Petrarch canzoniere Stock Photos and Images
Petrarch, ( Petrarca, Francesco ), 20.7.1304 - 19.7.1374, Italian humanist, author, poet, scholar, work 'Canzoniere' , 264 canto, text and miniature, manuscript Bologna 1414, Bayerische Staatsbibliothek München, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-petrarch-petrarca-francesco-2071304-1971374-italian-humanist-author-19748947.htmlRMB43HYF–Petrarch, ( Petrarca, Francesco ), 20.7.1304 - 19.7.1374, Italian humanist, author, poet, scholar, work 'Canzoniere' , 264 canto, text and miniature, manuscript Bologna 1414, Bayerische Staatsbibliothek München,
Petrarch (1304-1374). Song Book (Il Canzoniere), Also known as the Scattered Rhymes. Poem. Folio 1r. Vatican Library. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-petrarch-1304-1374-song-book-il-canzoniere-also-known-as-the-scattered-50323397.htmlRMCWTC05–Petrarch (1304-1374). Song Book (Il Canzoniere), Also known as the Scattered Rhymes. Poem. Folio 1r. Vatican Library.
Petrarch (1304-1374). Italian scholar, poet, and one of the earliest humanists. Song Book (Il Canzoniere), Also known as the Scattered Rhymes. Poem. Folio 1r. Vatican Library. Vatican City. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/petrarch-1304-1374-italian-scholar-poet-and-one-of-the-earliest-humanists-song-book-il-canzoniere-also-known-as-the-scattered-rhymes-poem-folio-1r-vatican-library-vatican-city-image209615939.htmlRMP50R7F–Petrarch (1304-1374). Italian scholar, poet, and one of the earliest humanists. Song Book (Il Canzoniere), Also known as the Scattered Rhymes. Poem. Folio 1r. Vatican Library. Vatican City.
N/A. English: Manuscript page with the beginning of Petrarch's Canzone 323. Petrarch is depicted at his window, overlooking the first of his six visions. Allusions to his other visions are also depicted. circa 1470.. Attributed to Antonio Grifo. 268 Canzoniere-gv-15-venice-1470 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-manuscript-page-with-the-beginning-of-petrarchs-canzone-323-petrarch-is-depicted-at-his-window-overlooking-the-first-of-his-six-visions-allusions-to-his-other-visions-are-also-depicted-circa-1470-attributed-to-antonio-grifo-268-canzoniere-gv-15-venice-1470-image210120620.htmlRMP5RPYT–N/A. English: Manuscript page with the beginning of Petrarch's Canzone 323. Petrarch is depicted at his window, overlooking the first of his six visions. Allusions to his other visions are also depicted. circa 1470.. Attributed to Antonio Grifo. 268 Canzoniere-gv-15-venice-1470
Antonio Allegri da Correggio (1489-1534). Italian painter. Portrait of a man reading, 1517-1523. Oil on paper applied on canvas. Pinacoteca Castello Sforzesco, Milan, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antonio-allegri-da-correggio-1489-1534-italian-painter-portrait-of-a-man-reading-1517-1523-oil-on-paper-applied-on-canvas-pinacoteca-castello-sforzesco-milan-italy-image621494655.htmlRM2Y33ENK–Antonio Allegri da Correggio (1489-1534). Italian painter. Portrait of a man reading, 1517-1523. Oil on paper applied on canvas. Pinacoteca Castello Sforzesco, Milan, Italy.
