered in September 1922, one of the best preserved monuments of the habitations for the cult of the Persian god Mithras, dating from the 2nd-3rd centuries A.D. The building consists of a rectangular subterranean hallway of 23 x 3 meters, with painted ceiling. Frescoes and sculptural fragments abound. No information provided by Hutzel. See TCI, Campania, p.184 German-born photographer and scholar Max Hutzel (191 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/campania-caserta-santa-maria-capua-vetere-mitreo3-hutzel-max-1960-1990-antiquities-plan-sculptural-reliefs-architecture-fresco-painting-architectural-fragments-object-notes-discovered-in-september-1922-one-of-the-best-preserved-monuments-of-the-habitations-for-the-cult-of-the-persian-god-mithras-dating-from-the-2nd-3rd-centuries-ad-the-building-consists-of-a-rectangular-subterranean-hallway-of-23-x-3-meters-with-painted-ceiling-frescoes-and-sculptural-fragments-abound-no-information-provided-by-hutzel-see-tci-campania-p184-german-born-photographer-and-scholar-max-hutzel-191-image600207708.htmlRM2WTDR1G–Campania Caserta Santa Maria Capua Vetere Mitreo3. Hutzel, Max 1960-1990 Antiquities: Plan, sculptural reliefs, architecture, fresco painting, architectural fragments Object Notes: Discovered in September 1922, one of the best preserved monuments of the habitations for the cult of the Persian god Mithras, dating from the 2nd-3rd centuries A.D. The building consists of a rectangular subterranean hallway of 23 x 3 meters, with painted ceiling. Frescoes and sculptural fragments abound. No information provided by Hutzel. See TCI, Campania, p.184 German-born photographer and scholar Max Hutzel (191
Mithras relief 2nd century AD Roman mystery religion of the god Mithras was practised in the Roman Empire 1st - century CE. ( In the cult of the god of light Mithras. The sun god forces the bull to the ground in a cave, but he looks up, from where he expects a sign of killing. The oriental mystery cult ) developed out of the Persian world of gods. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mithras-relief-2nd-century-ad-roman-mystery-religion-of-the-god-mithras-was-practised-in-the-roman-empire-1st-century-ce-in-the-cult-of-the-god-of-light-mithras-the-sun-god-forces-the-bull-to-the-ground-in-a-cave-but-he-looks-up-from-where-he-expects-a-sign-of-killing-the-oriental-mystery-cult-developed-out-of-the-persian-world-of-gods-image221664952.htmlRMPTHKWC–Mithras relief 2nd century AD Roman mystery religion of the god Mithras was practised in the Roman Empire 1st - century CE. ( In the cult of the god of light Mithras. The sun god forces the bull to the ground in a cave, but he looks up, from where he expects a sign of killing. The oriental mystery cult ) developed out of the Persian world of gods.
Mithras or Mehr, Persian God of Light, one of three judges, Persia, Middle East, historic illustration 1884 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mithras-or-mehr-persian-god-of-light-one-of-three-judges-persia-middle-east-historic-illustration-1884-image604903293.htmlRM2X43M91–Mithras or Mehr, Persian God of Light, one of three judges, Persia, Middle East, historic illustration 1884
A late 19th Century illustration of a group of Dervishes Islamic members of a Sufi fraternity. The latter are mostly found in Persian and Turkish (Derviş), corresponding to the Arabic term faqir.Their focus is on the universal values of love and service, deserting the illusions of ego to reach God. In most Sufi orders, a dervish is known to practice dhikr through physical exertions or religious practices to attain the ecstatic trance to reach God. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-late-19th-century-illustration-of-a-group-of-dervishes-islamic-members-of-a-sufi-fraternity-the-latter-are-mostly-found-in-persian-and-turkish-dervi-corresponding-to-the-arabic-term-faqirtheir-focus-is-on-the-universal-values-of-love-and-service-deserting-the-illusions-of-ego-to-reach-god-in-most-sufi-orders-a-dervish-is-known-to-practice-dhikr-through-physical-exertions-or-religious-practices-to-attain-the-ecstatic-trance-to-reach-god-image453775717.htmlRM2HA77FH–A late 19th Century illustration of a group of Dervishes Islamic members of a Sufi fraternity. The latter are mostly found in Persian and Turkish (Derviş), corresponding to the Arabic term faqir.Their focus is on the universal values of love and service, deserting the illusions of ego to reach God. In most Sufi orders, a dervish is known to practice dhikr through physical exertions or religious practices to attain the ecstatic trance to reach God.
This illustration dates to around 1898 and depicts the sculpture of Mithras (also spelled Mithra) that is housed in the Vatican. Mithras is sometimes known as the bull slaughterer and bull slayer. Followers of Mithras believed that the world was created from the blood of a bull, so the symbolism here is that of Mithras slitting the throat of the bull. The serpent represent evil forces in typical depictions of the Mithras story. Mithras was a deity in the Persian religion known as Mithraism. He was worshiped as the god of the sun, justice, and war. He later became a god worshiped in Rome and in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-this-illustration-dates-to-around-1898-and-depicts-the-sculpture-of-176172749.htmlRFM6HA3W–This illustration dates to around 1898 and depicts the sculpture of Mithras (also spelled Mithra) that is housed in the Vatican. Mithras is sometimes known as the bull slaughterer and bull slayer. Followers of Mithras believed that the world was created from the blood of a bull, so the symbolism here is that of Mithras slitting the throat of the bull. The serpent represent evil forces in typical depictions of the Mithras story. Mithras was a deity in the Persian religion known as Mithraism. He was worshiped as the god of the sun, justice, and war. He later became a god worshiped in Rome and in
UFO - unidentified flying object Ancient Persian bas-relief (based on the print by Coste et Flandin, Perse Ancienne) depicting the Zoroastrian god, Ahura Mazao, in what appears to be a space craft, but which is probably nothing more than a solar symbol Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ufo-unidentified-flying-object-ancient-persian-bas-relief-based-on-the-print-by-coste-et-flandin-perse-ancienne-depicting-the-zoroastrian-god-ahura-mazao-in-what-appears-to-be-a-space-craft-but-which-is-probably-nothing-more-than-a-solar-symbol-image179660271.htmlRMMC86E7–UFO - unidentified flying object Ancient Persian bas-relief (based on the print by Coste et Flandin, Perse Ancienne) depicting the Zoroastrian god, Ahura Mazao, in what appears to be a space craft, but which is probably nothing more than a solar symbol
Campania Caserta Santa Maria Capua Vetere Mitreo, this is my Italy, the italian country of visual history, Antiquities Plan, sculptural reliefs, architecture, fresco painting, architectural fragments Discovered in September 1922, one of the best preserved monuments of the habitations for the cult of the Persian god Mithras, dating from the 2nd-3rd centuries A.D. The building consists of a rectangular subterranean hallway of 23 x 3 meters, with painted ceiling. Frescoes and sculptural fragments abound Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/campania-caserta-santa-maria-capua-vetere-mitreo-this-is-my-italy-the-italian-country-of-visual-history-antiquities-plan-sculptural-reliefs-architecture-fresco-painting-architectural-fragments-discovered-in-september-1922-one-of-the-best-preserved-monuments-of-the-habitations-for-the-cult-of-the-persian-god-mithras-dating-from-the-2nd-3rd-centuries-ad-the-building-consists-of-a-rectangular-subterranean-hallway-of-23-x-3-meters-with-painted-ceiling-frescoes-and-sculptural-fragments-abound-image228175815.htmlRMR768G7–Campania Caserta Santa Maria Capua Vetere Mitreo, this is my Italy, the italian country of visual history, Antiquities Plan, sculptural reliefs, architecture, fresco painting, architectural fragments Discovered in September 1922, one of the best preserved monuments of the habitations for the cult of the Persian god Mithras, dating from the 2nd-3rd centuries A.D. The building consists of a rectangular subterranean hallway of 23 x 3 meters, with painted ceiling. Frescoes and sculptural fragments abound
