Piel de seda hi-res stock photography and images

'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain Stock Photo

RM2T4K8AW–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

silvia marty madrid 2022 premios fotogramas 2022 Stock Photo

RF2J3B2D2–silvia marty madrid 2022 premios fotogramas 2022

. Circular. Agriculture -- Cuba. 11 des cortantes. Una aguja de buena forma y tamaño se muestra en la Fig. núm. 2. Puede substituirse esta amolando una aguja de zurcir, dándole forma triangular, ó una trian- gular de coser tabaco podía usarse, pero sus resul- tados serán muy poco satisfactorios, porque es muy difícil introducirla por entre la piel del ani- mal. Una buena aguja de cirugía puede comprarse en cualquier establecimiento abastecedor de ins- trumentos quirúrgicos, por unos cuantos centa- vos, y ningún potrero debe carecer de una. Para coser heridas existe un hilo especial de seda que Stock Photo

RMREM323–. Circular. Agriculture -- Cuba. 11 des cortantes. Una aguja de buena forma y tamaño se muestra en la Fig. núm. 2. Puede substituirse esta amolando una aguja de zurcir, dándole forma triangular, ó una trian- gular de coser tabaco podía usarse, pero sus resul- tados serán muy poco satisfactorios, porque es muy difícil introducirla por entre la piel del ani- mal. Una buena aguja de cirugía puede comprarse en cualquier establecimiento abastecedor de ins- trumentos quirúrgicos, por unos cuantos centa- vos, y ningún potrero debe carecer de una. Para coser heridas existe un hilo especial de seda que

RM2T4K87E–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RF2J3B2CP–silvia marty madrid 2022 premios fotogramas 2022

. Circular. Agriculture -- Cuba. ser grueso y blan- co ó de color cla- Si el hilo es Figura N? 2 ro Figura N» 3 fino puede doblarse. El coser una herida produce poco dolor, excepto la punzada de la aguja cuando pasa por entre la piel; un retorcijón en la nariz del caballo es suficiente para re- frenar al mismo. La boca de un perro debe cerrarse apreta- damente con un fuerte vendaje. Cuando se cose una herida los puntos deben ser lo bastan- te unidos para que la herida no >H abra por entre estos. Es mejor dar un punto y atarlo; después se despunta la seda y se dá otro, como lo que se vé en l Stock Photo

RMREM31R–. Circular. Agriculture -- Cuba. ser grueso y blan- co ó de color cla- Si el hilo es Figura N? 2 ro Figura N» 3 fino puede doblarse. El coser una herida produce poco dolor, excepto la punzada de la aguja cuando pasa por entre la piel; un retorcijón en la nariz del caballo es suficiente para re- frenar al mismo. La boca de un perro debe cerrarse apreta- damente con un fuerte vendaje. Cuando se cose una herida los puntos deben ser lo bastan- te unidos para que la herida no >H abra por entre estos. Es mejor dar un punto y atarlo; después se despunta la seda y se dá otro, como lo que se vé en l

RM2T4K892–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RF2J3B2D9–silvia marty madrid 2022 premios fotogramas 2022

RM2T4K8B3–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RF2J3B2D4–silvia marty madrid 2022 premios fotogramas 2022

RM2T4K8B5–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RF2J3B2D1–silvia marty madrid 2022 premios fotogramas 2022

RM2T4K88N–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RF2J3B2CX–silvia marty madrid 2022 premios fotogramas 2022

RM2T4K8CJ–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RF2J3B2D5–silvia marty madrid 2022 premios fotogramas 2022

RM2T4K896–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RF2J3B2BK–silvia marty madrid 2022 premios fotogramas 2022

RM2T4K8BK–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RF2J3B2D7–silvia marty madrid 2022 premios fotogramas 2022

RM2T4K88C–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RF2J3B2DB–silvia marty madrid 2022 premios fotogramas 2022

RM2T4K8CK–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RM2T4K88D–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RM2T4K8C8–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RM2T4K882–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RM2T4K8CE–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RM2T4K88W–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RM2T4K8BN–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RM2T4K8BX–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RM2T4K8C6–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RM2T4K8BC–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RM2T4K8A9–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RM2T4K8B1–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RM2T4K8B2–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RM2T4K8B9–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

RM2T4K8C5–'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon, Spain

Tanimura Yasaburo, Chasen for beating tea to dust. Japanese traditional tea ceremony objects. 'Kimono: Piel de Seda' Exhibition at Museo de Zar Stock Photo