An Allegory of Passion, about 1532-1536. Additional Info: The painted roundel in the center of this diamond-shaped wood panel features a rider in classical attire on a galloping white horse. A panel of this format usually depicted a coat of arms, but here it was adopted for a personal emblem. The unbridled horse-symbolic of vigor, ambition, or passion-carries a rider whose individualized features suggest it might be a portrait. Below, a cartouche holds the Italian inscription E cosi desio me mena (And so desire carries me along) taken from Petrarch's Canzoniere , written about 1342. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-allegory-of-passion-about-1532-1536-additional-info-the-painted-roundel-in-the-center-of-this-diamond-shaped-wood-panel-features-a-rider-in-classical-attire-on-a-galloping-white-horse-a-panel-of-this-format-usually-depicted-a-coat-of-arms-but-here-it-was-adopted-for-a-personal-emblem-the-unbridled-horse-symbolic-of-vigor-ambition-or-passion-carries-a-rider-whose-individualized-features-suggest-it-might-be-a-portrait-below-a-cartouche-holds-the-italian-inscription-e-cosi-desio-me-mena-and-so-desire-carries-me-along-taken-from-petrarchs-canzoniere-written-about-1342-image626632779.htmlRM2YBDGE3–An Allegory of Passion, about 1532-1536. Additional Info: The painted roundel in the center of this diamond-shaped wood panel features a rider in classical attire on a galloping white horse. A panel of this format usually depicted a coat of arms, but here it was adopted for a personal emblem. The unbridled horse-symbolic of vigor, ambition, or passion-carries a rider whose individualized features suggest it might be a portrait. Below, a cartouche holds the Italian inscription E cosi desio me mena (And so desire carries me along) taken from Petrarch's Canzoniere , written about 1342.
Coventry Patmore . sance.It is in the writings of Petrarch and Dante,and especially in the Canzoniere of the former,that we must look for examples of the sourceof Patmores later poetic form. At the close of 1865, as it was no longernecessary for him to work for his living, and asa tendency to lung complaint warned him ofthe danger of remaining in London, Patmoreresigned his position as an assistant in theLibrary of the British Museum, and withdrewto the country. He bought two contiguousestates, covering about four hundred acres, onthe borders of Ashdown Forest in Sussex.There was an ancient, b Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coventry-patmore-sanceit-is-in-the-writings-of-petrarch-and-danteand-especially-in-the-canzoniere-of-the-formerthat-we-must-look-for-examples-of-the-sourceof-patmores-later-poetic-form-at-the-close-of-1865-as-it-was-no-longernecessary-for-him-to-work-for-his-living-and-asa-tendency-to-lung-complaint-warned-him-ofthe-danger-of-remaining-in-london-patmoreresigned-his-position-as-an-assistant-in-thelibrary-of-the-british-museum-and-withdrewto-the-country-he-bought-two-contiguousestates-covering-about-four-hundred-acres-onthe-borders-of-ashdown-forest-in-sussexthere-was-an-ancient-b-image342738964.htmlRM2AWH318–Coventry Patmore . sance.It is in the writings of Petrarch and Dante,and especially in the Canzoniere of the former,that we must look for examples of the sourceof Patmores later poetic form. At the close of 1865, as it was no longernecessary for him to work for his living, and asa tendency to lung complaint warned him ofthe danger of remaining in London, Patmoreresigned his position as an assistant in theLibrary of the British Museum, and withdrewto the country. He bought two contiguousestates, covering about four hundred acres, onthe borders of Ashdown Forest in Sussex.There was an ancient, b
Antonio Allegri da Correggio (1489-1534). Italian painter. Portrait of a man reading, 1517-1523. Oil on paper applied on canvas. Pinacoteca Castello Sforzesco, Milan, Italy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antonio-allegri-da-correggio-1489-1534-italian-painter-portrait-of-a-man-reading-1517-1523-oil-on-paper-applied-on-canvas-pinacoteca-castello-sforzesco-milan-italy-image623470146.htmlRM2Y69EEX–Antonio Allegri da Correggio (1489-1534). Italian painter. Portrait of a man reading, 1517-1523. Oil on paper applied on canvas. Pinacoteca Castello Sforzesco, Milan, Italy.
Leaf from Canzoniere e Trionfi, 1473. Caii Plinii Secundi Naturalis historiae. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leaf-from-canzoniere-e-trionfi-1473-caii-plinii-secundi-naturalis-historiae-image571914217.htmlRM2T6CXBN–Leaf from Canzoniere e Trionfi, 1473. Caii Plinii Secundi Naturalis historiae.