Ahuramazda also Ahura Mazda means the wise lord or lord of wisdom, in Middle Persian Ormusd, Ormozd or Ormus, in Zoroastrianism is the creator god who first created the spiritual world, Menok, and then the material world, Geti, he embodies the power of light, is the creator and preserver of the world and humanity and is the God of the fertility of living beings, relief of Persian monuments, digital improved file of a original print of the 19. century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ahuramazda-also-ahura-mazda-means-the-wise-lord-or-lord-of-wisdom-172699823.htmlRFM0Y4AR–Ahuramazda also Ahura Mazda means the wise lord or lord of wisdom, in Middle Persian Ormusd, Ormozd or Ormus, in Zoroastrianism is the creator god who first created the spiritual world, Menok, and then the material world, Geti, he embodies the power of light, is the creator and preserver of the world and humanity and is the God of the fertility of living beings, relief of Persian monuments, digital improved file of a original print of the 19. century
Tajikistan, Dushanbe, capital city, National Museum: the Persian god Mithra/Mitra under Zoroastrianism had the attributes of the sun and light and wa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tajikistan-dushanbe-capital-city-national-museum-the-persian-god-mithramitra-under-zoroastrianism-had-the-attributes-of-the-sun-and-light-and-wa-image544682584.htmlRF2PJ4C5C–Tajikistan, Dushanbe, capital city, National Museum: the Persian god Mithra/Mitra under Zoroastrianism had the attributes of the sun and light and wa
Vishnu in the form of Kūrma, the second avatar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vishnu-in-the-form-of-krma-the-second-avatar-image469565724.htmlRM2J7XFTC–Vishnu in the form of Kūrma, the second avatar
Ahura Mazda is the Avestan name for a divinity of the Old Iranian religion who was proclaimed the uncreated God by Zoroaster, the founder of Zoroastrianism. Ahura Mazda is described as the highest deity of worship in Zoroastrianism, along with being the f Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ahura-mazda-is-the-avestan-name-for-a-divinity-of-the-old-iranian-104016487.htmlRMG16A2F–Ahura Mazda is the Avestan name for a divinity of the Old Iranian religion who was proclaimed the uncreated God by Zoroaster, the founder of Zoroastrianism. Ahura Mazda is described as the highest deity of worship in Zoroastrianism, along with being the f
Inspired by Abraham and Isaac, Oil on canvas, 19th century, 54 3/8 x 29 3/4 in., 138.1 x 75.6cm, Bible, biblical, God, justic, Middle Eastern, Old Testament, Persian, religion, sacrifice, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-abraham-and-isaac-oil-on-canvas-19th-century-54-38-x-29-34-in-1381-x-756cm-bible-biblical-god-justic-middle-eastern-old-testament-persian-religion-sacrifice-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459247305.htmlRF2HK4EHD–Inspired by Abraham and Isaac, Oil on canvas, 19th century, 54 3/8 x 29 3/4 in., 138.1 x 75.6cm, Bible, biblical, God, justic, Middle Eastern, Old Testament, Persian, religion, sacrifice, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Sculpture of the Persian god Mithra slaying the bull, Vatican Museums, Vatican Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sculpture-of-the-persian-god-mithra-slaying-the-bull-vatican-museums-81543182.htmlRFEMJH4E–Sculpture of the Persian god Mithra slaying the bull, Vatican Museums, Vatican
Le Louvre Lens : Galerie du Temps,relief figuring Mithra Persian god of sun sacificing a bull 100-200 AD Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-louvre-lens-galerie-du-tempsrelief-figuring-mithra-persian-god-of-sun-sacificing-a-bull-100-200-ad-image244611179.htmlRMT5Y01F–Le Louvre Lens : Galerie du Temps,relief figuring Mithra Persian god of sun sacificing a bull 100-200 AD
1926 illustration showing a Persian cylinder seal on a clay tablet with Persian and Babylonian inscriptions & picture of Darius hunting lions in a chariot Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1926-illustration-showing-a-persian-cylinder-seal-on-a-clay-tablet-image152116883.htmlRMJRDEHR–1926 illustration showing a Persian cylinder seal on a clay tablet with Persian and Babylonian inscriptions & picture of Darius hunting lions in a chariot
UNESCO listed carvings of Darius at Bisotun. Relief depicting King Darius facing a group of men, roped together, representing rebels defeated by the King. The figure at the top is the God Ahuramazda in a winged disk. The relief is carved into a rock face at Behistun (Bisotun). Kermanshah Province, Iran. Old steel engraved antique print. Published in L'Univers La Perse, in 1841. History of the ancient Persian empire Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unesco-listed-carvings-of-darius-at-bisotun-relief-depicting-king-darius-facing-a-group-of-men-roped-together-representing-rebels-defeated-by-the-king-the-figure-at-the-top-is-the-god-ahuramazda-in-a-winged-disk-the-relief-is-carved-into-a-rock-face-at-behistun-bisotun-kermanshah-province-iran-old-steel-engraved-antique-print-published-in-lunivers-la-perse-in-1841-history-of-the-ancient-persian-empire-image397204204.htmlRM2E2660C–UNESCO listed carvings of Darius at Bisotun. Relief depicting King Darius facing a group of men, roped together, representing rebels defeated by the King. The figure at the top is the God Ahuramazda in a winged disk. The relief is carved into a rock face at Behistun (Bisotun). Kermanshah Province, Iran. Old steel engraved antique print. Published in L'Univers La Perse, in 1841. History of the ancient Persian empire
Pakistan/Afghanistan: Shiva with trident, Gandhara, 2nd century CE. Photo by PHGCOM (CC BY-SA 3.0 License). Gandhāra is noted for the distinctive Gandhāra style of Buddhist art, which developed out of a merger of Greek, Syrian, Persian, and Indian artistic influence. This development began during the Parthian Period (50 BCE - 75 CE). Gandhāran style flourished and achieved its peak during the Kushan period, from the 1st to the 5th century. It declined and suffered destruction after invasion of the White Huns in the 5th century. Stucco as well as stone was widely used by sculptors in Gandhara Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pakistanafghanistan-shiva-with-trident-gandhara-2nd-century-ce-photo-by-phgcom-cc-by-sa-30-license-gandhra-is-noted-for-the-distinctive-gandhra-style-of-buddhist-art-which-developed-out-of-a-merger-of-greek-syrian-persian-and-indian-artistic-influence-this-development-began-during-the-parthian-period-50-bce-75-ce-gandhran-style-flourished-and-achieved-its-peak-during-the-kushan-period-from-the-1st-to-the-5th-century-it-declined-and-suffered-destruction-after-invasion-of-the-white-huns-in-the-5th-century-stucco-as-well-as-stone-was-widely-used-by-sculptors-in-gandhara-image344239741.htmlRM2B01D8D–Pakistan/Afghanistan: Shiva with trident, Gandhara, 2nd century CE. Photo by PHGCOM (CC BY-SA 3.0 License). Gandhāra is noted for the distinctive Gandhāra style of Buddhist art, which developed out of a merger of Greek, Syrian, Persian, and Indian artistic influence. This development began during the Parthian Period (50 BCE - 75 CE). Gandhāran style flourished and achieved its peak during the Kushan period, from the 1st to the 5th century. It declined and suffered destruction after invasion of the White Huns in the 5th century. Stucco as well as stone was widely used by sculptors in Gandhara
Relief carving of Mithra, the Persian sun god, sacrificing a bull. Dating from around 100-200 AD. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/relief-carving-of-mithra-the-persian-sun-god-sacrificing-a-bull-dating-from-around-100-200-ad-image217812022.htmlRMPJA5CP–Relief carving of Mithra, the Persian sun god, sacrificing a bull. Dating from around 100-200 AD.
Relief with two sides depicting the Iranian (Persian) god Mithras. Mithras was worshiped in ancient Rome from the later half of the Ist Century AD. relief dates from 2nd or 3Rd Century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-relief-with-two-sides-depicting-the-iranian-persian-god-mithras-mithras-57361907.htmlRMD991KF–Relief with two sides depicting the Iranian (Persian) god Mithras. Mithras was worshiped in ancient Rome from the later half of the Ist Century AD. relief dates from 2nd or 3Rd Century.