RM2T4K8BR–Tanimura Yasaburo, Chasen for beating tea to dust. Japanese traditional tea ceremony objects. 'Kimono: Piel de Seda' Exhibition at Museo de Zar

Ikeda Iki to get water. Japanese traditional tea ceremony objects. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from A Stock Photo

RM2T4K8BT–Ikeda Iki to get water. Japanese traditional tea ceremony objects. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from A

Kimono hikizuri kuromontsuki from Taishi era in painted and embroidered kinsha chirimen silk. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoz Stock Photo

RM2T4K8AH–Kimono hikizuri kuromontsuki from Taishi era in painted and embroidered kinsha chirimen silk. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoz

Kimono Montsuki from Meiji Era with rinzu silk Damascus and embroidered decoration. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing p Stock Photo

RM2T4K88E–Kimono Montsuki from Meiji Era with rinzu silk Damascus and embroidered decoration. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing p

RM2T4K8AF–Kimono hikizuri kuromontsuki from Taishi era in painted and embroidered kinsha chirimen silk. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoz

Kimono furisode from Taisho era with kinsha chirimen silk embroidered with gold thread. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza show Stock Photo

RM2T4K8C4–Kimono furisode from Taisho era with kinsha chirimen silk embroidered with gold thread. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza show

RM2T4K8C3–Kimono furisode from Taisho era with kinsha chirimen silk embroidered with gold thread. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza show

RM2T4K879–Kimono furisode from Taisho era with kinsha chirimen silk embroidered with gold thread. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza show

RM2T4K8C2–Kimono furisode from Taisho era with kinsha chirimen silk embroidered with gold thread. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza show

Tanzan Kotoge, Chawan for drinking tea, Kyo-yaki style. Japanese traditional tea ceremony objects. 'Kimono: Piel de Seda' Exhibition at Museo d Stock Photo

RM2T4K8CH–Tanzan Kotoge, Chawan for drinking tea, Kyo-yaki style. Japanese traditional tea ceremony objects. 'Kimono: Piel de Seda' Exhibition at Museo d

Japanese traditional tea ceremony objects. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Ara Stock Photo

RM2T4K8CD–Japanese traditional tea ceremony objects. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Ara

RM2T4K894–Japanese traditional tea ceremony objects. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Ara

Kimono uchikake from Meiji Era, hand painted and embroidered silk. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Stock Photo

RM2T4K8CA–Kimono uchikake from Meiji Era, hand painted and embroidered silk. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita

RM2T4K8BM–Kimono uchikake from Meiji Era, hand painted and embroidered silk. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita

Kimono uchikake from Meiji era, silk with embroidered decoration in gold thread. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pi Stock Photo

RM2T4K88P–Kimono uchikake from Meiji era, silk with embroidered decoration in gold thread. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pi

RM2T4K8CM–Japanese traditional tea ceremony objects. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Ara

RM2T4K8C1–Japanese traditional tea ceremony objects. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Ara

RM2T4K8C9–Japanese traditional tea ceremony objects. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Ara

RM2T4K895–Japanese traditional tea ceremony objects. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Ara

RM2T4K8CC–Japanese traditional tea ceremony objects. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Ara

RM2T4K8AG–Japanese traditional tea ceremony objects. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Ara

RM2T4K8AB–Japanese traditional tea ceremony objects. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Ara

RM2T4K884–Japanese traditional tea ceremony objects. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Ara

RM2T4K88J–Japanese traditional tea ceremony objects. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Ara

Kimono irotomesode from Taisho era in kinsha chirimen silk. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´ Stock Photo

RM2T4K88K–Kimono irotomesode from Taisho era in kinsha chirimen silk. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´

RM2T4K8CB–Kimono irotomesode from Taisho era in kinsha chirimen silk. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´

RM2T4K8CF–Kimono irotomesode from Taisho era in kinsha chirimen silk. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´

Fukuro obi, Hensei Era, silk with Nishijin-ori embroidery. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Stock Photo

RM2T4K8B0–Fukuro obi, Hensei Era, silk with Nishijin-ori embroidery. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s

Children's haori jacket from Showa era. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon Stock Photo

RM2T4K88Y–Children's haori jacket from Showa era. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon

RM2T4K88B–Children's haori jacket from Showa era. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon

RM2T4K890–Children's haori jacket from Showa era. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Aragon

RM2T4K8B6–Fukuro obi, Hensei Era, silk with Nishijin-ori embroidery. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s

RM2T4K8BY–Fukuro obi, Hensei Era, silk with Nishijin-ori embroidery. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s