Campania Caserta Santa Maria Capua Vetere Mitreo4. Hutzel, Max 1960-1990 Antiquities: Plan, sculptural reliefs, architecture, fresco painting, architectural fragments Object Notes: Discovered in September 1922, one of the best preserved monuments of the habitations for the cult of the Persian god Mithras, dating from the 2nd-3rd centuries A.D. The building consists of a rectangular subterranean hallway of 23 x 3 meters, with painted ceiling. Frescoes and sculptural fragments abound. No information provided by Hutzel. See TCI, Campania, p.184 German-born photographer and scholar Max Hutzel (191 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/campania-caserta-santa-maria-capua-vetere-mitreo4-hutzel-max-1960-1990-antiquities-plan-sculptural-reliefs-architecture-fresco-painting-architectural-fragments-object-notes-discovered-in-september-1922-one-of-the-best-preserved-monuments-of-the-habitations-for-the-cult-of-the-persian-god-mithras-dating-from-the-2nd-3rd-centuries-ad-the-building-consists-of-a-rectangular-subterranean-hallway-of-23-x-3-meters-with-painted-ceiling-frescoes-and-sculptural-fragments-abound-no-information-provided-by-hutzel-see-tci-campania-p184-german-born-photographer-and-scholar-max-hutzel-191-image600200446.htmlRM2WTDDP6–Campania Caserta Santa Maria Capua Vetere Mitreo4. Hutzel, Max 1960-1990 Antiquities: Plan, sculptural reliefs, architecture, fresco painting, architectural fragments Object Notes: Discovered in September 1922, one of the best preserved monuments of the habitations for the cult of the Persian god Mithras, dating from the 2nd-3rd centuries A.D. The building consists of a rectangular subterranean hallway of 23 x 3 meters, with painted ceiling. Frescoes and sculptural fragments abound. No information provided by Hutzel. See TCI, Campania, p.184 German-born photographer and scholar Max Hutzel (191
Koranic frieze element Koran, sura 2, verses 255-25611th - 12th century Syria, Raqqa (Carved lime Stone) Arabic writing is used to note several languages, mainly Arabic, Persian, Turkish and Urdu. (Bismillah -In the name of God, the Clement, the Merciful) written in different styles. This formula opens 113 of the 114 suras of the Koran. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/koranic-frieze-element-koran-sura-2-verses-255-25611th-12th-century-syria-raqqa-carved-lime-stone-arabic-writing-is-used-to-note-several-languages-mainly-arabic-persian-turkish-and-urdu-bismillah-in-the-name-of-god-the-clement-the-merciful-written-in-different-styles-this-formula-opens-113-of-the-114-suras-of-the-koran-image263799793.htmlRMW95395–Koranic frieze element Koran, sura 2, verses 255-25611th - 12th century Syria, Raqqa (Carved lime Stone) Arabic writing is used to note several languages, mainly Arabic, Persian, Turkish and Urdu. (Bismillah -In the name of God, the Clement, the Merciful) written in different styles. This formula opens 113 of the 114 suras of the Koran.
silence is the language of god, all else is poor translation - ancient Persian poet and philosopher Rumi quote printed over blue brush strokes Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/silence-is-the-language-of-god-all-else-is-poor-translation-ancient-persian-poet-and-philosopher-rumi-quote-printed-over-blue-brush-strokes-image207484211.htmlRFP1FM6B–silence is the language of god, all else is poor translation - ancient Persian poet and philosopher Rumi quote printed over blue brush strokes
The Investiture of Ardashir I, relief depicts the Persian king Ardashir I receiving the sovereignty ring from god Ahura Mazda. Naqsh-e Rostam, Iran. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-investiture-of-ardashir-i-relief-depicts-the-persian-king-ardashir-i-receiving-the-sovereignty-ring-from-god-ahura-mazda-naqsh-e-rostam-iran-image594242421.htmlRM2WEP27H–The Investiture of Ardashir I, relief depicts the Persian king Ardashir I receiving the sovereignty ring from god Ahura Mazda. Naqsh-e Rostam, Iran.
Ancient Greek bronze helmet from the Greco-Persian Wars. Photo from the mid-20th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-greek-bronze-helmet-from-the-greco-persian-wars-photo-from-the-mid-20th-century-image606966932.htmlRM2X7DMEC–Ancient Greek bronze helmet from the Greco-Persian Wars. Photo from the mid-20th century.
Followers of Magism, or Magi, around the sacred fire. They were followers of Zoroastrianism around the time of Darius the Great, (522 BCE to 486 BCE) . Magism recognises the existence of multiple deities, including those of other religions. According to the Magi creation myth, the universe was once formless chaos, where fundamental concepts such as space, time, and even matter held no meaning and life could not exist. God imposed order on this chaos: the heavens were aligned in their current form, physical interactions were made constant, and time was forced to flow linearly. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/followers-of-magism-or-magi-around-the-sacred-fire-they-were-followers-of-zoroastrianism-around-the-time-of-darius-the-great-522-bce-to-486-bce-magism-recognises-the-existence-of-multiple-deities-including-those-of-other-religions-according-to-the-magi-creation-myth-the-universe-was-once-formless-chaos-where-fundamental-concepts-such-as-space-time-and-even-matter-held-no-meaning-and-life-could-not-exist-god-imposed-order-on-this-chaos-the-heavens-were-aligned-in-their-current-form-physical-interactions-were-made-constant-and-time-was-forced-to-flow-linearly-image256752728.htmlRMTWM2M8–Followers of Magism, or Magi, around the sacred fire. They were followers of Zoroastrianism around the time of Darius the Great, (522 BCE to 486 BCE) . Magism recognises the existence of multiple deities, including those of other religions. According to the Magi creation myth, the universe was once formless chaos, where fundamental concepts such as space, time, and even matter held no meaning and life could not exist. God imposed order on this chaos: the heavens were aligned in their current form, physical interactions were made constant, and time was forced to flow linearly.
Campania Caserta Santa Maria Capua Vetere Mitreo, this is my Italy, the italian country of visual history, Antiquities Plan, sculptural reliefs, architecture, fresco painting, architectural fragments Discovered in September 1922, one of the best preserved monuments of the habitations for the cult of the Persian god Mithras, dating from the 2nd-3rd centuries A.D. The building consists of a rectangular subterranean hallway of 23 x 3 meters, with painted ceiling. Frescoes and sculptural fragments abound Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/campania-caserta-santa-maria-capua-vetere-mitreo-this-is-my-italy-the-italian-country-of-visual-history-antiquities-plan-sculptural-reliefs-architecture-fresco-painting-architectural-fragments-discovered-in-september-1922-one-of-the-best-preserved-monuments-of-the-habitations-for-the-cult-of-the-persian-god-mithras-dating-from-the-2nd-3rd-centuries-ad-the-building-consists-of-a-rectangular-subterranean-hallway-of-23-x-3-meters-with-painted-ceiling-frescoes-and-sculptural-fragments-abound-image228175839.htmlRMR768H3–Campania Caserta Santa Maria Capua Vetere Mitreo, this is my Italy, the italian country of visual history, Antiquities Plan, sculptural reliefs, architecture, fresco painting, architectural fragments Discovered in September 1922, one of the best preserved monuments of the habitations for the cult of the Persian god Mithras, dating from the 2nd-3rd centuries A.D. The building consists of a rectangular subterranean hallway of 23 x 3 meters, with painted ceiling. Frescoes and sculptural fragments abound
Coins from Alexander's foreign mints. Zeus, patron god of Macedon, is copied from Phidias' famous statue at Olympia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coins-from-alexanders-foreign-mints-zeus-patron-god-of-macedon-is-copied-from-phidias-famous-statue-at-olympia-image268822997.htmlRMWH9XD9–Coins from Alexander's foreign mints. Zeus, patron god of Macedon, is copied from Phidias' famous statue at Olympia.
Mithras. Persian Solar God. Object of Mithraic cult, very widespread in the Roman Empire. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mithras-persian-solar-god-object-of-mithraic-cult-very-widespread-in-the-roman-empire-image212781649.htmlRMPA514H–Mithras. Persian Solar God. Object of Mithraic cult, very widespread in the Roman Empire.
The Persian, the Sun and the Cloud. A bearded, long-haired man kneels in front of a grave praying to the sun god. An envious cloud tries to hide the sun. Copperplate engraving by William Blake after an illustration by William Kent from Fables by John Gay, with a Life of the Author, John Stockdale, London, 1793. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-persian-the-sun-and-the-cloud-a-bearded-long-haired-man-kneels-in-front-of-a-grave-praying-to-the-sun-god-an-envious-cloud-tries-to-hide-the-sun-copperplate-engraving-by-william-blake-after-an-illustration-by-william-kent-from-fables-by-john-gay-with-a-life-of-the-author-john-stockdale-london-1793-image501896561.htmlRM2M4FA55–The Persian, the Sun and the Cloud. A bearded, long-haired man kneels in front of a grave praying to the sun god. An envious cloud tries to hide the sun. Copperplate engraving by William Blake after an illustration by William Kent from Fables by John Gay, with a Life of the Author, John Stockdale, London, 1793.
The god Mithras slaying the great bull. The spilling of the bull's blood was believed to bring about the rebirth of light and life. The dog and the snake which try to lick the blood are both featured prominently in Persian religious imagery, as does the s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-god-mithras-slaying-the-great-bull-the-spilling-of-the-bulls-blood-104000385.htmlRMG15HFD–The god Mithras slaying the great bull. The spilling of the bull's blood was believed to bring about the rebirth of light and life. The dog and the snake which try to lick the blood are both featured prominently in Persian religious imagery, as does the s
Art inspired by Abraham and Isaac, Oil on canvas, 19th century, 54 3/8 x 29 3/4 in., 138.1 x 75.6cm, Bible, biblical, God, justic, Middle Eastern, Old Testament, Persian, religion, sacrifice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-abraham-and-isaac-oil-on-canvas-19th-century-54-38-x-29-34-in-1381-x-756cm-bible-biblical-god-justic-middle-eastern-old-testament-persian-religion-sacrifice-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459564432.htmlRF2HKJY3C–Art inspired by Abraham and Isaac, Oil on canvas, 19th century, 54 3/8 x 29 3/4 in., 138.1 x 75.6cm, Bible, biblical, God, justic, Middle Eastern, Old Testament, Persian, religion, sacrifice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sculpture of the Persian god Mithra slaying the bull, Vatican Museums, Vatican Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sculpture-of-the-persian-god-mithra-slaying-the-bull-vatican-museums-81542780.htmlRFEMJGJ4–Sculpture of the Persian god Mithra slaying the bull, Vatican Museums, Vatican
Mithras sacrifice, Persian sun god, blood sacrifice, Rome, Italy, ca 250 B.C / Mithrasopfer, persischer Sonnengott, Blutopfer, Rom, Italien, ca 250 v.Chr, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mithras-sacrifice-persian-sun-god-blood-sacrifice-rome-italy-ca-250-bc-mithrasopfer-persischer-sonnengott-blutopfer-rom-italien-ca-250-vchr-historisch-historical-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image353722860.htmlRF2BFDD38–Mithras sacrifice, Persian sun god, blood sacrifice, Rome, Italy, ca 250 B.C / Mithrasopfer, persischer Sonnengott, Blutopfer, Rom, Italien, ca 250 v.Chr, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert
Marble relief carving of the God Mithras slaying the mystic bull second century Rome at ROM Toronto Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marble-relief-carving-of-the-god-mithras-slaying-the-mystic-bull-second-113879370.htmlRMGH7J8A–Marble relief carving of the God Mithras slaying the mystic bull second century Rome at ROM Toronto
Tomb of Saadi, also known as Saadieh, is a tomb and mausoleum dedicated to the Persian poet Saadi in the Iranian city of Shiraz. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tomb-of-saadi-also-known-as-saadieh-is-a-tomb-and-mausoleum-dedicated-to-the-persian-poet-saadi-in-the-iranian-city-of-shiraz-image385432544.htmlRF2DB1Y40–Tomb of Saadi, also known as Saadieh, is a tomb and mausoleum dedicated to the Persian poet Saadi in the Iranian city of Shiraz.
Iran/Persia: Opening page with dedication to God from Zakarīyā ibn Muḥammad al-Qazwīnī, ‘Ajā’ib al-makhlūqāt wa-gharā’ib al-mawjūdāt (Marvels of Things Created and Miraculous Aspects of Things Existing) c. 1250 CE. Abu Yahya Zakariya' ibn Muhammad al-Qazwini (1203-1283), was a Persian physician, astronomer, geographer and proto-science fiction writer. Born in the Persian town of Qazvin, he served as legal expert and judge (qadhi) in several localities in Persia and at Baghdad. He travelled around in Mesopotamia and Syria, and finally entered the circle patronised by the governor of Baghdad. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/iranpersia-opening-page-with-dedication-to-god-from-zakary-ibn-muammad-al-qazwn-ajib-al-makhlqt-wa-gharib-al-mawjdt-marvels-of-things-created-and-miraculous-aspects-of-things-existing-c-1250-ce-abu-yahya-zakariya-ibn-muhammad-al-qazwini-1203-1283-was-a-persian-physician-astronomer-geographer-and-proto-science-fiction-writer-born-in-the-persian-town-of-qazvin-he-served-as-legal-expert-and-judge-qadhi-in-several-localities-in-persia-and-at-baghdad-he-travelled-around-in-mesopotamia-and-syria-and-finally-entered-the-circle-patronised-by-the-governor-of-baghdad-image344243087.htmlRM2B01HFY–Iran/Persia: Opening page with dedication to God from Zakarīyā ibn Muḥammad al-Qazwīnī, ‘Ajā’ib al-makhlūqāt wa-gharā’ib al-mawjūdāt (Marvels of Things Created and Miraculous Aspects of Things Existing) c. 1250 CE. Abu Yahya Zakariya' ibn Muhammad al-Qazwini (1203-1283), was a Persian physician, astronomer, geographer and proto-science fiction writer. Born in the Persian town of Qazvin, he served as legal expert and judge (qadhi) in several localities in Persia and at Baghdad. He travelled around in Mesopotamia and Syria, and finally entered the circle patronised by the governor of Baghdad.
Ahura Mazda supreme god in Zoroastrianism Persepolis UNESCO World Heritage Site Iran Middle East Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ahura-mazda-supreme-god-in-zoroastrianism-persepolis-unesco-world-image4489512.htmlRMAETH29–Ahura Mazda supreme god in Zoroastrianism Persepolis UNESCO World Heritage Site Iran Middle East
Stone relief depicting a man fighting a beast. Connected to the Mithraic mystery religion. A religion practised in the Roman Empire from 1st-4th century AD. It adopted the Persian God Mithra into the Greek Mithras, and was a very popular religion with the Roman military. Roman, Marble. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-stone-relief-depicting-a-man-fighting-a-beast-connected-to-the-mithraic-104976982.htmlRMG2P35X–Stone relief depicting a man fighting a beast. Connected to the Mithraic mystery religion. A religion practised in the Roman Empire from 1st-4th century AD. It adopted the Persian God Mithra into the Greek Mithras, and was a very popular religion with the Roman military. Roman, Marble.