Fukuro obi from Showa era, embroidered silk. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, A Stock Photo

RM2T4K88F–Fukuro obi from Showa era, embroidered silk. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, A

RM2T4K88A–Fukuro obi from Showa era, embroidered silk. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, A

RM2T4K88T–Fukuro obi from Showa era, embroidered silk. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, A

Kimono omeshi and Nagoya obi from Showa Era. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Ar Stock Photo

RM2T4K8B8–Kimono omeshi and Nagoya obi from Showa Era. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Ar

Kimono homongi from Showa era with dyed silk. Fukuro obi from Showa era. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Stock Photo

RM2T4K881–Kimono homongi from Showa era with dyed silk. Fukuro obi from Showa era. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from

RM2T4K88H–Kimono omeshi and Nagoya obi from Showa Era. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from Anita Henry´s Collection, Ar

RM2T4K8BG–Kimono homongi from Showa era with dyed silk. Fukuro obi from Showa era. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing pieces from

Kimono komon from Heisei Era with silk decorated in katazome technique. Nagoya obi from Showa Era. 'Kimono: Piel de Seda' Exhibition at Museo de Za Stock Photo

RM2T4K8BW–Kimono komon from Heisei Era with silk decorated in katazome technique. Nagoya obi from Showa Era. 'Kimono: Piel de Seda' Exhibition at Museo de Za

RM2T4K8C0–Kimono komon from Heisei Era with silk decorated in katazome technique. Nagoya obi from Showa Era. 'Kimono: Piel de Seda' Exhibition at Museo de Za

RM2T4K8BJ–Kimono komon from Heisei Era with silk decorated in katazome technique. Nagoya obi from Showa Era. 'Kimono: Piel de Seda' Exhibition at Museo de Za

RM2T4K88X–Kimono komon from Heisei Era with silk decorated in katazome technique. Nagoya obi from Showa Era. 'Kimono: Piel de Seda' Exhibition at Museo de Za

RM2T4K8AY–Kimono komon from Heisei Era with silk decorated in katazome technique. Nagoya obi from Showa Era. 'Kimono: Piel de Seda' Exhibition at Museo de Za

Kimono komon from Heisei era. Nagoya obi from Showa era in shioze habutae silk. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing piec Stock Photo

RM2T4K88M–Kimono komon from Heisei era. Nagoya obi from Showa era in shioze habutae silk. 'Kimono: Piel de Seda' Exhibition at Museo de Zaragoza showing piec

Kimono tsukesage from Showa era, Oshima tsumugi natural silk with dyed and painted forms. Fukuro Obi from Showa era, laminated silk and hand painted d Stock Photo

RM2T4K8CN–Kimono tsukesage from Showa era, Oshima tsumugi natural silk with dyed and painted forms. Fukuro Obi from Showa era, laminated silk and hand painted d

RM2T4K8BP–Kimono tsukesage from Showa era, Oshima tsumugi natural silk with dyed and painted forms. Fukuro Obi from Showa era, laminated silk and hand painted d

Kimono homongi from Taisho Era with tsumugi silk dyed with shibori technique. Nagoya Obi from middle Showa age with hige tsumugi silk decorated with k Stock Photo

RM2T4K893–Kimono homongi from Taisho Era with tsumugi silk dyed with shibori technique. Nagoya Obi from middle Showa age with hige tsumugi silk decorated with k

RM2T4K887–Kimono tsukesage from Showa era, Oshima tsumugi natural silk with dyed and painted forms. Fukuro Obi from Showa era, laminated silk and hand painted d

RM2T4K87W–Kimono homongi from Taisho Era with tsumugi silk dyed with shibori technique. Nagoya Obi from middle Showa age with hige tsumugi silk decorated with k

RM2T4K8BA–Kimono homongi from Taisho Era with tsumugi silk dyed with shibori technique. Nagoya Obi from middle Showa age with hige tsumugi silk decorated with k

RM2T4K87M–Kimono homongi from Taisho Era with tsumugi silk dyed with shibori technique. Nagoya Obi from middle Showa age with hige tsumugi silk decorated with k

RM2T4K8A5–Kimono homongi from Taisho Era with tsumugi silk dyed with shibori technique. Nagoya Obi from middle Showa age with hige tsumugi silk decorated with k

RM2T4K8BD–Kimono homongi from Taisho Era with tsumugi silk dyed with shibori technique. Nagoya Obi from middle Showa age with hige tsumugi silk decorated with k

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