Campania Caserta Santa Maria Capua Vetere Mitreo. Hutzel, Max 1960-1990 Antiquities: Plan, sculptural reliefs, architecture, fresco painting, architectural fragments Object Notes: Discovered in September 1922, one of the best preserved monuments of the habitations for the cult of the Persian god Mithras, dating from the 2nd-3rd centuries A.D. The building consists of a rectangular subterranean hallway of 23 x 3 meters, with painted ceiling. Frescoes and sculptural fragments abound. No information provided by Hutzel. See TCI, Campania, p.184 German-born photographer and scholar Max Hutzel (1911 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/campania-caserta-santa-maria-capua-vetere-mitreo-hutzel-max-1960-1990-antiquities-plan-sculptural-reliefs-architecture-fresco-painting-architectural-fragments-object-notes-discovered-in-september-1922-one-of-the-best-preserved-monuments-of-the-habitations-for-the-cult-of-the-persian-god-mithras-dating-from-the-2nd-3rd-centuries-ad-the-building-consists-of-a-rectangular-subterranean-hallway-of-23-x-3-meters-with-painted-ceiling-frescoes-and-sculptural-fragments-abound-no-information-provided-by-hutzel-see-tci-campania-p184-german-born-photographer-and-scholar-max-hutzel-1911-image600206260.htmlRM2WTDN5T–Campania Caserta Santa Maria Capua Vetere Mitreo. Hutzel, Max 1960-1990 Antiquities: Plan, sculptural reliefs, architecture, fresco painting, architectural fragments Object Notes: Discovered in September 1922, one of the best preserved monuments of the habitations for the cult of the Persian god Mithras, dating from the 2nd-3rd centuries A.D. The building consists of a rectangular subterranean hallway of 23 x 3 meters, with painted ceiling. Frescoes and sculptural fragments abound. No information provided by Hutzel. See TCI, Campania, p.184 German-born photographer and scholar Max Hutzel (1911
Élément de frise coranique Coran, soura , Arabic writing is used to note several languages, mainly Arabic, Persian, Turkish and Urdu. . Sometimes, letters treated as decorative motifs are unrecognizable. Several objects show the same words (bismillah: 'In the name of God, the Clement, the Merciful') written in different styles. This formula opens 113 of the 114 suras of the Koran. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lment-de-frise-coranique-coran-soura-arabic-writing-is-used-to-note-several-languages-mainly-arabic-persian-turkish-and-urdu-sometimes-letters-treated-as-decorative-motifs-are-unrecognizable-several-objects-show-the-same-words-bismillah-in-the-name-of-god-the-clement-the-merciful-written-in-different-styles-this-formula-opens-113-of-the-114-suras-of-the-koran-image263799762.htmlRMW95382–Élément de frise coranique Coran, soura , Arabic writing is used to note several languages, mainly Arabic, Persian, Turkish and Urdu. . Sometimes, letters treated as decorative motifs are unrecognizable. Several objects show the same words (bismillah: 'In the name of God, the Clement, the Merciful') written in different styles. This formula opens 113 of the 114 suras of the Koran.
Vertical shot of God Min in the Hibis Temple, the ancient capital of Kharga Oasis, Western Desert of Egypt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vertical-shot-of-god-min-in-the-hibis-temple-the-ancient-capital-of-41824309.htmlRFCC1799–Vertical shot of God Min in the Hibis Temple, the ancient capital of Kharga Oasis, Western Desert of Egypt
The Investiture of Ardashir I, relief depicts the Persian king Ardashir I receiving the sovereignty ring from god Ahura Mazda. Naqsh-e Rostam, Iran. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-investiture-of-ardashir-i-relief-depicts-the-persian-king-ardashir-i-receiving-the-sovereignty-ring-from-god-ahura-mazda-naqsh-e-rostam-iran-image594242416.htmlRM2WEP27C–The Investiture of Ardashir I, relief depicts the Persian king Ardashir I receiving the sovereignty ring from god Ahura Mazda. Naqsh-e Rostam, Iran.
God the cat close up in black and white. Chinchilla Persian beauty. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/god-the-cat-close-up-in-black-and-white-chinchilla-persian-beauty-image311986487.htmlRFS3G5XF–God the cat close up in black and white. Chinchilla Persian beauty.
Fragments of decoration from the temple of Inshushinak, tutelary god of Susa: bull-man and palm tree (symbol of fertility). Around 1150BC. Susa, Iran. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragments-of-decoration-from-the-temple-of-inshushinak-tutelary-god-of-susa-bull-man-and-palm-tree-symbol-of-fertility-around-1150bc-susa-iran-image327387309.htmlRF2A0HNRW–Fragments of decoration from the temple of Inshushinak, tutelary god of Susa: bull-man and palm tree (symbol of fertility). Around 1150BC. Susa, Iran.
Campania Caserta Santa Maria Capua Vetere Mitreo, this is my Italy, the italian country of visual history, Antiquities Plan, sculptural reliefs, architecture, fresco painting, architectural fragments Discovered in September 1922, one of the best preserved monuments of the habitations for the cult of the Persian god Mithras, dating from the 2nd-3rd centuries A.D. The building consists of a rectangular subterranean hallway of 23 x 3 meters, with painted ceiling. Frescoes and sculptural fragments abound Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/campania-caserta-santa-maria-capua-vetere-mitreo-this-is-my-italy-the-italian-country-of-visual-history-antiquities-plan-sculptural-reliefs-architecture-fresco-painting-architectural-fragments-discovered-in-september-1922-one-of-the-best-preserved-monuments-of-the-habitations-for-the-cult-of-the-persian-god-mithras-dating-from-the-2nd-3rd-centuries-ad-the-building-consists-of-a-rectangular-subterranean-hallway-of-23-x-3-meters-with-painted-ceiling-frescoes-and-sculptural-fragments-abound-image228175838.htmlRMR768H2–Campania Caserta Santa Maria Capua Vetere Mitreo, this is my Italy, the italian country of visual history, Antiquities Plan, sculptural reliefs, architecture, fresco painting, architectural fragments Discovered in September 1922, one of the best preserved monuments of the habitations for the cult of the Persian god Mithras, dating from the 2nd-3rd centuries A.D. The building consists of a rectangular subterranean hallway of 23 x 3 meters, with painted ceiling. Frescoes and sculptural fragments abound
Persian Zoroastrians Bungalow near Komra Agiary or Parsi fire temple, Camp, Pune, Maharashtra Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/persian-zoroastrians-bungalow-near-komra-agiary-or-parsi-fire-temple-camp-pune-maharashtra-image385086654.htmlRF2DAE5XP–Persian Zoroastrians Bungalow near Komra Agiary or Parsi fire temple, Camp, Pune, Maharashtra
The Persian, the Sun and the Cloud. A bearded, long-haired man kneels in front of a grave praying to the sun god. An envious cloud tries to hide the sun. Copperplate engraving by William Blake after an illustration by William Kent from Fables by John Gay, with a Life of the Author, John Stockdale, London, 1793. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-persian-the-sun-and-the-cloud-a-bearded-long-haired-man-kneels-in-front-of-a-grave-praying-to-the-sun-god-an-envious-cloud-tries-to-hide-the-sun-copperplate-engraving-by-william-blake-after-an-illustration-by-william-kent-from-fables-by-john-gay-with-a-life-of-the-author-john-stockdale-london-1793-image571812231.htmlRM2T6889B–The Persian, the Sun and the Cloud. A bearded, long-haired man kneels in front of a grave praying to the sun god. An envious cloud tries to hide the sun. Copperplate engraving by William Blake after an illustration by William Kent from Fables by John Gay, with a Life of the Author, John Stockdale, London, 1793.
Vintage drawing or engraving of biblical story of Esther standing with Mordecai in front of throne of Persian king Ahausuerus or Xerxes.Bible, Old Testament,Esther. Biblische Geschichte , Germany 1859. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-drawing-or-engraving-of-biblical-story-of-esther-standing-with-mordecai-in-front-of-throne-of-persian-king-ahausuerus-or-xerxesbible-old-testamentesther-biblische-geschichte-germany-1859-image339458866.htmlRF2AM7K6X–Vintage drawing or engraving of biblical story of Esther standing with Mordecai in front of throne of Persian king Ahausuerus or Xerxes.Bible, Old Testament,Esther. Biblische Geschichte , Germany 1859.
Ahura Mazda is the Avestan name for a divinity of the Old Iranian religion who was proclaimed the uncreated God by Zoroaster, the founder of Zoroastrianism. Ahura Mazda is described as the highest deity of worship in Zoroastrianism, along with being the f Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ahura-mazda-is-the-avestan-name-for-a-divinity-of-the-old-iranian-104017080.htmlRMG16ARM–Ahura Mazda is the Avestan name for a divinity of the Old Iranian religion who was proclaimed the uncreated God by Zoroaster, the founder of Zoroastrianism. Ahura Mazda is described as the highest deity of worship in Zoroastrianism, along with being the f
Art inspired by Necklace with the head of the Egyptian god Bes, Achaemenid, ca. 6th–4th century B.C., Iran, Achaemenid, Gold, L. 14 1/8 in. (85.9 cm), Metalwork-Ornaments, In the 5th century B.C. a homogeneous style of Persian court art and architecture was created that derived from, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-necklace-with-the-head-of-the-egyptian-god-bes-achaemenid-ca-6th4th-century-bc-iran-achaemenid-gold-l-14-18-in-859-cm-metalwork-ornaments-in-the-5th-century-bc-a-homogeneous-style-of-persian-court-art-and-architecture-was-created-that-derived-from-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462944981.htmlRF2HW4Y19–Art inspired by Necklace with the head of the Egyptian god Bes, Achaemenid, ca. 6th–4th century B.C., Iran, Achaemenid, Gold, L. 14 1/8 in. (85.9 cm), Metalwork-Ornaments, In the 5th century B.C. a homogeneous style of Persian court art and architecture was created that derived from, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
the ahriman dragon persian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-ahriman-dragon-persian-25770308.htmlRMBDWX84–the ahriman dragon persian
The stone carved statues of a Persian Eagle god and Antiochus on the western platform at the summit of Mt Nemrut in Turkey. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-stone-carved-statues-of-a-persian-eagle-god-and-antiochus-on-the-western-platform-at-the-summit-of-mt-nemrut-in-turkey-image368734391.htmlRF2CBW8DB–The stone carved statues of a Persian Eagle god and Antiochus on the western platform at the summit of Mt Nemrut in Turkey.
. Facsimile: A prayer, written in the form of a pentacle, by Siyyid Ali-Muhammad-i-Shirazi, also known as the Báb. Bab claimed these are verses from God. Also known as 'Haykal-e-Bab' (in Persian: هيكل باب). . Siyyid Ali-Muhammad-i-Shirazi 268 Haykal-Bab Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/facsimile-a-prayer-written-in-the-form-of-a-pentacle-by-siyyid-ali-muhammad-i-shirazi-also-known-as-the-bb-bab-claimed-these-are-verses-from-god-also-known-as-haykal-e-bab-in-persian-siyyid-ali-muhammad-i-shirazi-268-haykal-bab-image187761427.htmlRMMWD7H7–. Facsimile: A prayer, written in the form of a pentacle, by Siyyid Ali-Muhammad-i-Shirazi, also known as the Báb. Bab claimed these are verses from God. Also known as 'Haykal-e-Bab' (in Persian: هيكل باب). . Siyyid Ali-Muhammad-i-Shirazi 268 Haykal-Bab
The city of Bandar-e Kong is a historical port town near Bandar Lengeh in Hormozgan province in southern Iran, fronting the Persian Gulf. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-city-of-bandar-e-kong-is-a-historical-port-town-near-bandar-lengeh-in-hormozgan-province-in-southern-iran-fronting-the-persian-gulf-image431114300.htmlRF2G1AXK8–The city of Bandar-e Kong is a historical port town near Bandar Lengeh in Hormozgan province in southern Iran, fronting the Persian Gulf.
Persia/Iran: Chingiz/Genghis Khan (c. 1162-1227) fighting the Chinese in the mountains. Miniature painting from Ahmad Tabrizi's 'Shahanshahnama', c. 1397-1398. The Shahanshahnamah or Changiznamah of Ahmad Tabrizi is a Persian history of the Mongols written for Abu Sa‘id. It is a Persianised and partially Islamised version of Mongol history - note that the central banner in the margin is topped with the name of God, 'Allah', in Arabic. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/persiairan-chingizgenghis-khan-c-1162-1227-fighting-the-chinese-in-the-mountains-miniature-painting-from-ahmad-tabrizis-shahanshahnama-c-1397-1398-the-shahanshahnamah-or-changiznamah-of-ahmad-tabrizi-is-a-persian-history-of-the-mongols-written-for-abu-said-it-is-a-persianised-and-partially-islamised-version-of-mongol-history-note-that-the-central-banner-in-the-margin-is-topped-with-the-name-of-god-allah-in-arabic-image344245126.htmlRM2B01M4P–Persia/Iran: Chingiz/Genghis Khan (c. 1162-1227) fighting the Chinese in the mountains. Miniature painting from Ahmad Tabrizi's 'Shahanshahnama', c. 1397-1398. The Shahanshahnamah or Changiznamah of Ahmad Tabrizi is a Persian history of the Mongols written for Abu Sa‘id. It is a Persianised and partially Islamised version of Mongol history - note that the central banner in the margin is topped with the name of God, 'Allah', in Arabic.
Ruined fresco inside of the Mithraeum of Ancient Capua. Caserta, Italy. The Mithraeumis one of the most important of the Roman empire. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ruined-fresco-inside-of-the-mithraeum-of-ancient-capua-caserta-italy-the-mithraeumis-one-of-the-most-important-of-the-roman-empire-image331025923.htmlRF2A6FEXB–Ruined fresco inside of the Mithraeum of Ancient Capua. Caserta, Italy. The Mithraeumis one of the most important of the Roman empire.
Persian Emperor Darius I (521-486 BC), as Pharaoh of Egypt; wooden door from a box of statuettes. Darius is depicted making an offering to the Egyptian god Anubis. Isis appears at the left. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-persian-emperor-darius-i-521-486-bc-as-pharaoh-of-egypt-wooden-door-122927087.htmlRMH3YPN3–Persian Emperor Darius I (521-486 BC), as Pharaoh of Egypt; wooden door from a box of statuettes. Darius is depicted making an offering to the Egyptian god Anubis. Isis appears at the left.
Campania Caserta Santa Maria Capua Vetere Mitreo5. Hutzel, Max 1960-1990 Antiquities: Plan, sculptural reliefs, architecture, fresco painting, architectural fragments Object Notes: Discovered in September 1922, one of the best preserved monuments of the habitations for the cult of the Persian god Mithras, dating from the 2nd-3rd centuries A.D. The building consists of a rectangular subterranean hallway of 23 x 3 meters, with painted ceiling. Frescoes and sculptural fragments abound. No information provided by Hutzel. See TCI, Campania, p.184 German-born photographer and scholar Max Hutzel (191 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/campania-caserta-santa-maria-capua-vetere-mitreo5-hutzel-max-1960-1990-antiquities-plan-sculptural-reliefs-architecture-fresco-painting-architectural-fragments-object-notes-discovered-in-september-1922-one-of-the-best-preserved-monuments-of-the-habitations-for-the-cult-of-the-persian-god-mithras-dating-from-the-2nd-3rd-centuries-ad-the-building-consists-of-a-rectangular-subterranean-hallway-of-23-x-3-meters-with-painted-ceiling-frescoes-and-sculptural-fragments-abound-no-information-provided-by-hutzel-see-tci-campania-p184-german-born-photographer-and-scholar-max-hutzel-191-image600211666.htmlRM2WTE02X–Campania Caserta Santa Maria Capua Vetere Mitreo5. Hutzel, Max 1960-1990 Antiquities: Plan, sculptural reliefs, architecture, fresco painting, architectural fragments Object Notes: Discovered in September 1922, one of the best preserved monuments of the habitations for the cult of the Persian god Mithras, dating from the 2nd-3rd centuries A.D. The building consists of a rectangular subterranean hallway of 23 x 3 meters, with painted ceiling. Frescoes and sculptural fragments abound. No information provided by Hutzel. See TCI, Campania, p.184 German-born photographer and scholar Max Hutzel (191
Element of decoration (letters lam-alif) 13th -14th century Iran.,Arabic writing is used to note several languages, mainly Arabic, Persian, Turkish and Urdu. . Sometimes, letters treated as decorative motifs are unrecognizable. Several objects show the same words (bismillah: 'In the name of God, the Clement, the Merciful') written in different styles. This formula opens 113 of the 114 suras of the Koran. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/element-of-decoration-letters-lam-alif-13th-14th-century-iranarabic-writing-is-used-to-note-several-languages-mainly-arabic-persian-turkish-and-urdu-sometimes-letters-treated-as-decorative-motifs-are-unrecognizable-several-objects-show-the-same-words-bismillah-in-the-name-of-god-the-clement-the-merciful-written-in-different-styles-this-formula-opens-113-of-the-114-suras-of-the-koran-image263799777.htmlRMW9538H–Element of decoration (letters lam-alif) 13th -14th century Iran.,Arabic writing is used to note several languages, mainly Arabic, Persian, Turkish and Urdu. . Sometimes, letters treated as decorative motifs are unrecognizable. Several objects show the same words (bismillah: 'In the name of God, the Clement, the Merciful') written in different styles. This formula opens 113 of the 114 suras of the Koran.
Vertical shot of God Min in the Hibis Temple, the ancient capital of Kharga Oasis, Western Desert of Egypt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vertical-shot-of-god-min-in-the-hibis-temple-the-ancient-capital-of-41824333.htmlRFCC17A5–Vertical shot of God Min in the Hibis Temple, the ancient capital of Kharga Oasis, Western Desert of Egypt
The Investiture of Ardashir I, relief depicts the Persian king Ardashir I receiving the sovereignty ring from god Ahura Mazda. Naqsh-e Rostam, Iran. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-investiture-of-ardashir-i-relief-depicts-the-persian-king-ardashir-i-receiving-the-sovereignty-ring-from-god-ahura-mazda-naqsh-e-rostam-iran-image594242419.htmlRM2WEP27F–The Investiture of Ardashir I, relief depicts the Persian king Ardashir I receiving the sovereignty ring from god Ahura Mazda. Naqsh-e Rostam, Iran.
Tourists visit the Zoroastrian fire temple on a sunny day. Yazd Iran Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tourists-visit-the-zoroastrian-fire-temple-on-a-sunny-day-yazd-iran-image369773195.htmlRF2CDGHDF–Tourists visit the Zoroastrian fire temple on a sunny day. Yazd Iran
Ancient civilization zoroastrianism . Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-civilization-zoroastrianism-image475393533.htmlRF2JHC18D–Ancient civilization zoroastrianism .
Campania Caserta Santa Maria Capua Vetere Mitreo, this is my Italy, the italian country of visual history, Antiquities Plan, sculptural reliefs, architecture, fresco painting, architectural fragments Discovered in September 1922, one of the best preserved monuments of the habitations for the cult of the Persian god Mithras, dating from the 2nd-3rd centuries A.D. The building consists of a rectangular subterranean hallway of 23 x 3 meters, with painted ceiling. Frescoes and sculptural fragments abound Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/campania-caserta-santa-maria-capua-vetere-mitreo-this-is-my-italy-the-italian-country-of-visual-history-antiquities-plan-sculptural-reliefs-architecture-fresco-painting-architectural-fragments-discovered-in-september-1922-one-of-the-best-preserved-monuments-of-the-habitations-for-the-cult-of-the-persian-god-mithras-dating-from-the-2nd-3rd-centuries-ad-the-building-consists-of-a-rectangular-subterranean-hallway-of-23-x-3-meters-with-painted-ceiling-frescoes-and-sculptural-fragments-abound-image228175817.htmlRMR768G9–Campania Caserta Santa Maria Capua Vetere Mitreo, this is my Italy, the italian country of visual history, Antiquities Plan, sculptural reliefs, architecture, fresco painting, architectural fragments Discovered in September 1922, one of the best preserved monuments of the habitations for the cult of the Persian god Mithras, dating from the 2nd-3rd centuries A.D. The building consists of a rectangular subterranean hallway of 23 x 3 meters, with painted ceiling. Frescoes and sculptural fragments abound
God Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-god-81413812.htmlRFEMCM44–God
name of the god and mohammed in arabic Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/name-of-the-god-and-mohammed-in-arabic-image555039892.htmlRF2R70718–name of the god and mohammed in arabic
Illustration vector isolated of Persian mythical gods, Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-vector-isolated-of-persian-mythical-gods-image468344359.htmlRF2J5XX07–Illustration vector isolated of Persian mythical gods,
Ohrmazd, King Ardeshir II and Mithras. Ohrmazd (or Ahura Mazda) and Mithras flank the Persian king Ardeshir II. Orhrmazd is the central god of the Zoroastrian religion. He is considered the inventor and upholder of truth. Mithras is a deity of contract an Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ohrmazd-king-ardeshir-ii-and-mithras-ohrmazd-or-ahura-mazda-and-mithras-103998685.htmlRMG15FAN–Ohrmazd, King Ardeshir II and Mithras. Ohrmazd (or Ahura Mazda) and Mithras flank the Persian king Ardeshir II. Orhrmazd is the central god of the Zoroastrian religion. He is considered the inventor and upholder of truth. Mithras is a deity of contract an
Ancient statuettes depicting Goddess Anahita with a pomegranate fruit. Photography from the mid-20th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-statuettes-depicting-goddess-anahita-with-a-pomegranate-fruit-photography-from-the-mid-20th-century-image610905402.htmlRM2XDW422–Ancient statuettes depicting Goddess Anahita with a pomegranate fruit. Photography from the mid-20th century.
Carvings of Darius at Bisotun. Relief depicting King Darius facing a group of men, representing rebels defeated by the King. God Ahuramazda in a winged disk. Relief is carved into a rock face at Behistun (Bisotun). Kermanshah Province, Iran. Old 19th century engraved illustration, Le Tour du Monde 1863 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carvings-of-darius-at-bisotun-relief-depicting-king-darius-facing-a-group-of-men-representing-rebels-defeated-by-the-king-god-ahuramazda-in-a-winged-disk-relief-is-carved-into-a-rock-face-at-behistun-bisotun-kermanshah-province-iran-old-19th-century-engraved-illustration-le-tour-du-monde-1863-image357328147.htmlRM2BN9KKF–Carvings of Darius at Bisotun. Relief depicting King Darius facing a group of men, representing rebels defeated by the King. God Ahuramazda in a winged disk. Relief is carved into a rock face at Behistun (Bisotun). Kermanshah Province, Iran. Old 19th century engraved illustration, Le Tour du Monde 1863
Stone carved statues of Apollo (left), Zeus (centre) and a Persian eagle god (right) on the western platform at the summit of Mt Nemrut in Turkey. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stone-carved-statues-of-apollo-left-zeus-centre-and-a-persian-eagle-god-right-on-the-western-platform-at-the-summit-of-mt-nemrut-in-turkey-image368734394.htmlRF2CBW8DE–Stone carved statues of Apollo (left), Zeus (centre) and a Persian eagle god (right) on the western platform at the summit of Mt Nemrut in Turkey.
. Facsimile: A prayer, written in the form of a pentacle, by Siyyid Ali-Muhammad-i-Shirazi, also known as the Báb. Bab claimed these are verses from God. Also known as 'Haykal-e-Bab' (in Persian: هيكل باب). . Siyyid Ali-Muhammad-i-Shirazi 232 Haykal-Bab Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/facsimile-a-prayer-written-in-the-form-of-a-pentacle-by-siyyid-ali-muhammad-i-shirazi-also-known-as-the-bb-bab-claimed-these-are-verses-from-god-also-known-as-haykal-e-bab-in-persian-siyyid-ali-muhammad-i-shirazi-232-haykal-bab-image189060272.htmlRMMYGC8G–. Facsimile: A prayer, written in the form of a pentacle, by Siyyid Ali-Muhammad-i-Shirazi, also known as the Báb. Bab claimed these are verses from God. Also known as 'Haykal-e-Bab' (in Persian: هيكل باب). . Siyyid Ali-Muhammad-i-Shirazi 232 Haykal-Bab
Naophorous Statue of the Finance Officer and Overseer of Fields, Horwedja, 521-486 BC. Naophorous (naos.bearing) statues show the subject holding a naos, or shrine, containing an image of a deity, in this case the god Ptah of Memphis. These statues were very popular during the Late Period. Almost invariably they are of hard stone, made to last for eternity. As finance officer under Darius I, Horwedja was in a good position to afford such a monument. Darius I was the second Persian king to rule over Egypt and the only one who seems to have had a genuine appreciation of the country. Egypt prospe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/naophorous-statue-of-the-finance-officer-and-overseer-of-fields-horwedja-521-486-bc-naophorous-naosbearing-statues-show-the-subject-holding-a-naos-or-shrine-containing-an-image-of-a-deity-in-this-case-the-god-ptah-of-memphis-these-statues-were-very-popular-during-the-late-period-almost-invariably-they-are-of-hard-stone-made-to-last-for-eternity-as-finance-officer-under-darius-i-horwedja-was-in-a-good-position-to-afford-such-a-monument-darius-i-was-the-second-persian-king-to-rule-over-egypt-and-the-only-one-who-seems-to-have-had-a-genuine-appreciation-of-the-country-egypt-prospe-image330107895.htmlRM2A51KYK–Naophorous Statue of the Finance Officer and Overseer of Fields, Horwedja, 521-486 BC. Naophorous (naos.bearing) statues show the subject holding a naos, or shrine, containing an image of a deity, in this case the god Ptah of Memphis. These statues were very popular during the Late Period. Almost invariably they are of hard stone, made to last for eternity. As finance officer under Darius I, Horwedja was in a good position to afford such a monument. Darius I was the second Persian king to rule over Egypt and the only one who seems to have had a genuine appreciation of the country. Egypt prospe
Mongolia/Vatican City: Letter of Güyük Khan of the Ilkhanate to Pope Innocent IV, Persian version. Ink on paper, dated 11 November 1246. The Khagan wrote a letter to Pope Innocent IV on the relations between the Church and the Mongols. 'You must say with a sincere heart: 'We will be your subjects; we will give you our strength'. You must in person come with your kings, all together, without exception, to render us service and pay us homage. Only then will we acknowledge your submission. And if you do not follow the order of God, and go against our orders, we will know you as our enemy.' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mongoliavatican-city-letter-of-gyk-khan-of-the-ilkhanate-to-pope-innocent-iv-persian-version-ink-on-paper-dated-11-november-1246-the-khagan-wrote-a-letter-to-pope-innocent-iv-on-the-relations-between-the-church-and-the-mongols-you-must-say-with-a-sincere-heart-we-will-be-your-subjects-we-will-give-you-our-strength-you-must-in-person-come-with-your-kings-all-together-without-exception-to-render-us-service-and-pay-us-homage-only-then-will-we-acknowledge-your-submission-and-if-you-do-not-follow-the-order-of-god-and-go-against-our-orders-we-will-know-you-as-our-enemy-image344230322.htmlRM2B01182–Mongolia/Vatican City: Letter of Güyük Khan of the Ilkhanate to Pope Innocent IV, Persian version. Ink on paper, dated 11 November 1246. The Khagan wrote a letter to Pope Innocent IV on the relations between the Church and the Mongols. 'You must say with a sincere heart: 'We will be your subjects; we will give you our strength'. You must in person come with your kings, all together, without exception, to render us service and pay us homage. Only then will we acknowledge your submission. And if you do not follow the order of God, and go against our orders, we will know you as our enemy.'
The Roman cult of Mithras. Tauroctony. Mithras killing the bull. Marble. Roman statue. Louvre Museum. Paris. France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-roman-cult-of-mithras-tauroctony-mithras-killing-the-bull-marble-96195673.htmlRMFGE2FN–The Roman cult of Mithras. Tauroctony. Mithras killing the bull. Marble. Roman statue. Louvre Museum. Paris. France.
Lydian man in Persian dress. Lydia was a rich province of the Persian Empire and connected to Iran by a Royal Road. The Lydians carry gifts of precious metal drinking-bowls and breakers. The shape of the chariot and its reinforced tyres are similar to miniature depictions on a seal of Darius and a god chariot-model from the Oxus Treasure. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lydian-man-in-persian-dress-lydia-was-a-rich-province-of-the-persian-57346559.htmlRMD98A3B–Lydian man in Persian dress. Lydia was a rich province of the Persian Empire and connected to Iran by a Royal Road. The Lydians carry gifts of precious metal drinking-bowls and breakers. The shape of the chariot and its reinforced tyres are similar to miniature depictions on a seal of Darius and a god chariot-model from the Oxus Treasure.
Campania Caserta Santa Maria Capua Vetere Mitreo5. Hutzel, Max 1960-1990 Antiquities: Plan, sculptural reliefs, architecture, fresco painting, architectural fragments Object Notes: Discovered in September 1922, one of the best preserved monuments of the habitations for the cult of the Persian god Mithras, dating from the 2nd-3rd centuries A.D. The building consists of a rectangular subterranean hallway of 23 x 3 meters, with painted ceiling. Frescoes and sculptural fragments abound. No information provided by Hutzel. See TCI, Campania, p.184 German-born photographer and scholar Max Hutzel (191 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/campania-caserta-santa-maria-capua-vetere-mitreo5-hutzel-max-1960-1990-antiquities-plan-sculptural-reliefs-architecture-fresco-painting-architectural-fragments-object-notes-discovered-in-september-1922-one-of-the-best-preserved-monuments-of-the-habitations-for-the-cult-of-the-persian-god-mithras-dating-from-the-2nd-3rd-centuries-ad-the-building-consists-of-a-rectangular-subterranean-hallway-of-23-x-3-meters-with-painted-ceiling-frescoes-and-sculptural-fragments-abound-no-information-provided-by-hutzel-see-tci-campania-p184-german-born-photographer-and-scholar-max-hutzel-191-image600248851.htmlRM2WTFKEY–Campania Caserta Santa Maria Capua Vetere Mitreo5. Hutzel, Max 1960-1990 Antiquities: Plan, sculptural reliefs, architecture, fresco painting, architectural fragments Object Notes: Discovered in September 1922, one of the best preserved monuments of the habitations for the cult of the Persian god Mithras, dating from the 2nd-3rd centuries A.D. The building consists of a rectangular subterranean hallway of 23 x 3 meters, with painted ceiling. Frescoes and sculptural fragments abound. No information provided by Hutzel. See TCI, Campania, p.184 German-born photographer and scholar Max Hutzel (191
Tile with Bismillah, late 13th - early 14th century Iran Molded ceramic, glazed glaze decor. Arabic writing is used to note several languages, mainly Arabic, Persian, Turkish and Urdu. . Sometimes, letters treated as decorative motifs are unrecognizable. Several objects show the same words (bismillah: 'In the name of God, the Clement, the Merciful') written in different styles. This formula opens 113 of the 114 suras of the Koran. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tile-with-bismillah-late-13th-early-14th-century-iran-molded-ceramic-glazed-glaze-decor-arabic-writing-is-used-to-note-several-languages-mainly-arabic-persian-turkish-and-urdu-sometimes-letters-treated-as-decorative-motifs-are-unrecognizable-several-objects-show-the-same-words-bismillah-in-the-name-of-god-the-clement-the-merciful-written-in-different-styles-this-formula-opens-113-of-the-114-suras-of-the-koran-image263799763.htmlRMW95383–Tile with Bismillah, late 13th - early 14th century Iran Molded ceramic, glazed glaze decor. Arabic writing is used to note several languages, mainly Arabic, Persian, Turkish and Urdu. . Sometimes, letters treated as decorative motifs are unrecognizable. Several objects show the same words (bismillah: 'In the name of God, the Clement, the Merciful') written in different styles. This formula opens 113 of the 114 suras of the Koran.
